#obviously like some people won't want that

[dustisus]

Imagine you are Erik Klose. You get an exchange student who is obviously not doing alright, but you and your family show him that there is nothing wrong with him. Over the year he comes out of his shell and you are so in love with the vibrant person who has been hiding in there all year so you tell him you love him and he tells you he loves you too.

He goes back home but he returns (for you) when there is nothing left for him there, and your family is so ready to embrace him as one of their own. You catch him and your grandma in the kitchen, and she's teaching him the family recipe for Spätzle and he's teaching her the ingredients' names in Spanish. When the winter comes he is always the first one to volunteer to shovel snow with your father. When warmer temperatures come you wake up to his voice streaming in from the window where he always has breakfast with your mother. Your family loves him, so when he decides to move away again to take care of his own family (we are your family, too, you tell him, and he just smiles) they cry just as much as you do. The night before he has to wake up early to catch his plane you ask him to marry you, in the future, when it's legal, and he says yes. Still you wake up from his alarm early in the morning and his kiss goodbye.

At first you speak on the phone every day but then a job takes you across the country and takes all your time, and when his first job doesn't make him enough money for a three-bedroom house, he gets another one, and then another, until you have to schedule calls days in advance and most days you just text. But he tells you again and again that those boys need him, and from the sound of it, they do need someone to love them. And who will love them like your fiancé will love them? You have never met a person so capable of love, of engagement, in your life.

The call comes one early morning and he says that one of the twins has been arrested, that he has gotten into a fight, that it was to defend him, and doesn't mention until several minutes into the frantic call that it was him that he was defending. He says he has a smarting rib but is okay but what will happen to his cousin? I don't care, you don't say.

Finally the twins turn 18 and you start a countdown until they graduate in the spring, but come March he calls you and says they have all been offered full-ride scholarships, on the term that they all play Exy. The coach says he needs to keep an eye on Andrew, and maybe that would be for the best? he asks, and then when can start a life together I'd have a degree, and... and... By the time the call ends, he's convinced, and you could never step on his dreams.

Over the first year he calls you and tells you about his asshole teammates, and of how he answers on Andrew's beck and call to make sure things run somewhat smoothly within the team. You hear him pause slightly before choosing his words, consciously choosing the most innocent ones for his twins and the most incriminating ones for himself.

In the summer he comes home to you, but the summer is too short.

The next year, his texts dwindle and on your calls he sniffles but says he's not crying. He calls and says he did something bad and whatever comes to him it's his fault, but won't elaborate. This sounds like what he was saying when he first met you, so you comfort him and says it isn't. It's just been difficult, he says, when a teammate's died. You want to tell him it's so simple here, so simple to you, but you don't. It's not what he needs to hear.

The next few months are a shitshow that you only hear about from his calls and texts, and then eventually some news articles that reach you from the other side of the world. It worries you to know that he is distantly involved with some of the people that are not mentioned by name in the articles, but that you recognize from his stories. Once again, you tell yourself that he knows how to manage it, has always been able to manage it.

The chaos culminates at the championship finals and you are there to see it all go down. He turns his head to you, shouts your name as you spot the opposite player come close to killing your fiancé's friend. He lives, but the opposite player doesn't, and there are no loud celebrations for you to take part in. That night you and your fiancé celebrate quietly, on your own. You have not seen him in almost a year, and it's as if some of the vibrancy has run out of him. His eyes lack a glint, his hair a shine.

You stay a week and you meet the twins in person for the first time. Andrew is more subdued now than in past stories, Aaron feistier. You don't care much for them, but they are important to Nicky, so you make an effort. Neither will talk to you.

It only takes two days until Aaron catches you cuddling on the sofa in the dorm and you overhear an ew. It bewilders you but Nicky is falling asleep so you just continue running your fingers through his hair. The next day all of the Foxes have gathered for a film night, and Nicky has talked about how excited he is for you to meet them and introduces you to them with a joke and a flourish. They tell him to shut up, and Nicky laughs it off as a joke. Maybe you just did not get it. The rest of the night they try to pull you into also harping on Nicky, and get bored when you just say that you love him.

A week into your visit, Andrew pulls a knife on Nicky, and all the moments you have shared with him, all the ones you have planned, flash before your eyes. Nicky doesn't even seem scared, and the Foxes around them watch you curiously instead of the crime before them. Before you know what you're doing you have grabbed Andrew to pull him off, pull him away, but you're quickly overpowered.

Nicky cries as he patches you up. You understand he had not wanted you to see that, and you don't know what to say. You pull up the edge of his shirt to find small scars patterning the bottom of his abdoment, and for the first time you see them as what they are and not as a result of the game. You ask how often this happens, and he says only when I deserve it. He says it and you watch yourself transported, sitting in Berlin with a boy who said I deserved it, and once again you tell him he has never deserved this. You tell him he needs to leave, to please go back home with you, that they are not his family, but he says he can't. You have not seen him so grey in years.

He sees you off at the airport when you leave. Once again you plead for him to come with you, and once again he says he can't. You know you can't force it, can only say that you'll wait as long as it takes.

[i-am-snowils-admiral]

So the dpxdc fandom has been trying to come up with more ways to get Danny into Gotham without relying on the old Bat-adoption trope (though it's a fun trope that I love), which typically either means aging him up or giving him a fake id and making him live alone in Gotham pretending to be aged up, but personally I think we can streamline the process a bit by borrowing liberally from Marsalias' fic Adoption (if you haven't read it, definitely do, it's a really good fic) and sticking Actual Master of Time Clockwork in Gotham as yet another weird rich cryptid.

For those who haven't read that fic, the basic premise is that Clockwork decides to adopt Danny completely legally through both ghost and human methods. He is required to establish a human persona for this, which I find hysterical. He and Danny end up living in an incredibly creepy manor that they both love. We can easily uproot that thing and plop it into Gotham. If we want to be particularly funny about it, we can sandwich Wayne Manor between Clockwork and the Drakes to make them all neighbors.

Now what you do from there is obviously subject to whatever story you're wanting to tell, but there's a couple fun things I want to suggest:

Clockwork doesn't try very hard on his human persona. He still dresses like a time god in a fantasy novel (I'm a little in love with 13thcat's designs so I like to imagine his human form looks a little like this). You have to live, what, 40-50 years in a city to be established? Sure. Why bother aging visibly in this time? That's not necessary! What does he do for work? Uhhhh he's a woodworker who makes clocks. That's why he has millions or even billions of dollars, obviously.

5-year-old Bruce Wayne is OBSESSED with Clockwork (aka Charles Worth). This is baby's first incredibly pure crush. This is your really cool kindergarten teacher that you remain a little in love with well into adulthood, except instead of being nice CW is just really weird and doesn't care about what 5-year-olds are able to discuss. Baby Bruce does that little kid "I'll marry you when I grow up" thing that everyone finds adorable but CW says "there are many timelines where you get married, though never to me. Some options are better than others, but I won't tell you about them" because what else would he say.

When Danny shows up in Gotham decades later as CW's adopted kid Bruce is zeroed in on all the gossip. His interest is based entirely on his childhood obsession though so he uses absolutely zero Batman skills to investigate the situation and therefore finds nothing weird about Danny's background. The batkids find this hilarious because there is Clearly something weird going on with that kid.

Clockwork could easily solve all of the Bats' problems and tell them the answers to all the investigations they're doing but why would he do that???? That's boring. He's vibing in his new house with his cool liminal son why would he be worried about *checks notes* the hundreds of people dying to rogue attacks nearby.

Despite never being genuinely helpful he DOES randomly drop in-universe lore that no one would've figured out otherwise. Usually he does this about six months after it would've been really nice to know.

He doesn't do this out of malice he just doesn't intervene in things normally and if he does, it's only by request. The Bats (besides Batman because he's still oblivious) are too worried about what he might ask for in exchange to make requests though they know he's powerful but they are totally wrong because he's just sitting there baking bread thinking "hm I wonder why Timothy never asked me to help him get Batman back from being lost in the time stream, I could've done that really easily without changing too much. Oh well, whatever makes him happy."

Danny also never makes requests but that's because CW went a bit too hard on teaching him messed up karmic lessons about interfering with time so Danny just assumes it's always a bad idea to ask.

[atthebell]

Natal Macabro Slasher/Horror References

Spoilers, obviously, for a lot of classic as well as newer slashers and horror films generally. Content warnings for blood, gore, and graphic violence. I'm gonna order this generally by how influential I think each film is, although sometimes it's just whatever order I wanted to list them in. Additional disclaimers at the bottom along with some footnotes and fun facts.

Friday the 13th (1980) references:

The camp setting, though I'll discuss later other instances of this that are likely also inspiration.

Aguiar's mask is Jason Voorhees-inspired (though the signature Jason mask first appeared in Friday the 13th Part III, not the first film).

The axe is also a Friday the 13th reference-- though axe killings are very common in slashers, the specific scene of Brenda being killed by an axe to the head in Friday the 13th seems like inspiration for Aguiar's favored method of splitting people's heads open with an axe.

Alice likely having been Aguiar's adoptive mother* & also a killer (Pam Voorhees was the original Friday the 13th killer, then Jason took up the role in subsequent films)

Diamond Lake is a reference to Crystal Lake, the location of the original and most subsequent Friday the 13th films.

Halloween (1978) references:

The true pioneer of the slasher, Halloween kicked off the genre and is widely recognized as the first slasher as well as a pivotal horror film.

Solidified some key elements of the final girl trope, namely that the final female survivor has a confrontation with the killer herself

Scream (1996) references:

Ghostface uses a hunting knife, as does Jae in Natal Macabro.

Ghostface plays a game with Casey Becker in the original movie-- if she can guess horror movies correctly from clues he gives her over the phone, the killer won't hurt her boyfriend. Jae creates a game for their victims to have to find keys and avoid her in the house. Not completely the same but similar enough that I'm including it.

Ghostface's costume includes a hood, as does Jae's.

The imposter trope/unsureness about who the killer is and if the protagonist/final girl knows them is very much a thing in Scream, but I discuss it a bit more below as well

Cellbit loves this fucking franchise he is obsessed with Ghostface

Black Christmas (1974) references:

The film's poster is in the house, first of all

Christmas horror, obviously, set in a sorority house where some members have left for the holidays and others are staying, making them targets for the killer.

For a big portion of the movie, several of the characters' bodies are in the attic while other characters, unaware of the danger, wander the house.

Considered to be one of the first true slashers

The imposter element that I'll discuss somewhat below is definitely present in Black Christmas.

The Texas Chainsaw Massacre (1974) references:

Made the masked killer trope popular, though it wasn't the first.

Leatherface, the main killer in the film, wears a mask made of human flesh-- just like Alice Lucina's Caçadora de Gente mask.

Includes the young people stopping at a random house trope.

You Might Be the Killer (2018) references

Similar masks, particularly with the lack of a mouth hole

The mask in You Might Be the Killer makes the wearer lose control of themself and kill others, sometimes going into a fugue state and being compelled to continue putting the mask on.

The Prisoners (2013) references:

This reference is the major reason I believe in the idea that Alice was Aguiar's adoptive mother in some way, as in The Prisoners, Helen Jones kidnaps a young boy named Alex and raises him to be a killer like her. The portrait of Alice in the house seems to be a clear nod to Helen (big glasses, white turtleneck, crazy eyes), and I've seen way too many Brazilians on Twitter talking about this movie as a reference point to think it's coincidence.

Saw (2004) references:

Let's play a game shit

Waking up locked in a location & needing to escape (through harming yourself)

Yet another masked freak

Dead by Daylight references:

Dead by Daylight isn't a slasher film, but it's a game entirely based around slashers, and it's a game Cellbit has played a lot of so I think it's fair to discuss.

Hooks and generators -- DBD didn't invent people getting put on hooks, see below, but it is the signature of the game

Underground/shadow travel by the killers

Killers participating in rituals to sacrifice survivors (this is also kind of just Ordem shit but yk)

Not really references, but Sobrevivendo ao Horror as an addition has a lot of stuff that lends itself well to a Dead by Daylight setting-- chase sequences and the mechanics involved, for instance. Very neat!!! It's a good system and a good supplement for slashers, which makes it interesting to compare to DBD as a video game adaptation of slashers.

DBD's whole Entity thing is also very Lovecraftian and very Ordem-like so that's fun as well

General slasher/horror tropes:

Useless cops/cops are in on the killings (Aguiar)

Hot blonde girl/hot cheerleader (Mel)

Genre-aware person who wants to leave the situation before others are scared (Shany)

Horror nerd -- Best example is Randy in Scream, and in Natal Macabro is represented by Nath. This trope can be represented very similarly to the genre-aware character trope, but they aren't inherently the same role.

Imposter (sorry)-- generally a group member who either hides that they are the killer or has some other ulterior motive, or serves as a red herring. Think Peter in Black Christmas, or Billy and Stu in Scream. Jorel fills this role but so does Aguiar, appearing to the first group to be an ally before revealing that he's in on the killings.

Previous murders/a location seemingly marked for repeat killings (think Friday the 13th, Scream, etc. & the previous camper killings in 2013 in Natal Macabro)

Axes and hunting knives as weapons, bear traps -- For the latter, I would look towards My Heart is a Chainsaw and the rest of The Indian Lake Trilogy-- all of which include bear traps, and the series is a great horror read & glossary for slashers. I believe there's also bear traps in DBD.

Camp location, particularly with an accompanying lake -- Present in Friday the 13th, Sleepaway Camp, and a ton of other slashers, present in NM with o Acampamento Lua da Benquerença.

Teenagers sneaking into an abandoned/supposedly abandoned house -- This trope seems to have originated with A Bay of Blood/Ecologia del delitto (1971), which was a huge influence on slashers, but is present throughout many horror films.

Secluded cabin location (typically involving young people) -- Occurs in Evil Dead (1981), The Cabin in the Woods (2011), etc.

Broken down vehicle/roadtrip -- Present in The Texas Chainsaw Massacre as well as many others

Complex parental relationships (particularly mommy issues) -- Present in Friday the 13th, relevant here if Alice and Aguiar are parent and child as I think they are

Hooks as weapons/killers putting people on hooks -- present in Black Christmas, I Know What You Did Last Summer (1997), and of course extremely central to Dead by Daylight, but Candyman (1992) is what really stands out to me as the slasher most connected to the hook as a weapon.

Other Christmas slashers/horror films: Silent Night, Bloody Night (1972), Home for the Holidays (1972), Silent Night, Deadly Night (1984)

Final girl-- a common trope in horror movies and particularly slashers. The most commonly acknowledged initiation of the trope comes from the 1973 giallo* film Torso, but it's most widely known from Black Christmas and, especially, Halloween, with Laurie Strode, Sidney Prescott, Alice Hardy, and Ellen Ripley being some of the most famous final girls in horror. Final girl is sometimes applied to men in horror films as well, most often Ash from Evil Dead, but is meant to be applied to women as the slasher franchise's relationship with female characters and misogynistic violence is a complex one. Final characters generally have become especially popular to talk about in recent years.

My many disclaimers/footnotes:

[1] I have no confirmation on any of these references (aside from the Black Christmas poster, lol), although some of them are extremely obvious if you're a fan of horror/have seen these movies. I'm also only listing the initial film in a franchise unless there's a clear reference to a later film-- you can get the picture from the first Scream, for example; you don't need me to go on about each sequential film including certain tropes/elements too. I am not an expert or even all that well-versed on slashers, either, I just enjoy doing research and like learning about film and horror history. If I missed any references, feel free to let me know and I'll add them to the post, or you can reblog with references you noticed too. Some of these I'll also admit are just me talking about important films to the genre that I think inform any conversation about Natal Macabro and any other kind of slasher. I also haven't seen every film I mentioned here, some I've only read the summary of, others I've seen only parts of.

[2] I know this is just one of my theories about NM but it seems pretty likely to me for this and other reasons included later (The Prisoners connection, for instance) so I'm putting it on the list.

[3] Italian giallo films were the precursor to slashers-- they were generally considered exploitation films full of gratuitous sex and violence, and paved the way for the kinds of plots, gore, and tropes that would become popular in slashers.

Fun facts:

Breno is not alone in being a Black final character! If you count George Romero's Night of the Living Dead, the first movie to feature zombies (though they weren't called that in the movie), Ben is one of the first final guys, although he's still killed by the end of the film, just not by "ghouls." There have been many other Black final characters in horror (Alexa Woods in Alien vs. Predator, Selena in 28 Days Later, Jeryline in Demon Knight, Tess in Barbarian, and more), though definitely not as many as there should be. The lack of Black leads, and specifically Black female leads, means slashers suffer in the same way many pieces of media do, along with the fact that so many of the characters that aren't the protagonist must die according to the formula. I've heard the latest Scream also has a Black female survivor by the end, so I'm excited about more diverse casting and writing becoming more prevalent within horror as a genre.

Some other character tropes present with the NM cast of characters: Jorel as the wimpy injured guy who turns out to suck, Leandro as the brooding suspicious guy who's actually fine, Lila as the weird spiritual person, Ricardo and Breno both as the jocks, Lucio as the more recent horror trope of influencers/filmmakers who get stuck in a horror situation.

Masked killers are EXTREMELY common in slashers, as they provide a way to hide the identity of the killer until the "reveal," a typical part of the film/story when the identity, backstory, and motivations of the killer are revealed, usually by the final girl/remaining survivors finding said information. They're also just great for marketing.

Noncomprehensive horror homework Letterboxd list

More recommendations:

Book recs:

The Indian Lake Trilogy (My Heart is a Chainsaw, Don't Fear the Reaper, The Angel of Indian Lake) - Stephen Graham Jones [IMO this series is THE way to learn about slashers if you're unfamiliar-- Jade Daniels is a veritable encyclopedia of slashers, and the narratives of the books themselves are wonderful and crazy and gory and just awesome.]

The Only Good Indians - Stephen Graham Jones

Out There Screaming - ed. Jordan Peele

For game recs: Dead by Daylight, Little Nightmares, Alien Isolation (don't actually play it it's terrible but go watch someone's playthrough if you're into self-flagellation and the Alien franchise), Resident Evil, Outlast, Killer Frequency, and plenty more survival-horror. Do NOT play Until Dawn, but read the Wikipedia page or something to understand how not to pay homage to slashers, because that's what that game is.

For stuff that I think relates to more typical Ordem content (aka more paranormal horror), I'd recommend Shirley Jackson, Lovecraft, and some Stephen King, although for the latter two there's a lot of disclaimers to provide and curated recommendations that you should track down.

[plaidos]

Didn't want to be that one follower who sucks the wind out of the room with a big addition, so sending this for you to answer or ignore at your own discretion.

Visavis that body slider post, I kind of just feel like we can't and will never be able to depend on AAA games to represent us accurately, or really any minority experience for that matter. These games are all fairly archetypical power fantasy heroes quests or whatever, and especially if they incorporate full character customization, they necessarily will shave off granularity, especially in the name of budget feasibility.

Maybe they could be convinced that transfems are a large enough market to hire a VA for us, and learn the dos and donts of body/gender character creation by rote, but the story will still be roughly the same. They won't add a hundred, maybe thousand, little instances of microaggression, degendering, kneejerk suspicion; completely rewrite the fabric of how every other character in the game interacts with us, because then they'd have to do that for every other conceivable identity.

I'm not saying this is fair, or justified, or that they should be let off the hook for it, but I just unfortunately don't see it ever changing for these types of games. A far more feasible ask, in my opinion, would be to demand that games if anything stop making the character a blank canvas for the audience to craft an effigy of themselves, and instead force them to make narratives that are explicitly transfeminine alongside being power fantasy heroes quests; to ask the majority cis audience to step into our shoes for once, in a way that can't be cordoned off to the side as the overwhelming majority of the audience plays as a character that doesn't force them to challenge their preconceptions of the world.

i agree somewhat, but i’m not necessarily asking for literally every line of dialogue to be restructured for every element of every character — but this is Dragon Age we’re talking about; it prides itself on writing separate dialogues for different character traits, and it literally follows through on doing that with transness as a trait too — that’s actually one of the cooler parts of Veilguard. the problem is that when we come to meet the non-binary character, none of their story makes any kind of sense. theyre closeted and anxious about telling their mom, but… there doesn’t seem to be any transphobia in this world, so why would that be a factor? there’s this great big Very Special Episode feeling cutscene about this character being accidentally misgendered and how all the cis characters should punish themselves for it. but if there’s no transphobia, that’s just a genuine mistake, like i don’t see people forcing themselves to do push-ups when they accidentally refer to their married friend as “miss”, or if you accidentally refer to a cis person who changed their name by their old name — it’s just a “oh my bad, sorry” moment before moving on — and worse yet, this conversation forces your character to be a cis person at the sidelines when it’s a perfect example of just One perfect place you could be inserting different dialogue for a trans character.

i’m not asking for massive vast differences between trans and cis characters, obviously these types of RPGs have to have some element of mushy in-the-middle-ness to be able to have such widely customisable characters. but there’s a mid ground between “literally realistic depiction of being microaggressed by every cis person you meet & totally separate dialogue trees and quests and storylines” and “my trans character is assumed to be cis in the writing of cutscenes interacting with major trans characters about them being trans”. and we’re at the latter right now.

you’re right — we’re not a marketable demographic. that’s not why these things are being added: that’s literally my point, the trans content in videogames is largely aimed at cis people feeling good and progressive for its surface level inclusion. like, “nobody cares enough to represent us because we won’t give them enough money” is part of what i’m complaining about? 😭

[meowsticmarvels]

Does Phi want to live or die: an insane essay because I can't stop thinking about it [PART I]

hi!!! so i said not too long ago (like literally a few hours ago) that i'd been working on this analysis but considering this post is getting very long and tumblr's glitching and bugging out a lot (it's over 6k words!) i'm gonna post this part first as is as a little treat, and the second part will come a bit later once i write the rest of it. i'll link it here once it's done!

I've been meaning to write a proper analysis on Phi for a while (see my more proper grammar while writing this which is Unusual for me) and while there is too much of her I think abojt a lot to write ONE BIG ANALYSIS I think this topic is a pretty good one. There's a lot to be said in the wake of all of this on how Phi feels about herself and the roles she's meant to play and her own self-worth, the affects of Radical-6, and the impact the events of VLR have left on her onto ZTD (spoiler alert: it's trauma) which I will get into here. Will be up for further commentary if anyone has any + if there's any other particular topic I find interesting about her (I.e. her familial relationships, the matter of trust in her dynamics with others, her backstory/mysterious presentation and framing, or analyses where i could say how a hc would affect the narrative e.g. her being trans. id love to talk abojt that sometime.) i might get into that another time

i will preface this with a few notes:

1. If you're a little confused at why I'm even asking this it's because there's a bit of a disparity on if Phi seems to be okay with the idea of dying or not. it seems to vary by timeline and circumstance and by what the purpose of her death would be and THAT'S what I'm digging into. basically "is she okay with the idea of being a sacrifice". parts i will be looking at PRIMARILY will be K End and Another Time End in VLR and Fire / Outbreak (D-END 1) of ZTD, but others will be mentioned obviously

2. she is NOT okay with the idea of people dying FOR her and I will get into that also

3. Of course spoilers for VLR and ZTD will be in this post, and while 999 isn't really going to be discussed at all since she's not in that game by proxy as sequels they will spoil it too. So please I'd reccomend only reading this if you've played all 3 games and/or are okay with spoilers if you haven't. But I won't be giving exposition to the plot here.

4. Additionally, I'm going to warn for talks of a lot of death (obviously), trauma, and self destructive behavior/suicidal ideation. Radical-6 by nature IS going to cause this but the nature of the topic also means the things I'm going to be talking about in the way Phi views herself is going to be a little fucked up. She's fucked up.

5. Any screenshots used will likely be taken trom someone's playthrough or the LP Archive, however I'm planning on just inserting quotes into the text when possible.

anyways!!! here comes the analysis. LONG post incoming

TABLE OF CONTENTS (only I-VI are in this post)

- VLR -

I. SURVIVAL OF THE SELFISH

II. K END

III. RADICAL-6

IV. ANOTHER TIME

- ZTD -

I. SURVIVAL OF THE SELFISH

V. AFTERMATH

VI. FIRE

VII. OUTBREAK

VIII. SUPPRESSION

IX. SELF-DEFINITION

At the start of Virtue's Last Reward and throughout most of the plot mostly early game Phi could very well be described as a selfish person. She acts in her own self interest primarily and will betray others if it means guaranteeing her own survival. It's not that she's completely against cooperation, otherwise the end wouldn't happen, and she isn't willing to go so far as to kill to save herself, but this is still important to consider. One day I'll get more into the nature of trust and how she pushes people away but I'm just going to mention it a bit here. The nature of the AB Game requires complicated moral dilemmas like this. Some characters are more selfish or selfless than others and will betray or ally in specific circumstances, and during the start of VLR, Phi could definitely be seen as the latter.

SIGMA: Damn... you're pretty cold, you know that? PHI: I prefer bold, but whatever. I just don't let emotions get in the way.

This is an interesting line in of itself that she doesn't actually LIKE being perceived as cold - and states here that she just "doesn't let emotions get in the way". Which I assume is both her own and other people's. Despite her cold and unemotional demeanor she does really feel a lot of things quite deeply, as evidenced by Way too many scenes for me to list, it's just something she tries not to let get in the way of decision making. Usually. This is important. But what's also important is her actual opinion on acting this way, on routes where she talks about the Prisoner's Dilemma:

PHI: In this game, if each individual acts for the benefit of the whole group, everyone benefits. But if everyone starts looking out for themselves, it'll impact the group negatively... And eventually it'll impact them negatively too. If all of us choose "betray" then the group gets 0 points. Ultimately, nobody benefits. Not even the individual. In other words, selfish but logical decisions hurt everyone, and they hurt you.

before I get into what this means, I'll also bring up this segment:

SIGMA: What you're saying is that I should pick "ally". PHI: No. I mean the opposite. SIGMA: What?! PHI: If you're going to make the most logical choice here, the only option is "betray". SIGMA: What?! Why?! You just explained why that was a terrible idea! PHI: No, I didn't. It's not the prisoner's solution. It's the prisoner's dilemma. Even though there's an outcome where everybody's happy, the choice you'd have to make for that outcome isn't the rational one. You want to pick it, but you can't. A dilemma.

This is at its core the heart of how the AB Game works, really. The ideal of the game WOULD be for everyone to Ally and escape together, which is what happens in Phi End, but not with countless (we see 20+) other timelines in which that doesn't happen because of various reasons that people can't cooperate or die too soon. It's a dilemma. You can't really guarantee how the other person will act, unless it's someone like Dio or Luna who will almost exclusively Betray or Ally respectively, but even they don't always act that way and have reasons for doing so. It's incredibly difficult and perhaps even ridiculous to expect all 9 players - all strangers - to vote Ally, especially with preconceived notions of eachother and secret personal goals to escape. And Phi is incredibly conscious of this. She knows she can't trust anyone to for sure Ally, but Betraying is a "safe" option especially in the first round and the more logical to protect yourself. Even if it means getting others into the 1 BP territory. She plays the game carefully. Even though in the first round she isn't actually supposed to know that dropping to 0 BP or below will kill you and only really knows because of morphogenetic field/time jump stuff, based on that inexplicable feeling she acts this way. The fact that everyone Allies in Phi End at the later point is almost a fucking miracle.

There's a lot I could go into in terms of Phi and the nature of trust in the AB Game but my main focus for bringing this up is protecting herself to survive. A desire to stay alive, in some way, e.g. instances where she has only 1 BP.

In contrast to all the Phi End talk here's the "everyone Betrays" scenario on tbe way to Alice End. Naturally Betraying when going against Dio is the logical option but there's a LOT of risk involved here.

ALICE: Two other people just tried to kill someone! SIGMA: Phi and Dio. ALICE: Yes! If Dio had chosen "ally", Phi would have killed Tenmyouji. And if she'd chosen "ally", Dio would have killed her.

Funnily enough this is not the only time Dio attempts to kill Phi (see: Dio End which Phi also DOES retaliate at him for. i love violence). But my point is here the weight in the decisions here. Both Allying OR Betraying is insanely risky for Phi in this scenario. An Ally, and Dio has no qualms with letting her die. With Tenmyouji out of the picture to take care of Quark, Betraying is the safest option. Even Alice says it's a "valid defensive move". But what's really interesting is the conversations this sparks.

TENMYOUJI: Hmph. Hard to trust someone who tried to kill me. PHI: Same to you. I told you letting Dio vote was a stupid idea. What did you think he was going to do? You might as well have pressed the button yourself! TENMYOUJI: I couldn't just leave Quark alone. PHI: That's no excuse. And where do you get off telling me I shouldn't have picked "betray"? Did you even think that through? What, I was supposed to pick "ally"? If I'd done that, I'd be dead right now! TENMYOUJI: I could say the same thing to you! Damn good thing Dio didn't choose "ally"!

This conversation is so so interesting to me. It puts a rift between Phi and Tenmyouji where there wasn't before because the other could've been killed, and Dio stands in the way of all of this by virtue of voting for Tenmyouji. There's a LOT I could say here especially on Tenmyouji's sake about Quark, but my focus is Phi here. Take a look at the text I put in bold above - "If I'd done that, I'd be dead right now". Which doesn't mean a whole lot on its own other than that Phi is willing to protect her own life at this point, but keep this in mind for future reference as it's a major contrast from a lot of other things she says on the topic of death.

II. K END

I'm not going to preface this by listing everything that happens in this ending, but all you need to know is at the point I'm focusing on, eventually K(yle), Dio, and Phi need to go through one of the white Chromatic Doors together. That's the only way they can go through. Dio is killed and has his bracelet smashed and nonfunctional which leaves both Kyle and Phi up for a penalty. Death. That's the gist of it, at least. Of course I know that Kyle was the one that killed Dio and smashed his bracelet in a fucked up way of seeing if Sigma would pick Phi or him as a method of testing his father's love, but really, the focus of my analysis here is on Phi as one of the sole remaining survivors in this ending. Many of the lines in this end are self-explanatory so I won't comment too much on the ones I selected but I pulled a few I felt were relevant.

PHI: Go on ahead, Sigma. You have those bracelets K gave you, right? You should be able to get through the secondary door with those. So just— SIGMA: Fuck that! You know I can't just ditch you guys like that!

^ Phi is surprisingly okay with the idea of Sigma just leaving them to die (likely since him staying behind puts his life at risk too, and as will be shown she does not like the idea of people dying for HER)

More text incoming as Sigma decides to have Phi be the one to be saved with the neostigmine due to Kyle's armor and Sigma not even thinking about himself. This is one of the most interesting parts of the route to me:

PHI: S-Sigma... What the hell...did you... SIGMA: I injected you with neostigmine... It's a type of cholinesterase inhibitor...It's the antidote to the muscle relaxant... PHI: Why did you...pick...me?

A bit self explanatory here and will make a bit more sense when discussing Fire but I really like Phi asking why she would be the one to survive. It's interesting IDK

PHI: No... Screw this... I don't want...to live if it means...being in debt...to you... No...goddamn...way... I'm not...gonna...

Once again pay very close attention to the highlighted text. That particular line is fucking fascinating to me. There's the idea of a "debt" to be paid with sacrifice here, as if she feels she owes Sigma some eternal debt that she can never repay in this timeline. And that's not worth living for in her eyes. She doesn't want to live with that weight. But she's doomed, in a tragic way, to survive it. I'll continue more on this idea when I get to Fire in ZTD on the nature of Phi being incredibly against sacrifices made for her life to be saved, but for now I think it's just worth pointing out how much she hates the idea. Hell this dialogue implies she would rather have just been let to die than to live with Sigma's sacrifice weighing on her and that's fucking interesting. And also really sad. Being forced to live in a doomed timeline where only a few people are alive is almost worse (if memory serves right I think Quark is still alive here but then again he's a 10 year old child). Nothing is elaborated on further in this timeline as Phi passes out from the anesthetic and Sigma and Kyle die, but this is a timeline where she's doomed to wake up eventually to their dead bodies. Not many people are left here other than Quark and maybe Luna. It's a dead end.

III. RADICAL-6

I was going to have to talk about Radical-6 eventually, wasn't I. Before I really get into this I'll mention the obvious: one of Rad6's main symptoms is causing suicidal ideation. This isn't shown outright with Phi in particular at any point, but she does show the symptoms, in its most extreme way, in Clover End.

SIGMA (NARRATION): In the middle of the lake of blood, like an island of flesh, were bodies. They were a bloody tangle of lifeless limbs and dead eyes, with too much blood and chaos for me to tell who was who. Had they sliced themselves open? Or stabbed one another? I couldn't tell.

Phi slices her own throat.

The effects of Rad6 are, obviously not actually a person's real intentions nor are they thinking clearly to do so, but it's still worth addressing in this case because Phi will very likely remember this ending in Zero Time Dilemma. She very well has the possibility to remember what it's like to feel feelings exacerbated and caused by the virus and the act of suicide itself because of all the esper shenanigans possible here. So although this says little about Phi's ACTUAL intentions and opinions towards death because of Rad6's influence, it's still a point I felt was worth mentioning due to that. And it's hard to discuss the topics of death and suicide without bringing up Rad6 in some capacity.

IV. ANOTHER TIME

As stated I'll go into Another Time End a little bit but mostly just exploring the idea of more doomed timelines here. This is where I managed to put the dialogue from failing to disarm the bombs in Phi End.

PHI: Our time's up. This is it. Before...well, before it ends... I wanted to tell you thanks. You knew we were about to die, but you still stuck with me. A lot of people wouldn't have done that. You're a good person. There's...one more thing. ...I'm glad I met you. The moment I saw you, you seemed...familiar. Anyway, thanks. It looks like our time's almost up. Hopefully the others will make it. There isn't much hope for us, though. I think this is— SIGMA: Don't you dare say "goodbye." PHI: ...What? SIGMA: We'll meet again. Somewhere. Somewhen. I guarantee it.

Sigma is right, by the way, in terms of things like SHIFTing its entirely possible he was alluding to that here, but it's the sentiment that matters. Dying is not either of their decisions at that point, and a cruel fate since this timeline only exists when neither of them can find the necessary passwords. And god is this interesting. Granted this says more about how much Sigma actually truly meant to Phi as much as she refuses to admit it but I still feel it's relevant. This is what happens when a threat of death becomes fate. I want to point out a specific part of that segment just because it's really interesting to me:

PHI: [...] You knew we were about to die, but you still stuck with me. A lot of people wouldn't have done that. [...]

I can't really explain why I like this line so much. But this entire part is a really interesting moment of an example of character growth, even if it spans however many timelines Phi ended up seeing and jumping between. And this line... I don't know. I'm not sure if it's a comment on that most people wouldn't stick with her specifically or just most people are selfish by nature, but either way I really like it. The focus of this analysis isn't Sigma and Phi's incredibly close dynamic even though they rarely will actually admit how much they mean to each other but it's so so necessary to think about I think. Despite everything, all the deaths and betrayal and hardship, Phi's glad she met Sigma. On the topic of character growth and/or Phi caring about others more than she lets on, though, there's also this part from the same excerpt:

PHI: [...] Hopefully the others will make it. There isn't much hope for us, though. [...]

It's important to think about the fact that Phi isn't completely selfish and cruel. She has her moments and is notoriously very cold and blunt but is nowhere NEAR the level of selfish that people like Dio reach and at least cares enough about the safety of others to hope they're okay. There's way too much other evidence for me to bring up the fact that she does actually care about people more than she lets on (especially Sigma and Quark most notably), so I'm not going to bring up every single piece of evidence that proves this but there's a lot. My point is that even though she has her relatively selfish and cold moments in VLR a lot of them can already be justified as an act of self-defense AND she's got a lot of actually genuinely caring moments beneath face value. She's just got a bit of a prickly exterior and isn't really used to people getting close. And by this end she's already begun to warm up to getting a bit closer to the participants of the third Nonary Game (bar Dio obviously she still very much hates him in this timeline)

This is relevant because very soon I'll be getting into the changes she goes through between VLR's Phi End and ZTD, so really understanding how she operates throughout VLR is necessary for really getting into the change. Setting up a basis for how she acted before and contrasting it to her ZTD characterization - that's pretty much what I'm doing here.

I want to go more into Another Time END a bit later (in the context of D-END 1 and in the context of her self-definition) but I'm putting this quote here for necessity and to get you thinking. Pay very close attention to the text I put in bold.

PHI: I'm kind of an unknown variable in this situation. You could think of me as a kind of... x-factor. It's taken me the last three and a half months to understand it. ?: And I haven't understood anything in the last three and a half seconds. Could you please explain? PHI: It's kind of like the relationship between classical mechanics and modern physics. Strictly speaking, you can't combine velocities with (v1 + v2). (v1 + v2) / (1 + (v1 x v2) / c^2) is the actual equation. Of course, the sort of velocities we encounter in day-to-day life don't come close to being c^2, which is the speed of light squared. That means that (1 + (v1 x v2) / c^2) is usually going to evaluate to something pretty close to 1. Since that would mean dividing by 1, it's usually okay to just skip that step and use (v1 + v2). You see what I'm saying? In most situations it works, even if it isn't technically correct.

And this, from the part where Sigma and Phi jump back in time to stop Dio from killing Akane. I don't have too much commentary on it but in the grand scheme of things I felt it needed to go somewhere.

SIGMA: People have died for this. I mean, let's count how many different ways people died... Murder, antimatter explosion, suicide... I've died. So has Phi. So have you.

V. AFTERMATH

AKANE: The purpose of the AB Project was to send the two of you into the past. Or your minds, at least. In order for that to happen, some death was necessary. When a human brain is faced with danger, its processing speed increases. Information is processed more quickly, and time almost seems to slow—a few seconds can feel like an eternity.

I don't think I have to prove that the events of all three main Games across the ZE series are incredibly traumatic for everyone involved. Junpei in ZTD is the most extreme representation of this but practically nobody really leaves any of these games the same. Granted, danger is necessary for a SHIFT to occur - as stated above and in many other parts of the series danger increases esper abilities - but this does not make the presence of danger any LESS catastrophic to Fucking You Up Quite A Bit. Most espers end up remembering their own deaths by the end of it all. While one of the less obvious cases, Phi does seem to clearly be damaged quite a bit by the events of VLR at least in my opinion.

She has virtually no dialogue in the written Prologue, so instead the best I'm getting for this part of the game is the flashback in Fire with her and Diana:

DIANA: Something the matter? PHI: No, not really... It's been three days since I came to Dcom… But nothing's happened. Nothing strange at all…

[...]

PHI: Hey, Diana. I want to ask you something... Would you mind…giving me a hug? DIANA: …Huh? PHI: I'm just... really tired...

I don't think I have to go into detail how especially the last part is a stark contrast from how she acts throughout almost all of VLR. She lets herself be vulnerable and exposed to Diana in a way she really doesn't allow other to people see here and it's so fascinating to me. Diana is someone she can trust to let down her barriers. Someone Phi can actively ask for support when she needs it as much as she doesn't want to admit she does. Their dynamic is REALLY interesting and what this is really indicative of is too I think. The first quote brings up her, Sigma, and Akane's time at DCOM specifically to stop the spread of Radical-6 - and they've got a few days of DCOM where nothing happens. Only a few, granted, mentally Phi has just experienced VLR and went straight to DCOM afterwards, but even these few days feel strange now that nothing's happening. After experiencing the insanity that is VLR this completely makes sense that it's just weird to be in some sort of neutral zone where nothing's happening but it's STATED to happen. And it does, the Decision Game happens later, but how does it feel to just be in wait? The second quote is interesting, also, as she lays it out plainly: she's tired. Maybe this is just situational and not a result of exhaustion or anything similar but I do believe it definitely impacted her to a great amount - as evidenced by her change in behavior to ZTD. She's much more trusting and has learned that since, but much more self-sacrificing at the same time. These next few quotes I'll elaborate on more in the self-definition segment, but they're important:

DIANA: "Not even gods can return to the past, so live in the moment so you have no regrets." That's not the right interpretation? PHI: Well, if you take it at face value. I guess that'd make sense, if I was a normal human being. DIANA: Does that mean that you're not?

This is what Phi and Diana say about Phi's brooch - "Not even jupiter can find a lost opportunity". Phi's wording is interesting, here - she's talking about her status as an esper, but as of this point in the story that's something Diana's not supposed to know (never mind her being one), but her phrasing as labelling herself "not a normal human being" is really really interesting. She certainly isn't, but it feels all the more permanent - can she ever go back? Will she ever be able to? What's considered 'normal' to her? Similarly,

PHI: Hey, this isn't normal, right? DIANA: It is. You're a completely normal girl, Phi.

Not a lot I can say here - I want to roughly try to stay on topic, but in terms of analysis I really like this line. Phi doesn't consider what she's doing 'normal', at least not with someone she barely has met. I also really like Diana's response to this; she reassures Phi by telling her that this is normal, what she's feeling is okay and normal to feel, and she is too. While Phi isn't 'normal' by definition of not being an esper, despite the weight of the world on her shoulders and her cold exterior she is still human. She's not perfect, she DOES feel things, and that's okay. This has gone slightly off topic but I feel like this part's worth mentioning somewhere in the grand scheme of things or for ANY analysis at all, and will be brought up again in the self-definition section. But there's more to Phi and Diana's relationship once the actual Decision Game begins, and what it means for Phi's idea of her own self-worth.

VI. FIRE

SYSTEM: Incinerator startup... will now commence. Incineration in... thirty minutes.

This is the big one. The big fragment I've been building to, and part of the reason I wrote this analysis at all instead of focusing on a different theme related to Phi such as family or trust (both interesting still, though). Once again, I won't preface this by explaining the fragment - but here, Phi's in the incinerator (reminiscent of 999...). A lot of the way she acts here is of major interest to me, especially after the puzzle room - notably she's incredibly self-sacrificing. I won't say that she's completely apathetic to her death, because she isn't:

PHI: I need to stop firing myself up or else I really will be… PHI: ...Stay calm, Phi.

But, I mean, who wouldn't when placed with the threat of burning to death. It's a slow and painful way to die, at that. But you'll see a lot throughout this fragment is Phi's mentality of "rather me than them" - as painful as death is, at this point she'd rather be the martyr to save their lives than the opposite.

PHI: Diana and Sigma are over there... Damn! Why am I here... But it's better that I'm the only one who got locked in.

At this point she doesn't know her death would save their lives (the true rules of the decision in this fragment haven't been revealed), but is still willing to be the martyr as she's the only one currently at risk of dying as far as all of D-Team knows. Maybe it's because she can SHIFT out, maybe it's because she sees herself as a worthy sacrifice, maybe it's both. This is also all the more noteworthy knowing she and Sigma both remember VLR - they've both died, both had to make sacrifices, and been through many of the same circumstances. Although where it is in their memory is different - for Phi it's mentally a few days prior and for Sigma it was decades ago but he's spent those decades creating it (and without the ability to talk to Phi) - that doesn't get rid of their bond. Phi's bond with Diana is a little different since the only scene they get is the flashback (if you want my personal opinion, I feel like Phi should have taken a bit longer to trust her or at least be wary; maybe not as slowly as it took her to trust Sigma, but it feels out of nowhere IMO. it could still show her development with coming to trust people but still provide an interesting and heartbreaking bond), but nevertheless still important. And then comes the decision.

DELTA: Diana, both of their lives rest upon your decision.

PHI: How dare you not consider everyone else's feelings, Sigma! What if the shot is a live bullet?! Do you really want Diana to end up blowing your head off with her own hands?!

What does Diana do? Sacrifice Phi's life for a guaranteed chance of saving Sigma? Or risk Sigma's life - a 50/50 chance of him living - to save Phi?

This analysis isn't about Sigma so I won't go too far into detail about his lines, but the important thing is that he's willing to risk his life for Phi - and it's the logical decision in his mind, since there's a chance of everybody living. If Phi dies, someone's guaranteed to die, but if Diana shoots Sigma, there's a 50% chance they all make it out alive. It's the more pragmatic decision, however Phi is very against it.

It feels a bit like the expected roles they'd play have reversed since VLR, or at least for a scenario like this. In a way, she's right - Sigma barely considers the fact that he might die. And the implication of her bringing up Diana is also a really interesting point of consideration that Sigma also doesn't think about - Phi knows Diana won't be able to handle the guilt of killing Sigma. She knows that, and in the timeline where that does happen, she's right. Sigma's sacrifice isn't just a simple detached death like with Phi's; if Diana chooses to shoot Sigma and he does die, she had an active role in his death. Which is sort of the complexity behind the trolley problem in the first place (it essentially is a sort of trolley problem - except there's a chance they'll both live and both victims are asking to be a martyr to save the other). I also want to call to attention Phi's specific wording of everyone; she mentions just Diana at the end, but given her difficulty with expressing her own feelings it doesn't feel like a stretch to assume that this is about her feelings too. Looking at her reaction in the ending where Sigma DOES die (which I will get to), it's clear she really can't bear to lose Sigma either. Not after everything. Not after all of this.

DIANA: But Phi, if I don't pull the trigger, you'll... PHI (facing away): Don't worry about me.

Like I said, she seems to believe herself to be expendable in this situation. Sigma can't die - she can't handle that, but in her eyes, she can. If it means he and Diana live. She basically asks Diana to let her be the sacrifice, even though there's a chance they can all make it out alive. I also will point out that while Phi had some moments of this in VLR, this is a stark contrast between her much more self-interested characterization there. Also, note what I wrote down in the quote - while ZTD's models aren't the best or the most expressive, I think it's an interesting detail that she faces away from them for a moment and while saying this. So what's Diana meant to do? Pull the trigger, and leave open the possibility of everyone living while it risks her killing Sigma? Or let Phi burn to death? Sigma wants her to pull it - it's the more pragmatic choice, they can all live, maybe - and Phi wants to ensure that Sigma won't die. Even if it means she burns to death. We're able to see all three options, but most of them aren't pretty.

As it's the shortest of all three options by a long shot, I'm going to first discuss Shoot: Live; where Diana shoots Sigma and he dies. There's not much to preface this with other than what's on the tin: Sigma has died by Diana's hand in an effort to save Phi.

PHI (crying): Why?! Why did you do it?! You murderer! Murderer! I wasn't... I didn't matter at all! I didn't...! I didn't...! So why... Why did you...

Yeah. It's a pretty heartbreaking route, and probably the most emotional Phi is seen as being apart from near the end where she yells at Delta, maybe. Every part of her that she's held together up to this point just falls apart. The subtitles/captions don't do it justice as her VA sounds a bit more like she's struggling to get out what she wants to say at all. Like as if she's so upset and broken by witnessing Sigma die right in front of her, and FOR her, that she basically breaks down right here. Hell, right after this line she stops actually saying anything and just cries until Diana picks up the gun. (side note: not to nitpick but the some of pauses here sound like the type of pause that would be used with an em dash rather than an ellipsis. take that as you will)

It's easy to wonder why she'd call Diana a murderer, of all things, considering the extremity of that accusation and Phi KNOWING she was forced into that situation, but once again you have to consider Phi's emotional state. It doesn't even sound like she's speaking clearly, and grief and trauma makes people do and say pretty fucked up things sometimes (and especially when it's someone so close to you. Phi also WATCHED Sigma die). Given the fact that she already didn't seem to be doing the best in the first place it mostly just seems to be something she said in the moment out of grief rather than an accusation with any real weight behind it. It's not completely out of nowhere - and may imply some sort of resentment towards Diana for choosing to pick that (which I will also get into in Shoot: Blank) - but my point is this line should be taken with a major grain of salt. Maybe some of it comes from somewhere, such as hidden feelings suddenly being vocalized and taken to their extreme, but not all of it may be how she really feels and just an inflation due to her mental state.

Another thing to consider is her constant questioning of why - why would Diana ever pick Sigma over her? Why would she make that decision? Phi can't fathom it. Even though Sigma did say it's the more logical situation because that means there's a chance they all could've survived, she still doesn't understand that she'd even be worth sacrifice. See the K End segment for more on Phi hating people - especially Sigma - sacrificing themselves for her (I'll get to it in Suppression but she seems to cope better when the death isn't FOR her to live, if it is she seems to deal with it a lot worse), but here its taken to its extreme.

I also need to point out the text in bold. It's so so important to this I think. She doesn't think she's worth the sacrifice. She didn't matter, doesn't matter, so why would Diana do it? Why would she risk Sigma's life? Again I'll point out that Phi's self-sacrificing nature here could be a result of many things; maybe because she can SHIFT out and she's done it before (too many times, maybe), maybe because she's just that willing to die for Sigma and Diana to live, maybe it's a mix of it all, and any of those could ring true here. But my point is that it seems like she doesn't understand Diana's decision or that she could really be worth dying for. She didn't matter, after all. (once again, take this with a grain of salt, but still.)

This route ends not long after this but I do want to mention how much of a horrifying dead end it is. Phi was right about Diana being unable to handle the guilt, and she kills herself - leaving Phi alone. On the topic of how Phi's more emotional here than before, she literally screams at the end of the fragment before the "Game Over" screen plays. This is the worst possible end to Fire, I think - two people die instead of the expected one, and the sole survivor is struggling to cope with even one of the two deaths she just witnessed. That was enough to cause her to break down completely. Adding onto that another death of someone she cares about, especially a suicide, is A Lot. For anyone it would be. It makes sense why it just ends right there; where else would it go, really, and anything that could happen is fairly bleak, but it's interesting to think about. Anthropic Principle confirms she lives, and considering the revelation that all of D-Team is poisoned from the start in Don't Shoot it implies she drank the antidote. But where does she even go from there? In the timeline where C-Team all dies, she ends up as the sole survivor, even. I don't know. But it's an interesting thing to think about for an absolutely heartbreaking and tragic end. It's a dead end, really. What's Phi meant to do now? After all this? After losing the people she cared about?

in the second part I'll continue starting from Shoot:Blank - but the rest of the analysis will go there. i'll link it in this post once it's done! i'll even include some deleted lines from Fire from TCRF because they're quite interesting ! feel free to leave any commentary you have (so far) in tags or replies because i'd love to hear :} (also note: everything up to near the end of Aftermath was written months ago, the rest was written in the past few days)

[pawsnifferpup]

if you have a transfem lover I do not even know how to begin to explain how important it is that you touch her without her having to ask

[alongtidesoflight]

i swear my stepdad is so illogical AND stubborn it hurts

[magentagalaxies]

creation of adam but it's this photo of me handing scott the martini before his buddy cole set in the KITH toronto show

[icewindandboringhorror]

a quite simple outfit, trying to use the little blue and white apron thing (which is actually a dress I think, that I just leave un-buttoned in the back and added an apron-like tie to lol)

[morgenlich]

fascinating to see both the far right and the far left blame jews/israel for hurricanes but for different reasons. it's like convergent evolution of antisemitism

[the-moogle-of-your-nightmares]

one thing i really deeply wish is that i'd had access as a kid to the plural community and information that are more easily available today, instead of my first experience with plural community which both took it seriously and was nonjudgmental having been 10's era tul/pa.info lmao

[averlym]

May I please request some soft parrlyn please

morning vs night gfs

[avirael]

The Frozen Lake

It was the third day since he had stopped feeling like dying.

About a week ago he had woken up from his far too lifelike fever dream and a few days later the last spikes of the fever itself had been gone too just like the hallucinations it had brought in his sleep.

He still had been sick though and welcomed Rael telling him to stay in bed until he was perfectly healthy again all too eagerly.

While he still sneezed every now and then, it was at least tolerable now, still annoying but he didn’t feel incredibly uncomfortable anymore.

That day, just like the last and also the ones before that, he had awoken late. Against Rael’s order to stay in bed he had found the courage to get up and take a look out of the window. It was a sunny day, which in Coerthas still meant that it was bitterly cold though. But the sun was shining brightly and already high in the sky too which meant it had to be almost midday. He had slept way too long again, way to many hours for a surprisingly dreamless sleep. Or maybe it was exactly the lack of dreams that allowed him to finally rest, after all in the past there rarely had been good ones…

For a moment he considered to go downstairs and ask for a late breakfast if that wasn’t too insolent given the late hour but then a knock sounded from the door.

Quickly he hurried back to bed, just in case it was Rael, but the person who carefully peeked into the room a few seconds later wasn’t a viera.

“Ah, you are awake! That’s good!”, Haurchefant exclaimed happily and brought a small tray with hot soup and also something warm to drink. “It is so late already, you must be horribly hungry. Alphinaud checked in on you earlier but you were still fast asleep and he didn’t have the heart to wake you.”

A little uncertain on how to answer to that, A’viloh just nodded. Haurchefant grinned, put down a mug on the bedside table and handed A‘viloh a comfortingly warm bowl filled with some rather delicious smelling stew.

Instead of fetching the chair from the small desk by the window, Haurchefant sat down at the lower end of the bed balancing the tray with his own lunch on his knees. Rael once told him that ishgardian society had an absurd amount of strict and antiquated rules and so A’viloh couldn’t help but wonder, that although it seemed like a very appropriate distance to him, in Haurchefant’s hometown the fact alone that he dared to sit on someone else’s bed was probably scandalous.

“I hope you don’t mind me having lunch with you.”, the Elezen asked as he noticed A‘viloh staring.

Quickly the Miqo’te lowered his gaze to his bowl of soup. “Not at all.”, he muttered and tried a spoonful of the food just to change the topic. “Mhh, this is very good!”, he mumbled, still chewing, surprised by how good this really was compared to the bland food and bitter teas Rael had usually brought him these last few days. It must have been the Viera’s way of punishing him for running away.

Haurchefant laughed and then for a while they ate in silence.

“You look a lot healthier already.”, the Elezen stated after a while with an amiable smile on his face before taking a sip from his mug.

A‘viloh shrugged a little embarrassed, since it had been his own fault that he hadn’t been well in the first place. “Only because all of you took so good care of me.”

Haurchefant nodded. “You know, you had us all horribly worried right?”

“Sorry about that.”, he said and guitily looked into his mug.

Curiously Haurchefant eyed him for a moment. “Why did you do that anyway? Run out into the storm.”

A bit surprised A’viloh looked up. Had they all thought he had done this on purpose? “There wasn’t a storm when I left! What do I know about weather? I didn’t expect it to start snowing, let alone that much!”

That made the Elezen chuckle again but he still looked at him expecting an answer.

“Still… why did you leave?”

“I assumed Rael told you…”, A’viloh replied not sure what Haurchefant wanted to hear exactly. He nodded. “Rael did. But maybe I want to hear it from you…”

A’viloh sighed. His plan hadn’t been very smart and he felt a little uncomfortable having to explain his reasons to someone else, when in retrospect it didn’t make much sense even to his own ears.

“You know the… circumstances under which we fled Ul’dah… I couldn’t… um… the fact that we didn’t even know what happened to our friends… I wanted to find out, because it doesn’t seem fair to me that we escaped while all of them didn’t…”

“Mhh…”, Haurchefant nodded thoughtfully but let go off the topic for now. Instead he asked, „And how are you feeling today?”

Somehow that question confused A’viloh even more.

“What do you mean?”

“It’s a simple question, isn’t it?”, he said still smiling politely.

Of course it was a simple question. Just the answer felt unreasonable complicated to him. To make things even more difficult people who asked such a question usually wanted to hear “I‘m fine, and you?” or “Very good, thank you.” for an answer and rarely the truth. They certainly didn’t want to hear “A few days ago I was convinced I was going to die and honestly it wasn’t that bad, so now I‘m still not sure wether I am happy to still be alive or not”.

“Alright… I guess.”, he mumbled instead. He had never been a good liar and could only hope that this fact wasn’t too obvious for the Elezen.

“You know what?”, Haurchefant proclaimed after watching him thoughtfully for a second. “Today is a wonderful day. We should go for a walk.”

“A walk?!”, A’viloh exclaimed wide-eyed, as if he had just asked something unreasonable of him.

“Why not?”

A’viloh couldn’t think of a good reason why not, other than that he was supposed to stay in bed, so he shrugged.

“Where’s Rael?”, he asked instead.

Haurchefant smirked. “Do you need Rael’s permission to go outside?”

“Of course not.”, the Miqo’te protested. “But Rael will be mad if I run off again, especially against their orders to stay in bed.”

“Rael and Alphinaud went to the observatory earlier.”, Haurchefant explained. “We’ll be back before they are, I promise.”

What was A’viloh supposed to say against that and also against the expectant look on the Elezen’s face. He took another glimpse towards the window and decided that it looked nice enough to go outside.

“Fine.”

“Good!”, Haurchefant exclaimed happily and collected their empty bowls and mugs. “There should be warm clothes for you in the wardrobe. If you need anything else just ask someone. I’ll wait for you by the northern gate.”

After Haurchefant had left, A’viloh remained sitting in his bed for a moment longer contemplating on the Elezen’s question. Yes, he felt better again. But better in what comparison? Better than a few days ago when he had felt and also been half-dead? Though he didn’t feel sick anymore now, there still was a weigh on his heart. From his plan that had failed so spectacularly and even more so from the dreams he wouldn’t have minded to keep on dreaming forever.

Vehemently he shook his head and decided not to think about that now or he would just crawl back under the blanket of his comfortably warm bed again. Instead he got up and took a look into the wardrobe. Almost none of these were his own clothes of course since all he possessed were the ones he had worn on his body that day they fled Ul’dah. Very unsuitable for this climate. But neither did he see the borrowed clothes he had worn that night when he had tried to run away. Everything in here looked even softer and warmer like someone had wanted to make sure he was feeling comfortable. To his surprise the things didn’t look that much too big for him either, unlike his last set of clothes. Besides a few Hyur most people here at Camp Dragonhead were grown up Elezen but these clothes looked like they belonged to neither. Maybe it were clothes for Elezen children, he wondered and also thought that in that case someone must have brought them here just for him.

Grateful for so much effort he picked a few pieces and got dressed. Lazily he ran his fingers through his hair to get rid of the worst knots but the look into the small mirror at the washbasin, where his tired face stared back at him reproachfully, just made him sigh. Once he was ready he took the warm coat out of the wardrobe too and went out to look for Haurchefant. Just as he had said, the Elezen was standing by the gate that led to the north-east, towards the ruins of the Steel Vigil.

From afar Haurchefant already recognised the Miqo’te, his bright red hair a singularity among all the people living here. Pleasantly smiling as always he waved at him and A’viloh couldn’t help but smile a little too and wave back as he hurriedly walked towards him.

“There you are! I see the clothes fit you nicely.”

A’viloh nodded.

“They do. Thank you very much for these.”

Haurchefant dismissively waved with one hand. “It’s the least I could do…”

But he had done a lot more than that, A’viloh thought. “I think there’s more I need to thank you for. Rael told me it was you who saved my life.”

“Mhhh…”, Haurchefant tilted his head as if he wasn’t sure if this statement was entirely the truth. “Rael is too humble. They played a bit of a role in that too. After all it was Rael who noticed you were gone. And it was also Rael who didn’t leave your bedside and tried their best to heal you.”

A’viloh remembered waking up and finding the usually quite touch-averse viera cuddled up to him with a look on their face so horribly sad like he had never seen on them before. Rael had pretended it was nothing but it had been a very unconvincing performance. Asked about it Alphinaud had only offered a few sentences about how worried Rael had looked and how they had used all kinds of spells he himself had never seen or heard of before, all of it to try and save him. It had made him feel even more guilty for his stupidity.

So maybe Haurchefant was right. But still it had been him who had risked going out into the storm to find him.

“Anyway. I still want to thank you! Honestly.”, he insisted. But how honestly was it really?

Sure, he was glad to still be alive. After all his plan hadn’t been to run out into a blizzard and freeze to death, although some of them seemed to think that was the case. But once he found himself in this situation he had to admit that he had welcomed his fate rather willingly. A fact that shocked even himself a little looking back at it now.

“You’re welcome. After all you wouldn’t be any help to your friends frozen to death out there.”, Haurchefant joked with a wry smile on his lips.

“I guess not...”, A’viloh muttered, the topic of his friends making his mood visibly sink again.

Of course the Elezen noticed and his smile turned into a playful grin. “But I acted a little selfish too, you know? I think Camp Dragonhead is a lot friendlier with your company and I would like to have you and your pretty smile around a little longer.”

For a moment A’viloh’s eyes shot up to look at the others face before he quickly pretended that something somewhere a little bit to his left was a lot more interesting. Sometimes Haurchefant randomly said things, A’viloh hadn’t had the slightest idea how to react to. Not because he was that oblivious but simply because it puzzled him. Nonetheless the air suddenly didn’t feel that cold anymore on his face.

Haurchefant was always very kind to him. Well, he mostly was kind to everybody but sometimes he seemed to admire him especially. Him of all people, although there was nothing special about him. Haurchefant sometimes spoke of him like he was one of the greatest heroes of all time and it felt so ridiculous to him. He was just silly, cowardly A‘viloh! What had he ever achieved in his miserable life to justify such admiration? The people called him a Warrior of Light but wasn’t that some grand overstatement? Some days he thought all of this had been a horrible mistake. A great misunderstanding! Then he wondered how he had ever gotten entangled in this madness in the first place and also if he ever would get out of it again. But what else should he do with his life anyway...

While A’viloh’s brain still screeched in desperate search for a proper response, Haurchefant seemed to realise he had flustered him and glossed it over by gesturing to the gate.

“How about we walk a few yalms? There’s something you need to see!”

Still too dumbstruck to speak or to even wonder what the Elezen was talking about, A’viloh nodded and then proceeded to follow him out into the snowy landscape.

After a few minutes Haurchefant paused and took a deep breath. “Isn’t the air wonderful today?”

A’viloh followed his example, breathed deeply and let his gaze wander over the snow covered landscape with a few pines here and there and the mountains and ruins of the Steel Vigil in the distance. The air was cool and fresh, still cold enough that the warm sun couldn’t melt the snow. Instead the rays of sunshine made the scenery shine and sparkle as if everything was covered not in ice but in millions over millions of tiny diamonds.

“It is.”, he answered and smiled, surprised how beautiful this inhospitable landscape could be, before with a sudden spark of curiosity he finally asked. “Where are we going?”

“It’s not far anymore.”, Haurchefant said with a grin on his face and pointed into another direction. Shortly after and only a bit further ahead they reached a small lake.

As they got closer A‘viloh noticed that it not only was covered in a layer of snow and ice but also that quite a few off-duty soldiers, given the proximity to the camp he assumed they had to be, were standing right on top of the frozen lake. No, they were not quite standing. It looked more like they were dancing or flying maybe. More or less gracefully they moved over the lake‘s surface in fluid swift strides, some just moving in wide circles and other swirling around this way or that. A’viloh had never seen something like this and it looked strange and impossible but at the same time very beautiful to him.

The two of them had almost reached the lake by then, A’viloh a few steps ahead to get a better look at the wondrous people on the ice and he already wanted to ask how they did that, when his attention was drawn elsewhere by a curious squawking sound.

“Oh! Look at them!”, the Miqo’te exclaimed, his fascinated smile still turning a little brighter, as he gestured to a small flock of wild geese resting at the shore of the lake. With ruffled feathers they sat closely huddled together at the edge of the ice and suddenly A‘viloh couldn’t help but worry about them. They looked so unbothered by his presence, sleeping through the day and all the hubbub around them, looking all exhausted and frozen with their puffed up feathers. Like anything could happen to them and they wouldn’t even mind.

Strangely he wondered what he himself had looked like when Haurchefant had found him unconscious in the snow. He must have been a pitiful sight. Had the Elezen thought him beyond saving too, just like he himself had. What if he had found him a little later or not at all? Maybe that would have been better, a voice murmured to him just like it had so many times before and for a moment, tempted by the grief heavy on his heart once again, he almost believed it.

But no, he would be dead then and while he would have liked to imagine that this would mean he could be with his loved ones again, it was not exactly what either of the tribes he had lived with believed.

Vaguely he remembered his father working for hours, digging a grave at what used to be Wellwick Wood. An elderly woman too exhausted by their long journey, his grandmother if he remembered correctly, had died shortly after they had arrived there. With a sad smile on his face his father had explained to his children, who had stared down into the hole in the ground with confusion in their eyes, how by returning her body to the earth there could still grow new life from this death.

Or the drake tribe of the Sagolii Desert, who always burned their dead and left the ashes to be carried away by the desert wind, believing that it would make it easier for the deceased‘s aether to return to the Aetheric Sea and create something new elsewhere.

With a sudden sharp pain in his heart A’viloh realised that neither of the people he loved had gotten the burial they would have wanted for themselves. And neither had A‘viloh himself wanted to die in the coldness of Coerthas and be forever forgotten under a thick layer of snow and ice. He had thought about dying before but never had he been this close to it. For a second he wondered if this was something worth speaking to Rael about, but he wasn’t sure they wouldn’t misunderstand and get mad at him again.

“Why do you make such a sad face now?”, Haurchefant asked having noticed the smile slip from the Miqo’te’s face. But A’viloh just vehemently shook his head and focused on the geese again.

“They must be horribly cold.”, he wondered in a voice that suggested he already planned to take all of them to the safety of his comfortably warm room.

Haurchefant chuckled. “Don’t worry, they survived the storm out here after all. They keep each other warm, that’s why you‘ll rarely see one of them alone. A bit like you and your friends.”

“Maybe…”, A’viloh answered thinking about this comparison for a moment. “I just wish it wouldn’t always be me who needs to be taken care of. But as proven in Ul’dah and now once again I am simply too weak and useless to keep myself alive, not to mention anyone else.”

The Elezen’s face got a little stern as he folded his arms in front of his chest. “Don’t say that, I am sure it’s not true! This was just bad luck! You are neither weak nor useless!”

A’viloh shrugged. “But that’s how I feel right now...”

Slowly Haurchefant nodded before speaking again with a silent but determined voice. “Listen. I‘ll never forget how bravely you fought for Francel although you barely knew him. You could have gotten yourself in trouble with that and you helped him anyway.”

“It’s not like I did that on my own -”, A’viloh tried to protest but was immediately interrupted. “But you still helped! And I’m sure even without Rael you would have done so!”

Another shrug was all Haurchefant got in response, so the Elezen thought for a second before making an offer. “You want to make yourself useful, right? Get stronger? I could teach you how to fight like a real ishgardian knight, with sword and shield. Or we have some dragoons at Camp Dragonhead too! I’m sure there’s a lot you could learn from them.”

A‘viloh‘s face turned to disbelief. “I really don’t think I could fight with armor and weapons this heavy…”

“You can’t say so if you don’t try! And I have you know that dragoon armors are surprisingly light. How do you think they could still be this agile otherwise? Promise me to at least try training with them a little!”

He didn’t really want to agree to that. He knew he would make a fool of himself. But how could he say no with Haurchefant trying everything in his power to cheer him up. Weakly he shook his head and muttered: “Fine…”

“Perfect!”, Haurchefant exclaimed with a bright smile on his face. “I think an early reward for your efforts is appropriate then!”

Confused A’viloh watched him take a small bag off of his shoulders, which he hadn’t even noticed until now. For a moment the Elezen was busy undoing a knot before he opened the bag and presented to A‘viloh a set of two weirdly shaped blades attached to pieces of wood with leather straps. He had no idea what these constructs were meant to do and that was plainly visible on his face. “What’s that?”

“Ice skates of course!”, Haurchefant said as if that would explain it all but the Miqo’te‘s face remained clueless, so Haurchefant gestured to the lake behind them. “You attach them to your boots so you can walk on the ice like this!”

“Oh!”, A’viloh exclaimed as he understood what Haurchefant was planning. “I don’t think-… I mean I‘ve never-… You don’t really want me to step on that lake do you?” The idea somehow scared him.

“Why not?”, Haurchefant asked for the second time today with this smile that made the question sound like a challenge.

“It’s just a bit of ice!”, A‘vi objected. “What if it breaks?”

The Elezen shook his head and proceeded to fasten the metal blades beneath his boots. “Ah, don’t worry. The ice is thick enough, it will take at least a few more days to melt.”

“I don’t know…”, was all A’viloh replied as Haurchefant pressed another pair of skates into his hands. But the Elezen remained determined and took a few wobbly steps through the snow and onto the ice. “See! I can stand on it and it doesn’t break! You are a lot lighter than me, so why wouldn’t you be able to?”

Oh, you don’t know my bad luck!, A‘viloh thought but Haurchefant didn’t look like he would take that for an excuse. Instead he stretched out a hand towards the Miqo’te. “Come one! Believe me, this is going to be funny!”

For a second A‘viloh pondered his options. The idea of nothing but a little bit of ice between him and the water still terrified him but Haurchefant seemed so excited about this and the other people actually seemed to have fun too. Maybe he should at least pretend to try... Reluctantly he sat down on a rock and tried to put on the skates just like Haurchefant had done a moment ago.

“The clasp on the back too. Make sure none of them are loose… Yes, that looks fine!”, Haurchefant helpfully explained. As A’viloh got up, he almost flopped right back down into the snow. It was a weird feeling to balance his whole weight on only two thin pieces of metal. As he carefully took the first few steps towards the lake Haurchefant reached out for him once more. “Here! Take my hand! I don’t want you to fall…”

Hesitantly A‘vi stepped onto the ice and immediately felt like the ground was being pulled away beneath his feet. He struggled for balance, feeling himself falling backwards, so Haurchefants arm was a very welcome thing to hold on to.

With a chuckle the Elezen tried to loosen A‘vi‘s desperate grip on his arm and instead took each of his hand in one of his own before carefully making slow steps backwards pulling A‘viloh over the ice, which A’vi could swear was making suspicious crackling sounds below them. There was no way to tell the blades beneath his feet not to move, so all A��viloh could do was try not to fall and plead to Haurchefant with ears flat on his head and panic in his eyes, as he slowly was pulled further onto the lake. “No, no, no. Take me back, that’s a horrible idea!”

“Calm down. There’s nothing to be afraid of. I promise.”, Haurchefant said soothingly and continued to explain to him how to move on the ice skates. And in fact the Elezen’s calm voice slowly made A’viloh feel less anxious. His hands, frantically clasping at Haurchefant’s, relaxed along with his legs. It was still a weird feeling to be standing on the ice but now it felt a lot easier to remain balanced. He glanced at the people around them while remaining as still as possible, studied their movements for a moment and then tentatively tried to mimic the way they slowly pushed their feet above the slippery surface. To his surprise he really moved forward without much effort and also without feeling the sensation of falling again, closer to Haurchefant who had steadied him with his outstretched arms so far.

“See! It’s not that difficult.”, he said while making another step backwards so A’viloh had to follow with another step forward. The Miqo’te, strangely excited about the fact that he was actually moving on these weird ice-blades, laughed happily. “You are even going backwards!”

Haurchefants laughed. “One step after the other. Let’s teach you how to go forward first, hm? I‘ll let go off one of your hands but don’t worry, I still got you. One feet after the other just like you did before…”

In fact it almost felt easier now that he could use one of his arms to balance himself. Very slowly at first they floated above the icy surface of the lake but soon A‘viloh got braver. Once he almost lost his balance but for a comparably tall and strong person like Haurchefant it seemed like a very easy task to keep a small Miqo’te on his feet. Almost falling had felt like a shock for a second but only moments later they were laughing about it and in the end A’viloh was surprised and also a little proud how quickly he had learned and how much fun this was.

He wasn’t sure how much time they spent there on the frozen lake but at some point a bell sounded from the nearby Camp. Startled A’viloh looked up (and almost lost his balance again). “How late is it? I’m sure you have more important things to do than this! I’m sorry if I’m keeping you from doing your work.”

But Haurchefant just laughed and teased, “What could be more important than prove to you that not all of Coerthas is a deadly wasteland trying to kill you? But I think we really should return soon. I don’t want you to get cold again and after all we also don’t want Rael to find out about this little excursion, do we?”

For a second A’viloh wished the viera could see him now and wondered what their reaction would be like. The thought made him chuckle.

And as they floated, one last circle around the lake, A’viloh couldn’t help but wonder that maybe it was happy moments like this. The reason he was still here. Moments that made his life worth living.

---

inspired by the poem The Reversal by Leila Chatti

[my-thoughts-and-junk]

thinkinggg about. race in adventure time

[thanatika]

low-coherency rambling in the tags

[wheucto]

finally decided to start watching s2e17 of ii