#now I use lasso fill

[scarapanna]

Oooh lookie!!! The pewpaww!!!!/pos

For a first drawing it looks pretty neat!!

Also regarding the pixel issue, it usually has to do with canvas size like @locosquif said (as smaller ones make brushes look more pixely)

I think another thing is the type of format the picture is saved as, I use ibis paint to draw and files can be downloaded as a png or jpeg over there. The png format does take up more storage but is usually better for artwork (No particle effect) and allows for transparency

Here's a comparison of the two on a smaller canvas than what I usually go for, I hope it helps out!!

This one is not bad, but I usually go for HUGE canvases around 2000 as a minimal size out of habit lmao

My very first drawing :D

Pure Vanilla captured in mind space, i wonder what is going to happen to him there...?

(Could I ask if you now how to draw without pixels? Drawings from other artists look so smooth, while my drawing is uneven and everyone can see pixels :<. Maybe it's the app, or am I just doing smth wrong?) @scarapanna @locosquif @askcrkau @locosquif @obernice

(If obernice reads this, I can speak russian)

[mjhartwork]

dumping valley

[yulless]

nara

[dymeon1]

Another Momoyo design

[goodbirb]

While we're on the topic of art getting my drawing hand injured and being unable to use it normally for half a year actually did a lot for my art LOL

[jamtartandsunshine]

Trying to keep everyone in character and in canon-esk while also filling in massive gaps of time left wide open by episodes is a bit a of a headfuck not gonna lie

[mostlysignssomeportents]

Why I don’t like AI art

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in CHICAGO with PETER SAGAL on Apr 2, and in BLOOMINGTON at MORGENSTERN BOOKS on Apr 4. More tour dates here.

A law professor friend tells me that LLMs have completely transformed the way she relates to grad students and post-docs – for the worse. And no, it's not that they're cheating on their homework or using LLMs to write briefs full of hallucinated cases.

The thing that LLMs have changed in my friend's law school is letters of reference. Historically, students would only ask a prof for a letter of reference if they knew the prof really rated them. Writing a good reference is a ton of work, and that's rather the point: the mere fact that a law prof was willing to write one for you represents a signal about how highly they value you. It's a form of proof of work.

But then came the chatbots and with them, the knowledge that a reference letter could be generated by feeding three bullet points to a chatbot and having it generate five paragraphs of florid nonsense based on those three short sentences. Suddenly, profs were expected to write letters for many, many students – not just the top performers.

Of course, this was also happening at other universities, meaning that when my friend's school opened up for postdocs, they were inundated with letters of reference from profs elsewhere. Naturally, they handled this flood by feeding each letter back into an LLM and asking it to boil it down to three bullet points. No one thinks that these are identical to the three bullet points that were used to generate the letters, but it's close enough, right?

Obviously, this is terrible. At this point, letters of reference might as well consist solely of three bullet-points on letterhead. After all, the entire communicative intent in a chatbot-generated letter is just those three bullets. Everything else is padding, and all it does is dilute the communicative intent of the work. No matter how grammatically correct or even stylistically interesting the AI generated sentences are, they have less communicative freight than the three original bullet points. After all, the AI doesn't know anything about the grad student, so anything it adds to those three bullet points are, by definition, irrelevant to the question of whether they're well suited for a postdoc.

Which brings me to art. As a working artist in his third decade of professional life, I've concluded that the point of art is to take a big, numinous, irreducible feeling that fills the artist's mind, and attempt to infuse that feeling into some artistic vessel – a book, a painting, a song, a dance, a sculpture, etc – in the hopes that this work will cause a loose facsimile of that numinous, irreducible feeling to manifest in someone else's mind.

Art, in other words, is an act of communication – and there you have the problem with AI art. As a writer, when I write a novel, I make tens – if not hundreds – of thousands of tiny decisions that are in service to this business of causing my big, irreducible, numinous feeling to materialize in your mind. Most of those decisions aren't even conscious, but they are definitely decisions, and I don't make them solely on the basis of probabilistic autocomplete. One of my novels may be good and it may be bad, but one thing is definitely is is rich in communicative intent. Every one of those microdecisions is an expression of artistic intent.

Now, I'm not much of a visual artist. I can't draw, though I really enjoy creating collages, which you can see here:

https://www.flickr.com/photos/doctorow/albums/72177720316719208

I can tell you that every time I move a layer, change the color balance, or use the lasso tool to nip a few pixels out of a 19th century editorial cartoon that I'm matting into a modern backdrop, I'm making a communicative decision. The goal isn't "perfection" or "photorealism." I'm not trying to spin around really quick in order to get a look at the stuff behind me in Plato's cave. I am making communicative choices.

What's more: working with that lasso tool on a 10,000 pixel-wide Library of Congress scan of a painting from the cover of Puck magazine or a 15,000 pixel wide scan of Hieronymus Bosch's Garden of Earthly Delights means that I'm touching the smallest individual contours of each brushstroke. This is quite a meditative experience – but it's also quite a communicative one. Tracing the smallest irregularities in a brushstroke definitely materializes a theory of mind for me, in which I can feel the artist reaching out across time to convey something to me via the tiny microdecisions I'm going over with my cursor.

Herein lies the problem with AI art. Just like with a law school letter of reference generated from three bullet points, the prompt given to an AI to produce creative writing or an image is the sum total of the communicative intent infused into the work. The prompter has a big, numinous, irreducible feeling and they want to infuse it into a work in order to materialize versions of that feeling in your mind and mine. When they deliver a single line's worth of description into the prompt box, then – by definition – that's the only part that carries any communicative freight. The AI has taken one sentence's worth of actual communication intended to convey the big, numinous, irreducible feeling and diluted it amongst a thousand brushtrokes or 10,000 words. I think this is what we mean when we say AI art is soul-less and sterile. Like the five paragraphs of nonsense generated from three bullet points from a law prof, the AI is padding out the part that makes this art – the microdecisions intended to convey the big, numinous, irreducible feeling – with a bunch of stuff that has no communicative intent and therefore can't be art.

If my thesis is right, then the more you work with the AI, the more art-like its output becomes. If the AI generates 50 variations from your prompt and you choose one, that's one more microdecision infused into the work. If you re-prompt and re-re-prompt the AI to generate refinements, then each of those prompts is a new payload of microdecisions that the AI can spread out across all the words of pixels, increasing the amount of communicative intent in each one.

Finally: not all art is verbose. Marcel Duchamp's "Fountain" – a urinal signed "R. Mutt" – has very few communicative choices. Duchamp chose the urinal, chose the paint, painted the signature, came up with a title (probably some other choices went into it, too). It's a significant work of art. I know because when I look at it I feel a big, numinous irreducible feeling that Duchamp infused in the work so that I could experience a facsimile of Duchamp's artistic impulse.

There are individual sentences, brushstrokes, single dance-steps that initiate the upload of the creator's numinous, irreducible feeling directly into my brain. It's possible that a single very good prompt could produce text or an image that had artistic meaning. But it's not likely, in just the same way that scribbling three words on a sheet of paper or painting a single brushstroke will produce a meaningful work of art. Most art is somewhat verbose (but not all of it).

So there you have it: the reason I don't like AI art. It's not that AI artists lack for the big, numinous irreducible feelings. I firmly believe we all have those. The problem is that an AI prompt has very little communicative intent and nearly all (but not every) good piece of art has more communicative intent than fits into an AI prompt.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/03/25/communicative-intent/#diluted

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[tofupixel]

uh. aseprite starter tips? i’m kinda lost

Aseprite Tips for Noobs !!

Get the software: Aseprite (the pixel software of all time) Video tutorial:

Aseprite Crash Course in 30 minutes by AdamCYounis If you already have it you can skip ahead to 'the workspace' timestamp in the video.

If you have ever used another art software, Aseprite will be familiar to you but all the keybinds will be messed up. You can go to edit > keyboard shortcuts, search what you're missing and rebind it to whatever you're used to.

Most important keybinds (to me):

Brush: B

Eraser: E

Undo: control + Z

Redo: control + Y

Quick colour picker: hold alt and click

New layer: shift + N

New frame: alt + N

Lasso select: Q

Quick outline: shift + O

Help! I pressed a button by accident and now I don't know how to fix it

These are a couple keybinds that are actually really useful for pros but a pain in the butt if you hit them while you're learning

Put the animation timeline back: tab

Undo snap to grid: shift + S

The window fills my screen and i cant see the pc bar: F11

The tools are gone: ctrl + F (might have to press it 2 times)

I can give some more advanced tips if anyone wants, but I dont want to overwhelm. If youre stuck there is official aseprite documentation where you can search for what you need. Or just ask me. Everything you have could possibly stuck on I have got stuck on it before 20 times.

Direct link to keybinds quick reference (keybinds are life

Take it slow and have fun! It will take a while to get used to everything but the software is amazing! Trust the process!

[kindaasrikal]

Hold onto me if you must, a blade that rusts.

Sorry guys i cant hold back the rant my art posts always have i yap too much

Anyways an alt colour and silly version (and now ANOTHER alt version because I’m indecisive)

They so silly look at them they definitely wont murder each other <3

I spent a time amount of time on it that should’ve felt long but didn’t, i had way too much fun with the fill in lasso tool that made my life easier when i had no idea where to go after the sketch. And how to do the line-art for it, my God the amount of times i suffer when at that phase.

If I’m being perfectly honest, i think this is okay, but i’m not entirely sure if it’s good. Like i feel like it could be sm better. Anyways i just remembered exactly why i did this drawing and its because my amazing mutual @rusted-fairy-wings sent an ask on my birthday to draw possessed Kai and this is the result omg thank you sm for that its like you slapped me with the realisation i’ve never drawn them like this before. I know its not really possessed Kai but i hope it gives the same vibes 😭

Ehehehhe i feel like a cool pro posting a little coloured quote with my art damn

Also i took the rust thing because, you knowwww, Kai was a blacksmith and fire can cause rust. And i think if Morro were to possess Kai, that guy would put in so much effort to ruin himself so Morro wouldn’t and couldn’t use him as a tool. Especially with such a huge loss of control as a man who is so used to being in control with everything he’s been through. But thats why i used ‘hold onto me’ rather than ‘hold me’, because Morro would either gain entertainment from Kai’s suffering, would feel some sort of kinship with Kai due to their similar (yet differing) circumstances, or because he knows how to use Kai in the state he had forced himself into against the ninja.

Okay i’ll stop yapping take this i’ll run away now

Edit: okay im gonna edit and change the colours and positioning for this in the morning so look out for that 😭

Edit: okayyyy ive changed the colours and positioning a bit in a new ver but im scared it looks bad now so i refuse to touch this again anyways

[quaintii]

To be with you is all I want.

Warnings: breeding kink, slight choking, p with plot, fem!reader. Very passionate smut below! A slight spoiler of Atsv. torture, bodily harm, and blood!!! trigger warning !!!

enjoy 💖💖!!

You and Miguel have always been each other's partner in capturing anomaly's. Yet Miguel always suggested that you stay back, away from harm. But you continuously refused his request, you couldn't be inside your apartments, walking around in circles, wondering if he's fine or not. Worry runs through your bloodstream, every second, same goes for Miguel but worse. He worries every second that you'll die because of him.

In the middle of the night, you kept rustling back and forth in your bed, trying to grasp onto something. Someone. You immediately wake up and realize Miguel has gone off to a mission without even warning you about it. You are furious and quickly put on your suit and ask Lyla to find out where he is. You swing your way into a weird, black-noir universe. It looked bleak and darkly cynical. You figured that Miguel was using Spider-Man noir's backup. The atmosphere was so thick, you almost choked as you weren't adjusted to some multiverses. You caught a whiff of smoke and fire.

Your Spidey senses then took the lead and you finally found where Miguel was. You were incredibly furious with him but you couldn't think of that right now. Miguel was fighting Morlum. You've constantly heard slight whispers about him, especially from Miguel. What you can take from what you already know, Morlum has tried hijacking the multiverses and he is seeking to find the spider totems and take control of HQ. You swing your way in but your Spidey senses react too slow to a crashing wall heading your way.

Luckily, you crotch down to avoid it as best as you could. It leaves quite a big injury on you though. Your forearm now has a big open slit trailing down in blood, due to the concrete building. It was a deep cut. When Miguel felt someone else at the scene, he happened to lay eyes on you, he was worried you would severely bleed out. The blood wouldn't stop. His eyebrows furiously furrowed together and he clenched his jaw and tried his best to focus on Morlum. Spider-noir was throwing many walls towards Morlum, trying to crush him to pieces. Mush.

Miguel used his red lasso and webs to tie down Morlum's legs together, causing him to fall down. But Morlum uses his super strength to make the floor below him fall. Ensuring his legs to finally let go. The floor completely crumbles and produces a ton of dust. You wipe your dust off your suit and can seem to see anything. Your hearing is very sensitive so they start ringing as metal scratches at each other due to the collapse. You sense someone near you and before you have time to turn around and web them, they hold your back against their chest.

"Wow, you sure seem like a good piece of bait for me to use!" Morlum says enthusiastically. "You look pretty cute too..too bad I have to kill you." "NO! No, get your fucking hands off her, you fucking shitbag. She's not a part of this, let her go." Miguel yells.

Morlum holds a knife at your throat so suddenly, you shiver with terror, running through your blood. Your flight or fight turns on, and you don't look like you have an option. This man has such a strong hold onto your body, you can't even let alone, move a muscle. "You seem to be quite concerned about this woman, well that puts you to more use!" Morlum chuckles. Miguel's eyes filled with absolute trepidation. His breathing becomes rougher, he begins to hyperventilate. He can't imagine ever losing you, he can't lose another dear loved one again. He can't imagine the pain of two, let alone one. Morlum pushes the knife closer into your skin, carving a light line. Miguel's jaw clenched harder than a rock. He didn't know what to do and he didn't know where spider-noir went.

You were trembling with fear, tears swelled your eyes. You felt like this was all your fault, because you're always so stubborn and never bother to ever listen to Miguel. Your lips quiver as you bite down on your lips, hard enough to draw out blood. You felt like all of this was a dream, you hoped for it to be one. Miguel moved a few inches, trying to grab you out of his grasp. Morlum then threatened to stab you in the liver if Miguel moved any closer. Miguel's body felt like he was being stabbed with thousands of knives. Morlum would make small cuts around your body, some deep, some shallow. Miguel yells "Mierda!" with a hurtful tone, he secretly advises Lyla to send backup immediately. He was too scared to breathe, fearing he could easily lose you in a second. You both stared at each other, a wholeheartedly look within fear hiding behind it. Miguel was trying to reassure you that everything was going to be ok. "Esta bien, mi vida. Te voy a sacar de esto, te lo juro, amor. Amas quedate quieta." Miguel's expression was drowning in helplessness.

"She seems like quite a trophy, Miguel! I can see you do have quite a taste." Morlum licks your cheek and nibbles a bit at your neck. Your huge discomfort grows more and you can't stop crying. Miguel was revolted by this, clenching his knuckles till his blood went cold, white. He felt like his jaw was about to lock and break. "Don't touch her! You keep your repugnant self away from her." Miguel yelled with an immense amount of hatred. Both of your guys' Spidey senses tingle as you feel other Spidermen approaching the situation. They all work collectively to pick up a razor sharp platform, sending it straight towards Morlum's head. Before Morlum could sense what was coming towards him, you immediately tuck your head and his grip on you releases. His head was sliced off clean. Blood guzzling out of his body. Before you could fall weakly on your knees, Miguel runs towards you, carrying you in his arms bridal style. He hugs you so tightly and you both tear up together.

"I thought I almost lost you, amor. I can't ever imagine losing you, ever. You're my everything." Miguel says as he places you grabs ahold of your cheeks, wiping away the blood and tears off of your cheeks. Giving you long, passionate kisses to you. Pecks on your forehead too. The amount of reassurance made you feel more at ease and comfortable.

Miguel continues to carry you in bridal style on the way home. He opens the window to your guys' bedroom and heads to the bathroom. He keeps showering you with a lot of love and reassurance. "Mi amor, te amo, por favor nunca vuelvas a hacer eso. Mi corazón ya mero se murió. Te amo demasiado, princesa. I couldn't bear seeing you being hurt, ever. I love you so, so much." He said while holding your body from behind. You were between his thighs, you laid your head back onto his chest, hearing his heart thump loudly. The bathtub was so warm, you could stay like this with him for hours. You loved Miguel. And he loved you too.

Both of your bodies emit more heat and the warmth calmly engulfs you both. You were both now clean, Miguel got out first and dried himself off. Despite seeing him nude multiple times before, you loved seeing him like that. He then wrapped a bath towel around his lower waist. Then grabs your hand and lets the water drain. He wrapped a towel over your body. Letting you stay warm. Then he dried yours and his hair with the hairdryer. You loved how much he put focus and care into you. You would return the same back too by giving him massages, going out on walks, seeing movies, etc.

Miguel then caught your eyes wandering around his body, he slightly smirked. "Take a picture to look at me for longer, mi vida." Miguel said while sneering. "Porque? Cuando te tengo enfrente de mi, cariño. I can't ever take my eyes off of you, you're so handsome." You say while heading towards him, grabbing the back of his neck and rustling his hair. He then pushed his lips against yours. Unfolding a deep, passionate, needy kiss. Your tongue wrapped with his. The smell of skin filled your nose, your fluttering heart thumped more and more. The soft taste of his plump lips on yours, his warm embrace against your chest as both towels fall on the floor. His gentle hands reaching your body, aching to be touched. His hands roams to your neck and hair, proceeding down to your hips. You then jump onto his chest and he grabs a hold of your hips. You both try not bumping into the door and open it while still kissing.

Your mind was starting to turn dizzy and foggy. He gently placed your chest on top of the bed. Giving you pecks and small bites along your spine, making you shiver. He softly turned you around. Both of your guys' lips magnetized. Not letting go, not even for a gasp of air. Miguel positions his back against the bed frame, pulling you on his hip, holding you in a lotus position. Your chest touching him enlightens fire down your core. Your nipples perked from the amount of arousal growing down your core. "You're the most beautiful, sosphicasted, intelligent, erotic, loving woman I've ever known and loved my whole life." Miguel said with a soft tone. Whispering it in your ear. Nibbling it softly, pulling out small moans out of your mouth. "Susurro estas palabras solo para que el mundo las escuche. Tu eres mi mundo entero, mi amor." Miguel said while groaning against your neck. Your head slightly goes back, you bite your lower lips. "Miguel, please more.. I want you to touch me more." You say with a hint of desperation and begging. "No muñeca.. we have the whole night to ourselves right now. Let me cherish and worship your body.

Miguel slides his fingers across your cunt, pulling it to your face. You moan to the touch of his rough fingers on your slick wetness."Look how soaking wet you're for me, cariño. Let me put that pussy to use, si? ¿Quieres eso, amor?" Miguel said softly with admirable eyes boring into yours. You nod slowly, groaning as he picks you by the hips. He then placed the head of his cock against your entrance. Your cunt twitched at the heat emitting from his breath against your neck. He then slammed you onto his cock, reaching your cervix.

You feel your body's nerves crashing down, the pleasure makes you feel so full. You moan erotically against Miguel's chest, cursing under your breath. "F-fuck Miguel, I feel you in my stomach.. you're so big. It's t-too much f'me.." you say between pants. "I love having you like this muñeca. I can't ever lose you, understand?" Miguel said softly. "God your body does unimaginable things to me, cariño." He cups his rough, big hands around your ass, slapping it as he begins bringing your hips and down his cock. Miguel stared at your beautiful face, saying incoherent words and the seductive expressions you would make. Your mouth being agape, gasping for air as Miguel would push every oxygen in you out of your body with a simple thrust of his cock. Your cunt spasms as Miguel grabs your throat softly. "Look at me, amor. I wanna see your pretty face getting fucked." Miguel said with a lustful tone. His eyes never let go of yours. You tried your best to not roll your eyes to the back of your head and kept eye contact with him.

More fire enlightened deep inside your core when Miguel's cock twitched when you reached for his neck, nibbling on it, leaving hickies. Miguel returning the same for you. Both of you are groaning and moaning, loudly. Not having a care of who could hear the both of you. The pleasure was towering over your body and your cunt uncontrollably spasms when Miguel said, "Cum around my cock for me, amorcito. Do it. Make me cum. I want my babies inside of your gorgeous body. M-mierda.." As you ride your orgasm out, Miguel's pace fastens, leaving you with tremendous overstimulation that leaves your throat choking out screams and wails for him to stop. A few more thrusts and he finally pumps his seed inside of you. Small droplets of tears leave your eyes, Miguel wipes them away by kissing them. "You did good f'me, baby. I love you so much." "I love you so much more than you could even imagine, Miguel. Te amo cariño."

Miguel finally pulls out of you, leaving your cunt clenching around nothing. Miguel then grabs a couple of small towels to clean you up. He then gave you your loungewear as he clothed himself with his boxers and shorts. You tie up your hair into a messy bun, then turn to lay beside Miguel. His arm hugging around your body, pulling you close. His chest against your face, both of you easily fall asleep.

:33 hai guys this took me Abt 1 hr n a half to do! This was really fun to do, please send more requests! Love u all ! <3

[slinkythecoffeekid]

Chapter One || You Know What They Say About New Guys

Updates: Hi everyone, I'm back! I've been binge-watching Ted Lasso (because I was gifted some Apple+ for the holidays), and honestly, Jamie and Roy have been all over my reels and stuff, so I wanted to finally watch it. Let me tell you, I was inspired!

Chapter 1/? of the "Standing Again" pairings: unsure at the moment Rating: T for teens word count: 6.2k Warnings: mentions of injuries, anxious behavior, depressive episodes, swearing, self-esteem issues. Notes: pretty sure I made this GN, but if I missed something let me know

Synopsis:

You used to be a professional footballer. That was until you got injured with a torn ACL at the height of your career in the final match of a championship run. It's been three years since you've played competitively (let alone at all). You've been offered a job at AFC Richmond Football Club as their new nutritionist. Accepting the position to move on from your past, you find yourself dealing with one of the most chaotic teams in the Premier League in their day-to-day and your own healing from your past.

playlists are 10 songs per chapter!

“Well, Arlo, we have two minutes left of the ninety, and Man City is up one nil to Crystal Palace in this game.” 

“Yes, well, Chris, it comes down to how many shots on goal. Man City goalie number 13 (Y/N) (y/l/n) has battered down and blocked everything that has been thrown their way. They're on quite the defensive hot streak today.”

“The ball is with Sharpe, Sharpe passes to Blanchard, Blanchard to Weerden, and Weerden lines up for the shot! And- It's blocked by the goalkeeper! Another brilliant save by Man City's own (Y/N) (y/l/n)”

“Listen to the roar of that crowd! Crystal Palace won't have time to score another goal.”

“Not that it would help besides tying the game; excellent save on Man City's part.”

“Yes, well- Wait, somethings wrong on the pitch… it looks as if the goalkeeper is down.”

“Well, they are holding their leg in pain; perhaps they tore something.”

“Medical has come out to assist them off the pitch… They are taking them off the field on a stretcher.”

“ Hopefully, it's not too serious.”

The alarm next to your bed buzzes to life next to your bed, on the table it sits on, raising you to some form of alertness as you reach over and smack it before rolling onto your back, staring at the ceiling, and letting out a heavy sigh before looking back at the clock, 5:25 am—a routine you had set in you for long before now. With one last sigh, you kick the warm covers from your body and force yourself to brace the cold that is your new and albeit bland Richmond flat. You look around the room and check your phone for any new notifications. The same ones you have yet to clear from old friends and family, sending you hundreds of messages you'll never open.  There's no point in removing them, but it is far too late to respond to them. Dropping the phone back onto your bed, you head out of your room to your tiny kitchen. 

The entire flat was small and bland, much like your bedroom was; it's not like you moved many things into this place, just the basics of what you would need. It was meant to fit one person, and you are one person. Walking to the stove, you grab the kettle and fill it with water. Then, you walk to the fridge and grab an apple from the bottom. Taking a bite out of it, you look out the adjacent window. The city was dark because it was still so early in the morning. The street lights were still lit, causing a gentle fuzzy yellowish-orange glow on the rest of the world; it had rained the night before, so the reflection of the light bounced in the puddles and water droplets that hung off the windows. It was peaceful and quiet. You used to enjoy the quiet time of early morning; it let you get your thoughts together. You liked it less now; being alone with your thoughts leads to thinking about things you found unpleasant. 

Finishing your apple and tea, you head back into your room and to your wardrobe to get dressed. 

Getting dressed in plain black joggers and matching black shirt, you grab crisp white trainers and some socks before putting them on, grabbing your phone before walking to the bathroom to brush your teeth and pull your hair up and out of your face, holding a white baseball cap to match your shoes. Checking the time, it was 6:07. Normally, you would leave for the Man City Club House at this point, but that was three years ago, and you couldn't kill the habit of wanting to be training early this morning. You may not be a pro footballer anymore, but you could still go for a jog, correct? You head out of your bathroom one last time, shutting off the lights as you go, grabbing your watch off the bedside table as you pass it to head towards your front door. At your front door, you hold the keys and work bag you'll need for this next chapter in your life. Slinging it over your back, you head outside, looking back at your new flat, and give it a rueful smile before locking the door and putting your headphones in to provide you with something to listen to on your morning run. 

I don't wanna let it pass through the pressure in my head

I don't want to marinate in it, in it again and again

And if I let it into me, I get a rod in there, and it's gonna ring through me again and again

Half of me is melting away. Half of me never goes away, away.

Your run takes you through all of Richmond; you've always felt the best way to visit a city was by planning a jogging course and taking that run every day. The only difference was Richmond was going to be your home now. You would have to change up your routes every so often. Still, that thought gave you something to be happy about as you smiled to yourself as you managed to jog into the car park of your new place of employment. AFC Richmond Football Club. Checking your watch, it was 8:05, which is still early for your first day. The car park was still pretty empty, with a few cars here and there, a grab bag of luxury and economy class type cars; knowing how male footballers are, you knew most of those sports cars belonged to team members. Heading inside, you head straight to your new boss's office. Jogging up the posh stairs, you stop to take your headphones out before the office door, smoothing your jumper and adjusting your hat. Taking a deep breath, shaking the jitters out. 

Were you nervous? Fuck yes, you were, are, and probably will be for a while. This wasn't just some new club owner; you could handle the old men who owned some clubs. This is Rebbeca Fucking Welton. One of four women in a position of high power in football, a gorgeous woman who could ruin your career and take your husband, and you'd apologize to her. Her divorce didn’t change your view of her, and you wanted to impress her; besides, she hand-picked you to be the new nutritionist for the team. Though you still were quite unclear as to why she had picked you. Sure, you knew football; you played all your life, your brothers played too, and your dad- well, you didn't like thinking about your dad and football. Even after your injury, you still tried to be present in football, became a registered dietitian, and worked for several footballers independently. Maybe word of mouth hit Rebecca's ears, and she felt the team needed someone to keep them on a decent diet? Who the hell knows? 

Shaking your head, you let out a deep sigh before shaking the jitters out of your whole body. Then, knocking on the ajar door before you, you hear a clear voice, like the Bells of London, chime out, “Come in.”

Stepping into the office, you look around; it's a posh office, very sleek and minimalist, the windows overlooking the pitch, but what really caught your attention was none other than Rebecca Welton, with her platinum blonde hair and her perfect work suit she wore in charcoal grey and her strong jawline. There also is another person sitting in a chair across from her. The man who had been all over the news, Ted Lasso, looked like what you’d seen on the table, with a warm smile that reached his eyes and definitely reminded you of an uncle in the best way possible. Your focus was broken when Rebecca raised an eyebrow and called out to you once more.

“(Y/N), are you alright?” Her concern was polite, but it didn't matter; you kept your boss waiting for your response.

“Sorry, I was just observing; you have a lovely taste in decor.” You chuckle awkwardly, rocking back on your heels ever so slightly, hands jammed into your pockets and balled up as you let out an awkward “so…”

Sensing the absolute thick fog of anxiety, Ted slapped both of his knees with a midwestern ‘welp’ and stood up and turned to you with the happy smile he seemed to always be wearing before speaking to you. “Well, as much as I'd like to stay, I do have to head downstairs and make sure everyone makes it in, but later, you should come to my office. Come in and know me better, man!” Ted tried to imitate a British accent towards the end of his sentence. Still, it failed as he couldn't beat his own Kansas accent, tipping an imaginary hat as he got up and headed towards the door. 

“Alright, ghost of Christmas present,” you retorted just before he got out of sight. All you could hear was “Yes! They got it!” before a loud ow and what sounded like possibly running downstairs to catch himself or the tumbling of a body. Honestly, you were unsure you wanted to tell the difference for this coach.

You sat across from Rebecca, who, unfortunately, or fortunately, was enjoying the biscuits that Ted had brought her since it was ‘Biscuits with the Boss’ time. Clearing her face and desk of any crumbs, she clears her throat and ensures she has finished her biscuits before speaking. She smiles at you ever so gently. “I'm so glad you accepted the invitation (Y/N). Our PR mastermind has been trying to get me to hire a ‘life coach’ for the team, but none of them know football the way you do, dear.” she stands, “did you want anything to drink?” she asks you as she walks to get tea for herself.

“Yes, please,” you realize you hadn't had too much to drink after your run, as the last time you stopped to get water was a while ago; yes, you had your water bottle, but you drained that of its contents a while ago. Looking at the bookshelf behind Rebecca's desk brought a small smile to your lips, seeing all her achievements on the shelves and the books. Looking over your shoulder as she offers you a glass of water, you provide a soft “thank you” and take a sip before speaking. “I've seen Keeley on Instagram and Twitter, and  I have seen the team's social media presence since she took over, and I’ll admit she's done wonderfully.” You give a kind smile before clearing your throat, “So you want me as the dietitian for the team? Do you have a list of things for me to keep in mind or-” 

“Oh nononono, as this is a newer addition to our clubhouse, I feel it most important for you to get to know the boys and learn about them yourself. Of course, I understand setting up diets for twenty people is quite a lot. Still, you'll have the coaching staff to help you, and hopefully, the team will be quite flexible to help you, and you’ll have Leslie to help you with anything you need as well.” She gestures to the door where one Lesslie Higgins, who wears a brown tweed suit and a tan and maroon striped tie with a beige button-up shirt, makes himself visible to you, enters the room, and offers a hand to shake. 

Shaking your hand, he politely smiles at you before looking at Rebecca. “I can show her to her office if you do not mind.” 

Rebecca shakes her head as she returns to looking at some information on her computer. " That would be lovely, Lesslie. The team should be out on the pitch now as it is.” She looks so incredibly focused on her work that she doesn't even notice when you and Higgins exit the office and head down the stairs together. 

Higgins gives you a detailed tour of the clubhouse and the team's history over the years, looking at the history of the clubhouse and nodding as Higgins imparts you with many tidbits of obscure soccer knowledge you'd pocket in a mental file somewhere for a rainy day. Higgins also showed you where everything was, from the locker rooms and medical rooms to the training room, the bathrooms, and even the copy room. He showed you everything you would need for your job in great detail. The only thing you two had missed on your tour was the pitch. However, you didn't mind too profoundly. Your tour ended with Higgins holding the door handle to one last room, and he cleared his throat before adjusting his tie with his free hand. This concerned you, and you raised an eyebrow, watching this jovial older man seem nervous about opening a door that you assumed was an office or corridor. 

“Right- before we go in, I must warn you that Keeley, ah yes, the sweet woman she is, might have gone a tad overboard when making sure you had everything you would need to feel comfortable. If she did, please don't hesitate to ask us to remove or exchange items."He had yet to look back at you as he fumbled with his key ring before unlocking the door to this space; when he did, he slipped in, shutting the door in your face. But not before reopening it for you with a nervous smile. Letting you step inside to the ample space. 

The space you had stepped into was a large state-of-the-art kitchen. It reminds you a lot of the ones from the American Hells Kitchen. The floor was nonstick sleet linoleum, and the light grey walls and the counters were all stainless steel. Still, they had built-in appliances; this kitchen had not one, not two, but three fridges, and you assumed equal freezer space. And you had suddenly become a woman who had five ovens in your kitchen. If it wasn't for the fact that this was your workspace, you'd just be living in your new office. Then you noticed all the kitchen gadgets linked up on your counter space, blenders, stand mixers, hand mixers, hell, even a bread maker, all in a neat row on your counters. Could you even call them yours? The semantics of the matter would have to wait as you finally cracked a small but visible smile. Walking through the kitchen and checking every cabinet for its contents. Whoever came before you was organized, but you knew this setup wouldn't work for you. You pull a notebook from a small compartment in your backpack that sits at the small of your back and a pen from the same pocket and start writing down notes about the kitchen. Engrossed in your work, you had failed to notice Lesslie leaving and leaving the key with you. 

After looking everything over in your kitchen space, you decide to head to your actual office; it was a small room right off the kitchen, with a window to see into the kitchen. It had a desk, bookshelves, and a desktop for you to use, not personalized to your taste but standard practice, and that was fine enough for you. You set your backpack down in the chair and open it, pulling out your things. You had cookbooks and recipe cards to put up on the shelves, cords to plug in so you didn't steal your home chargers, and the small but important things to get through the day. But the most important things you'd brought from home were two picture frames that you put on either side of your computer. 

The photo on the left was from your childhood, and you and your two siblings were in the photo. Both of them are in their secondary school kits and taller than you. You stood in the middle of them with a broad, slightly toothless grin. All three of you holding a football in your hands. Your kit was covered in dirt and grass stains, as were theirs; it was the first day that all three of you had a game, and your parents couldn't have been any prouder. Your sibling's numbers are their favorite numbers; yours is 13. The other photo to the right was from your debut season. You played as a goalkeeper sub for Man City in your debut year, number 13, and it's still your number. You had come to thrive with 13 as your number; people found it unlucky. Unlucky thirteen people used to say, but that was until they watched you play. It became fast learning that Man City's opponent was unlucky if you played keeper. 

Reminiscing, you failed to notice that anyone was in the kitchen as it was closed off to the rest of the world, but jumped violently at the knocking at the doorframe, “jesus-fucking-shit!” you turn to see who was at your door. Still, it was none other than the coach Ted Lasso, his eyes wide with panic, probably from scaring him by scaring you.

“I didn't mean to startle you there. (y/n) thought you heard me, though if you swear that much, I'm sure you and Roy will make fast friends.” He smiles at you. His recovery was smooth enough to make things less awkward. “Can I come in?” he asks, gesturing to your office. 

“What? Oh yeah, yeah, come in!” quickly trying to steal your racing heart, you drop your bag to the floor and sit down in the chair across from Ted, who looks like a labrador looking at his owner with a treat. Calming yourself, you sigh and put on a polite smile. " Hello, Coach Ted. What can I do for you?” you ask him to settle into your chair.

Ted gave a soft ‘oof’  as he let himself fall into the chair across from you and crossed his right knee over his left, holding it in his hands and looking off into the distance before looking back over at you with that Ted Lasso smile you've learned well from the internet, “well first off I wanted to come down and say hello and introduce myself again before you are fed to the wolves. so please just call me Ted” he chuckles at his own little joke before continuing, “secondly I wanted to apologize for scaring the bejesus out of you, you jumped so high I thought you might be a cat!” 

The concern made you laugh; you'd think he'd seen them jump from being startled, or maybe it was the goalkeeper phenomenon that all goalkeepers jumped in strange ways to protect their goals. Still, you shake your head in response, “I'm fine, Coach Lasso- I mean Ted, I'm sure this won't be the last time I get startled in my corner of the world. And I appreciate the concern about meeting the players, but I'm sure I will be just fine.” 

Ted makes the face that can best be described as the dad equivalent of ‘OK, bud, if you're sure’ before setting both his feet on the ground, smacking his knees aggressively, and hoisting himself up and out of the chair. " Welp, if you're sure about that, how bout we go for a walk so you can meet them?” He heads towards the door and holds it open for you. 

You sigh, forcing yourself out of your chair. It's not that it was comfortable, but it gave you the relief of being off your feet for the first time in a few hours. “Sure, why not?” you head out the door, following Ted towards the locker room. Ted stops you outside the locker room before stepping in and returns a few moments later to find you looking at your phone. He waves to catch your attention before waving you in with the excitement of a toddler. You roll your eyes and pocket your phone before walking into the locker room where every team member is sitting in their locker cubbies; most decent, a few people topless, but no one was in a towel. You walk to the center, where the other coaches stand in a line and wait. 

“Now, alright, everyone. This is (in) they’re joining us as the team's new dietitian, like Jenni Craig but better. So you guys need to let them know all your diet things so they can help you be the best you can be. Do you all understand?” Ted introduced you to the team, but they just seemed more confused by who Jenny Craig was, and honestly, you were a bit too. 

A coach to Ted's side, with a beard and wearing polarized sunglasses leaned into Ted's side. " They don't have Jenni Craigs, Atkins maybe.” With that comment, everyone on the team nodded and let out a collective ‘ah’ of agreement. 

However, you did hear a scoff to your right; in the number 9 cubby sat a man who was probably, if not your age, definitely younger than you. The name above 9 was Tartt. Oh yeah, you knew who this was, Jamie Tartt; he used to play for Man City, was on loan, got shipped back, and then shipped right back to Richmond. You had never met him personally. However, you'd heard from others that he was less than delightful to deal with on a good day. However, that scoff was short-lived when a man standing near him smacked him upside the back of his head. Eliciting a hiss and an “ow, what was that for?” 

The man was fit, physically muscular, had a black beard and bushy eyebrows, and wore a coach polo. You knew immediately this was Roy Fucking Kent; you’d have been stupid if you didn't know who this man was or if he was born in the last five to six years. And you were neither of those things. He was not having any of the young striker's behavior and glared down at Jamie, “shut it, Tartt,” he snapped at Jamie before turning his attention back to you. Still, his stoic, frowning face stayed the same. 

Ted looked at you and gestured to the team, “Do you have anything you want to add? Anything at all?”

You shrug and look around the room, taking in each of the team members' faces. You'd memorize them eventually, but that wasn't the point of today. Clear your throat and readjust your shoulders, squaring them back and holding your chin high. Confidence is key when dealing with people you don't know or need to convince. “Names (y/n), I'm your new diet coach; I need an updated diet form; I'll send that out in an email by tomorrow morning; I need it by Wednesday to do orders. It's simple, I need your allergies, preferences, and restrictions. If anything changes, please try to tell me as soon as possible. I don't make a habit of killing my clients.” You knew it wasn't the most admirable introduction, but you were not the nicest woman either. You think briefly before remembering something important, turning to the coaches. “Kitchen is off limits to the team now if it wasn't before; if you need something from the kitchen, message me.” with that, you head for the door. “Cheers,” you wave before walking out of the locker room. 

The locker room sits in stunned silence before everyone turns to Ted, and an amalgamation of voices hits Ted like a load of bricks before he raises his hand and raises his voice, “Hey! One voice at a time, I'm not the Complaint whisperer; that's Nate's job. Now, what's got all your ducks out of their rows?” 

“They seem like a very knowledgeable coach; where did Ms Welton find them?” Sam asked with a raised hand so that he would be noticed.

“Probably the internet; that is how most people get hired in this economy,” Jan states from beside Sam. The others around him nodded in agreement, but a few tried to shush him. 

“they seem fucking cheery, but as happy as granddad over there, fit though, ain’t they?” Jamie snickered, leaning back into his cubbyhole. He and a few others close by laughed at his comments as well.

Standing next to Coach Beard and Nate, Roy frowned before Ted smiled at the team, “Welp, you heard them. Ensure you promptly respond to their email, or you might end up on the menu.” His words fell on primarily deft ears, and with that, the coaches walked into the office. Roy shut the door behind them, and the locker room returned to its chaotic, chatty atmosphere behind them. 

Ted plopped himself right down into his chair and stretched his arms up in the air before looking at the three other coaches, who looked right back at him with a dumbfounded look; all Ted could ask was… “What?”

“That's all we get. What?” Beard asked, putting his sunglasses on top of his hat. The boss hires a new person, and all we get is a what?” he asked before crossing his arms in his chair, leaning back as far as it would let him before falling backward out of it.

“Well, I don't know what to tell you guys. I just met ‘em this morning in Becca's office before practice. They seem like nice kids to me, honestly. Oh, but don't sneak up on them. When I spooked them earlier, they looked like Shaggy and Scooby getting ready to run away from a scary monster.” Ted looked to Nate and Roy for their input. Roy scowled like usual, and Nate nodded in agreement and understanding.

“Of fucking course they are- are you fucking stupid?” Roy pinched the bridge of his nose before putting his free hand out to stop Ted from responding, “Don't answer that. I already know the answer to that. Thats, (y/n) fucking (y/l/n)” seeing the deer in headlights look both coach Beard and Ted are giving him he lets out an exasperated sigh looking to Nate for some sort of assistance on this explanation. 

“Oh-ah yes! Um, (y/f/n) they used to play for Man City about three years ago, but they retired due to a torn ACL at a finals match a few years ago and used to be an all-star goalkeeper. Also called unlucky 13 for a time,” Nate jumped onto the shelf behind him and crossed his arms, “a bit surprising that Ms. Welton would try hiring them even for a dietitian position.”

Ted's eyebrows rose at the mention of your former nickname, “because of their injury or before that?” curiosity in his eyes.

“Before that,” Everyone else in the room responded in unison. 

“But it's not all that surprising; we've been missing someone to ensure everyone can eat healthy; young boys like that will eat whatever they want. Especially if they aren't being monitored,” Beard said, looking back into the locker room where the team, now unattended by the adults, was mucking about. 

Ted nodded before getting up, “Welp, I will see you gents on the field, but I've been summoned for girl time in the office.” He pushed in his chair, waving his phone around as if to show them the text, “Now, if you'll excuse me.” With that, Ted left the coach's office, leaving the other three coaches confused and shaking their heads in disbelief. 

Ted headed down the halls and bounded up the stairs before knocking at Rebecca's office, peeking his head around to make sure that people were inside, with his goofy smile, “knock knock.” 

Rebecca looked up from the sofa she and Keeley were both sitting on, looking at something on Keeley's laptop, and she waved Ted in quite frantically, “Keeley, put that away. We will watch those later."

Keeley whines in annoyance, “Fineeee, but I want to watch more of them when we are done.” She closes her laptop, turning to Ted with a smile on her face. " Morning, Ted! What did you think of them? I think they are pretty stellar!” She is now leaning forward, her arms propped up on the arm of the sofa and her chin resting on the back of her palms.

Rebecca lets out a small chuckle, seeing Keeley's excitement about your employment, before clearing her throat: " Yes, that is why I brought you up here. I wanted to ask your opinion on (y/n). Based on my very little interaction, I don't fully understand them even if Higgins also gave me a report of his own.”  She adjusts to sit with one leg over the other, expecting Ted's praise or lack thereof. 

Ted nodded before leaning forward in the armchair, in that deep-thinking sitting position he was well known to do before looking between the two women in the room. “Welp, they seem straight to the point, I think they’re just not comfortable yet. If we give them a few weeks, they will be busier than a bee in spring and sweeter than the honey from it.” 

His analogy was lost on the two women sitting across from him before Rebecca cleared her throat, “Right, yes, well… with that in mind. I wanted to discuss something with you, Ted, and Keeley. I would also like your input on the matter.”  Rebecca had this glint in her eye, where she had something purely devilish up her sleeve.

Keeley looks over, adjusting herself to fully face Rebbeca, and nods thoughtfully, or as seriously as she can manage: " Absolutely, what are you thinking?”  before smiling, seeing how serious Rebecca looked.

Ted nods, gesturing towards the space in front of them. “Floors yours, boss,” he gave her an encouraging smile. 

Rebecca smiles a devious smile. “What I am proposing doesn't leave this office until we are ready to put it into motion.”

You had spent your entire afternoon doing tedious paperwork, sending out the survey email to the team, looking at cookbooks former staff had left behind,  and double-checking the incoming order that would be arriving on Wednesday. Your afternoon was peaceful, being able to be by yourself and acclimate to your new environment. During your time in the kitchen, you found it was basically soundproof, so you could listen to whatever you wanted, and no one would know or even care. You had your music turned up for most of the day and listened to anything that could and would keep you distracted from thinking. 

Finishing up your daily task list, you check the 5:30, a respectable time to leave work. Grabbing your bag, pack away anything you need to take home, like notebooks and order information. You look at the two pictures on your desk as you zip up your backpack and nod to them both. Standing up and putting on your backpack, you head out of your office and ensure the kitchen and office lights are off before locking the door behind you. You head towards the door and car park before you hear your name being called from overhead. 

“(y/n)!” Standing there was Keeley, waving frantically and smiling. " Where are you goin’?” she asks as she runs down the stairs that lead to Rebecca's office. You hadn't ever met Keeley in person, but you'd seen her on Instagram and knew that she and Jamie Tartt dated at one point, but anyone in football knew that. You were not expecting Keeley to hug you very aggressively, much like a koala holding onto a tree.

You tense at the contact but relax quickly and return the hug, albeit awkwardly. “Hello, Keeley. Is this how you greet everyone you meet for the first time?” You blow her hair slightly out of your face, your voice strained from the hug. 

She quickly lets go of the hug but still tightly gripping your shoulders and smiles, “No, but I've been so excited to meet you, but your office was locked, so…” she pouts slightly at the fact you had unknowingly locked her out. “No biggie, though! If you don't mind me saying love, your fucking fit! Your parents must be fucking gorgeous!” 

You let out an awkward chuckle, avoiding eye contact. “Thanks. I'll be sure to inform my dad you said so. Sure, he loves that.” Sarcastically, you roll your eyes. " But to answer you, I'm heading home for the night. I have a lot of research to do.” You manage to get yourself out of Keeley's grip somehow. 

“That's perfect! I'm heading home too! Did you drive? If not, I can give you a lift!”

You put your hands up, shaking them in a no gesture, “I didn't drive, but there's no need; my flat isn't too far from here.” it wasn't a lie; yes, your run was two hours, but that was nothing for you, and moreover, on purpose. Besides, the sun was still up, so there was no excuse for needing a ride. However, the pout on Keeley's face tugged at your moral compass, “Tell you what? If it ever rains, I'll let you drive me.”

Keeley's eyes lit up excitedly, and she let out a little squeal before hugging you again. “Oh, that sounds grand! You'll have to give me your number, or I'll message you on Instagram. You have one of those, right? " She started digging through her bag, looking for her phone. Once she found it, she began to type. 

You nod, “It's (y/n)unlucky13.” You look down at your shoes sheepishly. When was the last time you said that out loud? 

Keeley hums in response before tapping a button: " And done! I followed you, so now I can message you!” She looks at you and offers her arm to link with your own to walk outside. “Shall we then? Get our last glimpse of the boys on the pitch?” 

You instinctively link arms with her and walk outside the car park lined up to the pitch. The two of you walk to the fence and watch the team doing the last bit of practice for the day. Keeley watched with the same eagerness as a small kid. Looking over at her, you smile before returning to the field. Your arms crossed, resting on the fence, and your head resting atop them, you watch in personal silence. You study the field, watch the goal, and look at everyone's movement. It wasn't long before the team headed towards the dugout for the end of their days. You stretch and let out a groan of relief from your stretch. 

Keeley smiles, “Well (y/n), have a safe walk home.” She heads to her car, but before leaving, she rolls her window down, “See you tomorrow (y/n)! Send me your coffee order!” And with that, she is gone.

You stood there incredibly dumbfounded; how could someone make such fast friends with everyone? Was she now your friend? Actually, you liked the sound of that. You missed being surrounded by peppy people. You adjust your backpack and start your trek home for the night. Richmond in the evenings was not too much different from the morning. You passed children coming home from school, passing footballs as they went. Couples walking hand in hand, young and old. Parents running errands with their children. It reminded you of before. When you did this before in Manchester. You shake your head to force the thoughts out and return to your flat at around 6. You unlock your door, remove your shoes, and set your bag on the kitchen table.

Your phone buzzed suddenly, and you looked down to see a text from Coach Ted. You don't remember giving him your number, but you opened the message. 

Ted Lasso

Hey Doc! Well, actually, you're not a doctor, are you? Calling you chef seems odd, too. I'm going to stick with Doc. Anyway, we are glad to have you. I think you'll work wonders for the team. Have a good night!

You reread the message repeatedly, whipping your eyes as tears rose, and put your phone back in your pockets. You decided you had no energy to cook, so you ordered some takeout. You worked on building a new diet regimen while eating your own meals into the late night hours. You looked over your phone, unlocked it, and decided not to leave Ted on read. 

Thanks, Coach Ted; if you're gonna call me Doc, I'm calling you Coach. 

You press send, clean up your food, and put your work back into your backpack, only to hear another ding from your phone. 

Ted Lasso

Alright, Doc, have a good night!

You smiled, looking at the time. It was after 10, which was late, even by your standards. You shut the lights off in the kitchen and head to your room, changing into shorts and a t-shirt before brushing your teeth and brushing your hair from your hat hairstyle. Walk out and stare out the window before crawling into your bed, plugging in your phone, and watching. You check your phone one last time for the night and open Instagram to send Keeley a DM. 

Hey, here's my order. 

You attach a photo of your preferred drink and its modifications so it's easier to order in person. You put your phone down on the bedside table, missing the heart reaction Keeley gave your message. Hunkering down in your blankets, you let out a sigh of relief, and for the first time in a while, you felt your shoulders relax, your jaw unclench, and your muscles unclench. You drifted into a restful sleep for the first time in over three years. 

Moving to Richmond may be good for you.

[the-borgias]

Hi, could you please tell me how to do this slanted layout? the-borgias*tumblr*com/post/695485491217334272/one-chicago-appreciation-week-day-one-favorite

Hi, Anon! I'm sorry this took me a few days to answer but I struggled making this tutorial (not because the process itself is difficult but it is difficult to explain it properly.) Anyway, here's the gifset Anon is asking about. I hope this is easy to understand and I also included a .psd file of the layout :)

PSD FILE OF THE GIF ABOVE & TEMPLATE

What you'll need:

Basic Photoshop knowledge (I use Photoshop 2023)

Basic knowledge on how to make layouts (here are a couple of tutorials: x x)

Basic knowledge about layer masks (tutorial)

STEP 1: Make a basic layout

You can do pretty much any layout you want but for the sake of the tutorial I tried to recreate the same template I used in that gifset. I'm assuming you already know how layouts/templates work so I created a 540x540px canvas and went to View > Guides > New guide layout. I used these settings:

And this is how my canvas looked like:

Now I pressed (M) to use the Rectangular Marquee tool and create the rectangles I wanted. This is my end result:

STEP 2: Tilt the layout

This is actually pretty easy. First we're going to select all our layers. I paired mine in groups so they looked like this:

Once we've selected all of them (groups, layers, whatever you're working with) press Ctrl + T. Your canvas should look like this:

And we're going to tilt it by changing the angle to -2.00 in here:

Now our layout is slanted! But as you can see we have transparent spaces we need to fill. I don't know if this is the easier method to do it but I use the Polygonal Lasso tool (L). I'll use the first orange box as an example:

As you can see I use a ridiculously big zoom so I can be as accurate as possible but it's basically impossible to create a perfect box, so this will work. Once we have selected our desired shape we'll use the Brush tool (B) to paint in the layer of our original orange box:

You have to do this with every box so it's a bit tedious but that's the way I did it 🤷‍♀️ This is the end result:

STEP 3: Place the gifs (using Layer Masks)

But now, how do I know which size my gif should be? Our initial measures won't work because our final boxes are bigger so here's what I do. I'll select the Polygonal lasso tool again and make sure I select a little bit more of the box I'm measuring, like this:

It's a little hard to see it but the dots are just a little bit bigger than the orange shape. To be more accurate, my original box was 178x87px and the shape I selected is 174x100px. So I'm going to make a 174x100px gif and place it right above the background, like this:

Now we're going to select the layers of our gif (I'm assuming you're working with a Group because it's easier) and click Ctrl + the orange box. You should see this in your canvas:

And now create a layer mask in your gif group (if you don't know how to do it check out the tutorials I liked at the start of the post.)

Now you can delete the orange box. And, once again, you have to do this with every box and write down the measures (and remember that all your gifs must to have the same number of screencaps!)

I hope y'all don't mind that I didn't create 8 different gifs lmao I was too lazy so I just used a big gif as a background and made 4 small gifs. This my end result:

For the background I merged the remaining boxes and used that to create the layer mask. I'm not going to explain it since I believe it's much easier if you check out the psd file.

And that's pretty much it! It's the same as making a standard layout you just have to be careful with your gif measures. Oh and also see how my gifset shows those white marks between the gifs under a dark background?

Well, that can't be avoided since we aren't working with straight lines (you can see the same effect in the 2nd gif of this set, different layout but also not straight lines) so we'll just ignore them.

I hope this was helpful (I lowkey feel like this tutorial is a mess) and if you have any questions feel free to ask :)

[roses-for-rosalyn]

Cowboys

Ellie x reader (for now)

Part 2

summary: A stranger comes to your door- it turns out it's not one of your usual encounters cw: guns, cowboy lingo, fem! reader, cowboy crossdresser Ellie, eventual smut, blood, injuries, your average confusing lesbianism, eventual smut, no use of y/n wc: 3.6k

for those who prefer ao3 <3 gotchu minors DNI (I will steal all you pillowcases)

LINKS TO HELP PALESTINE l DAILY CLICK

Nothing could beat the beauty of the sunset in the desert. Purples, blues, oranges, and yellows swirled together to paint a new masterpiece every night. And every night you would sit on your small, wooden porch with a cup of tea and watch as the sun slowly sinks into the horizon. Tonight was no exception. 

The sky becomes darker and darker until the moon and the stars come out, bathing the desert in a silver light. You struggle with the stubborn, old front door for a moment before you step into your little ranch house.

A chill runs through you as the temperature outside rapidly declines. You kneel in front of the fireplace and use the little kindling you have for a fire. It was enough to keep you warm for a few hours while you read yourself to sleep. Sometimes you felt lucky that it was a small enough house that the small fire would warm up the whole place. Your bed was just a few paces away from the mantle. 

You stand up and dust off your hands before starting to undress for bed. As you begin to unbutton your bodice a knock sounds from the front door. 

You scramble for your rifle by your bedside and check to make sure it’s loaded. You peek through one of your front windows to catch a glimpse of the mysterious stranger. At this hour and on the edge of town, your visitors weren’t usually friendly. 

It seems a cowboy has paid you a visit this evening. Haven’t seen one of those in a damn long time. A gun is proudly holstered on his hip next to a lasso, and his black large-brimmed hat keeps his face dark enough that you can’t quite make it out. 

He knocks again, louder. You creep up to the front door and slowly open it. Before he can process who opened the door you aim your rifle right at his chest. 

“Hands up.” You demand, your voice is surprisingly steady. 

“Woah there, I just stopped to ask for some directions.” A deep, yet feminine voice replies. It sounds like she was all too sure you weren’t going to be using that weapon on her, she didn’t even bother to move. You cock the gun, trying like hell to keep your expression blank, unphased while your entire body fills with adrenaline. She takes a step back and puts her hands up. Her hat still covers her face in shadow, it’s like confronting a ghost. 

“You should have stopped somewhere else.” You take a step towards her, closing the door behind you while keeping your vision trained on the woman. 

“You’re much different than the other women I’ve run into out here.” She looks up slightly, the moonlight illuminating pink, slightly chapped lips forming a smug smirk. “Where’s your husband, miss?”

“I swear if you don’t get back on your goddamn horse I’ll put a hole right through your chest.” she steps towards you, the muzzle of the gun pokes right under her collarbone. 

She finally looks at you, silver light exposes a sharp, feminine face dotted with freckles darkened by days in the sun. The sight of her face catches you off guard for just enough time, allowing her to grab the barrel of the rifle and pull it right out of your hands. She drops the gun and it clatters loudly to the ground, echoing through the empty desert landscape. She grabs your wrists before you can start fighting back and pins them above your head against the door with one hand. 

“There,” she grunts as you struggle against her grip, she’s surprisingly strong, “now we can have a conversation.” 

“Go to Hell.” You say, seething with rage and frustration because she was able to overpower you so easily. She shakes her head and laughs for a moment, saying something under her breath like all this trouble. 

You were just about to spit in her face when she said, “Where’s the nearest hotel darlin’?” Your eyes widen at the innocent question, slightly embarrassed. This was a first, she really just needed directions. She uses your stunned silence to talk some more, “I’ve been savin’ up so I could have a bed for the night. And I could really really use a bed tonight, miss.” You stop struggling against her grip and she lets go. She still has that stupid smirk on her face. “So if you could point me in the right direction it would be much appreciated.” 

“Head southwest, you’ll hit a trail that will lead you right into town.” You dust off your dress and straighten it out. 

“Much appreciated, darlin’.” She tips her hat and walks off toward her horse. You watch in shock as she mounts her horse and before riding away she says just loud enough, “I’ll be seein’ you.” And with a nod, she was off. 

You slowly bend down to pick up the Winchester, cradling it against your chest as you watch the stranger disappear into the night. As you head inside you wonder if you ever will see that strange woman again, and fall asleep debating whether or not you would want to.

**  **

The next morning you head to the school house. The steady feeling and sound of your horse trotting along the dirt path always forced your mind to wander elsewhere. Right now you couldn’t stop thinking about the woman from last night. The schoolhouse was right in the middle of town, would you see her again? Would she even recognize you? If she did, would she even try to talk to you?

The interaction was a bit embarrassing for you, but to be fair you had your fair share of vile men looking for trouble and hostile groups of Apache knocking on your front door. Your father had taught you how to use his Winchester rifle, the very same rifle you use now, and you mentally thanked him for it every night. You had only used it to kill one man, he wouldn’t take no for an answer and you gave him plenty of warnings. He didn’t believe your threats so now he was buried about 500 feet from the house in an unmarked grave, you were sure no one would miss a man like that. Most of the time the Apache would just come to ask questions about men passing through the area, they never tried to attack you, thankfully, but they would always come at the most ungodly hours and were quite impatient. 

Last night was a first, you had never had a cowboy knock at your door, and then she ended up being a woman. The idea of her was so intriguing and you couldn’t figure out why. For some reason, she shook you more than anyone else had since you lived out here. And you’d seen quite a lot.  

Your thoughts are interrupted as you reach town, the sound of rickety carriages, hooves against the packed dirt road, and the chatter of men in front of the Sheriff’s Office make it hard to focus. 

“Hello there, sunshine!” you hear a male voice call out. You turn towards the voice to see Jesse making his way past you on horseback, lugging today's newspapers to the apothecary. He made the trip from Sante Fe every morning. He was nice enough, you liked talking to him, but not as much as you felt like you should. The ladies at the apothecary, Dina, and Maria, would always encourage you to talk to him. They desperately wanted you to move on from your husband. He was long gone and you knew that, you were even thankful for it, which is why you were nervous to start again. You didn’t want to have to go through anything like that again. 

You wave back and smile, “Hi there, Jesse.” You decide to be polite, “Hear anything good today?” He tightens the reins of his horse and stops right next to you. 

“They struck gold in Elizabethtown, and there’s gonna be a shortage of tobacco ‘round these parts within the week because of a dust storm over in Tennessee.”

“Well, I’m sure they’ll have a panic on their hands pretty soon then. I don’t know a man here who can live without their cigars.” You smile and Jesse laughs politely at your attempt at a joke. 

“Alright, don’t want the kids to show up before I do, I'd best be headin’ to the school.” You yearned to leave this awkward conversation through any means possible. Today was not the day for small talk. 

“Ok, I’ll see you tomorrow then, miss.” Your head snaps towards Jesse. You’re suddenly transported to last night and listening to the way the cowboy’s words would drip from her lips, smooth as honey “Miss”. Calm and sure even with a gun pointed right to her heart. 

You quickly snap out of it and nod politely at Jesse as you begin to part ways. You head to the schoolhouse in a hurry, the kids gave you hell if you were late. 

** **

You’re beginning to lock up the schoolhouse when you hear footsteps approaching. “Well hello there, miss.” You recognize the voice all too quickly, you don’t even need to turn around. “Was really hopin’ I’d find you here.” 

As you fish into your pocket for the key you respond, “And how exactly did you find me here?” you turn around and begin to walk past her toward your horse. She follows you. From a brief glance at her, you can see she wears a bandana to cover her face, you could only see her eyes. “You don’t even know my name.”

“I just asked those nice ladies at the apothecary if they knew the women who lived just outside of town, they were more than happy a “nice gentleman” took interest in you. They told me just about everything they knew, your name, some snippets of gossip. I’m sure if I stayed they would’ve told me your life story” You finally turn to face her, your expression unamused. She took her hat off at some point when she was talking to you, her eyes are green, radiant in the unrelenting desert sunlight. You were almost jealous. She wore a dark blue button-down that sat surprisingly flat against her chest and suspenders. She could pass for a man if she wanted to. “So, I take it you don’t have a husband then?” 

“What’s it to you?” you cross your arms, defensively.

“I was just curious, I asked last night, but you weren’t exactly in a talking mood.” You swear you can make out her smirk under the bandana. 

“No, I haven’t had a husband for quite a while. Is that what you came all the way here to ask me?” She lowers her bandana and steps towards you, backing you into your horse. 

“No, I came to ask a favor.” She hesitates for a moment, “No one here can know that I’m, um, well you know..”

“A woman?” pretty easy to piece together after seeing the bandana. 

“Yea,” She backs away from you a little. Seems like someone is embarrassed to ask a favor. “It’s just easier for me to get things this way and it’s lookin’ like I’ll be staying later than I planned so..” 

“Alright, I won’t say anything.” She opens her mouth to begin to thank you, but you weren’t about to let an opportunity like this pass you by. “But, you owe me a favor then.”

Her excited expression disappeared as quickly as it came, if you weren’t looking you could have missed it, “Um, alright, what do ya need?” 

“You know your little visit last night?” You had been cooking this proposition up all day, hoping she would run into you again. 

“Yes.”

“Well, that happens to me about every other day. I don’t want a husband, but I do need a guard dog of some kind.” You didn’t want a man in your home, but you did want the protection of one, this was the perfect opportunity, almost too perfect. 

“A guard dog?” She seems mildly offended by you comparing her to a dog.

“I’m tired of not being able to sleep because of surprise visitors. And I’ll pay you in two square meals a day, tea, and my homemade moonshine.” She does not look amused. “And I won’t tell anyone you’re a lady.”

“I don’t know-”

“I know you’re almost out of money, I’m sure Tommy is bleeding you dry as an outside visitor. I won’t charge you anything.” Something in her loosens, you can see it.

“So do I sleep on your floor?”

“Or outside if you’d like, makes no difference to me. There’s a fire pit out there for ya” You turn around and mount your horse, eager to get home. “We got a deal?” You reach your hand down towards her. She hesitates before shaking it. 

“I’m Ellie by the way.” You nod

“Alright Ellie, I’ll see you at my house then. I trust you’re familiar with the address” She just nods, slightly shocked. You smile and then head off, the comforting sound of hoofbeats clearing the thoughts in your head. On the way home you tend to just listen to the sounds of the desert. After a day of loud, squealing children it was healing. You’re sure you’d go crazy if you lived in town. 

** **

You had just finished making your evening tea when you heard a knock on your door. For the first time in a long time, you don’t go into fight or flight mode. You open the door with a smile, part of you is surprised she even showed up. Your proposition was a little ridiculous, but that truly shows how desperate you are. 

“Hello there stranger.” You are really pushing it with this attitude, you can tell, but something in you likes it when she gets annoyed. 

“Hi.” She takes off her hat and lowers her bandana, something you’ve observed as a habit of hers, one of respect possibly. “So am I sleepin’ with the rattlesnakes or on your floor?” 

“You get bit by a rattlesnake come to me and I’ll suck the venom out myself. Until then you best set up camp before dark darlin’.” You smile at her sweetly. 

“Figured as much.” She smirks and walks away to set up camp.

“Dinner’ll be ready in 20 minutes. I hope ya like stew.” You call out to her. “Oh, and there’s a spring out back if you need any water!” 

** **

The stew finally thickens up to the way you like it, you pour it into two bowls and quickly slurp up your serving. Didn’t taste amazing, but it was food. 

You open your front door to bring Ellie her food and see that she’s already started a fire, she’s sipping from a silver flask just staring at the flames. 

You approach and wordlessly hand her a bowl of stew and a spoon. She looks up at you “You gonna eat?” 

“No, I- uh already ate.” More like inhaled but she didn’t need to know that. You point at her flask. “What’s in there?” 

“You’re tellin’ me you don’t know what’s in here?” She raises her eyebrows.

“I know it’s liquor, Ellie, I’m just askin’ what kind.” Her confused expression drops.

“Whiskey.” She looks at the flask in her hand, then at you. “Want some?” She clearly did not want to offer it to you. But you sit down next to her and reach your hand out for it. 

“Hand it over.” She hands you the flask. The metal was cool to the touch, almost shocking after the desert heat all day. You take a sip and the liquor burns its way down your throat, and your face scrunches a little. You were used to shooting whiskey, but this was particularly terrible, even worse than your moonshine. “Wow, that’s pretty awful.”

Ellie laughs between bites of stew, “You’re stew isn’t the greatest thing I’ve tasted either.”

“Hey!” You lightly punch her shoulder. She giggles even more. “You’re welcome for the food by the way.” You take another swig of whiskey and then hand the flask back to the cowgirl. 

“Thank you,” she takes the flask, “for the meal.” she hands you her empty bowl. “And a place to stay, even if it’s outside.” 

“We’ll see, maybe you’ll earn your way inside.” You take her bowl and turn to head inside. 

“Is that a challenge?” She calls after you. 

“Maybe.” You call back. 

You step inside and immediately undress for bed, the whiskey making your eyes droop closed. You can barely get your buttons undone before you fall into bed, for the first time in a while, not having to worry about dangerous strangers knocking down your door.  

** **

You wake up to a hasty knock coming from the front door. It’s still dark outside. You weren’t supposed to have to deal with this anymore. You grab your rifle and don’t even bother checking who is at the door simply out of annoyance. Would have bit you in the ass later if it was a surprise visitor. You open the door and cock the rifle. To your astonishment, you open the door to Ellie, holding her side. There’s a dark stain forming under her hands, her face is bloody and bruised. And yet she’s got a smug yet pained smile on her face. “This how you’re always gonna greet me?” 

“Jesus Ellie,” you usher her inside quickly. “What happened?” 

“You got some visitors, a group of Apache men.” She sits down in one of your wooden dining room chairs. You rush over to grab the small medical kit you had managed to fashion over the years. “They wanted to see you in particular, when I told them you weren’t accepting visitors they sort of attacked me. It was one versus six” 

“They don’t trust many people.” You undo Ellie’s suspenders and begin unbuttoning her shirt without even thinking. “Most folks round here shoot first and ask questions later, they don’t have any respect or patience for a stubborn cowboy.” You walk over, grab a candle and some matches, and light it so you can see. “Can’t say I blame them. I am sorry though I’d thought they’d see your gun and back off” 

“That is real optimistic of ya.” You remove her right arm from the sleeve of her shirt. She is wearing some sort of binding around her chest- so that’s how she’s managed to pass for a man. 

“Wow, that’s a big word for you.” You smirk at her as you clean your hands with some moonshine. 

“Really? I’m bleedin’ out and you’re making fun of me?” You press gauze to her wound, she hisses through her teeth. 

“Please, you’re not bleeding out. Shouldn’t even need stitches, just some cleaning and dressing.” You look up at her, you’re not quite sure, but even in the dim candlelight, you could swear she was blushing. You wouldn’t dare mention it when she’s already made herself so vulnerable. 

“Now for the hard part.” You take out a small bottle of vinegar. 

“Alright.” Ellie leans back in the chair, ready for the sting of the vinegar. 

“Here.” You take her left hand and place it on your shoulder. “Squeeze if you need to.” She nods and you take that as your cue to begin. You pour the vinegar on the wound and you watch as her abs contract, her hand squeezes your shoulder, pretty hard, but you know she was trying not to hurt you, even in pain. 

You stand up and gently wrap a few layers of gauze around her mid-section, just in case it starts bleeding again during the night. You were so, so close to her, you could feel the heat radiating from her skin. “You always wear that?” 

“Wear what?”

“The-the bandages, round your chest.” She looks down at them like she almost forgot they were there. Suddenly you realize how personal that question must be. “Sorry, I shouldn’t said anything. You don’t have to answer” 

“No, It’s alright. I don’t mind. Yes, I’ve worn this for a while now, easier to get around when you look like a man.” You nod and finish wrapping the gauze around her and pin it in place. You put a bit of vinegar on a piece of gauze and begin cleaning the cuts on her face. “Oh, you don’t need to do that, miss.”

“Please just let me clean off your face. Were you planning on walkin’ around town tomorrow with dried blood on your cheeks?” She opens her mouth to say something but closes it. She’s quiet as you gently clean her face, you can see every freckle, every scar, her eyes shining in the candlelight. It was odd being this close to her. You had never felt comfortable being this physically close to someone. Her warmth almost invited you in, made you want to press your nose to her neck, run your hands across her skin, feeling along all the freckles and scars, memorizing the spot of each one. you wanted to know her in a way you have never wanted to know anybody else.

“Hey,” a gentle voice grounds you back into reality. “I think my face is clean.” She smiles softly. She was right, at some point, you had gotten her face completely clean, you’re not sure how long she let you drag the cloth across her freckled cheeks before she said something. 

“Yeah, sorry.” You back away and put the blood-soaked gauze in the burn pile. “You should sleep in here. Don’t think anyone else will be coming tonight. I’ll go get your bedroll.” Ellie just nods and you go out to grab her things. 

You hurry back and set up her bedroll on the floor right next to your bed. She makes her way to it and sits down on the floor with a thud, careful to not contort her body in a way that could re-open the wound. She collapses onto the wool blankets. When you’re sure she’s settled you place your rifle back next to your bed and fall into your mattress, knowing you’ll be exhausted tomorrow.

lmk what you think! Likes, comments and reblogs always appreciated!

LINKS TO HELP PALESTINE l DAILY CLICK

Part 2 >>

[morebird]

Okay finally

Small lighting tutorial (very long post, lots of images)

First of all I work on PS but if you have basic knowledge of your program of choice this will be easy to follow.

Second I use a different layer for everything. So assume that each screenshot is a new layer.

Third I've seen people not knowing how to choose colors for light and shadow and for me it comes out naturally so I don't put that much thought in it, but picking the neighboring color in the color wheel never fails, so lets say you use a red for the lighting, then pick either orange or pink for the shadow. The shadow should be fairly desaturated. However if the lighting is the desaturated you can go wild with the shadow saturation. But this is subjective and it's very dependent on your goals and art style.

Okay let's start:

Line art

Base color

Now for the shadow layer. The layer blending mode is in hard light mode

I use the quick selection tool on the previous base color layer, and in the new shadow layer with the hard light mode set I fill the selection with the paint bucket tool.

The lighting layer is on the linear dodge (add) mode.

I use the lasso tool to select the lighting parts, then I fill it with paint bucket tool.

Then once I have everything, I use the quick selection tool on this lighting layer, and in a new layer also on linear dodge mode I use a radial gradient, drag it from the direction of the light source, you have to try it out on it's own but it usual takes me a couple of tries to get the desired intensity.

Also tbh you can just leave it like that no gradient, if pure cel shading is your goal.

I add all the extra shadows, this layer is also on hard light mode, I use the lasso tool and a normal round soft brush.

This next part is something that I sometimes do and sometimes it's not necessary, in this case since the light source is moonlight the light on the clothes should bounce off on the face so I do an extra gradient. (or just do this if you want to make it lighter lmao)

With the quick selection tool, I select either the base color or the shadow layer, and in a new layer with the linear dodge mode, I use a gradient, it has to be either a fairly dark color or a very soft gradient.

And lastly in a new layer, with linear dodge mode I use a soft edge brush on top of the lighting areas, to give it that glow.

Sometimes, like in this case, I have to use some color balance adjustments, more contrast or brightness.

And that's it. Good luck and hope this helped you, if you have any questions my inbox is open 😊

[superscourge]

have u ever done a colouring tutorial?

yeah! kinda. ish. it was a while ago and just on bsky LOL i'll try and recreate it by copypasting from the post

*I DO NOT FOLLOW THIS PROCESS EXACTLY LIKE THIS ANYMORE, i actually do all my shading on a single hard light layer now using both a hard brush and an airbrush, and i do the same with the highlights using a lasso tool and airbrush! maybe i'll make an updated tutorial soon*

layer 2 is the base color layer that i clip the colors (folder 2) to; i select everything outside the lineart and invert it before filling it with my shortcut ctrl + f. this is so i have a base to see my colors that isnt pure white (it helps everything look filled just in case i do miss spots too)

i put down each flat color on its own layer just in case i need to adjust or use individual color layers; all of these are in folder 2 which i clipped to the base color layer. these are local/base colors that will be adjusted using the shading layers and such

a buncha hard light + add glow layers for shading and lighting! i add a few of each depending on what i want it to look like; the hard light is for shading and the add glow is for highlights and bounce lights

lineart colors clipped to the lineart layer + a gradient map above everything to bring it all together ^^

[thewritingofamadwoman]

That’s My Girl

Another attempt at writing Roy Kent. Inspired by the amazingly sweet @onceuponaoneshotfanfic

Pairing: Roy Kent x Fem!Reader (established relationship)

Warnings: Tons of fluff, more of Roy Kent’s potty mouth, a secret relationship and Jamie Tartt being the reader and Roy’s unofficial child.

Enjoy!!

The second the words “no curfew tonight” came out of Ted Lasso’s mouth, you just knew the evening was going to be a fun one. Both you and Roy had agreed on the way to Amsterdam that you’d both spend the last night together, sightseeing and then staying in bed for hours while everyone else was none the wiser.

As the team’s co-pr manager, it was imperative that you tagged along on the trip for business reasons; Rebecca also told you if you didn’t come along and enjoy yourself she’d purposely make your life hell. So here you are, on the charter bus with the rest of your friends. You looked down at your phone, the time reading 5pm. Roy suggested meeting up at around 9pm, when everyone else was surely going to be in their rooms. It was the perfect plan…which meant it probably wasn’t going to happen.

You looked over at Roy, who gave you a sly wink before getting up and roaring at Jamie Tartt.

“Not for you Tartt!”

Your beloved got up and grabbed Jamie’s bag, tossing it to Will before storming outside. Jamie, depressed that he’d be spending the rest of his time in Amsterdam training, got up from his seat reluctantly. Before heading out, he stretched and looked back, noticing you seated in the back. As if having a moment of clarity, his brain immediately came up with what he thought was an ingenious plan. He called your name and once you looked up at him, he put his plan into action.

“Hey love, do you have any plans right now?” He smiled, everyone else on the bus discussing their potential curfew free plans.

“Not really, I was gonna head back to my room and nap for a bit I guess. Why?”

Jamie’s smile widened.

“Nahhh a gorgeous girl like you alone in a hotel room? Not happening. Come on, hang out with me and grandad for a bit.”

You laughed, and so did some of the players listening in.

“Fuck it, why not?” You said, and the bus is filled with loud cheers once more as you made your way towards Jamie, who took your hand and pulled you out of the bus with him. The first thing you saw was Roy’s back to the bus as he stretched his legs.

“Took you fucking long enou-what are you doing here?” Roy asked, his face full of genuine surprise. You shrugged and pointed to Jamie who smiled like the cat who caught the canary.

“This stunner was going to go back to the hotel alone and take a nap. In one of the worlds’ most beautiful cities. I couldn’t let that happen. And who better to keep her company than us fine, young gentleman. Well, some of us more young than others, isn’t that right grandad?”

Roy gave Jamie a deadpan expression and growled lowly. You shook your head and chuckled.

“I hope that’s alright? You don’t mind do you, Roy?” You gave the poor man one of your sweetest smiles, one that Roy had fallen in love with over the course of the last few months. Roy sighed and eventually nodded, the thoughts of the night he had planned for the two of you going down the drain. Jamie cheered and punched Roy’s shoulder, jogging backwards with his hands in the air.

“Come on Roy! Lighten up! Here, I’ll run ahead while you two trail behind me. Can’t have gorgeous here run in those heels. Fantastic heels by the way,” Jamie said as he ran his gaze from your heels to your face, winking as he reached your eyes. The striker was doing his absolute best to get Roy to react to him flirting with you. He knew the coach had feelings for you, it was painstakingly obvious. But he doubted the man would ever make a move. So his “genius plan” was to spend the evening turning on the signature Tartt charm as much as he could until Roy had no choice but to confess his love for you. The perfect plan, Jamie thought to himself.

You blushed at the compliment and laughed , shocked that he was flirting so boldly with you in front of your boyfriend. Not that he knew you two were an item, but still. Roy, on the other hand, was glaring so hard at Jamie that it was a surprise the young man hadn’t combusted into flame. Jamie gave you both a very cheeky smile, turned around, and began to run.

“Come on, grandad! Keep up!”

Roy growled and you laughed once more, causing the older man to look at you.

“And what are you laughing at?” Roy grumbled, stuffing his hands in his pockets as you two began to walk, keeping Jamie in your sights as he ran up ahead.

“At how easy it is for Jamie Tartt to get you riled up. He’s only being silly, don’t let it bother you,” you smiled, reaching over and placing a hand on Roy’s arm.

“And besides, we did want to sightsee, and now we get to do that earlier than planned,” you added, looking around at the beautiful city around you. Roy scoffed and looked back at you.

“Yeah, I wanted us to sightsee without Jamie Fucking Tartt running around like a child we need to keep on a leash.” You giggled and Roy’s lip ticked upwards, the sound of your laugh being one of his favorite things.

“I don’t know babe, this might be a glimpse into our future,” you teased sweetly, looking at Roy playfully. Once again, Roy snorted and turned to look at you.

“Please, our children will be way more behaved than that twat.”

“Oh, so you’ve thought about our future children hmm?” Your heart soared at the thought of Roy seeing a future with you. Roy looked at you dumbfounded, as if it was the most obvious thing in the world.

“Of course. Why the fuck wouldn’t I?”

Your heart melted, and you were about to reply when Jamie suddenly appeared from behind the both of you, squeezing himself in between you and wrapping an arm around each of your shoulders.

“Look at you two, looking all chummy. And look at this magnificent city! Have either of you seen the tulip gardens? Or the windmills? We’re actually coming up to the world famous Skinny Bridge, just up ahead. Did you know that it’s one of the most romantic places in the world? Legend says that a kiss between lovers while on this bridge ensures that they will be in love forever. Isn’t that LOVELY, Roy?”

Jamie had pulled you both close to him, and thus each other as he continued to spit fact after fact about the romantic connotations of the bridge. Roy looked murderous, annoyed at Jamie’s incessant chatter. Roy had originally planned to take you to the bridge later that night to share that very same fact. He was a romantic at heart, and you were one of the very few people to know that about the mysterious Roy Kent. He was also a man with a VERY short fuse.

“Fan-fucking-tastic,” he growled, and the striker stepped forward from between the two of you and turned around, running in place while he faced you.

“I think it’s lovely, Jamie,” you said, trying to defuse any tension and placate the young man. Jamie beamed at you.

“I thought you would. I bet even someone as tough and grumpy as Roy believes in true love, don’t you Coach?” Jamie began his jumping jacks while looking at Roy, who only grunted in response. The Mancunian then pulled out his phone and handed it to Roy.

“Come on Coach, take a few pictures of the two of us and I’ll take a few of you two as well!” He said enthusiastically as he grabbed your hand and pulled you along with him towards the bridge. After a few photos with you, Jamie suggested he take a few photos of you alone on the bridge. You agreed, posing and laughing, causing both men to smile as they watched you. Roy even let out a laugh as you posed dramatically on the railing of the bridge. As you continued to look out onto the water, Jamie nudged Roy.

“Look at her, mate. She’s fucking stunning. Do you think she’s seeing anyone? I mean, any man would be a fool not to snatch her up and never let her go. I mean, look at her,” Jamie nodded towards you as you were being approached by another young couple who asked you to take their photo. Roy watched as you smiled politely and took a few pictures of the couple, watching you light up as they loved the pictures and thanked you. Jamie watched Roy’s expression, seeing how the man let down his guard as he looked at you. Jamie nudged him again.

“Go on mate, don’t let someone else come along and steal her away. Don’t let another man have the opportunity to stare at that bum. I mean LOOK at that ass-“ Jamie was cut off from his sweet-turned-idiotic ramble by Roy advancing on him.

“Watch your fucking mouth, Tartt,” but before Roy’s fist could collide with his face, Jamie called your name, catching your attention.

“Would you like some pictures with Coach Kent? I’m sure he’d love to take some with you!”

Jamie watched as Roy glared at him before walking over to you to stand next to you almost begrudgingly.

“What, don’t want to take a picture with me?” You teased him and he gave you a look.

“Don’t start, you know that’s not true.”

“Come on now guys, you’re on a romantic bridge. How about you pretend to, you know, be in love or something. Like a couple. Pose couple-y. Go on.”

You and Roy looked at one another, before you decided to just play along. You stood close to Roy and placed a hand on his chest, stepping closer than you usually would when you weren’t alone together. As if running on autopilot, the second you stood close to him, Roy’s arm snaked around your waist. Jamie whistled and Roy glared even harder than before. You could tell Jamie was starting to get to him.

“Just take the photo please, Jamie.” You pleaded with a small smile. You had a sneaking suspicion that Jamie knew what he was doing but didn’t want to think of that yet, choosing to focus on the smell of Roy’s cologne and the feel of his warmth against you. After a few pictures, Jamie decided to start up on his training again and began skipping forward.

After a few more stops at historic landmarks and a few more ridiculous flirtatious comments and innuendos from Jamie, you paused for a moment of respite by a chip shop. Jamie went in to use the bathroom when you turned to Roy, who was fuming.

“I’m going to fucking kill him. If he talks about windmills ONE more time, I’m going to throw him over the fucking bridge!” You giggled at his anger and tried to soothe him, placing a hand on one of Roy’s arms.

“I don’t know if you can tell, but I’m pretty sure Jamie is either on to us or really wants to play match maker,” you admitted and Roy grunted.

“Yeah I know, he’s a smooth as a bull in a china shop. Phoebe would have been more subtle than him,” You let out a laugh and nodded and Roy continued. “I have half a mind to give in and tell him. But watching him think he’s failing at getting us together truly gives my soul the peace it needs.”

You laughed harder and Jamie finally made his way back with an order of chips in one hand and a tulip in the other. He walked up to you and handed you both.

“Crisp chips and a flower for the lovely lady. Coach maybe you should take notes, this is how you treat a beautiful woman,” Jamie preened and you could see Roy’s resolve begin crumble. Jamie was going to leave Amsterdam with a black eye if he didn’t stop pushing Roy’s buttons. You decided you had enough and made your move.

“I don’t think Roy needs any tips on how to treat a woman, Jamie. He makes sure I’m nice and satisfied at least twice every morning before even heading off to work. Now, if you’re done teasing him: yes we’re together, no, no one knows except for you and we’d like to keep it that way please, and thank you for the chips. Shall we continue?”

You didn’t wait for Jamie or Roy to reply before stepping forward and making your way down the cobblestone street, popping a warm chip into your mouth and twirling the tulip in your hand. Roy’s eyes followed you, full of pride and love, impressed at how you handled the situation. Jamie, however, looked like a fish out of water, mouth opening and closing before finding words.

“You fucking cunts, you’ve been together this entire time?? For how long?? I’ve been trying to get you to admit you like her for HOURS!”

Roy gave a smug, satisfied smile.

“Not that it’s any of your fucking business, but today marks six months. And I had fucking dinner plans tonight but you and your fucking windmills ruined it.”

Jamie was still gaping, staring back and forth between your retreating figure and Roy’s smug face.

“Six fucking months?! Roy Kent, you absolute legend. She’s wonderful, I’m happy for you Coach.”

Roy smiled and for a split second, he could see himself becoming closer friends with the team striker.

“Oi!”

Your voice brought both Jamie and Roy’s attention back to you.

“Are you two coming or not? I was promised windmills and I want to see windmills!”

You smiled at your boys, one hand holding your flower and chips and the other hand on your hip as you waited for them to come to you.

“That’s your girl, mate.” Jamie teased as he looked at the taller man. Roy smirked, a genuine smile before nodding his head.

“That’s my girl.”

And with that, both men caught up with you. You passed the chips to Jamie before hooking your arm with Roy’s, the three of you making your way to wherever the windmill hunt took you.