#notes from our bookshop

[anthonyjcrowleyfell]

Please stop blaming me for Trump being elected.

I had nothing to do with it! Those humans in the States came up with it all on their own.

I would definitely receive a commendation for it though, if I hadn’t retired.

[ineffableaddiction]

I interpret the coffee shop scene in S2 Ep 1 a bit differently than what I’ve read.

I don’t see jealousy at all.

This seems like a surprised reaction from Crowley. (Astonishment maybe?) Aziraphale got called out by Nina, and is clearly uncomfortable. Crowley could tell.

So later in their conversation, he teases Aziraphale, questioning why they aren’t in the bookshop.

But Crowley only wants to help Aziraphale. He knows the “something’s wrong” voice, is concerned and wants to find out what has upset Aziraphale.

When they go back to the bookshop, they’re in “us” mode, and Crowley casually holds the plate of eccles cakes while Aziraphale unlocks the shop. No signs of jealousy.

Once they enter the shop, Crowley tells Aziraphale that something a bit weird is going on with his old lot. No mention of a naked man. Our favorite demon is confused when Aziraphale says he might have an idea of what’s going in and calls for Jim.

Side note: How adorable is this? ❤️

I don’t think jealousy is even on the agenda. Aziraphale and Crowley know each other. They trust each other. It doesn’t even seem like it would cross either of their minds that anyone could interfere with the bond they have. Everyone else is in the periphery. It’s always just them. The group of the two of them.

[anthonyjcrowleyfell]

I don’t sing, Angel. You don’t dance.

Proof enough not to believe in the boxes they try to trap you in.

I was not at all astonished when Crowley sang a certain song to me today. It was perfectly off-key and wonderful to dance to.

[erenjaegerwifee]

Your Excuse To See Me

Request by: @twilightlover2007

Pairing: David 'Deacon' Kay x Fem!Reader

Summary: Deacon's case takes him to your bookshop.

Warnings: none, fluff,

Word Count: 2.4k

Disclaimer: all my characters are aged-up! If this makes you uncomfortable please do not interact with my account or any of my notes.

Main M.List | Deacon M.List

“Hey deac” Luca spoke up as Deacon entered the locker rooms. “Morning guys” he replied greeting the rest of the team. “Tan was just telling us about how Bonnie is jealous” Chris spoke up while they all got ready for their shift. “Bonnie is not jealous; I’m telling you guys she isn’t like that” Tan tries to defend. “What happened that everyone things she jealous?” Deacon asked.  

“Last night we went on a date and when we were walking to our apartment in the hallway this girl was getting harassed by this idiot and I helped her out. After he left, she told us she just moved in and it happen to come up she also spoke Cantonese. I happen to mention it was so rare to find another person who speaks it by coincidence and after that Bonnie’s mood has been off. She won’t talk, she’s basically doing everything she can to avoid making eye contact with me.”  

Deacon hisses feigning pain when he hears the story, “hate to break it to you man but that’s jealousy. I can’t believe you can’t wrap your head around this, she is jealous because that woman who speaks your language probably shares your religion and values growing up in a Chinese American home is now living next door to you. She feels less than now that she has someone to compare herself to.”  

Tan took a second to process his words before he finally understands how it all went wrong, he never even thought Bonnie would think like that. “How are you still single? You should have girls falling at your feet” Tan jokes.  

“Jokes on you bro, he does” Street says making everyone laugh as they walk out of the locker room to meet Hondo. Before much words can be exchanged, Hicks walks in with a case assigned to the team. “20-David, we’ve been handed over a case, apparently the financial crimes and the narcotics division can’t solve it and they want us to wrap up this up. Also, we have intel the man doing the money laundering are armed and dangerous.” 

Hicks goes on to explain the details of the case to the team, saying a man who supposedly goes by the name Authur Lopez has been moving money around through other people’s business. He also may be using them as a stash house. The problem is no one can seem to figure out which business he is using to clean his money. “They know he’s dealing but they can’t prove it, we need to find the proof to bring this guy in” 

“We may have a lead though, detective Chase that was previous the lead on this case said he found Auther has an old high school girlfriend who recently moved to town, we aren’t sure if they have had any contact but it’s worth checking out, she might know somewhere he might hide” Hicks finishes up letting the team take the case. Street and Tan both start researching your home and workplace addresses and they found something. 

“She owned a bookshop, just opened a couple months ago, around the same time we caught wind of Authur and around the time she moved into town, her business could be the one she’s using, she sells books, it can be a good cover if her business gets traffic, and judging by the location I think she’d be doing well.” Street says as he pulls up the location of your shop on the screen for the team to see.  

“I found her home address, it’s an apartment complex about 3 blocked from the shop.” Chris says and pulls the location for them to see. “Okay Street, Tan with me we’ll check out her apartment. Luca, Chris and Deacon you can check out her shop she might be there, she what she knows if she’s willing to talk.” Honda hands out their assignments and everyone jumps in a car their destination.   

When Deacon, Chris and Luca arrive at the bookshop they walk in and don’t immediately see anyone around. They walk a little deeper into the shop and you step out from one of the isles the shop isn’t so big that someone can hide, unless they are in the back room. “Hi there, is there something I can help you with?” you say in a sweet voice.  

At the sound of your voice Deacon whips his head, he stutters a bit when he sees you for the first time. Your hair fell curly down your back, you wore jeans that fit your hips but flared down over your ankles with cute brown sandals, you wore a gorgeous floral top that complimented your skin tone so perfectly. “Hi, Ms. Y/n? I’m Sergeant Kay, this is officers Alonso and Luca, we are here to ask you a few questions.”  

You look up at the handsome sergeant standing in front of you and your brain almost lags. “Sure, happy to help” you smile at him clasping your hands together. You gesture to the chairs and small sofas scattered around the room for them to sit and you do the same. “Ms. Y/n, we believe a man you know has been involved in some illegal activity and we wanted to know if you had any information you could share” the girl who’s name you learned was Chris spoke up. 

“Who?’ you asked her, “The name Auther Lopez ring a bell?” Luca asked you. Authur Lopez, you were never able to look at men the same after him, he was your high school sweetheart. You were going to marry him. That was until you found out he was dealing in high school and left him. “A couple months ago he found my shop, said he was keeping tabs on me and asked if I would consider giving him a job. Auther and I dated in high school, I broke up with him when I found out he was dealing, not only that but he was on them. I’m not sure what I never asked. When I hired him, he promised he was clean and so I agreed. Actually, his shift is meant to start in about 10 minutes, he has to come here.” 

“What is he involved in?” You asked them directly your question to no one in particular. “We believe he dealing again, or maybe he never stopped who knows. We need to bring him in a find the location of his stash house before he can distribute his product.” Luca spoke to you.  

“You’re welcome to wait here until he shows then, I had no idea he was still dealing” Luca made a call to someone while Chris asked to look around the shop and you agreed. Deacon didn’t move though, he sat right there in front of you the whole time. “Are you back together?” his voice was quite as he spoke but you heard him, “No, I’m not interested in starting things back up with him, he has done nothing but disappoint me, I only gave him the job because he said he needed it and he was getting clean.” you matched him tone while you looked at him. 

He was so pretty you could barely take your eyes off him, if you weren’t looking at his chest printing out in the tight SWAT t-shirt you were looking at his chocolate brown eyes, if not that, the you have never seen a man look so good with a beard and that usually wasn’t something you’d go for, the hints of grey just did something to your brain.  

Deacon wasn’t any different, he was too busy staring at you to realize you were staring back, he admired the way your curls look so full but not frizzy at the same time, the way he so easily got lost in your beautiful eyes, and let’s not talk about your figure, he has never seen anyone look so beautiful before.  

“So, Sergeant Kay-” 

“Deacon, call me Deacon” 

“Deacon, you’re a SWAT sergeant what is that like?” you smile when you ask him. He was confused for a quick second how did you know he was in SWAT? Until he remembered he was working, he was dressed in uniform. “It’s good, I like it, it’s dangerous and it’s a lot of work but it pays off in the end. So, books?” he returned the question.  

“Yea, I've always been a reader” you giggle as you continue, “It’s very calming to read, takes my mind off things when I’m stressed, a way to pretend you’re someone else.” 

“How could you want to be someone else?” his tone was breathy, it had a hint of a chuckle in it, it made you blush. It was so easy to get caught up in him you forgot all about what he was here for. Luca walked back into the shop; the noise of the chimes pulled you back to reality. He was met with the sight of you and deacon staring at each other with flirtatious smiles and cleared his throat to get your attention. 

“The others arrested Authur on his way here, they have him in custody. Hondo said meet back at HQ” Chris moves out with Luca and Deacon was about to follow them, “Wait!” you stopped him resting you hand on his arm to stop him from walking. You ran into one of the isles and grabbed a book off the shelf, “Here, an excuse for you to come back that isn’t work related. Now you can go” you smiled at him sweetly and he chuckled at your sweet gesture. “I’ll take you up on that.”  

Deacon walked out the bookshop with a wide grin in his face and he sees Chris and Luca waiting for him with matching grins, seems Luca had filled Chris in and they both clocked the book he didn’t walk in there with. “Ouu someone’s got a crush” Chris said in a sing song tone.  

A few days later the case was wrapped up and Deacon was sitting on a comfortable chair in the SWAT main room with his legs propped up as he read the book you gave him. He isn’t you paid attention to the book you handed in when you grabbed it but it was an interesting book.  

He has been teased non-stop by the team since they all heard about what happened, no one can see him sitting with that book in his hand without saying something about you. They even went as far as to make a bookmark with your face on it and stick it in his book so every time he opened it, he would see you. It was entertaining the say the least but now that the book was in his hand and finished, he felt nervous to see you again, this time he had no motive to hide behind other than he just wanted to see your pretty face again. 

“Hey Deac, we’re gonna hit up Luca’s food truck, do you wanna come with?” Chris asked Deacon as she packed up her things at the end of the shift. “I’d love to but, I have to swing by the bookshop and return this book y/n gave me” He waited patiently for the teasing and right on cue, “You going ask her out?” Chris was grinning like a school girl.  

“I want to, I will, I’m gonna...maybe”  

“Sergeant Kay is nervous? There is a first for everything. But seriously all jokes aside, I saw the way you looked at each other. She will say yes, no need to doubt yourself” Chris smiled at him and punched his shoulder as they walk out of the locker room.  

Deacon rushed to his car saying a quick goodbye to the team and driving to the bookshop before you closed. He opened the door and say you writing something sitting on a high chair behind the desk. “Hey” he said with a small smile.  

You look up from your book and smiled when you saw him, “You came back” you said matching his smile as it grew larger, “I guess my excuse to come see you worked, great book by the way, never thought I’d be into enemies to lovers but apparently I am” he chuckled and put the book down on the desk. 

“I’m glad you liked it; I wasn’t sure you were the type” you giggled. There was a moment of silence between you. A moment where you just stared at each other, admiring. “I have to close up the shop now, it was really nice of you to come back Deacon, it was nice to see you” Deacon smiled at your words knowing exactly how you feel.  

“It was nice to see you too.... hey do you want to join me for some dinner? I know a great food truck not far from here, we could swing by and get something” you wanted to burst with happiness, you didn’t think he had it in him to ask you out but he did.  

“Of course I’ll go with you, let me just grab my purse and lock up” you smiled you sweet smile at him and you giddily ran to the back room to get your stuff, hearing him laugh at your antics.  

When he opened the car door for you at the food truck you smiled and took a big inhale. He watched you fall in love with the smell of the food and you walked right up to the menu, “I don’t know what to get” you said to him, “Order for me”  

Deacon was about to speak when he heard his name being called out, his team was still here. He turned his head in sync with yours and watched a bunch of people walk up to you both. You instinctively stepped closer to Deacon but you quickly recognized Chris and Luca from earlier in the week.  

“I see you asked her out” Chris said. 

“I can’t believe it took him so long” another boy said who introduced himself as Jim Street 

“Oh, give him a break, it’s been a week” their team leader spoke up, Hondo. Their comments made you blush and you hid your face with your hands giggling. Deacon put his arm around your shoulder to shield you from the teasing while they laughed at the situation wholeheartedly. You're so happy Sergeant Kay came to your bookshop.  

🔹I hope you all enjoyed reading! I’d love for anyone to Reblog my work, Like and Comment so it can be shared! I’ve been wanting to write for Deacon for a while and I’m finally starting!

🔹On another note. Deacon is hot as fuck. And I want to write him in a nsfw kind of way. Eventually not atm I’d like some feedback on how you would feel after reading my work.

Taglist:

@twilightlover2007 @fluentmoviequoter @just-a-girl-who-wrytes @spnshortcake

[fuckyeahgoodomens]

Good Omens graphic novel update: December 2024

We promised a graphic novel treat for December to send off 2024, which we have at the end of the update, so let's dive in!

Colleen has been working diligently ahead of the graphic novel going to print next month, which she discussed over on Patreon. For those looking for more behind the scenes on both Good Omens and Colleen's work more broadly, we recommend either following her Substack, or subscribing via Patreon, as she approaches the finish line.

A snapshot from our production HQ where dummy books of the graphic novel, slipcase and other editions of Good Omens have been arriving thick and fast. The graphic novel (slipcased version shown) has quite the heft to it. It's going to be such a magnificent object inside and out.

Here, we're testing out the various papers, finishes, embellishments and more – everything is falling into place!

Merch-wise, some more delights. The A.Z. Fell & Co tote bag design is in, one side in celebration of our favourite angelic bookseller, the other as if it's been purchased from the bookshop itself, so you can take your pick.

We've got more pins that will be available in the 3-pin set add ons. While the full list will be available in 2025, we're happy to share a few more to get excited about:

On the trading card front, have a look at some of the base deck designs by Steve Gregson and Kirsty Hunter in situ as this all comes together rather nicely, and causes a heated game or two behind the scenes.

And, a quick admin note to wrap up that we always recommend checking the FAQ page as a first port of call for any queries. If you have questions tied to specific tiers, we'd suggest checking the last few updates if your answer can't be found on the FAQ. If there is any information required for your pledge, we will be in touch. We will be back at full steam in the New Year!

Thank you.

So, to wrap up this year's updates, we give you the draft of the full first scene of the graphic novel, artwork by Colleen Doran and lettering by Lois Buhalis. If you'd like to wait until the graphic novel publishes in Spring, skip everything after the ducks!

To 2025 🥂

Until next time.

+ post from Colleen Doran:

Good Omens: You Get...Stuff Like This

In the most recent Good Omens update at the Kickstarter, a few people got upset at the suggestion that you have to get past my paywall here to see Good Omens updates.

Except you really don't, and the post doesn't actually say you do. You get a bit more, like pics of my studio, a discussion of tools and process - but not all of that is exclusively about Good Omens.

I think the Dunmanifestin team just wanted to draw a little attention to my blogs and other works, for which I am very grateful.

As my Patreon supporters already know, Good Omens info posted here gets to the Substack and Kickstarter eventually. And since most of my posts here aren't just about Good Omens, but my other projects and personal stuff, as well as links to our weekly Virtual Art Studio sessions, I think I'm justified in keeping that material behind a paywall.

In fact, I don't think I've posted much stuff about Good Omens since the summer: pages of flats like the one you see above, a few studio photos, and color tweaks.

Also, me boo-hooing about my nerves and health.

But for those who feel left out missing even this small amount of stuff, then the screen shot above is for you.

That's called a flat.

It's a prelim color before adding final color.

Here's what the final color looks like.

So I've posted a handful of this sort of thing since this summer, but frankly, there's even more of my sketches and so on posted at my Instagram that aren't here at all.

For those who don't know, I am doing most of the color myself on the book, but I am working with assistants. I'm not sure how much the Dunmanifestin team wants out there before the big reveals, but here's a snippet of a sky.

In the first image, my flat color.

And after my assistant worked on it.

Here, I've done a repaint. Sometimes I do very extensive repaints after the assistant works on a page. Sometimes not so much. I didn't use assistants on many pages at all. About 80% of the labor on the color of the book is my work.

However, the assistants have been a big help, and I am very appreciative of them.

I will make a point to go through all my prior posts and get every single bit of art that you haven't seen and make it public for all of you in the coming weeks. I need to excise it from previous posts. As I respect the privacy of all my readers, I never make prior posts public without their permission as they may not want their comments or identities to be public.

Thanks so much for everything!

[queerfables]

Alright GO fans, let's talk Sodom and Gomorrah. This biblical story comes up a few times in Good Omens canon, a kind of offhand mention each time, and the most interesting part to me is the implication that Aziraphale was there.

If you only know the cliff-notes version, you've probably heard it as the story of God condemning homosexuality to the point of wiping out several cities over it. Maybe you've heard this too, but - that's not exactly what happened. Look, I'm an atheist, I have no dog in this race. If I thought it was about smiting people for homosexuality, I'd be happy to call God a wanker and move on. But I've read the story of Sodom and Gomorrah (You can too! It's very short!) and I've read other parts of the Bible that reference it, and I think a much more straightforward interpretation is that it's about offering hospitality and protection to strangers. It's also about the consequences of wanton cruelty, and God laying waste to those deemed beyond salvation.

In Good Omens, the book, Aziraphale and Crowley discuss Sodom and Gomorrah this way:

"Come off it. Your lot get ineffable mercy," said Crowley sourly.

"Yes? Did you ever visit Gomorrah?"

"Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-"

"I meant afterwards."

"Oh."

According to the book, then, Aziraphale at least saw the city after it was destroyed. Maybe Crowley saw the aftermath too or maybe he just heard about it. They both understand it as horrific.

The show is more direct, and suggests that Aziraphale was there during the actual destruction. Gabriel asks if Aziraphale remembers Sandalphon. Aziraphale does.

"Sodom and Gomorrah. You were doing a lot of smiting and turning people into salt. Hard to forget."

Aziraphale regards Sandalphon warily during the conversation. I believe we're supposed to interpret this scene based on the popular understanding of Sodom and Gomorrah as cities that God wiped out because of the inhabitants' sins. The obvious implication, then, is that Sandalphon is the heavy, the one called in to deal with disobedience. He's trigger-happy, relishes violence, and Aziraphale has seen what he's capable of. From the careful way Aziraphale discusses their prior acquaintance, I think he feels the destruction of Sodom and Gomorrah was a tragedy and believes Heaven's actions were disproportionate and unjust.

I'm confident this is how we're supposed to read the scene. In the context of the story, we're supposed to understand that Aziraphale doesn't approve of the smiting, and that he feels threatened by Gabriel and Sandalphon coming into his bookshop and pressing him about Armageddon. But I'm fascinated by what it would mean if Aziraphale and Sandalphon's history really tracks onto the story of Sodom and Gomorrah. Because if Good Omens' version of Sodom and Gomorrah is at all biblically accurate, and if Aziraphale was there... it's kind of mind-blowing, actually, that he still feels so much compassion for the people who died and still thinks Sandalphon was wrong.

I'm going to explain why, but fair warning, it gets ugly. I promise nobody is actually raped, and I think that promise in itself says plenty.

According to the Bible, Sodom and its surrounding cities are accused of being overrun with sin. God sends two angels to Sodom to verify this, intending to destroy everything if they find it to be true. In the world of Good Omens, I think one of these angels must be Aziraphale. The other one is likely Sandalphon, but in the Bible it's God rather than either of the angels who rains down burning sulfur on the cities so it's possible it's someone else, and Sandalphon is only on smiting duty. Without anything else to go on, though, let's assume it's Sandalphon.

So our two angels arrive at Sodom in the evening, and at the gate to the city, they meet Lot. Lot is an immigrant who has made his home in Sodom, and I think the implication is that this is why he's not completely steeped in sin like everyone else. In any case, he immediately offers to put the angels up for the night, and although they'd planned to stay in the square, Lot is really insistent. He is a good host! Also, he knows the city is dangerous. So the angels go to his house and he makes dinner for them, and then before they can go to bed, a mob shows up at the door.

See, the men of Sodom have heard about the strangers staying with Lot. They surround his house and demand he hand them over. The New King James Version puts it this way: And they called to Lot and said to him, "Where are the men who came to you tonight? Bring them out to us that we may know them carnally." Several other translations say that the men wanted to "have sex with them". But I mean. It's a fucking mob. They've surrounded the house. We all get what this is, right?

So Lot goes out to meet the men, and he says "Don't do this terrible thing." Off to a good start! Then he says, "Tell you what, I have two virgin daughters. Do what you like to them and we'll say no more about it." Oh boy. Dad of the year award, right there. But still, he insists, "The angels are under my roof and my protection."

The men outside Lot's house are pissed. They say, "You're an outsider, who are you to judge us?" They threaten to do worse to him than to the angels. They swarm him and almost break the door down, but the angels pull him back inside.

The angels then strike the mob with blindness to stop them getting into the house. They say to Lot, "Look, you gotta take your family and get out of here. God sent us to see how bad things were and, uh, long story short, we're burning it all to the ground. You get it, right?"

Maybe you know the rest. Lot's son-in-laws don't believe him and won't leave the city. Lot's wife looks back and turns into a pillar of salt. Lot and his daughters take shelter in a small town called Zoar, and from there flee to the mountains. Everything else is destroyed.

It is a tragedy. The plains are leveled down to ash, until there's nothing left that can even grow. Was there really no one innocent in those cities? No children or animals? (You can't kill kids). Still, I think about that awful night under Lot's roof and I don't think I could blame anyone for giving up on all of it.

So what if that's the story? There were two angels in Sodom before it fell. What if it really was Aziraphale and Sandalphon, trapped through the night in a stranger's house, surrounded by men who want to rape them. Whatever their power as angels, that has to be terrifying.

If it was Sandalphon there with Aziraphale that night in Sodom, I have to wonder what he was like. There isn't any kinship or understanding from Aziraphale. Despite knowing the circumstances better than anyone, he still sees Sandalphon as a threat. Given that, I think Sandalphon must have taken a truly disturbing kind of joy in raining down vengeful fire and brimstone, beyond what you might expect from someone who was afraid or angry. Maybe he was never afraid; maybe instead he revelled in the violence building through the night as the reason he needed to tear everything down. Maybe he was afraid in the terrible way that exposes the depths someone will sink to to protect themselves (maybe offering his daughters was never Lot's idea). Or maybe Aziraphale just tried to reach out to him afterwards, to offer understanding and ask for some in return, and Sandalphon shot him down so coldly and viciously that Aziraphale knew immediately this wasn't something he was allowed to have feelings about. Whatever happened that night, it left Aziraphale feeling more of an outsider from Heaven than ever.

But if it happened that way, it happened this way too: Aziraphale survives a night like that, and when he looks out into the breaking dawn, he thinks, these cities don't deserve to burn. He sees the good in a place that's just shown him its absolute worst. I think that says everything about him as a character, actually. Of course he won't give up on Heaven. Of course he'll fight tooth and nail for his home on Earth. Whatever the worst is, there are still things worth saving. There are still, always, people worth protecting.

On that note, before I wrap this up, I want to go back to Lot's words to the men of Sodom, and draw a parallel that makes me feel some kind of way. Because when Lot declares the angels under his protection, what he says is essentially, "Do not do anything to these men, for they have come under the shadow of my roof for protection." And all I can think about, reading these lines, is Aziraphale standing in his bookshop as it's surrounded by hostile demons, and telling the angel under the shadow of his roof, "You came to me. I said I would protect you. And I will."

[vidavalor]

The romantic implications of improper use of apostrophes

A short, little meta on rings and apostrophes...

Ok, remember Mr. Arnold of Arnold's Music Shop and his thoroughly relatable reasons for never wanting to go to one of these annoying Whickber Street Thingamajigs again? The second of his reasons, in particular? Note who the camera cuts to when Mr. Arnold brings up "improper" use of apostrophes:

Crowley's little eyebrows and squirming, as he is thinking about how he is guilty of improper apostrophe use just the day before-- "technically", as they'd say. Mr. Arnold bringing up apostrophes is a wordplay clue to hidden language-- "improper" apostrophes in shop signs, which is to say in shop language and names. There's only one scene in the series where that's a thing. It is also the only one that would justify the Crowley reaction shot in the Mr. Arnold scene... and the implications are pretty romantic.

It's this scene:

When Crowley adjusted the name of the bookshop when Aziraphale called from Edinburgh, he changed it in such a way as to denote a sense of ownership through use of apostrophes. Crowley knows that the place is really called A.Z. Fell & Co. and he could have said that or just his usual way of referring to the place: "booK.shoP." The choice to answer in such a way as to reference to whom the bookshop belongs when he suspects that this is likely Aziraphale calling is a nod to the our car/our bookshop acknowledgement that they have going on.

Because Aziraphale has acknowledged that the bookshop is theirs, it belongs both to "Mr. Fell" and to Crowley, but the wordplay joke is that, when spoken aloud, you can't hear where the apostrophe falls. (That you refer to where an apostrophe goes as to where it "falls" also makes this an even more amusing word joke.)

Meaning: Fell's Bookshop sounds identical to Fells' Bookshop... the latter of which would, of course, denote that the bookshop belongs to more than one person who happen to share the surname of Fell.

Crowley gets squirmy when Mr. Arnold brings up apostrophes the next day because he's thinking about how he was subtly referring to himself as Aziraphale's spouse when Aziraphale-- wait for it, my fellow word nerds-- gave him a ring (on the phone) from Edinburgh.

Aziraphale apparently heard it as intended-- or, at least is on the same page-- because, as we looked at it in other metas that I'll link at the bottom of this one, Aziraphale's use of "la jardiniere" in the French he spoke to Crowley ties to the French cooking term "a la jardiniere," which has a specific definition that resulted in Aziraphale subtly referring to Crowley as his spouse.

Aziraphale also gave him a flirty little smile and that knowing "but you understood me" after saying so, knowing that Crowley heard more than what he had translated back:

Not to mention to ring a bell... Crowley ringing the bookshop bell on Aziraphale's desk when he came back in 2.01; Shadwell on exorcising demons by "bell, book and candle"; God's cheeky interest in Pavlov's experiments in S1... the sexual euphemism that is to "ring my/your bell"... Mr. Arnold mentioning signs in shop windows and Crowley was looking through the window into the bookshop when Aziraphale rang the bell to wrangle the angels and demons, furthering the ring-related wordplay. A sign doesn't have to be paper hung in a window relaying information-- it can be your partner saying he's "had quite enough" and trying to take control of a situation. A sign of things to come.

I'll leave you with the paralleling scene from 1.01 when they first talk after having their romantic evening ruined by the start of Armageddon. Crowley gives Aziraphale a ring on the phone while what is in focus on Aziraphale's side of the conversation is his angel ring. When they meet the next day off of this phone call, church bells are ringing in the scene. Wordplay inspired by the visuals, as well as the first use of ring (phone, communication)/ring (jewelry) in the series:

I doubt it will be the last. 💞

Metas about Aziraphale's French in S2:

[the-ineffable-dance]

In this post, I took a look at the beginning of the Final Fifteen and how Aziraphale's walk back to the bookshop is not the look of an excited or happy angel... instead, it looks like he's upset and desperately making a plan. Whelp, it's time for the next step of the heartbreak that is the Final Fifteen... Aziraphale's dance.

The first thing that happens when Aziraphale enters the bookshop is Nina and Maggie head out from their chat with Crowley. We follow them out, and the camera leaves them and joins the Metatron as he approaches Muriel on the patio reading a book. He checks in on her, and then straightens up, turning around. This gives him the perfect vantage point to stare straight into the bookshop window right at where our angel and demon are talking.

As you can see in the gif above, Aziraphale can see him from where he's standing. Before he even looks at Crowley, he sees the Metatron through the window.

Crowely starts his confession. He doesn't get very far... but really, he doesn't need to. These are two beings who know each other so well they can tell by tone of voice how the other is feeling. And Aziraphale knows just from the tone what Crowley is trying to say. There's a reason that it's taken them 6000 years to say how they feel... it's dangerous. It was never an unnecessary fear on their part, it was a very real and very present danger. And now, Crowley is about to say all the things that Aziraphale wants to hear, and the danger IS STARING AT THEM THROUGH THE WINDOW.

He hasn't even really looked at Crowley yet... heard the tone that Crowley was using, and looking out the window... Yep! Metatron, right there. Note his hands. Up and down. I didn't watch all of Extraordinary Attorney Woo for nothing! Those are "woah woah" hands. Like, stop talking, stop talking, STOP TALKING.

When he finally does look at Crowley, that's not a happy face. Not the face of someone that's finally hearing the confession they've been longing for for millennia. Michael Sheen has given Aziraphale the most endearing heart eyes throughout season 2...

But no heart eyes here? If everything went great with the Metatron and Aziraphale is completely on board with returning to Heaven with Crowley by his side, why in the world would he interrupt this moment? Letting Crowley profess his love would only strengthen Aziraphale's push to stay together. It is "Incredibly good news" after all. No, things did NOT go well with the Metatron, and they are in trouble. And so, Aziraphale is starting to panic. Crowley isn't paying attention to the "shush" hands, or his repeated looks out the window, so the only thing left is to interrupt. Aziraphale's bumbling rush to cut Crowley off feels a lot like "I can't let you continue so you don't incriminate yourself."

SO!! Azi jumps in with his version of his conversation with the Metatron. The "Good News" - "I... (mouth working furiously without sound)... the Metatron..." I don't think it's 'normal Aziraphale stutter' in the moment between those two words. There are plenty of times when Azi gets a little tongue tied when he's too excited (either due to lying OR trying to impress Crowley). But usually when he does that, he looks up and to the left. Instead, this time he makes eye contact with Crowley and does not look away. If you look closely, I'm nearly certain that he mouths the words "We Need Help."

What convinces me of this even more is that Crowley begins to watch him very intently. He's frustrated... certainly! But he doesn't fall into their normal banter. No quips, no growling at being cut off, no gentle arguing. He can absolutely tell from Aziraphale's tone that this is his "Something's Wrong Voice" and instantly listens.

Then the full dance begins. Aziraphale does begin his normal stutter with the wandering hands... he's trying to not say the wrong thing here and make their situation worse while still being convincing that he's going along with what the Metatron wanted.

Crowley tries to play along... until the offer to become an angel again comes up. I don't think that Aziraphale knows just how painful that concept is for Crowley. And with good reason, because I highly doubt that Crowley has been honest with him about it. Aziraphale loves Crowley for ALL that he is, but since he doesn't know how hurtful this will be, he just blunders right into the offer.

Crowley is so hurt? (Offended? Enraged?) by the concept of becoming an angel again, that he can't keep up the dance they've been putting on for the Metatron. In fact, he immediately fires off "And you told him just where he could stick it then." It's not actually a question for Aziraphale... He knows they're being listened to. He's directly telling the Metatron where he can stick it. "We're better than that" = "We're better than YOU (Metatron)"

And we watch the smile fall from Aziraphale's face. IMO, there is no question that Aziraphale suffers from CPTSD. People (and people shaped beings) with CPTSD can have a very hard time when there is a sudden, unexpected emotional response to something they've done or said. He thought they were on the same page, and suddenly Crowley isn't playing along, and he's angry. Furious. And Aziraphale falls back on old habits as he tries to regain his footing... thus, the unfortunate comment of "You're the bad guys." It's a terrible thing to say. And I'm not trying to excuse Azi for saying it... but it was a trauma response to an unexpected situation.

"Tell me you said no!" "If I'm in charge, I can make a difference."

The dance is over... these lines are not for the Metatron's benefit, or anyone else's. This is real. Crowley wants Aziraphale to say no to the Metatron, regardless of the situation. Aziraphale thinks he can only thwart the Metatron/ protect Crowley and the world by going to Heaven.

Ouch my heart! Onward to Crowley's confession (and possibly a post about the prologue to this heartache and the conversation between Azi and Metatrash)

[ourshadowsmeanomens]

THE MEANING OF THE END OF GOOD OMENS SEASON 2 (SPOILERS UNDER CUT)

I binge-watched this entire new season and immediately unleashed every thought I had about the ending of the show alongside MANY others who were experiencing a lot of feelings. After we all calmed down, we started talking and analyzing- and I think we found something way bigger than we saw on screen at the end of this season. And what this might mean for Aziraphale and Crowley going forward into (FINGERS CROSSED) a wonderful 3rd season.

The biggest complaint many of us in our chat had about the choice Aziraphale made at the very end- to ascend to Heaven, leave behind Crowley and the bookshop, to take Gabriel's place. Everyone is saying that it's out of character, there was so much build up all for Aziraphale to throw it away, etc. But the theory- a miracled brainwash. By Metatron, on Aziraphale. Metatron has proven to be a very dismissive and rude character, especially in regards to Aziraphale, since we met him in season 1. During the literal end of the world he still only spoke as God's voice and never appeared in person. Suddenly, Metatron comes down- IN PERSON- to talk with Aziraphale about a promotion. Before we know who he is exactly, we see him buying a coffee and giving it to Aziraphale- KEEP NOTE OF THIS. When Metatron first talks to Aziraphale, Azi says something to the effect that he has "made his position quite clear." The Metatron insists, pointing out the coffee and insists they talk.

HERE'S THE IMPORTANT PART: Metatron says "are you going to take it?" and RIGHT BEFORE Aziraphale says "shall I?" you hear the FAINTEST GLIMMER of the sound effect for miracles. I'll be honest I had to turn my sound up and lean in once someone pointed it out, but it's there and you HAVE to listen for it. They both go for a walk.

Crowley clearly believes Metatron is up to something, and watches them leave and walk but doesn't follow- this isn't addressed again. Then Crowley, Nina, and Maggie have their talk, and this is the part where Crowley is meant to confront his feelings. We switch back to Aziraphale with Metatron. Clearly Metatron and Aziraphale have talked about a deal and Metatron asks him to "think it over." Aziraphale has presumed to finish his coffee at this point, because he heads directly back to the bookshop to talk to Crowley. They fight, they kiss, they give each other up because Aziraphale decides to go to Heaven and leave everything behind. Like I said earlier, this is the part that enraged a lot of people- why would Aziraphale do this? This is so out of character. Why would he leave Crowley behind? Why would he leave his BOOKSHOP behind?

The current persistent theory is this:

Metatron has proven to be dismissive and untrustworthy since we met him. It is odd that he suddenly shows a change of heart for Aziraphale and wants to promote him. We, as the audience and fans, know Aziraphale's desire to live a simple, humanlike life with the person he cares about the most (Crowley) with his most prized possession (the bookshop).

The subtle miracle sound effect when Aziraphale took the coffee was the moment the miracle took place, affecting the coffee to brainwash (or at least to make more easily persuaded) Aziraphale so he'd say yes to the offer Metatron was giving him.

Aside from this, they editors/director/writers purposely wrote in and left the entire part about Metatron getting coffee for Aziraphale (as what? Some sort of peace offering?). The entire ending could have done without bringing so much attention to the coffee that Metatron gave to Aziraphale. It was unnecessary.

Unless it wasn't, and we are meant to find that out in season 3. The coffee is Chekhov's gun. In filmmaking, nothing is ever just a coincidence or an accident. They made a point to give us the miracle sound effect without showing any visible changes, made Aziraphale act wildly out of character, and framed it as though it is not, let's say, an institutional issue that is being covered up 👀👀

And let's not ignore that the episode 6 description specifically says "The Metatron brings an oatmilk latte, along with a final offer." Which would be an odd thing point out if the coffee was a mere prop.

All to say- I personally loved the season. I loved every minute, and I want to see what happens next. I think that people are going to be very angry with the ending, but that there's so much more we have yet to uncover and we shouldn't underestimate the wit of Neil Gaiman.

[halemerry]

Okay so I wanna take a moment to talk about gravity. Now I know what this sounds like, but bare with me here I promise I'm not looking to do a physics lecture. But I've been rotating this around in my head for a couple days now and I think there's something really critical in the way the show presents it to us.

For example: it's one of the few things actually listed in our introduction to this show individually while our protagonists build the universe, right between matter and everything else.

The show draws our attention to it here fairly bluntly by naming it but there are other incidents that, while I would not call them subtle, are not quite as on the nose.

There are at least three times Crowley chucks something he's holding in his hands across the room. They're played for comedic bits but they all feel very weird and pointed to me - especially both times he does this to books that he seems to have no purpose for holding other than to chuck them later. It caught my attention mostly because everything in me recoiled at the idea of him doing that, but the more I thought about the way they're so visible and pointed was important. They almost feel like weird hiccups in the scene they're in.

We also get gravity as an implied threat with Gabriel climbing out the window and, of course, with every mention of a Fall. But there's also more mundane uses of gravity in the season that while not odd in isolation, the fact we get it popping up so notably is interesting to me. There's also the scene with Nina and Maggie under the awning where rainwater's weight gets pulled down by gravity, the scene in 1941 where Aziraphale drops the picture of them onto the floor before they have their gray area talk, Gabriel dropping the matchbox, and I'm sure there's more. The point is the show is littered with reminders that gravity exists.

Now I know what this sounds like. I know it seems like yeah. Duh. They're on earth. Which has gravity. Of course gravity is a factor in nearly every physical action they do. Why are you even talking about this at all?

Well, it's because of a scene that is one of my absolute favorites in the whole season: the Gravity Lesson.

The scene opens with Jim throwing a book (My Best Games of Chess, an interesting title that feels pointed) repetitively at a desk. He's testing gravity himself, looking confused.

Crowley then descends from the upper level, carrying a stack of books. He pauses his descent on the spiral staircase and notes what Jim is doing.

Then we get this shot. Notice the light here. Jim is in the light from the windows but relatively in the middle of the shot. He's an angel still, though not nearly as in the Light as he was as Gabriel. And he's notably at ground level, on earth. Meanwhile Crowley blends into the shadows of the shop itself. He continues down the staircase, sauntering vaguely downward, until he finally hits earth level to be even with Jim. There's symbolism here, in the lighting, in the way they move through these frames, in the way the staircase spirals like an orbit.

Crowley continues this same sweeping circular pattern to come around the bookshop and place him in front of Jim. Unable to resist a question, even one that wasn't asked out loud, Crowley tells him about gravity. He moves center toward Jim here. A meeting in the middle. This is the first scene we see Crowley interact with Jim in a way anything near amicable. He explains how gravity works. "It's, um... A thing that happens when objects are pulled together. In this case, they're all pulled downwards because Earth is the largest thing around."

As he speaks, Crowley moves away from Jim, toward the back of the bookshop. But he stops very rapidly because Jim goes and asks him why. Crowley frowns to himself. He says he can't remember. He says it seemed like a good idea when they were all talking about it.

He walks back to Jim, giving this question some real thought, and settles on, "So things would stay where you put them, not just drift off." And Jim, backlit by the windows still, kind of frowns and drops the book again and points out. "But it doesn't stay where I put them. It goes down."

When the book hits the table it also visibly does not land precisely over where Jim dropped it either. It settles out of place, bouncing slightly from the force of it. This is what drew my attention to this scene more than anything else.

Because it's interesting isn't it? They're both right in their assessment here. And so much of this story is about people not fitting quite where they're dropped. Aziraphale and Crowley are both caught in Earth's gravity, jostled out of their respective places. The very first shot in the intro sequence emphasizes this idea. Crowley and Aziraphale meet in the middle on earth (where Crowley then says let there be light and lights a flame to guide them going forward).

Gabriel and Beez too fall out of line as soon as they get caught in Earth's gravity. Memories are deleted, but can't entirely escape the gravity of their old home. Memories are added, but you can't predict exactly the way they'll form. Miracles backfire and don't land quite as they're expected. We obey Heaven or Hell as far as we can, but not necessarily exactly as they'd like. These shifts eventually become predictable and eventually we learn we can calculate the odds of how gravity can impact something, but as Jim shows us here a little bit of the drift still happens. In the end it's all just firing bullets at ears and pretend to catch them in our teeth.

And there's viewing this line of thinking from the perspective of God. God who functionally dropped the universe into the gravity of Fate and Choice just to see where it would land.

And then there's the Fly.

As Jim points out here, some things actively resist gravity, at least temporarily. Flies go up. This is very fun, given Beelzebub's arc this season, but I think it's getting at more than just that. Crowley and Jim both pause to watch the fly rise upward, drifting away from Jim and toward the dark half of the shop. Crowley says Jim makes a good point and then shifts into "Right, the plan, Operation: Lovebird."

Given the plot of season 1, I find the use of the word plan here pretty interesting. Especially given that the event that follows this is Crowley trying and failing to get Nina and Maggie to recreate his own meet cute. Like the idea of these two being drawn together will fix everything.

And that got me thinking about Crowley's line at the end of season 1. About what if God planned it that way. What if they're God's own Operation Lovebird. We know that together they can do very powerful things. This whole season starts with them, while trying to keep their power under control and contained, do a miracle so big it could've brought someone back from the dead nearly 25 times. Last season ends with Heaven and Hell thinking they've become something impossible. The Metatron here goes out of his way to separate the two of them like he's afraid of what they're capable of together. And he seems to have successfully managed to do this.

But a Fly can't stay in the air forever. The Fly is always drawn back to Jim. Because not all gravity is about Earth itself. The same way Gabriel's memories are drawn back to him. The same way Beelzebub and Gabriel are drawn to each other in the first place. The same way Aziraphale and Crowley have been described time and time again as drawn in by each other. They're Alpha Centauri. Twin stars orbiting each other. They're constantly going in circles around each other. It's a dance. With the hands touching in the middle. Because that is a gravity too. They complete each other the same way the Fly completes Jim.

So what about choice? Think about the Ball episode. Think about how everyone in the shop is being influenced by some sort of miracle. Their clothes and behavior shift and change and Nina in particular shows us that this is Noticeable. Forcing something in a gravity it doesn't like or want makes it have a hard time settling. It doesn't go quite where you drop it.

And then there's the chat Nina and Maggie have with Crowley. "We're not a game. We're real people," says Maggie. And Crowley tries to argue this saying that they both needed help and they both push back that it is still not his right to meddle with. A game. Like the title My Best Games of Chess. Like the thing we know God has been using as a framing device since season 1. A thing the narrative always has pushed as a bad thing.

Maggie and Nina are choosing to not let beings above them influence their choices. They actively resist being compelled by Aziraphale in the bookshop together because they know what's right. His gravity is not enough to overwhelm their choices. And at the end maybe they're not together but they're working on it. And, maybe, if they do come back together (when they do, according to Maggie) it will be when they are ready and when they are choosing each their free of the constraints of the game or higher power. And that gives me hope that's where we're headed for the Ineffables as well.

[anthonyjcrowleyfell]

My aggravatingly crafty husband has decided to decorate our home with little white sheets that he actually cut from bed linens. They’re everywhere, including hanging from some of the plants. It’s difficult to discipline the greenery whilst there are utterly ridiculous sheets with googly eyes discouraging proper behavior and encouraging… fun.

[fakemichaelsheen]

-the bookshop-

aziraphale: *examining a bouquet of flowers*

aziraphale, curious: do you know where this came from?

gabriel, shrugs: nah, they arrived this morning, boss. no note or anything.

aziraphale, sighs: I wish you wouldn’t call me that.

crowley: *enters*

aziraphale: ah, crowley! someone sent some beautiful flowers-

crowley, panics: *runs forward and frantically starts eating the bouquet*

aziraphale, trying to stop him: crowley! have you lost your mind?

crowley, mouthful of leaves and petals: you should know better than to accept gifts from strangers, angel. I thought you were clever.

aziraphale, very confused: what are you talking about? it’s a bunch of flowers! I thought it was a very thoughtful, lovely gift

crowley, gesturing: yeah, well, in future, don’t. just...leave it.

aziraphale, suspicious: why?

crowley, sweating: mind your own business *runs off*

gabriel, sweeping up the mess: he’s probably worried about hay fever.

aziraphale: ...

-the record shop, a few moments later-

maggie: *tidying*

crowley: *bursts in*

crowley, exasperated: stOP helPINg me. I can HANdle It.

maggie, unfazed: if you don’t ask him today, it’ll be poetry next.

crowley, gasps dramatically: you’re worse than our lot *leaves*

[thefallennightmare]

One Night-Valentine's Day special

*gif created by me. feel free to use, simply give credit*

Pairings: Noah Sebastian x Reader

Warnings: lots of smut(mask play, spit play, bondage, anal, fingering, oral(m/f receiving), choking, unprotected sex), swearing, angst, fluff.

Summary: Nothing like a little Valentines Day smut for these two love birds!

Authors Note: Since this takes place during this universe, every thing that happened between Noah and Reader is still the same! Just a little pop in to see how they've been doing! Happy Valentines Day my lovelies! I hope you enjoy this little blurb!

Tags: @thescarlettvvitch @sammyjoeee @shilohrosechicken @malice-ov-mercy @thebadchic @niicoleleigh @lma1986 @dsireland86 @bellaboo967 @cookiesupplier @whenthesummerdies @bngurngheart @laurpartyprogram @thisbicc @lyinginbetween @princessmarshmallowx @loeytuan98 @cncohshit @lacktoesandtoddlerants @notingridslurkaccount @calleyx13 @jessiskyee @mrscevans @spicywhenspeaking @myownthoughts12 @br0kenangel23 @flowery-mess @lizzieseveride @illmakeyousaywow @burning-outx @xhedonistolisx @sinnamongirl @jilliemiw86 @shayzillaaaa @dream-machine-love

“Hi, who can I make this out to?” I smiled up at the person in front of me. 

The young blonde smiled wide. “Uh, Jennifer.” 

I picked up on her nerves but decided not to dwell on it like I’d done with the other 50 people before her. I opened the book Jennifer lay in front of me and wrote the same message I’d been writing all day.

Jennifer, 

Thank you so much for the support. 

XO

Y/N. 

“Thank you so much for coming out”, I said while sliding the book back to Jennifer. 

Jennifer shook her head while clutching the book close to her chest. “No, thank you, Y/N! I absolutely loved One Night. So when you were promoting Always Pretending, I knew I would have another book to add to my TBR list. Needless to say, it’s my favorite book ever.” 

My cheeks flushed. “Oh wow. Thank you so much for that, Jennifer. Truly, your praise means a lot.” 

With a wave, I continued the same thing for the next long while, signing book after book for my fans. This was the last day in a two-week-long book tour across the United States and to say I was exhausted was an understatement. Not to mention, I had a four-hour flight back home to Los Angeles as soon as I left this bookshop. Jackie, my assistant, knew how badly I wanted to get back home so she booked the earliest flight she could. 

It has been like this for the last year ever since I published One Night and now Always Pretending; both books on the bestseller list. While I was thankful for that, I wasn’t thankful for being away from home for so long. 

Away from Noah.

Our schedules didn’t seem to match up as of late. While I was away on my book signing tour, he was home resting because a week after I got back home, Bad Omens would be leaving for a round of festivals overseas. Noah wanted me to join him since I hadn’t been in a long time. We’d been dating for almost two years now and I had to miss out on the last two tours because of my own career. 

I had every intention of joining Noah now but needed to talk to Jackie about it first. She worked tirelessly to keep my schedule busy and jam-packed to promote my books but in my eyes, they didn't need any more promotion. I’d been working almost nonstop with these book tours, interviews, and not to mention trying to work on my third book. 

I needed a fucking break. 

I didn’t want it to seem to people that I was complaining because I was thankful for where I ended up. If you had told the girl two years ago who sat on that tour bus wondering if her first book would be good enough to become a best-selling author, she’d laugh in your face. 

Noticing that we were dwindling to the last few people, I powered through with a plastered smile even though my eyes were drowning in exhaustion. My phone lay on the table next to me, screen down but kept buzzing against the wood. Jackie went to reach for it but I shot her a look in between signing books. 

“I thought you’d want me to respond for you,” she tried to smile. 

I bit my tongue, not wanting to snap at the older woman because she was simply doing her job but I knew who was texting me and didn’t want her to see those messages. 

“It’s fine, thank you,” I muttered. 

Finally, after a two-hour signing, I was finished and shook out the cramps in my right hand while letting out a deep breath. It was almost 2 in the afternoon and my flight left in 3 hours which meant I had to rush across town to make it in time. 

“So, I was thinking,” Jackie started as I began to gather my things. “The local news channel would love to have you on their morning report tomorrow. I think it would be great publicity.” 

I raised a brow. “You seemed to forget that I have a flight in three hours, Jackie.” 

“I know,” she nodded. “But we can move some things around and-.” 

For the first time since she took over as my assistant, I said the word that I never wanted to because I knew how important the publicity side of my career was. 

“No.” 

Jackie blinked. “What?” 

I sighed while running a hand through my hair. “Look Jackie, while I appreciate everything you’ve done for me these past few months, I need a break. I’ve been going nonstop since One Night was published. I miss my life back in Los Angeles. I miss my quiet little apartment. I miss my boyfriend.” 

Noah’s smile flashed in my mind and my heart yearned to be back with him. About three months ago, he moved in with me but with how busy both of us had been it felt as if we didn’t have time to actually revel in living together. 

Not to mention, being away from him for two weeks made me horny as hell. Facetime sex paled in comparison to seeing and feeling the real thing. 

“But-.” 

I held up my hand to silence Jackie. “You deserve a break as well, Jackie. Take some time off, do things you love. When I’m ready to talk about book three, I’ll give you a call, alright?” 

Reluctantly, she nodded while tucking a piece of graying hair behind her ear. 

Bidding her goodbye, I threw my bag over my shoulder and then dragged my suitcase behind me to exit the bookstore only to immediately sit in the backseat of the black town car that had been waiting to take me to the airport. Once we were gliding along the road, I finally peered at my phone for the first time in a few hours. 

Noah: Angel, I’m so proud of everything you’ve done. Seeing how successful your book tour has been makes me smile. I can’t wait till you’re back home and we can celebrate. I love you so much. 

Noah: So, are you going to sign a copy of Always Pretending for me? Since you know, I was your muse for it. 

I rolled my eyes with a giggle before replying to Noah. 

Me: Oh please, you know I’d sign a book for my biggest fan. Also, I love you too. 

As I browsed through my phone, checking my social media and responding to emails, Noah texted back. 

Noah: So, we have a problem. I can’t pick you up from the airport because I forgot I had my therapy appointment at six.

My heart sunk to the depths of my stomach. All day I’d been looking forward to seeing Noah’s face as I stepped through the doors of the airport. But I knew that he couldn’t miss therapy. It was more important than picking me up. 

Me: It’s okay, love. I can order an uber. I should be back home by 8. Maybe we can have a late dinner together? 

Noah: Already taken care of, angel. 

With a yawn, I adjusted my glasses as I stepped through the gate doors of the airport, dragging my bags behind me. There was a delay in taking off at the last airport which meant I was now arriving in Los Angeles at 9 p.m rather than 7 p.m. I had to buy wifi on the plane so I could message Noah to let him know about the delay. 

Thank the gods I changed out of my professional attire at the last airport and opted to wear my Bad Omens joggers and Noah’s yellow hoodie; his smell still lingering. With my phone in one hand, I was about to order an Uber when my feet skidded to a halt at the sight in front of me. 

What a cheeky little…

Noah smirked as he held a bouquet of black daisies. 

“Hi, angel,” he mused. 

I reached for the flowers and brought them to my nose, inhaling their scent, and then peered up at Noah. 

“I thought you couldn’t pick me up.” 

Noah brushed away a loose strand of hair from my face. “I sort of lied. I had plans to pick you up then take you out to dinner for Valentine's day but when your flight got delayed, I had to switch things up.” 

“So you’ve been waiting here for two hours?” I asked. 

“Worth it.” 

He shrugged before wrapping his fingers behind my neck to bring our lips together in a long overdue kiss. His tongue immediately molded against mine and I moaned into it, my hand sprawling over his chest. The material of his Hereditary sweater felt warm underneath my palm and I let myself fall into him when his hands grasped my hips. 

“I missed you, Y/N,” Noah’s teeth grazed over my bottom lip. 

“I missed you too, love.” 

With his arm wrapped around my shoulder and other hand holding my bags, Noah led me out of the airport and towards his car parked in the parking lot. Once we were settled, he began the drive back home. I nestled into the passenger seat and let out a content sigh. 

“Tired?” Noah questioned with one hand on the wheel and the other resting on my thigh. 

“No, surprisingly. I thought I would be but I’m just happy to be back home.” 

He brought my hand to his lips to kiss along my knuckles. “I’m glad you’re back too, angel.” 

For the rest of the drive home, I told him how the book tour went while he told me what he did the last few weeks. Since it was down time for Bad Omens, Noah spent it either in the gym with Ash or in the studio with the guys. 

As we walked down the long hallway to our apartment, another yawn slipped through my lips and I nearly stumbled. Noah chuckled as he wrapped an arm around me to pull me into his chest. 

“You should get some sleep, angel.” 

I frowned while burying myself into his sweater. "I'm not tired."

His lips brushed along my forehead as we stopped in front of our door and he unlocked it. The darkness of our home escaped into the hallway as I stepped through the threshold and when I clicked on the lights, a gasp fell from my lips. 

Matching the daisies bouquet I had clutched in my arms, our entire apartment was littered. Music played softly as I noticed the steaming dinner plated on our kitchen island, candles lit and spread throughout. 

Turning on my heels, I gaped at Noah who leaned against the door with a smug smile. 

“What is this?” I asked, doing my best not to cry. 

“Happy Valentine's Day, angel. I had Jolly set this up for me while we were on our way home. He had to warm up the dinner I cooked earlier but I promise it’s still good,” he said. 

My eyes widened. “Oh, I forgot it’s Valentine's day! I was so busy with everything I didn’t get you anything.” 

Noah pushed himself off the door and immediately cupped my face so I could look up at him. The hood of his sweater was still pulled over his eyes, chocolate tendrils falling into his face. 

“You know I don’t need anything. Just you, angel. But I wanted to do something special for you because you deserve it.” 

I left a firm but quick kiss on his lips, muttering against them. “Thank you, Noah.” 

He smiled while motioning behind me. “Come on, let's eat.” 

“Fuck, Noah,” I moaned when his tongue licked up the patch of skin his teeth grazed. 

My nails dragged down his bare chest, leaving red marks along his tattoos, as he continued to slam his cock into me, the couch beneath us scraping along the wood floors. 

“So tight. I missed you,” he groaned into the crook of my neck as his hips stilled. 

I knew he was close but also knew that he didn’t want it to end yet. What started as a nice romantic dinner turned into a heavy make out session on the couch. Neither of us could wait any longer and needed to be connected once again. 

His fingers brushed along the folds of my pussy and I shook with the feeling as he slowly dragged his cock all the way out, only leaving the tip inside. 

“Noah,” I whined while raising my hips. “Please.” 

His teeth dragged along my nipples. “Please what?” 

I raked my nails through his hair and yanked back causing Noah to let out a loud hiss. “Fuck, angel.” 

“Stop teasing me and fuck me, Noah. Please.” 

My screams echoed throughout the apartment when he buried his cock deep witin me again, his pace becoming ruthless. But our position on the couch wasn’t the greatest, I needed to be able to feel him even deeper. We couldn’t make it to the bedroom when we first started and there was no way I was going to stop this now. 

Noah could tell I needed something different because with one strong arm, he lifted me from the couch to carry me over to the kitchen table. I squealed in delight as I writhed in his embrace. 

“What are you doing?” I asked as he made me lean back. 

He brushed back the sweat slicked hair from his forehead and licked his lips. “I need a taste of you.” 

With a tight grip on my thighs, he spread my legs wide apart before he knelt between them. The warmth of his tongue sent shockwaves to my entire system as he lapped up the remnants of my previous orgasm he gave me on the couch and I arched off the table when he began sucking on my clit. 

“Shit, Noah. I’m going to-.” 

With two fingers spearing me wide open before pumping in fast succession and his mouth sucking on my sensitive nub, I let the shock of my orgasm tear through me with such a force that it nearly took my breath away. 

“Such a good girl,” Noah mused while laying a kiss on the inside of my thigh. “I missed the way you taste.” 

I only had a few minutes to breath before he was yanking me off the table to now stand on my feet. He patted my ass. 

“Lean your hands against the window,” he nodded towards the patio door. 

“What-?” I shuffled on my feet. 

Noah’s lips attacked mine in a ravenous kiss and when he pulled away, he brushed my arousal off of his lips with his thumb. His bracelet and necklace glinted in the light from the lamppost outside. 

“Be a good girl, Y/N, and do what I say,” his voice was as dark as his eyes. 

Not wanting to disappoint, I quickly made my way over to the patio door that led out to our balcony and rested my psalm against the glass.Thankfully we shut off all but one of the lights so no one would be able to peer up into our apartment and see what we were doing.

"Keep your hands on the window," he demanded and then yanked my hips back to him so I was bent over. 

Nodding furiously, I spread my hands against the window of the patio door when his cocked slipped inside of me again, his name falling off my lips in a prayer. 

“That’s right, pray to your king,” Noah rasped as he bit down on my shoulder. 

One tattooed arm wrapped around my stomach while the other tightened around my throat to bring my chest against his back, this new angle making my vision blurry. It felt so good, the burn, and Noah knew how bad I needed it to hurt. 

 He squeezed until I felt the air being ripped away from me, his cock slamming into me with no sign of stopping. He never held back and I never wanted him too.  I needed it to hurt, needed it to burn, that I wouldn't be able to walk tomorrow.

When I felt the darkness creeping to the corners of my eyelids due to how tight he was gripping my throat, I let out a choked moan. 

“Safe word?” he muttered into my ear before kissing the skin behind there. 

Although his voice was soft and concerning, the way he fucked me was completley different. 

I did my best to shake my head with his tight grip around my throat. “Keep. Going. So. Close.” 

Noah eased his grip a bit so I could take a deep breath before he tightened it again. My orgasm was so close, I just needed a little something to have it wash over me. As my hand moved to my clit, Noah smacked my ass, the sound echoing through our apartment. Instead, his thumb pressed circles against my clit and that was exactly what I needed to let my orgasm finally release from the tightness of my body. I came with such vigor on Noah’s cock he groaned into my hairline. 

“Such a good girl,” he praised while letting go of the vice grip around my throat. 

Gulping for hair, I nodded. “Yes.” 

Nails dug into the skin of my hips as Noah’s pace became even more frantic, him chasing his own release, and I was so far gone in my post orgasmic haze that I nearly didn’t hear the two words he said. 

“Wh-what?” I stuttered. 

Noah’s hips stilled for a beat before he let out a deep, guttural groan when he spilled his warm release into me. 

“Marry me.” 

Before my body could fall into a heap to the ground, Noah lifted me to sit me on the edge of our kitchen island. His large hand cupped my cheek so I had no choice but to gaze upon him. His pupils were blown wide due to our actions and his chest rose and fell as he did his best to catch his breath. His warm cum dripped down my legs onto the cold marble beneath me but I didn’t dare think about the mess. I only thought about those two words. 

“What did you say?” I asked, still breathless. 

“Marry me,” Noah said again without an ounce of hesitation. 

Everything around us seemed to fall away, the eerie quiet of the apartment now ringing loudly in my ears. My heart beat loudly in my chest that I could feel it in my throat when I realized how sincere Noah was. This wasn’t a joke, he meant those words. 

As if he thought I was doubting him, he ripped open our junk drawer in the kitchen to pull out a small velvet box and my breath caught in my throat. 

“Fuck, you’re serious?” I choked out. 

Noah smiled wickedly as he opened the box, the light above the kitchen sink catching the diamond almost instantly. The gold band was thin but the oval shape of the diamond almost sat perfectly against it. 

“With you, Y/N. I’ve never been more serious about anything,” he said. 

My throat burned in the best way. Never in this lifetime did I ever expect to have such a romantic Valentine's Day. Guys in my past never gave a shit, especially Jacob, so to have Noah go all out was something I wasn't used too but knowing he loved me so much made my heart swell. 

I began to nod wildly. “Fuck yes!” 

With a laugh, Noah collided our lips together in a fever kiss before reluctantly pulling away to slide the ring onto my finger. 

“I didn’t mean to have a cliche proposal on Valentine's day. I planned on asking you if you came overseas but I couldn’t risk not asking you before,” Noah explained. 

I wrapped my legs around his naked form to bring him closer to me and I hung my arms around his neck. We were still naked and the cool air from the open window brushed along our heated skin. 

“I’m coming with you.” 

Noah’s eyes lit up. “You are?” 

“Yeah, I need a break and now that we’re engaged, I think we need to celebrate,” I waved the hand with the ring in front of his face playfully. 

He grasped it to leave a kiss upon the ring. “Say no more, angel.” 

My squeals bounced off the walls of our home as Noah carried me into our bedroom to start our engagement celebrations.

[paperclipninja]

This thought struck me while I was driving and I don't know if it's a) tenuous at best, b) me finding meaning where there is none or c) possibly a thing. So naturally I'm going to throw it out there as a possible maybe-theory/foreshadowing.

As we all know, this handshake moment in the magic shop in s2 has the sword very deliberately positioned right where Aziraphale and Crowley's hands meet and we see the three swords in Aziraphale's back as he moves forward.

And when Aziraphale walks back to the counter and Crowley turns to watch, we see three swords now towards Crowley's chest - it's nicely and clearly pointed out with pictures in this post by @newfangledfancy

As many have noted, if Good Omens is anything, it is deliberate in its choices, especially when we're looking at something as obvious as this. What exactly it means, we'll no doubt find out later, but it certainly seems somewhat ominous and foreshadowing, with the sword down the middle arguably already in play with the separation of Crowley and Aziraphale at the end of s2.

My take? The sword in the middle is the breaking our two faves apart, the swords in Aziraphale's back are an indication of betrayal by Heaven (he still trusts they are the 'good guys') and the swords to the front of Crowley, to me, is indicative that part of that betrayal will involve trying to harm/destroy/get rid of Crowley.

The 'offer' to reinstate Crowley to angel status was such utter piffle (sorry, couldn't help it) because the Metatron knew he'd never go for it, but it also served another purpose; to lead Aziraphale to think he'd misjudged the Metatron (even if Aziraphale didn't really think that and doesn't have a choice about returning to Heaven, I do think part of him still also believes the system can be changed from within).

That extremely pointed, horrible look that the Metatron shoots Crowley just before he and Aziraphale leave the bookshop to go discuss the promotion (with accompanying danger music and all), you know, this one:

reveals to us that this performance the Metatron is putting on for Aziraphale really is just that, a performance. He wants Aziraphale to think he's misjudged him, I'm sure he was hoping he could convince Aziraphale to trust him. I think the angel is too clever to fully trust the Metatron, but what it does do is maintain Aziraphale's trust in Heaven and, I believe, the possibility he could make a difference.

So why the offer that Crowley could come to Heaven too? Yes, to entice Aziraphale but also, the offer makes it seem as though the Metatron has no gripe with the demon after all. It may be 'irregular', but he was willing to let Crowley be reinstated, it puts any notion of the Metatron potentially wanting to hurt Crowley off Aziraphale's radar (at least for now).

It's interesting too, in the 1941 magic shop scene, that the swords appear to be going into Crowley only once Aziraphale has moved past him, has his back to him. If I was following the separate, betray, destroy sequence of the sword set up, then I'd take that to suggest that any move against Crowley will happen while Aziraphale has his back turned, so to speak, and can you imagine the kind of fury that would unleash in our no. 1 angel? Coz I can and it is amazing! But I digress...

While speculation is fun (so, so much fun) and all, the point, the POINT of this rambling post was to say that if indeed that 1941 magic shop sequence is foreshadowing Aziraphale being 'stabbed in the back' and Crowley attacked in some way, it's not the first time we've seen a potential nod to that.

Look it may be entirely coincidental but I have to say, there is mighty similar symbolism right back in s1 when Aziraphale and Crowley are hit with the paintballs. Where does the pellet land on Aziraphale? On his back (and how, from where he's standing? Is there someone behind him??). And where does Crowley cop the 'bullet'? Right there in the chest.

I just wouldn't put it past this show to have planted the seed that early on. And look, if it's nothing of the sort, then they're just fantastic stand alone sequences. That's the greatest thing about Good Omens, if it was a Clue, then it's amazing and if it's not, it was still amazing. We simply cannot lose.

[fuckyeahgoodomens]

The Chic Magazine interview with the Good Omens cast and crew by Keeley Ryan, August 2023 :)

'It was wonderful to get the Good Omens family back together'

There were plenty of miracles, mysteries and mayhem when Good Omens returned to the small screen for a second season.

The PrimeVideo series, which was originally based on Terry Pratchett and Neil Gaiman's best-selling novel, is heading beyond the source material this season.

The six-part series highlights the ineffable friendship between Aziraphale, a fussy angel and rare-book dealer, and the fast-living demon Crowley.

And while the duo put a stop to the apocalypse last time, there are the sparks of a new mystery that will take viewers from before The Beginning, to biblical times to grave robbing in Victorian Edinburgh; the Blitz of 1940s England to the modern day.

The cast includes David Tennant and Michael Sheen as Crowley and Aziraphale, Jon Hamm, Maggie Service, Nina Sosanya, Miranda Richardson, Shelley Conn, and Derek Jacobi also star in the series.

And Michael Sheen told how the Good Omens "world has grown" with season two - and opened up about his first day back at Aziraphale's bookshop.

In an interview conducted before the SAG strike, he said, "It was lovely to be back in the bookshop after having seen it burnt down the ground.

"Clearly I had managed to save a few books! Actually, it was extraordinary - your brain does a double take - my desk, the cash machine, the record player - everything is all so familiar even though it is a totally different location.

But we have expanded - there is much more of the world of Soho here including Aziraphale's favourite the magic shop and my favourite the pub - our world has grown."

The actor also praised Neil Gaiman's writing, noting how there's "something about the way Neil sees the mundane that is extraordinary."

He said, "His writing has such a breadth of reference and yet is so accessible and entertaining even when taking on big epic or philosophical issues.

There's something about the way Neil sees the mundane that is extraordinary. When things filter through his imagination they emerge in an entirely unique way and yet it feels like it's always been there.

Add in the sprinkling of the imagination of Terry Pratchett and cocktail has been created - utterly familiar."

Producer Sarah-Kate Fenelon told Chic how the second season of Good Omens is "building on the universe" - and how they had been "sowing the seeds of a second season without anybody knowing" last season. "

She said, "I work with Neil Gaiman and know in part that Gabriel, who is played by Jon Hamm, his character is not in the book of Good Omens - but it was included in the first season. We were sowing the seed of a second season without anybody knowing.

"That character was written by Neil and Terry as a potential second book. They never got to write it, but now we're able to tell Gabriel's story. It's kind of a lovely evolution, where we're just expanding the universe.

"A lot of locations on the set are locations from season one. We've also been able to explore new shops, like we've got the record shop and we've got The Dirty Donkey pub, which we go into - it was in season one, but we never got to go into it.

"Season two is just building on the universe."

The Wicklow native added that it was "wonderful to get the Good Omens family back together" for a second season.

She said, "We were lucky that a lot of our crew and creative talent were able to come back for a second season. But also, we had our cast return. Miranda Richardson plays a totally different character this season and we have a new Beelzebub.

"And then obviously, we've got Maggie and Nina playing themselves, Maggie and Nina, as written by Neil. It was wonderful to get the Good Omens family back together again."

Noel Corbally, who works as an associate producer on the series, recalled how they marked a special anniversary of the first season's release while prepping for season two.

The Irishman said, "We went for dinner that night to relive the celebration, happy to be back again.

"Even now, it's been more than a year since we wrapped and to be able to come back into the studio that's just been frozen in time with everything wrapped up — we had a week to turn it back to life, have it be a live street again.

"It's been a week. But it's been amazing. We had our original lighting team come back, our original art department — and they've just done a fantastic job."

And while there are plenty of easter eggs for fans to spot throughout the six episodes, the pair shared their favourites.

Noel shared, "I think that my favourite easter egg is actually in the record shop. It's a song that we play in the background. It's so subtle, but it's from the musical Happy As A Sandbag.

"Maggie's character Maggie runs the record shop, which was owned by her grandfather in the story. But the musical, Happy As A Sandbag, Maggie Service the actress - her mother and father met on the musical and fell in love. Having that was an homage to them for bringing us Maggie."

Sarah-Kate said, "I quite like the easter eggs in the title sequence. If you look really closely, there is a Gabriel or Jim in every shot, which people tend not to notice. It's like Where's Wally?"

Rob Wilkins, who manages Terry Pratchett's estate and serves as narrative EP, told how he was "elated" for the second season to be out — and about moving beyond the book's source material.

He explained, "There were lots of nerves, because there is no source material. There's no book. I went through the whole of season one with the mantra that we've got a beginning, a middle and an end.

"And at the end of season one, which was the only season at the time, I felt very relaxed - we're all grounded through Terry and Neil's words, and that's fine. We know where we're going, we've got the novel to refer to.

"And so with season two, of course there's going to be nerves — there's no source material.

"But Neil is 50% of the creative team that brought you Good Omens, so in him we trust. And we genuinely do, from the bottom of my heart - of course we do.

"There's excitement about what Neil is going to bring from the page and from the page to the screen, but trepidation as well — I'm a fan as much as anybody else, I want to know where the stories are going."

Rob added that some of his own favourite easter eggs within the second season include a nod to Terry in The Dirty Donkey pub - as well as a special sight in the bookshop.

He said, "I love the fact that in the bookshop, Teny's hat and scarf are just hanging there. Terry, as a huge patron of bookshops around the world, he just left his hat and scarf in there and moved on one day and left them behind.

"That's a lovely one for me, as well - it means more to me, I think, than anything else."

Rob opened up about the success of the first season - and why it was something that he didn't necessarily expect.

He continued, "There's the Terry Pratchett fandom, there's the Neil Gaiman fandom and push them together and there's a big crossover. But what we created with season one, we created Good Omens fandom from the show.

"People came to Neil's work and Terry's work through the show. It created something entirely individual of its own making, and that freaked me out because I didn't see that one coming.

"I didn't see that as a thing. I thought the fans would be rooted in Terry or Neil. I didn't realise that the ineffable husbands in all of that - I love David and Michael, but I didn't realise the love people would have for them as our demon and our angel.

"I shouldn't be surprised. It's just my admiration for them as actors and for what they do, and for people getting it I think that that's the thing that's meant a lot to me, that people have understood what we tried to do."

Costume designer Kate Carin told how having the opportunity to join Good Omens' second season was a "gift" - and opened up about why it was impossible to pick a favourite scene.

She explained, "When you see the whole show - you think, when you're watching episode one, you're like, 'oh my god, that's the best'. But then you watch something in episode two and it's like, 'that's awesome!'

"I would say that I'm a disciple of the show now. I didn't know the book when I was approached about the job. I'd obviously heard of it, and I'd seen season one — as a punter, I watched it.

"To get the opportunity to come and work on season two, it's a gift for a costume designer.

"You do fantasy, you do period, you do contemporary and all of the wavy lines in- between - you're given a lot of rope to play with."

The character of Shax, played by Miranda Richardson, was a "really fun character to design for" - as Kate told how plenty of ideas jumped to mind after reading the description.

She said, "When Neil writes on the page that you have a 50s inspired female demon, that gives you a lot of scope to play with. "

And when I started drawing her, I actually had to stop myself because I kept coming up with ideas."

And with the series jampacked with magical moments and settings, set decorator Bronwyn Franklin told how there was one particular shop that has a "certain magic'!

She said, "I actually think the magic shop is my favourite shop. The bookshop used to be, but now that l've done it twice - it's still beautiful. It is Aziraphale's home. It feels more magical because Aziraphale lives there, and there's the whole angelic side.

"But this one, it really has a certain magic. From a set decorator's point of view, it's a joy. Will Godstone, he gets to sit there and he's got his little cash register and if he's got no customers, he can sit there and have a little cup of tea.

"You just have to feel that person, live that person and think that it's yours. I always come into a space like this and think, 'how would I like to be?' Because if it makes me happy, it'll make the cast member happy, it'll make the viewers happy."

Michael Ralph, who is the series' production designer, told how while it's impossible to pick a favourite set, the bookshop is "one that will resonate most'.'

Aziraphale's bookshop contains more than 7,000 real books and Michael noted that it was important for the setting to feel real, not just for the audiences at home but for the cast and crew.

He said, "There's not a fake book in here. Couldn't do that. In a way, if you look at any bookshelf - I spent almost a day just moving books around, to make the bookshelves look like they're real. They could be flat dressed, and then they're not real. But this is real, when they're just moved around a little bit; or people have pulled them out and put them in incorrectly.. .that's what's real about a bookshop."

[pommedepersephone]

You Say Potato, I Say Excellent! Or blocking, accents and legacy of morality tales in ‘The Resurrectionists’ minisode PART II

Alternate title: how Aziraphale’s naivety in this episode was supposed to make you a bit outraged

I have to shout out to @bowtiepastabitch for their AMAZING historical analysis of this minisode - it prompted me to finish this long ramble that has been drifting in my notes. Anyway, I have a major obsession with the ways blocking and dialogue interplay in Good Omens - you can check out my analysis of the blocking in the flashbacks in S1. But The Resurrectionists is really something special. This got so long I am splitting it into two parts. 

What we see in this minisode is a morality tale - a genre of children’s literature that was extremely popular in the early 1800s where the minisode is taking place. Catch up on the historical background in Part I.

When looking at this minisode, it is really important to look at two complementary narrative tools - Crowley’s accent and the placement of Aziraphale in relation to Crowley. Through the minisode, Crowley switches between his standard English accent and a delightful Scottish accent. But the switching isn’t random!

Scottish lines =  character Demon Crowley, who moves the plot of the story along

English lines = Crowley, the moral guide leading Aziraphale

Additionally, the two of them swap sides in their blocking frequently in this episode. Their standard placement is A/R + C/L but the swap to C/R + A/L is almost the norm in this minisode.

Analyzing Blocking and Dialogue

We open in the graveyard, with Aziraphale and Crowley in their standard placement, observing the statue of Gabriel. But then they notice Elspeth, digging up a corpse. When Aziraphale approaches Elspeth to inform her that her actions are Not Good, he actually ends up swapped with Crowley and finds himself on the left because what he is doing - making moral judgments on the actions of Elspeth with no understanding of what led her here - is doing Good, not good.

The next scene finds Crowley helping Elspeth cart the corpse away from the graveyard, while the trio debate all the other ways Elspeth could make money - Aziraphale suggests running a bookshop, farming, weaving, giving the standard Good party line about hard work blah blah blah. Aziraphale remains on the left - after all, those supposed options are completely unrealistic, unobtainable professions for someone in Elspeth's socioeconomic position. They aren't remotely helpful suggestions.

Aziraphale only finds himself back on the right when he and Crowley are introduced to Wee Morag, and have some time to listen and observe the reality of their situation.

Then, off we go to complete our journey to sell the body. Aziraphale and Crowley find themselves having a debate about morality, but Aziraphale is again ON THE LEFT as he waxes poetic about the virtues of poverty - doing Good, not good again. What I loved here was you saw the clear purpose between Crowley’s two accents as he switched mid-line -

Crowley: (SC) Oh, I'm down with wicked! (EN) Anyway, is it wicked? She needed the money. 

Upon reaching the lodging of Mr. Dalrymple, FRCSE, Crowley and Aziraphale take their standard places but this scene has one really important moment that I want to highlight. When they open the barrel to find the rotted corpse, the look on Crowley’s face is so telling. He often finds Aziraphale’s machinations amusing even when they are annoying, but here he looks decidedly disappointed. Aziraphale might have done Good by rendering the body unsellable, but what good did it do? The body is still been un-interred. Elspeth has wasted her energy, and has made a terrible first impression of the surgeon whom she needs to pay her for her services. It looks like Crowley wants to say something, but he stops himself and clenches his jaw. The PATIENCE he is showing to Aziraphale - this is a quality that Crowley has in SPADES but we really see him exercise it here.

After the discussion with Mr. Dalrymple, in which Aziraphale realizes the importance of dissections for educating medical students and thus leading to better care for the living, he asks the right question - why should the poor have to risk death to obtain bodies? But he let's himself get sidetracked by a blatant appeal to his emotions...

At this point, Aziraphale goes all in on body snatching being Good. Which... it still isn't because it is based on a broken system that disadvantages the poor? FOCUS, angel. He even goes as far as to offer to help Elspeth and Wee Morag in obtaining another corpse but note that again, he is on the LEFT -

Remember, Wee Morag is deeply conflicted about the morality of body snatching, and instead of explaining anything to her (like, that having your body dissected won't keep you out of heaven would be start) Aziraphale just sort of joins Elspeth in pressuring her to join in - which is pretty awful and coercive, but gee if that isn't just heaven's playbook for doing Good, not good.

So we return to the graveyard, and this is where everything goes sideways. Aziraphale spends basically this entire sequence on the left. First, he notices the ingenuity of the grave guns but fails to acknowledge the travesty of so much energy being spent on protecting wealthy corpses while the poor suffer. Then, the tragedy strikes. After Wee Morag is shot, Aziraphale wastes time justifying saving her, resulting in her dying before he can act. And after all this, after the heart break of seeing her partner die, we see Elspeth come to the logical conclusion. If body snatching is Good, then might as well take Wee Morag off to Mr. Dalrymple, right?

What shouldn't be overlooked is what takes place when Elspeth gets Wee Morag's body to Mr. Dalrymple. Because while Aziraphale is very clearly illustrating the dangers of black and white morality through religion, Dalrymple is showing that black and white morality through science is just as bad. Dalrymple has unshakable belief in the power of science and knowledge to alleviate human suffering and sees his work at Good. He cares about preventing illness, but ignore his role in perpetuating poverty - an unfortunate side effect of rigid belief systems of all shapes and sizes. He is downright cruel to Elspeth.

This is already getting real long, so we won't go into the absurdist comedy of the scene in the tomb - suffice to say that the surreal nature of Crowley's bargaining with Elspeth smacks of a fantastic tales of pacts made with the devil. It's delightfully unhinged.

The one line I think worth pointing out?

"Do I sound like a goat?"

I think this line is key in the narrative connection between the three minisodes in S2. All three flashbacks show Crowley and Aziraphale engaging in acts of deception, but they all have important differences:

In A Companion to Owls, the two work together, and they manage to pull off the trick and evade punishment.

In Nazi Zombies from Hell, Aziraphale comes up with a plan and Crowley goes along with it, and they barely manage to evade punishment.

In The Resurrectionists, Crowley comes up with a plan and Aziraphale goes along with it, and Crowley is sucked down to hell.

I think it's worth noting just how silly Crowley is in the first two minisodes. Bildad and Scottish Crowley are FUN even when dealing real heavy shit. Just a complete joy to watch. And we never see that level of silly from him again. Whatever happened in hell was clearly really bad since the next time we see him in St. James Park he is asking for holy water. He may have moments, but he is never the same.

Questions, comments, additional thoughts? Lay them on me. I'd love to dig into new lines of inquiry on this minisode because I just love it so much <3