#oak panels

[poligraf]

Wikipedia : Hieronymus Bosch · The Haywain Triptych

Hieronymus Bosch, God casting out the rebel angels from Heaven. Detail from The Haywain Triptych, ca. 1516

[kennedysteve]

Library Family Room in Boston Mid-sized traditional family room library idea with a light wood floor.

[jawnwutson]

Library - Traditional Family Room Family room library - mid-sized traditional light wood floor and beige floor family room library idea

[kashmimo]

team rocket hate club

[soulsilvers]

dead wife flashback

[vintagehomecollection]

This living area provides places that can do double duty. The hearth, for example, can become extra seating with the addition of cushions.

The Not So Big House - A Blueprint for the Way We Really Live, 1998

[goshyesvintageads]

United States Plywood Corp, 1960

[millidew]

what are your intentions with my sister...

[eirene]

Portrait of a Woman, possibly Anne Codde, 1529

Maarten Van Heemskerck

[caffellatte-cosmico]

[7cfc00]

ep 31 went so hard !! 

no text ver. under the keep reading

[ivypond11]

something something normscary. rotating in my brain like a rostisserie chicken <3

[vox-anglosphere]

Titanic's 1st class staterooms were the ultimate in ocean-going luxury

[collectionstilllife]

Joris van Son (Flemish, 1623 - 1667) • Still Life with Lemons, Peaches, and Crabs, with a Glass Behind • Second half of the 1640s • Oil on oak panel

[artsandculture]

The Arnolfini Portrait (1434) 🎨 Jan van Eyck 🏛️ The National Gallery 📍 London, United Kingdom

This must be one of the most famous and intriguing paintings in the world. A richly dressed man and woman stand in a private room. They are probably Giovanni di Nicolao di Arnolfini, an Italian merchant working in Bruges, and his wife.

Although the room is totally plausible – as if Jan van Eyck had simply removed a wall – close examination reveals inconsistencies: there’s not enough space for the chandelier, and no sign of a fireplace. Moreover, every object has been carefully chosen to proclaim the couple’s wealth and social status without risking criticism for aping the aristocracy.

The man’s hand is raised, apparently in greeting. On the back wall, a large convex mirror reflects two men coming into the room, one of whom also raises his arm. Immediately above it is Van Eyck’s signature. Could the man in mirror be van Eyck himself, with his servant, coming on a visit?

[cerealforkart]

RTX was great! I especially loved... whatever this was!