#now he just needs to believe in himself

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[egophiliac]

LEON

LEON YOUR EYEBALLS

[casualavocados]

You've never done that when I got close to you before. Why? None of your business. Tell me, or you can't leave.

KISEKI: DEAR TO ME Ep. 10

[gingermintpepper]

Day 4: Aristaeus

Interpretation notes and trivia below the cut!!

All rise for the entrance of my president !! Honestly, of all the figures and characters that were up for debate when I first started thinking about this story and who I wanted leading the charge Aristaeus was not one of them. Originally, I'd always known that Asclepius and Orpheus would be worked in somehow - they've always been favourites of mine in terms of children of Apollo (even if Orpheus as the child of Apollo and Calliope is less popular classically) and I expected my pick for the third child of Apollo to be involved to be similarly mortal like Iamus or Tenes but the more I looked into Aristaeus the more I fell in love with him! Ultimately, he's meant to be both a foil and a reflection of his father - a boy who grows up thinking his father's footsteps would always be warm only to realise that following in them would lead to death and destruction. While his status as a rustic and hunting god is still important here, Aristaeus' interpretation is much more focused on his connection to the Etesian wind and his quelling of the dog star Sirius which is why his hair in particular is so long and spiralling. All in all, more than any other figure I've chosen to interpret and represent in my work Aristaeus is the god I hope more people get interested in and research! I think there are a lot of important stories in his various myths and travels and I definitely want more people to discover and fall in love with them as I have!

Some fun trivia:

Apollo's firstborn son. Because he was born mortal on account of his very mortal mother, Apollo immediately took him to Olympus to eat ambrosia to begin his transition into divinity. Apollo would continue to feed Aristaeus small amounts of ambrosia and nectar for the next ten years until the child fully shed his mortal skin and was reborn as a god.

Due to the nature of making mortals deathless (namely the fun part of the process where they are completely remade and lose their mortal memories) Aristaeus spent most of his early life with his mother and siblings where they all pitched in to reteach him his family, his hobbies, his favourite things and ultimately how to live and love. Aristaeus was very attached to his maternal family because of this and his early acts of ingenuity were mostly born from his wish to make things easier for his family.

Aristaeus is the only one of his children Apollo hand raised full time. In those days, Aristaeus adored his father and believed him completely upright and blameless, the true face of a benevolent deity and the kind of man he aimed to be when he was full grown.

They would later have many bitter arguments and conflicts, the first and perhaps most impactful of all being their disagreement over Actaeon, Aristaeus' firstborn son. He wanted Apollo to teach him stating that it was a normal thing for a grandfather to do but Apollo vehemently refused to have any part of Actaeon's rearing, stating that he was not his child and that it was highly inappropriate for him to educate another god's son. When Actaeon later dies, Aristaeus blames a not insignificant part of that on Apollo - something that only worsens when he learns that it was Artemis who cursed the boy and that Apollo was always aware Actaeon would die young.

Spends most of his time travelling from place to place. Doesn't really like Olympus and prefers to spend his time minding animals or tending to fields. Is on wonderful terms with Demeter and Persephone and often makes decadent exchanges of olive oil and preserved meat for exotic flowers and fruit for his bees.

Big fan of wind and percussive instruments. Never liked the kithara because of how finicky it is and far prefers the hand drums and reed flutes of his mother's country. Exceptional dancer.

Will sell prized cattle for high quality and highly unique jewellry. Doesn't much care for gemstones but is an absolute gold fiend and has a massive collection of bracelets, anklets, nose and lip adornments and rings. Has never been north enough to hit India but got a ton of rare and different adornments from his Phoenician in-laws when he was married to Autonoë.

Hates dogs but doesn't mind wolves. Not a big horse fan either

Unlike other winds, he cannot transform into various animal forms. He's close enough to the Anemoi that he keeps up with the gossip but he's only really friends with Notos. Gets along poorly with Zephyrus whose preference for pretty youths has often led to them getting into physical altercations when they were younger. Aristaeus still holds a bit of a grudge about it.

Has a big stupid crush on Dionysus which is embarrassing because Dionysus also put him out of a job. Due to Dionysus' relative youth, he feels a bit conflicted about such feelings - mostly because Dionysus is on extremely good terms with Apollo and Aristaeus doesn't want him to get burned.

Despite kinda despising his father, Aristaeus is a pretty decent eldest brother and regularly keeps in contact with a lot of his siblings. He often delivers mead, flavoured honey and olive oil and uses it as an excuse to chat and catch up. Currently in a bit of a tiff with Asclepius because he's worried about him and his family.

Favourite colour is the rich gold of purified honey, favourite food is lokma and his favourite time of year is winter.

[77ngiez]

hey guys do we realize that the main difference betwen how kai and midori developed is that kai was given the chance to learn what normal life and love and family was like by working with chidouins while midori was kept under asunaros thumb all his life. do we realize that just a few changes could have kai acting just as cruel and merciless as midori. do we realize that midori is a victim of asunaro too, and though that doesn't excuse his actions it does make them more tragic. do we realize this or are we all being serious when we say midori is the only character who isn't worth redemption.

[sneeb-canons]

Headcanon #500:

Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.

Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"

Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.

[pacifistcowboy]

yo omega would still be around in silver’s time as well as shadow, right?

and i assume shadow n omega would still stick together ‘cus they’re a team, so like would silver see omega as like an uncle? or dad 2? or just omega??

would omega even try to help raise silver or would he just be like “the tiny white hedgehog has psychokinesis and has been surviving on his own, he does not need our help. also i don’t want to help.”

[canisalbus]

When Machete became a cardinal, did his parents ever recognize him?

Machete's home village was on the other side of Italy (and separated by the sea no less) and it was small, relatively rural and remote. It's very unlikely many news about Holy See's happenings made their way there. I don't think his parents had any reason to expect to ever hear about him again, he seemed to be somewhat of a lost cause when they dropped him off.

[natelia-aldelliz]

Ghost gifts a single tiny ear loop to Soap one day. Says he noticed Soap had pierced ears. That rings keep from handling a gun or a knife properly. He doesn't make eye contact, tries to hide his face, even as he's already wearing his balaclava.

Soap blinks. Ghost has already given him gifts and only behaved that way for the very first one. He doesn't understand. The earring is very simple, but seems to be made of expensive material and not only covered with a thin leaf of gold.

"Didnae it come with another one?" he says, jokingly.

But Ghost flushes, turns his head, and lifts his mask, only enough for Soap to see the glinting of the other earring on his ear. Suddenly he understands that it's not simply a gift. Ghost favoured practicality, but he wanted to give him a ring.

He grabs his hand as it falls back down.

"Simon, what is this?" he asks softly, not daring to be hopeful just yet.

With his other hand, he reaches out to gently turn Simon's head back towards him. His cheeks and his nose are flushed, it makes the warmth of his dark eyes, generally hidden behind a sneer or a bored expression, undeniable.

He looks nervous. Johnny's heart is beating faster. Could it really be...?

"I know", Simon starts then pauses, uncertain. "I know I'm probably not what you thought you'd have, when you were younger" Soap wants to interrupt, to scoff, to protest that Simon is way better than anyone he could have hoped for, but doesn't. He never wants to cut off his love when he's barely starting to open up.

"I know that I'm not easy to be with some days, that I'm not friendly and easy going like you, like someone you'd deserved to be with." he continues, unconsciously pushing his face more into Soap's hand. "But... I love you, more than I thought I could, and I'd like... I'd like to be with you, for as long as you'd have me..."

Johnny's heart is soaring. He has no idea how to react. He'd have to get all the giddiness out first, and the moment doesn't seem appropriate for jumping around and squealing.

"Officially," Simon continues, voice quieter, out of breath. "If you want to."

A gigantic grin splits Johnny's face. All of his limbs are buzzing, he needs to stand up, to run, to explode something. But he's terrified to spook Simon so instead he just squeezes the hand he's holding rhythmically and moves his feet back and forth.

"Baby, are ye asking me tae marry ye?" Johnny says. He's pretty sure his voice is wobbly, but can't really hear it himself as the blood in his ears is louder than the rest.

Simon's eyes do something, what is visible of his face looks like he has an expression on but Johnny can't analyze it now, doesn't dare to see the hope in his eyes, the pleading in his brows.

"I... Yes, I guess I am," the love of his life says finally. "If you want to. You don't have to."

Soap can't keep himself in check any longer. He's making a high pitched noise, jumping up and down where he's seating on the bed, and throws himself at Simon.

"Of course ah fooking want tae!!!"

Simon lets out an excited giggle, swept in Johnny's mood, and tightens his arms around his lover. No, his fiancé.

This is the best day of his life. He just has to deal with this mission tomorrow, and then they can start to plan everything.

[goldentigerfestival]

So. I love this. The way Yuri snickers at Flynn showing his real self. The way he, without hesitation, says "yeah" to the idea that he would die in Flynn's place.

But the most important part of this entire thing, which was changed in the dub, is how Yuri specifically jokes that Flynn is trying to abandon him, and Flynn returns and tells Don he had no intention of abandoning Yuri.

Yuri does not hear this. Flynn knows that. But Flynn uses the exact same term Yuri used earlier, as if it's his answer to Yuri and saying no, I would never abandon you.

For reference:

Personally I just... love the weight of it. How Flynn will say something about Yuri that Yuri won't hear, but he still speaks it out into existence because it's how he really feels.

Just because Yuri won't hear it doesn't mean he won't say it, and in a way that's even more powerful. He's not looking for the credit of saying it. He's not looking to be recognized for saying it. He's not only expressing how he feels about Yuri somewhere that Yuri himself will hear him.

They're just his real, honest feelings, and he'll admit them even if Yuri's not within earshot.

[seventh-district]

Sam: "Look at me. Hey- look at me a second. I know. I know you're tough. I know how strong you are. You have every right to be proud of that. But being able to handle somethin' doesn't mean you should have to. Least of all when I'm right here trying to help. Please let me help. If not for you then for me, because I don't like knowin' you're hurtin', especially when there's somethin' I can do about it."

Me, shaking my head, fighting back literal tears: "B-but it's gonna give you another headache!"

[qoldenskies]

i think a lot of people pretty openly acknowledge that leo is someone that self-aggrandizes and acts reckless in order to compensate for his insecurities, which is true and it's very clearly spelled out especially in the movie, but i don't really see people acknowledge the fact that donnie is the EXACT same way (outside of people who specifically like to write a lot of angst for him. leo is forever designated sadboy of the fandom). which is sad, because i think it's the most twin-like thing about them!!

it's a trait they share pretty openly. same flavor of daddy issues, although leo is always wanting to look down, to be the BEST at something, to be admired and respected and trusted, to be above other people, while donnie is always wanting to look up, the whole approval from a parental aged adult thing is the largest example but i also think about his desperation for CAMARADERIE in the purple jacket, and also like, lol the entirety of mind meld. he wants to be understood and acknowledged and praised and he practically begs for it with everything he does.

both of them desperately want to impress! but i kind of interpret it as leo trying to make a point to himself more than to other people, because he is so caught up in his own self-judgement. it's why he can act rude or try to step over the others (raph especially, although early on there is some mutual toxicity in that relationship) in order to prove that point.

but donnie has a lot more self-security because he knows what he does! he knows he's good at it, i don't think there's any denying that. but under real praise he gets starry-eyed or he softens. he makes a big point out of presenting new things because that's what he's looking for. and i think that makes him so averse to the potential of failure. it's why he'll shrug it off or outright deny it when its brought up to him. he sucks so bad at taking responsibility lmao.

i think mind meld in particular is a very telling episode, especially the beginning of it. he gets rash and upset when he feels like he's doing too much on his own. he feels ignored and disrespected for his efforts, and makes bad decisions as a result. and between that and donnie's gifts it's very very obvious he is projecting the fact that he equates his usefulness, his role, to his self-worth as a person. a lot of that crowing confidence is not real. he is MAJORLY overcompensating just like leo is. (and i would also like to point out the kind of things he makes shelldon RESPOND to in smart lair before he's reprogrammed, like leo's ribbing)

idk, i just feel like donnie wants to be seen and leo wants to be able to see himself, although there is some overlap there and the two problems can bleed into each other.

(and i do think a big point of leo's arc in the movie is for him to genuinely stop being selfish. his insecurity gets in the way and he's thinking about himself when he acts, and that's what hurts people. all of them have the potential to be self-centered, but leo's behavior was putting people in danger, and he had to look past all of that because he has ALWAYS been a strong and capable person and a good leader, but he was afraid of it because he was setting the goalpost for himself too high, and it was RAPH'S thing. it all felt too daunting. he's never going to feel ready if he only thinks about himself. at a point it's just not about him. as dubious as his sacrifice at the end was, that was the point. get him some therapy for that blunder though)

and i think it has a lot of potential to make them clash in a really interesting way. donnie's like,,, got his THING!! leo is not CONFIDENT in his thing!! and he can't ever be better than donnie at his particular thing, so he LEAPS onto any chance to get one over on him, which clashes very badly with donnie's issues of easily feeling dejected or unappreciated. he's going to take that personally, and then leo is going to take donnie's bad interpretation of that behavior personally, because like... why doesn't donnie trust him? :((

anyways they are majorly twinning they are both dramatic unconfident bitches with self-worth issues and they both get louder and meaner when they feel hurt about something. its why i keep accidentally writing angst of the other when i try to write angst of one. ahaha lol oops

sorry ive had this blog for only a few hours i just needed to get my thoughts down mostly for myself. for writing purposes

[wickjump]

thinking.about!!! how :( cross sans.. :(( whump……… or at least hurt/comfort…… im frothing at the mouth i need more. he should be tortured i think

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[godsfavoritescientist]

I think portalswapped AUs are fun but unfortunately I am convinced that if Ford hadn't fallen through the portal he would not have survived for very long </3

[i-wiggle-i-squirm-bc-i-am-a-worm]

Unnecessary discussion about Chat Noir and the Drums

There’s something I love so much about Chat playing the drums in Horrificator. This is something that’s been on my mind since I was 13, so hold on here.

First, obviously, Adrien also plays the piano - which obviously still has a lot of meaning!! - I’m not here to diss on the piano, there’s a lot of freedom of expression in every instrument type and music expression in general, but there’s a reason why some people are more inclined to different instruments, and I think there’s a lot more to it than just sound, but feeling as well. The role you play. How it feels to play it alone vs. playing it with others, if it’s typically something that you can play alone vs. in a group.

So first, the piano, and how I think it relates to Adrien’s character, plus how it relates to those points.

The piano, let’s be real, is something that a lot of us were forced to take lessons for at some point. It’s something that has ties to high society (there’s a HUGE discussion and so much more to say about that, but let’s not go there) and honestly?? I think it works pretty well with symbolizing the obsession with perfection that Gabriel shoves onto him. I’ve known many piano players, and while some genuinely loved playing it, it was always easier to somehow stumble onto someone with a deep hatred for it after being forced into lessons. Whenever I asked them why they hated it, I got almost the same answer every time: “I need to be perfect.” (Along with people saying that they were forced to lol)

Then there’s the role you play. You can play with people in a band, an orchestra, as an accompanist, a duet, at a bar with a bunch of people singing - whatever - music has many forms, and many different connections. But the piano is something you can play solo, no need for anyone else. It isn’t what you can do with other people that I’m focusing on for this, it’s the fact that you don’t need anyone. You can play alone, and it’ll still be fine. You can be alone, and you’re still fine - perfect even - which is something that Gabriel shoves down his throat, resistant to him playing with his friends by touching on this ideology.

Which is a glimpse into how he sees Adrien, and how Adrien experiences life. He can be alone, in fact he’s more perfect when he’s alone. And when other people are added, the attention to his perfection is taken away bit by bit, until he’s not good enough. He has to play solo in concert halls, on stage for everyone to watch, not in the back of a bar, playing with his friends.

Alright, so now we move to Chat Noir and the drums. The main play of this fake essay. 

It would be so easy to just ignore everything and just go “haha, he’s the energetic one, so ofc Ladybug gave him the drums! And they’re an easy instrument to play, etc.” but that’s far from the truth.

Ok, so I’m not a drum player or percussionist in any way, but I am a bass player, and genuinely love the drums so much because they’re incredibly important, and here’s my cheesy analogy: the drums are the heart of the band, keeping everyone on beat, it’s what you feel at the centre of it all. The band is nothing without the drums, without the percussion (The bass is what connects the band to the beat of the drums, kinda like the blood vessels, but sadly this ain’t about bass).  Like do you know how easy it is for a band to fall apart if they don’t have a drummer??? You need a drummer. You literally can’t survive without a drummer, because even if you manage to work together, use the bass as a backing, whatever you try, there’s still not much of a heart left.

But besides that, do you know how hard it is to play the drums??? You can’t just throw someone crazy, or energetic there just because “crazy drummers lol” you need someone who listens. Who can set the beat. Someone you can rely on, because they are the person in control, even if they aren’t as flashy as the guitar player. Reliable is the word that comes to mind. The drums can make or break a band.

And wanna know who that reminds me of?

Yeah. I highly doubt that the writers put this much thought into a random five second scene in an episode of season one, but it fits with Chat Noir SO well. 

Unlike the piano, the drums are almost solely played in a group setting - you need other people, and other people need you - he needs other people in his life, his friends are needed, but they also need him. Ladybug needs him, along with all the other heroes in Paris, whether he sees it or not. He seems to get in a state of thinking he’s not needed, but i do really think he’s the emotional glue that keeps the team connected, the heart that keeps them beating. If he’s isolated, he can’t quite reach his full potential that he can when he’s allowed to be around others, just like they can’t reach their own without him.

But on top of that, I think the stereotypes of the drums actually works in his favour for the next part. 

Breaking free from his dad, and being his own person, letting that fame go and embracing what he wants... well, to some that would look stupid. 

Relating it to music, the piano is flashy, you can play it solo, it sounds impressive, looks impressive, and people won’t think you’re just hitting pots and pans in the garage when you say you play it. But the drums are underestimated, a lot of people think you don’t need much practice, that they’re just the guys who sit at the back of the stage, not doing much, but that couldn’t be further from the truth.

Just like Adrien finally being who he wants wouldn’t be stupid, it could never be stupid, but there’s a stigma. But letting go of his flashy, solo life, and being the heart of his friend group is something that I think makes him truly happy as Chat Noir, and hopefully he gets to be like that as Adrien too.

Like Plagg said, Chat Noir and Adrien are both the real him, and I think the drums capture that perfectly. The heart and freedom, the meticulousness (rather than perfection) and steadiness, those are good qualities of a drummer.

I dunno, I just think it fits.

(sdfghjklkjhgf again I should state that acoustic versions of songs exist, and you can play songs without a drum and it sounds fantastic, but I’m not going into that today. Just talking generalization, and playing in a group setting).