#now as for why I chose this specific setting

[thalthanmadanus]

Draco is THE antagonist of the story and I'm lowkey sick of people diminishing his character's importance in the story and to Harry's character development. so I'm writing an essay about how Draco as a character is fucking important especially his antagonistic arc

💅

1. The crumbs:

First of all, and this doesn't get mentioned often, Draco is the first magical kid Harry meets his age.

Not only that, he is our first glimpse at two major upcoming conflicts in the series: Blood Supremacy, and Hogwarts houses.

Draco plays the important role of the narrative foil to Harry. (even wikipedia references them in the "foil" page)

Draco's main function as a character is to showcase Harry's best traits, through being his most worst. Unlike, Snape and Voldemort, Draco is more concerned with creating internal conflicts for Harry than external ones.

He is the character that says mudblood the most, with the frequency decreasing every book. He is the character that plays with/teases/bullies the psychological vulnerabilities of the trio (specifically Ron and Harry). He is one of the few characters that give rational criticism (against Hagrid, calling out the trio dynamic..) that, taken outside the keyframe imposed by the author, can showcase the flaws in Harry's views and his bias. He is also the only character that shows moral self-reflection that isn't motivated by either a reward or "love", which not only serves as character development for Draco but for Harry too who grows to sympathize with Draco, a small breakup from his fixed binary morality.

Draco is also a very active character. His actions and choices affect the plot. The majority of the first book literally happens because of his dumbass. In the second book, he is our first introduction to the word mudblood, he's also the main suspect to the two main mysteries. If Draco wasn't such a bitchass, would buckbeak gave been in said place for Harry to use him to save Sirius?

He is important narratively but what interests me is his importance to Harry's arc.

What separates Draco from other antagonists is that he creates internal conflicts that stem from his personal conflicts with Harry, because of Harry as a person. Not because Harry's the chosen one standing in his way, not because Harry's lily or James's son. Because Harry's Harry. and this exchange is mutual.

Their personal dynamic is set up in their first meeting. Harry, upon hearing two sentences from Draco, reacts negatively because of deeply personal issues (Dudley). I don't think Harry reacts personally to any other characters the way he did with Draco? Considering that Draco wasn't even hostile in his first sentences.

While Draco targets both Harry and Ron, there's a clear difference in how Draco bullies them both but also how Harry and Ron perceive Draco.

Draco is crueler on Ron. And his bullying doesn't feel personal, just apathetic, humiliating and mean. It feels like Draco is more cruel on Ron because Harry chose Ron over him and it shows by Draco coming back every now and then searching for Harry's compartment, trying to egg him, to look for a way that will make Harry regret rejecting Draco.

About Harry & Ron perception about Draco, it's showcased in the second book by the two main major events Draco was suspected in

1. Opening CoS. It was Ron who suspected Draco for this, not Harry. Ron suspects Draco for an action that affects everyone in the school.

2. Sending Dobby. Harry suspects that it was Draco that sent Dobby to prevent Harry from coming to school. Harry suspects Draco of an action that targets him specifically, and his reason of suspect? "because Malfoy hates me". It's personal.

Another instance of Harry making every issue personal with Draco: In the fifth book, after the sorting hat's song about houses unity

'And it wants all the houses to be friends?' said Harry, looking over at the Slytherin table,where Draco Malfoy was holding court. 'Fat chance. '

I'm also pretty sure the reason why Harry chooses not to be in Slytherin was 50% because Draco got sorted into Slytherin. the other 50% being Hagrid telling him that Slythering are eviiil. Btw a conversation that wouldn't have happened if Draco hadn't brought up houses in their first meeting.

Like I said, most of the plot in the first book goes back to Draco.

My main point is that the relationship between Harry and Draco as characters is beyond goals, motives, obstacles, moral causes bla bal bla, and is on the spectrum of "I took that personally".

2. the main plate:

Draco transitioned in the sixth book from an antagonist to a "side character" with a life. His role as character no longer functioned by his connection to Harry.

and this is where a flip of dynamic happened, where Harry became the antagonist to Draco's arc.

He's the one following him. He's the one egging him on (in the first 5 books,it was always Draco starting conversations with Harry, but in the sixth book, it's mostly Harry who started conversations with Draco) He's the one hurting him (Sectumsempra) (even on accident). He's the one trying to create obstacles to Draco's goal.

and why is that? why was Harry so obsessed with Draco?

If it were because of a moral righteousness, then why not focusing on Snape who's probably more suspicious? like who cares about Draco.. yeah he's sus but Dumbledore says it's not important..

This line of thought is more Ron and Hermione because they don't share the kind of deep personal issues towards Draco like Harry does.

so why is harry so obsessed?

"Harry, knowing and loathing Malfoy, was sure the reason could not be innocent."

This line in the sixth book explains it. Harry knows and loathes Draco with more emphasis on *knowing*.

Harry admits that he knows Malfoy, of course the fruit of labor of staring at Draco for five years, but why does he even stare in the first place? Because Harry is curious about Draco.

In comparison with Snape and Voldemort, our other antagonists,  Harry doesn't show the same enthusiastic curiosity for them. At least not the same way he does with Draco. Most of what we know about Snape and Voldemort are shown through external ways. Either their memories of memories of other people about them. Their character arcs happen outside Harry's vision,  either in the past or in a memory. It's not Harry who seeks those information. They come to him.

Draco, on the hand, most if not all of his character development happens in front of Harry. From his bullshit in the five years to him crying in the bathroom, him lowering his wand, him lying in the Manor. even the visions that Harry sees through Voldemort about Draco torturing Rowle, are happening in the present. Draco's character development is laid bare in front of Harry. 

but back to his obsession in the sixth book, it's because Harry knows Draco so well that not only he's right about him being a DE, but "Malfoy being up to something" is not something new to Harry, it's actually a normal thing that kept happening for 5 years of his life. Malfoy was always up to smtg. It's this idea of a normality that fuels like a new purpose in life for Harry after being wrecked by Sirius' death. Not only the mystery tingles his detective neurons, he knows he's right about Draco which only fuels his persistence. Draco being a person he hates also downplays the guilt/shame Harry could feel while stalking him. like I'm sorry but Harry was shameless and embarassing the whole year. The way Hermione and Ron looked at him sometimes so funny, also Hermione distancing herself from Harry when he talked to McG about Draco like "idk this person". Harry was kinda giving pre-HBP Draco vibes lowkey.

This shows that Harry himself is motivated by personal feelings (though negative) as an antagonist to Draco's arc himself.

And the important point here is the flip of dynamics. Draco is not just a mere side character in Harry's life. If anything, the moment he tries to become a side character with his is own arc, Harry is forcing himself in it. Because they're both foils to each other. It doesn't work on just one side.

The dessert:

The dynamic completely evolves again with the end of HBP as Draco gains a moral sense and Harry watching Draco's character development unfolding gains a more nuanced view than his old black/white one.

In DH, Draco and Harry are not antagonists anymore to each other. Draco and Harry are kind of heroes to each other?? as they both try to save each other like two times.

A lot of people downplay Draco's lie in the Manor, comparing it to Dudley's "You're not a waste of space" as "character development" moment.

bruh.

Dudley said that after Harry saved him. Draco literally was the one who took the initiative to lie, expecting no reward, literally had more to lose by lying, he was literally acting against his own interests, his family's life was in danger!!! Harry saved Draco after Draco saved him.

also Draco's character development started with him lowering his wand.

but back to being each other heroes. Our other comparison is Ron who is in both situations where Harry saves Draco but he's the one reacting negatively and complainig about them saving Draco, not Harry. Which is funny because Ron says "we saved you" but in both cases it's Harry who's doing the saving and Ron is  just there witnessing, and again I don't think he still realizes what was happening since the sixth year. He thinks his hostile feelings towards Draco are the same ones Harry has. That they're similar. Ron.. Harry literally almost risked your life to save Draco.

It also speaks of character development from Harry that he's not reacting negatively anymore towards Draco. He grew out of it. Like Draco also was starting to grow out of his toxic ideologies.

They're both growing up simultaneously.

And Draco was The first wizard kid Harry talked to (with no precognition or insidious motive)

Draco was the first character who he flew with

Draco was the first character who he dueled with

and so in DH,

Draco was the first character who tried to help Harry with no selfish motive

Draco was the first character that flew with Harry on the same broom (at least I think so?)

Draco was the first and only character whose wand Harry dueled with against Voldemort and won.

I wish I could write more. About Sectumsempra. About wand connection. but I'm tired.

[yuri-is-online]

The sheer untapped angst of Jamil in the fyuuture au is haunting me so it's your problem now /hj. I'm trying so hard to be normal right now ugh take my thoughts please they need to get out of my skull so that I can articulate to others how much the fate of Jamil in the first timeline just haunts me. It's like a weeping angel I can't take my eyes off of it and the moment I do it just kills me to fathom the possibilities.

But god imagine being Jamil and you have someone who for the first time is solely on your side, no other reason than that they chose you because they like you and want to stand by your side. I imagine Jamil must have had reservations about potentially dragging yuu into the job of servitude but like hell that was gonna stop them. And then he's happy because he has an actual life outside of Kalim, they've matured over the years and Jamil has more freedom from him than he ever had. He once couldn't fathom condemning a child to share his last name but he is going to be a father and he's so excited.

Then it's just gone. Yuu isn't next to him when he wakes up one morning and the front door of the house is still open. It's a surprise he didn't wake up from the smell of the food burning in the kitchen but he can't think straight because something is so clearly horribly wrong. All of their things are where they left them, their phone is still on the kitchen counter and they didn't take their keys. Neither of them were working in the months leading up to the birth of the child, a gift from Kalim he hadn't refused. He's panicking and in his panic he does something he never would have fathomed himself doing, he reaches out to Kalim for a help.

By the time he gets a response it kills him. He will never know what happened to his spouse or child, Kalim will never get his message, the next time Kalim sees Jamil after the latter's baby shower and paternity leave, will be when his corpse is being dragged along by the sorcerer of the sands. It will ironically be, the last thing he sees.

There is a lot of tragedy in this ayuu, but with Jamil specifically it verges into horror in a way I didn't fully appreciate when I drafted it.

Jamil is essentially a feudal vassal who wishes for the freedom to be a normal member of society. He also, and this is so important to his character even though it often gets overlooked, wants his family to be respected. His parents, his sister, his first memory is them kneeling to a different set of parents and that kills him inside.

For you to come from a world where his situation is somewhat of a foreign concept and still choose him, choose to throw your support behind him because he is worth reforming the world for- it is everything to him. He got his happy ending through hard work and he deserves it, so why is it being taken from him? Why is Kalim's mess of a family taking from him again?

I don't think Jamil ever realizes it has nothing to do with him; the idea that he was collateral damage isn't really something that computes with how his life has been up until that point. The behavior of his phantom certainly doesn't help anyone realize that either, the way it hunts down the Al Asims and controls the people of his home you would assume that was all the corpse that birthed it wanted. That it would have been better off for everyone if there had been no baby shower planned, no paternity leave, no child to begin with. But that's not true. It was never about Jamil, he was just there and it was convenient to blame him for it.

Something that child will realize he has been doing too when he's forced to see just how happy his father really was, once upon a dream.

[mewkwota]

"A photo of Dad, Mom, and their children."

In my constant visits to see Yuichiro I would snoop around the entire lab for hints of backstory, and upon finding this photo the first time I was emotionally destroyed. Do you think this may be one of the few if not only pictures they have of Hub while he was still alive?

For me, it's even more interesting that the description gets more specific with the first few games. Starting with a "a photo of a dad", then implying it as if it was Lan's dad (quoted above), then finally clarifying the children as "two smiling boys".

[clovermoters]

Slim Pickin’s

☕️ ln4 x bestfriend!reader

☕️ where your childhood wish becomes a reality

☕️ warnings - none !! just some fluff and kisses

☕️ word count 1.5k

☕️ a/n : so i heard sabrina carpenters song that’s gonna be on short n’ sweet and then this was born two days later !! enjoy <33

“Maybe I'm gay.”

your best friend, lando, looks at you, confused. “what?” he asks through a chuckle.

you were fed up. The number of douchebag men that you have in your phone and not one of them has ever made it to a second date. That fact makes you want to rip your eyeballs out.

“maybe god just forgot my gay awakening and that’s why i can’t find a boyfriend! maybe i just don’t like men.” you throw your head back on the couch in lando’s living room in monaco.

“i doubt that he just forgot,” lando giggles

you knew this wasn't true. you knew you liked men and only men. because you definitely liked the man sitting at your feet, and you have since you were both 15. you’ve just never ever told him.

And you planned to keep it that way.

you groaned. “No, Lando, you don’t get it! it’s slim pickings around here. half the men in my phone don’t even know the difference between there, their and they’re!” quiet giggles from the man sitting across the couch from you filled the room.

Lando knew you were only joking, yet he can’t help but feel bad at your lack of dating life when he has models flocking toward him at all hours of the day. granted, the girl he wants isn’t even a model. In fact, she’s sitting right in front of him, sprawled out on his couch, complaining about boys. but she didn’t know that.

And he planned on keeping it that way.

—

Throughout your week-long stay in Monaco, you decided to set yourself on a mission to meet a guy and go on a date. On the fourth day, you were successful!

During a coffee run while lando streamed, you met a guy who asked you out to dinner the following night. You were so excited since given your history, the chance of a guy asking you out was close to zero. When he asked you even scanned your surroundings to make sure he was talking to you specifically.

you were getting ready in the guest room of lando’s apartment, since you were staying there during your visit.

while applying your lip liner and gloss, you heard a knock on the door. “Hey, what are you thinking we do for din- woah.”

the curly haired brunette stared at you in awe. you were always beautiful in his eyes, yet right now he was looking at you like you were the only girl in the world. it then clicks in lando’s head that you’re not dressed for him. “Why are you all dressed up?!” he teases, a mischievous smirk on his face.

“oh i have a date!” you hum with a smile.

he looks at you confused, like he doesn’t believe you fully. leaning against the doorway “what happened to slim pickings?” he pokes, crossing his arms atop his chest.

“can’t a girl meet a guy and go on a date? gosh.” you scoff, slightly annoyed that he’s teasing you over this. you’d hoped he would be happy you’re crawling your way out of this slump of being single. it was one of the things you loved about him — how he always treated you with nothing but kindness and support.

“Fine, fine, whatever. have fun, i guess” he turns around and ducks into his office, closing the door harsher than you expected. Just as you make a mental reminder to have a talk with him about it, your phone chimes — your date is waiting in the lobby.

lando watches you from the cracked doorway of his office, as you do a final check of your makeup in the mirror of the mud room. he thought you looked beautiful and was silently raging at the fact he isn’t the man you’ve dressed up for tonight. he’s liked you since you both were young kids running through the suburban bristol streets while your parents sat on the patio of his childhood home socializing over cocktails.

You were always there to support him through his racing career and you were the first person he called after McLaren chose to extend his contract. While he doubted himself and everyone told him to leave, you told him to follow his heart and do what felt right to him. Now, he’s a race winner with the team he calls home. To him, it’s always been you. You have always been the girl he pictured his life with.

But his gut always told him you’d never return these feelings back to him.

—

your date went horrible. All the guy did was talk about himself. and once he found out you were friends with some celebrities, the date had ended there for you. although you got some free drinks and a meal out of it. it only made you fall further into this loneliness.

the elevator dings, signaling you’ve arrived at the floor of lando’s apartment. you stumble to lando’s door. the alcohol takes effect and makes you trip into the door, startling Lando who’s standing just on the other side, waiting for you. He throws the door open, finding you standing there with slightly messed up hair and a frown on your face.

“c’mere,” he says quietly, taking you to the couch. sat on the coffee table in front of you, he gently took your foot into his lap. you feel his soft touch as he gently removes your heels from your feet. sending shivers down your spine.

“It was horrible. all he did was talk about himself,” you say frustrated. “I also accidentally let it slip that I knew you, oh, and don’t even get me started on his horrible taste in just about everything.”

He helps you up, taking you to the bathroom and sitting you down on the counter. He rummages through your toiletries bag, before taking out your makeup remover. As he starts removing your makeup, you study every inch of his face, counting every freckle and watching the way his jaw muscles clench as he focuses.

god he was beautiful.

you feel a lump in your throat as tears begin to fill your eyes.

“Hey, hey, what’s wrong?” Lando asks, halting his movements.

“it’s just- i'm pretty sure every good man in this world is either taken or dead and its not fair.” you say letting a stray tear fall. in your head you knew you were being dramatic, but the three glasses of wine you had to get through that date have taken full control of your emotions.

Lando chuckles lightly, folding with the used makeup wipe in his hands, he looks to you “well, i’m neither of those things.” he says softly, almost as if he’s upset.

fuck. shit.

“no, no, wait, lando- i didn’t mean it like that, you're a great guy. an amazing guy actually.” you say quickly. he smiles at you as you continue to ramble “i mean, shit, i’d date you in a heartbeat-“

“what?”

you slap your hand over your mouth. holy fuck, did you really just say that? and Lando not saying anything just solidifies that he doesn’t return your feelings. Lando is staring at you like you’ve got three heads coming out of both of your ears.

you start to panic “i’m sorry, i don’t know why i said that, forget i said any-“ you’re cut off with the feeling of lando’s lips crashing into yours. his hands gently cup your face as he kisses you. you instantly return the kiss. The world slowly falls away leaving just the two of you. your hands moving to find home in his curl, slightly pulling on them. Lando releases a quiet groan. His hands work their way down your body to rest on your hips, gently pulling you closer to him.

Lando pulls away and rests his forehead against yours. “I have literally loved you since we were 16.”

you smile at him, “i love you, too.”

The two of you find yourself in Lando's bed watching your favorite movie, wrapped up in eachother. Lando turns his head to look down at you resting on his chest. Admiring your sleepy state as you attempt to stay focused on the movie he gave up on watching. How can he focus on anything else when you were sitting next to him?

the girl he's wanted since the two of you sat on his porch on a late summer night, eating the ice cream his mother tried to hide. giggles filling the air while you pointed out constellations to lando, chatting about where you wanted to be in 5 years.

“Well I hope to be in formula 1” Lando admitted. “You'll be there, I'm sure of it.” you added giving lando a smile he swore was brighter than the stars sat above.

He gasps slightly “don't move”

you freeze as he reaches a hand to your cheek, softly swiping a fallen eyelash holding it in front you.

“Make a wish” he breathed.

You shut your eyes tight, emphasizing the wish you were making before taking a big breath and sending the eyelash into the air. Followed by the sound of giggles coming from the brunette, he asks what you wished for. “If i tell you it won't come true!” you gasp faking offense.

who knew that after 8 years, your wish would finally came true.

🤍☕️.

AYAYAYAYAY ALL DONE !!

big thank u too my lovely friend who edited this and helped me <33

[prettieinpink]

NEW YEAR, NEW ME

( A collab with thee lovely lele @bloombabydoll )

If you want to reinvent and rebrand yourself, or just continue to make positive improvements in 2024, the first thing is to evaluate your current year. 

EVALUATION

Reflect on how things went for you. Was there continuous growth? Were there many difficult times? Did you discover anything major about yourself and so on. Try to summarise your year in (a) paragraph(s) at least. 

Oversee your goals. Which ones you didn’t, did achieve, difficult ones, easy ones and the impacts it had on your life. 

Compare your dream girl then and now. Is your visualisation of your life currently different to the one you have now and why? 

List any major losses or successes you’ve had in your life, and how they have helped you or why it matters to you. 

This evaluation can be as detailed or simple as you like, but as long as you have a decent outline of your year. 

PREPARING & PLANNING

To prepare for 2024, you want to know what you want life to be like in 2024. Something realistic to a point, but still is a growth journey. 

Think of something that you can associate with 2024. This can be a word, a symbol, art, a song, a book, a movie, a place, or even just all of these things. When you think about your goals and your journey, this is your theme. This is something that should relate to your goals or your dream girl somehow. 

For me, I chose a word and a song. My word is growth because, for me, 2023 was a year for just being able to shed my old self which I did achieve however I just felt there wasn’t much growth as an actual person and not just in my environment. 

For my song, it is Mayflowers by Proleters and Taskrok. This song is the epitome of what I would imagine, is the most polished mindset. I would say perfect, but having a perfect mindset is near impossible. I want to have a mindset glow up because I’ve just been hard on myself lately which has caused my confidence to plummet. 

Before we get into the fun part of the preparation stage, we have to do some organisation in our life. I want you to take a look at your daily lifestyle and your habits, and be completely unashamed about this. 

Then categorise these habits into two sections; Leave and Leap. Leave habits are habits that you are leaving behind in 2023, leap habits are habits that are leaping into 2024 with you. 

Any habits that are self-destructive, addictive or generally harmful are leave habits. Beneficial habits and self-building are leaping with you into the new year.

I want you to do the same for people in your life, all environments (school, work, online etc) and anything else you believe needs to be sorted out. 

This works better if you can reason with yourself why it is a leaping or leaving habit, but don’t try to convince yourself a bad habit is good or vice versa. 

Now, I want you to document an honest paragraph about who you are right now. List your bad and good habits, your strengths and weaknesses and your behaviours. This one requires a bit more detail. 

Then, write a paragraph about who you will be in 2024, your dream girl. List her habits, lifestyle, behaviours, mindset, strengths and anything else extra. I’ll explain later but do not include materialistic desires in this your dream girl. Once again, this one also requires details. 

Stemming from those paragraphs, I want you to create specific and achievable goals. SMART goals are best, but I want to introduce you to how I set goals. 

I divide my year into quarters. For each 3 months, I have 3-5 goals for those months. Usually, it’s one from each area of my life. Then, I break down these goals. 

Questions and How They Help 

Why do I want to do this goal - For motivation and commitment. 

How it’ll benefit me - For the sake of improvement. 

How can I involve myself in this goal - To achieve your goal.  

I prefer this method because it is a lot simpler for me, as I am just a young girl and my bigger goals are more in the future in which I’ll utilise SMART goals. 

To create good goals; Make sure they align with your current values and life principles first. Try to avoid creating goals that you have just taken from the internet. Those goals just aren’t it and you most likely won’t follow through with it. 

Be specific. Don’t say you want to eat more healthily, instead say you want to include (a certain group of veggies/fruits) in your diet and reduce the intake of ( food/drink). 

E.g using eating healthy example

I want to eat healthy -> I want to start including foods that boost my immunity system and support my skin while reducing those that have the opposite effect. 

Then break down those quarterly goals into monthly, weekly and daily goals. Make these habits that you can establish in your lifestyle and have a way in which you can refer back to your progress. 

EXAMPLE GOAL BREAKDOWN

Quarterly Goal - Read 6 books.  

Monthly Goal - Finish 2 books.

Weekly Goal - Be or near half way of one book.

Daily Goal - 20 minutes of reading per day. 

AREAS TO SET GOALS IN YOUR LIFE

Academics

Spiritual

Fitness/sport

Health and wellbeing

Mental health

Personal life

Relationships

Hobbies and recreation

Now for the best part- vision boards! Collect all of your favourite images that embody your quarters or the whole year, then put them in one place where you can see them regularly!

Some ideas are a scrapbook, Pinterest boards, mood boards, playlists etc. 

Choose your theme; It can be your healthy girl era, your academic come back or whatever you want. You can have more than two btw.

Use quotes! Then actually say them in your daily life as a way to shift your mindset to reflect said quote.

Include inspirational people. It doesn't even have to be a millionaire or a very well established person, it could be your friends or someone on the internet.

Be imaginative. Your vision board doesn't have to realistic in my opinion, as the whole point of it to me is that viewing it daily and considering it to be part of your life one day allows for you to open up to those opportunities.

Materialistic Wants

I feel obligated to make this a separate section. This section is practically tangible objects that you want.

However, when choosing this said object that you want, mindfully think about why you want that thing specifically.

It doesn’t have to be meaningful, but as long as each thing on that list has got a purpose to you, and will serve you, I think it’s all good!

Conclusion

If you want, you can definitely start implementing habits before January. However, I believe that as long as you go into 2024 at least knowing who you want to be and shedding away any limiting beliefs, you’ll be fine.

Make sure to incorporate some self care rituals into your daily life as well✨

To end this, I hope everyone has a very merry Christmas! And that 2024 they will achieve to close that gap with their current selves and their dream girl selves! 💖🙏

[thepsychonyx]

I want to speak about why the second part of the Best-True ending of Dragon Age Veilguard pierced me so deeply. The Flycam screenshots are from Aru/Elf botanist (YT linked at the bottom).

To set the tone, the music established the emotive themes of the scene. It speaks to the Lost Elf theme- however it is forever changed and lighter. This elf that was Lost for so many years is now Found. There is hope in the strings, there is redemption in each note. This also speaks to the specific codex from the lighthouse in Solas’ secret room. Not his office at the top of the building, extravagant, beautiful, overshadowing all others and looking down in godly benevolence - his private quarters on the main floor, where parts of his travel with the Inquisition surround him.

When Lavellan speaks to Solas, she is using a resolute voice, almost chastising him for thinking he has to do this alone. He has her, and she will keep reminding him.

*Edit: Please note she also speaks the common tongue in this instance.

Solas implores her to think of the dangers the journey he is going on will have, his head is down to show the residual shame and his plea for her safety. But also a part of him hopes. The reason all he says is that “there will be danger” is a statement of warning but not fully entreating her to stay. His heart has a pause, he is prioritising her safety and wants her aware of the dangers.

Note, that he also speaks in Elven in response to her, his first language and mother tongue. As a trilingual, one usually reverts to their more natural tongue during a heightened emotional situation - in this case, Solas' warning statement is also a subconcious plea for her to understand him and join him despite the danger. He will never push her further than she wants to go like he was pushed by Mythal.

This is the shot normally, the downward and side tilt are clear making the imploring effect of his words resonate further. Unlike before where he only looked at her for small spans of time his attention is fully focused since being absolved of his duty. After she responds that she will be with him, forever no matter what, he shifts. This is akin to when making vows “I stay with you in sickness and in death” but they are crossing the boundaries of mortality. This is “I stay with you in any plight, any condition, any reality. I commit my eternity to you”

Her response is an amalgamation of the following:

1) You are not alone in it emotionally and mentally as I am with you

2) Physically I am with you to endure it with you

3) Our joined manifestations will make it a better place quite literally, so the bleak darkness that could have encroached will not exist when we are together

This is also validated a bit by Trick Weekes QA:

She then states their love is eternal, and she chooses to walk on any path with him fully and wholly. A love that transcends time, mortal barriers, immortality, the different realms of existence. This combined with their standing pose as if at the altar of a wedding is the final part of her vows. Said in the same hallelujah pattern and in elven as he would speak - she commits to his language (mentally and emotionally) so he best will understand her declaration. (This is confirmed by @northgalis on Twitter).

This, in front of the witnesses who are the allies who helped them unite in their union, Rook and Morrigan whilst overseen by the Veil itself in the position of holiness. His blood is the bond they now share, the new blood magic in a way that ties them to a new fate of their own making. The veil that brought them together in the beginning of the journey they now tread into together.

Then they confirm their vows with a kiss, she pulls him in first, similarly to their first kiss in the fade and he reciprocates. Solas is weakened, hurting, feeling unworthy of the brightest soul in the universe but she chooses him and he finally submits to his desire and need for her. His duty now to himself, atonement and the woman who chose him with it all in mind.

Aru’s flycam footage also shows the kiss being deeper and him actively

After the kiss, he SMILES. The ending is now so much less bleak it is tender, it is soft it is comfort, it is peace.

A smiling glance. meeting at a crescendo; a shared moment of understanding;

Screenshot from Daoithe on Tumblr.

He then proceeds to thank Rook, for helping him see when he allowed himself to be so plagued by grief and guilt and not giving up on him as it could have turned to despair, revenge and anger, like all the other endings which I hate because they go against his very nature. The other endings spit in the face of his complexity the story keeps explicitly imploring you to see and have empathy. Solas is a spirit of wisdom, when guilt festers that wisdom manifests in the worst possible ways. And with no one to listen and read between the lines, the fate he is subjected too is far too unkind. But here, he not only is freed of his guilt but also, just as importantly and very implicitly, his fear of dying alone.

If you have played inquisition you will recall there is a moment near the climax of Here Lies the Abyss where Inquisitor and their chosen companions go into the Fade. Solas is easily one of the most fascinating and best companions to take with you as he from the onset has been a “Fade expert” and his lines throughout are intriguing and educational. During the quest you come across graves embodying the different characters biggest fears. And Solas? Dying alone. The god who went against everyone he knew for a better world, whose empathy only continued to hurt him and freed others with hopes to better the world is the most lonely man. And he is terrified and within himself brought low by his loneliness in his commitment to the path he feels he must take. This is why the next part transcends the scene.

After the kiss which confirmed their bond and pact - binding them together with love and empathy, wisdom and curiosity married - he thanks rook and looks back at Lavellan, his Vhenan. And it is a *micro second* shot that completely defeats me. His head held high, the concerned imploring tilt gone as he holds his chin higher in appreciation, respect and awe for the woman who chose him. The love of his life, his eternal companion. The only one to truly fully see him, respect him, and love him wholly. Who has forgiven him and chooses a path which only leads to him. He is honoured to be loved by her, and will work to be the better man he feels she deserves, but also beginning to accept that her love for him is in any form he takes. The one he prizes above all others, chose him, and he will never be alone - and that is everything.

Seeing completely, and being wholly seen.

This scene literally destroyed me in the best way. I am left hollow with love and adoration for this character and his relationship to his love Lavellan and no other romance will meet the threshold they have created for me. It is not Solavellan hell no longer, they have transcended to Solavellan heaven.

My playthrough video of the second half of the ending sequence.

Here is Arus Flycam YT video for reference:

Arus Flycam Lavellan POV of the True - Best ending

[jessamine-rose]

Aaahhh everyone, check out Navina’s dramatic reading!! Thank you again for reading this and sharing your brainrot with me (´；ω；`)

⋆˚♱ଘ Requiem for the Damned ଓ♱˚⋆

*holds head in hands* Idk why Dottore keeps haunting me with writing inspo. And for this idea to manifest just before Holy Week….fuck it, I hope you all enjoy the blasphemous tale of Priest! Dottore x Demon! Darling _:(´ཀ`」 ∠):

Tw:: yandere, violence, death, religious abuse, dubcon, mention of nsfw, MINORS DNI

Note:: fictional depictions of religion

♡ 2.7k words under the cut ♡

♡ Despite your status as a wandering demon, you have no place in human cognizance. Rather, you conceal yourself from mortal eyes in favor of close observations and whispered temptations. Humans, from your perspective, are interesting creatures—they are ambitious, easily influenced by spiritual beings, capable of both good and evil.

♡ And what better example than the one who summoned you on a starry night? Such rituals are not uncommon amongst heretics, but most only succeed in invoking the contempt of their fellow humans. And few would invoke your name, much less commit sacrilege within the walls of the Church.

♡ You sense danger immediately upon your appearance. Within the summoning circle, you take note of your sigil perfectly illustrated in blood against marble. Beyond it, what alarms you is not your sacred surroundings nor the fresh corpse mixed with your offerings of books and fruit. It is the figure standing over you, cloaked in moonlight, gazing at you with eyes the color of hellfire.

“My ritual is a success. Welcome to my humble church, o noble demon…or would you rather be addressed by your epithet? ______, Fallen Seraph, the Seeker of Forbidden Knowledge.”

♡ A glimpse into his soul is all it takes to strike fear into your heart. Within Hell, there are rumors of a small village in Sumeru. Its people are nothing of note, a congregation of simpletons whose lives revolve around the beliefs of their Church. The lone exception is the main priest, Father Zandik, better known as Il Dottore.

♡ The stories, passed through human voices, speak of a child ostracized for his unconventional beliefs and his interest in the macabre. Branded a madman, he was placed in the care of the Church elders who corrected his ways of thinking. Once he became of age, Zandik was given the choice to move out of the rectory or to remain as a priest; he chose the latter of his own volition.

♡ Since his ordination, Zandik has proved himself to be an exceptional priest. He educates the masses, reviews theological texts, performs exorcisms, and provides religious counsel for the doubtful. He even serves as the town’s doctor, fully gaining the acceptance of his community.

♡ The rumors don’t stop there. For Il Dottore earned his title by performing miracles. It is he who guides the people into religious ecstasy, he who cures the sick from mysterious curses, he who blesses the weak into “enhanced humans.” There are already whispers that once Dottore’s mortality catches up with him, he will surely be canonized as the Patron Saint of Doctors and Miracles.

♡ But spiritual beings such as yourself know the truth. That Dottore is neither a kind priest nor a devout believer, that his days in the Church only magnified his heretical inclinations. Disillusioned with God, Zandik decided to turn His religious sanctuary into his own laboratory, one where he could fulfill his lust for knowledge through a mask of holiness.

♡ He manipulates the people with false teachings. He triggers religious ecstasy with drugged incense. He singles out devotees to “test their faith” during the quiet hours of the Church. And what the town perceives as curses and miracles are actually scientific experiments in which Dottore plays god.

♡ It’s too late to escape. No matter your divine powers, nothing prepares you for Dottore’s traps. The incantations, the barrier of the summoning circle, an aura so holy yet sinister that it couldn’t possibly come from ordinary religious objects—all you can do is fall to your knees and beg for his mercy, all the while he watches you with a confident smile.

♡ His intentions are like that of any human: He summoned you to form a contract. In exchange for his soul, he demands your knowledge, your resources, your full servitude for so long as he roams the mortal plane. Your hesitation only triggers another wave of scorching pain, followed by panic as Dottore grips your horn and forces you to face him.

“Make no mistake, ______. The mere fact of your divinity does not make you indestructible. In exchange for your cooperation, you will bear witness to experiments of the same magnitude as God’s creations. What say you?”

♡ You have no other choice. And that is how, in the sanctity of the Church, you make a deal with the human named Zandik. Once the pact has been forged, Dottore admires the bright sigil on his chest, plucks a few feathers from your wings, and disables the summoning circle so you can leave. Thus begins your personal hell.

♡ It is easy for you to answer Dottore’s questions about the divine. The horror lies in assisting him in experiments, responding to his summons no matter the inconvenience, allowing him to extract your blood, tears, and feathers. No, what’s most humiliating is when he uses your body for his “research,” bending you over the altar and bringing you to physical ecstasy against your will.

♡ At this point, you don’t know who to pray to. One night, Dottore shows you a secret room in his laboratory. As soon as he lights the lamps, your eyes take in numerous bodies and skeletons of a different classification from his usual victims. The extra bones jutting from the scapulas, the amputated wings, the halos pinned to the walls, the holy aura you’d felt from his religious objects…instantly, Dottore’s powers make sense.

“This is my first specimen. She was my guardian angel…no, I jest. She was a mere messenger who implored me to repent for my sins. From her words, I deduced it had been within Heaven’s capacity to save me during my youth—and yet God only sent an angel to me after my first act of blasphemy.”

The angels…how many has he killed? Not even during your fall from Heaven did you feel such primal fear for your life. But you cannot scream—you have long been trained to resist fight and flight. All you can do is listen to Dottore’s explanation, watch as he approaches a pure white skeleton and wraps his hands around its fractured hyoid bone.

He gives you a calm smile. “Luckily, her body provided me with indispensable resources for my experiments and my procurement of her brethren. I believe her name was Sohreh.”

♡ Just when you think it can’t get any worse, Dottore points at the far corner of the room to reveal a space dedicated to demons. Four dead bodies, their causes of death vividly described. Horns, wings, and other body parts amputated in exchange for lives spared after exorcisms. And when Dottore returns to your side, tracing the wound from where he broke off your horn, you can only tremble and acquiesce to a checkup. It grows back fully by the end of the year.

♡ He has his moments of vulnerability, however. Perhaps it is due to your nature as a demon, a creature which represents evil, that Dottore does not hide his heart from you. Once, after his usual confessions—he always makes up trivial sins—he remains in the confessionary until his fellow priest has left. Then he goes to the altar and summons you.

♡ What catches you off-guard is not his lack of greetings. Rather, it’s the way he pulls you close to his body, lips ghosting the curve of your ear. There, in the heart of the Church, he whispers to you every sin he has ever committed. Despite his normal tone of voice, his words have never betrayed a language so guiltless, so sincere, so human.

♡ He asks how much of his madness is to blame on the influence of demons, or if he had been born wicked. He asks if humans were truly given the mental faculties to withstand temptation regardless of their circumstances. He asks if the same can be said for spiritual beings, questioning why former angels like you were also created with the capacity to sin. He even asks if praying for a demon can offer them any hope of salvation.

♡ It takes you a while to answer his questions. It’s just like him to put your emotions in disarray, to make you feel pity for the very cause of your current suffering. Against your nature, you wonder if there is still a chance for Zandik, if he can somehow repent or find a way to save himself from your contract and all of his sins. Even if it is too late, He has always been more forgiving to humans than angels.

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨

“Do you know why I became a demon, Zandik?”

Your question is what prompts Zandik to pull away from you, though his touch lingers. His gaze, as always, is unfathomable; you can never discern what hides within those pools of crimson.

“No, I do not. Few demonological texts allude to your existence, and only the Lesser Key of Deshret cites your previous status as an angel of the highest ranking. I have made theories in relation to your epithets but I respect all possibilities. Now what would you, as the primary source, reveal to me?”

Now it is your turn to confess.

“Seraphim are the closest to God but for that reason, we are the most distant from His creations. Everything we know of the world is derived only from what He tells us, not our own insights. And so I defied His Word and ate the forbidden fruit from the Tree of Knowledge, committing the same sin which condemned all of humanity.”

The tip of your upper wing brushes against Zandik’s face, while your middle wings encircle his body in a loose hug. As for your lower wings…they are nothing but twin scars covered in short feathers. After your descent, it seemed like a rational decision to chop them off, broken as they were. It helped that your wings had just outgrown their original purpose.

For once, you barely flinch at the sensation of his touch against your scars. Many times, Zandik has inquired about the loss of your lower wings and even asked if he could have them. They still remain in Hell, tucked away in a corner of your home, eyes forever closed.

It takes a few seconds for him to respond. “Do you ever regret your decision?”

You shrug. “It was difficult at first, naturally. Many of my eyes were blinded—yes, that is why I rarely open the ones on my wings—but those which still function have seen so many wonderful sights up-close. Neither must I cover my face with my remaining wings. And despite being what your kind and my former brethren would dub a monster…I’m happier now.”

“I see, I see.” His curiosity appears far from sated, however, a sentiment you can empathize with. “As I thought, God is incomprehensible. For Him to deny even His greatest creation of salvation…it confirms that there are limits to the forgiveness of that which humans call a ‘loving god.’ Thank you for sharing this knowledge with me.”

And just as quickly as he initiated his confession, Zandik steps out of your grasp and dismisses you. But you make no haste, silently watching him after you “leave.”

His expression is thoughtful. A gloved hand touches his chest, right above your sigil.

Such an interesting creature.

Honestly, you don’t know what to make of your feelings for this human. Much as you despise his cruel treatment towards you, he never fails to capture your interest with his experiments and philosophies. Whenever he speaks of God, you wonder if a small part of him still desires to be saved. But that will never be.

Zandik preaches salvation with the knowledge that he will never receive it. For the Church never taught him how to love.

ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨

♡ Il Dottore never became the Patron Saint of Doctors and Miracles. Neither did he have a funeral mass befitting of a priest, nor a peaceful death from natural causes. Instead, he died young, laicized, once again denounced as a heretic by his community.

♡ You don’t know how his crimes were exposed, and why now. Perhaps it is God’s punishment for him, a blessing for his victims, or both. Either way, Dottore paid for his sins on a sunny day, burned at the stake before a disdainful crowd. Not long after his heart stopped beating, his belongings were thrown into the fire—research, tools, anything which carried his memory.

♡ You never left his side. After his last rites, led by an elderly bishop who condemned Zandik as he did in the past, you sat next to him and offered a final conversation. He didn’t express any fear nor sadness in regards to his imminent death, merely stating it a pity that his achievements could never be appreciated in his town.

♡ …He did ask if there is any chance of meeting again in Hell, but you reminded him that the punishment of sinners is out of your jurisdiction. Plus, it’s better that way—you have no desire to avenge yourself, and you’d rather not witness Zandik’s suffering for all eternity. You can only imagine the severity of his punishment, what more if he is assigned to one of the demons he exorcized.

♡ During his execution, you stood at the front of the crowd. You kept your eyes trained on him, for so long as his scarlet orbs remained open, whispering the prayers for the dead on his behalf. While a part of you felt liberated, another was mournful. You hope your last words to Zandik gave him solace in his final moments.

“Rest now, Zandik. God may never forgive your sins, but I shall.”

♡ And thus ends the life of Il Dottore. In the following days, the Church is purged of its holy, sinister aura, mainly because they discarded the religious objects tainted with angel remains. You continue your usual obligations as a wandering demon, but the humans you observe pale in comparison to your companion of many years.

♡ Not long after, you return to Hell for your other divine duties. As soon as you appear in your abode, however, something feels off. The sinister aura, the offering of books and fruit, your lower wings gone from their original place… The answer comes in the form of a hand grabbing you by the horn, pulling you backwards, twisting your body to meet a familiar gaze the color of hearth-fire. Only, this time, those eyes are brimming with pure joy, paired with a genuine smile.

♡ Apparently, Dottore’s soul did end up in Hell but not in the way you expected. In a proud voice, he explains that the Devil gave him a special fate. Whether it was due to vacant positions or everyone’s fear of the infamous “Demon-Killer,” you’ll never know. What Dottore does confirm is that as the demon bound to him via contract, you have to take responsibility and act as his companion in Hell.

“Rather than subject me to eternal suffering, the Devil believed that my talents would prove useful for the punishments of my fellow sinners. How wonderful is it for my achievements to be recognized in Hell? …Oh? I didn’t predict such a physical reaction from you. All of your eyes are wide open, and you seem to be on the verge of fainting.”

♡ You don’t know if you want to laugh or cry. To think your personal hell has been extended to eternity—are your sins enough to warrant such a fate?! But after confirming your misfortune, all you can do is sigh and tend to Zandik. He looks exactly the same, with the exception of a few burn scars on his body. And judging by the familiar black feathers on his person, he seems eager to discard his former religious attire along with his mask of faith.

♡ And when Zandik unfastens his scorched cassock, he takes your hand and places it on his unburned chest, right above your sigil. It glows vibrantly, brighter than any light you laid eyes on in Heaven. And beneath the flesh, you can feel his heart beating in sync with yours.

“Tell me, ______, do I still appear human to you?”

“You already know my answer to that question. But fine, I’ll admit it: Yes, you always have.”

♡ 

Note:: This is a reminder that Church AU is still on my “will not write” list. I only wrote this because I specifically like Priest Dottore x Demon! Darling. Please do not send me any Church AU asks/ requests involving other characters or a Human! Darling for Dottore.

At long last, I am free from Priesttore…thank you to everyone. To my readers, to my fellow Dottore simps, to my mutuals who indulged my tortured DMs after midnight, to the artist whose fan art inspired this idea to begin with. May you all have a lovely day╰(*´︶`*)╯♡

Tag a Dottore enjoyer!! @leftdestiny-posts @beloved-blaiddyd @mochinon-yah @diodellet @lcveaesop @oofasleep @bye-bye-sunbird @yandere-romanticaa @boundinparchment @harmonysanreads @teabutmakeitazure @yandere-wishes @yanmaresu @nicebonescomrades @nimandu @lesanyanyas @moarar

[p0orbaby]

A Tide of Tender Mercies

summary: oh, no, i think i’m in love with you

warning: SMUT 18+, oral, fingering (alexia receiving), some angst, reader being stubborn af

a/n: thank you to @muffinpink02 for helping navigate the sexy part ! also i’ve deffo repeated some bits but i cannot for the life of me be bothered to sort it out

word count: 7k

part 1

-

The chalet is…well, perfect. It’s the kind of perfect that only comes from meticulous planning, obsessive list-making, and a kind of restrained indulgence that most people would never understand. Set high above a tiny Swiss village known for its fondue and twenty-something millionaires, it sits against a backdrop of mountains sharp enough to slice the clouds. The exterior is severe, almost aggressively minimalistic: crisp white stucco, blackened wood shutters, and glass doors that could double as showroom installations. The effect is daunting, beautiful, and—if you’re being honest—a bit over-the-top. You chose it, naturally, because it’s the type of place where “just a fling” can occur without a single hint of domesticity.

Inside, everything is pristine, hand-selected, curated to within an inch of its life. You were adamant that the linens be Egyptian cotton, but not the gaudy kind; they’re 800-thread count, light enough to seem insubstantial but woven to feel solid, unyielding. They’re arranged in clinical folds on the bed, starched and pressed in a way that suggests they’re almost afraid to be touched. You’ll mess them up later, but for now, they’re an artwork of restraint.

And then there are the wines, selected with the sort of care that would make a sommelier weep. It’s silly, of course—Alexia doesn’t normally drink during the season, so she will hardly glance at the labels, but you’ve assembled an array that hints at depth nonetheless. An entire wall of Swiss Chasselas, a few rare vintages from Bordeaux, and an stupidly expensive pinot noir that tastes like dirt but cost enough to suggest you know what you’re doing. The idea is that if she gives in to something sophisticated, she’ll find it here. If she doesn’t, you’ll find her something else. Something that says you’ve thought of everything. Which, of course, you have.

The whole thing has a sort of perverse charm, really, how every detail has been obsessively pre-arranged to ensure that she knows you’re not in this for anything serious. And yet, here you are, flying her across Europe to the kind of setting people book for anniversaries and life-altering proposals.

There’s a sort of humour in it, if you’re willing to look. You even laugh to yourself, laying out the spa towels in the bathroom—too thick, too plush, a little too “I love you”—knowing full well she won’t notice them. She’ll think of them as “towels,” and if she does notice, it’ll be because she needs a new one. But that’s fine. It’s all part of the performance, all part of the thing you’ve constructed around this chalet, around her arrival, around the notion that this is—what? Casual? Fun? Whatever word fits it neatly enough to deny what you’re feeling.

And then there are the candles. Oh, God, the candles. You tried to keep them simple, restrained, the kind of scents that evoke a distant memory rather than a specific moment. Sandalwood, bergamot, a flicker of pine; nothing too floral, nothing that says “romance,” but hints of something just familiar enough to feel safe. You even toyed with the idea of an unscented option, just in case the pine felt too… suggestive. It’s ridiculous, but you’ve learned to lean into it, to control it, to package it neatly. If it’s planned, then it’s deliberate, and if it’s deliberate, then it’s just for fun.

“Why all this?” you imagine her saying, eyebrows raised, maybe laughing as she notices the excessive stock of Swiss chocolates in the cabinet. You have them lined up in neat rows, the artisan kind—no corner-shop Toblerone here—and each one is individually wrapped in foil that gleams in the dim kitchen light. You picture her rolling her eyes at the small mountain of truffle boxes, asking if you’ve stocked up for a wedding. And you, of course, would shrug it off, offering some deadpan line about Swiss tourism. Or a joke about Swiss efficiency. Or something suitably bland that keeps the tone right where you want it—on the edge of humour, a step away from real. You’ve prepared for every reaction, really. Which is pointless, because she hasn’t even arrived yet.

It’s the first time she’s been here. The place is new, purchased after a very well-timed therapy session that conveniently rebranded “self-indulgence” as “self-care.” The therapist’s exact words were “If you want to be your best self, find the spaces that let you breathe.” And you took that literally, flying up here for private viewings until this place caught your eye. Well, maybe not your eye. But it was one of those rare places that looked exactly like the pictures, maybe better, and it had the kind of aesthetic that screams “I need nothing from you” while begging for a sense of purpose. You bought it almost instantly.

And now, after weeks of fine-tuning, she’ll be here soon. You catch yourself arranging the books on the side table, pausing over which titles to leave out—a mix of philosophy and modern fiction that says “I read but don’t take it too seriously.” You laugh to yourself at the pretension of it, yet you leave the carefully selected titles exactly as they are.

It’s silly, really, because the goal here is detachment, the freedom to keep things light and uncomplicated. You tell yourself that as you straighten the pillows on the sofa for the second time, catching your own eye in the polished mirror that hangs in the foyer.

“You’re being weird,” you say out loud, imagining her walking in, that quick smile flashing, eyebrows raised in a way that says, “Is this all for me?” You picture her laughing, maybe rolling those pretty green eyes of hers. But you have an answer for that too, prepared in advance, a casual shrug.

“Just a little atmosphere,” you’ll say, as if it’s nothing.

You check your watch. Thirty-two minutes until Alexia arrives. Thirty-two minutes to double-check that every single minutely considered, utterly detached detail says, I couldn’t care less—or, more precisely, I care in exactly the right amount of less. Because she needs to know that this is nothing. That this trip to an over-the-top chalet overlooking a town mostly inhabited by 19-year-olds in cashmere is simply an exercise in relaxation, togetherness, a concept you’re fairly sure you’re allergic to.

She doesn’t know it yet, but you bought the place partly to show her. Partly to remind her, subtly, that she could disappear tomorrow and you’d still have this. Because that’s the problem with Alexia, isn’t it? She’s not really yours. She’s something you can enjoy, display even, but never own. The complete opposite of the real estate you’ve added to your collection. You stand there, glass in hand, the Lagavulin you’ve graciously poured yourself warming your fingers through the crystal, staring out at the Alps with the vague thought that an obscene number of people have had their ashes scattered here, somewhere along this ridgeline. It’s an unsettling idea you rather enjoy.

She texts, something about a delay on the tarmac, and you stare at the message for a beat too long, analysing the exact wording like you’re looking for hidden subtext. As if there could be subtext in the word “delayed.”

A casual fling, you remind yourself, should never be complicated by subtext.

To pass the time, you scan the kitchen once again. The coffee is fresh-ground, of course, from a bag that cost as much as an entire year’s supply from anywhere normal. It’s pre-portioned in tiny glass canisters your assistant found online that look like vintage apothecary jars. The labels are printed in Helvetica Neue because you once read that it’s a ‘subtly superior’ font. Ridiculous. But also, it’s perfect. There’s also a miniature mountain of imported Spanish oranges on the counter, carefully arranged in a hammered copper bowl you don’t remember buying. You could make mimosas, you think, if you didn’t know she’ll insist on starting with a protein shake instead.

You put a bottle of Alpine mineral water in the fridge just for her, chilled to the exact 4.4°C she prefers. Yes, it’s an oddly specific temperature preference. No, she didn’t tell you directly. You overheard her mention it once, offhand, to someone else. Which is exactly why you’re bound to a polite indifference if she asks why it’s there. It’s simply what the fridge was set to. Nothing personal.

Just the thought of her walking in has you adjusting your posture as if she’s already watching. Alexia doesn’t miss a single detail. Once, she commented on the way you have a tendency to pull your sleeves over your hands. You haven’t done it since. Now, you check that every piece of clothing you’ve chosen is deliberately, carelessly oversized—but only to the point that still reads as flattering.

Then, at last, you hear the crunch of tyres on gravel. You scurry to watch from the window as she steps out of the car you sent, and she’s immediately caught in that glacial alpine light, her features so stark and defined that it’s almost cinematic. There’s a sharp thrill—one you won’t admit to yourself—in seeing her here, framed against this scene like she’s the final piece in some high-budget film. The coat she’s wearing is slightly too large, lending her a relaxed, indifferent air, as if she’d picked up the first thing she saw on her way out the door. Effortless, in that way that would feel studied on anyone else.

You stand back from the window just before she glances up, retreating into the comfort of shadows. Timing is everything. You’ve thought this through, down to each calculated second. It’s critical, after all, that she finds you not watching, but instead lingering at a perfect remove, preferably with a slight air of distraction. You’re aiming for a kind of aloofness, as if her arrival is the least interesting event of the day.

She’s about to ring the bell when you move, deliberately slow, to the door, letting it swing open just as she raises her hand. There’s a brief, barely perceptible pause as her eyes meet yours, a spark of something unspoken passing between you both before she raises an eyebrow, a look that hovers between amusement and challenge.

“Missed me?” she asks, dryly, though there’s a glint in her eye that suggests she’s perfectly aware of what she’s doing. She’s close now, close enough that you can catch the faintest whiff of her perfume, something dark and woody and just the right side of familiar.

You tilt your head, giving her a slow once-over, and shrug. “Not especially,” you say, voice low, careful to keep the tone perfectly flat. But you let your gaze linger just a second too long on her collarbone, barely visible where her coat has slipped slightly, enough to make her catch it, her mouth curling up at the edge. It’s a deliberate game, one you’ve both played a hundred times, each move rehearsed, practised to the point of art.

She’s barely through the door when you feel it—that unmistakable tension, thickening the air between you. It’s almost tangible, a static hum just beneath the surface of polite conversation, something that pulls at you like gravity. The moment feels precarious, balanced on the edge of something you’re not quite willing to name, because if you wait too long, the feeling will settle into something more familiar. Something too close to comfort, which is the last thing you want.

She doesn’t seem to notice it, of course, her mind likely on dinner plans or the slow crawl of the evening. You, however, are already teetering at the edge of patience, every nerve just slightly too aware of her. She walks in, drops her bag by the door with a casual grace that feels almost too natural, like she’s done this a hundred times, like she could do this forever if you asked her to. And you wonder if you’d even want that—something so predictably domestic, the quiet comfort of a routine. No. You want her in ways that defy that kind of simplicity, in a way that doesn’t ask permission.

You watch her from the corner of your eye as she takes in the room. Her eyes linger on the minimal, curated details you agonised over: the leather-bound books you never plan to read, the art on the walls meant to suggest a taste for something more sophisticated than it is. She’s oblivious, seemingly caught up in the novelty of the place, and that’s exactly what you intended. She can’t know how meticulously you set the scene, how every pillow and chair is positioned with an almost obsessive precision. All she has to do is be here. You’ll take care of the rest.

There’s a slow, unhurried quality to her movements, an ease that’s infuriating because it’s so at odds with the pulse of urgency rising in you. She wanders over to the fireplace, running her hand along the mantel with a soft, idle curiosity. Her fingers trace over the edge of a photograph you don’t remember putting there, something abstract and distant, chosen for the way it says absolutely nothing about you. It’s maddening, really, the way she lingers in the space, claiming it without meaning to, as if her very presence could overwrite the hours you spent constructing it.

“You’ve really outdone yourself,” she says, her voice light, unaware of the way it cuts through the silence with a sharpness that’s almost physical. There’s a half-smile on her face, something unreadable that you can’t quite shake off.

You shrug, adopting an air of disinterest you’ve perfected over the years. “Thought you’d appreciate the change of scenery”

She raises an eyebrow, still oblivious, her focus now on the bust of Venus of Arles by the window. For a second, you want to laugh at the madness of it, how she’s here, right in front of you, while you’re clawing at the edges of your own restraint.

But she’s still gazing around, her fingers brushing the edge of a table as if she has all the time in the world. As if she doesn’t know what you’re holding back. You take a slow breath, exhale, feel the tension coil tighter inside, and think that if you let this linger for even another second, you’ll start to resent the calmness of it, the quiet rhythm that feels too much like waiting. Like settling into something you’re not prepared to face.

“Wine?” You ask in a futile attempt to keep things just this side of civilised. The offer hangs in the air, a thin layer of normalcy that feels like it could snap at any moment, but she only nods, glancing over with a slight smile, one corner of her mouth lifting in that way that’s halfway between polite interest and something more.

“Sure,” she says, her voice smooth, without a hint of awareness. “You pick”

You turn to the wine rack with an exaggerated casualness, scanning bottles you chose with this exact moment in mind. You could explain the notes of every vintage, how each one was picked not because it pairs with any particular food—because let’s face it, dinner’s not exactly on your mind—but because it suggests a kind of sophistication, a subtlety. You choose a bottle of red, something full-bodied and just slightly bitter, almost as if in silent commentary on the situation. You pour, slowly, setting the glass down in front of her with a kind of precision that’s both reverent and clinical. She reaches for it, her fingers grazing the stem, the gesture infuriatingly graceful.

The first sip seems to surprise her. “Good choice,” she murmurs, eyes meeting yours over the rim of the glass.

The silence stretches on just a moment too long, the air thick with something that isn’t quite tension, more like a coiled spring just waiting for one of you to press down. You feel it building as she shifts, glancing around the room, and suddenly, you realise she’s working up to something. There’s a certain deliberateness in the way she moves, a careful consideration in her stare, and you know—know—she didn’t come all this way just to admire the decor.

“Look,” she starts, her voice softer than usual, carrying a weight that tells you she’s not talking about the view. “I’ve been thinking—”

But you can’t—won’t—let her finish. Not when you know exactly what she’s about to say. You cut her off, leaning forward, your tone light, easy, deliberately dismissive. “Please don’t tell me you came all the way here just to talk, Alexia”

She freezes, mid-sentence, and there’s a flash of something in her eyes, a blend of surprise and—annoyance, maybe? But she masks it quickly, her lips pressing into a tight line. “I thought you’d appreciate me being… honest,” she says slowly, as though testing the waters, watching you carefully.

“Honest? That’s what we’re calling it?” You let a smirk tug at the corner of your mouth, a practiced expression, something designed to be just detached enough to hold everything at arm’s length. “Come on, we’re better than that, aren’t we?”

She raises an eyebrow, clearly unimpressed by your deflection, but there’s still a hint of amusement in her eyes. “Better than what? Talking?”

Talking. The word hangs in the air, innocent, innocuous, yet loaded in a way that feels heavier than it has any right to. You shift, taking another sip of wine, letting the liquid burn down, hoping it’ll smother the way her eyes feel like they're peeling away all your practiced layers. It’s one thing to enjoy someone’s company, but the feeling creeping in now is something else, something you’re not used to. It feels inconvenient. Like an itch you can’t reach.

You try to fire back, something witty, something cool, but the words catch in your throat, your mind scraping empty. It’s frustrating, the way she’s caught you off guard, how she’s unraveled your carefully crafted reserve without even trying. You reach for your glass again, swirling the wine, stalling for time, anything to avoid that knowing look in her eyes.

But then it dawns on you, like a spark catching flame—there’s still one thing left to do to regain control. Something you can do that would put you back in charge, bring this uncomfortable vulnerability back into something physical, where you excel. You set your glass down, slowly, purposefully, letting the silence stretch taut between you both.

She watches you with that smirk, that trace of challenge, as if daring you to break this moment of stillness.

“Come here,” you say, low and steady, injecting just enough command to leave no room for debate.

“No”

She says it so simply, so carelessly, that for a moment you’re almost convinced you misheard her. It’s infuriating, really, that one little word has the power to throw you so entirely. Your pulse stumbles, and you feel the ground slipping from under you, just enough to catch you off guard.

“Alexia.” You give her a look that’s intended to be definitive, final, but it lands with all the power of a weak threat. Her smirk widens into a full, infuriating smile, the one that says she’s entirely aware of the effect she’s having on you.

“Just hear me out,” she says, with a kind of softness that’s more unnerving than you’d like. “You’re doing that thing. The thing where you turn everything into—” She pauses, gesturing vaguely with her hand, searching for the right word, “—into some kind of performance”

It’s an odd, unnerving feeling, this loss of footing. Normally, you’d have a witty reply ready, something cutting or clever, but instead, you feel like she’s stripped you bare, left you standing there with nothing but honesty, and you hate it.

“So now you’re the expert?” you reply, finally finding your voice, though it sounds sharper than you meant. “Since when do you—”

“Since I started actually falling for you,” she says, cutting you off, her voice low but clear. It’s not even particularly dramatic, the way she says it, and somehow that’s worse. Like she’s not trying to turn it into anything, not expecting any kind of reaction—just stating it as a fact.

You feel a flush rise to your face, and you mask it with another sip of wine, a hasty attempt to cover up the sudden jolt in your chest. She waits, just watches you with that maddening calm, as if giving you all the time in the world to come up with some kind of response.

The air between you feels thick, heavy with something unsaid and unfamiliar. You feel the urge to laugh, to make light of it, anything to disperse this feeling building between you, something dangerously close to vulnerability.

“You don’t have to make this into… whatever this is,” you say, gesturing between you. “Let’s not get sentimental”

“I’m not,” she says, crossing her arms, looking impossibly patient. “I told you I’m just trying to be honest. I thought that was allowed”

“Honest,” you repeat, as though the word itself is foreign. And maybe it is. Honesty has never been the thing you reach for. Honesty is for people who can afford to look foolish, who don’t mind slipping, stumbling a little. Honesty is… unnecessary. And maybe that’s exactly why it’s got you so rattled now.

You set your glass down, more forcefully than intended, and close the distance between you with a deliberate slowness, a silence that says everything you aren’t willing to say out loud. She watches you, unmoving, waiting, that infuriating patience of hers still intact.

“Fine,” you murmur, leaning in close, your voice barely above a whisper. “If youre falling for me, fucking show me”

Her lips quirk in the barest hint of a smile, a flicker of amusement mixed with something warmer, something that makes you feel like you’re the one being dissected here. It’s maddening, really, how effortlessly she manages to get under your skin, slip past all those careful layers. And yet you’re already reaching for her, pulling her closer, desperate to change the pace, to turn this moment into something you can control.

There’s a split second where neither of you move, holding the charged silence like it might be the only thread of control left. And then it snaps. You reach for her, not gently, fingers curling around her wrist with enough force that she has no choice but to be pulled in. Her smirk flickers, only slightly, and there’s something about the momentary surprise in her eyes that makes your grip tighten further, anchoring yourself as much as her. It’s a flash of vulnerability that vanishes as quickly as it appears, leaving behind nothing but a thin layer of bravado, one you’re keen to shatter.

You pull her toward you, and the air shifts, that faint hint of uncertainty cracking into something far messier. Your hand finds its way to the back of her neck, fingers threading into her hair with a kind of reckless precision, not even aware of how tightly you’re holding on. You don’t waste time; you’re not even sure there’s time to waste. And as soon as you lean in, catching her mouth with a kiss that’s anything but tentative, you feel her resistance melt, her lips parting under yours with a roughness that’s almost defiant.

She meets you with equal force, as if each clash of mouths, each bruising press of skin, is a way to gain back her own control, and you revel in it, the give-and-take that feels as calculated as it is chaotic. Your hand slips to her jaw, holding her there, your thumb brushing over the corner of her mouth with a kind of ferocity that toes the line between possessive and desperate. You know it’s not going to be gentle; there’s a part of you that doesn’t want it to be.

You’re moving backwards, feeling the edge of the marble island press into your spine, but it doesn’t matter. She’s everywhere, her hands gripping the fabric of your shirt, blunt nails scraping against your skin as if she’s staking a claim, as if she’s finally caught on to the pace you’ve been trying to set and decided to match it.

“Is this what you wanted?” Her words slip out like a slow, deliberate knife cutting through the air between you. The tone, sharp, unfamiliar, though has been the soundtrack to your late-night thoughts. It’s almost as if she knows, like she’s caught you in the act of something that’s always been just below the surface. Her breath comes in shallow gasps, eyes darting between your face and the space between you two, as if trying to read the faintest tremor in your expression. It’s always a game with her, always a step too far.

Yes.

“No,” you manage, your voice betraying you—cracked, thin, like a lie too rehearsed. The words come out wrong, but they come out anyway, forced through a tightening chest.

The moment stretches, each second fracturing, bending and folding into itself. It’s like trying to hold a conversation with a shadow—everything slips just out of reach, and the harder you try to grasp it, the more it seems to twist away, leaving nothing but the sensation of your own breath hitching in your throat. You fucking hate this. You hate the way her fingers curl in the fabric of your shirt, as if trying to remind you of your place, of the expectations that have always followed you both like a silent, mocking echo.

No, you don’t hate her.

Fuck. You love her.

The thought is an ugly, dissonant thing, a weight that doesn’t settle easily, like a slow-moving tide pulling you under. The water’s cold. You can’t feel the bottom. You don’t know which way is up, and the only thing you do know is that, somewhere along the line, you’ve let yourself drown.

Your pulse is almost deafening in your ears, hammering in time with your desperate need for air. There’s something about the way she stands before you—still and deliberate, eyes trained on yours—that makes the room feel smaller, closer. You think you can hear her thoughts. Feel them. It’s maddening, how much she seems to know you, how she’s always known the way you bend. How much she’s learned to manipulate that bend, until you almost forget what it’s like to be anything but this: a response.

You swallow. The taste of her is lingering on your lips, sweet and bitter all at once, like a bad memory. How many times has this happened? You don’t know anymore. The last time feels as far away as the first time—when she leaned in, the weight of her body an invisible promise. But tonight, there’s something different. It’s in the way she watches you, cold, calculating, her fingers still gripping the edges of your shirt, the only real connection between you two in the moment.

She inhales slowly, the rhythm deliberate, like she’s listening to a song you can’t hear. The silence is suffocating.

“You’re lying,” she says, low and accusing, with just enough venom to make you flinch. There’s a tiny smile that tugs at the corner of her mouth, something fleeting, something knowing. You want to reach out, to take her in your hands and pull her close, but the distance between you both feels like a universe. The space feels like a reflection of everything that’s wrong with you: the empty conversations, the meaningless gestures, the ache that’s always there, just beneath the skin. It’s maddening, this tension.

And yet…

You want her. Fuck, you need her. You don’t know if it’s because you love her or because she knows how to make you feel more alive than anything else. She’s become your addiction, your fire, the only thing you can’t quit.

Another shift in the air. Another breath from her, shallow and calculated. It’s not a question anymore, not a challenge—it’s an affirmation. She knows, and you know, too.

You close your eyes for a moment, just long enough to lose yourself in the fleeting memory of something that almost felt like peace. The sound of her voice, the taste of her, the way she touched you. It’s all a blur, a disjointed collection of moments tied together by one inescapable truth: you’ll never be able to walk away.

Not this time.

When your eyes open again, she’s still standing there, eyes not leaving yours, studying you. Everything feels slowed down, almost too slow. Like time is bending around her, twisting the seconds into something thick, sticky. Her gaze doesn’t soften, but it holds you in place, an anchor, a force. The room is silent except for the faint hum of the refrigerator in the background, the dull tap of your own pulse in your ears.

You don’t speak. Not yet. You don’t need to.

Her fingers slide along your chest, trailing down in that same slow, infuriating pace, until they settle on the edge of your shirt again, the same place they started. She doesn’t look away, her lips curving upward in a smile that doesn’t reach her eyes.

It’s like she’s trying to decide whether you want to hurt her or fuck her. And the problem is, you’re not sure you can tell the difference anymore.

Your hands curl into fists at your sides, nails digging into your palms like that might keep you steady, like that might stop you from doing the one thing you swore you wouldn’t.

Loving something. Someone. Loving Alexia.

“What are you so afraid of?” she murmurs, her voice low, almost gentle, and it’s the softness of it that makes you unravel completely.

You don’t think—you can’t. One second you’re standing there trying to convince yourself you still have your palms wrapped around this situation, and the next they’re on her, pulling her in with a force that’s almost cruel. Your mouth finds hers, hard and unrelenting, and she gasps into the kiss, her fingers clutching at your shirt, wrinkling the silk, as if you might disappear if she doesn’t hold on.

She tastes like spearmint gum and coffee. You imagine her shivering as she steps off the plane, teeth chattering in the wind, and too polite to mention it. But your driver notices, you pay him to notice, so before her luggage is out of the cargo, a café con leche is being pressed into her gloved hands.

It’s not a kiss. Not really. It’s a collision, hard and unrelenting, her mouth crashing into yours with a force that feels like defiance, like she’s daring you to stop pretending. To stop holding yourself together so tightly you’re liable to snap.

Your hands are already on her, pulling her close, so close it feels claustrophobic, but you can’t stop. You can’t make yourself pull away because then you’d have to look at her, really look at her, and confront the unbearable softness in her eyes. You’d have to hear her voice again, saying the one thing you’ve been trying to ignore since she first murmured it like a needle under your skin:

“What are you so afraid of?”

What you’re afraid of is this. Her. The way she’s stripped you bare with no effort at all, no grand gestures or declarations. She’s unravelling you with the weight of her presence, with the simple fact of her being, and you hate it almost as much as you crave it.

Your teeth scrape against her lower lip, harder than you mean to, and she gasps, but she doesn’t pull away. Her nails dig into your shoulders, gripping onto you while you take your rightful place at the helm of this godforsaken dance.

And she’s letting you. Letting you press her against the edge of the table, her legs bumping into the thick, varnished oak. The table was handmade by some artisan you don’t remember the name of, its surface polished to a high gloss that reflects the warm light overhead. You’d spent weeks agonising over the purchase, debating wood grains and finishes with a level of scrutiny that felt absurd even at the time. It’s the kind of thing people like you do when they’re too scared to focus on what matters.

But now it’s just a table. A thing in the way, a thing that’s caught between you and her.

Her jeans catch on the wood as you push her back, and the sound is sharp, cutting through the fog in your head. You hesitate for half a second, your hands hovering at her hips, fingers brushing the cool metal of her belt buckle.

“You’re thinking too much,” she says, her voice low and breathless. It’s not a reproach—it’s almost amused, like she knows exactly what’s going on in your head, and it’s ridiculous to her that you’re trying to wrestle this into something it’s not.

“I’m not thinking at all,” you say, and it’s true. Or it’s a lie. You don’t know anymore, and you don’t care.

The belt comes undone with a soft clink, the leather sliding through the loops of her jeans in one smooth motion. You let it fall to the floor, the sound of it hitting the tile lost beneath the ragged breaths you’re both taking. Your hands are shaking slightly as you undo the button on her jeans, the metal cold against your fingertips.

She doesn’t help you. Doesn’t lift her hips, doesn’t make it easier. She just watches you, her gaze steady and unwavering, like she’s daring you to keep going.

And you do.

You yank the denim down her thighs, your movements jerky, almost frantic, and it’s not until the fabric crumples on the floor that you realise your hands are still trembling. She notices too, her lips twitching into that infuriating half-smile, the one that makes your stomach twist into knots.

“What are you doing?” she asks, her voice soft but edged with something sharper, something that cuts right through you.

“I don’t know,” you admit, and the honesty of it feels like a blow to the chest.

“Don’t stop,” she whispers, and the words make something inside you snap.

You hook your fingers into the waistband of her underwear, dragging them down her thighs in one swift, unceremonious motion. The damp lace clings for a moment before it slides free, pooling at her knees before hitting the floor. You don’t stop to think. There’s no room for hesitation here, no space for the doubt that’s been clawing at you since this started.

Her scent hits you first, heady and intoxicating, and for a moment you freeze, overwhelmed by the sheer weight of it. But then she moves—just slightly, her hips tilting forward in an unspoken plea—and it’s all the permission you need.

You press your mouth to her, your tongue sliding through her folds with a slow, deliberate pressure that pulls a broken sound from her throat. Her taste is sharp, almost sweet, and it floods your senses in a way that makes you dizzy. Her thighs close around your head instinctively, caging you in, and you let out a low, involuntary groan against her skin.

“Fuck—” Her voice is high and breathy, her fingers digging into your scalp now, hard enough to sting. “Don’t stop. Don’t—”

You don’t. You press deeper, your tongue finding the sensitive bundle of nerves at her centre and circling it with a precision you didn’t know you had. She jerks against you, her body arching off the table, and you use the opportunity to slide your hands up her thighs, holding her steady.

The table creaks beneath her, the sound of the wood groaning under her weight mixing with the wet, obscene noises of your mouth against her. It’s filthy and raw, every sense overwhelmed, and you’re not sure if you’re doing this to prove a point or because you can’t bear to stop. Maybe it’s both.

Her head tilts back, exposing the long, elegant line of her throat, and you want to mark it, to leave evidence of this all over her skin, but you can’t pull away. Not when she’s gasping your name, her voice breaking like she can’t quite believe what’s happening.

You slide a finger into her, slow at first, just enough to make her hips stutter against your mouth. She’s tight, impossibly so, and you feel her clench around you as you add a second finger, curling them just right. Her moan is loud, sharp, and it sends a bolt of heat straight through you.

“God, you—” She doesn’t finish the sentence, doesn’t seem capable of forming words anymore, and it sends a twisted sense of satisfaction through you. You focus on her clit again, your tongue moving in quick, precise circles as your fingers work her open, the slick heat of her making it almost too easy.

Her legs tremble around you, and you can feel her getting closer, her breathing turning shallow and erratic. You don’t let up, don’t give her a second to recover, pressing her higher and higher until she breaks with a cry that sounds like your name.

Her whole body shudders, her thighs clamping tight around your head as she rides out her orgasm, and you keep going, drawing it out as long as you can until she’s pushing weakly at your shoulders.

“Enough,” she gasps, her voice wrecked, and you finally pull back, your lips and chin wet with her.

You look up at her, and she’s a mess—her hair sticking to her damp forehead, her chest heaving with every ragged breath. Her eyes meet yours, dark and unreadable, and for a moment neither of you says anything.

Then, slowly, she reaches for you, her hands shaking as she grabs at your jumper and pulls you up to meet her. Her kiss is rough and desperate, her teeth catching on your lower lip, and you realise she’s not done.

Her hands don’t go for your own clothes like you’d expected. Instead, they move to your thighs, her grip firm and commanding, and before you can comprehend what’s happening, she’s lifting you. The sudden change knocks the air out of your lungs, and you gasp, your legs instinctively wrapping around her waist, locking you against her. The motion is seamless, like she’s done this before—or like she’s always known she could.

You try to tell yourself you hate how easy it feels, but you don’t. You can’t.

Your hands find her shoulders, her jaw, her hair—anything to ground yourself, but nothing works. You’re still dizzy, still untethered, even as her lips crash against yours. There’s nothing gentle about it, nothing controlled. Her teeth scrape your bottom lip, her tongue pushes into your mouth like she’s trying to devour you, and you let her because for once you don’t want to think about what comes next.

She’s walking, you realise belatedly, the steady rhythm of her steps making your body rock against hers. It’s disorienting, the way she carries you so easily, like your weight is nothing, like you’re the fragile thing here.

You kiss her harder to prove you’re not, nipping at her lip until she growls low in her throat, a sound that vibrates through you and pulls a small, involuntary moan from your lips. Her hands tighten on you, her fingers digging into the soft flesh of your thighs, and it sends a sharp thrill up your spine.

The hallway blurs around you, the world narrowing until it’s just her—her mouth on yours, her hands gripping you like she’ll never let go, her body impossibly solid against yours.

When she finally kicks the door open and lays you down on the bed, it feels like surrender. Not hers. Yours.

You don’t realise how tightly you’ve been clinging to her until she pulls back, your fingers still knotted in the collar of her shirt. The fabric wrinkles between your hands, and for a moment you just stare at each other, the room charged with something you don’t have the words to name.

Her eyes are dark, searching, but there’s no smugness, no trace of victory there. Instead, there’s something softer, something that makes your chest ache in a way that has nothing to do with lust.

“I’ve got you,” she murmurs, her voice low and steady, and it undoes you more than anything else she’s done tonight.

It’s too much. The weight of her words, the way she says them like a promise, like she means it. Your chest tightens, and you shake your head, your fingers releasing her collar to press against her shoulders, keeping her at a distance.

But she doesn’t let you push her away completely. Her hands slide up your sides, gentle now, her touch a sharp contrast to the bruising grip she had on you moments ago. She’s watching you, waiting, like she knows exactly what’s going through your head.

You hate her for it. You hate her because she’s right.

“I can’t…” Your voice cracks, barely audible, and you don’t even know what you’re trying to say.

She leans in, her forehead resting against yours, her breath warm against your cheek. “You don’t have to,” she says simply, and the honesty in her tone is unbearable.

You want to argue, to fight, to push her away, but your body doesn’t move. You just lay there, your chest heaving, your hands trembling against her. You feel like you’re teetering on the edge of something vast and unknowable, and for the first time in a long time, you’re not sure if you’ll survive the fall.

Because this isn’t about sex anymore.

It’s about her, and the way she looks at you like you’re something worth holding onto. It’s about the way your body feels like it’s breaking apart under the weight of it, like you’re finally being seen for what you are—what you’ve always been.

A liar. A coward. Someone too afraid to let go, too afraid to feel, too afraid to love.

Her lips brush yours again, soft this time, barely there, and you let out a shaky breath. It’s not enough to drown in. Not yet. But it’s close.

“Let me in,” she whispers, and it’s not a command. It’s an offering.

You close your eyes, and for the first time, you don’t resist.

[ssahotchnerr]

hellooo, i hope you’re doing well! would you want to write a fic where at some point aaron steals readers gum out of her mouth? this is such a random thought and i’m so sorry if this sounds weird (now that i’ve written it down and not only thought about it, it seems very weird, sorry!!!!!!), but i kind of feel like this is something he’d do when making out lol and it obviously catches her off guard the first time he does it 😁

according to plan

omg i'm putting a jealous!aaron take on this 🤭 cw; suggestiveness, established relationship, bau!reader, detective being a creep, heavy on the kissing, possessive/jealous!aaron 🦋

aaron's just about had it.

it started out as lingering stares, beginning at your face before sweeping all along your form. next, the insistent eagerness to partner up with you. and now the detective, who's name wasn't worth remembering, was at your backside, itching to get as close to you as he possibly could. any closer, he would have you pressed against the bulletin board in front of the two of you.

you were politely trying to explain the physical, common characteristics between the victims, how unsubs sometimes had a specific type and that's why they chose to acquire them. naturally he had asked you the most stupid, simplest question; just another excuse to speak to you.

all day, aaron had been silently seething, a mere bystander. but as he joined and saw the sight before him, his fists clenched so tightly his fingernails were digging into the palms of his hands. enough was enough.

"do you understand now?" you naively asked, a pleased expression forming on your face when the detective nodded in confirmation. unlike aaron, you had been unaware of his ongoing actions.

"is there any way i can repay you?" he questioned smoothly, his eyes yet again dropping. this time, the attentiveness is drawn to your lips.

"no," you shake your head, your focus already directed on readjusting one of the displayed photos, the gum in your mouth producing a pop. "i'm just glad i could be of some assistance."

it's a bad habit of yours, snapping your gum too loudly. it's hard to not notice it. but fortunately, the brought focus is about to work completely in aaron's favor.

aaron calls your name, tipping his head to the side as a signal for you to come. you abide, leaving the detective right where he is and as a result, he subtly glares at aaron for interrupting his time with you and his advances. aaron steps aside to let you pass, and as soon as you do, he shoots daggers right back.

truthfully, he's extremely lucky that's all aaron did.

you follow him to one of the empty interrogation rooms, a small trek away from everyone else. once inside, aaron swiftly shuts the door behind you.

"what's-"

aaron's lips are on yours before you can finish your sentence, causing you to gasp slightly in surprise, throwing your arms around his neck and instantly kissing him back.

it's all too easy to submit to aaron, allowing him to guide you and push you back against the door. he crowds you against it, his breath hot and heavy in your mouth, his hands exploring every curve of your body and more. every inch of you, is consumed by him.

the kiss is heated, desperate, and in the back of your mind, you distantly wonder why the suddenness - what has gotten into him? but with the pure vigor he's kissing you with, your brain had gone fuzzy; you were too consumed by the kiss to dwell on the potential reason why, or did you care.

aaron's large hands slide down your back, landing on and promptly squeezing your ass - hard. you gasp again, and aaron uses the sudden part of your lips to push his tongue into your mouth, sliding against your own. he can taste it - the flavor of your gum - and it only encourages him further, deepening the kiss.

you can't help let out a small moan, which aaron immediately swallows up from you, mindful of your volume within the current setting. your fingers find the nape of his neck, weaving and gripping onto his hair tight.

the kiss itself is wet and sloppy - all according to plan. and once the mint flavor fully invades his mouth, aaron forces himself to pull away.

and before it becomes impossible not to.

your eyes are wide as you look up at him. your cheeks are flushed, lips swollen from the intensity of the kiss. you let out a breathless laugh, chest heaving up and down. "wow. i..."

you trail off, your tone leading into more or less a question. aaron leans in once more, pressing a gentle, chaste kiss to your lips this time. "just missed you."

you take instant note of the slight, new shift of his jaw, which prompts you to realize something from your mouth is missing.

you gape at him, jaw dropping a bit in astonishment. "wait, did you take my gum?"

aaron's way of a response is opening the door, a small nudge of his head gesturing for you to exit. "after you."

you give him a confused look, yet your eyes are still dark and lined with arousal, before heading back to the others. a deep exhale leaves you as you walk away, an attempt to cool down before facing anyone else.

this time, when the detective's stare returns to you both, aaron's the one loudly snapping the gum.

[seelestars]

caught wearing their clothes ?! (argenti, aventurine, sunday)

a/n : isn’t it kinda funny all 3 of them have boss forms? (´-ω-`) we don’t talk abt the way argentis part is the shortest </3

argenti

it was a nice afternoon, perfect for going out with loved ones. though, even with such lovely weather, you felt bored to death waiting for argenti. so naturally, you would search for ways to cure your boredom while waiting for argenti’s return.

that’s how you got yourself in your current situation—getting caught wearing a spare set of argenti’s usual armor as he returned.

“you look absolutely stunning in my outfit, dearest.” his soft voice startled you, causing you to freeze and immediately turn towards him. your face was practically the color of his hair, as you had never meant for him to see you like this.

“a-argenti! back so early?” you let out a nervous laugh, averting your gaze out of the embarrassment you were feeling.

“is something the matter, dearest? why so nervous? afraid I might scold you for wearing my clothes?” your embarrassment and nervousness seems to elicit a hearty chuckle out of him as he takes a few steps closer to you, extending a rose towards you. “if it’s that you’re worried about—then fear not—as I believe your beauty could rival even the goddess idrila no matter what you wear.” argenti smiles as he softly reassured you.

his words only served to make you flush further, his flattering compliments making your heart race faster. “…you really think so?” originally, you were quite worried about what he’d think if he saw you in this state. but with such kind demeanor and reassurance, how could anyone resist having an ego boost?

“of course, there is no need for me to lie to you.” argenti’s smile widens as he decides to insert the rose behind your ear. “though, I do believe the attire I would love seeing you in the most is attire fit for our wedding one day.”

aventurine

this was your lucky moment! aventurine was currently out attending an ipc meeting, which meant you were left all alone. being left alone gave you many opportunities—specifically an opportunity to borrow his spare clothes and have some fun with it.

as you looked yourself over in the mirror, you had to admit you looked nice in aventurine’s usual clothes. you even chose to take a pair of his glasses and one of his hats to fully immerse yourself in the experience! his outfit was quite flamboyant and was definitely flashy, usually catching the attention of many.

wearing his outfit made some mischievous ideas slowly start to come to life as you made the choice of mocking him in his clothes.

“I always win in my gambles, so naturally I’ll bet my entire bank account! i’m just a stupid, careless, mindless gambler—“ suddenly, you were cut off by the sound of the door opening as aventurine stands there in the doorway, arms crossed with an amused smirk on his lips as he leans against the doorframe.

“hmm… so this is how you choose to kill time while i’m away, huh?” aventurine laughs as he approaches you, observing the way you looked in his clothes. “i have to say, you look quite good like this. I’m surprised you’re bold enough to rock a little window like me, though~” he narrows his eyes, glancing at you playfully as his words made your cheeks flush.

“even your little impression of me was fun to witness. but, it says a lot about you as a person, doesn’t it? if I’m a stupid, careless, mindless gambler, then what does that make you for being attracted to me?” aventurine teases, making your jaw drop as you find yourself scrambling for a response.

“don’t get ahead of yourself now. i’m certainly not attracted to you.” you retort, despite the fact that the both of you knew very well that your words were a blatant lie.

“oho? is that how it is? then let’s see just how much you’re ‘not attracted to me’ once I start doing this…” aventurine’s chuckle sends a shiver down your spine as he begins to lean closer to your lips, his hand making its way down to your hips.

sunday

you had some time before sunday arrived home, and coincidentally, you spotted spare pairs of sunday’s usual attire as you were searching for something to occupy yourself with.

unfortunately, you weren’t a halovian like sunday. so after you had finished putting on his clothes, you had to find a way to improvise when it came to his wings and halo. messily, you began to draw outlines for his wings and halo on some paper. you then colored them in, planning to cut them out and find a way to use them.

just as you were about to tape the paper wings behind your ears, you heard sunday’s voice as he stepped into the house.

you tried to clean everything up and change, but it was too late. you had already been caught.

“ah? is this what I think it is? is the love of my life trying to impersonate me?” sunday jokes light-heartedly, his pleasant laugh filling your ears as you look away shyly. “you even went so far as to make a fake pair of wings and halo… you’re very dedicated if I do say so myself.” he smiles softly as he takes a few steps closer to you, humming as he admired you.

“this was a dumb idea… you’re still the one that looks the best when wearing these clothes.” you laugh awkwardly, a sheepish look in your eyes as he admires you. his attention being completely directed on you at a moment like this seemed to be the most embarrassing possible timing.

“no need to be so embarrassed about all of this, my love. I don’t mind this at all.” sunday shakes his head, hoping his words will reassure you as he lightly pats your head. “in fact, I’d say you look just about ready to replace me as the head of the oak family.” he lets out an amused chuckle at the idea, his mind already painting an image of you leading the family like he currently did.

“then… what would I be missing?” a sigh of relief escapes you at his reassurance before you decided to reply with a more light-hearted tone.

“firstly, you’ll need to learn the proper etiquette, my love. mm.. but I suspect with someone as capable as you, it won’t be hard teaching you how to replace me.” sunday gazes at you with a look filled with fondness. “but at the end of the day, I like you best when you’re being yourself. so there is no need to delve into topics that involve becoming like me or someone else.”

[verdantlights]

Round 7 Final thoughts/Analysis

First of all, Blink Gone is a banger but we knew that already.

Second,

Till is and also is not dead. Till was used as a pawn for the segyein for entertainment. Keep in mind this is Season 50. 50 seasons of Alien Stage, and you think they wouldn't go off without a hitch? Till was used to lure Hyuna and Mizi back. Hyuna is worth a lot and Mizi escaped live on stage. Think of the Quarter Quells in The Hunger Games. Do you really think... they wouldn't make Season 50 special? Especially since Luka won S49. It was always rigged in Luka's favor. Or is it? (hey, vsauce here-)

Now. Till was EXTREMELY drugged up. He may have had his fighting spirit back, but he was definitely 'roided up by the aliens for the plan. The Finals were rigged in Luka's favor, it was all rigged in Luka's favor. Those drugs in Tills system, for all we know, can be keeping him alive. There is a good chance they don't want Till dead and that they're only faking his death for the sake of the... "special guests."

It might have been rigged in Luka's favor, but there's a good chance he might not be getting out of this safe, sane, or even alive. He may have captured the hearts of the segyein in Season 49, but he is still a human pet. He is still expendable for the sake of entertainment. None of us character stans, Luka stans, are off the hook. ALNST is not over.

EDIT: I would also like to point out that Luka was probably also on drugs. He was in hysterics pretty much the whole time. Luka is trapped in this cycle and is a pet, just like Till.

As for those "special guests," Mizi and Hyuna: there can be multiple ways this plays out, either Mizi goes against Hyuna, or Hyuna goes against Luka. We already had Mizi v Luka, so they wouldn't do that again.

As for the song itself, I picked up a few lyrics:

Luka: "Before this piercing, radiant moment fades away"

"Piercing, radiant moment" referring to Till and/or Hyuna being injured.

Luka: "Neither today nor tomorrow, exist for me"

"Exist for me" is a reference to Ivan's thought process in why he chose to die in round 6

Till (i think): "Blink and gone, relish the present"

"Relish the present" as in Till needs to live in the moment to survive, rather than to win. He is on adrenaline, drugs, and survival instinct.

Till: "Clear your mind, leave the burdens behind"

A reference to himself that he... basically needs to lock in.

Luka: "The dark crimson air embraces us, lifting our spirits"

Ivan reference, specifically Luka imitating Ivan

Till: "And the fiery thrill blazes out to the sky"

Ivantill meteor shower reference

Now as for the meaning of the song itself, that could be multiple things:

Till realizing too late about Ivan's feelings and that he was wrong about his image of Ivan, "And in a blink, gone."

Till's life, "And in a blink, gone." (which is why i say he's dead and also not dead. He very well could be dead and just be brought back to life like the Sualive and Alivan theories)

Luka's ability to mimic others

Hyunamizi also realizing too late that they might have been set up

I think the flashbacks to round 6 are pretty obvious in what they mean and what was intended for it to mean/symbolize, so I'll spare it.

OH YEAH and speaking of the alivan and sualive theories, those are a LOT MORE LIKELY after this. Because what was the point of Till's death... after round 6? Would they (Vivinos, not the aliens) kill Till off after what happened in round 6? Death is too easy. Death is mercy. Yes I wish mercy upon Till, but there are better ways to show him mercy with what we have without him dying. That being said, if he is actually dead. Like dead, dead, (i will kms) then at least he died where Mizi was the last thing he saw.

Mizi was the last thing he saw.

We might have been wrong about Till only loving the "image" of Mizi, but then again, maybe not. Again, Till immediately lit up at the sight of Mizi, recognizing her instantly. It gave him the motivation to continue, he didn't notice of care how different, traumatized, and worn down she looked. He only saw her. Maybe it wasn't her image he was fond of. Maybe he really did love her. But maybe he was also grasping at straws to survive and continue on. Maybe he thought he had a chance. Cause Mizi was also grasping at straws. As we saw in the flashback with Mizitill, they were definitely friends. Mizi might only see Till as a friend, but now both would only have each other left, plus Hyuna and the resistance. Mizi might not give Till a romantic chance, but they can be there for each other because they both understand what the other went through.

Also Issac and Dewey better pull through I swear to fucking god. WHY WERE THEY NOT THERE. If you saw my bingo card, I marked off Dewssac appearance, I thought I saw them, but I was seeing shit so ignore that.

Personal note: I was really. REALLY overwhelmed leading up to this. I lost a lot of sleep over the past 48 hours due to anxiety over this and I'm glad that it finally happened. I'm a lot better now that my anxiety and nausea is gone and even if I'm extremely... scared... for Till... I'm still hopeful that he's alive, and that sualive and alivan are real. Maybe I am delusional, but I mean, I enjoy the Actor AU a bit too much... so...

That's all, I think. I might have more later after I stew on this a bit more.

@pwippy @starry-skiez @bluemoonscape @ivanttakethis @tsukacchako @shakingparadigm @rosedeleca @crustyfloor @k9punkout @junebluues god i cant think straight im sorry if youre not tagged and wanted to be im like gen tweaking tbh

[lubrumalis]

ghost character analysis

tw: spoilers from ghost mw2 comics, nsfw, dead dove do not eat, mature content.

this is pretty much a part 2 to ghost headcanons except with more lore and analysis (im still not sure if reboot ghost has the same backstory as the og ghost).

ghost is not a cold, calculated, ruthless man. maybe in a separate au or something, but theres a huge difference between ghost and simon riley. in fact, we need to understand that the reason he even chose ghost as a new name for himself is because of all that's happened to him. his family got killed, he got tortured by roba, and had to eliminate many men on his own. before that he was simon, not ghost. in the comic he literally calls the child hostages he was saving ‘sweetheart’ and ‘love’. hes not that mean and cold yall

we know that PTSD does shit to it's victims, ghost lost his entire family and had no one. think of it as a coping mechanism to have a new name to be known as.

ghost is a ruthless killer. simon is just some guy.

ghost sets himself to an incredibly high standard of discipline. i think it's intuitive that military boys will need to be punctual and organized to some degree, but ghost takes this to a whole other level. considering his father's abusive behavior (explained by his disturbing statements said to simon, is a drug addict, and beats simons mom) his home life was likely chaotic as a child.

in the mw2: ghost comic (issue #3) it specifically stated the following: "discipline, precision, control. these are what riley built his whole life on. break those down and the dark stuff begins to ooze out..." again, this is probably a form of trauma response to his childhood.

so what does this lead to? well firstly, this probably means his room is incredibly tidy and organized (monotone design i know :,c).

would never in his life touch drugs. this is a promise he made to himself.

also kinda proves that ghost aint a reckless guy. he thinks things through before doing it.

ghost isn’t that hypersexual. theres no way of knowing his history with women, but i like to think ghost is not that horny 24/7 and needs a fuckbuddy. in the mw2 comic, he was on a mission and was in an area full of prostitutes (wasn’t actively on duty, but on his way) when they tried to hit on him he politely rejects one of them, and later tells them to fuck off😀 so yea contrary to popular belief i dont think he really enjoys one night stands or the idea of being entertained by random women. in fact, i hc he might actually be a virgin or just have a really low body count.

ghost is a feminist!😁 (misandrist too). ok let me reword that, ghost doesnt like men and respects women. one of the reasons why he doesn’t want to be around prostitutes and do one night stands (his father killed a hooker in front of him, very traumatic) is because he thinks the concept of quick, casual sex is not good for society and dilutes the value of meaningful relationships. but also, remember the discipline, precision, control thing? its apart of his principle. but also, in the comic, sparks (soldier he worked with) knocked out and attempted to rape a woman, ghosts literally looked disgusted and called the police (also why he’d never do that himself, i dont get the hcs that say he does). ghosts seen how his dad treated his mom and absolutely hates abusers. anyways onto misandry—i think ghost internally thinks men are violent and disgusting (ghosts would choose the bear over the man, even though hes a man) mainly because throughout his military career majority of the bad stuff hes seen was done by men, so hes much more relaxed in a room of women vs man. ghost thinks his dad is the epitome of pure evil (canon! he said this to his therapist). this doesn’t mean hes scared or hates all men tho!

ghost isn’t close with tf141… including soap. now before you attack me let me explain. sure, he trusts them to some degree, but i dont think they naturally just hangout when they’re not deployed. in the end we need to understand they are SAS soldiers, they are working a real job that mainly consists of them shooting and dismantling others. considering ghosts betrayal in the past (in the comic, a few soldiers ghost previously worked with killed his entire family 😢) he isn’t gonna just trust his teammates because theyre his teammates. im also pretty sure they all live in different cities while not deployed. tf141 probably all want to separate their job from their personal lives, which includes each other. but onto soap, i dont think him and ghost have a deep brotherly relationship. but i think they care about each other, but exchanging some dad jokes and bantering doesn’t mean they’re suddenly soulmates or brothers. think about it… you and you’re co worker joke around sometimes, never hangout outside of work, and now people are shipping you and calling the two of you besties. makes no sense.

ghost is extremely patriotic. in the comic (i reference this way too much but theres SOOO MUCH LORE i recommend reading it) ghost tells his teammates the reason for joining the military: queen and country, right after 9/11. he also said “the world has changed”. interestingly enough army enlistment did actually skyrocketed after 9/11 attacks, ghost was among them. he probably thought ww3 was about to happen, or that ‘theres no more peace’ or whatever. i hc being obsessed with soccer too lmao and getting mad if english teams dont win. also his playful banter with johnny “get us a tea?”. probably very proud of his british heritage.

ghost doesn’t have much friends. hes a really, reallyyyyy lonely guy. i hc him as an introvert in the first place, but trust issues make this worse. in the comic, he was literally in the newspaper for killing his family and then killing himself (he didnt, he was framed that way tho) so its likely most of his formers friends probably think hes dead. ghost likely got some sort of amnesty or exemption from the military after knowing he didn’t actually kill his family, but whats in the news stays true to the public. even if he does have friends he probably doesn’t share feelings with them or form a long term bond.

ghost is extremely cynical. this is obvious tbh, but i think ghost believes hes going to die in the middle of a battlefield, shot or stabbed, a painful death, body left to rot for weeks, and no one to remember him. just like that. and he accepts that fact too.

ghost isn’t a picky eater. growing up in an abusive household where his parents couldn’t hold a stable job, he had to eat what there was. some days he settles for cheap beans and toast and when people call him out for it, he tells em to fuck off😀

ghost is emotionally fucked up, probably kind of depressed. i mean this guys been through hell: got sa’d, buried alive, had to dig through underground dirt and worms with a jawbone, tortured in horrible ways, had his entire family killed, abusive dad, and the weight of his grey morales because he killed lots of people as a soldier. wow! would you look at that list, itd be more strange if he wasn’t emotionally fucked up after was has happened😅. even when tortured, seeing his family dead, ghost was never shown to have cried in the comic. i hc hes emotionally numb. however, i do think hes emotionally MATURE and able to communicate his emotions, but hes still emotionally fucked. for example a scene where he was talking about his experience with roba (guy who tortured ghost) and ghosts father to a therapist. i think ghosts may be traumatized, but this doesn’t stop him from attempting to get help and communicating how he feels and thinks about this world.

ghost wears a mask... not because hes insecure and traumatized it's to separate ghost from simon riley. first of all he learned the consequences of revealing your identity during deployment, in the comic, he reveals his face in missions before his family got killed. i think he wears a mask because 1) its practical, no one knows who he is, 2) an analogy for himself to remind him simon riley, his original identity, was dead the moment his family was murdered, this SAS soldier with a skull mask is GHOST (yes this is canon, ghost references in the comic!).

in issue #1 while some kids were being held hostage, he starts telling his life story to them to calm them down/distract them from the bad situation. this is his explanation to why he wears a skull mask, word by word: "I bet you're wondering why I wear these bones on my face. It's a tribute to an old friend of mine. He's dead now, but man if he wasn't the baddest motherfucker on the planet."

in issue #6, when ghost was trekking through a jungle in the middle of nowhere attempting to kill roba (a drug lord that started this all, brainwashed soldiers to kill ghosts family), he was never caught. ghost himself, the narrator, says that "even for a single man to get through the jungle, the patrols, the wall, the security... well that man would have to be a ghost."

however, im still a little confused whether or not reboot ghost and 2009 have the same backstories. reboot ghosts mask is more realistic and his look is much more intimidating, his reason for wearing that kind of mask is probably psychological warfare (getting milena the financier to speak up about makarov). i think 2009 ghosts reason to wearing a mask is more personal compared to reboot.

BUT WHAT ABOUT AN S/O???

i think ghost is the guy to not have one in the first place. obviously. but i lowkey think if he had one and really liked them, he would commit. in fact i find it hard to imagine hes a player or isn’t serious about relationships. when his brother tommy got addicted to drugs and fucked up his life, simon quit the military until tommy got 100% better and married. yup. he stayed to help him recover, for years. thats how loving and committed this man is🥹🥹.

ghost would not cheat on his s/o. i can't stress how important this hc is, because it's so out of character for him to do so. sure, guys in the military statistically have higher divorce rates, incidences of infidelity, and much more red flag stuff, but knowing what happened to him, he would never do that. doesn't matter how stressed, lonely, sexually frustrated this man is; he would not cheat on his partner. this guy has been through far more stressful situations and got through it, you think hes gonna cheat because hes stressed because of work?

its not sunshine and rainbows or absolute toxicity being with him. it's not really a mix of both either. ghost isn't that princess treatment, super squishy and cuddly, sweet guy who likes fluffy stuff. he definitely isn't the toxic guy who leaves you with mixed signals either.

hes quite the gentleman when it comes to approaching relationships, hes seen how his dad treated his mom, and ghost wants to do the exact opposite. i believe ghost likes to use the traditional courting methods when dating someone: gifting flowers, paying for dates, holding the door open (ladies first typa guy!!), the old fashioned stuff. idk if i should point it out again but this guy DOES NOT FW modern dating practices, he wouldn't download dating apps, or start 'talking stages'. i dont think he would write love letters just because hes not very good at writing poetry or expressing his feelings in the first place.

theres still downsides to being with him. the long distance, the time being apart (months and months). but i dont think he'd go as far as being emotionally avoidant.

also something really random ive noticed is that 2009 and reboot ghost are very different, personality wise. i like to think that 2009 ghost represents simon riley much better, but the reboot ghost actually gives the essence and character of what a 'ghost' in the military is.

more random headcanons:

simon prefers dogs over cats because dogs are loyal and stay with you until the end (stereotypically)

hates snakes and spiders

probably wouldn’t do 50/50 on dates, he pays!

avoids saying manchester slang when deployed

drinks and smokes. not always. he’s disciplined but he still does that stuff.. hes a british guy in his 30s whos kinda depressed, grew up with adults around him smoking 24/7, whatd you think😀😀 (its canon that most of tf141 smoke anyway)

listens to 80’s rock music. its canon that his mom enjoys the band siouxsie and the banshees :)), he probs does too

shaves his beard

is actually confident hes not bad looking. dude, hes 6’2, in shape with a jawline🙄

i don't enjoy hcs of ghost being the scariest out of tf141 (appearance wise yes). but soap seems much more scary imo, he was the youngest guy to pass SAS selections in the history of the UK military, and was nicknamed soap because of fast and good he is at cleaning up 'messes' (basically killing people).

id arguably say ghost is the most compassionate out of 141, if we're talking about the OG 2009 one.

[poppitron360]

Thinking about names having power in the Riordanverse- because it’s exactly the kind of literature motif that I LOVE.

Thinking about “Leo” being short for “Leonidas” who was a Spartan King who sacrificed his life fighting to save his people in the Battle of Thermopylae.

Leo, similarly, gave his own life to stop Gaea and save the world.

That comparison has already been made before, but there’s more-

Leo rejects the name “Leonidas” and chooses to go by “Leo”- in a way, rejecting the fate he’s assigned to. And he doesn’t suffer that fate in the end. He lives.

Yeah, names have power. But what you choose to name yourself has even more power. For example, the fact that Thalia rejected the last name “Grace” because it associated her with her mother, but then taking it back up again when she found out Jason was alive. And Leo chose to not go by “Leonidas” and he also chose to take the physician’s cure and come back.

And here we get onto what Calypso’s doing. By calling him something that he asked to not be called, she is taking away that agency of choice. She is taking away that power.

It’s a small moment, but it REALLY bugs me. Because, like Leo, I go by a shortened version of a longer name, and often one of the ways bullies used to hold power over me was by calling me by my full name repeatedly, even after I asked them to stop. It’s also a way a lot of transphobes hold power over trans people- by deadnaming. By taking away the power of their name, their choice, their identity, who they are, who they’ve built themselves to be, and their right to control all of that.

Now, I’m NOT saying Calypso is going as far as deadnaming Leo, but it’s a similar premise. It’s a manipulation tactic used to knock people down.

Now friendly nicknames -e.g. “Seaweed Brain”- are different, because Percy consents to it. It’s a term of affection between them (and notice how it’s different when Thalia used it. It’s a name that symbolises percabeth’s love, and it’s a name only Annabeth can use). But this is a name, while said in a jokey, banter-y manner, that Leo has SPECIFICALLY ASKED to not be called. And she does it anyway, ignoring the boundary he’s set, ignoring his choice to shape his own identity, ignoring everything that symbolised INCLUDING the fact that it’s literally Leo saying “I choose life” by rejecting the name that fated him to death. It’s just a big red flag for me. And if you put that on top of the fact that she also physically hurt him in this (enough to make him say “ow”) then you just get a whole host of Reasons Why This is NOT Leo’s “Happy Ending”- which the narrative paints it out to be.

[felassan]

Cliff notes on the new info on Dragon Age: The Veilguard in today’s issue of Game Informer (magazine hub link):

Edit/update: I tidied up this post. ^^

---

In CC you can customize things like shoulder width, chest size, glute size, hip width, how bloodshot your eyes are, nose crookedness, and more

There are hundreds of sliders for body proportions

CC detail: “Features like skin hue, tone, melanin”

There is nudity in DA:TV, “which I learned firsthand while customizing my Rook” in CC

Rook’s backstory also affects “reputation standing”, along with the other previously-known things like in-game dialogue etc

Lords of Fortune are pirate-themed, “piratic”

Rook ascends because of competency, not because of a magical McGuffin, contrasting with the 'destiny-has-chosen you’ angle DA:I has for the Inquisitor

Rook is here because they chose to be, “and that speaks to the kind of character that we’ve built. Someone needs to stop this, and Rook says, ‘I guess that’s me'”

The 4 voices we can choose for Rook each have a pitch shifter in CC

The game starts inside the bar (as previously detailed in other coverage)

In some dialogue wheels there is a “romantically inclined ‘emotional’ response” option. These are the replies that will build relationships with characters, romantic and platonic alike, but you can ignore them if you want to. Giving a companion the cold shoulder might nudge them into another companion’s embrace however

Bellara’s surname is Lutara

In the streets of Minrathous (in the opening segment of the game), there is a wide, winding pathway with a pub which has a dozen NPCs in it (is this The Swan tavern?)

The devs used the DA:TV CC to make each in-world NPC, except for specific characters like companions

There is smart use of verticality, scaling and wayfinding in the gameplay

If you play as e.g. a qunari Rook, the camera adjusts to ensure larger characters like them loom over those below. The camera also adjusts appropriately for dwarves to demonstrate their smaller stature

Neve Gallus is described as being capable

The Venatori Cultists we fight in the opening segment of the game are seizing the chaos caused by the demons unleashed by Solas’ ritual to try and take the opportunity to take over the city

As you traverse deeper and deeper into Solas’ hideout, more of his murals appear on the walls, and things 'get more elven'. Rhodes says “this is because you’re symbolically going back in time, as Minrathous is a city built by mages on the bones of what was originally the home of the elves”

At the heart of Solas’ hideout is his personal eluvian

Demons are fully redesigned in this game, on their original premise as creatures of feeling that live and die off the emotions around them. “As such, they are just a floating nervous system, pushed into this world from the Fade, rapidly assembled into bodies out of whatever scraps they find”

In the opening, we stop Solas’ ritual and save the world. “For now” anyways. Rook passes out moments later and wakes up in a dream-like landscape to the voice of Solas. He explains that a few drops of Rook’s blood interacted with the ritual, connecting them to the Fade forever. (I guess this is why they said in the Discord Q&A on June 14th that Rook has good reasons to want to avoid blood magic)

He also says that he was attempting to move Elgar’nan and Ghilan’nain (confirming who the two Evil Gods are) to a new prison, because the one he had previously constructed was failing. Unfortunately, Solas is trapped in the Fade by our doing, and the two gods are now free. “It’s up to Rook to stop them”, thus setting the stage for our adventure

Rook wakes up after this with Harding and Neve “in the lair of the Dread Wolf himself”, a special magical realm in the Fade called The Lighthouse. It’s a towering structure centered amongst various floating islands. This is where the team bonds, grows, and prepares for its adventures. It becomes more functional and homier as you do. “Already, though, it’s a beautifully distraught headquarters for the Veilguard, although they aren’t quite referring to themselves as that just yet”.

Because it was Solas’ home base, it's gaudy, with his fresco murals adorning various walls, greenery hanging from above, and hues of purple and touches of gold everywhere. Since it’s in the Fade, which is a realm of dreams that responds to your world state and emotion, the Lighthouse “reflects the chaos and disrepair of the Thedas you were in moments ago”

Clock symbols over dialogue icons signal optional dialogue options

At this point you can head over to Neve, engage in dialogue, and try and flirt with her

There is a dining hall in the Lighthouse. A plate, cutlery and a drinking chalice are at the end of a massive table. Matt Rhodes says that this is a funny and sad look at Solas’ isolated existence, and an example of the detail BioWare’s art team has put into DA:TV. “It’s like when you go to a friend’s house and see their bedroom for the first time; you get to learn more about them”

There is also a library, which is the central area of the The Lighthouse. It’s here that the party will often regroup and prepare for what’s next

The team decides that it must reach the ritual site back in Arlathan Forest. Corinne Busche said that the writer was "missing unique dialogue options here because I’m qunari; an elf would have more to say about the Fade due to their connection to it. The same goes for my backstory earlier in Minrathous. If I had picked the Shadow Dragons background, Neve would have recognized me immediately, with unique dialogue”

The team decide their next move. They go to Solas’ eluvian and back through to the ritual site in Arlathan Forest. However, it’s not fully functional without Solas, and while it returns them to the Forest, it’s not exactly where they want to go. Then a demon-infested suit of mechanized armor known as a Sentinel attacks them, and two NPCs appear to save you: the Veil Jumpers Strife and Irelin. Harding recognizes them, which you would expect if you read the comic Dragon Age: The Missing. They are experts in ancient elven magic. A cutscene ensues and we learn that Strife and Irelin need help finding Bellara Lutara. This cutscene is long and has multiple dialogue options.

“There’s a heavy emphasis on storytelling and dialogue, and it feels deep and meaty, like a good fantasy novel. BioWare doesn’t shy away from minutes-long cutscenes”

For Rook, this story is about what does it mean to be a leader? We define their leadership style with our choices. “From the sound of it, my team will react to my chosen leadership style in how my relationships play out.” This is demonstrated within the game’s dialogue and a special relationship meter on each character’s companion screen

Bellara is deep within Arlathan Forest, and following the events of the prologue, something is up here. Three rings of massive rocks fly through the air, protecting what appears to be a central fortress. Demon Sentinels plague the surrounding lands.

In gameplay/combat, players complete every swing in real time. Special care was taken in development for animation swing-through and cancelling. We can dash, parry, charge moves, and a completely revamped healing system that allows us to use potions at our discretion by hitting right on the d-pad. You can combo attacks and even ‘bookmark’ combos with a quick dash, which means that you can pause a combo’s status with a dash to safety and continue the rest of the combo afterward

Abilities can be used to customize your kit. They can be used on the fly as long as you account for cooldowns

When you pause and pull up the ability Wheel, it highlights you and your companions’ skills. There you can choose abilities, queue them, target specific enemies, and strategize with synergies and combos

Each character plays the same in that you execute light and heavy attacks with the same buttons, use abilities with the same buttons, and interact with the combo wheel in the same way, regardless of which class you select

Sword and shield warriors can hip-fire or aim their shield and throw it like Captain America

Warriors can parry incoming attacks which can stagger enemies. Rogues have a larger parry window. The mage the writer played couldn’t parry at all. Instead they throw up a shield that blocks incoming attacks automatically, so long as you have the mana to maintain it

On the start/pause screen: it has the map, journal, character sheets, skill tree, and a library for lore information. You can use it to cross-compare equipment and equip new gear for Rook and their companions, build weapon loadouts for quick change-ups mid-combat, and customize you and your party’s abilities and builds via an easy-to-understand skill tree. There aren’t in-depth minutiae, just "real numbers". For example, an unlocked trait might increase damage by 25 percent against armor, but that’s as in-depth as the numbers get. Passive abilities unlock jump attacks and guarantee critical hit opportunities, while abilities add moves like a Wall of Fire to your arsenal if you’re a mage. As you spec out this skill tree, which is 100 percent bespoke to each class, you’ll work closer to unlocking a spec, complete with a unique ultimate ability

“Sentinels and legions of darkspawn”

Combat is flashy and quick, with different types of health bars. Greenish-blue represents a barrier, which is taken down most effectively with ranged attacks

The game is gorgeous, with sprinkles, droplets, and splashes of magic in each attack a mage unleashes

The game looks amazing on consoles both in fidelity and performance modes

The mission to find Bellara is called “In Entropy’s Grasp”. You find her. She is the first companion you recruit (as Neve auto-joins). If your background is Veil Jumper, you get unique dialogue here with Bellara. She explains that everyone there is all trapped in a Veil Bubble, and there’s no way out once you pass through it. Despite the dire situation, she is bubbly, witty, and charming. She is spunky and effervescent

Companions are the faces of their factions, and in this case with Bellara, their entire area of the world. She is our window into Arlathan Forest. She is described as a sweetheart and a nerd for ancient elven artifacts, which is why she’s dressed more like an academic than a combatant. Her special arm gauntlet is useful both for tinkering with her environment and taking down enemies. While Neve uses ice magic and can slow time with a special ability, Bellara specializes in electricity, and she can also use magic to heal you. Her electric magic is effective against Sentinels. “However, without Bellara, we could also equip a rune that converts my ice magic, for a brief duration, into electricity to counter the Sentinels”

If you don’t direct your companions in combat, they are fully independent and will attack on their own

You progress at this point through the Forest, encountering more and more darkspawn. Bellara says that they have never been this far before because the underground Deep Roads, which they usually escape from, aren’t nearby. However, with “blighted” (BLIGHTED!) elven gods roaming the world, and thanks to the Blight’s radiation-like spread, it’s a much bigger threat in DA:TV than any prior DA game

The Forest has elven ruins, dense greenery and disgusting Blight tentacles and pustules

The style of the game is more high fantasy than anything in the series thus far and almost reminiscent of the whimsy of Fable. Matt Rhodes says that this is the result of the game’s newfound dose of magic: “The use of magic has been an evolution as the series has gone on. It’s something we’ve been planning for a while because Solas has been planning all this for a while. In the past, you could hint at cooler magical things in the corner because you couldn’t actually go there, but now we actually can, and it’s fun to showcase that.” The Forest’s whimsy will starkly contrast to the game’s other areas. The devs promise some grim locations and even grimmer story moments because, without that contrast, everything falls flat. Corinne says it’s like a “thread of optimism” pulled through otherworldly chaos ravaging Thedas. At this point in the game, Bellara’s personality is that thread

We can advance our bonds with our companions on their own personal quests and by including them in our party on main quests. Every Relationship Level you rank up, shown on their character sheet, nets you a skill point to spend on them. “The choices you make, what you say to companions, how you help them, and more all matter to their development as characters and party members”. Each companion has access to 5 abilities.

Each companion has issues, problems, and personal quests to complete. “Bellara has her own story arc that runs parallel to and informs the story path you’re on” (They’ve said that all of the companions have this too in previous promo material)

You progress deeper into the forest and Bellara spots a floating fortress and thinks that the artifact needed to destroy the Veil Bubble is in there. To reach it, we must remove the floating rock rings, and Bellara’s unique ability, Tinker, can do just that by interacting with a piece of ancient elven technology nearby. Rook can acquire abilities like Tinker later to complete such tasks in instances where Bellara, for example, isn’t in the party

Bellara has to activate three of these in the Forest to reach the castle. Each one you activate brings forth a bunch of Sentinels, demons, and darkspawn to defeat

You can create Arcane Bombs on enemies. It does high damage after being hit by a heavy attack

It sounds like mage characters can charge heavy attacks on their magical staffs. “then switch to magical daggers in a second loadout accessed with a quick tap of down on the d-pad to unleash some quick attacks”

Some enemies are “Frenzied”, meaning that they hit harder, move faster, and have more health

After a few more combat sections, including against a Frenzied sentinel, we reach the center of the temple. In there is an artifact called the Nadas Dirthalen. Bellara knows that this means “the inevitability of knowledge”. Before we can progress, a darkspawn ogre boss attacks, hitting hard with unblockable, red-coded attacks and a massive shield that you need to take down first. It is weak to fire

After defeating it (it’s a climactic arena fight), Bellara uses a special crystal to power the artifact and remove it from the pedestal, which destroys the Veil Bubble. Then, the Nadas Dirthalen comes alive as an Archive Spirit, but because the crystal used to power it breaks, we learn little about this spirit before it disappears. Bellara thinks that she can fix it (fixing broken stuff is her thing), so the group heads back to the Veil Jumper camp. The writer’s demo then ended.

The design of the game is not open world. The devs describe it as a “hub-and-spoke” design where the needs of the story are served by the level design. A version of DA:I’s Crossroads return (the network of teleporting eluvians) and this is how players will traverse across northern Thedas. “Instead of a connected open world, players will travel from eluvian to eluvian to different stretches of this part of the continent”. e.g. Minrathous, tropical beaches, Arlathan Forest, “to grim and gothic areas and elsewhere”. Some of these areas are large and full of secrets and treasures. Others are smaller and more focused on linear storytelling. Arlathan Forest is an example of this, but it still has optional paths and offshoots to explore for loot, healing potion refreshes, and other things.

Each location has a minimap, though linear levels like In Entropy’s Grasp won’t have the 'fog of war' that disappears as you explore like in some of the game’s bigger locations

The game has the largest number of diverse biomes in DA history

The Thedas of DA:TV “lives in the uncertainty”. “the mystery of its narrative”, “the implications of its lore”

The writer is surprised by BioWare’s command over the notoriously difficult Frostbite engine, and by how much narrative thought the dev team poured into these characters, even for BioWare.

---

[source: the Game Informer pages from Issue 367 - the cover story from June 18th (link), two]

[thebirdsareafterme]

The man who grew up surrounded by motorsports, the son of a legendary driver, who chose to forge his own path in a different category altogether instead of following his father’s footsteps and living under his shadow.

The man who made his F1 debut next to Max Verstappen and scored points at his very first race.

The man who carries on the legacy of Maria de Villota, an iconic female driver and his mentor that taught him single-seater racing, by wearing her star at the back of every helmet.

The man who broke Red Bull’s streak not once but twice during their most dominant era, through the power of sheer willpower and tactical brilliance. Once, in the streets of Singapore, with a strategy that no one else could have pulled off. “It’s on purpose,” he said, as he utilized the bond between him and his ex-teammate to hold off two much faster Mercedes. The second time in Australia, only two weeks after an invasive surgery and barely able to walk onto the podium.

The man who took engineering classes on his own time in order to understand the car better and provide better feedback to his engineers.

The man who uses a colour-coded system to communicate rain levels to his race engineer, memorized with every millimeter of rain correlating to a specific shade.

The man who has brought every team he has ever been at to a higher position in the Constructor’s Championship, and whose teammates speak fondly of every time.

The man who, despite always being considered Ferrari’s “second choice”, is a gracious teammate and speaks respectfully about the man who is set to take his place. “That's why, when I reflected on it, it didn’t hurt me that much. Because in the end it’s not any other driver replacing you, but the best driver in history. And in the end, if one has to replace me, let it be [Lewis],” he says to the media after losing his seat at his dream team.

The man who chose Williams, because he saw their potential for growth and their vision for the future, and chose them over teams who only wanted a temporary solution.

The man who was once described as “more modest and lightly brushed by melancholy”.

The man who is energetic, fun-loving and goofy with his friends inside and out of the paddock.

The man who is strategic in every action, determined to a fault and a natural born competitor.

Happy 30th birthday, Carlos Sainz Jr. We go where you go, now and forever.

[explorevenus]

dirty laundry ♡ re6!leon kennedy x puppy hybrid!reader

nsfw (18+) - minors dni or i will call ur mom. and also the cops

word count: 5.1k

tags/warnings: re6!leon, stubborn/reluctant puppy reader who pretends she hates him, brief chris redfield appearance, forced proximity (kinda), leon pining for u (he wants u to call him daddy btw), hybrid heat cycle shenanigans, thigh riding, dry humping, oral sex (f receiving), fingering (f receiving), no use of y/n

description: leon's had a tough time figuring out his new puppy hybrid roommate... outside of the fact that she's sweet on him, and just won't admit it. lucky for leon, he comes home from a mission to find her airing her dirty laundry.

a/n: this piece was commissioned by my beloved and adored @pupthepokemonenthusiast who is one of MY FAVORITE PEOPLE ON EARTH EVER ?!!!! and i luv yapping w them and that makes collaborating w them such a dream every time....

divider by @cafekitsune !!

my masterlist ♡

my ao3 ♡

fic under the cut, thanks so much for reading and i hope u enjoy ;w;

-venus ♡

Loose gravel crunched beneath Leon's boots, uneven pavement glittering with moisture in the streetlights. It was somewhere between raining and snowing, the wind splattering his rosy cheeks with little drops of condensation, every breath puffing out in a visible cloud, head tilted down at just the right angle to protect the lower half of his bruised face from the cold while still being able to see where he was going.

He didn't have a specific destination in mind, and truth be told, he couldn't really read most of the signage around here anyway-- it was all in Mandarin, and his Mandarin was even less reliable than his Spanish, to put it gently. But he could read what he needed to, at least, enough to find the basics like food, bathrooms, lodging, or hospitals, and more importantly, he could discern the backlit lettering above the shop two doors down; antiques and collectibles. 

That was a phrase he'd familiarized himself with in damn near every language under the sun by now. 

A bell dinged quietly overhead as he stepped into the storefront, grateful that it was even open past 9 o'clock at night. It was only one room and didn't have much space to walk around, but every available surface was stacked to the brim with knick-knacks of all shapes, colors, sizes, and price points under no apparent system of organization. Where some might be overwhelmed or put off by the volume of things to look at, Leon felt his heart skip a beat with excitement. He still had some time to kill before his transport back to the States was due to arrive, and not a single minute of it would be wasted overlooking any potential gems. 

Judging by the horrified stares he was attracting, Leon could imagine he looked fucking insane right now, clothes still splattered with wet, rotting blood and the barrel of his gun practically still smoking in his holster as he towered over a shelf in the back corner, scrutinizing a darling little plush bear in one hand and a set of hand-painted matryoshka dolls in the other like it was the hardest decision he would ever have to make. 

Ultimately, he chose not to decide at all-- money wasn't a factor, so why not buy both? If it weren't for the issue of luggage, he'd just say 'fuck it' and buy out the whole damn store. Unfortunately, helicopters tended to be quite limited in space. 

Self control was a skill Leon used to have mastered, perhaps even too well-- for a long time, every uncomfortable, unsightly, pesky little emotion was pressed down into a condensed cube to be neatly packed away in the very back corners of his brain, boxes upon boxes of dense feelings continuing to pile up and take over more and more space up there until the pressure became too much, the lid blew, and he went off the fucking handle. It wasn't something he was proud of by any means, all those long months blurred into mush through a lens of alcoholism and other reckless behaviors, but what he did try to let himself be proud of was his relative success in making it to the other side. 

That, of course, was a feat he did not accomplish without help, nor would he ever claim to. Chris Redfield was instrumental in his recovery in more ways than one, and at times, without even realizing it. He was a listening ear, a dealer of tough love, a trusted confidant...

...and the reason he had you. 

For obvious reasons, Leon had never gone out of his way to get a pet in his adult life. It just felt irresponsible with the inconsistency and uncertainty of his work situation, even with all the money in the world to spend on trainers and walkers and boarding and... whatever else, but at that point, it would feel less like a pet than an accessory, and Leon didn't have much interest in material. Never saw the need for it. Then one day Chris woke him up in the middle of the night banging on the door to his apartment with a gift he never expected.

"She's a... what?"

"A hybrid. She's a human-canine hybrid, Leon." 

Leon glanced between you and Chris with skepticism in his eyes, only to find the same look peering back at him in you. It was almost kind of funny that he'd have a hard time believing there could be such a thing as a human-canine hybrid, considering all he'd seen in his line of work, a thought that made his shoulders and his expression relax almost instantly. 

You were a real cutie, that was for sure, tucked behind Chris and staring up at Leon through your eyelashes with this grumpy little look on your face, a plush, patchwork bear clutched to your chest. The toy was equally as vibrant and colorful as your clothing, if not a bit worn with time. Your ears were long and droopy, your tail hanging low but swishing side-to-side with cautious interest, and the longer he studied you, the more he became endeared by you. 

"The B.S.A.A. rescued a group of hybrids from an illegal facility a few weeks ago, but finding accommodations for them isn't as simple as it sounds," Chris continued, resting a hand on your shoulder in an apparent move to reassure you. "Long story short, the people who were in charge of that facility aren't too happy about the acquisition, and the hybrids aren't safe at the B.S.A.A. anymore. Would you be willing to shelter her for a while?" 

The firm look in Chris' eyes-- and the fact that he just had to bring this up with you right in front of him-- made it clear he wasn't really asking. No mind, Leon would have done it anyway. It just would have been nice to have had a heads up to rectify the state of the apartment. 

"Yeah, of course," Leon nodded gently, stepping aside to allow you and Chris further into the apartment. "Make yourself at home." He caught the way your head tilted up a bit, as if you were studying the scent in the air, and he supposed it made sense that you likely were.

That was four months ago. And for the past four months, Leon quite enjoyed having you around. You were silly and playful, always bounding around the apartment with a toy clenched between your teeth or lounging in the sunny spots in front of the windows, pawing at him for belly rubs and treats and infinite tug-o-war matches. All that being said, you were equally stubborn, resisting him at every turn like magnetic repulsion, always kicking up a fuss seemingly just for the sake of it.

He wasn't sure. You were tough to read. Not only did some of your canine personality traits make you a bit forgetful and distractible at times, but you were also just terribly inconsistent with your affections, and he wasn't always sure what to make of it. All he knew was that he was determined to win you over in one way or another, and if he was going to do that, he'd have to figure you out first, and so far that was shaping up to be quite the herculean task. At least it seemed you would be here for a while. 

With the way he guarded your little treasures during the flight home, one might assume he was smuggling something, but he just couldn't stomach the thought of coming home without something to present to you. The hardened federal agent was determined to crack a smile out of you on his terms, to get you to admit what you both knew to be true. 

You had a crush on him. A big, fat, embarrassingly all-encompassing crush on him, and you rejected the idea of owning up to it so staunchly that it was turning you into a bit of a brat. That was the one thing he could read about you, and it drove you up the wall. 

He certainly wasn't judging you. It would be an absurd lie to say he didn't have a big, fat, embarrassingly all-encompassing crush on you too-- he'd be insane if he didn't. But the back and forth was far too enjoyable, and Leon was always up for a good natured challenge. 

See, self control was something Leon had worked really, really hard to regain a handle on, and when it came to his drinking and brooding, he certainly had... but when it came to you? Not by a longshot. That being said, he would rather be pouring himself into courting you than pouring himself another bourbon. That's what he used to shut up that little voice in the back of his head that questioned whether or not he was putting too much energy into this, banking too much on it. 

It was innocent, right? It's not like you were a bad influence or whatever. If anything, a lot of nights that he would have spent at the bar were instead being spent at home playing with you. Surely that had to be a net positive, especially considering you would have otherwise been getting poked and prodded at in a lab. 

Stepping back into the apartment for the first time in weeks, Leon hadn't even bothered bringing his duffel bag in with him from the car, the only thing in his arms being the wrinkled paper bag from that antique shop. His own belongings could wait. As soon as he shut and locked the door behind him, stepping out of his shoes, the first thing he noticed was how quiet it was. 

No lively music from the shows you liked to watch, no little bumps or growls from you playing toys, no quiet padding of your feet across the hardwood from you coming to see who was at the door. He glanced at his watch, finding it was only half past nine in the evening, and while you often proclaimed to abide by a healthy bedtime for yourself, you had a habit of napping all day and bouncing off the walls all night. Something was amiss.

Stepping further into the apartment to investigate the scene, Leon peered into the living room. The lights were on, the TV was off, there were a few toys strewn about the couch and the floor, but not a glimpse of the sweet puppy who left them there. Odd. Suspicious. Maybe even staged. 

His lips came together in a whistle meant to grab your attention, knowing your sharp ears would hear it from anywhere in the apartment, even if you were sleeping. When that call garnered no response, he began to wonder if you were mad at him. After all, he was supposed to return almost three days ago, and while Chris had been able to stop by and check on you when he had the time, it just wasn't the same, and you didn't do well with loneliness, and Leon knew that. 

Turning on his heel to head deeper into the apartment, he continued to find you nowhere. Not climbing the countertops in the kitchen, or playing under the dining table, or even reluctantly having a bath. As he reached the end of the short hallway, there were only two doors left to open. 

Leon tried another whistle and called out, "Hey, pup? I'm home!" 

He waited, and listened... and heard nothing. Your bedroom door was closed, and it looked like the light was on in there, judging by the subtle glow spilling out beneath it, but still, no response. 

His bedroom door, however, was cracked open. The overhead light was off but the bedside lamp was on, and his dirty laundry basket was tipped over on the floor. When he stepped forward to turn it upright again, he thought he saw the bedding shuffle out of the corner of his eye. Closer inspection of the bed brought the case of his missing puppy girl drew to a close. Your soft tail was peeking out beneath the edge of the covers, the markings and patterns in your fur being undeniably familiar to him now. 

It was perfect timing, really-- he was just about to tip over into the realm of worrying about your safety, but now he was back to just worrying you were mad at him... and he couldn't help the amused grin that tugged at his expression. 

"Is that a little puppy in daddy's bed?" He asked aloud, his tone taking on a smitten and adoring lilt. Once again, he received no response... at least not verbally. Quietly setting down that paper bag, he stood there and watched with his arms crossed as your tail fluttered to life in response to his tone, the tip silently patting the sheets in a lazy and reluctant little wag that you might have actually gotten away with, if it weren't for the fact that your tail was in plain view. 

He was initially going to try a few more times to get a response out of you, hoping to make sure you were okay and to see if you wanted to talk, but he quickly realized that wasn't going to work with you. You weren't all doom and gloom like he tended to be, you were silly, you were playful, you were fundamentally kind. A lighthearted approach wouldn't work with him, or with most of the people he dealt with on a day-to-day basis, but it would almost certainly work with you. 

"Well," Leon stretched his arms up with a dramatic groan, "Since there's no puppies in the bed..."

And then he playfully toppled over the lump in the bedding, bracing himself on his elbows so as not to actually crush you, of course, music to his ears being the muffled squeal of stubborn discontent that sounded out from beneath the covers.

"Leon!" You whined, arms squirming around beneath him in a desperate flurry of moves to find the edge of the blanket, tugging it down to free your face for some air. Soon enough your head poked out from beneath the covers and your eyes were already narrowed into unamused slits at him. 

But that wasn't really what caught his attention about the look on your face. You were panting for breath, your ears flopped back lazily and your hair an absolute mess, your skin hot to the touch and clammy with sweat. Now his eyes were narrowed at you in suspicion, because you were certainly frustrated, just... not the kind of frustrated he was anticipating, if his suspicions were found to be correct. 

"You look guilty," He commented, brow raised as he took you by the chin and tilted your head this way and that, as though in observation. "Why do you look guilty, puppy?" 

"I'm not," You were quick to defend yourself-- much too quick, in Leon's opinion-- and you stubbornly recoiled back from his hand, continuing to squirm and resist beneath him. "You're squishing me!" 

You planted the palm of your hand dead in the center of his face in an attempt to push him away, the bedding slipping further down in the process to reveal your flushed collarbones and shoulders, both of which were bare. Were you naked? In his bed? 

He took you by the wrists to pin your hands down with ease, staring down at you in scrutiny. "Don't lie to me, sweetheart," He said, tone firm, but not unkind. "You're red as a tomato." 

With a stubborn whine, your ears flattened back against your messy head in what could only be read as shame, and that certainly wasn't what he was going for at all, even with the compromising position he had you in at the moment. It was just meant to tease you, but you looked mortified, and he could only imagine why that might be. 

"Puppy," He softened, letting go of your wrists, one hand taking you by the cheek to gently caress you. "You know I can't help you if you don't tell me what's going on." 

Your mouth fell open and then snapped shut again a time or two, a clear indication that you were tripping over your words in search of the right ones. Finally, you managed, "It's... I-It's hot." 

"Then why are you all bundled up, huh?"

You didn't even really need to admit it at this point, because it was clear as day what was going on here-- after all, Chris had warned him this might happen, that hybrids could have... intense reproductive cycles-- but he also wasn't going to push it if you just wanted to ride it out on your own. He wasn't an expert on this, he didn't know exactly what you needed, and he didn't want to overstep and freak you out.

That being said, the thought that you'd retreated to his bedroom, desperate to surround yourself with his belongings in his absence just to cope with being in heat, was a remarkably good one.

This time you didn't seem to have a retort, still writhing under him and trying to push him off of you, which wasn't new behavior for you, though this time he did take it upon himself to give you some space instead of continuing to mess with you. 

"Alright, alright, relax, daddy's not making fun of you--" 

"You're not my daddy," You interjected stubbornly, but just like always, the rosy, searing blush on your face betrayed how you really felt about the topic, even as you added, "Stop trying to make me call you that!" 

Leon dearly and sincerely adored you, that much was to be sure, but your hard-headedness could run him ragged sometimes, when you'd dig your heels in so hard about things that seemed so innocuous. Whether or not you should be expected to call him daddy-- which he regularly enjoyed teasing you about but would never legitimately force you to do-- didn't feel like the biggest issue at hand here. Not by a mile. 

How was he supposed to focus on that when you were just... burning up? Panting for breath and shaking and whining? Oh dear God, this wasn't good, and for as much effort as he was putting into focusing on your wellbeing, it was becoming increasingly difficult not to focus on the way his pants were beginning to feel uncomfortably cozy in the front. He brought one hand down between you to adjust himself only to find he'd unintentionally solicited a faint, but distinctly needy moan from you in the process, presumably because you'd touched you somewhere he hadn't necessarily meant to. 

"G-Go away, Leon," You insisted, eyes screwed shut as you turned your head to the side and maintained that stubborn frown he knew so well on you. "Get off of me!" 

But your tail was wagging in an absolute blur, thumping mindlessly against the damp sheets and knocking in between his knees at an intensity that was impossible to miss. Leon's eyes narrowed and he bared his teeth in an intrigued grin before finally sitting back on his haunches, still straddling you, but at least freeing your upper half. 

"Leon, quit--" 

You poor dear, you were so, so close to finishing that sentence, if only it weren't for the way Leon swung one leg between your own, driving his knee right up to the apex until you felt the muted pressure lavish your clit. Whatever you were about to say fizzled out on your tongue and instead popped out in a string of whimpers, your back arching up off the bed. The movement caused the bedding to slip down just a little bit further, confirming his suspicion that you were in fact naked, at least from the waist up.

Taking the soft globe of your breast into the palm of his hand, Leon let his thumb brush over your already pebbled nipple and asked lowly, "Oh, c'mon, pretty puppy... you're totally sure you don't want daddy's help? I think you're just being fussy..."

Your chest rumbled with a little growl, but it was more of a moan than that, and the fiery glare on your face was the perfect image of it. You were pissed, and quite frankly, it was a good look on you. Maybe even one of his favorites. Suddenly you were baring your teeth at him too, just pretending it was in the opposite way. You were such an open book to him. 

"You're being mean," Huffed the stubborn little puppy, but of course, Leon could be meaner. 

So he was. Leon snatched the covers off the bed in one quick swipe, and what was revealed to him beneath had to have been a thousand times better than anything he might have expected. You were naked, yes, but tangled between your legs was a pair of his sweatpants, undoubtedly retrieved from the depths of the overturned laundry basket, the grey cotton soaked through in patches with slick all over the crotch and thighs. 

Fucking Christ, you weren't just getting off to the thought of him, but also the scent of him, the feeling of his clothes on your skin, and presumably, an idea not unlike what he was already teasing you with; letting you rub one out on his thigh. 

Squishing your cheeks in one hand, he said firmly, "Look at me. Do you honestly feel like I'm being mean to you?" 

There was a pause while you stared at each other, your eyes searching his own skeptically. It didn't really seem he was messing with you, no, in fact he appeared like he really wanted to help you. The back and forth was fun and he enjoyed the little game you'd made out of getting to know each other, but when it came to your comfort and wellbeing, he wasn't interested in being forced to solve puzzles. You couldn't really blame him. 

"N-No," You admitted. 

"Exactly, so just... simmer down, will you?" 

This time Leon didn't give you another chance to tell him to fuck off. He scooped you up at the waist and pulled you to your knees, drawing your body close to his until you were straddling his left thigh. Eyes wide, you stared at him stiffly, like you were too afraid to move. Huffing out a breath, he rolled his eyes with a smirk and gripped your hips, tugging you down until you were finally bearing your weight on him. 

For as fast as your pointed teeth sank into your bottom lip to quiet yourself, it didn't even matter. You still let out a pleasured whine, ears flat against your head and your tail hung low, the tip swishing in a reluctant little wag that patted the outside of his knee with every other beat. 

"You're too precious for your own damn good," He grumbled, thumbs brushing soothing circles into your hips. "Y'know that, pup?"

Breaths falling short, it felt like your head was full of warm mud, teetering for balance on your neck as your upper body tipped forward to grasp at his arms. As expected, Leon caught you effortlessly, steadying you by cupping your face in his hands so he could look you right in your braindead little eyes, your noses almost touching as your tongue lolled out in lazy gasps.

It was obvious he wasn't going to get much more out of you in the way of words at this point, so it was a damn good thing you had that pretty tail knocking about. He figured all that wiggling was the closest he'd get to a literal window into your mind. 

"Go on, then," Leon smoothed your hair away from your sticky forehead, still mindful to hold you upright. His tone was low and, as always, far too sweet for you... but it was so nice, it vibrated down to the base of your spine and made you dizzier. You were just about to fulfill what he was encouraging you to do when he added wryly, "You've already made such a mess, don't get shy on me now." 

A quiet whimper stuttered from your dry throat-- you couldn't sit still anymore, he was being evil and he knew it, downright evil... and you typically would have stuck up your nose at him and brooded on it for a while, but you didn't even have the strength of mind for that at the moment. You hardly even realized you were already rocking your hips back and forth against the clothed meat of his thigh, nails threatening to snap under the pressure as they begged to sink past his shirt and into his muscles. 

It was pleasant, sure, but it wasn't nearly enough, especially not after hours and hours and hours of tossing and turning in his bed, rubbing yourself nearly numb with your fingers and your toys and his pillows and his clothes, aching for something tangible and warm to nurse the pain away. You let your forehead rest against his own for a moment to catch your breath, hoping to find the right angle, but you just weren't getting what you needed, and the frustration alone made your glassy eyes sting with the threat of tears. 

That just wouldn't do. 

"Oh, you really made a mess, didn't you, sweet girl?" Leon cooed sympathetically, shushing your delicate cries. Thumbs skimming over your burning cheeks, he asked quietly and carefully, "Why don't you let daddy lick it up, hm?" 

Your expression scrunched up in a weak pout and your empty little head bobbed up and down in an airy nod, and just as soon as you gave him that go-ahead, he was moving to make it so. You were on your back in seconds, Leon's broad hands spreading your plush thighs apart to make space for himself between them, and for as cool and composed as he was trying to appear right now, he couldn't help the low moan that made it past him just at the sight of you. 

Sure, he'd seen more than enough by now to guess that you were wet, but you weren't just wet, you were dripping all over yourself. It was all he could do to collect as much of you on his tongue as possible, groaning at the taste and dragging you closer by your hips until he was as close as he could get, the tip of his nose buried against the curls at the lowest point of your mound as he lapped you up with abandon.

You were writhing and crying, legs kicking out at the stimulation before drawing back up to dig into his shoulders and pull him further into you, into the mess of you. He'd managed to find it somehow, to become that something tangible and warm and redefine it, unraveling you from the root with a sanguine sense of desperation that was tempered by his undying commitment to treating you like you were made of glass. 

Your tail was curling up tight against the base of your spine, your chest was heaving for breath, you couldn't keep your eyes open anymore, and he hardly could either. 

But he also couldn't stand not to. If you had the capacity to pay attention to small details, you might have noticed his eyes were just as bleary and drunk as yours were. Leon recorded your every movement in his mind like scripture from this angle, his own hips rutting down into the bed while yours bucked into his mouth, and it was only when he found the strength to pull away for air that he found a moment to reorient himself in reality. 

His lips were puffy, rosy, and slick with you as he caught his breath, two fingers toying with your puffy, aching clit in the absence of his tongue. It was almost like muscle memory for him to reach up with his free hand and pat your belly, an affectionate hum ringing from him at the near-immediate reaction it got out of you, even in a state like this. You were squirming and arching beneath him as your quivering body fought to determine priority over the attention brought by either hand, a rather endearing dilemma to have found yourself in. 

"Oh, my poor baby," Leon preened, lavishing the inside of your right thigh with kisses. "You're so cute..." 

Unable to help himself from letting you have the best of both forms of pampering, he replaced the tips of his fingers with his tongue yet again, freeing both hands to pet your soft tummy. The movements were lazy, but sure enough, your tail was going off as fast as it could while you laid there shivering and whining and clawing at him, tumbling over the edge into release before you could come up with a way to warn him first. 

As if he would have cared anyway. A warning wouldn't have changed anything. Hell, it might have even spoiled what turned out to be a dizzying moment of unabashed indulgence for him. 

Gentle, adoring hands kneading delicately at all your favorite spots, Leon willfully deprived himself of oxygen in pursuit of every drop of your syrup as it flowed from you, knowing he would come to regret being wasteful later if this should turn out to be a one-time thing. He lost himself to the throes of hedonism for several drawn out moments until he was confident you were licked clean, until he came to again and realized you had gone completely limp in the wake of your expenditure. 

Rolling over onto his back, Leon spread out just as bonelessly across the bed as you did, the both of you a sorry sight of sweat and heat. He spent several minutes trying to find a way to break the silence. With the haze of lust wearing off a bit and clearing up space in his mind for more intelligent processes, Leon was already beginning to dread the inevitable conversation this would warrant between the two of you.

Lucky for him, that was so far outside of the realm of your current train of thought... or lack thereof. You certainly felt better, but that didn't mean your brain wasn't mud anymore. Little else mattered to your muggy, muddled mind but the here and now. 

In an unexpected move, you rolled onto your side to rest your head against his chest. The way you struggled to meet his eyes was enough for him to know you were likely still struggling to talk, or maybe you just didn't really want to, but the olive branch you'd extended demonstrated your agreeable state, which was more than he could've said for you half an hour ago. 

Shit, half an hour ago he was still hoping a couple presents from his trip would win your affections, yet here he was with the taste of you lingering on his lips, your naked body curled up to him for comfort. 

Wrapping his arm tightly around you until you were tucked up comfortably into his side, Leon rested his chin atop your head and mumbled fondly, "What am I gonna do with you, huh? Can't even sleep in my own bed after a long mission 'cause this pretty little puppy made such a big mess... I hope you know how to work the washing machine."