#not plot driven

[keferon]

Monster hunter au part 11 (final? I think?)

Did you want to see Drift in a nurse costume?......ahahahahha

Orion: God himself couldn't stop him.

Meanwhile, Ratchet walking into God's room: Polish your glasses and get your robotic liver ready, I've got drinks to share and a great story to tell

Previous

[sindevilslit]

[biggest-gaudiest-patronuses]

love how Solar Opposites started out as a sitcom about two aliens who can't stand each other, stuck with their teenage clones (whom they also can't stand) & a toddler antichrist (whom they view as a sort of self-sufficient free-roaming hamster?) on a stupid planet they can't stand

and 4 seasons later it's a sitcom about a family of genderqueer aliens, headed by a gay couple in a happy & horny open marriage (with a graphic off-screen sex life, despite their canonical lack of genitalia?) teaching themselves to be okay parents to their 3 kids (whose Sci-Fi Antics now slightly-less-frequently revolve around wreaking havoc on human bystanders, and slightly-more-frequently revolve around alien-clone-sibling-bonding*), to the point that the central plot point becomes "We need to provide our toddler antichrist with a stable home environment."

(also the grumpy alien husband is too busy ingratiating his family with their suburban neighbors to even remember whom or what he dislikes. what is this show)

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[zoe-oneesama]

Can we see an episode with your akuma, Enchanted Florist? I would like to see what went down.

The whole point of my self-insert akuma Enchanted Florist is that she's easily triggered. I was working retail when I made her so she's meant to be transformed over any and all inane problems that any person in the customer service field have to deal with, which is why she's a re-occuring villain, like Mr. Pigeon.

If I made an actual episode, or pictured a canon episode in my head, it would barely feature the main cast at all and would just become a montage of Dumb Things that Customers Do that just akumatizes her over and over and over again.

[seefasters]

like!!!!!!

[sanaserena]

Doffy stretched out a wrist.  “Why don’t you try it?”

You stared at him.  “Are you serious?”  He was suggesting you test seastone on him; he who had devil fruit powers.

The grin on his mouth never once wavered.  “Do I have any reason not to be?”  With that smile, Doffy was always almost serious.

You wound the loose cuff around your finger. “You will be at my mercy.”

“Is that right?”  The corner of his mouth tilted up a fraction higher.  “And what will you do, hmm?”

The bracelet slipped around your hand, heavy against your wrist.  Heavier than your last pair of cuffs.  Your hand wrapped around his, and the cuff slid onto his wrist.

The effect was immediate.  The moment it touched Doffy’s skin, his hand tensed in yours.  Disgust touched his grin as he lost connection with his devil fruit. 

You pushed the cuff to his forearm where you felt the band stretch.

“It has a locking mechanism, or so I’m told,” he said.  “Twist the top half and it will snap the cuff into place. General rule is to do it quickly.”

It took you a few fumbles before you realised what it meant to twist the top half.  The moment you did, the cuff clicked several times and became rigid under your hand, constricting and tightening around Doffy’s forearm. 

Doffy grunted.  “Tight.”

It might be only one cuff.  But the sight of Doffy with even just one arm wrapped in a gilded seastone cuff with a bleeding heart insignia in the centre was appealing.

You slid your hand along his arm, far too aware of the veins that were popping with Doffy’s arm tensed the way it was.

“How does it feel?” you asked, resting your other hand between his legs. 

He flexed his hand.  “Interesting.”  You were sure it was.  It wasn’t often—perhaps never—that someone managed to cuff Doffy in seastone.

“Interesting.”  You leaned in close, the movement catching his attention. 

Suddenly he was no longer focussed on the cuff around his forearm, but on you.  And the way your lips brushed his.  His mouth parted to capture yours in a deeper kiss.

“I take it you like the gift,” he said when you pulled back. 

“I do.” You braced your hands on either side of him and tilted your chin up to look at him.  “I’d like to thank you.  Any preference for your entertainment, Your Majesty?”

Doffy hummed, cupping your face with his hands, and pressing a hard kiss to your lips.  “What do you have in mind?”

You smiled and slipped your head out of his hands.  Catching a hand, you guided him off the table and onto the chair.  He dropped down with his legs spread and you pressed a hand to his stomach. 

“Relax,” you told him, though Doffy was never someone who had to be told twice. 

He leaned back, resting his hands on his thighs.  His face was calm, expecting. 

Your hand slid down his abdomen. “I would strip, but the bandage on my back isn’t very sexy.”

“That’s a shame.”

You kissed him again.  A brief kiss that filled the room.  Your hands smoothed down his chest as you captured his lips in another slow kiss.  Doffy didn’t move his hands.  But his tongue met yours as your next kiss went deeper.

You tugged on the buckle of his pants; it snapped undone.  Doffy was accommodating, lifting his up slightly to allow you to drag them down. 

Breaking away from the kiss, you breathed, “I really, really, really hate your pants.”

~♥~♦~♠~♣~♥~♦~♠~♣~♥~♦~♠~♣~♥~♦~♠~♣~♥~♦~♠~♣~♥~♦~♠~♣~♥~♦~♠~♣~

‘Doffy and reader have a chat’ scene of my ongoing canon (intended) compliant fic, Doffy’s Whore, over on AO3 (Doflamingo X reader and Rosinante X reader pairing; Aokiji X reader endgame - the relationships are a little complicated, see AO3 notes, mind the warnings.)

[ithidunes]

you have no concept for what has just occurred

[cherrymiffis]

where the reader is an F1 driver and people speculate about her sexuality and make up rumors about her with other drivers and she comes out as bisexual...

I also thought she might get involved with some of the pilots after her relationship with her girlfriend ended...

I thought of it as a not very big series, I thought of Lando, Max or Charles as possible romantic couples, I thought about showing her previous relationship like those twitter threads, I think it would be good and also show the development of her relationship with the chosen driver...

things I thought about the reader:

Brazilian nationality 🇧🇷 <3

23 years <3

goddaughter of Rubens Barrichello (could be daughter)<3

I thought of very specific things about the reader's relationships because of the photos I found on Pinterest <3

I just wanted to share this because I'll probably forget it later, I'm not good at writing so if anyone wants to just send me a dm 🫂🫀

[svtskneecaps]

see everyone worried and fretted and panicked and yet quesadilla island looked at pepito and went

[pointlessjey]

Goodbye spaceguy chapter 2 releases tomorrow!

In the mean time, you can read the first chapter here!

[soyboysace]

have we ever thought that maybe it's not a matter of the doctor doesn't need much sleep but more of, he chooses not to? and not in a quirky way? because i can totally see how a man ridden with guilt and ptsd can find it hard to willingly sleep all the more after we've all heard twelve's speech in the zygon inversion when he said "when i close my eyes"

[bubbipond]

Character-Driven Stories - We Are and Their "lack of plot"

From a literary and film perspective...It's a long one if you wanna read...(:

I keep seeing people say We Are and stories essentially like it have no plot and as someone who went to school for this, I have realized some people don't know the word's definition. The hate-on-slice-of-life type shows always perplexe me because there is this idea in media that if a show does not have high emotions or high stakes all of a sudden it lacks plot. A plot is just a matter of cause and effect. Something happens in a story that affects how the story is told. Whatever that plot is, affects the characters and provides substance for them to keep the story going.

What I think people mean when they say that a story lacks a plot is that it is more character-driven than plot-driven. Using We Are as an example, the characters drive the plot instead of the plot driving the characters. Take Game of Thrones as an example; the goal in the story is to see who will get to the Iron Throne (yes I know that there is far more to it but that's the general goal). So no matter what the characters do, that will always be where the series ends. The villains and protagonist will eventually rule and then the series is over. It's not character-driven because whether or not a character changes their mind or dies, the central plot is going to stay intact.

Then in media like We Are, the central focus is the characters and their decision making. If Phum decides he does not want to pursue Peem then their storyline ceases to exist because the plot can only move forward with his decision to keep exploring it. This is because there is no central goal for the character once they make a decision to stop. If We Are were to be plot-driven then there would be a conflict that needed to be resolved that drove the characters. Let's take Never Let Me Go as a plot-driven story PondPhuwin have done. In NLMG the plot that drives the characters are murder, attempted murder, and imprisonment. Nuengdiao's father dies then his mother is nearly killed, leading him to need to run away because now he is being hunted. Those things make or break the plot because there is nothing Nuengdiao or Palm can do while that is happening. Nuengdiao cannot live a normal life without finding out who is after him, ie, the major plot point.

In We Are the plot is centered around friends and the lives of their friend group. The plot moves when they do and when they make decisions. Stories like highly character-driven ones do not have a basic goal or obstacle as one in a plot-driven story would. Think of it as the action of a story being where the plot lies. The reason many slice-of-life-type stories get the, "it has no plot" comment is that they do not have specific actions, consequences, or occurrences that fall back onto a central theme. Many love stories that focus mainly on love tend to be character-driven, not all, but many do. The only action in these stories that moves the plot is the relationships progressing. When the relationships stay stagnant we tend to get the time in romcoms and romances where stories get boring because the only thing moving the story along is their evolving relationship.

It is essentially impossible to have a story without a plot unless your characters are in a room looking at a wall. Even then, I am sure someone could find a way to drive a plot in that scenario.

But anyway, just food for thought. Also, disregard any grammar or spelling mistakes, my phone's autocorrect only wants to correct me when I don't need it to, never when I do... Anyway, that is all I wanted to say about it! No hate to anyone that doesn't like this show or any other one I just hate seeing people say that's stuff.

[howtodisappearcompletelyand]

20/10 stars little guy

[thetraingotsetonfireonmidnight]

Ugh stopping everything to write for a roblox fish was not my plan for the day