#now i have to write the actual story
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*rolls up 15 years late with Avatar the Last Airbender thoughts*
So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.
So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".
And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.
And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)
But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭
#avatar the last airbender#zuko#uncle iroh#have literally had these thoughts rattling around in my head for YEARS#makes their reunion at the end of season 3 even more heartbreaking and sweet because zuko was so afraid#that iroh would be mad at him ;-;#the consequences of the crossroads of destiny really haunted him haha ;-;#their dynamic isn't even in my story I was looking it up just for lightning redirecting reference but the scene brought back thoughts#I love avatar it's one of my dormant hyperfixations that can become a current hyperfixation at any moment#which is. actually what's happened to me xD#this could potentially be relevant considering netflix is doing avatar tv show things now#but I doubt they'll do the subtext anywhere near this well#*writes an avatar fanfic 12 years after I first watch the show* 16-year-old me would go feral over the story I'm writing haha#anyway enjoy my ramblings
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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
#fionna and cake#fionna and cake spoilers#adventure time#simon petrikov#ice king#marceline abadeer#simon and marcy#meta#this was just a phone note to get thoughts out of my system but then it came out semi-coherent#so welp guess i'm writing meta now. i'm really in the deep end now. but yeah...Ice King and Simon's story being about the power of kindness#A cruel world requires constant cruelty to be maintained. But kindness? That reaches across time. one act of kindness sparks another#'I need to save you but whose going to save me?' That act of love and compassion is gonna save you ya dingus....eventually#In a less kind world finn and Jake could have watched those tapes about Simon and still decided IK was a hopeless cause.#That he was too far gone to be saved. But they didn't. They chose to treat him nicer and actually be friends with him.#One thing i always loved about IK's story is that he didn't have to completely change himself for people around him to treat him better#They changed their perspective and were kind to him and it was THAT that helped him change. to grow beyond the 'antagonist' role#to quote my go to and all time favourite good place quote:#'the point is people improve when they get external love and support. How can we hold that against them when they don't?'#Arrgh sorry I just always loved Ice King's arc in the show. From pesky antagonist to the person Finn dived into a chaos god to save#(the world's new beginning and its near ending being all because of simon. he has such main character energy and boy does he not want it)#And now we're getting Simon stuff and I'm so normal I'm so normal I'm so normal (<- has never been normal about this character)#(i...i have many MANY drawings of ice king and simon from 2015 and the years after. i was doomed from the start. F&C was the final straw)#(as was reading marcy's secret scrapbook recently...and here i thought i'd truly reached the capacity of hurt i can feel about these two)#Going insane over these last two episodes. 'she didn't have a me'. Fionna and Simon bonding. Gumlee kiss. PETRIGROF BACKSTORY#and the implication that Simon isn't remembering it accurately? Their sweet sounding love song actually foreshadowing their issues?#I am clawing at the walls. thank you AT crew you are enriching the enclosure that is my brain
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Her whole body was on fire.
Not the pleasant, tingling sort of fire that had been consuming her as she kissed Sebastian just moments before.
These were terrible, burning flames that made her nerves scream in agony as her body tried to purge itself of the curse. Once her coughing stopped she tried her hardest to straighten her spine and pretend that it wasn't what they both knew it was. But everything hurt so badly, and she knew she wasn't fooling Sebastian.
Eloise was terrified. She had seen how Anne's body had wasted away due to the curse, and Eloise wasn't hopeful she would survive. Even if Sebastian hadn't given up hope when his sister was cursed, he had already been researching relentlessly for a cure for over a year without any breakthroughs - and his research was in addition to Nurse Blainey and St. Mungo's fruitless attempts to heal her.
But...she could take a small measure of comfort from the fact that she had managed to save Anne.
Even if it was at the expense of her own well-being.
"What did you do?" Sebastian whispered, voice raspy, eyes wide and horrified as he looked at her.
Her eyes darted away from his accusing glare, down to the white sleeve that was now peppered with tiny spots of the blood she had just coughed up. They were slowly growing, the tiny spatters expanding and mingling with each other. "I..."
Throat constricting, tears welling up in her eyes, a sob that she was trying to swallow back down.
This wasn't supposed to happen.
Eloise shook her head helplessly. "I have no idea."
She wasn't lying. When she had run to help Anne in Feldcroft all those weeks ago, she had been acting on pure instinct. Just as she had when Leander had hit Sebastian with diffindo. It was the most natural thing in the world to dip into whatever ancient magic reserves she was privy to and just use them. Even if she didn't fully understand these instincts.
"What did you do?" Sebastian repeated, voice rising with every word. He started pacing in front of the fireplace, running an agitated hand through hair that Eloise had already messed up. "I...oh, god. This can't be happening again."
"I would do it again. I saved Anne." Eloise's voice sounded very small to her ears and she shrunk away at the expression on his face when he turned to look at her. It was incredulous and devastated and furious and she couldn't look at him any more. She turned her head to watch the flames. Out of the corner of her eye she could see his agitated, jerky movements.
"At the expense of your own health! Merlin, this is all my fault. I -"
Eloise couldn't hear whatever Sebastian was about to say as his words were lost to another fit of coughing. His anger slipped away and was immediately replaced with concern as he moved to stand in front of her, gently reaching out a hand to her shoulder.
She was lost to the pain and flames screaming - was she screaming? - their way up her throat, the hacking coughs so gratingly painful that it was all she could focus on.
"Fuck," she heard Sebastian say. "Wait..."
He put an arm around her waist and helped her move the short distance to the bed. As soon as he let go of his hold on her, she fell to her side. Her arms were useless at the moment, and the side of her face met the mattress as she fell without being able to catch herself. Tears were streaming down her face as she coughed and coughed and coughed and -
"Here. Please..." A reassuringly solid presence at her side, leaning her body against his chest, her head lying limply across his shoulder. A gentle hand grabbed her jaw and then forced a potion down her throat.
Eloise immediately started gagging and tried to wrest herself from his grasp. The potion was thick and viscous and tasted like mud, slowly sliding its way down her throat. If the curse had manifested itself in all-encompassing flames, this potion was its antidote in the form of shards of ice that burned in an entirely different way. Her ears were ringing and her head swam in pain as she whimpered.
But...
The coughing had stopped.
Her eyes slowly opened.
Sebastian's face swam in and out of her vision as she blinked away the tears. There was a sharp stab of pain through her head when she tried to focus her vision, so she just closed her eyes again and moved her face into the crook of his neck.
Her breath came out in ragged gasps, but at least she wasn't coughing anymore.
She felt his arms tighten around her, one of his hands starting to massage the base of her neck as he cradled her body to his. Sebastian was warm, reassuring, solid. That, she could focus on. Eloise breathed in deeply, and the faint smell of cinnamon mixed with what she was now recognizing as Sebastian filled her senses. She tried to move an arm so she could caress him the way he was, but her arms were numb and tingling and she was just so tired.
She felt herself drifting off to sleep in his arms, the overwhelming feeling of safety and comfort being her last fleeting thoughts before sleep overcame her.
the scene after their first kiss, that I drew a while ago😇😇😇
#I really love this little sketch…my poor sweet angel…#so…um…I may or may not have rewritten this scene#after two weeks of nonstop coughing up my lungs😍😍😍#I know I always ask but do you like my writing going with these sketches??? or just post the art…#idk since I don’t draw much expression and I like drawing the bodies more#I think it’s nice to add the writing to actually see what’s going on����#hogwarts legacy#hogwarts legacy fanart#hphl#hogwarts legacy oc#hogwarts legacy mc#eloise babbit#sebastian sallow#sebastian sallow x mc#sebastian sallow fanart#hogwarts legacy fanfic#btw this is the beginning of chapter 20 of my fic#wait should I add a spoiler alert ???????? 😳 I think this is kind of a spoiler (duh)#but at the same time with everything else going on in my story and what I’m adding now#this is like the least spoilery spoiler to ever spoiling spoil
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*gently opens the door, then kicks it the rest of the way open as dramatically as possible*
Mario normally being fully verbal but going nonverbal when his PTSD flares up so part of the reason he struggles to tell his loved ones when he’s struggling is because he physically *can’t* and this is a new development and he’s embarrassed so he just. Hides until it’s over and then pretends it never happened because he’s fucking terrible at balancing his pride and his coping mechanisms
This is now canon to my ‘verse.
#not quite back yet! but I had to write that down lest I forget it#I tend to go nonverbal when deeply upset so it’s based on a true story#being in retail means I’ve had to teach myself to force past it and keep talking anyway but it’s still challenging#(thankfully since moving from retail to tourism it doesn’t happen nearly as often and I can get space when I’m upset!)#before that if something triggered a nonverbal spell then I couldn’t talk for anywhere from several minutes to a couple of days#actually I still have a lot of moments where I go nonverbal and I’m just now coming to terms with that#because while I usually CAN still talk it’s extremely uncomfortable and draining#ALL THAT TO SAY#I am once again projecting onto my boy 😌#peaches has opinions
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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If you can't handle Bucky Barnes at his "Hey bestie, let's go see a science fair and read the Hobbit!!!!" then you don't deserve him at his *patented sex gaze + low bedroom voice* "But you're keeping the outfit right?"
#i am writing the nerdiest sexiest bucky right now and that is basically the theme of the story.#or one of them#you can actually have him however you want#I do not care#zenaida talks (too much)
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Thinking about possible fanfic/au idea, where Paper after the end of second season decides to leave Hotel for a while to develop his own self-identity outside of his life with OJ, and OJ, living without Paper for the first time in almost a decade, realises how codependent with him he actually became and how much of his mental state were tied to Paper being by his side. Both of them learn to live without one another and find their own separated support systems and when Paper eventually comes back (because, still, all of his friends live here, duh) we're both self-sufficient but still appreaciate each other's positive traits and now are able to form functioning healthy relationships...
Yeah I think about them a lot
#eugenedathinker#inanimate insanity#ii#ii oj#ii paper#payjay#sorry these two gay dumbasses completely consume my mind for a month now#i dunno i just love stories about couple which have to go through at least one break-up because they're mentally ill#also also#suitcase could leave hotel with paper too 'cause#a) she already feels like she's lost a track of time and everyone she knows just live without her#b) i suddenly fell in love with an idea of her and paper's friendship#but if for paper this decision to leave is his progression as a character#for suitcase it's a regression because she (just like mephone) actually starts to run from her problems and fears#instead of facing it#uhhhh it's a complicated dynamic#i might just write this fanfic after season is over
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Totk spoilers but not major ones, minor spoilers
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So I’m still playing through Totk but very slowly, I’m super invested in taking my time and enjoying the scenery, same way I played BOTW. But I had an idea, as per usual. So know those poes you find in the depths? Know how poes in ocarina of Time are mean to you? I have two things on this
1. Since Wild had a near death experience (or just. A death experience would be more accurate) he can see poes and they don’t hurt him! So when visiting Times hyrule, the pies don’t attack him. They just vibe together. This leads to Shenanigans.
2. The poes are actually his fellow knights, or just in general people whom he knew in life before the calamity. That’s why you see those random ghost knights handing out weapons. Those are his coworkers! They speak to him, maybe vibe with him. Now, imagine: he’s in Times Hyrule getting attacked by Poe, and one of HIS Poe, (his Poe friends) come out and fight the other Poe for him, and maybe pass on a weapon afterwards. Angsty? Fluffy? Crack? So many options.
Aight, back into my little hole in the ground I go!
#linked universe#totk minor spoilers#totk#lu wild#wild linked universe#linked universe wild#poe#what if BOTH actually?#Might make this a story#or not#(probably not)#anyways the reason I haven’t been writing because I had writers block#and also now I have finals again#and a creative writing club#tears of the kingdom
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Experiencing the opposite of the Enjoying Torturing Oc phenomenon where I dont want to send talon back to his canon anymore like nooo stay here u have a home and food sources and clean water and a happy life and various places to lounge and loaf. My adopted feral cat....
#My seasonal boyfriend#talkys#along with not knowing how to write Any story this is also why i struggle with ocs#i develop and get attached to them enough and its like. well now i cant put u in a story that has a bad ending. i love u.#but its also bad like maybe al could have been more interesting if he wasnt permanently my boyfriend ykwim (for example)#whatever its not like i was ever planning on actually doing anything with my ocs...im not a writer or storyteller
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post ep 5 - SPOILERS
okay okay okay i think billy yeeted them out of the road. we see jen clawing up from the dirt in trailer footage, i think billy just chucked em back to westview. i don't think he's quite there at murder yet, seeing his last conversation with agatha, which? slay king. as a witch and practicing pagan, love him. "no, not for me" you take that negative energy and turn it right on its fuckin head sweetheart. but also please for the love of the gods don't get carried away, don't commit murder, your father would probably have a stroke even if your mother would sit there yelling you're doing great sweetie!!
also i think the reason why rio wasn't there in the last scene was bc she was collecting alice's body. now i'm imagining her walking out, seeing billy standing there alone with lighting coming from his hands and a scarlet witch crown like
#agatha all along#agatha harkness#rio vidal#billy kaplan#WE GOT IM BOYS#WE GOT BILLY!!!#actually so happy about this#but please my gay son you must resist murder#remember the threefold law#not everyone believes in it#but it might be good to follow for now#witch#witchblr#there have been some things in the show which has made me go eEEHHHHH but overall so far#it doesn't feel like an outright insult#which is nice :)#mainly i wish they'd acknowledge that every witch practices differently#which i get is hard for a rigid story format#but it would still be cool if we could see more of the variety and different interpretations within each witch's craft#oh and it would also be cool if they somehow acknowledged that witchcraft and paganism are still very real cultural practices#anyways i still love this show#even if i burst out laughing when lilia divined the names of the coven because i have seen automatic writing done before and last i checked#nothing exploded#also can we please get kit connor as teddy altman#agatha all along spoilers#ALSO COULD THEY PLEASE ACKNOWLEDGE THAT WICCA IS A REAL RELIGION AND NOT JUST SOME COOL NAME PLEASE AND THANK YOU LOL#if billy is wiccan#like religiously wiccan#that would be fuckin baller#i would be hella cool with him using that name then
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haruka and what each animal on his case represents, an analysis
before we begin, general CW for the issues haruka's story deals with (neglect, child abuse, animal death, etc).
Throughout the MVs, animals play an important role in Haruka's story. I think each of these represents a part of Haruka, both how he perceives himself and how he wants to be perceived. Even if Haruka presumably has numerous animal victims, the ones most emphasized are dogs, fish, and rabbits.
1. RABBITS
Haruka is seen on many occasions with his bunny plush. It’s so important that it appears not only in Weakness and Undercover but also in graffart’s collab, where each item is importan on the character's story in one way or another (like mahiru and the mantis). I see it as a toy from his childhood that he’s very attached to.
The fact that it’s specifically a rabbit is interesting to me, as the rabbit is a prey. If we go to the unique point of view of Japanese culture, rabbits are also quite related to the moon. The lunar cycles are also an important symbol in weakness, showing white, blue and finally red moons over a red sky. The origin of the relationship between rabbits and the moon is debated between admiration as they are perceived as objects of fertility and health because of their reproduction, or a legend that spread from India:
"a rabbit can't tolerate seeing people die and jumps into the fire to become food, then Indra rewards him for his sacrifice and takes him to the moon."
The theme of self sacrifice and the ultimate reward one receives for it is reinforced by Taoism, where the hare, like the moon, dies to be reborn and represents immortality. More popularly, rabbits are also associated with good fortune. It being white also points to innocence, and in turn to the pursuit of something that upon attainment brings discovery, an idea popularized by Alice in Wonderland. Even if it's more seen as a weak and tender animal, it has also been culturally represented as cruel and capable of aggression, closer to what Haruka is than the role of merely a prey. Haruka wants to be seen as weak prey that the strong hunt, to be pitied and loved for it. To be perceived as someone to be protected, as he cannot defend himself, but this is contradicted by his own actions both in weakness and throughout milgram. The prey becomes the predator and gives way to the next animal;
2. DOGS
The dog is universally a symbol of loyalty and the effort it takes to form a training bond between a wild animal and a human. Dogs are seen accompanying men and being obedient to women.
Dogs are perceived as creatures that love unconditionally and are capable of giving everything to protect those they love.
In terms of personality and behavior, they are the closest animals to Haruka, who accepts and actively seeks to be guided and to be faithful for someone, to be used to feel useful and not abandoned.
Even if they are domestic, the dogs whose breeds are distinguishable are large dogs, considered to be hunting dogs. Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf.
Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf. Dogs are the friendlier, "clean" version of wolves, domesticated to be obedient, while wolves maintain a certain solitary air of independence and savagery.
However, whenever a dog is featured on screen it is accompanied by loud instrumentals and rather graphic visuals. In Weakness, child Haruka accepts and expresses affection towards the animal, who apparently is suddenly injured and runs away from him into a forest, where he is disoriented and confused. Haruka follows its footsteps and ends up seeing his hands in horror, realizing that he's the cause of its injury.
The perspective of present Haruka isn't so different, who now attacks it, destroying it until the only remains are the necklace it was wearing, ultramarine liquid and eyes, which I consider represent the opinions of others and looks that judge him.
I think the fact that this dog bleeds the same color as Haruka's is a not-so-hidden hint at the fact that, in a way, Haruka is ending up with a part of himself (this time a bit smaller, not being human yet) to escape people's judgments.
There are also many sayings that by mistreating someone, "you are treating them like a dog", like an animal, something inferior, but that still sticks to what the human wants and believing all their words.
In AKAA, we see that instead of being a mix of at least two dogs, they're now separate entities and different breeds that dissolve as Haruka sings about being reborn. Again, dogs often appear in stories as spirit guides, helping humans enter and exit the realm of the dead safely, representing a middle ground between life and death. Dogs are followers of their owners, not leaders, and no matter how close a bond they form with humans, they are rarely recognized as equals to us.
3. FISH
Most of the similarities between Haruka and fish are presented visually, with Haruka being a passive spectator of his own life, observing others from behind something akin to a glass wall that separates him from normal people. He's constantly surrounded by water drowning, and in one scene is even presented at a fish-eye angle, being watched by his mother.
In AKAA we can see two specific species of fish.
Yellow bobfish: they're very complicated fish to keep in aquariums because they release toxins when stressed and are naturally solitary once they reach adulthood, it's not recommended to have more than two in the same tank because they are territorial and aggressive among their own species, however it's friendly and sociable with fish of other species. It responds to stress with aggression and attacks its own kind (in this case other weaklings) just like Haruka.
Clownfish: they usually inhabit anemones, forming a mutualism in which they find shelter and food. Toxins from anemones don't affect them as they develop immunity to them throughout their lives to eventually live in them. Anemones benefit from clownfishes cleaning its tentacles. Clownfish often eat parasites and are also known to steal more food from anemones than what they give in return. They are also capable of changing sex from male to female. Seeing this particular species depicted tells us a lot not only about haruka, but about his relationship with Muu, as for the first time it's not depicted as a mutual need, a codependency that endangers their lives if they become separated, but a mutually beneficial relationship where both can exist separately, but live much more comfortably by relating to each other in this way.
Extra: Insects (specifically butterflies) and parasites.
The symbolism of transformation and metamorphosis is so present that it even took the title of both voice dramas. Caterpillars can only wriggle and are no different from any worthless worm, but after a season, they manage to transform into a butterfly: beautiful, admirable, much more memorable and lovable. Having been forgiven and meeting Muu, Haruka manages to "fulfill" his metamorphosis and become someone he believes is better. Still, from what is shown in AKAA, it doesn't seem that Haruka is entirely happy with this change happening - the monarch butterflies represents ambition and perseverance, but it seems to be rejected by haruka, who crushes it in his hands
Haruka longs for this transformation, but is unable to fully accept it happening. I think it's because no matter how much he changes and wants to be someone else, he can't get rid of the disastrous image he has of himself, or he has forced himself not to change so as not to be disliked even more by others.
Now, Kotoko is an important figure to Haruka despite not interacting much. It highlights both his codependency (or mutually beneficial relationship) with Muu as much as the fact that he assimilates a parasite.
This is a point I've made several times before, but Haruka's way of socializing is based on taking parts of others and melding them on himself, especially women. It started by stealing his mother's necklace and taking it as his own, continues by killing Mirai and stealing what he lacks, and ends now in a much more obvious way with Muu, imitating her personality, accepting her accessories and the clothes she chooses for him and even copying her sprite pose a bit.
If he had become closer to Yuno and Mahiru, I'm sure he would also start imitating their behaviors in one way or another. Haruka lives by taking parts of the women he surrounds herself with, and he seems to want to take something from kotoko as well, but it's still unclear what he wants.
What does all of this have in common?
Not only is the theme of change and rebirth prominent, but every animal that Haruka comes to hurt relates in one way or another to his desires, thoughts, or parts of himself. Figuratively, we can say that Haruka's case is about him eliminating and hiding every part of himself, until he murders his human victim, Mirai, who at the same time is the closest and most prominent part in him, with whom he wishes he could reconcile and exist together, accepting each other - for, unlike his other victims, Mirai is often presented as a friend and someone Haruka misses. I have yet to write Mirai's analysis on its own, so whether she is also a part of Haruka or not and whether all his kills are figurative is up to each one's choice, I tend to wander between both sides because I like both scenarios. In a less figurative way and taking the case more literally, these facts are simple trivia and interesting symbolism to consider when analyzing Haruka.
#milgram#haruka sakurai#milgram analysis#Weakness analysis#Akaa analysis#Analysis#I'm **SHAKING** DO WE ALL SEE ALL OF THESE HARUKA AS QUEER - GNC - MTF HINTS???#I HOEP WE ALL DO!!#Twt moot infected me with the haruka MTF disease and now I see it everywhere#There are a lot of queer motifs on haruka's story it drives me actually insane. It's so visceral#Anyways I hope you guys like this#It's been a lot since ive last posted an analysis and I really wanted to talk about this#I also want to write something specifically about Mirai and all of the possible interpretations she could have inside haruka's story#Both as a real person and an ideal concept
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Is there a specific writing formula or something you do or research while or before writing one of your fanfics? You have such a unique writing style that ive seen only a few others have and i’d like to emulate it and add my own touch to it, Thanks alot! ❤️
Not really. I'm not sure what my style really is. I guess I just write stuff that catches my interest and I wanna explore and that naturally leads to world building and research?
It really depends on the fanfic and what is is about. Sometimes I've randomly gone on a research binge for reasons unrelated to fanfiction and then end up enjoying the subject so much that I end up writing fanfiction about it (like, say, hydroponics. I was into it way before writing about it.) Sometimes story goes down a certain path and something comes up I wanna dig deeper into in writing and I want to least try to be accurate and realistic and so down the Wikipedia/YouTube/etc drain we go. Realisim adds nice flavour to a fic, I think, even when it's about complete nonsense otherwise.
Once nimadge and I looked through like actual historical papers and books for historical accurace, and it was barely mentioned in the fic - but it was fascinating stuff otherwise. I figure that kinda of research is pretty normal for writers. Gotta look up 4 different things and a lecture for one factoid that ultimately doesn't even matter in the grand scheme of things
Depending on the mood, I just generally write stuff that's new and shiny and interesting to me, stuff I can fixare on. I guess that's what comes across in my style. Plus, I got almost 3 decades of writing under my belt at this point, so... practice and writing what I'm into, what makes me curious, what makes me wanna learn more, just to see how stuff affects other stuff down the line. Idk. I've never been good at explaining how I write.
"Write what your know" is meh. "Write what you want to know more about" is where it's at.
#And then sometimes it's just spite#Now I you wanna talk about actually textual stylistic writing choices that's a whole different discussion#Writing cool interesting plots and writing as like actually words on the page are two different things#I don't know how to categorise “story writing” versus “writing words writing”#They probably have names but I went to art trade school and failed at literacy hahaha
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RealAgeAU Drabble - Dawn
I am back because i got home from work and I got no chill! :D @spotaus
First one Prev drabble Next one
Okay. So why this one? Because i realised it was a while since i wrote a drabble from Horror's point of view and that is criminal and it is a great excuse for me to showcase some stuff from the quiet and very observing sockets of Horror! (also gives me an excuse to not think about the drabble order i got now and that thought i messed it up a bit which I need to think of a solution for)
Ready? Let's go!
*------------------------*
Horror makes sure to carefully close the door to the greenhouse. It is still early but he is used to those.
He enjoys the cool fresh air as he walks towards the house, small basket filled with fresh monster food. Horror is happy he got permission from Crop to harvest the plants in there for their meals.
He quietly opens the door and listens for a moment. He saw Cross leave the farm a little while ago to do his own morning workouts and by the sounds of it the other three are still asleep.
Which is good because he needs his own sleep. Horror knows very well that Dust is the one to wake up with Nightmare if something bothers him in his sleep.
He found the two of them awake and reading a book one too many times for Horror to believe they just had an allnighter.
Horror likes being up early. Maybe strange for him but he got used to it in his old universe. The best time to check his traps and search for food had been in the very early morning, or very late night depending on how you look at it, as most people would be asleep.
It is a leftover habit and he just kept going with it when he joined Nightmare's gang.
He puts the food away in all the right places and goes about getting the ingredients for todays breakfast. He notices the fresh milk and eggs and the choice is obvious. Some pancakes would be great.
He starts preparing the ingredients as he takes the time to measure it all. The milk makes him chuckle.
Watching Cross realises there was a cow had been funny. Finding Cross in a tree shaking with a cow under it had been hilarious. Crop ahd been apologetic as he explained that his cow, Betty (Killer had mutters "of course it is claled betty") was aparently mischievious.
Horror had his doubts but Cross swore that the cow would know when he left the farmhouse. That the cow would stand at the edge of her field and stare at him.
Cross did not go to the east side of the farm anymore. aparently that was Betty's territory in his mind.
Nightmare liked petting Betty however so you have your ups and downs.
Horror mixes the ingredients slowly but surely. Thinking about Nightmare, "Shouldn't you still be in bed?"
silence before a soft mutter "Not tired anymore."
Horror chuckles as he shoots Nightmare a look. He looks fully awake and adorable in his new wool sweater. Horror grins "God powers?"
Nightmare shrugs "I mean probably. I never needed sleep before. that is still new." They hadn't really noticed anything that could be connected to Nightmare's godhood at the moment. Maybe it had gone domant, at least that was Cross's guess. Dust just thinks Nightmare's magic is now focussed on healing instead of weird god shenenigans.
Speaking of healing! Horror gives him a stern look "bandages?"
Nightmare rolls his eye lights but mutters his answer "All still in place and good. Killer replaced them after the bath last night,"
Horror nods. With that secured he relaxes abit "Want to help?"
Nightmare is already by his side and stands on his tiptoes. Horror chuckles as he gives him a look "Need a chair?" he would offer a stepstool but the chair is more stable for him.
Nightmare looks at the counter annoyed before nodding his agreement. Horror grabs a chair and puts it near the counter. Nightmare climbs it easily.
Horror really wants to pick him up but they do have the rule that inside Nightmare should walk around himself to carefully train his spine. It is still much to early to already start carrying him. Horror knows that if any of them start they won't stop.
Nightmare reaches for the ingredients, some fruits for inside the pancakes, before pausing and staring at his sweater.
Nightmare has been very careful with his new gifted clothes. Horror himself is also very careful with the set of clothes Dust got him.
Horror frowns at the food he is making. He really hopes he can quickly find soemthing to do here to earn money. At the moment only Dust has something and it is starting to show, even Killer seems to be getting annoyed with himself over it.
Until now Horror and Cross helped around on Crop's farm. Which he was happy to do as it only seemed fair as a way to repay Crop for letting them stay. Horror has also been learning the basics about farming, farmland and farmwork from Crop. It is still a lot and not everything sticks in his skull, probably falling out of that hole. But he is getting better at it. He hopes with this Crop can maybe get the news out that both of them are more than willing to help around with heavy duty work and get a bit of cash flow.
Killer... Killer has a very specific set of skills. Sadly not specifically useful on a farm. Even if he is great with the animals and can herd pretty much anything, which is very useful but well. Most people won't let you near their animals unless they trust you and Killer is Killer.
Horror just feels bad that Dust is pretty much still Ngihtmare's main caretaker, got the rough end with the backstory they settled on, and has to deal with work to get cash. Only to spend all of it on them all.
Horror can see it is starting to wear him down. He just hopes they can figure out how to balance everything better.
It is another reason he loves these mornings. Because morning time means Dust, and Killer, both sleep in and Horror gets time to supervise their babybones. Horror adores the time wiht Nightmare. Especially when alone because then others don't watch them nervously the whole time.
It is exhausting to be seen as something dangerous even if he knows it is true. It is why they mean so much to him, they never treated him like that. None of them did.
A glance confirms that Nightmare has carefuly rolled up the sleeves and is taking extra care with cutting the fruits, using one of the duller knives which won't be able to cut bone. Horror turns back to getting everything else ready. He has to concentrate to push his intent into the food. He wants them to enjoy and like it. Feel the things he can't say to them.
Horror knows what he wants and feels but also knows none of them are ready to hear it. Horror has known that from the moment he realised what he felt was. The curse of being the only emotional stable one.
He still remembers all the way back near the start of them meeting and chuckles to himself. they did not get along at all.
Nightmare immediantly looks up "What is funny?" he looks adorably confused.
Horror thinks for a moment "Remember when you brought me in?"
Nightmare blinks before giving a slow nod "Yeah... I had hoped you would calm Killer and Dust."
Horror chuckles "Can't believe you thought i could do that."
Ngihtmare shrugs as he finishes up his task and just sits normally on the chair "I mean... It worked." his hands find the glass of juise Horror got him.
Horror pauses for a moment before nodding. Nightmare is kinda right with that one. It hadn't worked right away but he made it work. Mostly because he had had a lot of motivation.
Nightmare, still a fully active god at that point, had offered him that he would slowly but surely fix the food problem in his universe in trade for his service, something about it being too severe for him to be able to instantly fix but if Horror worked for him he would work on it. Horror had figured Nightmare had known about his little weird immortality situation with his own universe's core and accepted.
Turns out he just wanted him to fix whatever had been going on with Killer and Dust. Because they would fight. Constantly. And those two got very close to killing each other a few times.
Horror had eventually managed to somehow form a connection and bond with Killer. It had been rather easy and Horror was able to become friends with him over coworkers. Eventually find him not just annoying but funny. And later think fondly of his antics.
Dust took longer. Which had been a combination of Dust just being an introvert and not looking for connections or at least not in the way that made that clear to Horror. And well Horror heard bits and pieces of what Dust had done and had honestly been disgusted with the idea that Dust just murdered his whole universe and his own brother. Just to fight one human? Just to end a timeloop?
It was well after he managed to get them to stop, or at least contain the damage of, their fighting. Well after he started working for Nightmare more permanently that Horror realised how the multiverse worked.
And how fucking unfair it was.
Because aparently? stupid fate or some shit? That decided how your universe worked. His would always have ended up with a famine and starvation. Killer would always lose control and be controlled, abused and used by the human. Cross would always be the end of his universe. Dust... Dust would always have to kill his universe. No matter what he tried or solution he tried.
It wasn't until later Horror learned that Dust had tried everything. Multiple times. That Dust had learned to play multiple musical instruments in the time of resets. That he had learned to cook, and tinker. He master chemistry. Everything in the hopes it could give him a solution.
But the fates had already decided his ending, much like for all of them there was only one ending possible for them. And in the end locked him in a dead AU make by his own hands when no other options was left. Just like all of them had been.
Horror has to admit it took him a long time to get Dust to admit those things to him. Msotly because Horror had been standoffish before and that he accidentally gave Killer advice to treat Dust like one of the many stray cats he interact with.
He hadn't specifically said that. horror had just told Killer that maybe Dust would like Killer more, or at all, if Killer learned to respect his boundaries. Horror had mentioned how Killer could learn each cat's limits so why not Dust?
Worst part was that it actually worked.
Horror rubs his face "I give him cat advice." his voice sounds pained. Dust had been so mad at them both.
Nightmare nods "I remember. Dust left for three weeks." he snorts "which really is very catlike..." more thoughtful "And then you two got mad at me for not telling you where he went." He blinks and shrugs as he drinks from his orange juice.
Horror ignores the cat comment as he looks at Nightmare "Why didn't you tell us?" Dust had actually been recruited to help Nightmare with the balance. Something Horror only started to do after helping Killer and Dust be less homicidal.
Nightmare blinks at him wiht those wide sockets "I didn't want to force any of you... If you wanted to leave..." he speaks softer and softer "I wasn't going to stop you if you wanted to leave... if you didn't want to stay..."
Horror frowns and picks Nightmare up. He embraces him and hums "I am sorry we left..."
Nightmare shrugs as he pushes clsoer to him "You came back..."
hah... yeah they did. Much like Dust did all that time ago. He was gone for a few weeks before returning after killing Ink bringing back one of his fucking sketchbooks as proof. Obviously killing Ink does little in the long run but it was quite the powermove. Dust had glared at them daring to say anything. Killer of course had muttered something about Dust bringing back a kill much like a cat.
Horror is still not sure how he managed to stop Dust from Killing Killer that day.
Horror puts Nightmare at the table and gets a small yogurt and fruit snack ready for him. Just so he can eat a tiny bit. See how his magic will handle food today. Nightmare starts eating it when offered and that is a good sign. Means his magic is actually sending out the signal that it needs food today.
Horror goes back to flipping pancakes. Horror tries to stay in the here and now but his injury makes his mind likely to wander. and with already having been thinking about them.
He still remembers one of the early missions, after Horror learned about fates cruel games. Dust had still acted the same but Horror had tried to be more friendly. He had been close to giving up on it as clearly it wasn't working as Dust was still standoffish. Only for Dust to pull him out of the way of an attack from Ink, getting hit instead.
Later Horror had demanded why he did that and Dust had just shrugged. He hadn't had an answer for him. It confused Horror to no end. Horror was immortal because of that fact that his magic had been used in the core and bonded to that. Meaning as long as the core in his universe was fine he would return to life.
The gang had known this and Horror knew that Dust knew this. And yet. Dust had heard all of that and looked at the large monster Horror had become saw soemthing worth protecting. Something that needed protection.
Horror thinks he fell a little bit in love that day.
Much like how one day Horror just realised he couldn't stand the idea of not being near Killer or never seeing him again. That even if Killer could be annoying that he didn't wish him any pain or harm.
How it warmed his soul that Killer, and Cross later, would hide behidn him. Seeing him as someone safe that would protect them. See him as someone trustworthy.
Cross, so eager to please and desperate for affection and affirmation. but once he relaxed so smart and funny. Loyal and always ready to help...
But now is not the time to try and see what any of them thought or felt. They are dealing wiht a lot at the moment and they need to concentrate with trying to make staying here work.
The front door opens and Cross walks in quietly. He sneaks a glance at them and smiles when Horror catching him looking. Cross waves to Nightmare "Hey guys. All good?"
Horror nods "Nightmare helped." he flips another pancake as Nightmare drinks his juice with a smug little smile.
Cross grins "Good to hear. I will quickly get cleaned up and help. Dust and Killer?"
Nightmare hums "Still asleep." and he sips his juice again.
Cross nods "Good to know. be back in a bit" and he goes towards the bathroom. The pipes groan softly as Cross no doubt turns on the shower.
Horror finishes the last pancake and gets to wrok on getting the drinks and coffee ready.
Another day for them to figure out how this will work. Horror is just happy they are all here, everything else can wait as long as they stick together.
*-------------------------*
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#utmv#realageau#nightmare sans#deaged nightmare#cross sans#Horror Sans#We are back with a Horror POV#you guys I love Horror's pov. He is just such a nice and emotionally stable guy#I can actually just have him admit feelings and thoughts and let him make conclusions without a lot of selfdoubt!#It is so nice?!#this is a drabble that if it were a full story i would be stuck on#mostly because there are so many more things i wanted to add and expand on but just didn'have the room or time to do quickly#I write these in one go which is why they are drabbles instead of official chapters#they are the rough rough drafts of chapters#This would be a hard chapter because there are so many things i wanted to type but yet the flow of the drabble and story only goes so far#Writing whining aside this is the next drabble#maybe i will revisit things that were mentioned later#You guys i wanted to add how everyone has their own love language and explain the one of the guys but i just couldn't get there without it#breaking the flow and that hurts so much! I wanted to talk abotu that! sigh#maybe another time#but i promised myself these drabbles are unedited and stay as drabbles and rough shape so here we are!#but yeah if i ever turn this into a full full story with even more in between bits and expand the drabbles this would be terror to figure#out just because there is so much i would want with it1#okay i am going to stop now
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In Saecula Saeculorum
My contribution for @inklings-challenge 2024! Content warning for death and injury
Playlist link (I HIGHLY recommend listening along I spent like four collective hours on this thing I'm super proud. I am, however, adding which songs are best listened to at which points. They will be the bold italicized captions at the beginning of different sections. All the songs mentioned can be found on the playlist! (also, when you finish Afraid Of Time, just listen to the rest of the playlist straight through. It should line up well enough!))
~Time~
When Stephen Reid was nineteen, he almost got hit by a truck while trying to cross the street. A young woman a few years older than him yanked him back onto the sidewalk as the massive garbage truck barreled past, seemingly unaware that it had almost caused his demise.
Stephen steadied his breathing, heart pounding so hard he could feel it in his throat, then turned to thank the young woman who’d saved him. His mother had drilled good manners into him from a young age, and she’d have scolded him soundly for wandering into the street without looking first, let alone not thanking the person who’d saved him.
But she’d already started moving down the sidewalk, shoulders hunched in her green jacket, her hair (the tips of which were dyed an electric blue) brushing her shoulders as she moved. She was hunched over her cupped hands, whispering to something she was holding, and Stephen frowned. Strange way to hold your phone.
But there were more pressing things on Stephen’s mind. Namely, the fact that the world was tearing itself apart.
When he was little, things were so simple. It wasn’t just that he was a kid—Stephen remembered things had been happy, peaceful. He remembered summers spent digging holes in his backyard with his friends and raking leaves in the autumn. His mother and father had been happy, and life had been good.
As he got older, he saw the little ways things weren’t so good. The strain his father’s job put on him, the leaner times. But his family was still happy.
And then he turned eighteen. And things got really bad. Countries baying for each other’s blood, corrupt leaders turning their backs and doing nothing to help. Every day, the news showed more horrors. Every day, things got worse, and war was on the way. And Stephen knew he couldn’t just sit by and watch. His mother had taught him manners, common sense, and how to be fierce when it was needed. And his father had taught him that if you could help, you did help, and to care even when it was hard.
So that was what Stephen planned to do. In every way possible.
He’d started out with volunteering as he started college classes. There were even more people living on the streets now than ever, and helping make meals at shelters was a step toward helping them.
But then things took an abrupt turn for the worse. And suddenly, they were at war. And Stephen found himself dropping out of school to enlist.
He was twenty when he saw his first dead body—a woman on the side of the road. Face pale, limbs at unnatural angles, blood still staining the front of her shirt. It was an image that didn’t leave his mind for a long, long time.
Two months later he killed someone for the first time. He tried not to remember that. But it wasn’t the last time. Every time he took a life, he found himself mourning, for what the world had come to, for the life that he’d ended.
Stephen may have known the reasons for what he was doing. But that didn’t make it hurt any less, or stop him from wondering if there was a better way he could help.
At twenty-two, he was shot in the line of duty.
It wasn’t the first time he’d been injured. But it was the first time it had been serious enough to warrant being sent to a hospital for a prolonged stay. And as it turned out, it was serious enough that he was discharged from the army. The bullet had shattered bones in his leg, leaving him with a serious limp and pain that never fully went away.
It was strange. One minute he was fighting for his life, the next he was home. Like nothing had changed, like he was supposed to pick up where he left off. Stephen found himself adrift, unsure of his next step. He went back to school, but his old major didn’t seem to fit anymore. Nothing did.
He was twenty-two and a half when one of his classmates dragged him to their local church. Howard was stubborn and usually said exactly what was on his mind, without thought toward how he’d affect others. It was an odd combination of refreshing and very irritating.
And yet, in that sanctuary, Stephen had never seen Howard light up the way he did when the singing started. And listening to the words, he started to understand why.
He’d gone to church growing up, and it had been fine. But this was different. This was something beautiful rediscovered, and he cherished it. Soaked in every word spoken from the front. It was like water after years in the desert, healing after pain for so long. It brought peace he hadn’t known could exist.
Stephen was twenty-three when he changed his major. Not to a pastor, though Howard joked that he might as well, with all the Bible reading and questions. But to a counselor. Someone who could guide others through what he’d gone through, and worse. Someone who could help.
It was a refreshing of his original purpose, a rewriting of his story. It was the right thing to do, and that was all he’d ever wanted.
When he was twenty-seven, he started on an internship. And that was where he met Marian.
She was an astrophysicist, and while Stephen admittedly didn’t understand a lot of what she did, he liked to listen to her talk about it anyway. He liked her smile, too, and her warm brown eyes that lit up like gold in the sunlight. They both loved music, and swapped favorite songs every time they saw each other. She loaned him her favorite book, and Stephen read it eagerly, looking for what she loved in every line.
It took him a while to gather the courage to ask Marian out. Howard—now graduated, running his own construction company, and happily engaged—teased him relentlessly about it. “She likes you, you clearly like her,” the young man would tell him. “What’s the problem?”
“I’m waiting for the right moment,” Stephen would respond, and Howard scoffed in response.
In the end, he didn’t ask her at the right moment. He simply asked her, one day when she was stopping by at his work to talk about the book she’d just finished, eyes bright with happiness. Her smile outshone the sun when she said yes.
One year and six months later, she said yes again when he went down on one knee on a date to one of the few functioning observatories left in the country. He would have given her every star in the sky if he could have, but Marian settled for a diamond ring and a small wedding at her brother’s farm. Stephen hadn’t known someone could hold this much joy within them without bursting.
Two years later, Stephen was thirty years old. And that was when things started to get strange.
~~~
~Prepping For Rescue~
“Are you sure you want to do this?”
She avoided his gaze as she strapped on her protective gear. While the technology they were using had come a long way since the beginning of its use, there were still dangers. Being pulled through time and space could cause serious injury or damage, and the cuffs she was locking into place would generate a field that could protect her from that. Strange, how they almost felt like shackles, weighing her down, when they were the only thing bringing her hope right now.
“You know I am,” she said. “We already tested it. We can go back now, not just forward. And if I have that chance—”
“You’re gonna take it. I know,” he said. “But we still don’t know everything about this. We don’t know how it could affect the timeline. You could start wars, cause innumerable deaths. You could prevent yourself from even being born.”
“I know the risks.” She finished with the cuffs and grabbed her jacket, pulling it on to hide the cuffs from sight. “I don’t care.”
He looked like he wanted to comment on that very much, but just sighed. “Okay. Do you have your location drone?”
“Her name is Penni,” she informed him, and he sighed again.
“It’s a robot. It doesn’t have a name.”
She couldn’t hold back a smile at the old argument. “She does now. And I have her here.” Slipping a hand into her pocket, she pulled out a flat, circular object about the size of her palm. The domed top flickered between different colors, trying to camouflage itself with its surroundings, and it zipped into the air, hovering right above her shoulder. She brushed a hand along Penni’s surface, taking a deep breath.
“Good. Keep her with you, and I’ll be able to bring you back,” he reminded her. “Otherwise…things could get ugly. Because this is all supposed to be theoretical.”
“Then I guess I’m a pioneer,” she said, mouth suddenly dry. Squaring her shoulders, she said, “Let’s do this thing.”
~~~
Exactly twenty-seven days before his thirty-first birthday, Stephen was on his way home from work. He stopped at a grocery store to pick up a few things for dinner—Marian was working later than usual, and he wanted to surprise her with a delicious home cooked meal when she got home.
When he stepped out of the store, a car drove by at top speed and shot him three times in the chest. Two other pedestrians were hit, but he was the only casualty.
Except he wasn’t.
He heard the car screech around the corner, and looked up in time to see the dark barrel of a gun pointing out a window—and then a girl slammed bodily into him, sending him crashing to the ground.
Glass from the store windows shattered upon the bullet’s impact, tinkling against the pavement. There were screams, and Stephen pushed himself into a sitting position with a groan, looking around as the car roared away.
Two other pedestrians lay on the ground—one hit in the shoulder, the other only grazed in the arm. Stephen automatically moved to help them, calling for someone to call the cops, his head spinning.
Because there had been a moment where he’d known, he’d been sure, that he was going to die. Not just fear. Utter confidence. He’d all but felt the bullets pass through his body.
But instead, a girl had saved his life.
The girl. Stephen glanced around—but there was no sign of her. And all he could remember, as he later recounted to the cops, then Marian, was a blur of green jacket and blue hair.
Something about the description itched at the back of his brain, but he wasn’t sure what. All he knew is that he was somehow, impossibly alive. And he was grateful for it.
Two days later they found out Marian was pregnant.
~~~
“It worked,” she gasped, stumbling away from the framework of the machine.
Her friend looked up, eyes widening. “It—it did? Are you okay?”
She nodded, then stumbled again, and he caught her by the arm, hauling her upward. “Whoa. Sit down, have something to drink. We should check you out—”
“I’m fine,” she said, waving away his worry. “It worked, Tad. He—he’s not dead. Is he? I can’t—I can’t think—”
Steering her into a chair, Tad said, “Disorientation is a common side effect after traveling. Let me look at the database—drink some water.”
Taking the water bottle he shoved into her hands before moving to the computer, she gulped down some of the contents, her head spinning. “Do you remember how it was before?” she asked. “You said that you might not—”
“I think being close to the temporal field distortion preserved my memory,” Tad said, typing rapidly. “It’s fascinating, and if we don’t get arrested for this, I’ll write a paper–oh.”
Her stomach dropped as his face fell. “What?”
“You…almost succeeded.” Reading from the screen, he said, “Stephen Reid, died age thirty-two, in the ‘65 train bombings.”
“What?” Rocketing out of her chair, she moved to his side, swaying a little. Tad put a hand out to steady her as she bent over the screen. “How?”
“Looks like he was injured, but didn’t let on because he was busy helping others to safety,” Tad read. Glancing at her, he said, “I know that’s not what you wanted to hear, but—”
She was already moving toward the machine. “We have to go again.”
“What? I don’t think that’s a good idea. You already somehow created a temporal loop when you first went in. Who knows what—”
Spinning around, she said, “We can’t save him from being murdered just to let him die in a freak accident. It’s not—no. We’re fixing this.”
“And you don’t think this has anything to do with—”
Fixing him with a fierce glare, she said, “We’re going. Again.”
~~~
~The Typewriter Theme~
If that was the only incident, Stephen would have accepted it and moved on. He wasn’t dead, and that was something he was fiercely grateful for. His wife was pregnant, and instead of being dead he was there. For the moment when their little girl came into the world, and he held her close for the first time.
They named her Zara Grace Reid, and Stephen’s heart was full. For two long years, they had peace.
Then, when he was thirty-two, things started getting bad again. The governments were all fighting, and groups of dissenters were getting angry at, well, everyone, no matter who they claimed to hold responsible for everything going badly. Danger of terror threats grew more and more present.
The day after Zara’s birthday, Stephen was taking the train to a meeting across town. But when he got to the door, his ticket was missing. Racking his brains, Stephen vaguely remembered slipping it into his jacket pocket—and a girl bumping into him as they crossed paths in the station.
Strange. Who would steal a train ticket? He considered buying another one, but it was a nice day and he was in no hurry. He decided to walk.
Two blocks later the world exploded. Four trains, all across the city, blew up at once, killing hundreds in a deadly attack.
Stephen not only saw it when it happened, he felt it. In his chest, like he was on the train when it happened. But no sooner had the feeling come then it was gone and he was running toward the rubble, hoping desperately that he could pull someone, anyone out.
He missed his meeting and saved twelve lives that day. All the while wondering at the phantom pain in his side, but there was too much to do for him to care.
Hours later, he made it home after Marian, cleaned up, and only by the time he fell into bed did he wonder—did the girl who took my ticket know?
~~~
“SIX MONTHS?”
Pacing back and forth, she glared into space. “I only bought him six months? What does he do that makes these people want him dead so badly?”
“It’s pretty fishy,” he agreed, typing rapidly. “Okay, the records are a little messy, but I think I know the exact date. Are you feeling okay?”
“I’m fine. Let’s go again.”
~~~
The thought didn’t really leave Stephen, as he racked his brain to remember what the girl looked like. He remembered dark hair with a splash of blue, and the girl had been holding something small. And those thoughts tugged at other memories—of a day almost twenty years ago, when someone had pulled him out of the way of a truck. Of the shooting before Zara was born.
He wasn’t able to really consider the idea, let alone voice it. Not until six months later, when there was a fire in his work building, and someone locked the door of his office, leaving him trapped inside while the flames grew and the smoke filled his lungs.
He’d been in tight spots before. He’d been trained, in the Army, not to panic, even when it was logical to do so. But as his oxygen seeped away and the door refused to budge, even as he bashed at it with a chair, Stephen found himself absolutely terrified.
No. No, this can’t be it. Images of Marian and Zara flickered through his head and he knew he had to fight, had to live at all costs. But if there was nothing he could do—
The door swung open, and someone pulled him forward.
~~~
~The Hornburg~
“I wonder what makes them choose the intervals they do,” Tad mused as he typed. “Is there someone else preventing them? Do we just do this for the rest of our lives? Are they experts or are they just trying everything and every year they can to kill him? Furthermore, what’s going to stop them from just going back to the same year and trying again—”
He stopped short when he saw her face. “Which…they definitely can’t do. Most likely. I think they can’t, anyway. It’s just that the science is so—I’m sorry. They haven’t done it yet, they probably won’t ever.”
“I hope not,” she said, checking her cuffs and scooping up Penni, who chirped a little greeting. “The last thing we need is more things to worry about.”
“Or to send you through more times.” His worry showed through the edges of his speech. “You don’t have to—”
“Let’s go again.”
“Okay.”
~~~
Stephen made it out of the fire and he could have cried with gratitude. The firefighters who arrived on scene seemed very startled to see him stumble out of the building, coughing—they said that the last man to come out had sworn up and down that there was no one else inside.
And they swore with equal fervor that they hadn’t sent anyone else in. They claimed that he must have made it out under his own steam somehow—adrenaline, maybe?
Stephen knew better.
“There are two options,” he told Marian when he explained everything to her later that day. Her brow was furrowed like it always was when she tried to solve a problem. “Either I have a literal guardian angel, or somehow the exact same person is traveling through time and space to save me.”
“I’m not sure which is more improbable,” Marian said slowly. They were sitting at the table, and her fingers twitched against the surface like she wished she had something to write on. “Bending time and space isn’t…unheard of, per se, but we’re years away from being able to achieve it under our own steam. And if we assume they’re from the future, they’d be moving into the past, which is, theoretically, even harder.”
“But then there’s the guardian angel idea,” Stephen said, grinning at her expression. “Which you think is scientifically impossible?”
She let out a long sigh. “I’ve learned not to count anything out when it comes to our faith. So…I don’t know.”
Reaching across the table, Stephen caught her hand and gave it a squeeze. “We’ll just have to pray that whatever this is keeps ending up at the right place at the right time.”
Their prayers were answered when, two years later, someone tried to shoot Stephen again. And again, he was pulled out of the way just in time.
~~~
“So,” Tad said, staring at the screen.
“Yup,” she said.
“A sibling, huh?”
She rolled her eyes. “Let’s do it again.”
~~~
It started happening more frequently. A near knifing in an alleyway, a car barreling toward him as he crossed the street. Every time, it was thwarted. Sometimes, he didn’t even see it coming—the coffee knocked out of his hands that hissed alarmingly on contact with the concrete, leaving it pitted and worn, for instance.
But every time, the attackers failed. And eventually, Stephen started to wonder if they should stop prevention and start focusing on the attackers. The only problem? He had no idea how to do that.
So he decided to reach out to the person who did.
~~~
“How. Did he do that?” Tad asked, staring at the screen.
“He must have realized what we’re doing, somehow,” she whispered. “I mean, he’s married to an astrophysicist, he has to have picked something up.”
Shaking his head, Tad said, “Okay, then how do we respond?”
She stared at the screen for a moment longer, thinking as she reread the lines on the screen. More specifically, the email Tad had found during his usual archive wide search for anything pertaining to Stephen Reid.
He’d sent it to himself, apparently hoping that it would be good enough. And it had been.
To whoever is helping me:
Thank you. I don’t know who you are or if you’ll receive this, but I have faith it’ll end up in the right hands.
Clearly someone wants me dead, for whatever reason. Instead of preventing it, why don’t we get rid of the attackers? Let me know how and when to help.
Stephen.
“What do we do?” Tad asked quietly
She studied it for a moment longer, then said, “We answer. I can slip him a message on my next trip. Have you located who it is and why yet?”
“I think so.” Opening a new screen, Tad tapped on the article he pulled up. “There’s a stabbing, two years from the next attempt, in an alley nearby his route to work. Exactly the kind of thing he’d get involved in and try to stop, right?”
Nodding slowly, she said, “Right. But why this person?”
“No idea. They’re dead in every timeline so far. They must do something that the attackers aren’t a fan of.”
Taking a deep breath, she said, “Then let’s hope we’re not actually on their side.”
~~~
~FREEPORT~
For a while, Stephen didn’t think his message had worked. Things were peaceful—no attacks, no poisonings. Marian found out she was pregnant again, and nine months somehow managed to fly and drag by until she gave birth to a healthy baby boy, who they named Isaiah.
And then three months after that, it happened again.
At exactly the right moment, he was pushed forward, just in time to avoid a bunch of tiles crashing to the ground from the roof. When he caught his balance and his breath, there was no one there. But when Stephen put his hands in his jacket pocket as he started onward again, he found a slip of paper.
10/11/71. Four in the afternoon on your way home from work. Watch the alleyway off Racine. Be ready.
This was it. This was the answer. A little under a year in future, he’d be able to fix this, for good. Whatever this was.
So he kept the paper tucked in his pocket until it grew worn, the folds flimsy. He kept going with life—worked and went to church and looked after his wife and children. He avoided two more attacks in that time, and every time, his mysterious helper was there just in time, only to disappear before he could get a good look at her.
Finally, the day came. Stephen usually carried a knife, out of habit, and this time he made sure he had it, just in case. The day passed in a haze of business as he worked with patients and did paperwork and wondered what exactly was going to happen.
And then work was over. It was 3:45, and he was walking home from work, hands tucked in his pockets, trying to pretend like his heart wasn’t thundering in his chest.
3:47. He passed the cart that sold churros. Oftentimes he stopped to buy one and chat with the owner, but for now Stephen just gave her a little wave and kept moving, pace brisk.
3:50. A couple of kids zipped by on bikes, laughing.
3:51. He heard footsteps behind him, and his heart lurched. Be ready, Stephen.
3:55. The sidewalk came to an end at an intersection, and he turned onto the sidewalk along Racine.
3:58. He wove through a group of teenagers and sped up a little. He could see the opening for the alleyway.
3:59. Heart pounding in his throat, Stephen came to a stop outside the alleyway.
4:00.
For a heartbeat, there was nothing. And then he heard a muffled scream from the alleyway.
Instinctively, Stephen started forward, concern rippling through him. It had been the voice of a girl—young, too young. Most likely not his helper, but that didn’t lower his concern.
He made it two steps forward before he was grabbed from behind. Stephen vaguely registered the cold press of steel against his throat for a heartbeat before he moved, driving an elbow backward into his attacker’s gut.
There was a grunt—a man’s voice, judging by the baritone—but the grip didn’t loosen. Until Stephen snapped his head backward , connecting solidly with the other man’s nose.
There was a crunch and a howl of pain, and Stephen felt the knife at his throat break skin—
And then the grip was gone, and he was stumbling forward, hand pressed against the shallow cut on his neck. Spinning around, Stephen registered a man in all black taking a swing at a young woman—green jacket, hair dyed blue at the tips, holding a weapon he didn’t recognize. What looked like a tiny flying saucer hovered next to her shoulder.
“Help her!” she shouted, dodging her opponent’s blow with ease.
For a moment, Stephen didn’t know what she meant. And then he remembered the scream from the alleyway, and turned. Pulling his knife from his pocket, he moved.
There were two men, both trying to subdue a struggling, terrified girl. One had a hand over her mouth, and the other held a wickedly curved knife. Stephen took a moment to wonder why these people insisted on using knives, and then he was on top of them.
Clearly, either of the men were expecting him. The one holding the blade went flying into the wall with a cry of pain, clutching his shoulder where Stephen’s knife had gone deep, tearing through muscle.
The second tried to reel backward, avoiding Stephen as he clutched for his own weapon while clinging to his victim. But Stephen smashed his fist into the man’s face, catching hold of the girl’s arm and pulling her away at the same time, using the man’s momentum as he fell to tear her free.
He took a minute to glance at her—no sign of injuries, just bright red hair and freckles and shocked tears starting to escape—and then turned to face his opponents again.
Only to find them gone, a trace of blood on the ground the only sign that they’d been there in the first place.
What? Baffled, Stephen turned in a full circle, then glanced at the girl. “Are you okay?” he asked, and she nodded shakily. “Okay. Wait here a minute. Call if you need me.”
Moving quickly, he headed back to the mouth of the alleyway, to see if there was any sign of his mysterious helper, or her opponent. But there was nothing. Just the now oddly dusty sidewalk, passersby who seemed to have no idea what had happened, and—
A scrap of white paper. Stephen bent and picked it up, unfolding it, and read the now familiar lopsided script inside.
She’s safe. You both are, unless you see me again. Look after her. Don’t worry about the other attackers.
There was no signature, although Stephen hadn’t expected one. A wave of relief swept over him, and he breathed out a prayer of thanks.
He was safe. They were both safe. It was done.
~~~
~Afraid Of Time~
“It’s not done,” she said.
“What?” Tad stared at her, baffled. “How can it not be done? We saved the victims, including a victim we didn’t even know we had until now, helped catch time traveling murderers, and hopefully we’re not even getting arrested for using government property without permission. Your mom might not even yell at us. How is this not a win—”
He stopped short, looking at her. As she looked at the computer file in front of her, wishing the words were different.
Stephen Reid. Died 10/12/83
“Zee.” Tad’s voice was soft. “You can’t stop everything.”
“That’s kind of the point of this whole time travel thing, Tad. I can.” Taking a deep breath, she said, “I’m stopping this. I’m going in again.”
~~~
Stephen had always loved autumns. The crisp, cool air, the knowledge of the approaching season that heralded celebrations and wonder and joy and family time. How could he do anything but love it?
Sure, he’d almost died at this time of year a few times, but with his life, when was that not true?
It had been 12 years since the last incident. He’d helped the girl—Jenny, a teenager who’d been alone and afraid and had no idea why those men had attacked her—to the hospital to get checked out. They repeated the same impossible story to the police over and over until they finally got tired of asking and declared the case closed. Stephen was fine with it. He’d been told they were safe, and he believed that.
Years had passed. Jenny became all but a member of the family, and he and Marian encouraged her and supported as she chose a career path and moved forward with her life. Stephen still wasn’t sure what the men wanted with her, but it didn’t matter. Her purpose was her own to discover.
His other two children were far too close to grown up for his taste, as well. Isaiah was thirteen, flirting with girls, and discovering a love for basketball paralleled only by his love for mischief. And Zara was in college, pursuing a degree in physics.
He held great hope and joy for both of them, that they would grow up to change the world in whatever small or big ways the Lord had planned for them. If Stephen was being honest, he held a very specific theory for one of them, as time passed and the similarity grew stronger and stronger.
And that was why, on his walk home from work, he wasn’t overly surprised to see a familiar figure at his bus stop.
She was sitting on the bench, knees pulled up against her chest. Her hair, dark like her mother’s where it wasn’t blue, covered her face in a curtain, and the tiny flying saucer hovered at her shoulder again. As Stephen drew closer, he heard it letting out soft little chirps, like it was trying to comfort her.
Sitting next to her with a grunt, Stephen set down his bag and leaned back. Glancing at her, he said, “Nice day, isn’t it?”
Her chin jerked up a little, like she was surprised to hear his voice, then lowered again. Stephen watched her for a moment, debating whether or not he should speak again, when she did, voice low and cautious.
“If you could know the day that you died, would you want to?”
Stephen considered for a moment, tapping a finger against his knee. “I don’t know,” he admitted. “My instinct would be no—why live in dread of something like that? But I can’t say I would be curious.”
“Who wouldn’t be?” the girl agreed, voice still quiet. “What if…what if you could stop it? If someone just told you the right things?”
A heavy feeling began to settle over Stepehn’s chest. “Can you?” he asked, abandoning all pretense.
She let out a choked sob, and Stephen felt a stab of sadness. “I tried,” she choked out. “I tried again and again, but no matter what I do—”
“It’s okay,” Stephen told her, gently reaching out to touch her shoulder. “It’s not your fault.”
Letting her feet drop down, the girl scrubbed a hand across her face angrily. “You don’t understand.”
“I think I might,” Stephen said, his voice very soft.
She shook her head. “No, you don’t. For you, it’s been another twenty years, but for me…I thought I’d get to go home and—” she stopped short, staring across the street, eyes red.
“And I’d be there?”
She swiveled to face him, eyes going wide. “What—how did you—”
“You’re my daughter, Zara. How could I not recognize you?”
Her face crumpled, and Stephen slid across the bench to pull her into a hug as she burst into tears. She pressed her face against his shoulder and he ran his hand over her hair, the way he used to when she was a little girl.
Closing his eyes against tears of his, he whispered, “It’s okay.”
“It’s not,” she mumbled, voice muffled by his shirt. “I was supposed to get you back.”
“You did,” Stephen pointed out. “Just not for as long as you wanted. But you were the one who saved me, so many times. You’re the reason I got to watch you and Isaiah grow up, and I will never stop being grateful for that. You’re the reason Jenny’s alive.”
“It’s not enough,” she whispered. “This shouldn’t be the last time I see you.”
Stephen almost laughed, tears springing to his eyes. “It won’t be. If there’s one thing I hope your mother and I taught you, it’s that.”
Pressing a kiss against the top of her head, he pulled back a little, taking a look at her. Zara had his wife’s beauty and dark wavy hair, and he wondered when she would dye the tips blue. Her eyes were the same warm brown as Marian’s—oh, Marian—and right now, they were wet with tears.
“I don’t want to let you go,” she said, voice shaking.
“I know,” Stephen said, heart aching. All he wanted was to tell his daughter that it was going to be okay, that he was going to be able to come home. But it was becoming increasingly clear that he couldn’t make that promise.
Instead, he asked, “Tell me about what you do next. Tell me everything.”
So they sat on the bench, and Zara told him about her work and her best friend Tad—whom Stephen had already met, but the two hadn’t grown close yet—and how Isaiah was coaching at a local high school and Marian was still working, still looking out for Jenny, still going to church every day. “She still loves you so much,” Zara told him. “Even when I never knew you, she’d tell me about you and how important you were to her. I—I thought I could bring you home to her.”
“You did,” Stephen pointed out, remembering all the days he’d almost died, and all the days his daughter had saved his life. His daughter.
Eventually, the bus came around the corner, and the little flying saucer at Zara’s shoulder let out a chirp. Zara’s eyes widened, and she glanced up. “I—”
“You have to go,” Stephen guessed.
“I don’t want to,” she whispered.
“I know. But if this is it, I don’t want you to have to watch it.”
Shaking her head, Zara said, “You shouldn’t have to be alone.”
“I’m not alone,” Stephen told her, and he meant it. Though his heart was heavy with grief, it wasn’t for him. And he knew—he was sure of it—that his family would be alright. They were strong enough to look after each other without him.
Getting to his feet, he waited until Zara did the same, then pulled her into a fierce hug. “I love you,” he told her. “And I’m proud of you. You and Isaiah, you’re the best thing I’ve ever done.”
She was openly crying now, but nodded, holding him tightly for another minute. “I love you, too,” she said.
And then stepped back and the bus was there. Stephen took one last look at her, taking in every detail. At last, he turned and boarded the bus, taking a seat in the back.
It lurched into motion, and Stephen glanced out the window at the now empty bus stop. I’ll see you again, he thought. And he knew, in his heart, it was true.
Pulling out his phone, he opened up his text messages and began one to Marian.
I love you, Mari. I love the life we’ve lived together for the past twenty years. Thank you for being the best wife and friend I could have ever asked for.
Looking up, Stephen took one last look around him, and wondered what would come next. He knew more than most sitting on the bus did, and yet found himself frightened. And yet, at the same time, excited.
Whatever else happened, he was ready, with no regrets.
He sent the text.
~~~
Zara was still crying when she stumbled back into her own time, bones aching fiercely. Most trips, she’d taken a break in between, but for the past five or so, she’d gone in without stopping, time after time. Trying desperately to stop what she knew was going to happen.
It hadn’t worked.
But somehow, despite the tears and the ache in her heart, it was okay.
“Zara?”
Tad had moved to stand in front of her, face twisted with concern. “Are you okay? Or—are you hurt?”
Shaking her head, Zara took a shaking breath. “I’m okay,” she said, and he gave her an unconvinced look. “Fine, I’m not hurt. And I…” she trailed off.
“It didn’t work,” Tad said quietly. “Zee, I know you want to do this, but so many trips in a row are hurting you. And if this is so hard to stop—”
“I know,” Zara said, taking a deep breath. “It’s okay. I’m…I’m not going in again.”
Tad’s eyes widened. “Really? I—I didn’t expect that to work.”
“It didn’t,” Zara said, and couldn’t hold back a laugh at his expression. “I…I talked to my dad. It’s okay.”
“You’re sure?” Tad said slowly. “Because five minutes ago you were very ready to keep doing this or die trying.”
Nodding, Zara swiped a hand over her face, ridding herself of the last traces of tears. “I am. I got to say goodbye, and…he’s right. I’m gonna see him again. Someday.”
Resting a gentle, if slightly awkward, hand on her shoulder, Tad nodded. “I’m glad. He’d be proud of you, Zee.”
“Thanks, Tad.” Zara took a deep breath. It was time to stop living in the past, and start looking at the new, and slightly changed present she had waiting for her.
And when the time came to see her father again, she would greet him with joy and the knowledge that she’d lived her life to the fullest, like he had. Until then, all she could do was take the first step toward doing that.
#inklingschallenge#team tolkien#inklings challenge#genre: time travel#theme: counsel#theme: comfort#story: complete#this actually turned out so much better than i thought it would#there were. some moments#but i like the vibes#also now i'm obsessed with two of these ocs and need to feature them in more content#fun fact this could and probably does exist in the same universe as my kyvis stories#which is a HILARIOUS concept that i shall have to explore more#anyway i digress#i'd apologize for how overboard i went with the playlist BUT#a) you can just ignore it if you want to#and b) it's a masterpiece and i love it so much#it's for the VIBES GUYS#and i haven't spent this long waiting to find a character that fits how do i say goodbye only to not share when i do find one#MOVING ON#writing stories is a kind of magic too
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would you like to talk about how bad the mha ending was hella
as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY
#paragraphs and paragraphs about the villains' endings alone. hawks hpsc president. midoriya's ending#the fact hero society is barely changed and the changes that do happen feel very much TELLING the reader it happened#as opposed to actually showing us how society changed on it. this is smthn ik people will argue w me about#bc yes it was a 400+ chapter manga arguably showing us how society changed but like. did it actually show that#like do u honestly think any community would watch televised battles between TEENAGERS and bad guys#and have the majority of them go 'gah! i cant help but sympathise with the bad guy who just suckerpunched child extra no.28!'#so like. why are they all suddenly on board with massive systemic reinvention. where's the rage where's the bitterness#this wasn't a story on showing the villains as redeemable and working towards society sympathising with them#and slowly painfully coming to a conclusion where japan was ready to change as a COLLECTIVE#this was a story of showing a group of redeemable villains (first step CHECK) getting DEFEATED IN BATTLE#THEY ALL FUCKING DIED EXCEPT SPINNER AND PRESUMABLY COMPRESS#WE DONT EVEN FUCKING KNOW WHAT HAPPENED TO DABI AT THE END ONLY THAT HE WAS PUT IN THE EXACT SAME POSITION#HE WAS IN WHEN HE WOKE UP FROM HIS COMA AND DABI WAS BORN. 'DABI' AS A PERSONA MEANT NOTHING#we still have an abuser who didn't come to justice. we still have the corrupt government body now being led by the guy they trafficked#and abused and conditioned into the perfect soldier. do u think maybe his opinions are a little biased in regards to that gov. body#maybe. perhaps. slightly. and we still have hero charts!!!!!! every kid in the last chap is still obsessed w becoming a hero!!!!#and dont get me STARTEDDDDDDDDD on midoriya being a teacher. 'i think it's cute he finally gets a life of peace 🥺#this way he can help the next generation directly 🥺' womp to the fucking womp he was supposed to be the world's no.1 hero#he barely sees his friends anymore. 'it's realistic to adulthood!' i dont want realism in my superpowered teen and up manga#put them in the avengers mansion NOW#so as you can see i waffled regardless of saying i specifically wasn't gonna do that and some of these points bother me more than others#with some being personal I Didn't Like It and some being i genuinely truly believe it to be bad writing#but my summary is mha ultimately felt like a story where a group of individuals unlearned (eh) the beliefs of a toxic society#and tried to save the people that society failed and then they themselves DID NOT FUCKING SAVE THEM#(i have a hit on the redemption via death trope on the dark web for ten bajillion pounds)#and while yeah that isn't objectively an evil story to tell i think 1) it was done poorly#and 2) isn't what a lot of people believed the premise to be nor what i think horikoshi himself was trying to write#ask#mha spoilers#mha
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
#damian wayne#damian al ghul#damian al ghul wayne#batman#batfamily#for all of the issues that come with having Steph as your fave having too much wild shit happening at once is never one of them#btw I quite like The Boy Wonder Issue 1. wow shocker an artist and writer who I have liked everything they've ever done#has once again written something that I am enjoying with art that makes me want to be part of its world.#it's almost like Juni Ba is really freaking talented or something#like I have some problems with it but it seems like many of those are part of the point. Damian is learning that his siblings are more#three-dimensional than he realized and that is part of this 'coming of age' story merged with fairytale#so I can't be mad at the oversimplistic defining of Dick and Jason and Tim until the conclusion of the series. that might be the point.#I hope that the series will address Steph as a Robin but if not then frankly it's not an issue unique to this series.#I'll be annoyed and disappointed but ultimately roll with it like I am with Babsgirl being here. There's too much good stuff here to get#hung up on shit that seems to be almost an editorial mandate at this point. at least that's where I'm at.#I am also very sorry that Chip Zdarsky is massacring your boy. he has 'X (Tim for him) is the best Robin so everyone else must suck' diseas#where a writer really likes one specific Robin and in trying to uplift them demeans all of the other Robins. instead of like...just writing#for that one character only or alternatively not demeaning the other characters in order to make his blorbo look good#it's wild because I actually think his writing for Tim is pretty solid. but he's not writing a Tim series. he's writing a Batman series.#and if you are going to write a Batman series and include other Batfamily members you need to actually write them well.#instead of assigning them like 2 personality traits while Tim gets to be a whole character#I accept that behavior in fanfic where I have lesser standards because it's fucking free. not a comic run that wants me to pay#tens of dollars in order to understand what the fuck is going on. he's been going for a while now it's gotta be a lot of money.#I can buy Steelworks with that money. I can see John Henry and Natasha Irons in a trade. Fuck you Chip.#it's why it takes such a special person to write a good ensemble story/a good Batfamily story. you have to be good at writing a LOT#of different characters. which I don't think most people are. I sure as hell am not. I can write maybe 3 at a time confidently well.#and you also have to give all of them at least SOME love or else people will be upset that you aren't focusing on their fave#and also the writing as a whole will suffer. Chip Zdarsky is a pretty good Tim writer. I'd maybe read a Tim solo written by him.#I would not read a story focusing on multiple characters that I like written by Chip Zdarsky. because every character who isn't Tim#is at least a bit weak/inconsistent/out of character INCLUDING FUCKING BATMAN. THE NO. 1 GUY MOST ARE HERE FOR
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