one thing I really really appreciate abt riz gukgak as a character is that he is un-self-aware to the max. he inhabits his body so completely. the arc that would usually be run as "I'm different and unable to connect with my friends in this way that everyone seems to be able to do and so something's wrong with me and I don't like myself" when it comes to riz is actually like no! I have literally no problems or praises for myself personally. I don't stand outside of my own self and judge it. it's phrased as "other people will eventually find someone more important to them than you" rather than centering it on his self-perception. he doesn't know why he doesn't have the best social life on earth even though he's not afraid at all to talk to other people. every time he sees himself in someone else's actions or behaviour he gets startled by it. his latest epilogue is realizing seemingly for the first time that he's not just an agent of causes but an actual character. he's my hero and I want to be him when I grow up
286 notes
·
View notes
aw man reading this portion in the first bit of mdzs in the og text, giving it my own translation and feeling bittersweet:
[WWX]
“魏无羡提起湿淋淋的手掌,就着溪水,一点一点抹去这不知是在嘲笑谁的粉饰。
并非无法承受。毕竟当初做出选择时,就已无比清楚,今后将面对的是什么道路。只记住云梦江氏教给他的东西,记住那一句家训——“明知不可而为之”。
只是自以为心若顽石,却终究人非草木。”
Wei Wuxian raised a wet palm by the stream. Bit by bit, he wiped away the powder makeup, its deriding laughter he wasn’t sure was directed at whom.
It was not that he couldn’t bear it. After all, when he made the decision back then, there was nothing clearer, about what the path he’d face thereafter would be like. He only remembered the things that Yunmeng Jiang Sect taught him, remembered that one line of the Sect motto — “Turn what you know is impossible into a possibility.”/“Attempt it even when you know it’s impossible.”
It was only that he thought the heart was like stone, but at the end of it all, people still were not plants and trees.
19 notes
·
View notes
just wanted to say that I absolutely LOVE your comic I am so inspired by it and it’s so lovely and I wanna buy the physical books (I’ve never done that before) I just AUGGHHH EVERYTHING ABOUT IT IS SO 💙💙💙
do you allow fanart? And is there anything not allowed? I wanna draw adam and steve so bad 😭
Of course it's allowed! Fanart fanfic fan music fan dubs whatever!
I like to think I'm sort of "building a playground" when I make a story, have fun on it! I made it for you!
In my general opinion, it's not my business what my "fandom" does... It's on you and also me to curate our own spaces! If you're inspired by my work in any way, that's the greatest honor I could imagine and I want you to feel fully free to explore that. If someone is being weird, I know where the block button is and they can keep being weird where I don't have to see it haha
Just don't like... sell it... it's messy legally with webtoon and I'm one person making the story and it's my whole income so the few sales I get are kind of huge for me ;_;
16 notes
·
View notes
so i'm crocheting a temperature blanket this year. my initial instinct was to say it's for my 32nd year but that's not actually how birthdays work so instead i'm awkwardly going with "the year i'm 32" and shortening it to just 32 mostly. anyway, that's besides the point.
i have the colour palette/yarn, i have the pattern (toni lipsey's linen stitch pixel temp blanket), i made a gauge swatch, i've started tracking temps (i've recorded hi/lo starting on dec. 8).... but fuck, i'm having so much trouble figuring out the temperature gauge!!!
i can't decide what the intervals should be, i can't decide if i want purples to be warm temps or cold temps or where to put the neutrals, i can't decide if i want to fiddle/tweak(/cheat?) and use the lows for the cold temps instead of the high which was the initial plan.... i just don't know!!! ugh.
31 notes
·
View notes
your opinion on journaling?
I actually don’t think I would function without it. If anyone thinks that journaling has to be this pretty, elaborate process, just know that’s a misconception. Sometimes journaling just equates to a healthy outlet through which you can let your feelings loose. Ofc I’m also all for pretty scrapbooks and things of that nature (I really do wanna start a scrapbook myself). But there are so many times where not journaling for an amount of time actually stunted my growth & had me reaching an emotional ceiling.
I will say, one thing people don’t talk about is there is such a thing as journaling too much. Not every moment has to be reflected on and dissected in a journal entry. That’s where the problem of being too self-aware comes from—ultimately resulting in you losing your in-the-moment mindfulness. So what I would recommend (and am working on myself) is finding that balance of living in the moment & not immediately overanalyzing it.
75 notes
·
View notes
Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
28 notes
·
View notes
there’s a chance the next bb album is a callback to previous songs and ideals with that drama track and album title clearly riffing the first bb album ‘buster bros generation’ and ichiro and jiro’s new solo titles kinda being in reference to their past songs
so here i am wondering what could saburo’s ’scarlet summer’ mean lol like it’s nothing that pops up in english and if you went the red summer route that brings up some very unsavoury usa history lol. in jp tho, 朱夏 comes from a borrowed chinese philosophy playing off the four seasons and human life. the scarlet summer phase, according to that philosophy, represents the now generation, who are shaping the world with their actions
i think that’s reflected in some way in most songs saburo’s in, but to keep in line with it reflecting a solo, i think new star of all songs puts it most plainly lol
10 notes
·
View notes