#not really i just used the translate function on word
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I've been thinking a lot about Euclydian biology lately, specifically in regards to pigmentation thanks to this awesome ask I got on a side blog, and wanted to illustrate some of the ideas I had. Super quick lazy sketches but hey, maybe some of you will dig this! Nerdy stuff under the cut, will make a bit more sense if you read the aforementioned post
Euclydians have a genetic predisposition towards a "resting" color (in Bill's case, yellow). The opposite of this state (full "flexing" of chromatophore-controlling muscles) is also predispositioned, which is what's seen in the threat display. This rapidly stimulates the individual's metabolism and gets their blood really pumping in preparation for conflict, but is also somewhat costly in terms of energy, so is typically only flashed rather than maintained as Bill does it
"Teeth-peeking" is the cute zoology term I came up with for when a Euclydian displays a couple teeth overtop their eye without fully switching into mouth-function, usually as a threat but sometimes a sort of stim when they're hungry
Communicative flashing ("Chromatic") has a few languages. The most primitive is Simplified Emotive which is a quick display of mood, while the most modern is Traditional Chromatic, wherein patterns of color serve as words. Words in Traditional Chromatic are not ciphers like they are in TBoB and there aren't always direct translations into English
There are a couple accepted ways for a naturally colorful Euclydian to signal an emotion or "syllable" that matches their color, typically either by a subtler change in value along the edges or by changing everything BUT the edges
It's probably worth noting that Chromatic of any variant is considered a secondary, uncommon language in modern Euclydian society. It's simply more efficient and easier for most to speak, though I think Simplified Emotive probably stems from the natural threat display and so it's more intuitive. It's not unheard of for someone's edges to flash "angry/surprised" (◼) for a second if you bump into them on the sidewalk
A memetic blush is a learned behaviour in which individuals appear to fluster by a reddish shift in color along the face, edges and vertices. This might just be something Bill (or hypothetically other Euclydians who come into contact with humans) does I'm not sure yet but it's cute so
Given the body needs to conserve more energy when fighting illness, it's not uncommon for chromatophore muscles to weaken or spasm in order to lessen metabolic strain, giving the individual a patchy look that often reveals the naturally white skin below the chromatophore layer
When rigor mortis occurs in a dead Euclydian, all the minute muscles in control of chromatophore dilation contract all at once, rendering the entire body white. Because of this, white is considered a bit of a grim color in Euclydian culture; you know emos are wearing all-white instead of all-black
Conversely, a perfect, non-tinted grey is a regal shade because it's seen as a sign of fitness and strength. Maintaining a neutral grey requires very precise control over one's chromatophores to get the balance right and hold it there
Euclydians are capable of training the muscles that control their chromatophores like any other, and as a result can change their resting color with enough discipline! They can also use this technique to give themselves markings. Haven't decided the cultural implications of this entirely, but I think the idea of someone training themselves to match their threat display so nobody can tell when they're angry, for example, is a cool idea. Possibilities!
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I really hate when a story just doesn't explain where people get food from. Like, if it's high fantasy with a mythic vibe, it doesn't matter, because it's not supposed to match material reality, but in something more low fantasy or sci-fi or post-apocalyptic or whatever you need to explain how your world functions. I'm reading a fantasy novel where the main character gets sent to the Demon Realm for a bit, and even though the entire place is a barren wasteland with apparently no agriculture or animal husbundry, there're large mobile cities with markets with bread and meat and food and potions and etc.
Like, they specifically call out that there aren't many plants in the demon realm, and wood is exceptionally rare, and then just don't elaborate on where wheat comes from.
I think some people are disconnected or uninterested in wondering where things come from in their own life and so they don't apply this to their own writing. But there's also a sense that such things are "boring" or "distract from the story" when they are actually very important to setting up the atmosphere and plot. I mean, why do you have a "demon realm" if you just have markets and such? What's the difference between such a (supernatural?) realm and the material world?
Because this is something I've been also wondering especially with regards to "evil demons" in fantasy. As I understand them as a concept (informed by my own Western/Christian background of course), demons (and angels and everything in between above or below) are supernatural beings and so they don't physical subsistence, at least not in the way we do. They are also somewhat "above" human comprehension, so they don't exactly behave as human. So when you have demons living in the "material" world you have to wonder how that exactly works, if they do have the same needs and way of thinking as humans. And if they do, what does it mean in this context to treat them as entirely "evil" or "good".
(of course, the word "demon" here could mean a lot of things, for example, in East Asian fantasy sometimes it is used as a translation for concepts such as Yaoguai which I would rather say are "monsters", while there are many, many other categories and concepts of the general idea of "supernatural being", there's a lot of nuance here)
ANYWAYS, returning from that tangent. Your world can be as fantastical as you wish. But if there are human beings on it, or otherwise biological material beings, they have needs to be fullfilled beyond whatever quest or context they're on. They need to eat, to drink, to have shelter, to sleep and so on. And this does not mean that you should spend chapters on telling me how your characters eat or sleep, but it does mean that if you want to convince the reader that this is a world with people you should care about, you should write it as if it indeed was a world with people.
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learning python rn and nothing boosts your confidence like finding the bug while the person teaching you is coding live
#also just. actually learning coding in general#bc like. for all of my comp sci osmosis I really never learned coding basics#took a matlab course once where I had to create functions with loops#and then never used matlab beyond translating pseudocode from textbook problems for numerical analysis hw#similar story for using R#my coding knowledge is passably being able to Google how to do basic things in various semi coding languages as needed#but bc it’s so spotty it’s like. evil rn#do I know about Turing machines and unsolvable halting problems????? yeah#do I cobble together the most atrocious and dangerous misuses of the one or two commands I know#to do a thing easily done by a basic function????#also yes#I need to like. learn what the things do on a fundamental level so I am not misusing them in evil ways basically#456 words
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Me thinks Clark didn't realize until now how bad the situation in Paris really is and might just interfere now.
Correct!
I don't know if I'll have the time to draw it, but essentially higher-powered supers are banned from entering France, in the very least the Paris area, because an akumatized superhero with more power than Ladybug or Chaton could lead to devastating results. Due to this, media outlets regarding Hawkmoth and that situation are throttled to specifically France, as no one wants Hawkmoth gaining allies through outside supervillains via the media. HM/Gabe hasn't caught onto that fact yet, since its something hush-hush between LB and the local government, but Marinette did publish a paper regarding a character profile of Hawkmoth and how current Akuma function, as well as a deep dive into how its effecting the Parisian population.
Chock full of primary sources, interviews, and even one on one dialogue with Chat Noir and Ladybug, naturally the study gained attention. It was meant for France, for the public to understand the current stakes and how now more than ever, people need to extend sympathy, patience, and understanding to each other, and how negativity is as healthy as positivity and must be nurtured and resolved with care. It was meant as a public notice - to not destroy one another or shut down, to instead have faith in one another and to work as a community, even if their faith in LB/CN was to waiver, that you can always trust your friends and family to help you in times of great tragedy and stress.
It was popularized both as a letter to the public, and as a research paper regarding Akumas; as a result, it was eventually translated and squeaked out under the French censors accidentally, as its spread was entirely minimal. However, it wasn't so minimal that it wouldn't eventually end up on the desk of a woman looking into Superhero news, aka, Lois Lane. It was a solid read, if not a bit garbled, since auto-translators were used instead of a real person, and it was passed to Clark to read.
The issue in France didn't seem so terrible from words on a page, and not only that, the League agreed that all in all, major supers needed to stay out of France for their own protection.
however, looking at the face of the girl that published the article speaks of a different story.
#replies#aka he didnt know it was bad bc no one is supposed to know its that bad#but hey man. that's a haggard child who somehow fashioned bulletproof clothes because home is too dangerous to be comfortable#whadda the hell. huh. whuh. me when i huh#long post
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for @vershautece, based off of this and a little of this 🩷 enjoy!
warnings luigi is a baby making machine! sahm themes, let’s just assume he never had back problems shhh, all italian is translated at the bottom, breeding, oral (both receiving), missionary + doggy, orgasm denial (?), rough sex, ass slapping (i don’t like the other word), reflection ;), half-assed proofread
a/n i am actually so sorry this is so late, i’ve been stacked today and then i scheduled this to post and it never did… ALSO THIS IS WAY LONGER THAN I ORIGINALLY INTENDED!!! and i’m sorry the smut is kinda vague i haven’t written actual smut in SOOOO long it’s embarrassing… i’m gonna be a hornball on your dash!
getting accepted to upenn was definitely in your top three most exhilarating moments of your life. with plans of majoring in art, you were over the moon to start your independent life at an ivy league school! you rarely let boys get in your way — enjoying life in the moment was a top quality of yours as an artist.
that was, until you met luigi. oh god, he’s so beautiful. you only picked up one digital class that you really didn’t even know the name of because you’d wanted to get into digital art and you thought it’d be fun to learn the functions. as soon as you saw him about two weeks into the course, you were swooning. unbeknownst to you, most other girls were also swooning.
you only had a few tight friends, but your kind personality was a trait everyone noticed about you as soon as you would approach. also how good you smelled. and your beautiful smile. and your full, happy cheeks when you laugh. really just everything — and you’d had no idea that boys in your courses would pine after you, too.
a few trusty years later, you and luigi were to be wed! babies came shortly after, and you had the most beautiful twin toddlers. after you’d been granted maternity leave from your job as a high school art teacher, you’d gotten a little too used to staying home and tending to the house, rather than scrambling every weekend to get everything done as well as take care of your husband and children.
you had a talk with luigi and determined that the money from his job would be enough to keep the family steady going as well as a few pieces you’d make and sell on ebay every now and again. almost as quickly as you could, you sent an email to the superintendent and principal of your school saying that you would unfortunately not be returning due to personal issues.
luigi had never asked you to be a sweet little tradwife for him, but he damn sure enjoyed it. today in particular, your three year olds’ daycare was closed so you were fortunate enough to leave them with their godparents. this was good for you, they’d likely ask to spend the night with their padrini*, so you can have tonight and tomorrow morning without a ‘bedtime’ for you and your children!
in the morning after dropping them off, you went back home to get cute and dolled up — you usually made breakfast wearing a silk pajama set that luigi bought for you last christmas. then you went to the grocery store and to the bank to deposit a check from a painting you sold for a little under $500. then back home to make a small lunch — you were planning to cook a big dinner — and then onto housework. you played music while you worked, and once beds were made you retreated back to your bedroom to tweak your hair and makeup for dinner.
you also made sure luigi knew not to come home before 5:45 because you wouldn’t be done with your dishes, and checked in on your kids to confirm they’d stay the night at their padrini’s house.
when luigi came home, just like out of a scene of a movie, he shouted from the front door: “tesoro, sono a casa!*” followed by the door closing and locking mechanically behind him. he strutted into the kitchen to see you putting plates together — exactly 6:00. he must have waited in the driveway to give you some extra time!
with a gentle hold of your waist and long kiss on your cheek, you suddenly felt much more comfortable; almost feeling safe that he was home. anxiety was sometimes a struggle when you’re home alone all day and your husband working half an hour away.
as you plated the food and brought the bread out of the oven, luigi went upstairs to change into something more casual. when he opened the bedroom door, he noticed you had left a precious little lingerie set laying on the bed, likely accidentally. his interest was certainly piqued! quirking an eyebrow and grinning a little to himself, he took a few minutes to change and mess with his hair a bit in the mirror.
luigi came down the stairs with happy haste.
“thank you for making this meal, babydoll, smells so good,” he compliments, kissing your cheek again.
your face burns excitedly. “thank you,” you kiss his lips a few short times.
over dinner, you chat about each other’s day and the children. he seems to be deep in thought for a moment, and when he notices you staring he speaks again.
“you think we should have another baby?” he asks cheekily.
you nearly choke and your heart rate runs rampant, looking as if you hadn’t had sex before. “do you want to?”
“would i ask if i didn’t want to?”
there’s a rush between your thighs almost immediately. you place your fork down onto your plate and stand up, but before you can walk off he’s up and scooping you into his strong arms. he cascades up the steps with you bridal style.
as soon as he steps into the bedroom, he places you down on the fuzzy chair in front of your vanity. a finger points to the lacy set laying on the neat bed.
“you wanna tell me what you got this out for?” he presses, kneeling down on the ground in front of you. luigi’s pretty lips pepper kisses on your ankles, lifting each one up slowly to remove your kitten heels. once each shoe is off, he places the now bare calf on his shoulder.
“please, lu…” you plead pathetically.
his eyebrows furrow upwards, looking at you with big eyes full of faux empathy. “please what? use your words, mio amore. dimmi cosa vuoi*.”
words are quick to fail you. your brain is blank, almost static. most times you have sex it’s quick and hushed because the twins are in the house.
he’s kissing up your legs again, attempting to get a rise out of you. once he gets to your thighs, you’re getting a little restless.
“taking too long,” you mumble, and he lifts his head to look you in the eye again — this time much more stern.
“what was that?”
“said you’re taking too long,” you repeat yourself louder, locking your gaze with his.
within a second, he’s snatched you up and thrown you onto the neat bed.
“you and your goddamn bed decorations. i never know why you put all these pillows on here when we’re just gonna throw them all off later,” he grumbles, clearly angry and clearing the throw pillows from the bed, tossing them to the floor.
luigi pushes your maxi skirt up and nearly tears your little cotton underwear off of you. his tongue darts between your warmth and his nose harshly rubs against your clit, catching you off guard and sending your spine into electric shock. your hands fly to grip his hair in one hand and the tightly made bedsheets in the other.
“y’taste so sweet, tesoro,” he groans against you, leaving open-mouthed kisses on your thighs before going back to devouring your sex.
he’s already working an easy orgasm or two from you. he pulls you from your stupor and unzips your dress, gingerly pulling it off of you — he knows how upset you got last time he accidentally ripped the hem of your dress.
his shirt is gone, his chin and parts of his cheeks are still wet, and removing his belt as quickly as he can. as soon as his pants drop, you grab the hem of his boxers and pull them down. every time you see his cock, it never fails to surprise you that the tip touches his fucking belly button.
you pop his throbbing pink tip into your mouth, giving it little kitten licks and short kisses. you work your way down, or as much as you can, using your hand to pump what you can’t fit in your mouth. you’re moaning and slobbering around his cock, vibrations from your voice sending chills up his spine and down into his arms. his hands find their way to the back of your head, carefully urging you to take more.
your throat is constricting and you retract from his cock, looking into his eyes for validation.
“you’re taking too long,” he mocks in a faux whiny voice. luigi pushes you back onto the bed by his shoulders and holds his heavy cock. he teases your folds, rubbing his hot tip through to spread your own spit and cum from him eating you out. slowly, he pushes in. he always waits a little for you to adjust to how big he is.
“fuck, m’so full…”
“you’re so tight, mio amore.”
his eyes are boring into yours and his hands press down onto your womb to see his own cock buried into you.
“gonna cum if you don’t breathe for a second and relax, holy fuck baby,” he reminds you with a deep, raspy tone.
you take a deep breath and mid-exhale he starts to pound into you with a feverish and eager alacrity, causing you to almost scream.
“mmmmy fucking god!” your voice shakes with each impactful thrust against your hips. one of his hands grips your waist and the other attaches to your boob, his head following shortly. his tongue laps around your peaked nipple rapidly.
then both hands are on your waist and he briefly pulls out to flip you onto your stomach and prop your ass up to his liking. he’s shoving his cock back into your soaked cunt and returns back to his relentless pace.
“gonna fuck a baby into you, bella ragazza, gonna get you nice and swollen with a pretty baby, hm? isn’t that right?” he pushes his hand down onto your lower back, arching you up higher for him. both of his big hands find your frizzed up curly bun and he snatches your head back.
“feels so fucking good, m’gonna cum, lu!”
“aht,” he slows down exponentially, “you’ll cum when i tell you to.”
your eyes roll to the back of your head with adoration and you swear your ovaries start jumping at the demand. he’s back to slamming into you and a hard hand comes down onto each ass cheek three or four times. he adds to the torture by holding your hair in one hand and moving his other arm around your hip to grind his palm on your clit.
“oh my god, i’m gonna fucking cum luigi…” you breathe out between a moan, a scream and a whisper.
“what’d i tell you?”
“to wait ‘til you tell me to cum!”
“do what i tell you, be a good girl and listen to me.”
your brain is numb and your head falls limp, his grip in your hair is the only thing holding your body close to his.
“you’re so fucking pretty, mio amore, can i take a picture?”
you just nod obediently, not really caring too much at this point. he reaches over to the bedside table where he put his phone before dinner and opens the camera, showing your mascara dripping down your face from tears you didn’t know were flowing and an agape mouth, moans slipping through with every motion.
“you see why i love fucking you s’much? hm? look at yourself while i fuck you, baby,” he’s shoving the phone into your hand to palm your clit again. you’re bucking your hips against each form of stimulation with your jaw wide open, breathing shakily.
“there you go, tesoro, y’wanna cum?” he taunts, to which you nod your head and moan a hearty ‘yes!’
his index and middle finger focus on your clit, circling the sensitive bundle of nerves as tightly as he can. your eyes go crossed, no longer paying any attention to the reflection in the camera. luigi’s hand drops from your hair, pushes your head down and arches your back up one more time. he pressed record on the camera and kept up with his cock bullying into your cervix over and over.
“go ahead and cum with me baby, take it like the good girl you are.”
when he gives you permission, almost like a stage cue, you totally let go. your cunt squeezes around him entirely and traps him in. his cock twitches rampantly inside you as he meets his release, watching your face through the camera that you’re gripping onto with your life.
it takes a few minutes to cool off after he lays down beside you, stopping the recording and kissing all over your face. “you did so good for me, baby. sei una brava ragazza*.”
you don’t even have it in you to respond, your chest heaving.
“you think that one will take? should we go for another round?”
this gets a breathless chortle from you. “can i catch my breath first? also, you messed my hair up.”
“so that’s a yes?” he asks, already burying his face into your chest and carefully pressing kisses to your hot skin.
🌺🩷💋
italian words and phrases:
padrini: godparents
tesoro: sweetheart
sono a casa: i’m home!
dimmi cosa vuoi: tell me what you want
sei una brava ragazza: you’re (such) a good girl
#🙈: cici’s little thoughts 💙#you guys have no idea the way my heart actually LEAPT seeing that vershautece recommended me this😭#like i actually gasped and was like I HAVE NO ONE TO TELL ABOUT THIS!#luigi mangione#luigi nicholas mangione#luigi mangione x reader#luigi mangione smut#luigi mangione oneshot#luigi mangione x yn#luigi mangione x y/n#luigi mangione fluff
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Japan Housing Websites (part one)
Want to move to Japan? Me too! Lately I’ve seen a lot of Instagram pages dedicated to showing off cheap homes in Japan. These pages usually just link back to a Japanese real estate website, so I’d like to list some handy vocabulary to help you navigate the sites and find some houses on your own!
Note: This post was made with intermediate level Japanese learners in mind. It's meant to be a vocabulary list with visual examples, not an all-inclusive house buying guide. A complete list of vocab words can be found at the end of the post. For general website navigation, I’d recommend the RikaiChan / RikaiKun extensions which will display a translation of each word you mouse over.
What Websites?
I really like SUUMO, so that will be the site I use for the example pictures. But any website will have more or less the same words!
Navigating the Website
[ 1 ] Creating an Account会員(かいいん)登録(とうろく):Member Registration
[ 2 ] Search探す(さがす):Search / Find This word will come up a lot! The search function may also appear as... 検索(けんさく):Search 物件(ぶっけん)検索:Property Search
Suumo has a nifty map on the front page. If you know the region you'd like to search in, you can choose it here.
[ 3 ] Renting 借りる(かりる):Rent (Borrow) 賃貸(ちんたい):Lease / Rent
[ 4 ] Purchasing買う(かう):Buy
[ 5 ] House Terminology If you've taken a Japanese class, you may have learned that the Japanese word for house is 家 or いえ. Unfortunately, this short and simple word isn't used much on real estate websites. The following terms are typically used instead.
一戸建て(いっこだて):Detached Building A standalone house, as opposed to an apartment or condo.
新築(しんちく)一戸建て:New Buildings
中古(ちゅうこ)一戸建て:Old Buildings 中古 can mean "old", "used", or “secondhand”, none of which sound ideal, but all it means is that the house that has been lived in previously. This is where you find the cheap ones!
Finding Houses
Once you have the region and building type selected, you’ll see a new map you can use to select the prefecture. I'll highlight a few key search methods on this screen.
[ 1 ] Search by Area(エリア)
Click on a prefecture to bring up a checklist of cities and districts. At the bottom of the list, you'll see two options: refining the search further or proceeding with the checked options.
「チェックした市区郡の町名を絞り込む」 "Narrow by town names of checked cities/wards/districts"
市区郡(しくぐん):"City Ward District" 町名(ちょうめい):Town Name 絞り込む(しぼりこむ):Narrow / Refine
「この条件で検索する」 "Search with these conditions"
条件(じょうけん):Condition / Term
The orange number shows how many total properties were found with the checked selections. Click the blue search button if you want to jump straight to the houses without refining the search.
[ 2 ] Search by Railway(沿線)or Station(駅)
Click on a prefecture to bring up a checklist of railways. At the bottom of the list, you'll see two options: refining the search further or proceeding with the checked options.
「チェックした沿線の駅を絞り込む」 "Narrow by stations of checked railways"
沿線(えんせん):Railway / Track 駅(えき):Station 絞り込む(しぼりこむ):Narrow / Refine
「この条件で検索する」 "Search with these conditions"
条件(じょうけん):Condition / Term
Once again, the orange number shows how many total properties were found with the checked selections. Click the blue search button if you want to jump straight to the houses without refining the search.
[ 3 ] Search by Map(地図、ちず) Clicking here will open up a much more detailed map that you can scroll through! Definitely the easiest option, which is why I put it last. :)
The End.
Here's the complete vocab list for ease of viewing:
会員(かいいん):Member 登録(とうろく):Registration 探す(さがす):Search / Find 検索(けんさく):Search 物件(ぶっけん)検索:Property Search 借りる(かりる):Rent (Borrow) 賃貸(ちんたい):Lease / Rent 買う(かう):Buy 一戸建て(いっこだて):Detached Building 新築(しんちく)一戸建て:New Buildings 中古(ちゅうこ)一戸建て:Old Buildings 市区郡(しくぐん):"City Ward District" 町名(ちょうめい):Town Name 沿線(えんせん):Railway / Track 駅(えき):Station 絞り込む(しぼりこむ):Narrow / Refine 条件(じょうけん):Condition / Term
#Japan#Japanese#japanese language#japanese translation#japanese langblr#japanese studyspo#japanese studyblr#japanese learning#japanese study#learning japanese#japan house#moving to japan#japanese vocabulary#日本語#日本#日本語の勉強#日本語勉強
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“Armand was lying to Louis about how Marius used to pimp him out to his friends bcus he wanted him to feel bad for him” is perhaps the stupidest and most insane take in the amc iwtv fandom. It’s stupid bcus ik that the ppl saying this r only saying it from a delusional place of “I really don’t want amc iwtv to portray Marius as a bad person so I’m hoping that every instance we have so far of Marius doing bad things isn’t actually canon” and the people who believe this don’t actually think about it in the context of the plot and what a lie like that would mean, bcus if they did they’d realize that it makes no sense and they r delusional.
The craziest part of it is the “Armand is lying about this specifically to try to make Louis feel bad for him” aspect, bcus that implies that armand is 1: willing to vilify Marius (the most important person in his life who he continues to love and admire and hold in deep regard) to gain favor in his relationship with Louis (hot guy he just met) and 2: That Armand somehow needs to make up more bad things that happened to him bcus apparently being enslaved and raped as a child wasn’t enough and he had to throw in a random detail about his makers friends cuz otherwise Louis wouldn’t sympathize with him enough.
Yep that makes sense. Not even to mention how Armand explicitly softens the way he words the fact that Marius pimped him out in a way that makes Marius *look better* bcus he loves him and clearly based on performance context and actual dialogue isn’t looking to make Marius out to be a bad guy when talking about him to Louis. That is definitely the tone in which someone lying about being abused for attention would talk about their abuser! Also, the insinuation that Marius would not do this so it must be a manipulation of the truth is hilarious, bcus Marius sending Armand to have sex with house guests seems to me like a very clear adaption of his actions in the books where he sends Armand to go have sex with ppl at brothels to try to “flesh out his worldly experiences” or whatever. In an adaption where Armand is more explicitly and functionally Marius’s slave (and also a poc with less social privileges) it makes sense that marius making Armand have sex with other people for his warped reasons would translate to house guests instead of prostitutes. Marius does arguably so many more worse things in the books then tell Armand to have sex with his house guests so I don’t see how this is the line that can’t be crossed for some people. I don’t mind if anyone rlly likes Marius or stans him but nothing bothers me more then seeing huge mischaracterizations of my boy Armand so like in conclusion shut up.
#This makes no sense cuz I’m just rambling angrily but whatever#armand#iwtv#interview with the vampire#amc iwtv#the vampire armand#amc interview with the vampire
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it's fascinating to me how endlessly complicated High Valyrian seems to be when you answer questions about it. Is there any language in the world more or less at the same level of complexity?
It depends how you're thinking of complexity. All the languages of the world are equally complex. They have to be, because they all need to perform the same function, and they're all used by the same human brains living inside the same humans living human lives. I think English speakers (and hypothesize that, by extension, the same would be true of Chinese speakers, Hawaiian speakers, Vietnamese speakers, Swedish speakers) look at certain other languages and think of them as more complex in the meta sense because they are more morphologically complex.
By this, I mean in English, for a noun you need to know its singular and plural form—that's it. For a verb, you need to know its -s form, its -ed form, its -ing form, and, very rarely, its -en form. There is some irregularity in form for almost all of these (-ing appears to always be regular), but there aren't more forms, outside of "to be", which has a unique first person singular form.
And...that's it, really. We have adjectival comparison, I guess, but even that can be traded out for an expression (aside from "better" which can't be replaced easily by "more good", most comparatives can be replaced—e.g. you can say something is "more red" than something else even though you can also say it's "redder" than something else). There aren't many word form changes in English a user has to learn in order to be able to use those words in a sentence. The same is true of those languages I listed in the parenthetical phrase above.
Compare that to Spanish, where there are more word form changes for verbs in the present tense (indicative and subjunctive) than in the entirety of English. And that's just one tense for verbs! There's loads more that needs to be memorized; many more word form changes you need to know to be able to use words effectively in a sentence. And there are irregularities on top of that!
Is it the case, therefore, that Spanish is more complex than English?
Certainly, Spanish is more morphologically complex, but does that mean you can express more in Spanish than you can in English? Certainly not! So then what does it mean when we say Spanish is more morphologically complex than English? What's the upshot? What does it mean for the language user?
Perhaps it would help if we compare some Spanish verbs and their English translations:
hablabas "you were talking"
hablé "I spoke"
hable "you would speak"
The precise translation of these verbs will depend on context, but this is a fine example. These are all single words of Spanish. They're different forms that must be memorized, but they're single words. The English requires at least two words for each concept.
So which is more complex? On the one hand, you have fewer words but more forms. On the other, more words, and more words = bigger.
And that, essentially, is the crux of it.
Any time you have complexity baked into single words morphologically in one language, you'll find complexity in the form of multiword expressions in a less morphologically complex language. The meanings are always there(*), but they're expressed in different ways.
As English speakers, we're used to having to express things in multiword expressions, and a speaker of a given language will find their own language to be simple just because. We extend that to think of languages like ours as simpler than those that are different. But, in truth, it's six of one, half dozen of another. Furthermore, there's just as much complexity in languages with less morphological complexity. Consider the following expressions in American English:
I walked to the store. ✅
I walked to a store. ✅
I walked to store. ❌
That's pretty standard. English has articles and you need to use them, right?
I ate the dinner. ✅
I ate a dinner. ✅
I ate dinner. ✅
All those are okay. They don't mean the same thing—and, indeed, the first two have much more restricted contexts—but they're all okay. That's a little weird, isn't it?
Not as weird as this:
I made it by the hand. ❌
I made it by a hand. ❌
I made it by hand. ✅
The first two aren't just weird: they're yikes-a-doodle-do wrong. You might try to brush it aside and say that it's just an expression, and, sure, it is, but ask yourself this: how'd that expression come about in the first place? This one is actually from Shakespeare (Romeo and Juliet) and still works the same way in American English:
You kiss by the book. ✅
You kiss by a book. ❌
You kiss by book. ❌
And just for funsies:
He won by the nose. ❌
He won by a nose. ✅
He won by nose. ❌
You might think the way these shake has to do with what they stand for—that the semantics of the noun in question condition whether or not you can use articles—but consider the first one "store" and compare it to this one:
I walked to the Barnes & Noble. ✅
I walked to a Barnes & Noble. ✅
I walked to Barnes & Noble. ✅
Barnes & Noble is a store, but refer to it by title, and suddenly it's all okay.
Now, if your native language is English, ask yourself: when and how did you learn all of this? Did someone sit you down and tell you where to use which articles and where not to? I'm sure there was some level of instruction you got in elementary school (whether it was accurate or not), but how much of a difference do you think that made? Did you just not use articles before then? And even now, could you explain this? Do you even think about it? Or do you just do it—flawlelssly and effortlessly? Adult learners of English will tell you learning this stuff is a nightmare. Throw in phrasal verbs (pick up vs. pick out vs. pick on vs. pick up on vs. plain old pick) and suddenly English doesn't look too simple anymore.
Bringing this back to your question, when you look at High Valyrian, is there a natural language with an equal amount of morphological complexity? Sure. Maybe something like Latin. But understand that any language will be as complex—not more, not less: as. The only difference with High Valyrian, actually, is its vocabulary isn't as large (give me a couple decades), and it doesn't have nearly as many users as any natural languages. It's also being kept artificially small, in that the language is built up to fit a fictional reality, rather than being expanded to handle anything, the way modern languages are. But pick up any language and it will be equally complex.
(*) From above, it is not always the case that the same "meanings" will be in the equivalent translation of a given sentence. A good example is gender. If you say El río es largo in Spanish it means "The river is long" in English. Like, exactly that. There is no question that these two phrases are functionally equivalent. HOWEVER there is more information in the Spanish sentence. The words el, río and largo are all masculine gender. What does that mean? Nothing more than that they're not feminine. If you hear el in Spanish there are a limited number of words that can legally follow it. When you hear largo, you know that what it refers to has to be in the same class. The function of this is simply to enrich the signal. If you only hear "is large" in English from the previous sentence, you have no idea what noun is large. If you hear es largo in Spanish, you also don't know—but whatever that thing is, you know it has to be masculine. That means that if a Spanish speaker has to guess what es largo they were trivially have a better shot at guessing correctly than an English speaker guessing what "is large" (e.g. if an English speaker has a one in a million shot, a Spanish speaker has a one in 500,000 shot, because roughly half the nouns of Spanish are masculine and half feminine). This means, technically, there's more information in the Spanish sentence than the English sentence, and that information is not represented at all in the English sentence, and is, essentially, unrecoverable. But that "information" is more morphological in nature than semantic.
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Do you have any specific idioms that you’ve come up with for Rohan?
Yes! I’ve got a huge mishmash of adages, idioms, little sayings and turns of phrase that I’ve made up over time for use among the Rohirrim. A bunch of them are in old posts, which I can’t locate because Tumblr’s search function is garbage, so here’s just a random helping from memory in all of the above categories:
“Crumbs will do when crumbs must do” (often shortened to just “crumbs will do”). Leftover from the famine of the Long Winter, it means “stop whining and make do with what’s available.”
“The proof is on the tongue.” This refers to the cultural tradition that the way to recognize whether a stranger is a friend or foe is to see if they can speak Rohirric, but it gained added nuance after the reign of Thengel, when he came back from Gondor speaking Sindarin and Westron all the time, which rubbed people back home the wrong way. Now it’s used as sort of a general expression about whether something or someone is genuinely of Rohan.
“Cirion didn’t win alone.” Based on Cirion coming to Eorl to ask for his assistance (which ultimately led to the Oath of Eorl and the founding of Rohan), it means “don’t be too proud to ask for help when you need it.”
“[Person] rides with their hands at their chest.” Proper riding posture has your hands at hip level, but amateurs often end up raising them higher to keep their balance (rather than making the correction in their seat as they should). Basically, this is one of the harshest insults you can fling at someone by insinuating that their horsemanship is bad.
“He’s going to hear Béma’s horn.” Referring to Oromë’s sounding of his great horn as he rode against the servants of Morgoth, it means that someone did something very stupid and now he’s going to face wrath for it.
“The glory of the grass is the glory of the field.” I stole a version of this from one of my favorite books, Matrix by Lauren Groff, but I think it’s perfect for a kingdom of plains and grasslands where collectivism is necessary for survival. One blade by itself is nothing, but a field has shape and substance and beauty. And if your field is not doing well, your personal glory as a single blade is still diminished even if your blade is thriving.
“[Person] has gone with Ácith.” Ácith is the Rohirric name for Béma’s wife. Flowers bloom in her wake, and so they believe that the appearance of simbelmynë on their graves means that she’s been there to escort the dead person on to their after life. So to “go with Ácith” means that someone has died.
I *also* really like thinking about unique words that would exist in Rohirric and not in other languages. I’m already on record as saying that I think they have DOZENS of words for “horse” that recognize different distinctions and nuances that no one else bothers with, but I’ve also speculated that they’ve got words like something that translates directly as “oath honor” and means the pride of having fulfilled your promises/commitments at great personal cost.
I totally LOVE this stuff and could sit around thinking about these all day every day, so if anyone else has examples that they want to throw out there, please do. I would LOVE to see them!
Check out part two here!
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Hai! Evil evil Idia anon back😝😝😝 okay so Idia with a pommefiore reader, like a super duper pretty reader, on day someone tries to hit on reader in hallway (think pick up lines like « hey, are u wifi, cause I feel a connection ») and reader’s just staring at them with disgust, but here’s the catch, Idia has access to the school camera’s cause ofc he does and he can’t see readers face from the camera angle and he closed the cameras before finding out if reader accept the random hoollagins flirting, so later reader goes to idia’s dorm and idia’s all like « how’s ur new boyfriend » and being emo as hell, so reader has to comfort Idia and be like « ew I would never date that guy, ur the only Apple of my eye 😘 »
Yayayaayyaayayayay
(welcome back you menace [affectionate])
It was a normal day in NRC.
Translation: chaos in the form of enchanted books throwing themselves off shelves in the library, some Spelldrive brawl in the quad, and a tragic soul trying to hit on you in the hallway.
“Hey… are you Wi-Fi? ‘Cause I’m really feeling a connection.”
You blinked. Slowly. Once. Twice.
The Pomefiore aesthetic was about elegance and beauty, and right now you were channeling utter disgust with the poise of a queen.
“…No.”
You turned and walked off without another word, your heels clicking with purpose, while the guy stood frozen in awkwardness behind you.
Meanwhile— In the depths of Ignihyde dorm… (Idia's room)
“Wha—who the HELL is that?!” Idia hissed, eyes glowing as he squinted at the grainy hallway footage on his screen.
The camera angle was trash. Of course it was. All he could see was the back of your head, silky and shining as always, while some… normie had the audacity to stand that close to you.
His fingers flew over the keys, adjusting zoom, replaying footage, enhancing audio, muttering like a man possessed.
“Why would they use that line?! That’s not even tier 2 flirt material—who taught him this? A middle schooler??”
He leaned in, cheeks burning. “No no no—don’t tell me—are you smiling? Did you like that? No no no no—”
He slammed the “off” button on the cameras.
He couldn’t watch this.
Later…
You showed up at Ignihyde dorm like nothing happened, knocking lightly on the door to Idia’s room. You’d gotten used to his delays in answering—he needed to prep his courage like a mini boss encounter.
When the door finally slid open, Idia didn’t greet you. He just swiveled in his chair dramatically, wrapped in his hoodie, blanket, and angst.
“Oh. It’s you,” he mumbled, eyes glowing a dim blue. “Shouldn’t you be with your boyfriend right now?”
“…Huh?”
“That guy in the hallway,” he said darkly. “Wi-Fi boy. Smoothbrain McGee. I saw everything. On the cameras.”
Your face contorted into a scandalized grimace. “You mean that dude? The walking pickup line generator?”
He didn’t reply. He just turned back to his monitor, whispering, “It’s fine… I always knew it would happen. I’m not main character material… I’m like the NPC you befriend on side quests before you get a real romance arc—”
“Idia,” you said, flat. “Idia, look at me.”
“…No.”
“Look. At. Me.”
He finally peeked over his shoulder. You leaned in, arms crossed, expression deadpan.
“I would never date that guy. He looked like he got his lines from a cereal box. I was five seconds away from using my Dorm Uniform magic on him.”
“…For real?”
“For real real,” you said, then added with a smirk, “Besides… you’re the only Apple of my eye.”
Idia.exe has stopped functioning.
You swore you saw his soul leave his body and ascend like a pixelated ghost.
“I—I—wha—you’re the one saying pickup lines now?? Is this a reverse Uno??”
You reached out and gently tugged the edge of his hoodie. “You’re lucky I like nerdy reclusive geniuses with surveillance access and low self-esteem.”
He slumped forward with a strangled noise, hiding his red face in his blanket cocoon. “I’m never emotionally recovering from this…”
You giggled, pulling him into a hug despite his dramatic protesting flails.
“Next time you see something on camera, just ask me. I’ll remind you who’s the only person I want to ‘connect’ with.”
“…Can I record you saying that?” he muttered from inside the blanket.
You raised an eyebrow. “For what, your emotional support audio folder?”
“…Maybe.”
You kissed his forehead, and he immediately short-circuited again.
Bonus: Back at Pomefiore dorm, you told Rook the whole story.
He wept.
“Magnifique! The beauty of your loyalty—and your devastating rejection of such a weak pickup line! Truly, your heart belongs to the one who sees you even through camera static!”
“…Rook please stop narrating my love life.”
#twst#twst wonderland#twst x reader#twst yuu#idia twisted wonderland#idia shroud x reader#twisted wonderland idia#idia shroud#idia x reader#twst idia
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rehab. 22.
Avenger! Bucky Barnes x Winter Soldier! Fem! Reader
Summary: While on a mission to find any more possible super soldiers that were a part of the Winter Soldier program, Steve and Bucky make a discovery in an abandoned HYDRA base that was cleared out a few years prior to their mission. They discover the Reader, a long-forgotten soldier that was still asleep within a functioning cryostasis pod; still awaiting orders. While Bucky isn't happy about it, he is put up to the challenge of helping to rehabilitate the soldier in Wakanda where she may be able to become a person again.
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A/n: hnnn like i said, hated the last chapter, so i'm hoping that this one is much better rip so sorry about that!! I really wasn't sure how I wanted last chapter to go smh. Also, if you enjoy my work, please consider buying me a coffee! If you would prefer to read Rehab on Archive, you may do so right HERE!
This is an au where Bucky joined the avengers but still rehabilitated in Wakanda (sometime before Infinity War [canon divergent cause NOPE]). I am NOT fluent in Russian, so I did use google translate cause I couldn't find a good translator that I trusted. If anything is wrong, PLEASE let me know!! Also, I tried to list as many warnings as possible so you know what the story will contain as chapters are posted. Stay safe!
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Genre: Slowburn, Enemies to Lovers/Friends to Lovers, Angst, Hurt/Comfort, Fluff, Humor, Drama, Dark Content Rated: Explicit Warning: Angst, Dark Content: Graphic Depictions of Sexual Assault, Blood and Gore, Mentions of Manipulation, Kidnapping, Canon-Typical Violence, Body Horror, Nonconsensual Body Modification/Scarring, Emotional and Physical Abuse, Mentions of Murder, Mentions of Suicidal Thoughts/Ideation, Graphic Depictions of Human Remains, Mentions of Sexual Coercion/Manipulation, Death, Misuse of Drugs/Forced Drugging, Self-Harm (Graphic Depictions and Mentions), Nightmares
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Author: ScariusAquarius
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rehab masterlist. chapter 18 / chapter 19 / chapter 20 / chapter 21
His mind was quiet. For the first time in a long time, Bucky Barnes' mind was quiet. Despite the fact that he knew Wanda had something do with the silence and there was a part of him that was actually enjoying the silence, there was another part of him that was angry.
Bucky didn't like not having control over his own mind and body.
While Wanda was purposefully keeping him calm, there was an untouched part of his mind that was extremely upset at the loss of control. To Bucky, it didn't feel any different than when he was trapped in his mind as the Winter Soldier during the moments he was present. When he was remembering.
His body was stiff as he sat near Rollins, and though Bucky wanted nothing more than to lunge and strangle the man, his body would not respond. It was like pushing against a wall, and no matter how much force he exerted and no matter how much he yelled in anger within his head, Bucky's body just wouldn't respond. Wanda was giving him a sympathetic look, stating softly to him within his mind.
"I'm sorry to do this, James, but we need Rollins alive."
It was strange to hear her voice in his mind though her lips never moved, and Bucky glanced at her, his eyebrow twitching with annoyance. Taking a leap, Bucky began to think.
"What makes you think I'm not in control of myself? You're just like everyone else...always believing that I'm going to revert back to who I was before."
He knew that he was being petty; his words accusatory and sharp with the intention of hurting, but Wanda didn't seem to react. The only inclination of any response was a subtle flash of shame that flickered within her glowing eyes before Wanda turned away from him.
"I do not think that for a second. We were all worried that you were going to breakdown at the revelation of the Winter Soldier having a part of Project Achilles."
The words made his chest cave in, and Bucky clenched his fingers. he hissed his thoughts, feeling as though he was back in a cage where control was an illusion; baring his teeth and tail between his legs as he became defensive.
"That's my choice to make. You don't get to choose how I feel."
His words seem to strike a cord in Wanda, and she glanced back at him, her gaze soft as she whispered.
"I know, and I'm sorry. I wasn't trying to hurt you."
Even through the twinges of betrayal that tickled at his mind; the anxiety and the anger at being forced to relinquish his control over his own mind and body, Bucky understood and knew that Wanda was being honest. He knew that Wanda just wanted to protect him, but Bucky couldn't turn a blind-eye to being made a prisoner in his own mind again.
"I didn't need your help. This is something that I have to live with...to take responsibility for. I did this to (Y/n)."
His fingers were clenching harder, the knuckles on his flesh-hand taut and shaking slightly. Bucky's muscles were tight and uncomfortable, and Wanda sighed slightly.
"Believe me, you will get your time with this vile man."
Bucky wanted to laugh. As if that was ever a question. Getting his alone time with Rollins wasn't just about what he had done to (Y/n)...it was about what Rollins had done to him as well. The hours of torture, of taunts...of watching as Rumlow took his time with him....smiling all the while.
Bucky could feel his fingers threading through his hair, pulling painfully and forcing his head up as lips brushed against his ear; hot and foreboding as the voice whispered promises of obedience and control. The sting was present; the burning the only thing that Bucky could comprehend as cruel taunts and encouragements echoed around the room. They were watching. Just standing and watching.
Why did they hate him? Why did they treat him like this? All the asset wanted was to please and perform well...to fulfill his duty as the Fist of HYDRA. Why did force him to his knees, pulling his hair, forcing his mouth open-
Bucky was suddenly jerked out of his memory, and his gaze flicked to Wanda, who looked horrified. Guilt flooded his body, shame and embarrassment making Bucky cower just the slightest as he attempted to apologize for what Wanda had just witnessed.
"I...I'm sorry."
"No, do not apologize...what they did to you...what they did to all of us...it will never truly leave. We may forget, but our bodies; our feelings...they will always remember. But they will never...ever...do that again as long as we are here with you, James."
Her reassurance didn't go unappreciated, but the damage had already been done. Bucky couldn't look at her; couldn't dare to see the expression that she wore upon her face. Bucky could feel control slipping back to him, the red glow over his body disappearing, and Bucky stood up, immediately leaving to find a quiet spot in the back of the quinjet. Sitting down by himself, he rested his head in his hands and could feel the tears coming to his eyes. As the emotional turmoil began to boil over, Bucky became lost in his thoughts.
No, this wasn't just about what Rollins did to (Y/n). While Bucky did care about the woman, there was still unspoken baggage that Bucky hadn't been able to work through since his time in Wakanda. There was no way to justify the cruel methods Brock Rumlow and his previous Handlers before him had enacted upon Bucky when he would fail, lash out, underperform, or when they just felt like it.
Yes, Bucky knew exactly what (Y/n) was going through...but the knowledge that even he had a hand in her inability to escape from HYDRA had Bucky in shambles.
She's got you to make sure that she doesn't fall back into that place.
But how can Bucky be there for her now and help her out of that familiar darkness when he helped put her there? All that talk of him having the only right to help was bullshit; nullified by his actions. Besides, when (Y/n) began to remember...why would she ever want his help then? When she remembered, Bucky was sure that she would curse him, hate him, make him remember that no matter what he did, HYDRA would always follow him.
You will always be HYDRA. Even if you escape, you will miss your time here. It will call you home whether you like it or not.
Bucky should have known. He should have known that he was connected to her somehow given the timeline. Bucky bit his lip, stifling his sobs as he held his hands up to his mouth, clenching his jaw so hard that he was sure he was going to break his teeth.
What did he not remember about her?
Bucky swallowed thickly, and when he was interrupted by Wanda informing him about their arrival back to Wakanda, he couldn't help but to look at the woman and beg her quietly.
"Please make me remember...what did I do? What did I do to her?"
Wanda's face fell, and she shook her head gently, responding quietly.
"I can't make you remember...that's not my place, and you know that."
Bucky knew he wasn't thinking rationally. He knew that his request wouldn't have been able to be honored, but it didn't make him any less upset. Bucky let his head fall into his hands again, and he whispered softly.
"What am I supposed to do now?"
Wanda pursed her lips, staring Bucky down before she came to stand near him, placing her hand against his shoulder and making him look up at her, his blue eyes red and puffy and nostrils flaring as his lip trembled.
"You face it. What's done is done, and though there is nothing that you can do to change the past, you can change the future. You are not that man anymore, James...and I think (Y/n) will understand that when the time comes. Just give it time. It is not going to be easy...but we are all here for you....for you both. Neither of you have to do this alone."
She then sighed and turned away, adding gently.
"The only thing that you can do is ensure that this never...ever happens again to anyone."
Her words were slightly vague, but Bucky could tell what she was trying to say. The woman stood up, her eyes glowing brighter before she stated.
"I didn't tell you this, but they're planning on moving Rollins to a secure part of the kingdom...and (Y/n) is upset about your absence."
Bucky was surprised, asking as his eyes fluttered just the slightest as he cleared the tears from his eyes.
"She's...upset that I left?"
"She wasn't told about the mission, so she was under the impression that you were retrieving Rollins to return her back to HYDRA. I think she needs to hear it from you that it wasn't the plan."
Bucky took a moment before he shook his head, stating quietly.
"I don't know if I can face her...not after knowing that I had a hand in this...in her."
Wanda was quiet before she comforted gently before turning to leave.
"You don't have to right now...but think about it."
Her exit was quiet; her feet never touching the ground, and Bucky, though feeling slightly better, still felt the bile sitting at the back of his throat. Wiping his eyes and face, Bucky took a calming deep breath before he stood and walked out of the quinjet. While he wasn't surprised to see Steve waiting for him, Bucky wasn't sure if he liked the furious look within his eyes.
Bucky's steps were slow and cautious, and Steve asked him, the anger within his eyes lessening just the slightest as he regarded his friend.
"How are you holding up?"
Bucky gave Steve an annoyed look, shrugging his shoulders.
"As good as I can with knowing that I helped with all of this."
Steve looked at Bucky with a sad yet guilty expression, and Bucky honed in on it immediately. Before he could ask what was going on, however, Steve informed him gently.
"I’ve been thinking… maybe it’s best if you take a step back from helping with (Y/n)'s rehabilitation program. Not because of what happened—but because I can see this is tearing you up, Buck"
There it was again. People trying to tell him how he should feel; trying to control his actions and what he needs to do. Bucky couldn't help but to become upset, giving Steve a glare.
"You think I can't handle it."
Steve was hesitant, shaking his head as he raised his hands in surrender.
"That's not what I'm saying, Bucky."
Bucky couldn't help but to snap, his voice raising just the slightest as he gestured wildly with his hand.
"That's what it sounds like. I have to face this, Steve. I have to face and deal with the fact that I helped put her in this position...that I killed her mom just like I killed Tony's parents...like I've killed everyone else."
Bucky took a breath, his hands trembling and chest tight as the guilt began to eat him alive.
"You know what sucks the most? Out of every single one that I remember...I can't remember her....what I did...what I always do."
Bucky began to walk away, and Steve turned to look at him wistfully and with exasperation. Calling Bucky's name, the man didn't even turn towards Steve, and Steve couldn't help but to sigh and place his hands on his hips. Natasha's voice made Steve turn to her, his gaze sad and upset.
"He's gonna need time, Steve. This wasn't great news for him to hear, you know."
Natasha was leaning against the wall, her arms crossed as she regarded Steve with an expressionless face; her eyes betraying her worry. Steve shook his head, crossing his arms and running a hand over his face.
"I know. I just...I wish he knew that he didn't have to go through this alone."
Natasha was quiet for a moment before she observed.
"You tend to want to insert yourself into his problems a lot. Even if you're coming from a good place, Steve, this is something that Bucky is going to have to do alone."
Steve looked conflicted, staring down at his feet for a few moments before Natasha pushed herself off of the wall to walk back inside, adding.
"Don't push him, Steve. You're just gonna make him runaway again...and he won't come back this time."
Once Steve was left by himself, his shoulders fell, and Steve became lost again; feeling as though his friend was falling through his fingers once again.
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STORY NOTES: The scene opens with Bucky's point of view. While Bucky knows that Wanda is controlling his emotions and mind and is appreciative of the silence, he also is very upset that she is doing this. Bucky makes the correlation between Wanda's mind control and being trapped in his own mind when he was the Winter Soldier. Wanda apologizes to Bucky for having to control him, and Bucky, being petty, snaps that Wanda is 'no better than everyone else' in believing that he would revert back the Winter Soldier at any given moment.
Despite his words having the intention to hurt her feelings, Wanda does not seem to react him. Instead, Wanda explains that everyone was worried about him having a breakdown because of the revelation of the Winter Soldier having a part of Project Achilles, and Bucky becomes distraught at the reminder. Bucky is firm that his feelings are his choice, but he understands that Wanda is just trying to help. Bucky further adds that this revelation is something that Bucky has to work through on his own.
Bucky begins to have a flashback about Rollins when he thinks of the man. He remembers how the man stood by and watched as Brock Rumlow sexually assaulted him for the fun of things, and Bucky is instantly horrified and ashamed when he realizes that Wanda is still able to see into his mind. Wanda, however, is understanding and reassures Bucky that HYDRA will never hurt him ever again. Bucky, however, is already spiraling. Sensing this, Wanda allows Bucky to have complete control, and Bucky immediately retreats to a quiet and empty part of the quinjet.
Bucky begins to cry, thinking about how he understands exactly what (Y/n) is going through and what we went through, but is struggling with the knowledge that he had helped HYDRA capture her before she was able to escape with Doris. Bucky suddenly remembers what Sam had told him about how (Y/n) had Bucky to make sure she 'doesn't fall back into that place,' and Bucky begins to question his authority on the ability to help her. He begins to think about the possibilities that would occur once (Y/n) finally remembers everything, and he is certain that (Y/n) will hate him.
He begins to relapse, thinking that he will never be escape HYDRA, and he struggles with the fact that he is unable to remember (Y/n) and when Wanda comes to inform him that the team has arrived back in Wakanda, Bucky begs Wanda to make him remember. Wanda, however, refuses and tells Bucky that he has to remember on his own. Bucky becomes frustrated, and Wanda adds that even though Bucky can't change the past, he can change the future. Moreover, (Y/n) has a better chance of understanding him instead of blaming him, and that neither of them are alone in this matter.
When Bucky doesn't respond, Wanda reveals that the Avengers are planning on taking Rollins to a secure part of the kingdom and that (Y/n) is upset that Bucky left for the mission. Bucky is surprised by this, and Wanda elaborates that (Y/n) wasn't told about the mission. She tells Bucky that (Y/n) is under the impression that Bucky found Rollins in order to give (Y/n) back to him, and that (Y/n) needs to hear it from Bucky that it was never the plan in the first place. Bucky refuses, stating that he isn't sure if he can face (Y/n), and Wanda reassures him that he doesn't have to, but to think about it.
After waiting a moment once Wanda leaves, Bucky finally leaves the quinjet to be greeted by Steve. Steve reveals that he thinks the best course of action is to take him off of (Y/n)'s rehabilitation program, and Bucky is offended. He accuses Steve of thinking that he can't handle it, and though Steve tries to disagree, Bucky is set in his opinion. Bucky reveals his frustration out of not being able to remember this particular incident, and Bucky walks away from Steve. Although Steve tries to call after him, Bucky ignores him, and Steve becomes upset. Natasha suddenly appears and tells Steve that he needs to give Bucky time to himself, and Steve replies that he doesn't want Bucky to do it alone.
Natasha reprimands Steve, telling him that he needs to stop trying to control Bucky, stop inserting himself where he can in Bucky's problems, and to stop pushing him. She tells him that Steve is going to make Bucky run away before she leaves back inside, leaving Steve by himself to begin thinking about his actions. End scene.
TRANSLATIONS:
None
TAGLIST: @tilldeathripsusapart @vicmc624 @mgchaser @aash3 @samfunko @seventeen-x @valckenaux @babybeeelle @sc4rrc @cjand10 @bane-y-zane @notsostrangerthing @thenameswinter99
#bucky barnes x reader#james buchanan barnes x reader#james bucky barnes x reader#winter soldier x reader#the winter soldier x reader#bucky x reader#bucky barnes#james buchanan barnes#james bucky barnes#the winter soldier#winter soldier#marvel#marvel x reader#captain america#captain america x reader
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Can I have a cybertronian S/O with TFP Shockwave who’s really REALLY into weaponry and is really invested in his canon arm? Like, analysing and taking notes and asking questions about it, even manoeuvring it to look it up and down but carefully enough to not distract from his work (when he’s working at least)
[ Please do not repost, plagiarize, or use my writing for AI! Translating my work with proper credit is acceptable, but please ask first! ]
"Ooh, a vented barrel shroud—or perhaps that's a compensator?"
Y/N leaned over his shoulder here and there, observing the new device as they strode here and there to fetch all the necessary tools to assist him with the new upgrade.
Shockwave reached for the ammunition belt and and detached it from his arm, setting the end of the cord down on the table before he answered, "A fusion of the two devices, in order to ensure that my armament works to its fullest capacity with minimal interference due to recoil or muzzle movement."
"Both in one?" They repeated, passing him a tool as he held his hand out, before laying the rest out all over the table, "Given all your preexisting modifications, I feel like you're going to get less of a return with each new change to your hand gun."
"The law of diminishing returns indeed renders the percentage of the return into an infinitesimal value." He confirmed, attaching the device with ease before tilting it here and there to observe the weapon as a whole, "As such, any further efforts to improve the firearm would prove futile."
"Would? Let me guess, you've already made some ground-breaking discovery that will drastically improve its performance, haven't you?"
"Your hypothesis is a gross exaggeration, yet you are correct." He picked a device from the sea of tools in front of him, "I have engineered a device that will increase fuel efficiency and decrease the time spent reloading the gun, thus increasing the number of shots fired per round of ammo supplied by the ammunition belt."
"And you don't have to make any sacrifices for it? No switching out parts or anything?" They asked as he simply began to install the device without a hitch.
"No, it functions in conjunction with the rest of my modifications seamlessly." He held his hand out, and naturally they passed him the correct tool he needed.
"You have to make me a gun just like that one day. I won't accept anything less if you're planning on making me your official conjunx endurae somewhere in the future." They joked.
"You say that as though I would not give you the magnum opus of my work, that notion is illogical." He momentarily set his tool down and met their gaze, "As my equal, you will be given gifts naturally appropriate for someone of your caliber. Anything less would constitute as unacceptable."
"And here people say that you don't have a way with words!" Y/N smiled bashfully, "ah, they just can't understand your mind the way I do."
#tfp imagines#tfp scenarios#tfp x reader#tfp shockwave#shockwave x reader#x reader#reader insert#self insert#weenwrites
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Language (The Demon Brothers)
★ Based on my language general hcs. Part 2 is here.
Hi. Today we have the demon brothers language hcs, brought to you by a single dumbass bilingual. :D
I include mentions of bilingual/multilingual MC, but I use the term MC and you interchangeably in the bullet points. It's the same thing who cares (you can also add whatever languages you think fit I am just going off vibes tbh)
★ Lucifer.
Since he was the strongest and highest ranked out of the brothers, his innate abilities were muddled the least.
This is to say that he remembers a lot from his innate knowledge as an angel, and can actually fare incredibly well on his own if you leave him in the human realm.
(the language he preferred back in his angel days was Archaic Latin, which is also Simeon's preferred language)
When Diavolo brought up the idea of the human exchange program he was like "(: ok" and binged human language for like two months straight like a total psychopath
He's like one of those fancy 10+ languages fluent polyglots (how)
Despite his fluency, it is rare to ever see him speak them. He has better things to do and prefers demon tongue.
Or if he does, the Loquar Ad Vos that was applied to you once you arrived in Devildom doesn't allow you to hear it.
You try to swear in your native language around him and oh boy it backfires
That is how you learn he's fluent in everything under the sun (exaggeration)
Frustrated, you grumble that you will learn demon tongue just to one up him
He takes it like a challenge. Enjoy reading a million books on the demonic language and having double the homework for your little joke.
(he gives you hard material to learn on purpose to see you fail. Enjoy hell buckoo. Double hell? Hell²)
You kept misspelling good morning in demon tongue as a demonic death threat and that somehow turned into an inside joke between the two of you.
He has to keep himself from chuckling whenever MC screws up words
Your accent is lovely though. Keep it up
★ Mammon.
Spanish and English.
Ok I actually can't justify myself further than "Mams would absolutely fucking go to Vegas" and the fact that USA has a large Latino population but hear me out
You cannot tell me that he would not watch telenovelas. Like. C'mon.
he has the vibes of a Spanish speaker is what I am saying
he was SO frustrated about having to learn human languages you have no idea
In fact he probably still struggles a bit and that makes him really mad
Why is it so complicated all of the sudden?! It wasn't complicated Before!
He unconsciously associates human languages with the trauma of the fall, and the stress and hurt and turbulent emotions it conveys
So learning new languages besides the two he knows is a touchy subject for him
(but like, he will learn MC's native language despite this. Whining to hell about it, but he will. Everything for MC)
You are actually very lucky that you have Loquar Ad Vos with you, bcs he actually switches from demon tongue to either English or Spanish mid sentence sometimes.
Not that you notice with your crusty translator (Loquar also works for human languages it supports), of course.
"Ayo can you [Spanish phrase], oh and give me a [English word], for a [spanglish nonsense]" <- Mammon's dumbass not functioning in trilingual
Also he has an accent but he's trying
The others are used to it so they don't question it anymore, but they deadass could not understand Mammon at some point because trilingual was not computing
It was frustrating to say the least
You two play charades with each other when the other forgets a word in your respective languages
"MC WHAT'S THE NAME OF THE ANIMAL FUCK THAT CHANGES HOME" "... Hermit crab?" "THATS THE BITCH"
★ Leviathan.
Japanese (very decent) and English (bad) are musts.
You cannot tell me for a second this fuck watches anime subbed OR dubbed. He's too weeb for that. He will watch the original dub version for the full emotional impact
He wanted to know what happens in the weeb world of the west (and internet discourse), so he learned English through shitty 2000s anime forums and Duolingo
Probably plays Duolingo competitively and/or cries if he loses his streak
His hearing and speaking English is okay, his writing is literally so so shit
Tried to learn a romantic language to be corny but failed miserably.
(He steered clear of languages his brothers know so he isn't self conscious)
It was probably Portuguese or something since Mammon kept talking about being good at figuring it out as a Spanish speaker (due to it being a romantic language)
The diacritical marks killed him on the spot
Meu português não é bom... (crying)
Victim of the you're* corrections
Runs his several-paragraphs-long rants about weeb stuff through Satan so the grammar is legit
Actually thinking about it would be absolutely fucking hilarious if he knew russian just for funsies. Yeah add Russian to the list
He sends you crusty Russian memes at unholy hours in the morning. Calls that bonding
Would absolutely swear in loud ass Russian while playing Valorant or smt
"ПИЗДЕЦ" "LEVI IT'S 2AM SHUT THE FUCK UP"
Ah + he knows Morse code (obviously). He was really excited when he discovered it and proceeded to obsess over it for like three weeks straight.
Although by the time he learned about it humans had already moved on from its wide-spead use at sea (post-1999), the Devildom Navy adapted Morse code for their own use as per Levi's command.
He teaches MC how to use Morse code (bashfully) and they send lil' messages to each other for fun
★ Satan.
He inherited a good chunk of Lucifer’s angel-knows-all-languages innate talents.
He doesn't have the angel knowledge of every language, of course, but he definitely has a really high count since birth; Unlike his brothers who had to relearn their languages of interest.
However, he can tell™ that the topic of languages is kinda taboo-y, as it signifies the traumatic fall he himself was not there to witness, and kept quiet about it.
The others (mostly) think he just learned languages in his free time.
He is the designated google translate person. When the other brothers need translations, they ask him.
He gets very frustrated when he has to translate something on the spot
Absolutely knows Chinese and Latin just to read fancy old human books and be a menace about it
He has a copy of the Art Of War in Chinese I will fight you on that
Actually he probably owns every important human book in its native language
Culprit of the you're* corrections
If he has to read another thesis-length essay abt weeb shit by leviathan he will actually lose his shit
You know the Voynich manuscript? He's probably trying to decode it for funsies.
If you and him (unfortunately) share a language, he will absolutely correct the living shit out of you when you speak it
Look me in the eyes and tell me he wouldn't "erm ACtuAllY" MC. You can't.
His ass does not understand slang. At all. You tell him See You Later Alligator and he'll be like "tf you smoking ಠಿ_ಠ?"
★ Asmodeus.
French. And Korean. Maybe very mid English.
Ok so french is the language of lOVe and whatever + Korea is known for their heavy beauty-focused culture
I can see Asmo definitely picking up Korean just for makeup and self care brands purposes.
Like it is easier to browse for products he wants if he can actually browse the original places/websites himself
It's just more convenient and he's actually very good at language learning
+ Korean it is a "cutesy" language so it fits his vibe.
Like he absolutely would go "안녕 teehee ( ꈍᴗꈍ)" to look disarming is what I am saying
He flirts to hell with Solomon in French. It is a language they both know and isn't supported by Loquar for translation so nobody can snoop their conversations
If you have the misfortune of knowing French I am so sorry for you bcs they are NASTY
Solomon is teaching him English. Asmo fakes being bad at it on purpose
★ Beelzebub.
He knows a decent amount of English.
What does he use it for? Order food. Obviously.
In fact everyone kinda assumes he just knows a few food orders and that's it but no he's actually very decent at English (borderline fluent)
He learned through clunky conversation with small restaurant owners
Beel actually makes a great effort to enunciate every word clearly, so he doesn't like speaking long sentences
"Would you like Salsa with that, sweetheart?" "... Yes," <- Beel has no fucking clue wtf salsa is but it tastes good so who is he to defy food gods (a nice Mexican grandma with a killer Pozole) whom have blessed him
I also think he would probably know some kind of sign language
Fingerspelling maybe, solely because it allows him to talk while having his mouth full or bcs his games are loud and he can't hear words very well
That and, like, the Devildom equivalent of sign language. DSL or something.
Look at him. Absolute sweetheart. He would absolutely want to include deaf or hard of hearing ppl.
★ Belphegor.
Ok so
I am going to be very fr with you
I believe Belphie would be the only monolingual (demon tongue "native") of the brothers
at most he would remember a few phrases of a few languages from back when he was an angel, but not any specifics
Like this dude has ZERO interest in human culture I cannot think he would sit down to (re)learn anything
he would fall asleep trying to learn human verbs actually
He only knows how to tell you to fuck off on 4 languages (/hj)
None which you speak. So that's kinda awkward
He doesn't know how to cast Loquar (nor has any interest in learning how)
Beel casts it for him if he needs it
He can and will deadass just remove the translator spell from you if you try to annoy/interact with him (except if Beel is who casts it on you).
(so Beel now also casts Loquar for you)
Begone >:(
#obey me#obey me shall we date#obey me! shall we date?#obey me lucifer#obey me mammon#obey me leviathan#obey me satan#obey me asmodeus#obey me beelzebub#obey me belphegor#obey me hcs#caineshcs
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What Is the First Magic, Anyways? (Or How I Learned to Stop Worrying and Love FGO Spoilers)
Out of the five instances of True Magic, the Second and Third are known about in some detail, the Fouth is a total unknown from what I can gather and simply hasn't been expanded upon in the lore quite yet, and the Fifth being shown, but not explained in detail, which is its own post. The First Magic falls somewhere in the middle here, where a few vague things are known about it and the person who attained it, but not much in the way of details.
What we do know for sure is that the Magician of the First Magic was Yumina, the First Witch, who founded the Meinster lineage and used the First to create Ploys, which were passed down to Alice Kuonji, considered to be the last pureblooded Meinster by 1989 following the 'death' of her mother. Based on some information about Witches and the Meinsters in particular from the FGO collab from back in April, I think I can hazard a strong guess as to what the First Magic actually is: authority over Mystics/Mysticism itself.
Some spoilers for FGO's Lostbelt 6, though nothing critical to the plot, as well as this translation of Alice Kuonji's FGO profile.
First off, some basic information about Witches and Yumina that was dropped a solid decade after Witch on the Moly Night first came out, because Nasu's a fucking comedian:
This establishes a few things, first and foremost that Alice is actually Yumina's descendant, that Witches aren't human and are instead closer to faeries (although I'm not sure if they can be considered true faeries as this is phrased like they were created by an individual rather than born from the land or the Inner Sea), and that the daughters of Witches are essentially the next vessel for a singular consciousness, such that lineages are more like a single individual with several reincarnations. Not all of this information is actually completely relevant to this point but how insane is it that Alice got a lore drop for the first time in a decade and it was buried in the ass-end of a six-year-old mobile game? I just needed to get that off my chest.
Alice's profile reinforces this by seeming to allude that Alice's mother and her ancestors were all the same person, as well as the third paragraph using similar wording to how True Magic is often explained.

Crucially, the final line also states that Meinsters stand in defense of Mystics from humanity's constant march towards order, which inevitably destroys Mystics by coming to understand them, as is one of the overarching themes in Type Moon in general. Yumina's lineage seems to be actively pushing back on this.
Knowing Nasu, I could stop right here. See, it's thematically cohesive with the Meinsters and Alice's character arc of growing past the reminders of her family's past and learning to appreciate the present, and thematic cohesion is really all you need in Type Moon, established lore and rules be damned.
However, I think that my point is supported by the Ploys, which are all products of the First Magic. We'll start off with the Three Great Ploys, which we know were created by Yumina proper and not any of her later descendants/incarnations.

Flat Snark, Oil of the Moon, is the Great Ploy that's featured most prominently in Mahoyo. This is pretty straightforward - the prose in the scenes that feature it describe it as Magic, and it functions by transforming the world inside of its domain into a landscape of fantastical insanity. It is, quite literally, draping the landscape in Mystics once again. Even the air becomes dense with mana, similar to the atmosphere in the Age of Gods (as shown in Absolute Demonic Front), when Mystics were at their most common and well-integrated, before humanity had begun to push it back as much as they had.
The Thames Troll is the second of the Great Three Ploys, and one that, at first glance, seems to be by far the most simple - it's a massive golem that can get stronger based on what it's built out of. Alice states she has poor compatibility with it, and therefore can only use its first two forms, that being wood and clay/brick/stone, with its final two forms being iron and steel, then silver and gold. Thames uses the environment to create its body, be it the woods the first time we see it or the brickwork in the park during Alice's fight with Touko, which would mean that further forms would likely do the same. As Alice says that the final form would overshadow even London, this would mean that Thames is capable of annihilating entire cities. However, considering it would need iron and steel nearby to do so, it could likely only become so powerful when being used within a more advanced human settlement, likely for the express purpose of destroying it. Therefore, Thames is the Ploy that most directly serves the Meinster's goals of opposing humanity and safeguarding Mystics.
The final of the Great Three Ploys, which isn't directly stated in Witch on the Holy Night but instead FGO, is Wandersnatch, which frankly could and probably should be its own post. There's a whole hell of a lot going on with that thing.

The long and short of it is that the Ploy consists of a dense fog, and numerous entities within it. Only by glimpsing Wandersnatch's true form in the fog can one escape, which makes the Ploy itself act as a microcosm for Mystics in general - it's an impossible, insurmountable obstacle that can only be weakened and overcome by observing it and learning more about it. It's little surprise, then, that Yumina herself choose Wandersnatch to inhabit while her current descendant doesn't yet harbor her consciousness - much of Wandersnatch’s presence has to do with Yumina attempting to exert more control on Alice in order to possess her and incarnate.

Ultimately, though, the smoking gun for me isn't one of the Three Great Ploys, but the most common one we see used: Diddle Diddle, Alice's favorite Ploy. This one has a simple function, that being that it strengthens Mystics in a certain area when dropped on the ground. Which is simple, yes, but also just absurd. You mean she can just crank out little Christmas tree ornaments that can singlehandedly counteract the one consistent force present in every single Type Moon property? She can just do that? Alice, and only Alice, can just say "nuh uh?" That's not attainable through normal magecraft, and has got to be an application of the First Magic through the Ploy. Considering how straightforward the effect is, it seems to pretty clearly point towards the First Magic being tied to Mystics.
As a final note, I also think this makes sense of Nasu's note that the First Magic was discovered after the Third but named as such for a special reason relating to its nature (although this is from an unofficial translation from the Fandom wiki so take this with a grain of salt). It would be very in keeping with what we know about mage society for them to say Mystics are more foundational and important than souls.

#mahoyo#witch on the holy night#fate#fate grand order#fgo#I wanted to include more pictures but I had to forgo them in favor of the actual necessary quotes#Also I’ve got a couple more of these in the tank#Wild that all the deeper Mahoyo lore is in FGO and not any of the sequels that were announced in like 2012#Oh well#If Nasu had a consistent writing schedule he wouldn’t be Nasu#alice kuonji
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How would a dwarf introduce themselves? Among other dwarves and among outsiders? And if a dwarf does not know their parents? (I love everything you do - it genuinely blows me away you have managed to come up with all this)
Well met!
Firstly, thank you kindly for the warm words — it really means a lot. And thank you for your patience as this reply found its way up from the deeper layers of the archive — it would seem that some questions, like mithril, must lie hidden deep before they gleam in the light once more.
Now, on to your question!
The way a Dwarf introduces themselves is closely tied to both cultural tradition and situational context. Much like the careful forging of a axe, no element of their self-presentation is accidental — every name, title, and word is chosen with precision and purpose.
🪓 Among Fellow Dwarves:
In formal or ceremonial contexts, a Dwarf’s introduction typically follows a set pattern:
Outer-name, followed by patronymic (or multiples ones), title, and occasionally a clan or lineage reference.
For example:
“Thorin, son of Thráin, son of Thrór, King under the Mountain” (he might even add “of Durin’s Folk.”)
Richard Armitage as Thorin Oakenshield in Peter Jackson's film trilogy adaptation of The Hobbit
This is not just a matter of pride — it’s identity, legacy, and belonging, all in one breath. Among kin, especially those of status or in situations of importance (clan councils, oaths, or legal disputes), it would be customary — even expected — to name one’s line.
In more casual or familiar settings among fellow Dwarves, a shortened version may suffice:
“Balin, son of Fundin.”
But even then, omitting one’s parentage entirely would be considered odd — perhaps even impolite — unless there is a known reason.
Your inquiry also touches upon a fundamental aspect of Dwarven culture—the significance of ancestry and how it is conveyed in language.
Usage of the "-ul" Suffix in Lineage:
In Khuzdul, the suffix "-ul" serves multiple functions, one of which is to denote lineage. This is exemplified in the inscription on Balin's tomb: "Balin Fundinul," which translates to "Balin, son of Fundin." The "-ul" suffix here signifies "son of," linking Balin directly to his father, Fundin.
Balin's Tomb as seen in LoTRO (the second line being "Fundinul")
It's noteworthy that while many Semitic languages distinguish between "son of" and "daughter of" through different terms (e.g., Hebrew uses "ben" for son and "bat" for daughter), Khuzdul employs the "-ul" suffix universally for both sons and daughters. This uniformity would align with the Dwarves' cultural emphasis on privacy and their protective nature regarding their kin, especially their women. By using a single suffix for both genders, Dwarves maintain a level of discretion about familial relationships, reflecting their secretive tendencies.
🌐 Among Outsiders:
Dwarves are famously reserved when it comes to personal matters, particularly outside their own kind. So among total outsiders, introductions tend to be far more restrained. One might share only the outer-name, or the outer-name and patronymic if some formality is required:
“Gimli, son of Glóin.”
And that, frankly, is more generosity than most strangers would earn. Unless they represent their clan at a meeting with outsiders, then the full formal lineage would no doubt be included.
It’s worth noting that while modern depictions have gifted Dwarves with a Scottish brogue and a certain loud-mouthed cheer, Tolkien’s Dwarves were anything but casual with such things. The inner-name, for instance — that sacred name given at birth and known only to the Dwarf and their closest kin — was never shared publicly, and certainly never used in an introduction. To do so would be to bare the soul.
❓And What of a Dwarf Without Known Parents?
Ah, now here lies a more delicate matter — though not a shameful one. Even without known parentage, a Dwarf’s worth is measured in more than blood alone. A Dwarf without known parentage — whether orphaned, fostered, or otherwise — might substitute a guild, mentor, or place of upbringing in place of a patronymic. It would still serve to root them in the stone of their making, so to speak.
For example:
“Narin, of Thorin’s Halls.” “Varni son of the Last Erebor Grand Mason.” “Lornis, raised by the Stonehewers of Steadmere.”
Alternatively, a Dwarf might take on an earned title or epithet in lieu of lineage — a practice often seen among warriors or craftsmen of note. These names reflect deeds rather than bloodlines:
“Walli the Hammerfast” “Brogni Stone-hand” “Hanni the Flame-tempered”
In such cases, identity is forged in action, not ancestry — still a source of pride, but of a different kind.
So, in summary:
Among wide kin, or when in formal situations, introductions are rich in family and clan context. Among everyday outsiders, they are brief, sometimes guarded. In the absence of known family, a Dwarf will root their identity in a guild, hall, profession, or earned name. Always with pride. Always with purpose.
Ever at your service, The Dwarrow Scholar
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Hi! Are there any translation quirks regarding Nagito’s illnesses in his final FTE? Are there any references to it outside of his FTE?
Hi! Thank you for the ask! And sorry about the wait.
I assume by quirk you mean that if there's any extra info, or if something was translated differently/weirdly.
Regarding his illness in the final FTE, it is the same. Malignant lymphoma stage 3 with concurrent frontotemporal dementia. 6 months to 1 year life expectancy.
As for direct mentions of the illness outside of the FTE, I don't think so. The closest we get, I think, is this official (but non canon) story between him and Nidai during island mode.
I sadly don't have the Japanese version of the book on hand, and it's far more difficult to find manga online in the original language, so we'll have to settle for this and hope the translation is accurate.
Anyways, he outright says it was more from luck than illness, but I don't think that factors out illness. Especially if he was in the hospital almost daily.
If you just mean stuff regarding evidence for his illness, there's a few. Sorta. It's less outright and more like...it can be related, maybe.
Here's an entry from the SDR2 artbook:
Fair-skin. His skin is so pale that it's probably abnormal*. Don't say stuff like "Toast is a good choice for breakfast", he really should eat some white rice too.
*The word "abnormal" here is 病的, which means "sick of body and/or mind". Can be used to describe somebody who has a quality that is ill/abnormal/strange. Such as having an illness, or acting in a way that is excessive to a degree of abnormality. Obviously here it's being used to say he's so pale, he looks ill.
(By the way, if you can speak Japanese, the SDR2 artbook is a lot of fun. We get many great details such as: Komaeda's favorite food is bread/toast, his fashion sense is "edgy" and "avant-garde", his hood is likely custom-made to be a hardhat (this would explain why it doesn't lay flat in his sprites) and he obsessively cleans his bathroom after using it each time.)
Otherwise, on the topic of his FTD, I had a chat with @windcarvedlyre about some interesting tics in Komaeda's speech. I'll reiterate them here in hopefully a more concise manner.
Specifically, one could perhaps argue these to maybe be because of his FTD. For one, he is breathier and generally talks slower than Naegi. I bring this up as they both have the same voice actress, so it's definitely a deliberate choice Ogata made.
He also trails off a lot in speech. However, I have a hard time quantifying this because many characters not just in Danganronpa but Japanese media in general trail off constantly. I can say I think Komaeda is up there as one of the people who does it more often in SDR2, though.
And I think I've talked about this before but he uses a lot of filler words. I actually want to go into detail about this more. I don't know if I have before.
So, in Japanese...a lot of English learners are taught "uh" and "um" words are えーと etto, あの ano, その sono, ええ eeh, and so forth. This is true, for sure. But they aren't the only filler words. I think they're the most well known because JP to ENG dictionaries will readily tell you they mean "um" "err" etc. But others aren't really touched on in ENG dictionaries.
Specifically in Komaeda's case, he has a tendency to use "excessive" ね and さ particles. These particles are normal in Japanese speech, and reflect specific feelings and emphasis. But like any word, you can use them in a manner that functions more like a filler word.
However, context is important, as always.
I kind of see it like this: the way Komaeda uses ね and さ specifically reminds me of both Saionji and Koizumi's speech patterns combined.
Saionji uses ね a lot, probably as much as or more than Komaeda. In her case though, I wouldn't attribute it as a "filler word". To me, it reads more as a deliberate act to be cutesy/playful/youthful, and makes sense with her character.
Koizumi uses さ a lot very similarly like Komaeda. Strangely enough, the official English translation actually does go out of its way to occasionally translate this particle usage as "like" by her (e.g the line "this is like, really important!"), but not when Komaeda uses it.
Anyways, since these are merely being used as filler words, any sort of filler word fits. "Like" "um" "anyways" "so", etc.
You can make of these as you wish.
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