#not really trying to criticize at all

[smoozie]

I think the issue with this season is that Grian wanted each of the gimmicks to be a surprise, so he never tested them with a group of people. And that's why the power balance is so off

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[miniimerry]

My litmus test for deciding if I respect or value a person’s One Piece opinions is looking at the way they discuss Usopp tbh. You can tell a lot about someone based on how they talk about Usopp specifically.

If a person insists that Usopp is useless (whether it’s because he’s not as strong as Zoro or Luffy or Sanji or because he “doesn’t have a real job” on the crew) it tells me that they don’t pay attention to what Usopp does contribute, nor do they pay attention to what the story itself deems useful. Usopp may not be a massive, hulking powerhouse with ultra-powerful haki, but he does have utility in the crew. (And even if he didn’t, he would still belong because they wanted him.)

If a person insists that Usopp is just a crybaby or a coward and that he sucks because of this, it tells me that you don’t pay attention to what he’s doing while he’s running or crying. He might cry or shake or run, but he always comes back. He always stands up and fights in the end. He feels scared and then he does it anyway. It’s easy to forget, but Usopp is just a human in a world of monsters. For him to stand up and fight takes a lot of courage.

If a person insists that Usopp is not strong, it tells me they miss what the story itself tells us about what strength is and what it means to be strong. He has a skill that most do not. He is able to shoot with a degree of accuracy that is borderline inhuman. Whether he can kick through a boulder is irrelevant. Sanji can’t snipe from hundreds of feet away.

If you can’t look at Usopp and see where he fits in the story, I am truly uninterested in anything else you have to say about this story.

[andrewknightley]

saw someone saying something like "do you really think veilguard story would be better if you could do evil choices?" and actually yeah. i think if they let us act more like the dreadwolf on the "you are a paralellism to the dreadwolf" game, it would be more significant when the story tells you "you are a bit like him/you are nothing like him" because , thats how you chosed to play it.

[towards-toramunda]

Liam O’Brien thank you so much for saying this (I was getting so tired of the “the tiny nod of the head was the only reason Delilah came back this is literally all Orym’s fault he knew exactly what would happen he personally caused Laudna’s suffering” bs cause… my lil guy isn’t very magically inclined, he didn’t know exactly what she was doing, he just thought she should take him out because if she didn’t he would’ve)

[crossdressingdeath]

You know what the most frustrating thing about DAV criticism is at the moment? It's that I do in fact have criticisms. Quite a few, actually. It's a Bioware game, of course I have criticisms. No one I've spoken to or whose posts I've seen thinks it's perfect or above criticism. But the thing is, I—and I imagine a lot of other firmly positive blogs—know that if I share any of those criticisms, if I make posts discussing them and talk about the game's flaws, I will immediately be inundated by people using those complaints to insist that the whole game is garbage and the writing is bad and Bioware's a terrible studio who can't make good games and DAI (of all fucking games) was so much better and blah blah blah blah. I know that because it's happened every goddamn time I've made a less-than-positive post about DAV. And I don't have the energy to deal with that! The endless stream of bad faith criticism wears me down and having to constantly stop to defend a game I like when I'm trying to discuss its flaws because if I don't (and frankly half the time even if I do) people will use my posts to claim the whole game is garbage is exhausting, and fandom is supposed to be fun. So I can't discuss DAV's flaws on tumblr if I want to avoid that, and it is infuriating. I see people bitching about toxic positivity and people refusing to acknowledge the game's flaws, and I really want those people to take a second to consider: do the game's fans ignore its flaws and refuse to accept that anything about it is bad? Or have you created an environment that is so toxic that no one who likes the game wants to risk getting your attention by mentioning what's bad about it and they respond more aggressively than is warranted to even genuine critique in an attempt to ward you off? Because there will always be assholes who claim that genuine problems are Fine, Actually, Stop Being Such A Baby... but if people can't address the game's flaws in public without immediately getting dragged into five different arguments about how it is in fact ultimately a really solid game, they're not going to do it no matter how much they recognise those flaws.

[essektheylyss]

My thing about Veth potentially venturing into polyamory is that I do think everyone involved would be perfectly fine with it and happy to help her experiment, and I think that no matter how they do it, it would not fix her. This isn't to say that she wouldn't get any benefit out of trying! It's just to say that it's not a solution to her actual problem, because I genuinely don't think the problem is that she's lacking any one thing that would make her life complete.

Fundamentally, I think Veth struggles with the idea that there will come a point at which she has to settle. Not in a bad way, just in the sense that she is one person with one life and she will have to live within those bounds. Because the thing is, I don't really think her issue ends at struggling to "have it all"; to an extent she does! She is a good parent, even if her kid is a little rebellious; her marriage is supportive (and has fun sex); she gets to go off to save the world with Yeza's blessing on occasion, when the world needs saving. She doesn't have all of these things all the time, but... that's not really a flaw, that's just a fact of life.

But she started out her adult life settling to an extent—even if she loved Yeza and loved being Luc's mom, she did the safe thing that was expected of her. The goblin attack and everything that transpired after shoved her out of that life, but in retrospect, to an extent it likely feels that that pushed her to find something more that she wouldn't have had otherwise. Being pushed to her limit under the worst conditions made her better, stronger, braver, and at the end of it she found that she could have both her original life and much of her new life—so why wouldn't she then wonder if further experiences of that ilk could do the same?

Crucially, she has not actually run up against a hard limit yet, and as such she hasn't had reason to believe that there is a point at which she has to stop and recognize that there isn't more for her to find. When she was drinking more heavily during missions, even when it caused the death of herself or others, there were no long-term consequences. And the thing is, I'm not saying that she should face that kind of major consequence, but she seems as though she is scared to accept that maybe she could be happy if she stopped before she does.

I'm also not suggesting that she should stop experimenting or trying new things—the Luxon knows I am not one to talk in that realm—but I do think she is searching for novelty not because that would make her happy, but because she doesn't believe that she has the capacity to know what would make her happy. She was unaware that polyamory was even an option, so think of what else she might not be aware of! She doesn't have perfect knowledge of the world, after all, so how can she trust that she's found what she really wants? So yeah, she could fuck someone else, and it might even be an enjoyable experience that she didn't know was missing! But that only prolongs the question of what else she might be missing.

I think that deep down, she's terrified that if she doesn't keep pushing until that external hard limit, she will end up with regrets later, and simultaneously she is resentful that her friends all seem to have reached a point where they are largely content with what they have, because she wants them to have everything. She wants herself to have everything. And she has not yet allowed herself to come to terms with the fact that only she can determine when the everything of what she already has is enough, and anything else is the cherry on top.

[spectralpluto]

me: i watch critical role for the plot

the plot:

[aroaceleovaldez]

What is the PR disaster in question that made Rick announce TSATS? I wasn’t active in the online fandom at that point

Of course! This was awhile ago so it figures people don't remember it/aren't familiar:

Basically a couple years back (2020) the fandom had some posts circulate discussing the ways different characters in the Riordanverse were written poorly or offensively. There was a masterpost that went around tumblr but the two major points people were particularly focusing on were Piper and Samirah (particularly because Piper had featured prominently again in Trials of Apollo recently and the third MCGA book had further emphasized and discussed Samirah being Muslim, since it was supposed to take place during Ramadan). Basically each had multiple posts breaking down the ways they were depicted incorrectly or offensively. The entire fandom for a little bit was VERY intensely discussing this (and it's around this time the "RR crit" tag got very popularized on tumblr - it did exist before, but suddenly was being used VERY frequently - cause it was that wide-spread - though the discussion took over basically every side of Riordaverse social media on different platforms). People really wanted Rick to respond to these criticisms, so he did!

He made two blog posts, one about Piper and one about Samirah. He has since deleted both so the links are to archived versions. The short version: he essentially tried to justify his poor research and double-down that he hadn't written them offensively, actually, people were just being mean to him. The fandom, of course, reacted poorly to this.

[Further elaborated events under the cut since this got a bit lengthy]

(Fun fact, this all happened within a month or so of the time i posted an open letter on aphobic tropes in the Riordanverse that Rick replied to, and then he immediately followed with announcing that Reyna was intended to be ace-coded [which cause a LOT of fandom debate] before Rick dipped for a couple of weeks, and then came back to post the blog posts in response to Piper and Sam stuff. So I like to jokingly refer to this as "The time I imploded the fandom/drove Rick off of twitter." Twas I that set the house ablaze.)

Rick fully left social media after this and the LT Musical social media manager became Rick's social media manager for the time being.

So this all happened June/July of 2020. Tower of Nero would end up being published in October of 2020 and a few months after that Rick would state that he was done with the series and wouldn't be writing any more series installments involving Percy, and also that he wouldn't be writing a Nico quest following Tower of Nero as it "wasn't his place to" and encouraged the community to write their own versions of Nico's story.

The community continued to circulate the tumblr posts and discuss the topics of Rick's offensive character depictions, and this is also where we see the dramatic shift in how the fandom depicts Piper in fanwork (though in most cases it is admittedly not an improvement 😬) because of all this discussion. This is also around the time when the fandom brought Viria under scrutiny claiming that she was whitewashing Piper as part of the same discussions, through the justification that she was drawing Annabeth as having tan skin (which she does canonically), and if Annabeth has tanner skin then Piper then that's whitewashing Piper? Except they were using completely separate images of not fully rendered Piper art versus Annabeth in dramatic lighting, so it's all very awkward and poor logic, and did actually get kind of racist. A lot of people were calling it "Tannabeth Blackchase" (yeah, i know) or similar and a common sentiment you'd see repeated is "Don't draw Annabeth as having darker skin than Piper, because that's offensive/racist/whitewashing." (Note: it was not phrased "don't draw Piper as having lighter skin than Annabeth" - we also won't get into certain offensive depictions of Native Americans, but I digress). But yeah, the Annabeth stuff in all that did not age well at all.

Anyways, in October of 2021 however Rick would announce that he was co-writing The Sun And The Star - with a lot of heavy emphasis on how Mark Oshiro works as a sensitivity reader, and some false advertising from the official social media that Mark Oshiro was the first time a non-Riordan author would be collaborating on the series (disregarding the ghostwriters completely). One of the big criticisms in the breaking down of issues in Rick's writing was his lack of ever seeking a sensitivity reader, and fans claiming that a sensitivity reader could solve a lot of the problems. This was basically Rick's "look! I totally listened!!!!" (though it did little to actually improve things, based on the book) and in TSATS as well Piper gets a large cameo at the end where the text very directly addresses a lot of points made in criticism of Rick's writing of her.

We also then of course got the CoTG trilogy later, explicitly stated to be for advertising purposes for the show.

So basically, short version: Rick came under scrutiny for a lot of offensive writing within the span of two months, made some bad blog posts doubling down about it, left social media. TOA ends. Rick says he wasn't going to continue the series/write what would become TSATS. Community celebrates the end of of the franchise but also continues to discuss Rick's poor writing and the blog posts at length. Rick suddenly announces TSATS and Mark Oshiro's involvement. Everybody gets distracted from being mad. Show announcement stuff also happens and the discussions peter out.

[short-wooloo]

Because the stupid acolyte witches have brought it back to the forefront with their nonsense, I need to remind everyone

DARTH PLAGUEIS DID NOT CREATE ANAKIN

People who either never read or haven't read the Darth Plagueis book in a long time always seem to forget that Plagueis' experiments FAILED

He tried-TRIED to create life through the Force, it didn't work, badly, it didn't work so badly that it managed to piss off the Force which in turn retaliated by creating Anakin, Plagueis' attempt at creating life was so unnatural, such a perversion, so offensive that the Force created a life form for the purpose of destroying the sith

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[tomurakii]

Seeing Silco and Vander together in the AU lowkey feels like watching your based nonbinary best friend get back with their shitty ex boyfriend who misgenders them. Girl he's a centrist and he tried to drown you stfu about "forgiveness"

[denkisauce]

(bnha manga ending spoilers)

what was the point

what was the point

what was the point

WHAT WAS THE POINT

WHAT WAS THE POINT

WHAT WAS THE POINT 😭😭

what was the pointtttt

[p0rk-guts]

Oh my god I just realized. The imps have black blood. All hellborn have black blood. Their blush should be grey.

[wardensantoineandevka]

y'know, most of us are saying this or that about "Bells Hells choosing to release Predathos to remove the gods from Exandria," but — and admittedly my memory might be shaky on this one due to East Coast time — Bells Hells hasn't even gotten that far yet, as far as I remember

like, at minimum it seems that people are FEELING that the Hells haven't even made a decision about whether they even want to let Predathos out or not, or what they want to do about the gods. they were in the process of trying to ask Predathos what it wanted to do and whether it was possible to convince it to go back where it came from without bothering anyone at all. the current situation is more at "Predathos is trying to grab you and use you as a host, what are you doing" without making a clear choice about the implications of the results of resisting or not resisting

we're still in a bit of a not having made a choice yet either way about Predathos's intent to escape or what that would mean for the gods or the state of Exandria, we're not even at the moment of unfolding in text whether Imogen intends for this to be a way to control Predathos to guide it toward another end, whether she is making this as an active choice to try to contain it and prevent it from escaping, whether she is making this as an active choice to aid it, whether she is simply giving in as a resignation to what she feels is inevitable fate

a choice has been made to not resist being taken up by Predathos, but there... hasn't been a clear choice at all so far about the actual narrative question of what to do with Predathos and the gods, like, that's still something that remains undecided on by the party, they hadn't even made a decision yet when the reaching and grabbing happened, so like, yeah

[genericpuff]

hello 911 why are all the LO volumes classified as grades 6-12 except for the newest volume which is more appropriately categorized as grades 9-12

please no