#not that i've thought about this at all

[astral-herald]

jayce enduring a symbolic rendition of viktor's trauma is so painful and so, so clever.

being stricken down and immobilized through sheer accident or, in viktor's case, a cruelly random quirk that caused his disability.

then physically dragging himself from the lowest level of zaun to piltover, much like how viktor spent his youth reaching toward the promise piltover offered, but only if he could "pull himself up by the boot straps" and get there on his own. socioeconomic forces working against him be damned.

i appreciate arcane reminding us of viktor's origins - the reason he is so called to help people and, eventually, save himself - and putting jayce through the ringer - the contrast between he and viktor's lived experiences is front and center throughout season 1. the writers send jayce, and the audience, on a grueling journey to contemplate those experiences and how they've manifested in these intertwined characters.

[doydoune]

i hate them so much why are they like this

[bi-writes]

the new baby you take care of is the cutest baby you've ever met. (a lil dubcon, baby trapping, 18+)

he has a big head with a tuff of little blond waves, and he has the brightest brown eyes in the entire world. he smiles at every face you make at him, and he takes a bottle like a champ and will nap for hours as long as you're quiet.

his father has a strict schedule set for him. when you met that big man for the very first time, you were speechless. your teeth had clacked together with how fast you tried to close your gawking mouth, but it was impossible not to with how much he towered over you, nearly touching the top of the doorway.

he is methodical, down to every minute. tacked onto the fridge, he had shown you his son's current schedule, which he emphasized with a dead glare must be followed to a T.

two feedings in the morning followed by a nap. another feeding. a longer nap. another feeding. another nap. all separated in increments of 45 minutes, with instructions on how to use the bottle warmer and how to measure the formula.

his son does not cry. his father had told you, if he cries, y'r doin' somethin' wrong. and he was right. the baby only cried when he was hungry, and he would fall into a dead sleep as soon as you gave him a bottle.

it's odd, to take care of someone else's baby. especially this man's. there's no woman in the house, as far as you can tell. the whole house is decorated very minimally, cozy and in shades of warm greens and cool blues and browns. there are no heeled boots by the door or pretty fur coats, and whenever you pass by his bedroom, only one side of his bed ever looks lived-in. there are no pictures on the walls, no makeup in the bathroom drawers, and no pads or tampons under the sink.

just a big, unfeeling man and his big, adorable baby.

but you think that your actions to get this big, unfeeling man to like you are starting to have the wrong kind of implications.

it starts with dinner. you start to make it, using the ingredients from his fridge to make stews and buttery mashed potatoes and roasted veggies. the image of you stirring a pot with his baby on your hip has not left him, and whenever you don't have some kind of meal cooking when he gets home, you answer to someone curt, annoyed, and cold, even to the touch.

then it's the decorating. you thought his couch was a little bare, so now there's a few throw blankets laying across the back of it. there's a vase of pretty tulips on the coffee table. you're growing herbs on the windowsill, little pots of thyme and rosemary and basil. you leave house shoes by the door now, and even when you're not there, he sees those fuzzy pink slippers in the foyer, and he can't help the way he chubs up just seeing them when you're not around.

you start to bring some extra changes of clothes. after the baby spit up on you more than once in a day, you bring a duffel bag with you once a week with extra changes of clothes. he snarls when he sees your clothes in one of his drawers; pretty black panties and matching bras, all laid out under your lounge wear right next to his fucking socks.

the toothbrush next to his in the bathroom. the multi-colored chapsticks in the drawers. tampons and pads organized in the cabinet, your moisturizer next to his shaving cream. he smacks his fist against the wall when he sees the finished package of your birth control in the trash because wot the fuck are y'doing taking those things when y'know i want another--

he can see you in the baby monitor. swaying in the dark of his son's room, the baby's head on your chest as you rock him softly. you're singing a little, a gentle hum to soothe him enough that his eyes start closing. he groans a little when he sees your eyes shut as you kiss his son on the forehead, cooing at him as you pat his little back and tell him to have sweet dreams.

you're making brownies when he comes home that night. his son is seated in his high chair, clapping his hands, and you're smiling at him and cooing in that baby voice you do as you take the warm brownies out of the oven. when you see him emerge from the darkness of his living room, you smile at him, taking off the oven mitts.

"hi, simon," you say softly, and his pupils dilate when you slip a hand over his son's head to soothe him. "i made some dessert, hope that's okay. thought you might wanna try my new recipe."

simon comes into the kitchen as you take his baby out of his high chair. you hoist him up against your hip, and when simon comes closer, you giggle as tilts his head to the side and stares down at you both. you tilt your head back a little, blinking up at him, and the flutter of your lashes is enough to have him rock hard in his cargos as his hands curl into frustrated fists at his sides.

"i'm gonna put him down for bed, it's a little late," you tell him. you hoist his son up a little higher on your hip, picking up his little chubby arm and waving up at simon. "say goodnight, daddy."

simon grins under his mask at the soft lilt of your voice. you try not to squeak when one of his big hands slides around your waist to hold you at your back, and he bends down to kiss his son's forehead through his mask.

"goodnight, my boy."

you try not to linger on the idea that he may have grabbed your ass as you walked away. no, his arms are just so long, they grazed you while you passed by him.

the baby always goes down nice and easy. one bottle later, with a full stomach, he's rubbing his little eyes and fussing in your arms as he tries to fall asleep. he's a mover, simon's little one--always grasping around with his arms and flopping onto his side in the bed. oftentimes, after a nap, he's facing the opposite direction and on the other end of the crib when you come to get him.

so you shouldn't be surprised when as he's falling asleep, his little grubby hands reach for you and pull.

your eyes widen when you hear the pop of buttons. you look down, gasping, when you see his son has grabbed onto the front of your blouse and pulled the first few buttons out. they clatter onto the floor in a mess, and you're not able to see where they go with it so dark in his room.

"oh, god!"

you try to be gentle as you set the baby down in his crib. he immediately sticks his thumb in his mouth with his head lolling to the side, and you try to pick up anything you step on as you hurry out of the room, trying to hold your shirt together.

it's useless. you're standing there in the hallway, hastily shutting the baby's room closed, tits out at eight in the evening.

"tha' why he so good ta ya, mama?"

your eyes bug out of your head when you see simon there. he's standing at the end of the hallway, arms crossed over his chest, and his eyes are focused on your poor open blouse. the bra you're wearing leaves nothing to the imagination--just mesh with underwire, and when simon comes closer, there's virtually nothing separating you when he reaches up with that gloved hand and cups one breast, thumb smoothing over your nipple before he tugs on it gently.

"wha--simon--"

"thinks y'r his mum, pretty tits out like tha'," simon hisses. "'f ya wanted it so bad, why didn't ya just say?"

"simon--"

he tsks, using both hands this time to grip your blouse by the edges and tug it down your arms. it falls around your elbows, and he takes the straps of your bra with it, until it's pooled around your waist and your tits fall free.

"fuckin' hell," he breathes, and your lips part gently as he hikes up his mask and spits on your nipples before sucking them into his mouth. "mmmph..."

you arch your back as he rips the rest of the buttons off with one smooth tug. your blouse falls, and your bra follows it, until you're in nothing but your skirt, backing up into the darkness of his bedroom as he kicks the door shut. you scramble to get him back on top of you when your knees hit the edge of the bed, and you're laying down--grabbing around his shoulders as you try to guide his mouth back to your breasts where he can suckle on them with that filthy mouth of his.

"knew it--" he rasps. "fuck, i knew it--"

your eyes squeeze shut when he ruts his hips against yours. your panties are ruined, slick wet and digging uncomfortably into your folds, but the scratch of simon's jeans have your back bowing at a hard angle, your fingers sliding between your bodies as you reach for his zipper. you gasp when you feel him under your hand, straining against denim, the girth of him tying your stomach in hard knots as you think about what it'll take to get you open enough for him to slip in.

"keepin' me fat," simon murmurs. "holdin' my baby like tha', wot did ya think was goin' ta happen, eh?"

"h-huh?"

"'m gonna make you fat, too, swee'eart," he says, smoothing his hand over your tummy. "saw those little pills in y'r bag. it won't take today, but we'll try again tomorrow, yeah?"

you're drooling as he fucks you. your hips are hiked up, your skirt flipped up as his thighs smack against your ass. you're not privy to the way the fat of you shakes every time he's buried to the hilt, but simon appreciates it, tongue out as he watches you push back against him to try and get yourself filled quicker. he traces your spine with his fingers, leaning over you as he watches your fingers dig into his dark sheets and grip for dear life as he gives it to you fast and deep. it's a mess of wet between you, and you know the bed underneath you will be soaked by the time he's done with you, but you can't think about that when the very thing you've been wanting since the day you met him is so close, so within reach.

you haven't taken a single one of those pills since the first week you met that fat, beautiful baby. maybe simon didn't take too close a look at the dated little pills in your bag and in the bin, the little calendar you used to mark rotting away in a forgotten pocket, gathering dust.

when simon comes, your mouth is filled with saliva, and you gurgle between barely-lucid giggles as your hips sink into the mattress. he's saying something, but you don't hear it. instead you reach down with your fingers and stuff them inside, trying to gather as much of his cum and keep it. when simon tries to cum in your mouth later, you nearly bite his dick off.

how dare he try and waste it?

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[egophiliac]

should've just let Vil be the one to fly, it would've gone SO much easier. 😔

also HEY how are everyone else's pulls going, because I have had the most RIDICULOUS luck, seriously, halloween magic is 100% real

[umblrspectrum]

3 years of this godforsaken show

[madamemiz]

sad: falling out of a hyperfixation

tragic: watching your beloved friends and mutuals fall out of the hyperfixation while you're still in it

[theatomicmagicalgirl]

Mentally, I'm still existing in Wild Life Episode 7.

Absolutely adored GeminiTay's power of astral projection. I wanted to visualize that ability while also designing appropriately superhero-esc looks to fit her!

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[sartorially]

what iiiiiis your fav canon ship tori? from homestuck

Always gonna be the Meowrails. Forever, forever, forever. Throughout time & space, they will be silly.

[sharkylass]

HAPPY HALLOWEEN!!!

(It's not belated what are you talking about-) With the spooky day I bring...

---------------------------------------

--------------------------------------- There's A LOT OF ART under the cut, however it's A LOT OF SPOILERS.

ESPECIALLY FOR THE ACT 6 ENCOUNTER/TWO HATS, EVERYTHING IN THIS POST IS DEPENDANT ON THE FACT YOU KNOW ABOUT THAT ENCOUNTER.

(The dandelions are frozen in time) (...) (You envy them, but you think that's sacrilege, so you move on.)

The gif takes forever to load, please bare with me-

ALRIGHT, LET ME INTRODUCE YOU TO ROBORO.

Roboro (it/they/he) is cold and calculative. It spent so long trying to get out of the loops, that a lot of their tact and bubbliness gave way to their cynicism and bluntness.

They exhibit more of their younger traits. Extreme smarts and avoidance. However, they still carries themselves tall, and aren't afraid to speak their mind. Most of the time, they simply choose not to.

The decision to make him cold and distant, rather then manic and erratic, actually came from Loop themselves. Loop is very actively trying to be the opposite of Siffrin. They act chatty and cruel because that's how far they've been driven, that's how they choose to hide themselves now.

Roboro is the same, in the sense that it's supposed to appear the very opposite of Isabeau.

"Why is it a Dandelion?"

From what I've seen, most people lean on the space idea for the guides, and I find that super neat-

But as an exercise (before this AU was even an IDEA in my mind-) I tried to design Mira, Odile and Isa as guides.

I tried the space theme, and felt really limited with it.

So instead I decided to design them based of ways to wish

Mira was a fire (candle)

Odile was a coin (throwing a coin in a fountain/well)

And Isabeau WAS in fact a dandelion (blowing on a dandelion)

And I guess that idea just stuck around in my brain until I got to making this au.

Their Dynamic With Isa

The two's dynamic isn't too dissimilar to Sif and Loop. Isa still tries to be his loud positive headstrong self, and Roboro sees past the bullshit, and grinds Isa's gears

(Fun fact for that second one: Roboro knew Isa wanted to be called "good boy" cause it probably would have wanted to hear it too-) As time goes on, the two learn to get along if only a little. Isa starts to appreciate the bluntness of Roboro, together with the helpful tips. Roboro meanwhile, seeing Isa's descent starts to feel a spark of empathy for the guy (which sucks for ACT 5 whoops.)

Silver Coin Equivalent

The equivalent is called "Lucky Pencil". Isa is a pretty superstitious guy, despite knowing better logically. So I thought he'd totally be the type to carry around a lucky charm of sorts!

(You recall.) (Before you lost yourself to time, you tried to become a defender.) (You got so tired of being the lone kid, the one people would not see, or think about.) (You were smart, but you were invisible.) (Sure, you were quiet, but you had good grades! You were getting by!) (Even your own family didn't think much of your solitude.) (And yet, you were so scared to open your mouth, to even answer questions you knew the answers to-) (It was hard. Suffocating even.) (When teachers started giving you good grades without you even having to try-) (Something had to change. You had to change.) (And you did! You became stronger, resilient, reliable. Became the very antithesis of what you used to be.) (Left everything you were behind.) (But it was worth it! You could finally!!! Talk!!! You could bring smiles to people's faces! They'd smile when you entered a room! And each time you felt pride. Pride in who you were.) (You tried talking with your family more, being more open, loud-) (They still didn't see you.) (Smart kids turned away, uble to face you, see their fears embodied. Fears that if they wanted to belong, they had to leave their brains for brawn.) (It was better. You were happier. But you still didn't belong, either.) (In hallways filled with people, you were still just there.) (…) (You tried really hard for you Defender exam. You exercised to near faints. Only really ate and slept cause you knew it would make you stronger.) (Buried your nose in reading and studying to avoid thoughts of doubt. And when they'd reach you anyways, you'd go for a run.) (You know it wasn't the best for you. You're supposed to be stupid, not unwise. "Just until I pass" you told yourself.) (… You were exhausted on your exam day. As your nerves heightened, so did your "coping". You were ready!!! You just, needed a little help.) (So you opened your drawer, filled with old papers and textbooks and notes. You don't like looking in there too much, but you took what you needed.) (A beaten up pencil. Your little lucky charm!!! Sure, you always knew the answers, but it was easier if you believed this pencil was helping you, guiding you.) (It was silly to think it would help, but you weren't taking chances.) (…) (Even after all that time, you couldn't leave that part of yourself behind.) (You still can't.) (You're the only one that can't.)

ACT 6 FIGHT

The ACT 6 encounter would... go about as well as you'd expect. Not only did a version of you win- it's the version of you that pretends to be a meat head, the one that's preoccupied with being nice rather then thinking ahead. How did he get to win when you, you who's changed, you who's given everything you had, everything you wanted to simply get out?

Why does he get to win? Why does this loud mouth, emotional, explosive guy get to win? He's learned nothing!---

I have more stuff to draw for this encounter, including the "I'm sorry/ thank you" pictures. I leave this one off with the knowledge that Isa used to tug on his hair as a stress stim. Guess is stuck around huh.

______________________

Post Loops Roboro

Roboro, once again, Changes! This time to resemble a yellow dandelion, rather then a white one. The family is long gone by the time Roboro wakes up again, and first thing's first- It has to find clothes. It doesn't like the weird looks people give him.

So, he goes to the House, braves the looks and gasps and confusion. It's trauma be damned, it's gonna talk to that Head Housemaiden finally.

He meets up with Euphrasie, and she quickly catches on what must be going on.

She's readily willing to give Roboro one of her old dresses-

Problem being- 1. They are too big on it (he may be Tall, but not EUPHIE level tall-) and 2. It wouldn't be the most comfortable wearing a dress around.

So, they figure they should make some adjustments. Euphrasie is willing to make the adjustments, it would only take her a day or two.

However, Roboro kind of... wants to try to do it themselves. There's no rush, it has nowhere to be. Maybe... maybe learning to re-engage with an old hobby could be good for it...?

Euphie excitedly lets it stay at the House, figure out what it wants to do- to take it's time changing!

Obviously, Roboro has trauma from the House. The walls, the cramped space- it terrifies them. But they also don't want to stay at anyone's home in Dormont, the awkwardness would kill him, if feeling like a nuisance doesn't do it first.

So. Roboro stays at the rooftop.

Roboro does some sewing on a new outfit, at the top of the House. At the very end of everything.

It's a bittersweet reminder that it's over, so it's as good as it could get while staying at Dormont.

I have a whole comic about this in particular, but this is already a massive infodump so I'm gonna stop it there for now-

Roboro travels around a while. It and Isa agreed to meet up eventually, but there was no rush to it.

He went around a while, re-familiarized itself with life, with people, with hobbies, with existing-

Probably made some friendships along the way. Those are probably the people who pushed it into reconnecting with the family.

I'm not gonna go into detail about everyone's dynamics and stuff, this is too long, and I'm still writing that stuff anyway.

I can however leave you with this:

(I might change how Post Loops Isa looks in the future, I haven't quite figured it out yet)

______________________

PHEW

THAT WAS A LOT

IT'S NOT EVEN EVERYTHING I HAVE, I HAVE SO MUCH STUFF AUGH,,,

Anyways, I just wanted to thank you all for the support on the first post, I didn't expect it at ALL Just know I appreciate it :]

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[hazelnootnut]

ACT 2 "You're... me?" "That's right, stardust!"

You know I've been drawing Loop as their Siffrin form so much that it's got me thinking. I've read and seen so many fics and artworks of Loop eventually getting back to looking like their old self, but I don't think I've seen any so far of Loop already being a mirror copy of Siffrin. So uh, yoink?

ISAT AU where the game plays out the same way (plot-wise at least) but Loop looks like Siffrin the whole time and while Siffrin is extremely perplexed that there's another him, he's still gotta accept their help because how else are they supposed to escape the loops? Good ol' Loop is here to help, helpful friendly Loop!

Siffrin is going through it still but Differently.

[tarysande]

The best part about coming back to the source material after a looooong time is you sorta get a fresh look at canon in comparison to whatever the dominant strains of fanon have become. Or, in fact, whatever your own dominant strains of headcanon have become.

I mean, yes, Garrus “I’m not a good turian” Vakarian gets infinitely cooler (and more competent!) by pretty much every metric as the storyline progresses. He does. But fresh out of ME1 and into ME2 through his recruitment, I find myself genuinely amused by how thin the veneer of badass is over a pretty dominant core of straight-up nerd sprinkled with idealism mixed with self-doubt.

When you have Garrus in the squad all the time (and thus get all his ambient dialogue and remarks), you really pick up on the number of times he calls out bad behavior, unethical actions, cruelty, and rule-breaking, especially in ME1.

He’s not actually a hothead who can’t abide rules of any kind. In fact, most of the time he’s pretty pro-law-and-order, and he gets amusingly hall-monitorish when people are breaking rules he considers important and worth following.

Fundamentally, Garrus chafes when his sense of what is just is at odds with what the authorities do about that injustice (or what they stop him from doing). And I would hazard a guess that the reason his actions seem so intense or harsh or "of course we should have shot down that ship in the middle of the Citadel" is indicative not of his impatience but of the degree to which he thinks the authorities have failed to uphold that justice. We know he can be patient. He's a sniper. His whole modus operandi on Omega is precision kills without civilian casualty. But when that long fuse finally burns down, he goes from zero to shooting down ships in the middle of the Citadel in what looks (from the outside) like a heartbeat.

And yes, injured pride hastens the burning of that fuse; he doesn’t like losing. Or admitting defeat. Or failing.

Having just replayed his recruitment mission, a few things really stood out to me this time.

The merc bands really hate him--and they also reluctantly admire him (he's described as smart, resourceful, dangerous, idealistic, brave, slippery; they all agree they only way they managed to get this far is by isolating him and employing dirty tactics). I mean, there's literally a station-wide announcement that Omega can return to "business as usual" once Archangel is out of the picture because he was disrupting things so completely.

The way Garrus blames himself for the deaths of his squad is so freaking turian. Failure reflects on the leader who places his people in danger they can't handle, not the individual who fails. Heavy is the head that wears the crown. Yes, Sidonis betrayed him, but the person Garrus blames the most? Is himself. For trusting Sidonis in the first place. For raising Sidonis to a position where he had the means and opportunity to harm others--and the weakness of character to turn coat, to save his own hide, instead of dying to protect the others.

Garrus mentions more than once that he was trying to emulate Shepard. And his tone always implies that he knows he failed because Shepard would never have let a Sidonis into the fold. Again, he's blaming himself. Like a good turian. Yes, he wanted to avoid the red tape and bureaucracy of C-Sec, but his code--Archangel's code--certainly aligns with Paragon Shepard's morality (with a Garrus Vakarian twist).

And since it wouldn't be meta without adding a Tara's Headcanon Twist ... I've always wondered why "Archangel" when it's such a ... human concept. But this time, when I noticed how he spoke about Shepard's influence, and how quickly he brushes aside the name when she asks him about it, I wondered if it wasn't actually his way of honoring the mythology of the dead woman whose example he was trying to follow. Not that Shepard is a God he's worshiping, but ... there is something about the way he talks about her. Garrus doesn't make himself over in the image of a God, though; he's the soldier, the right hand, the avenging angel responsible for carrying out divine punishments suited and proportional to the crimes committed, the rules broken, the selfishness or cruelty of the perpetrator.

[emziess]

Well, I'm sure whoever you saved is just glad you were being Buck. I don't even know what that means. You never give up. That's what being Buck means to me. But whatever you do, don't stop.

911 gif meme: [1/8] Episodes: Buck Begins - S04E05

[egophiliac]

So I was doing some math, and I THINK Skully is almost as tall as Malleus without his horns

I think the main reference to his height is Epel being surprised they're the same age because he's taller than Sebek, yes? which I find interesting, considering Jade and Malleus -- two of the tallest guys in the main cast -- are also there. and, since I've never been one to not think waaaay too much about the absolute stupidest minutiae about fictional characters, I see two possibilities:

one is that Epel is extremely good at eyeballing heights (I actually do feel like he could be? like. I'd believe he can estimate someone's height fairly accurately by calculating based on the life stages of an apple tree, or how many apples tall they are, or something else apple-related like that.) and Scully does, perhaps, fall into that narrow margin between Sebek and Jade in height.

OR two, out of the three certified Tall Guys there, Sebek is Epel's main frame of reference because he's the only one he's had any real interaction with for, let's be fair, pretty obvious reasons.

SO in conclusion, we still have no concrete answers and will probably have to wait until next year when we get his card profile, alas alas. 😔