#not in a bad way! it's just very clear that they've all come in with characters ready to go
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yanderedrabbles · 1 day ago
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Yandere Werewolf
There's something terrorising your town every full moon. And a stroke of bad luck has you running into it more than once.
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There's something terrorising your town.
The chickens are turning up dead, torn apart with their feathers and blood clumped together all over the yard. The pigs spend every full moon squealing and running around their pens like they can smell a predator in the air. The hunters say there's strange tracks out in the deep woods, tracks bigger than any wolf they've ever seen.
And there's scratches on your door - deep, gouged out claw marks like something wants to dig its way into your house.
You try not to get worked up about it.
It's probably just a fox or a coyote, right? Everyone knows they steal a chicken now and then. And you've seen the six-packs of beer your dad takes when he goes hunting. Dog tracks look pretty damn big when you're drunk and it's dark out, don't they?
You try not to get worked up about it, but every full moon you double check your locks.
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You're squinting at the local paper when your best friend comes up behind you and slings his arm across your shoulders. He plucks the paper out of your hand and scoffs at the headline.
"Chickens found dead at McKinnly farm? No one should be surprised by that. Old McKinnly doesn't even have the coop properly fenced in."
"Hey! I wasn't done reading that."
He balls the paper up and tosses it into the dustbin with a smooth overhead throw.
"You are now. C'mon y/n, don't tell me you're buying into all this werewolf business too?"
Your best friend towers over you, every inch of him well bred, football star muscle. You have to crane your neck to properly glare at him.
"Don't be ridiculous. It's just sensational nonsense."
"Oh yeah? So you ain't scared of a big bad wolf breaking into your bedroom one night?"
It's your turn to scoff. "That's a pervert, not a wolf. How's a wolf even supposed to open a window?"
The school bell rings before he can give you an answer.
He groans. "I've got extra practice again tonight. Will you come watch me? We can get pizza after."
You grin. "Breaking News! Star quarterback needs his favourite cheerleader around to make life bearable."
He flicks your forehead. "Damn right I do. So whatcha say?"
"Sure. Someone's gotta be around to keep you on your toes."
It's only when he's long out of sight that you remember - you're one night away from the full moon.
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He destroys his team mates at practice. When he's pounding down the field, head down and his fingers curled like claws around the ball, he almost looks inhuman.
After practice, he catches you before you can scramble away and rubs his sweaty face all over you.
"Ewwww." You shove him at him unsuccessfully. "You do that every time! It's so gross!"
"Gotta be faster than that squirt," he laughs.
By the time he's done in the locker room, you've already ordered pizza for the both of you.
You head up to the overlook, his old Mustang growling down the highway.
The overlook is exactly what it sounds like - a hill high over town with a great view of the twinkling streets far below. It's a clear night, and the almost full moon casts a silvery shadow over everything.
He slings his arm across the back of your seat and complains when you pick the olives off your side of the pizza.
"God, I hope your taste in men is better than your taste in pizza."
"My taste in men and pizza are equally questionable, thank you very much."
He laughs, "At least you're self aware. Speaking of guys, I know Murrey from Algebra asked you to prom, and Dave from Homeroom."
You groan. "How did you even hear about that?"
"I've got ears like a wolf." He turns to face you. "What did you tell them?"
"I said no. You and I go together every year."
"Atta girl." He sounds pleased.
You offer him some of your discarded olives and he bites them straight out of your fingers.
"Y'know, lots of girls were awfully disappointed you didn't ask them. When are you gonna get yourself a girlfriend, mister star quarterback?"
He leans down and ruffles your hair. "I got you in my life, don't I? That's plenty."
Eventually, his arm finds it's way to your shoulder, and he pulls you against his side. He's warmer than you and when you curl up against him, he smirks and says that's what you get for being hopelessly under dressed.
There's an old love song on the radio and you fall asleep with your hand knotted in his jacket.
He drives home extra slow and when he shakes you awake, his hands linger on your waist.
You rub your eyes groggily. "Goodnight mister wolf."
You're already halfway up the driveway before he replies, his voice too soft to hear.
"Goodnight little lamb."
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On the night of the full moon, you wake up to a cloudy sky and your dog scratching at your bedroom door to be let out.
You struggle into your slippers and mutter about better toilet training. When you open the back door, he slips past your legs and shoots off into the trees. Yawning, you rest your elbows on the porch railing and try not to fall asleep.
It's only when you hear him yelping that you come awake fully.
"Cruiser? What's wrong boy?"
The street lights reach all the way to the edge of your lawn but the trees beyond are black dark. You make you way down carefully, your sense of unease growing with every whistle he ignores.
Your dad left his old wind up torch near the shed and you grab it. It whirs to life with a dull flicker.
Cruiser is whimpering louder now. You follow the sound of it, ducking under branches and trying not to slip in your flimsy slippers.
The clouds clear and for a minute or two, the forest is bright enough that you barely need the torch. You find Crusier backed up against a tree, his tail tucked between his legs. He ignores you when you call him, staring out into the dark and whining like you've never heard before.
"What's wrong boy? What's out there?"
You can't help the fear you feel. Your dog is hard to scare and you've never seen him this frightened.
Twigs snap in the gloom and you swing your torch around wildly. You try and tell yourself that it might be a deer, wandering in from the deep forest. But all you can think about is the local paper.
"Chickens torn apart. Vet suspects large wolf on the prowl."
But it can't be here, right? You're practically on the main road. You reach down and grab Cruiser's collar, your heart racing. The dog barely acknowledges you when you tug on it.
"Heel Cruiser. C'mon boy."
You try and whisper, but your voice comes out high and nervous. His whimper changes into a low growl that vibrates through his collar.
That's when the moon comes out again. And you see the werewolf.
It's coat is dark and thick, and it's crouched halfway behind a tree. Less than twenty feet away.
How the hell did it get so close without you hearing it?! Adrenaline slams into you and your heart skips into overdrive. You turn on your heel and run.
The funny thing about adrenaline is the way your own body takes control. You duck under branches before your conscious mind even realises they're there. You run faster than you ever thought possible, trees streaking by in black blurs.
You hear footsteps behind you but you can't tell if it's Cruiser or the wolf. You don't bother checking. You just keep your head down and sprint like the Devil is on your heels. Hell, he might be.
The werewolf catches you just as you break out of the tree-line. It slams into you from the side and sends you sprawling.
As you scramble to your knees, you get your first good look at the terror of the town. It's bigger than any wolf you've ever seen. Closer to the size of a small grizzly, with the thick fur to match. It's down on all fours, but it's forelegs are unusually long. It's paws are strangely misshapen and for a second, they look almost like hands. It's body feels more ape than wolf.
Oh, but it's teeth are all canine. All sharp, curving fangs, shining with spit.
It sniffs the air and with a start you realise that you're bleeding. Your palms are sliced up from trying to cushion your fall. Blood, you think numbly. Blood is supposed to make carnivores more aggressive. Whett their appetite.
Staring up at its drooling maw and narrowed eyes, you find it hard to believe anything could be more bloodthirsty.
It lunges for your throat and if it weren't for Cruiser, you'd be dead.
The dog shoots out from the forest, barking loud enough to wake the neighbourhood. He jumps at the creature's back, sinking his teeth into the fleshy muscle where neck and shoulder meet.
The werewolf roars.
It reaches up and tears Cruiser off with one nasty yank. Your dog thuds into the ground with an ugly cracking sound.
You scream - half terror and half rage. Cruiser is trying to stand, but can't manage it. One paw hangs uselessly. Oh, your poor, brave dog.
You act without thinking.
You lunge forward and punch straight at the werewolf's nose. It's hard and wet, and your fist keeps going even after contact. His teeth leave shallow cuts on your knuckles.
The werewolf yelps. Like a kicked puppy.
It backs away a few steps before lowering it's head and snarling. It gears up for another pounce.
That's when your daddy shoots it. The blast from his shotgun knocks the werewolf right out of the air.
It crashes down and scrambles to its feet. Its head swings wildly between you and your father. It growls one final time before turning on its heel and bounding into the trees.
How the hell could it even stand after a blast like that? You shudder, your eyes fixed on the trees.
You can hear your dad on the phone, frantically reporting to the Sheriff's office. You sink to your knees next to Cruiser. He draws his eyes up to yours and whines.
"My brave boy..." You stroke his head with the back of your hand and accidentally stain his fur with blood. "I'm so sorry. I'm so damn sorry."
He cranes his neck and licks the tears off your cheek. Just like when he was a puppy. You laugh, high and hysterical. And once you start, you can't stop.
Somewhere in the forest, the wolf howls.
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You can't sleep at all after that. And when the Deputies question you, it takes almost all night. They don't believe you entirely, but the tracks their dogs pick up are strange enough to garner a few nervous looks.
You're on the porch, clutching a warm drink and watching the sunrise, when your best friend finds you.
He sweeps you up in a crushing hug, his cheek pressed firmly against your hair.
"Are you okay? I came as soon as I heard."
You pull away, confused. He cups your face in his hand and gently twists it left and right, scanning for any cuts or bruises.
"What? Who told you?"
He cooks his head. "You did. A few minutes ago."
Did you? You don't remember calling him. But you're tired and frightened. Maybe you just can't remember everything.
He sits you down on the porch swing and carefully inspects your palms while you tell him what happened.
"It wasn't a wolf. You believe me right? I saw it clear as day."
"You were pumped up on adrenaline and fighting for your life. You can't be sure what you saw." He sighs, "Maybe it was a wolf or maybe it was a bear or maybe it was some exotic animal that we've never heard about. But really y/n, it sure as hell wasn't a werewolf."
"Yeah... but..."
In the daylight, werewolves and horror feel silly. Illogical. You aren't a kid anymore, you shouldn't be letting your imagination run wild. There's definitely a reasonable explanation.
But every time you think about it, the more sure you feel. That creature was nothing normal or logical at all. It was wrong. Anatomy all out of proportion, eyes too bright and aware, the smell of it more like human sweat than dog musk.
No, you didn't imagine any of it. It wasn't a wolf at all.
"How's Cruiser doing?"
You take a sip of your drink and try not to cry. "Not good. The emergency vet came by and rushed him to surgery. Multiple broken bones they say, maybe some internal bleeding."
He sucks in a breath. "Oh y/n, I'm so sorry."
He opens his arms and you curl up against him gratefully. His letterman jacket is soft against your skin and the smell of him envelopes you.
"I still remember the day you got him for me," you say.
He rubs soothing circles across your back.
"He was such a runt back then. All eyes and big floppy ears. When you pulled him out of your jacket, I didn't realise he was a puppy. I thought you got me some weird stuffed teddy."
He laughs. "I tried putting a bow on him y'know. But he kept tryna bite my fingers off."
You laugh too. "I could never figure out why he didn't like you."
"Jealousy I say. Didn't want me to steal you away."
You punch his arm, smiling. "You're the only guy who'll compete with a dog for my attention."
"If that's what it takes. Put a leash on me right now if you want."
You scoff and curl up closer against him. "I would but they don't come in your size big guy."
You're too tired to notice the bruise on your best friend's nose, or the way he flinches when you touch his side. For a little while, you make the awful mistake of forgetting about the beast.
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Prom comes faster then you expect. Your dress gets measured and tailored and steamed. You spend days practicing different hair styles. Cruiser limps around behind you, whining for treats like he wasn't touch and go just a month ago. The moon grows thin and then round again.
When you pull up at your best friend's house, his parents are on their way to a party of their own. His mother gives you a peck on the cheek and says you look stunning and to not forget the keys when you leave.
You laugh and wave them off and almost forget about the full moon streaming through the trees.
The house is quiet and you make your way to his room, your heels hanging from your fingers.
"Hey princess!" You knock on his door. "Are you ready yet? I'm coming in!"
You open the door to an empty room, his tux still on its hanger.
"Oh. My. God. How are you still not done?"
You can hear the shower running and you pound at the door. "We're gonna be late! I swear I'm going to kill you when you get out of there."
No response.
"Hey! I know you can hear me!"
Still nothing.
You try the handle and the door swings open a crack. Steam billows out and you slap a hand over your eyes before you can see anything too revealing.
"Hurry it up! We're gonna miss all the good songs if you don't get dressed soon. Do you really wanna slow dance to something Mr Jared the gym teacher picks out?"
You hear the slap of footsteps on wet tile and breath a sigh of relief. "Did all that football practice knock your ears outta wack? I've been yelling at you since I got here."
Something growls, low and deep.
Your eyes shoot open and you step back. But you're still too slow to react and the werewolf leaps at you. Its heavier than a man and you tumble to the floor together, its paws pinning you down by the shoulders.
Its snout is right in front of your face, almost touching your nose. Lips curl away from awfully long fangs.
It growls almost like a man, almost like it's saying, "Mine."
You scream, kicking and tossing and failing to get away. It's claws prick holes in the satin of your dress and draw little beads of blood.
You scream your best friend's name, terrified that the beast got him too. You're going to die, you think desperately, you're going to die and your poor mother won't even be able to refund your prom dress. If you weren't screaming, you might have laughed.
But the monster doesn't kill you.
Instead, it licks the tears off your cheek. Just like Cruiser did a month ago. It growls again, but the sound is lighter. Pleased almost.
You grow still, confused and terrified of provoking it. Your best friend's room is cluttered with football gear - trophies and jerseys and signed helmets. The moon shines dully off all of it. And you're in the very centre, with a monster pinning you to the ground.
The moon dips behind a cloud and the werewolf changes right before your eyes. Hair and snout receding, his eyes darkening from wolf amber to warm brown.
It's only his teeth that stay the same. All sharp points that peak through his lips.
Your best friend is on top of you, totally naked and still warm from the shower.
"I didn't want to hurt you y/n, I swear."
His voice is lower somehow, like the wolf's growl is just under the surface.
You're too shocked to move. Too shocked to scream. This must be a dream. It's too surreal to be real.
He leans down and kisses you on the cheek. "I wanted to tell you. But it would have sounded crazy. I grow claws and teeth on the full moon? I heal faster than I used to? I can smell when you're ovulating and when you're on your period?"
He pulls back and tilts his head. "When we were kids, we promised we wouldn't keep secrets. And now you know."
"You...you were outside my house that night."
He laughs. "I'm outside your house every night dummy. That was just the night you caught me."
"Why?"
He shakes his head the way he always does when you say something dumb. "To keep you safe. To keep other animals away from you. To protect you, like I said I would."
His hands slip from your shoulders to your waist. "But now you know."
He grins, his teeth awfully sharp. "Now I can make you just like me."
He holds you down and kisses you and nips at your neck hard enough to draw blood. And when the clouds clear from the moon, you feel your teeth start to lengthen.
Something is terrorising your town. And you should have know better than to cross its path.
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thanatika · 5 days ago
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low-coherency rambling in the tags
#the thing about IPL is that‚ at least as far as i see it‚ they've essentially been propagating and encouraging an auteur myth regarding him#which is nothing new or unique to them; i think that people (audiences) naturally want to ascribe some Great Man Theory to everything#it's hard to conceptualize the fact that almost anything that comes from a ''studio'' will be the product of collaboration#people naturally want to personify things and attach a human face to what they like#and studios (whether game or whatever else) will indulge this by generally seeming to pick one or maybe two people (often men)#to essentially be the main ''face'' or ''spokesperson'' for the product. it's branding.#and it has an effect even if people obviously are aware that someone isnt the ONLY person who's hands touch a work#i see it in the way people take this very personal parasocial tone in how they talk about the creators they like#which is just a subset of the problem of parasociality in general but in this case i mean how they basically put these people on a pedestal#because they seem them as singularly responsible for creating Thing They Liked because of the aforementioned spokesmanship#i've seen it in how people talk about (and talk to) j sawyer and chris avellone as if they're singularly responsible for fallout#anthony burch and borderlands 2. christian linke and arcane#robert kurvitz and disco elysium (but to be very clear im not saying that makes cutting him out of his own intellectual property acceptable#fucking i don't know.... jeff kaplan and overwatch lmao#and very much with dybowski and pathologic. like the kind of memes i saw people make about him and the personal way they'd refer to him#BUT that pretty much all stopped after 2021 or so at least in the fandom spaces i saw#because i suppose people realized that whether those rumors and allegations were true or not that they did not really know this person#no matter how much they liked ''his'' game. and that he might not be a good person at all.#which is good. i think people should take that kind of ambivalence by default instead of getting parasocially attached to anyone#especially to one lead figure out of an entire studio#and then winding up distraught and disappointed when it turns out their fave did something bad#like be distraught for victims sure. but don't tell yourself you understand this person because their fiction spoke to you#and you won't wind up feeling personally betrayed.#i'm rambling big time but basically i hope people start taking this view more#because among other things. putting these people on pedestals and singling them out as auteurs gives them social power#which allows some of them to engage in the awful behavior that leaves fans feeling betrayed in the first place#and i hope that studios and creators stop leaning into it too#if it really is true that dybowski is barely involved with the IP anymore then IPL should say that.#don't prop him up as the face just because he's the one everyone knows#maybe they think it'll get backlash if anyone but him is said to be writing the game because of how much they leaned into him as the auteur
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the-casbah-way · 4 months ago
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FINALLY finished my outline for prodigal son it’s going to end up way longer than i planned </3
#there’s so much i’m trying to get across without making it ridiculously long#i’m like. trying to make it clear that malc isn’t the driving force here#because he’s a bit older than jamie and jamie’s only eighteen and pretty sheltered so it could seem dodgy#and don't get me wrong i'm not going to NOT write something just because it's objectively shady especially for ttoi#but it’s not like malcolm swoops in and initiates everything. that wouldn't fit the characters#jamie’s a determined wee shit and he’s fucking relentless when he wants to be#it’s more a case of malcolm caving and agreeing to let him into His World as it were#and jamie’s always had this anger and this rebellious streak that leaves him susceptible to doing shady shit#he’s not a kid he’s making his own decisions malc’s just here for the ride#and also like. jamie SEEMS like he’s losing his faith at points but it’s actually getting stronger#i don’t want it to seem like he’s given up god for the sake of following malcolm#he’s just making peace with the fact that his god and the christian god don’t align too well#it's kind of like. malcolm is partly helping him be more honest and brave and do some good in the world#but he's also partly (mostly unknowingly) being a genuinely bad influence too#but all the bad shit jamie's going to end up doing comes from himself. it was already there#because i see jamie and malc as huge enablers for each other. it's their whole thing#and i think it's interesting to show them in my fic being (for the time) very radical and rebellious#and it stems from a genuine desire to a) do good in the world and help people and b) break themselves out of the working class bubble#but by the time they reach canon that has manifested into something quite horrible#their rebellion and radicalism is now used to do bad things that don't even justify the end goal anymore#and now they've broken out the working class bubble they're just playing into the toxic westminster mindset#because that's the only way you survive in the game (or at least in malcolm's case. he ends up with no spine)#because he's willing to abandon his principles if it keeps him and the party in power#and at some point down the line the good intentions get lost to his own ego and need for control#anyway i'm normal#ttoi
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smartzelda · 13 days ago
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Sorry guys I gotta speak my truth on this one
I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)
And here's why.
I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.
In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses
When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.
Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.
For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.
Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy
You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters
And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.
Here's another example.
Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin
Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).
Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.
Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.
Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?
This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.
Thank you for coming to my ted talk.
#fandom wank#on the flip side it really just doesn't all happen with shipping#doesn't this go the same way when someone hates a character so they brand them with terrible terms and act like they're terrible without#actually taking a second to analyze them simply because they dislike that character?#Hell I've seen people get really invested in platonic relationships on the fanon side‚ start labeling them as siblings because the idea of#people shipping them makes them uncomfortable‚ and then when new canon doesn't fulfill their hopes they still act like those characters#being siblings to each other is canon because it makes them uncomfortable if that's not true#I've seen people watch a trailer for a piece of media before it comes out‚ build up an entire story in their head based on that trailer#that they've designated as their perfect idea of how to handle concepts presented in the trailer‚ and then when canon doesn't end up going#that way they decide that it's bad writing simply on the grounds that this wasn't the story they wanted. so they unironically act like#writers can only be good writers if the writers play into their specific wants as the audience or things they as an audience member thinks#would be great#genuinely even if people turn off the ship side of their brain or the side that gets obsessed with characters they can still be one of those#people who acts like they love media analysis but ultimately are shit at it#I didn't put this in the body of the post cause it didn't really fit but I have to say this too#I think that 'There are multiple readings one can glean from a text and no reading is the 'true' one‚ and this is okay' and 'not every#reading is a valid one or a good one' are statements that can and should coexist#There is a difference between genuinely reading into a piece of media based on what is happening in it and purposely miscontruing and#twisting canon in a direction that contradicts text so you can then quell all criticism by saying that it's just 'a reading' and#'all readings are valid'#What I'm saying is that if you see a blue car‚ the way you get 'valid readings is people who are determining what shade of blue it is or#what it being a blue car means or the author's intent making the car blue or even speculation as to why it's blue and not potentially other#color. A case of an 'invalid reading' in this case is if someone pointed at the blue car‚ said it's canonically red and the author obviously#intended it to be red and it's canonically red‚ and then when people point out that the car is very much not canonically red (that you#can see it is a very clear shade of blue) this person doubled down and started saying that the 'haters' are being rude by implying that#their personal reading of the text is invalid (in other words 'no you can't get mad at me for saying the blue car is red because it's my#reading of the text and all readings are valid no matter what!')#anyways sorry for going off there#it just pisses me off when people repeat the argument that people who like certain things as fans are inherently unable to perform good#media analysis and are the root of fandom media illiteracy.
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longagoitwastuesday · 3 months ago
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While I loved that interaction, that is all we got about something that could be taken as two of the most important (alive) people in Gojo's life mentioning him, thinking of him with fondness, or coming anywhere close to mourning him.
Then we got two pages of resolution of whatever emotional turmoil these two have going on
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#And I do love the Megumi and Shoko scene! I do love it! But come on!!!#When I say Gege Akutami is introducing a lot of whatever characters to give them an ending#and then doing nothing in comparison with the main cast I mean this kind of stuff#I get there's five episodes left and a lot of things and characters he wants to give closure to but precisely#There's just five chapters left. When Nanami died there was that short yet heavy scene between Ijichi��� Shoko and Gojo#in which they mused there was only the three of them left anymore. There's nothing of the sort for Shoko or Ijichi now at the very end#The closest thing we've gotten is that one moment between Megumi and Shoko I just posted#And these dynamics are heavy and they imply very important characters pertaining to the main cast#Yet there's two pages of these two. Not to talk about the rushing of arcs that's been happening in these two last chapters#But if there's going to be truly a second part I think not entirely closed narrative arcs is not as terrible#But not closing 'emotional' arcs? That feels more clumsy to me. I don't think carrying 'emotional' arcs to a second part is as easy#The emotiveness and weight of the dynamics belong to this story. The author could extend on the second part more on idk#Megumi dealing with the loss of Tsumiki or Shoko with loneliness or whatever. For instance#But the very moment of grieving over Tsumiki or Gojo with everything they've been right after their loss with everything their loss means?#It belongs to this story alone. Just like the moment of dealing with Nanami's recent decease belonged to that moment/this story#And I feel the author is not giving at all the main characters almost any time to breath that for now. And idk. It's sad#And it's awkward writing I think. The absence so noticeable#And I feel it's something that can't be as easily done or added or developed later or on another story/part#So the numerous panels of much more secondary characters rushing narrative and emotional arcs for and with them feels to me a weird choice#All while Yuuji just made an offhand comment about Choso. All while Shoko had barely nothing at all. Ijichi and Todo had nothing#The Kamo boy had one panel. Nor Yuta nor Megumi nor Yuuji made any comment about Gojo#Perhaps we could admit those letters and that faint smile of Megumi as closure enough. But it's so weird#The panel proportion between main characters and very secondary characters and what they're being used for. It's weirdly distributed I think#It feels awkward and anticlimactic in a bad way#And it's very much a very clear example of what I meant every time I said JJK had the potential to be amazing and it's just mid haha#*sigh* it is what it is I guess#I don't want a second part at all tbh I hope they're not going with that#I talk too much#JJK spoilers
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emphistic · 2 months ago
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Boyfriend!Sukuna's up to no good, you can just feel it. After being with Sukuna for years since high school, it's safe to say your very reliable, very credible "Boyfriend is Being Bad" senses are tingling. And they're tingling worse than ever.
It's utterly ridiculous. You've been sitting on the couch for hours, and have already completely finished a season of your favorite show. Yuuji's whining about having his brother tuck him into bed, and you have run out of coffee. It's past evening, and Sukuna is literally nowhere to be found.
"When's Brother coming home?" mumbled Yuuji for the umpteenth time. He was curled up on your lap, pressing his chubby cheeks to your sweater, and yawning like he worked a 9-5 and paid the bills.
"In a little bit, Yuu, just be patient and wait, 'mkay?"
"Hmph!" The boy crossed his arms over his chest and gave quite the intimidating pout. "I be patient! And still no 'Kuna! Does he not love us anymore—?"
There was the screeching of tires pulling up to the house, the sound of someone running full speed to the door, and keys jingling with desperation, all before the door was opened, slammed closed, and lo and behold: Sukuna—in all his glory. (He looked like shit.)
"What the hell—" You cleared your throat, cautious of what to say in front of someone as young as Yuuji. "Where have you been?"
Sukuna was panting, drenched in sweat, and his hair was a mess. "I'm . . . I was . . . I was getting a cat for Yuuji and you; y'know, because you two were nagging me about it all week after we watched the Lion King?"
Despite his brother's current disheveled state, Yuuji wasted no time in scurrying off your lap, running as fast as his little legs could carry him, and jumping onto his brother's leg and attaching himself there like a monkey or something. "Yay! Brother! Brother home!"
You eyed Sukuna warily, fully taking in his appearance. "So, where's the cat? And, last time I checked, you don't have to run ten miles in order to purchase one; you look like you just did a whole work out."
"If you count running from the police as a work out, then, yeah. . ."
"The police? Do they run a special kind of pet store or something?"
"Not exactly," Sukuna winced, as the sound of sirens blaring began. "So, just making sure, you love me, right?"
". . ."
"Ah, I may or may not have tried to pick up a tiger from the local zoo, and turns out, that is not very legal."
"You're . . . joking."
"The tiger, uh, jumped out of the window while I was on my way home. . . And I'm pretty sure the police are looking for it and me, but don't worry, I've been in run-ins with the law before. They've got nothing on me, babe—"
"You're trying to tell me that your concern is the police? WHEN THERE'S A TIGER ROAMING THE STREETS? OF OUR NEIGHBORHOOD?"
"Hey, there's a good part to this." Sukuna raised his hands in defense. "I made Christmas come early, y'know. You two have been begging for a pet."
"A PET! NOT A WILD CAT THAT YOU STOLE!"
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hussyknee · 1 month ago
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Trying to explain what the fuck just happened in Lankan politics today.
The leftist party has won 159 seats out of 218 in the Parliamentary elections. The single biggest landslide win since we broke from the British and achieved universal franchise in 1948.
Any party achieving a super majority in the executive and legislative is, objectively speaking, bad. It disables checks and balances, which is a catastrophic thing for any democracy, and the only two other times it's happened for us has irrevocably eroded the fabric of civic rights and democratic freedom. Also, the reason the NPP won the North and East is that the colonized, genocided and subjugated people there have no faith in electoralism anymore. The way this government has engaged minority issues has been utterly abysmal and now they've been rewarded for it.
On the other hand:
The winners. Are all. Grassroots. Candidates.¹
We have voted out every single career criminal that's been barnacled into the Lankan political arena since before I've been alive. The fascist party has only three seats.² The other fascists didn't win a single seat. The neoliberal legacy party won none. There are only forty people in Parliament that represent any sort of dynastic political legacy. After 76 solid years of nothing but political dynasties.
This is barely five years after the Rajapaksas swept in and absolutely glutted the Parliament with their family members and cronies end to end.
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This is the illegitimate interim government we had for most of the last 18 months. We literally, physically, chased the Rajapaksas out of the country and this fucking demon set up a puppet government just so he could finally sit in that goddamn chair and be the despot he'd always dreamed of in exchange for letting them all come back. He's now gone. His entire circle is gone.
THEY ARE ALL FUCKING GONE.
In US terms, just imagine that, five years from now, when Trump's GOP has control of everything, the entire GOP and the worst of the Dems are all purged from Congress and Senate, the Green Party in control of all three branches of government under a pro-union left-wing President and an unmarried female LGBT rights activist Vice President, and the Dems reduced to barely 20% of the House.
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This is my anthropology professor. She joined politics from the small nascent leftist coalition to help keep the government accountable. She's now the Prime Minister and the most popular Parliamentary candidate in the nation's history. (Edit: She was knocked off first place by a dude in the final result. Boo.)
(On the other hand— the woman who helped make me a radical anarchist and literally helped write a book on political dissent and resistance...now is the state. Uh.)
But there are so many women in Parliament! We had the lowest female representation in a South Asian Parliament and some of them were from the list of seats reserved for parties rather than elected ones. Most were either anti-feminist conservative embarrassments, widows and daughters of elite politicians and neoliberal shills. It's still only an increase of a few percentage points (Edit: from the previous 5% to 10% in the final result!) but now we have elected academics, feminist advocates, activists! There Is a representative for Malaiyaha Tamils in the Central Province for the first time in history and it's a young woman! (Edit: now it's two female Malaiyaha MPS!!) This is the plantation community that still live in conditions closest to the slavery the British forced upon them two hundred years ago!
I'm like. Completely mindfucked. To be very very clear, the NPP coalition formed around the nucleus of the JVP that used to be communist but haven't been in 30 years, they're now just social democrats who are left of places like the US and UK, whose "left" is now center-right. They're only threatening to the Western mainstream media for some reason who can't stop bleating about how we have a "Marxist" government now. In reality, the actual chances for radical reform are still quite low, and the opportunity for further erosion is quite high with a super majority government regardless of affiliation.
On the other hand:
What the fuck.
Sometimes living through historical events is really damn amazing.
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¹ Well, nearly. There are a few career politicians and a nepo baby but they aren't so bad either.
² Goddamn it, Baby Rajapaksa and Sri Lanka's answer to JD Vance have wormed their way in using the list of Constitutionally reserved party seats for non-elected members. FUCK the National List.
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qqueenofhades · 5 months ago
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I think its genuinely fascinating how Biden has somehow become the bad vibes sin eater for the party. I'm seeing people who were doing the whole "voting doesn't matter both old men are the same" pivot hard into voting as harm reduction. The anti voting rhetoric has COMPLETELY lost The Youths on tiktok. People suddenly remember the good things the Biden administration has done but don't associate Harris with any of the things they didn't like. In my swing state volunteers are signing up in droves. People feel ENERGIZED, the vibe shift pre and post Biden dropping from the race has just been insane
Y'know, that is a... good way of putting it. It's also why I'm quite sure that Biden has probably been planning it for a while. I don't think he was intending to step down, and didn't want to be forced out at the drop of a hat, but after he realized that the circus was never going to stop until he did, he did the honorable fall-on-his-own-sword thing and definitely, DEFINITELY spent some time choreographing this behind the scenes. Because while the roll-out has been very smooth, it could just as easily (as many of us were expecting) have been a total disaster, and that doesn't happen without SOME planning. It's also entirely possible that the campaign staff flipped from Biden to Harris are superhuman, to come up with a massive online roll-out, new branding, new signs (they had plenty of 'em in Wisconsin yesterday), new everything, but I'm guessing it's a combination of both. Biden has spent his entire political career being underestimated, and after we literally made a meme out of Dark Brandon juking the Republicans out of their shoes, we should definitely give credit where credit is due in how masterfully he pulled it off.
Because we have had eight years defined by the central question of Whether The President Is a God King Who Should Serve For Life (the MAGAts obviously think yes), the sheer idea of a president willingly giving up his power BEFORE he had to is also novel and admirable. It's sad that this is the case, but so be it. The Republicans also got a heaping helping of Be Careful What You Wish For that was undoubtedly brilliant; they've been yelling for years that Biden is old and frail and can't serve and should step down. Biden went "lol okay" and gave it to them, and now they're fucked.
Aside from that, on the most basic level, it's far, far easier to see the actual difference in the parties with Harris as the nominee, just because it shows that one party is willing to make progress and reflect the new demographic reality and social mores of America, and the other one is not. Now to be clear, Biden deserves an incredible amount of credit for coming out of retirement (he was ALREADY 77 years old when he became president and had had decades of a long and respected career in public service behind him) to fight, beat Trump, and deliver an incredibly successful presidency. He held the line against authoritarianism at home and abroad, he rescued the trashed American economy and managed a world-leading recovery from Covid, he stood up for democracy, he spent four years filling the benches with liberal judges to reverse even some of the Trump/McConnell hack job, he finally passed comprehensive infrastructure investment and the Green New Deal under the name of the Inflation Reduction Act -- and so on. Many of these priorities had been languishing for decades or were completely trashed under Trump, and he could not have done so much in just 4 years without all that age, skill, and experience. Hence why all the Ageism!!! was (aside from being a Republican/media smear job) dumb. He's able to do the job because he has had decades to study. Turns out that makes you actually pretty damn good at it.
Yes, Biden could not do as much as he wanted or originally planned, had to deal with MAGA Republicans and Joe Manchin/Kyrsten Sinema sabotaging him the whole time (lololol Manchin, possible possessor of the World's Biggest Ego and with Trump around that's saying something, popping out of obscurity to self-righteously announce he would not be willing to be Kamala's VP. YEAH ASSHOLE. LITERALLY NOBODY ASKED YOU. NOBODY WHATSOEVER. NO MATTER WHAT HAPPENS AT LEAST WE WILL SOON NO LONGER HAVE MANCHIN IN THE SENATE). And yes, Biden made some serious mistakes of his own, because he IS from an older generation and a different style of doing politics/different beliefs that no longer resonate with the younger segments of the electorate. But this old white Catholic guy at the age of almost 80 still managed to be the most progressive president ever, coming in at a moment of incredible domestic and international crisis and getting us safely to the other side, and all cynicism, criticizing, and caveating aside, he deserves an incredible amount of credit for that. I mean that absolutely, and I am very grateful.
As I said, willingly relinquishing that power takes guts, and when Biden saw the writing on the wall that he had to sacrifice himself, he took his time, he didn't jump too early, and he didn't jump too late. On the most basic level, it becomes a hell of a lot easier to make the "both parties are not the same" argument when one is running a (comparatively) young brown woman and the other is still running their loathed felonious old demented orange traitor. Most Americans are not plugged into policy minutiae and details. They look at Biden-Trump, they see two old white guys. When you take one of those old white guys away (who goes in a self-sacrificially heroic manner and in sharp contrast with the coup-happy fascist) and put Kamala Harris in there instead, it generates an obvious jolt. People can see for themselves that there is a real difference that doesn't rely on closely reading news and tracking complex policy, because as noted, most Americans simply don't. The brown first-generation American daughter of brown immigrants is a quantifiably different story from "old white guy career politician," which for better or worse is how Biden was seen, especially the old part. We needed that establishment expertise to beat Trump in 2020; I still think Biden is the only one who could have done it, and as noted, we owe him a great debt for doing so.
However.... 2024 is not 2020, and it is not 2016. There has been this HUGE and unbelievable swing to Kamala because she represents the antithesis of what the last eight years of Trump-induced anger, fear, panic, chaos, and hatred has stirred up. That's why people are so ready to rally around her, just as they were (I daresay) around Obama in 2008, after the exhaustion, chaos, war, and mounting economic misery of Bush. Trump has been out of office for the last four years, but his shadow over the American political landscape has been omnipresent. Now people know that we finally have a real chance at getting rid of him forever, and just as Biden was uniquely positioned to capitalize on that in 2020, so Harris is now. Which is why, however tough it will be, she has a real shot at winning. I can guarantee the Republicans know that, and are shit scared. Because the Black Lady Army of Democracy has indeed arrived in force to Get This Shit Done and I don't know about you, but I found that incalculably comforting:
Yikes! All lined up for Kamala pic.twitter.com/Dt4OCDp7WX
— Alex Cole (@acnewsitics) July 24, 2024
This, at the most basic level, is what scares fascists the most, it's exactly what we need now, and what Harris is uniquely positioned to mobilize, along with her gangbusters appeal to young voters:
This is the energy we need. This is what Biden saw and planned for and which he launched us into, and where all that experience and age paid off. This is why people, even people otherwise disengaged, disillusioned, or checked out of the tedious and mind-numbering drudgery and depression of American politics, are responding to it. Because it's easy to understand, it offers hope, and it tells a very simple story that is nonetheless long overdue:
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Thanks so much, Joe. Go absolutely waste that orange fucker, Kamala. We got your back.
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osachiyo · 1 year ago
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✦ BAD TIMING? ✦
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⟣ ──┈ · · · + including : dazai, chuuya, fukuzawa, fyodor x fem!reader
⟣ ──┈ · · · + c/w : nsfw content (mdni), teasing, petnames, degradation, rough sex, prone bone, cowgirl, mating press, nipple play, cursing, cockwarming, mentions of nikolai + non consensual vouyer in fyodor's & more
⟣ ──┈ · · · + a/n : i wrote this with my pussy.
synopsis. . . you're getting your guts rearranged when− 'riiing!' the annoying sound of his phone ringing caught you both off guard, snapping you out of your dazed state as you both paused your nightly rendezvous. what's even more surprising to you is when he reaches over to grab the tiny device, answering the call− ugh, seriously?
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.001 — Dazai
You whined at feeling Dazai's hips slow down, now completely flush against your ass, as he picks up the phone. "What could kunikida-kun possibly need from me, at this hour?" He muttered to himself, voice breathy and warm against the shell of your ear. Fuck, it was kunikida?
"Hello~ ku-ni-ki-da-kuunnnnn?" Your co-worker said in an annoyingly sing-songy voice, making the man in the other end of the line grumble in frustration. They began talking about some..mission? Anyway, it had been around 20 minutes since they've started talking? You couldn't exactly tell− or cared, honestly. The only thing in your fucked out mind was for dazai to close the damn phone and just fuck you already!
You showed your frustrations by huffing and angrily kicking your legs− turning your head to look back at dazai with a glare. He only smirked in response, shrugging before turning his attention back to the call.
You had no idea that dazai was aching to move right now, the feeling of your warm cunt pulsating around him was almost too much to bear. The way sweat gathered at the dip of your back, the way you arched for him− shit.
It had been a few more moments, you were so close to whine out complaints when dazai's hips started moving again, cock easily brushing against your sweet spot. You could still hear his voice from behind you.. he− he wasn't done with the call?!
You were about to ask him what the hell he was planning now− when long, slim fingers entangled themselves in your already messy hair− shoving your head down against the mattress to shut you up as he kept his pace, voice straining a little while he contuined his "very important" conversation with your other co-worker.
Lewd "pap! pap! pap!" noises of dazai's balls hitting your ass filled the enclosed room as you tried your best not to let any moans slip out− god, if he found out− "oi dazai, what're the weird noises coming from your side?"
Fuck.
"Oh uh− nothing, nothing at all, kunikida-kun," he breathed, free hand now coiling around your waist to rub at your neglected clit− making your back arch even more as you gasped out loudly.
"What the− are you sure? You better not be scheming anything bad right now, idiot."
"Of course not! mmh− so tight−!" he whispered the last bit, large hand now cluntching the flip phone in a vice grip as he watched his cock disappear inside of your slick folds− a creamy ring forming around the base of his cock.
"Huh? what's so tight? Dazai−"
That was the last thing you heard from kunikida before dazai's poor phone was thrown somewhere on the bed, the hand coiled in your hair now dragging you up− arching your back even more for him as he muttered soft curses into your ear.
You let out a pained mewl at your hair being pulled, desperate hands scrambling to claw and tug at the sheets as your back was flush against dazai's chest. "Ah− shiit−!" your eyes rolled back as the thumb circling your tiny clit sped up, the bed creaking loudly with each thrust of dazai's narrow hips against your ass.
"Yeah? you gonna cum, 'donna?" Dazai mocked, breath hot against your neck as he moaned lewdly at the way your pussy gushed around him− spraying the sheets with clear fluid. Dazai only groaned in response, "oh shit, fuuuck!− g'nna cum inside you, yeah? y' wan' that?" He slurred, you didn't get to answer before blunt nails meanly dug into your hips as he stilled− balls tightening as spurts of white filled your cunt before he fell on top of you.
You two laid there for a few moments, his cock slowly softening inside you− chest heaving as he finally got off, hissing from the loss of warmth. Dazai pressed a gentle kiss on your temple before walking off, most likely to grab a wet rag to clean you up. You got up with a sigh, running a hand through your messy hair when your eyes land on dazai's phone− it wasn't too far away from you.
You crawled closer to it, taking it in your hands when it lit up− "call ended now."
.002 — Chuuya
You were happily bouncing on your boyfriend's dick when the annoying ringtone of his phone went off. He sighed, lifting his head from the sofa as he reached over to grab the device, brows furrowing at the contact name.
You were sitting idly on his lap now, still impaled on his cock. "Who is it?" You panted, out of breath as you tried not to clench around the ginger's fat dick.
"It's.. boss. be quiet f'me, okay doll?" His voice was soft, but you know he meant it as a command.
You nodded innocently, urging him to answer the phone call. and he did, the way he immediately put on a professional voice sort of baffled you but hey, he was a mafia executive.
But the moment he put the phone next to his ear, you clenched around him tight— making him almost double over with a gasp as he gripped your hip for stability.
"Argh!— I mean- y-yes, boss!" He stuttered, face flushing as he grit his teeth, glaring at you as his fingertips dug into your plush hip, veins appearing at his temple as he mouthed to you to "behave."
Like hell you'd listen and torture yourself by cockwarming him. You only grinned mischievously before lifting your hips up and slamming down on his cock, his eyes shutting tightly as he tried his best not to moan out— he couldn't. Especially not with Mori on the line.
You kept pleasuring yourself on his cock without a care, even going as far as putting a show for him— your hands reaching to play with your tits as you softly moaned out his name, reaching to grab his hand but he only smacked it away, cock dripping with need as he tried his best to keep things professional.
"Chuuya-kun, everything alright on your side? I keep hearing these..noises."
The man in question knew he was fucked— he knew Mori already figured everything out, "uh— y-yeah, boss. I'm fine— fuck—!" Panting out the last part, Chuuya gripped his phone so tight that you worried it would shatter.
"Uh-huh.. Anyway, you had better call me back once you're finished with your.... current predicament. Have fun."
And with that, the Port Mafia boss ended the call, making Chuuya groan in annoyance before chucking the small device somewhere— "what the hell was that?" He growled, hand coming up to wrap around your throat as he forced you to stop your movements, cock nestled deep inside of you once again as your hips stilled. You whined from the loss of friction, the sound only making your lover's right eye twitch in annoyance— "such a poor, needy slut, ain't ya?" He held you down firmly before thrusting up, fat cock nudging against your sweet spot as you threw your head back.
"Ooh, f-fuck— my slutty fuckin' girl can't even stand a few minutes without cock, huh?" He stuttered, other hand reaching up to land a gentle but firm slap on your face. It didn't sting much, but was enough to move your head to the other side. You only whimpered in response, clenching around him even more as his thrusts sped up— growls and groans of pleasure escaping his own lips as he suddenly parted your lips with his thumb before shoving two gloved fingers down your throat— your eyes stinging with tears as the digits hit the back of your throat, tits bouncing up and down as he practically manhandled you like a ragdoll— settling you on your hands and knees without even pulling out fully.
"Argh- fuck—!" He moaned, burying his face into the dip of your shoulder, landing soft kisses on the smooth skin. "Ch-chuuya— s'good, feels s'good—" you slurred, eyes rolling back as one hand found your breasts— the soft flesh jiggling with each brutal thrust of his hips as he basically slapped them around, harshly pinching your nipple as his other hand found your clit— rubbing quick and fast circles on the delicate bud— making you clamp around his cock once more before gushing all over his cock and the expensive leather couch. Your juices ran down his balls to his thighs— the force of your orgasm making you limp against him. You'd probably fall face first onto the couch if not for Chuuya's vice grip on you. Whimpers and borderline pornographic moans left his swollen lips— before biting down hard on your shoulder, spurts of cum flooding your insides as you laid flaccid in his hold— a drooling, shivering mess.
Chuuya fell on top of you, the both of you laying in each other's warmth when—
"Riiiing!"
.003 — Fukuzawa
A pout graced your pretty lips when your husband reached for his phone— picking the tiny device up as he drew soothing circles on your hip, motioning for you to be quiet.
You tried your best to be quiet as he took the phone call, you really did! But the way his cock was nestled so deep inside you and the way you could practically feel him throb inside of your gooey walls— you really didn't wanna bother him or interrupt his phone call but... you couldn't help but whine softly, reaching a hand down to rub at your clit, clenching down on the older man's impossibly hard cock. Fukuzawa's eyes widened when his eyes finally focused on you, underneath him— little pants and huffs of his name rolling off your tongue as you played with yourself. Your other hand was playing with your nipples, softly tugging on them as you bit your bottom lip— which was already swollen. Your eyes were glossed over, hips dying to move on their own.
His jaw was clenched— free hand coming down to lift your legs and put them on his shoulder before he started thrusting inside of you with more vigour than before. It was like he was in a trance— the way your pussy fluttered around his pulsating cock, and the way his tip kissed your cervix with each thrust had you both panting. Your head spun with pleasure as he reaches down to press at your tummy— feeling his bulge. Fuck, he was huge.
The phonecall still went on, of course— but you know all Fukuzawa could think about was you, and the way your pretty cunt swallowed his cock. The noises leaving his mouth told you exactly what you needed to know— the slight stutter in his voice, usually gentle tone now gruff and slightly higher in pitch as he tried his best not to blow his load right then and there.
Not like you were any better either— hair disheveled, sweat dripping off your body as tears stinged at your eyes from the sheer size of this man— it didn't take long for you to cream and gush all over his cock— some of it even spraying on his abdomen. He saw the way your glossy eyes rolled back, your jaw slacked open as your high hit you like a truck.
To hell with the phonecall — he thought.
He cut off whoever was on the other line with a quick but curt, "I'm a little busy— I'll call you later", not even letting the other person respond before ending the call and placing the phone away— all his attention back was on you.
"Putting on a show f'me, sweet girl?" He grunted, dragging his hips back before slamming them against yours— "mmh! K-Knew it'd work— fuck!" You moaned, now feeling both of his hands pushing your legs back, knees almost touching your ears as he forced you into a mean mating press. You felt your high coming closer again— balls slapping against your ass, cock bullying that spongey spot inside of your gummy walls as he groaned sweet nothings into your neck— gruff voice drowned out by his own growls.
You could only babble nonsense and his name as you came hard for the second time that night— pussy clenching around his length and he could feel something snap inside of him— hips speeding up to an inhuman pace, losing their rhythm as he bottomed out fully. Balls pressed against your ass while he spurted out so much cum— some of it ran down your ass and on to the sheets as he slowly got up, pulling out of your cunt with a hiss and watching his cum gushing out of your cunt in spurts.
.004 — Fyodor
You were finally bouncing on Fyodor's cock after hours of teasing and cockwarming— your hips and thighs burned but it didn't matter to you at the moment, because you can finally reach that release that Fyodor has been dangling in front of you— or at least you thought.
Your heart dropped to your stomach once the ringing of his phone echoed through the room— an annoyed sigh leaving Fyodor's lips as he gently slapped your thigh, a silent order for you to stop and stay still.
"A noise and you're getting punished," Fyodor's voice was smooth, but the threat made you gulp, "o-okay," you nodded, accidentally clenching down on him from nervousness and he hissed— blunt fingernails digging into your soft hips. He let out a shaky breath before picking up the phone, it was sort of unsettling how his voice switched from breathy to normal in a second.
You didn't know the phonecall would last so damn long.
It had been almost 30 whole minutes since he had picked up the goddamned phone— and this was pure torture to you. The occasional twitch of his cock inside you made your head spin, oh and the way he'd glare at you when you clenched down particularly hard— it did nothing else but make you even wetter. He, on the otherhand, was completely fine— not a hair out of place as he spoke so casually about.. something. The only time he'd react is when your pussy contracted around him— which would only get a hiss, or hitched breath from the man. It pissed you off.
It was too much for you— your juices running down his cock and onto the leather chair, god - you were leaking so much.
Fortunately for you, he was done with the call soon enough— quickly placing the phone on the desk before whispering into your shoulder as he placed gentle kisses on your skin, "go ahead, myshka - move." His voice was soft, as if he was proud of you for obeying his order and being a good girl— fingers that were previously digging into your flesh now reached between your bodies to rub and flick at your clit, while you happily bounced on his dick. He may have been quiet as a mouse during the phonecall— but he couldn't help but let out soft grunts and pants as you expertly milked his cock, dry lips even letting out one or two whines as you kissed his neck, down to his collarbones— pale skin now adorning a heavy flush as your thighs smacked against his own.
Lewd squelches and noises of skin smacking against skin filled the dark room of his office— Fyodor's jaw clenching as he feels your walls - so soft and warm, squeezing his cock as if you were trying to milk him. He was going to cum soon— but he couldn't possibly finish before his darling, could he? Lithe and slim fingers sped up their movements on your clit as he bit on your shoulder— free hand pinching and pulling at your hardened nipples as you gasped, your own pace turning sloppy and uncoordinated as you clenched your eyes shut— cumming all over his cock as he held your hips down firmly, shooting ribbons of white inside of your walls, some of it dribbling down his balls to the leather of his seat.
You both were left panting, shivering as Fyodor drew random shapes into your shoulder— trying to come down from his own high. He pulled you closer after you both calmed down, your head resting on his chest as he placed soft kisses on the crown of your head, whispering how good you've been for him.
If only you knew the man also coming down from his high on the other end of the video call— white hair disheveled as he came all over his screen.
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©sachiyoh — do not copy, plagiarize and repost my works to any platform, reblogs are very appreciated ♡
note. ik i said i'd add jouno but I lost motivation for this thing :( jouno will be added to another work, so sorry jouno lovers </3
tags ・ @hopefulpain @inkmooon @constant-existential-terror @nda-approval @mellieellie @seiiushi @lynxxyyy @kentopedia
@sorahatsumi @himebwrries @nopethenope @neviex @fyodorisbbg @stygianoir @saharei @x-lunawrites-x @munnaitorei @emyyy007 @dearhoney-31 @the-foreigner @angoisfine @hannzai @honeycombflowers-blog @yuiiasathesilly @kaithegremlin @poisonedslop @sukiischaotic @squigglewigglewoo @boba-is-good @cupidszvlvr @ashthemadwriter @4xxxv @bloobewy @mrs-bakugou @hauntedsol @ask-me-or-not @hanakotateyama @qqingque @lunaeheroine18 @kissesmellow21 @dazaichuuya69 @xxsilverjackalxx @gettinshiggywithit @leftrunawaybanana @deaths-presence @sugaredpersimmon @rjssierjrie @iheartpieck @angelof-darkness @otakudul @dazaisimpletmereadfanficspls @hellokitty-4-lele @scinclaitnoir @aly-insanity @kemis-world @bisexuawolfsalt @thateldribitch @chuuya-brainrot
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utilitycaster · 4 months ago
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I really like Taliesin elaborating on the inspiration from the 90s LA punk scene, in which he said a lot of the people he knew were just people looking for hope in a world that has been incredibly unfair to them. It's a very empathetic view towards people who, as he said, often are dealing with injustice and disadvantages.
He also mentions that many of these punks were dealing with drug and alcohol problems (and while he did not want that to be central to Ashton's character and wanted to focus instead on chronic pain for a number of reasons, including personal, Ashton definitely relies on alcohol for palliative reasons). More generally, we see Ashton look for hope and answers in a lot of places that end up being extremely incorrect. The most obvious one is with the shard of Rau'shan, which, after multiple people advised them against taking it with very clear warnings, they decided to still attempt to absorb, with nearly-fatal results; but there were flashes of this with their earlier cynicism towards Eshteross vs. a much more begrudging acceptance of the transactional worldview of Ratanish or Jiana Hexum.
Ashton often places his own pain in a position of honor, and in doing so can discount that of other people. He's been remarkably unlucky, to be clear; I think that's part of it. We as the audience know that their statement that no one in that room has felt helpless in their lives is demonstrably false about pretty much all of Vox Machina and their allies, as well as the Bright Queen. He says Keyleth maybe does know, not realizing that of Keyleth and Vex, one has been a homeless runaway rather like himself, and it's not the one he's saying knows helplessness. In a way, to hold on to that hope, they find themselves telling themselves a lot of lies because otherwise they have to face the truth that their suffering did not make them more qualified or better; it was just unfair and it might still keep happening. He blames the gods because then at least there's a reason and not just absolutely random chance that he was born to a self-important cultist, happened to survive a long-shot ill-advised ritual and wake up in the desert of another continent, happened to be the one thrown out the window of Hexum Manor, and happened to be saved with a Potion of Possibility. To be clear, they've since made a name for themself on their own merits, but a lot of who they are, both in terms of the traumatic and difficult elements and in terms of what now makes them special was dumb luck, good or bad.
For Ashton, for those LA punks Taliesin knew, for the Vanguard and for Ludinus and for countless people in Exandria and in our actual world, a lot of grasping for hope becomes grasping for a meaning for pain and suffering. I'd argue that this is a pretty major theme Taliesin explores with all his characters. However, just because the pain is real doesn't mean the conclusions one comes to as a result of it are inviolate and above reproach. It is possible to have extremely valid pain and trauma and to be incredibly wrong about its source or what it means, or to deal with it in ways that will either make it worse or that will inflict pain, even inadvertently, on others. And I think the theme of the campaign is very much that; what happens when someone either chooses to or must let the decisions they made to deal with a moment - or a life - of pain be writ large on both themselves and the world?
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rogueddie · 1 year ago
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There are a lot of rumors about Eddie Munson. From his sexuality, to his religion, to him being some sort of supernatural creature.
Steve doesn’t put a lot of merit in most of them. They’re usually just bullshit people make up to entertain themselves with whilst beating down on the weird kid. Steve thinks it’s boring… usually.
He’s seen enough weird things happen around Munson to know that something isn’t right. Something about him is unnatural. And Steve is staying clear out of the way of whatever the hell he is, or whatever the hell he’s messing with.
Unfortunately, his friends haven’t gotten the message.
“Do it at your own house!” Steve complains, though he makes no move to stop them. He’s sure it’s nothing, that it’ll only lead to an annoying clean-up job, but there’s a nagging sense of dread writhing in his gut. “This shit is bull anyway.”
“If it’s bull then what’s the problem?” Tommy counters.
“Because none of you dickheads are going to help clean this shit up!”
“I promise to help you clean up,” Carol says. “There. Problem solved. Right?”
"It's still stupid," Steve mutters, glaring at the janky make-shift pentagram they've made. "And a bad idea."
It's drawn on nine pieces of paper- they wanted to draw it big on the floor, but Steve had but his foot down. He lets them use some of his moms candles as a compromise.
With the lights off, sitting with the two of them in a circle, it suddenly feels too real. Even Carol looks suddenly nervous.
Tommy is the only one still smirking, though Steve is sure that it's forced. His voice shakes a little as he begins reading off the paper he'd torn out a library book. His Latin is clunky.
At first, nothing happens.
Long enough that Carol says, "did you even say it right?"
"Yes, it even has-" Tommy starts.
The candles all blow out, suddenly. The light Steve had left on in the kitchen flicks off too, plunging them into complete darkness.
After a horrible moment, where they're still and silent, Carol yelps.
"Don't grab me, Tommy, that's not funny!"
"I didn't grab you."
"Wh- Steve?"
"No," is all Steve can get out.
"I'm turning the lights on," Tommy says. "This is ridiculous."
Steve listens to his footsteps and, when he sounds like he's almost at the light switch, he yelps.
"Fuck this," he says.
"What the fuck, Tommy!" Carol yells when they both hear him running past them. She's up on her feet immediately, chasing after him.
He wants to scream after them, plead with them to come back, that they shouldn't be abandoning the circle.
But, the same gut instinct that insists he stay where he is, keeps his mouth shut. Everything in his being is telling him that if he leaves, if he speaks first, horrible things will happen to him.
Something tuts, like a parent admonishing a child.
The living room light flicks on, so bright that Steve has to blink a few times to clear away the white spots.
Eddie Munson sits in the space they left empty.
"Someone didn't read the terms and conditions," he snickers.
"What..." Steve pauses, clearing his throat. "What are the, uh... terms and conditions?"
"Oh, they're simple, really. Look," he holds up the page Tommy had read the incantations from, pointing to the little paragraph at the end. "They even translated it to English! But all you need to know, big boy, is that you are A-OK."
"And... Tommy and Carol?"
"Eh, they're fine. Lucky, really. I'm trying to relax up here. I'm only gonna pay them back with a minor curse or two. Nothing lethal."
"Fuck."
"We haven't even got to you yet!" He spins around so hes laying on his belly, resting his chin on his palm. "You didn't technically summon me so you can just tell me to leave... or."
"Or?"
"Deal with no consequence, baby. One wish, whatever you want, free of charge. Well... I'd want your silence about the whole... summoning thing. Let's consider that payment."
He doesn't need his gut or book to warn him that it's a bad idea. Munson could be lying, easily. There could be fine print. It's a bad, very bad idea.
"There's... definitely no consequences? I won't, like, go to hell for this?" Steve finally asks.
"Do some charity work for a week, you'll be fine," he says, waving his hand around. "What do you want, King Steve?"
"Could- could you make someone love me?"
"Oh, ho ho ho! Who's the unlucky lady who said no to you?"
"No, it... it's not like that. I mean, um... my mom."
Munsons smile drops. The temperature drops with it, making a chill run up Steves spine.
"Your mom," he repeats.
"They're busy like, all the time," Steve automatically defends. "And they're barely here so, uh... of course they wouldn't- I mean, it's normal, right? You can't love a stranger or... whatever. It's fine. It's just... I don't know."
"Steve..." Munson pauses.
He groans, throwing his head into his hands, dramatically. He almost immediately flings his head back up, hair flying everywhere, giving Steve wide and pleading eyes.
"I can't make people fall in love or any shit like that. I can make illusions, that's it. Love is, like... way out of my jurisdiction."
"I- I'm ok with an illusion. Like, just one day or something."
"Steve, baby, you're breaking my heart."
"Please?"
"Jesus- ok!" Grumbling, Munson shifts so he's kneeling. "And in return, you won't say shit about any of this. Deal?"
"Deal."
"Great. Ugh. This next part is... weird."
"What do you mean, weird?"
"It's weird, I don't know. Deals about, like, love are sealed with a kiss."
"You're joking."
"Nope, and that's not even the weird part. Now, come on and pucker up, let's get this over with." He gestures for Steve to shuffle closer, waiting until they're sat close enough that their knees almost bump together. "You can still change your mind. Anything at all, Steve. Anything."
"I thought you wanted to get this over with?"
"On your head..."
Munson leans forward, kissing him. It's just a peck, simple and easy. No big deal, right?
Steve feels possessed. It's like someone lit a match in his stomach, leaving him lightheaded and confused. He's not sure how he ends up in Eddie's lap, clutching onto his shoulders, desperately trying to lick into his mouth. He feels so-
He wakes up in his bed, the morning light blinding him.
"What the fuck..." he mutters to himself, grabbing at his throbbing head.
At first, he thinks he's hungover. That he'd just had a weird dream... but he's wearing the same clothes. And, sat on his stomach, is a guitar pic. It's got 'corroded coffin' written on it too- Eddie's band.
"Steve!" He hears his mom call. "Time to get up!"
He scrambles out of bed, dashing down the stairs.
She smiles when she spots him, so bright and warm. She even raises an arm, laughing when he practically throws himself into her side and hugging her tight.
"Morning, sweetheart. Good dreams?"
"Yeah. Yeah, great. But, uh... I feel sick."
"Oh no," she frowns. She puts her hand to his forehead, cooing when she brushes his hair out his face. "Is it your stomach?"
"Yeah. Just... might be better to stay home today. If that's ok?"
"Of course it is. I'm sure we can find something fun to do together, yeah? How about we get a vhs movie, hm?"
"I'd love that."
"Great. Well, if you're feeling up to it, I've made breakfast." She steps away, plating the food she's cooked up. "Oh, did I ever tell you about Paris? It was beautiful, you would have loved it. We should bring you, next time we go."
Steve can't stop smiling. He's sure that his cheeks will be aching by the end of the day.
He'll have to thank Eddie- as soon as he can even think about him without blushing. He'll need to ask if it's normal to still feel... affected, even after the deal is done.
Part of him knows it isn't the deal. Part of him is too curious about how Eddie will react.
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llamagoddessofficial · 5 months ago
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You mention the moth Bad Sanses would like their wings to be brushed. Can we brush each of the of the Bad Sanses’ moth wings?
Despite being arguably the most physically intimidating and least approachable-looking of all of the bad guys, Horror is the easiest to brush. Why? Because he likes you. You're one of his select few people in his mind that belong in the category of 'family'. His instincts are very very strong, and from the moment he first laid eyes (eye?) on you, his instincts said that he liked you and trusted you - so nothing else matters. You reach toward him, and where someone else would lose a hand, you just get happy hums and grateful nuzzles. You could walk right up to him and start combing his wings, and he'd just sit down wherever he was stood, purring and nodding off to sleep.
Brushing Horror's wings won't be easy. They're old, matted, thick, a visual sign of his mental decline. But any effort you make will be appreciated more than you could possibly know.
Dust, though he absolutely likes you, takes time to warm up to having his wings brushed. He'll let you touch or pet, after he's made his interest in you clear, but mutual grooming is something loved ones would do together and as much as he secretly craves your affection it might be a while before he's ready to feel that way again. It's a big step in a relationship, and a big emotional trigger.
Give him time. He melts slowly. Let him come to you, let him play with your hair, braiding or twisting or just petting. Let him get comfortable with establishing that kind of connection again - let him spend nights holding you and realising you aren't going anywhere. He's likely to ask you while intoxicated, or very very tired.
It's the only time you'll hear him purr.
If you asked Killer if you could brush his wings, you'll find yourself witnessing an extremely rare sight - Killer unsure of what to say. He stands there, looking at you blankly, it appears for a moment there's a tiny white light in one of his sockets. Though he quickly tries to cover his tracks, agreeing and making some kind of flirtation out of it, it's obvious your gentle inquiry has deeply shaken him in a way you weren't expecting. He's more than willing.
You're gonna have black dust from his wings all over you. On your hands, on your face, on your brushes, everything. But you'll be recompensed with the rare delight that is a quiet, flustered Killer, blushing a vibrant crimson and sitting totally still. You might notice he keeps positioning himself to try and cover his chest; his Soul is wobbly, visibly pink, and distinctly heart-shaped.
If you have the guts to ask Nightmare, the vicious prince of moon and darkness himself, if you can brush his wings... he most likely will politely and gently decline. Just like Dust, his losses have made him unwilling to reopen to such care and attention. It'll take months of officially being together before he'll even consider such a thing.
... But your request alone will mean so, so much. Nightmare's wings are a sore subject to him. They are all at once a point of pride, a point of shame, a beauty and a terrible eyesore - the way they've changed over the years reflects how he has changed. His old wings were much prettier, much more delicate, sometimes he looks in the mirror and expects to see his old uncorrupted wings and the sight of the new ones sickens and confuses him. He's got a lot of mixed feelings. You expressing an innocent genuine desire to groom them is something he didn't realise he needed so badly to hear.
He'll think about it. He'll think about it a lot.
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rationaliity · 7 months ago
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voicelines about you | various ( i. )
the men's voiceline about you ! next will do a part of the women they're short because i wanted them to sound legit, which is why i did so many !! hope you enjoy anyways <33 this is all purely self indulgent because ill be real with you im not feeling very daijoubou rn
— DR. RATIO
about you : an incomprehensible yet enticing mess in the body of a person. i don't understand their way of thinking at all, and yet, it almost feels as if they understand me in a way few do. peculiar.
chat: his relationship with you : ..relationship is hardly the word i would use to describe our acquaintance. however, i suppose they are not completely inept, unlike many i have had the misfortune of coming across in my time.
added to team with you : take care of yourself. should i have to step in, i will do so to prevent some unfortunate happenstances.
— WELT YANG
about you : potentially one of the kindest individuals i have had the pleasure to be introduced to in my time of travelling the cosmos. a gentle soul like none other. they light up the world around them.
chat: his relationship with you : spending time with them has become a daily necessity for me. i find myself beginning to nag at the others when i have not spent enough time with them. march often asks me about them before anything else.
added to team with you : i appreciate your vitality, but try to take breaks whenever necessary.
— AVENTURINE
about you : quite the enigma, that one. before i even realized it, they had snuck their way into my heart. perhaps they were betting that i wouldn't notice, and perhaps.. it paid off for them.
chat: his relationship with you : they're the chip i hold closest to my chest. no.. a chip is the wrong comparison. they're the one thing i will always hold no matter the stakes of the bet. having them by my side is more important to me than any risk.
added to team with you : i'm willing to bet that the two of us together will make quite the team.
— ARGENTI
about you : the moment our eyes met, i knew they were someone of refined elegance, but i was wholly unprepared for the true beauty of their very being.
chat: his relationship with you : i feel the closest to idrila and the eternal beauty that i seek when i am with them. they bring out a fire in me that simply cannot be quenched by any other soul, as if i were a moth to their brilliant flame.
added to team with you : as usual, i find myself captivated by your beauty and grace, my dear.
— BOOTHILL
about you : i don't know another capable of runnin' things how they run things. they got my respect. well, much more than just my respect, but that ain't proper to say.
chat: his relationship with you : ain't nothin' like the nice feelin' of knowin' you're loved by someone no matter whatcha look like or what you're capable of. they've been there through it all, the bad, the ugly, and the muddle-fudgin' terrible.
added to team with you : well i'll be the son of a nice lady, if it isn't you ! let me take care of ya, sweetheart.
— BLADE
about you : they are the one clear thing i can see when the mara strikes. no matter how far gone i am, i see them - clear as the many sunsets i have seen. they are where the light meets the dark.
chat: his relationship with you : this eternal purgatory that i have been cursed with feels... less hellish when they are by my side. it is as if, for a moment, my body and my soul forget what i am. i can only believe this is their doing.
added to team with you : death comes to all, but now is not your time.
— DAN HENG
about you : they were persistent in trying to know me for who i was, not who i could've been. they are kind, more so than any other person i have come to meet. they are strong and gentle at the same time.
chat: his relationship with you : march is always telling me that i should be more forthcoming with my emotions, but they seem to understand me quite well no matter how little i speak up. i.. really appreciate and value their presence in my life.
added to team with you : i will stand by you no matter what comes our way, do not be afraid.
— GALLAGHER
about you : what a riot, they are ! their personality reminds me of the strongest and sweetest drink mixed in one delightful package. it's easy to get addicted if i'm not careful.
chat: his relationship with you : i didn't understand at first why they wanted to hang out with this old dog as long as they did, not that you'll find me complainin' or nothin'. they always seemed entertained by my stories, and i like listenin' to them yap, too.
added to team with you : have a drink, i'll take care of whatever you need me to, just say the word.
— JING YUAN
about you : fascinating, with so many stories to tell, it could keep me even busier than i typically am for hours. although i must say that i enjoy being occupied by them than by work.
chat: his relationship with you : in the middle of the mundane trivialities of life that i have grown so accustomed to with my job title, they bring an air of uniqueness and excitement into every encounter. i find myself eagerly awaiting the times we meet.
added to team with you : i trust you are able to take this on yourself ? if not, well, that's why i am here, no ?
— GEPARD LANDAU
about you : they are more carefree than i am, and while it worries me at times, i find myself drawn to their spirit nonetheless. i think i'm just drawn to those kinds of people, or they are drawn to me.
chat: his relationship with you : sometimes, i feel like i'm nagging at them, even when i don't mean to, but it's because i'm always worried about them. i know they can protect themselves but i wish they would let me do it for them more often.
added to team with you : protecting you feels just as important as protecting belobog. i will do so with my life.
— LUKA
about you : they're probably the only person in belobog who really get my passion. they give their all for everything that they do, and i'm down for it !
chat: his relationship with you : they're really good at both getting me fired up and a little more mellow, depending on what i need for the moment. they're like my personal hype man / cheer leader, and i'm theirs when they need it ! that's why we work together so well.
added to team with you : this is going to be over like that with the two of us on the same team !
— LUOCHA
about you : they are wiser than they let on, it's hard to fool them or pull the wool over their eyes. even when i think i've kept a secret close, they've long since figured me out.
chat: his relationship with you : they help me see things that i would otherwise miss on my own, broadening my horizons when i need more depth brought to me. i'm grateful for their intuition and their knowledge on the world around us.
added to team with you : combat may not be my forte, but should you need assistance, i will be at your side.
— SUNDAY
about you : they are the embodiment of the feeling of the sun on your skin for the first time, warming your soul as well. they are gentle, and pick up where i lack.
chat: his relationship with you : i do not believe i am deserving of one quite like them, but i have a hard time letting them go nonetheless. they deserve more than i can give, but that doesn't stop me from trying regardless.
added to team with you : whoever dares to lay a finger on you will be met with swift and strict punishment.
— SAMPO KOSKI
about you : a person of many talents, much like myself, although they're charging significantly less for their expertise - free. i keep saying they should, but they're adamant about being kind.
chat: his relationship with you : my partnership with them could be best described as, er, jointly profitable. i provide my excellent services, and they grace me with their presence and their wits and.. maybe i am getting the better end of this deal.
added to team with you : it's your best pal, sampo koski, at your service ! aren't you glad i'm here ?
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lets-try-some-writing · 26 days ago
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A fun concept,what if certain autobots/decepticons could open their faces like the animatronics in FNAF,I can see smokescreen pulling a foxy on The decepticons
Oooh I am here for this.
Transformation seams are present in every Cybertronian. Most of the time, their numbers and locations are limited, both depending on frame type and alt-mode. But occasionally, there are those who break the mold and have an excess. It's not necessarily a bad thing, often being compared to human hyperflexability when explained to the kids. But the excess seams do tend to have a few unintended side effects, such as the ability to move plating that would otherwise be stuck around the frame like a sticker to be peeled off and reapplied.
There are generally three different cases of excess seams coming into play outside of flexibility, usually in cosmetic fashions. First would be the ability to remove plating and get new armor entirely without pain. Around 5% of Cybertronians end up with this condition in some way or form and it is generally considered helpful since it allows for deeper cleaning of the protoform and temporary cosmetic changes without need for pain. The second case would be feral augmentation syndrome. Bots such as Orion Pax, those who grew up around animals or connected deeply with them and possessed the CNA for excess seams, have this condition. All it does it make their limbs more animalistic. Their jaws can open wider due to their facial protoform being highly segmented to allow for further stretch. Additionally, they are able to run on all fours perfectly comfortably due to being able to shift their plating around.
The last case, however, is the most terrifying. It is generally called proto-masking syndrome, and is only found in a starting 1% of those who come out with excess seams. Severity varies, the most minor cases leaving bots with the ability to contort their faces and mess with the metal. Severe cases allow bots to remove or transform their faces away without pain or issue. This is the one most find frightening.
Smokescreen happens to fall within this severe category of those afflicted with proto-masking syndrome. He doesn't know that he is weird and assumes almost everyone can do what he does, but simply fails to act out in large part due to politeness. As such, he doesn't transform his face away often, if at all. But when agitated, or trying to prove a point, he does instinctually transform his facial plating, and the very first time he did it for a Decepticon, horror stories formed instantly.
The bots have said exactly nothing about it to Smokescreen since it's not an issue and generally, it isn't nearly as unsettling as some of the things they've seen. But the Vehicons? They regard Smokescreen as the spark eater. The Autobots pet hunter. They try to keep clear of him as much as possible, especially when he transforms his face away. When that happens, they all assume he's going to eat them and bolt for safety.
Smokescreen is of the belief that he's just that good of a warrior. No one has seen fit to correct him yet. The kids haven't witnessed it yet and so have made no commentary. Bulkhead dreads the day they eventually see Smokey without his face. That will be a LONG conversation.
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starcurtain · 4 months ago
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I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?
I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:
I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."
I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.
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Nah, we all know why Jade's trailer is Like That.™
Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.
Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:
Endearing vulnerability/helplessness
Gay ship tease
Give a character both, like Aventurine? They might as well be printing money.
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That sound you hear is Hoyo's stock prices rising.
So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.
We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.
He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!
The ultimate feeling evoked is: He needs to be saved.
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When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.
And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.
Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.
His motivations are always clear and consistent: get free, heal, and live happily ever after.
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Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--
Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.
Hoyo is not remotely discouraging people from literally buying into this emotional appeal.
And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.
In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.
This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂
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Bro can't even sleep in on his day off; life is so hard for this man.
Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?
Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?
It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)
Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.
The problem is that that's just not who the game is telling us Aventurine is.
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Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)
So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.
Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.
To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.
The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.
He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.
He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.
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This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.
He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.
He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.
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His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??
People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?
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Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.
The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:
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Like... Work is the least of this man's problems.
At really the risk of rambling on too long now, he's also just a massive walking contradiction:
Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.
You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.
He's the "chosen one" who will lead his people to prosperity... except they're all dead.
He's explicitly suicidal... andddd also a pathstrider of Preservation.
He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.
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He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.
He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)
He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.
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He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...
To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.
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Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.
In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.
Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.
Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.
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regainingparadise · 3 months ago
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Relistening to TMA Season 5, I am again struck by how goddam badly Martin and Jon need couples counseling.
I love them both. I ship them very much. But oh lord they have issues
Like, these are two individuals who, under the very best of circumstances, would really need therapy both individually and together. They are both people with plentiful quantities of relational trauma from childhood that neither of them have worked through even the slightest bit.
And then you throw them into the apocalypse. And you add a metric fuck ton of guilt, helplessness, and the dynamics of being "The Antichrist and +1"?
On a surface level--Jon is in a perpetual state of information overload. Martin is in a perpetual state of "can you please just explain the basics of what's' going on in a given situation and not just say "it's complicated" or launch into a gruesome monologue"
But on a deeper level, their childhood relational traumas have left them each with opposing avoidant tendencies: Jon is unwilling to broach a difficult conversation, which leads him to hide information until he's confronted. Martin, on the other hand, has a finely honed ability to ignore information that he doesn't like until he no longer can hide from it.
Biggest example of their avoidance tendencies: Martin's Domain
Way early on, when we barely understand any of how the hellscape works, Jon mentions it, Martin shuts it down hard and deflects quickly with a bid for affection from Jon
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Martin is in deliberate denial, but Jon admittedly wasn't particularly clear to start with.
"We all have a domain."
Jon means it, presumably, as "Me, You, and other 'Avatars.'" Jon is used to being grouped with those empowered by the Entities. Martin isn't. (see also: MAG185: Martin" Is that how these creatures see us now? As one of them?") But that's not what Jon says. And this is MAG167--they've only been through four domains, at least that we've seen. Jon is speaking from a place of knowledge, and assuming his listener has that same knowledge.
And when this issue comes up much later in MAG183, Martin has spent 17 episodes ignoring or forgetting that he has a domain, not letting that information in so that he has never processed it. (See also: Mag170: "Sometimes I wonder if I forget things on purpose. Easier not to think about them, I guess. Easier to just let them… slip away. They can’t hurt you if you don’t think about them.").
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Martin confronts Jon on his avoidance (because while Martin may be good at ignoring things he doesn't like, he's far better at bringing up challenging topics), Jon is able to manage some A+ communication on his feelings and the genuine challenging of figuring out how to share upsetting information when he has All The Information, Martin accepts that. I just desperately want a therapist to be there and make them continue this conversation and practice ongoing good communication skills!
Though they resolve this, even though Jon has an explanation that makes sense...he was really leaving this conversation to the last minute. Would he have "[brought] it up at the crossroads" as he claims to Helen? Or would he have avoided it entirely, as she accuses, or waited till they were at the threshold, as he does with The Desolation and the Hunt, leaving Martin to confront terrifying situations without forewarning or planning or explanation.
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Again, Jon kind of tried to bring up some of the potential issues with Basira and Daisy before entering the Hunt domain, but kept it Vague and Ominous ("Things aren't...good"). Martin took that vagueness as an opening to avoid engaging with potential bad news. The teensiest bit of therapy for either of them about their communication issues could have let Jon add "I know you're exited but FYI here are some specifics that you should know" and/or Martin go "I'm excited to see them but given that nothing is good right now, can you be more specific?"
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Instead, Jon approaches difficult conversations by being Vague and Ominous, Martin gets snarky or passive-aggressive at the vagueness, upset or aggressively avoidant at the Ominousness, Jon closes back up like a turtle into his shell, and the conversation only comes back up when the situation has drastically escalated, leaving them both more upset.
Jon wants Martin to trust him, because explaining what he knows implicitly is an ordeal for him, and because his upbringing by his grandmother has suggested that communicating is generally unwanted and burdensome (See: MAG081 A Guest for Mr. Spider).
Martin wants to know what is going on, because he's in an awful hellscape of shifting rules about what can and cannot hurt them, completely dependent on a brand-new romantic partner for his survival and purpose, and also because his upbringing and coping mechanisms as a caretaker rely on him knowing enough to help, and his time as an archival assistant has given him some not-inconsiderable trauma about being left in the dark (See: MAG118 The Masquerade) (There's also another post in my head about how MAG118 primed Martin for both the Lonely and his development as a more confrontational character in S5)
All that to say.
Martin needs therapy to deal with the way he chooses not to absorb information he doesn't like. Jon needs therapy to understand that sometimes it's ok to bring up important topics even if the other person will be upset. They both need therapy to cope with all the guilt and helplessness around the apocalypse so they stop taking it out on each other. They need therapy together to learn how to work through their conflicting coping mechanisms.
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