#obsessed with whatever he’s doing here

[starscelly]

☀️ roope sighting ☀️

[guinevereslancelot]

what was with cameron house md she spends 90% of the episode saying she wants their patient to die bc he's a genocidal dictator and her colleague husband says "babe it bothers me for ethical reasons that you want our patient to die :(" and she said "hm maybe you're right :/" but when it comes down to it the genocidal dictator lays a finger on her in an aggressive manner and chase instantly commits medical malpractice to murder the guy and then when he tells her she LEAVES HIM bc boo hoo he's a murderer now like GIRL he killed a man for you!!! he's wracked with catholic guilt!!! he's being crushed beneath the weight of his sins because he chose his devotion to you over his devotion to god!!! he literally could not get any sexier at this moment in time!!!

[casualavocados]

Learn from who? Learn from you? You are still a brat. What do you know? You're only three years older. Like you are any better than me. You're 21, and still a virgin. What are you proud of? I think you can't do it.

KISEKI: DEAR TO ME Ep. 06

[golyadkin]

Long road to Colorado

[cyellolemon]

what if they were both men and emo...

[alsojnpie]

me when my child's friend is suddenly very into undertale

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.

[faunandfloraas]

It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.

[snixx]

was supposed to be studying so naturally I decided to draw something for the first time in months instead:) manifesting liv + cone at the guts tour in india lessgo

[sockeyesidequest]

Fursona fursona fursona!!!

[shuploc]

If you do an Astarion painting I'm gonna evaporator /pos

Y'know what... It's kinda crazy, cuz I've literally been an Astarion stan since the beta, I'm collecting edits of him like it's pokemon cards too, but I just haven't talked about him on here at all lmao

I will definitely draw him, I guess I'm just gonna throw that out there; there might be a couple of pieces of him sprinkled in amongst everything else down the line. Thank you for the suggestion though, I've mentioned before how I feel pretty bad about drawing stuff from lots of fandoms at the same time, but idk, this time it does feel a little different ❤️

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[pochapal]

given what we know now is it not extremely sus that shannon and kanon, being who they are and what they represent, were the only gospel house servants on rokkenjima during this specific weekend?

[christnarr]

marriage counselors HATE THEM!

[dollypopup]

colin should 'suffer' for penelope

aka: 5 short reasons why wanting colin to 'suffer' or 'grovel' or whatever other bullshit this fandom keeps pulling is stupid and makes no sense and should have been buried ages ago, how is this still a thing?

1: it sets a terrible and unhealthy dynamic between an endgame couple

especially considering Polin's motif is that of a mirror, if Colin is expected to grovel or suffer for Penelope's affection and forgiveness, it only stands to reason that Penelope then, too, would have to reciprocate. how Penelope treats Colin's ills is setting the precedent for how he's expected to handle her own against him, of which there are many. giving him the cold shoulder, holding what he said over his head and rubbing it in his face, potentially not even explaining why she's upset at him: these are not signs of a mature woman ready for a marriage to ANYONE

2: Colin's slights against Penelope are considerably less harmful than Penelope's against Colin's and it makes no narrative sense for her to be on her high horse about it

'he ruined her prospects' 'he talked about her behind her back' 'he laughed at her' (we don't even know if that one's true, frankly speaking)

but Penelope did the exact same to him and she did so first. Please remember that Penelope is the reason Colin and Marina broke up, and it was her express goal the entire time. Penelope humiliated Colin and Marina both by exposing them publicly (not to mention rubbed the salt into the wound for days afterward). Penelope didn't even think about Colin's feelings because she tried to confess her crush on him immediately after his engagement went poof. Penelope holding Colin accountable for what he said without herself recognizing the ways in which she's hurt him, too, makes her out to be a hella hypocrite

3: it's weirdly catholic on main?

love isn't about suffering points or penance or guilt and i'm tired of Christianity pervading every damn thing. sorry not sorry, some of us want an actually fulfilling love story

4: y'all are just mad Colin didn't love Penelope back from jump and it's a revenge fantasy

which, fine, that's what fanfic is for, but it's OOC, y'all are aware of that, right? because if he DID want her from the start, we all know that it wouldn't be Polin? why are you shipping a friends to lovers ship if you INSIST that the friends to lovers dynamic is less than? guess what? unreciprocated love is kind of part of the deal. you don't hold a grudge against your friend for not loving you back immediately. Colin shows he cares about Penelope in SO MANY WAYS that somehow are completely invalidated because it isn't meant to be romantic? imma say it: fuck you if you think that way. friendships are important and beautiful and deep and fulfilling with or without romance. Colin sticking his neck out for Penelope to help her family from Jack's scheme? an act of love. Colin sending Penelope letters after her father passed? act of love. Colin telling Penelope she's 'really very good' and holding her hand in appreciation of her coming to talk to him? act of love. if you think those acts of love mean nothing just because he isn't fucking her seven ways to sunday, maybe analyze your own viewpoint of relationships and ship Pen w/ some random stranger who makes heart eyes at her tits from jump

5: it makes Penelope an asshole to her own long term partner

dude, if a friend of mine insisted I crawl on hands and knees to determine whether they want me back in their lives, i don't want to be around that person? so many of these narratives make Penelope a straight up terrible person. if you want your partner to suffer? you probably don't actually like them very much, but Polin is narratively MEANT to be the couple that likes AND loves one another. be real, if your friend ghosted you for months, gave you the cold shoulder when you tried to talk again, treated you like shit (you can't argue that him 'suffering' isn't treating him like shit in some way shape or form) as you tried to apologize, and then you find out that she was the reason you and your ex broke up and she wrote straight up nasty things about your family for YEARS, you would want absolutely nothing to do with that friend. why should Colin be expected to be any different? do these two not deserve a lovely love story built on love and affection and trust and honesty? a healthy happy relationship in which they see one another and appreciate one another for all they are? no? so why do you ship them?

+1: it's oversaturated in this fandom

polin is a fantastic ship. how is THIS their main trope?

find a new fucking idea, PLEASE

[mobblespsycho100]

i dont get how everyone isn't obsessed with kabru tbh like how can you not care abt kabru . hes like, the best.