#not literally but also yes

[estrellami-1]

First Cuts

Part 1 | Part 2 | Part 3

“Alright, shithead,” Steve says fondly, rolling his eyes at Eddie. “Get here safe, alright? Over.”

“Can do. Over and out,” Dustin replies smugly.

Steve raises his brows at Eddie, who smirks. “It’s his tone, right?”

Steve laughs. “Always is.”

Robin had just left—something about family obligation that she couldn’t and didn’t actually want to get out of—but Eddie had stayed. Steve can’t deny it makes something burn brightly in his chest, warming up his whole body.

Steve turns to the kitchen, moving to nervously start making something. He wants to tell Dustin, but he’s man enough to admit he’s worried about what Dustin will think.

“Hey, Steve?” Eddie asks, just as he reaches the counter.

“Yeah?”

“Why’d you call me?” His voice is quiet, unsure. “I mean… Robin’s your soulmate, shouldn’t she have been the first person you told?”

Steve sighs and moves to the bar to take a seat. “Maybe,” he admits honestly. “But I called you because you’re a good listener, even when I’m not saying much of anything at all. You know how to read between the lines without going down an anxiety spiral like Robin would. And when I’m already anxious, I don’t need something else anxious to keep me there. And you’re calming. I like having you here.”

“Oh,” Eddie says.

Steve thinks they’re both blushing. He’s not willing to look up at Eddie to find out. “Yeah.”

“You, uh.” Eddie clears his throat. “You can call whenever. If you want. If you’re anxious, or just nervous, or just. Want someone there. You can call me.”

“Thanks,” Steve whispers, and they lapse into silence again.

His fingers start to itch, so he hops down from the stool and moves to open the fridge. “What’re you in the mood for? Sandwich?”

“Sure,” Eddie says, and it feels like an olive branch. “You know what I like.”

Dustin arrives not too much later, dumping his bike on the lawn and barging into the house and nosing around things that aren’t his. “Hey, dipshit,” Steve calls, hands covered in mayonnaise, “nose outta my stuff! Come get a sandwich.”

“Ooh,” Dustin calls back, “Turkey and mayo?”

“And mustard, you heathen,” Steve fires back. “Come and get it.”

No response. A minute later he walks in slowly, looking at a sheet of paper. “Uh. Steve?”

Steve hums, looks at him, and freezes before consciously exhaling, long and slow. “Yeah. That’s why I called you over here.” He wipes his hands on a towel, rounds the counter to Dustin. “I applied a while ago, didn’t think anything of it. But it’s…” he pauses, isn’t sure he can do it. Glances at Eddie, sees his encouraging nod, and takes a breath. “It’s a cosmetology school. I wanna do hair.”

Dustin’s silent for another long minute. Steve and Eddie are eyeing each other, unsure if this is a good or bad reaction. Finally, “Huh,” he says. “Okay, yeah, that makes total sense. I just don’t know how I missed it.”

Steve takes a breath. “Not everything’s about you, kid,” he says affectionately, rubbing his hair and stealing his acceptance letter back. “So, you think I can do it?”

“Well, you’re great with hair,” Dustin reasons. “You helped me with mine for the Snow Ball. And yours always looks great. And it’s actually noticeable when Robin lets you do hers. And you actually do like people, when they’re not being idiots, and you get to talk to people all day too. So yeah, I think this is kinda perfect for you, Steve.”

“Oh,” Steve says, blinking at Eddie, wide-eyed. He can tell by Eddie’s expression that neither of them had expected that. “Well,” he says, voice tight, and pulls Dustin into a side hug. “Thanks for the vote of confidence.”

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[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[originalartblog]

Someone's last crush didn't live up to the hype 😬

[theofficialpresidentoftheusa]

Ladies and gentlemen of the jury…………they fucked in that Honda odyssey……I rest my case thank u

[demaparbat-hp]

She will (and he'll let her)

[gascreates]

a new star

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[noornight]

Long distance besties. This definitely happened after the third movie (source: trust me bro)

Based on this

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

[bluegiragi]

patience and indulgence.

early access + nsfw on patreon

--

(hey i drew this comic in collaboration with the very talented author prettyunhinged, who wrote an amazing fic to go along with it!!! please leave a comment and kudos if u read it, it's so perfect >.< but also do look at the tags first lmao )

[markscherz]

Behold, the European platonic ideal of a frog.

[fence-time]

Wild life object show send post

[bastardlybonkers]

feetman

[clovreat3r]

Made in the Image of Bill

Closeups of the quality gets roasted (just like bills family) ->

[aibafiles]

metaphor prologue

[karlachismylife]

So, we all know Simon is covered in freckles, beautiful constellations blooming on his pale skin, nature marking the perfect paths for kisses along his collarbones, down the dip of his spine, scattered on his arms.

And his face, of course, little spots on his nose and cheeks, sneaky ones all the way up to his eyes. Hidden from everyone, full attire, a mask and smear black providing cover for the shy stars, like clouds do on windy, humid autumn nights. Cold and detached wrap to keep this weird sign of life on a living dead body from overly curious eyes.

But not from his Captain. Price knows these freckles, he's seen them young and bright, he's seen them dull and almost invisible on a half translucent skin.

He's seen them disappear, long, cruel winter and the mask almost grown into Ghost's skull wiping everything besides uneven scars and black ingrained into his skin. He's seen the summer taken out of his boy, replaced with the dead sleep of the winter, white and icy like Simon's eyelashes.

And, frankly, he won't have that.

If there's not enough sun for those little specks of life to shine, be it London fog half of the year or excruciating cold of the northern polar night they're stuck in on an op, Captain Price is giving his Lieutenant a personal sunshine. One that will melt polar caps if you let it shine in full brightness, hot, unpredictable in its flares, relentlessly glowing and cutting it's radiation through any barier.

Deadly as a burning globe of gas can be. Sergeant MacTavish.

Johnny doesn't have a problem with disregarding laws of physics. If this sole, dark, barren planet of ice refuses to circle him like everyone else does, Soap flips all those heliocentric theories over and instead makes a satellite to Ghost out of himself. Simon's joints stop aching when the shared space heats up, air few degrees away from rippling around Soap's broad form like it's boiling overhead a fire pit. His breath appears visible again, contrast to the almost non-existent fog that was leaking out of his mouth, making everyone who knew (not many of them) wonder, if Simon Riley actually ever left his grave.

One day, Simon's knuckles turn white and hurt. One day, Simon's frosty lashes flutter and not a single cloud of steam exits his mouth. One day, he feels frozen in place despite being basked in molten sunlight of Johnny's gaze, because Sergeant's restless hands found a makeup pen and are swiftly covering Simon's flushed cheeks in freckles.

Crowded constellations, all little sister stars from the MacTavish clan, clinging to Simon in semi-permanent kisses.

Price walks in on them, Simon sitting with his hands clenched tight and his breath held, Johnny with his tongue stuck between his front teeth as he keeps bringing spring out of its long dormant state on Simon's once again alive face.

Just like a sun should. Just like Captain Price expected.