#not exactly a meta

[catharsistine]

The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"

THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.

Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?

Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.

Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)

Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.

And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭

[regulusrules]

Welcome to my usual metas where we hyperfixate over Arthur Pendragon’s love for Merlin. Today’s episode features this scene right here:

To remind you of the context, it was s03e12 when Camelot was besieged and Arthur just ordered Gaius, Gwaine, and Elyan to go find shelter in the woods. A second later, he looks at Merlin, diverts his eyes, and tells him, “Merlin, you should go with them.”

Which btw translates, in Arthur Pendragon's dictionary, to: Merlin, I want you safe, I want you away from harm’s way, but Merlin, Oh Merlin, don’t leave me. I really don’t want you to leave me. I sustain my strength from you. You’re the bravest man I have ever met. I keep going because I know you’re there. Don’t go and leave me. I am urging you to go, but please don’t believe me.

I really just can’t. Because you guys, Arthur isn’t scared to go fight an entire army of the dead. He’s not scared that he is limping and injured and definitely won’t make it. He’s just scared to do it without Merlin.

And when Merlin looks at him and says, “Nah, I’ve seen the woods already”, Arthur knows Merlin had heard it all, and chose the kindest response possible that doesn’t spot on his worry and fear.

Those fucking two.

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[sky-scribbles]

Hey do you guys remember how long it took for Essek to show his natural awkwardness around the Nein? Do you remember how they were friends with him for three months before he even tried making jokes around them? Do you remember the long slow process of him letting down the Shadowhand mask and openly showing how much he enjoyed their antics?

Did you see Essek just being himself around Bell's Hells, this bunch of weirdos he'd never met, even as he pretended to be someone else? Did you see him cracking that dumb joke about his pretend mother being able to stop time with enough ale, and laughing with them? Did you see him watching them for all of five minutes and going, 'This has been a very interesting first impression. I'm excited to see how strange this gets!'

Do you realise how much easier and freer with people he is now? How despite dropping the Shadowhand sleekness and showing his awkward side, he somehow seems more confident? Do you realise that despite the situation right now, Essek seems happy?

[simpforsolas]

Do you ever think about how In Hushed Whispers, we wake up in this dystopian future and our immediate goal is to use magic to find a way back to the world as we knew it? We came across companions who had lived and suffered in this timeline for a year; indeed, it was their reality. Yet while we could relate to them and have compassion for them, and seek to help and comfort them as best we could, when they died it wasn't heartbreaking because to us, they weren't real. To us, it was nothing more than a nightmare of a world that had manifested in the blink of an eye.

Do you ever think about how modern Thedas is no more real to Solas than the alternate, dystopian future was to us? He woke up after thousands of years to find an unrecognizable world filled with oppression and magical imbalance, where the elves he sought to liberate now inhabit the lowest position in society as either slaves, servants, or in poverty. It isn't simply that the world isn't valuable as it is. It's that the world does not feel real. The people in it are disconnected from the fade and so to him, they feel like tranquil. And yet despite this world seeming no more real than a bad dream, Solas still cares about the people in it. He always approves of taking time to help out strangers, and enjoys discussing with the other companions to learn their perspectives and even encourages them during particularly difficult times (such as Cassandra's loyalty crisis with the seekers or Iron Bull abandoning the Qun). He dislikes violence and decisions that take away peoples' freedom. Even though this world isn't fully real to him, he still feels compassion for the people living in it.

And if the inquisitor comes to see him as a true friend or, Maker forbid, falls in love with him, the illusion snaps. The present is no longer a nightmarish dream world. It is real, and the people in it are real. But... so is the world he came from. The memories of that time are still fresh, no more than a couple years in the past to him. They are closer to him than memories of the COVID pandemic are to us. He can surely still remember vividly the taste of foods long gone, the beauty of magic-imbued cities, and the vibrant life of a civilization that was never separated from the fade--which is the way the world was natural designed to be.

This beautiful world that has become lost to time, that exists only his memory, fell because of him. Only he has the power to fix what he broke. But how can he make that choice, when the once dystopian dreamworld becomes just as real as the world he feels duty-bound to restore?

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[dreamerdrop]

I don’t talk about my love for Kira Nerys too often because. Look. I think if DS9 handles anything well, it’s Kira, hands down.

Her character development is a work of art. She is so traumatised, so angry, so beaten down and STILL FIGHTING at the start. She struggles so much with her PTSD, with the idea that she is ever allowed to be in anything but attack mode…

And then, slowly, gradually, she becomes a whole new person. She laughs, she smiles, she makes corny jokes, she does dumb fun things for the sake of enjoying herself. She has friends, she has a family, she is surrounded by love and joy and HOPE.

Even in the middle of second war, she’s DIFFERENT now. She’s not the same miserable angry person she was, afraid to let go of the vigilant surivival instincts that kept her alive for so long. She’s come back to life as a person who has something to live for.

She has done terrible things. Her hands are stained with blood. She is never going to be able to forget her trauma or the suffering, both her own and that of her people, nor the suffering she inflicted while fighting for her freedom. But she recovers. She heals. She carves out an existence where she is truly, genuinely happy to be alive.

I don’t need to talk about Kira as much as some other characters because this all happens on screen. It’s right there, and it’s beautiful and perfect.

Kira Nerys goes from a person who cannot conceive of herself outside of the horrors she has suffered, inflicted, and fought against, to someone for whom her trauma is just one part of the larger picture, a piece of a rich and vibrant tapestry that is now filled, overwhelmingly, with joy.

Kira Nerys is like, hands down, bar none, one of, if not THE best characters Star Trek has ever created. I love her so much. She is just, completely and utterly perfect, especially in her flaws.

[puppetmaster13u]

Prompt 191

So. Apparently immortality does in fact exist. And is apparently very easily accidentally achieved, if the fact an entire city has it now. 

The GIW will be waiting a very long time to be able to drop that ghost shield, because the city doesn’t seem to be dying out anytime soon. Or at all actually. It’s been several generations now. 

They might need to request assistance. Maybe before others start to investigate now that vigilantes are becoming a semi-common thing.

[normal-thoughts-official]

It's actually insane how brave Wyll is when it comes to Mizora. Not only by not killing Karlach but also all the small ways he defies her - calling her an asshole, saying she's full of shit, even when Mizora is literally choking him he's still telling her that she's a liar. Whenever she shows up it's pretty much guaranteed that she will have to threaten him with lemurehood because he simply refuses to play nice. Even if it accomplishes absolutely nothing and in fact is actively dangerous to sass her

And like. Of course this ties in with how Wyll has pretty much nonexistent self preservation skills and a sense of moral fortitude so strong he can't even pretend to not be hostile towards her. But i also think it ties with Mizora's obsession with him

Because while we all know Mizora is evil and annoying on principle and all that shit, she seems to be particularly interested in tormenting Wyll. I have to assume shit like putting a tracker on him and showing up randomly just to spite him and staying in camp just to be annoying even after the contract is over are Wyll specials, because if she did this to every single one of her warlocks then she would have time for nothing the fuck else. And we know from Karlach that she's generally more worried about sucking Zariel's toes, so

(Also, I've been told that in early access she was like... Straight up jealous if you romanced Wyll, so, again. Obsessed with him in particular)

I always got the impression that she was so evil and annoying to him because she was overcompensating. Mizora is a cambion, which means she's half human, which means that in Hell's hierarchy she is fucking trash. Even the official cambion lore states that they are often rejected in both realms and struggle to earn one of their parents' approval. And it's obvious that in Mizora's case she's aiming to be accepted in the Hells.

I've seen some people claim that Mizora is too cartoonishly evil, and while that is objectively true... I think it works precisely because it's so cartoonish. I'm thinking particularly of how she describes her home in the Hells being all "oh, how I adore it, the delicious agony of it all". It's so over the top it's eyeroll worthy. I don't think Zariel herself would be Like This about it

In other words: Mizora is a tryhard

And Karlach even implies that Mizora resented her because she was Zariel's favorite, which is why I think Mizora's tryhardness was intentional as opposed to just a lazily written villain. She wants to fit in the Hells so bad it makes her look stupid. And she never will, because no matter how over the top she is about being Generically Evil, she is simply not that powerful or important.

So she overcompensates, and then she uses Wyll as her punching bag. If her own superiors will always see her as vermin, then at least she can cope with that by treating others that way as well.

But like I said, she will have no time left to suck Zariel's toes if she spends all her time tormenting every single warlock under her patronage, so the question is: why Wyll?

Obviously his unwavering goodness is the biggest reason. His soul is already damned and yet he refuses to be selfish with the time he has left on the material plane. Mizora can own him, but she can't corrupt him, and that makes her hate him. The fact that even despite her best efforts he is still recognized and beloved as a hero has got to sting too, considering she tries so fucking hard to be the Evilest Cashier In Hell or whatever. And the fact that he still manages to belong in his world (however isolated and lonely he obviously is) despite his connection to hers and she can't belong in her world because of her connection to his... Well, jealousy is to be expected.

But I think his refusal to play nice with her also plays a big role.

There's the obvious "this makes her resent him even more" factor; if Mizora wants to feel superior, it must piss her off to no end that Wyll refuses to bow to her, even if he does her bidding.

But, paradoxically, this also makes her feel more powerful.

Because at the end of the day, she does own Wyll's soul, and he does have to do her bidding, even if he doesn't go quietly. And the fact that he hates her so openly makes it all the more satisfying to have him do what she wants anyway. In Wyll's words, "the more bullshit she pulls, the more [he's] forced to swallow". His hatred for her is exactly why she wants him so bad, even though she obviously hates him just as much.

And so this is why she's so desperate to get Wyll's soul back, and why, even if he breaks the pact, she still makes it a point to stay in camp just to fucking spite him. Because Wyll is the only warlock that actually makes her feel appropriately Powerful and Evil, if we assume that her other warlocks are simply not as good aligned as Good Alignment Georg or even just don't want the trouble of spiting her for no reason. She can be obeyed and tolerated and maybe even revered by the other warlocks, but only Wyll can make her feel like an absolute, inescapable power. Because the other warlocks choose to obey her. Wyll makes it clear that he has to, and thus, she feels like she is mighty.

And obviously I know that the whole "person who has it all is obsessed with the one person who doesn't obey them" trope is a well known cliche, but I think Mizora and Wyll's dynamic is unique in that Mizora doesn't actually want to make Wyll bow to her and respect her as an authority; she wants him to fight back so she can feel like she's winning.

(And, of course, because Mizora doesn't actually have it all; she's just a petty errand girl who wants to feel special)

So, yeah. Wyll's incredible bravery in constantly defying her is exactly why she is so eager to keep him

[post-it-notes7]

happy halloween folks!

[veinsfullofstars]

💙 MetaDede Week 2024 Day 1: Sworn Partners (Free Day) 💜

(ID: Kirby series fanart, four-panel comic, of Meta Knight being exhausted and King Dedede offering a solution. Transcript in Alt Text. END ID.)

Partially inspired by this post by @das-a-kirby-blog.

Next Day | Prompt List (made by @mtddweek)

Started 07/31/24, finished 08/05/24.

[anistarrae]

[prncssguya]

“it doesn’t make sense for osha to forgive qimir so quickly. its terrible writing.”

who said she forgave him? we can have complex feelings for people. stop being so boring. she realized the jedi and the man she considered a father had been lying to her for sixteen years. the man who framed her sister and was complicit in the destruction of her coven. he did not once apologize but instead tried to justify his actions. after having her entire belief system shattered, she lashed out in anger.

she joined qimir in exchange for her sister’s life and because she’s curious about the other side of the force. from amandla’s recent interview, osha has never been manipulated in the choices she’s made. her decisions are hers and hers alone

[lgbtlunaverse]

I feel like too often people frame Nie Mingjue's issues as ignorance borne from safety. Like, they think that because of his privilege as a sect leader he doesn't know what it's like to be in danger and forced to make hard choices to survive. And I disagree. Strongly.

First of all, Nie Mingjue is very familiar with death not only from war but from. You know. Actively dying since the age of fourteen. Let us not forget Nie Mingjue is dead! Super dead! And maybe he didn't die the exact way he expected to but he did, absolutely, know he was going to die. To act like Nie Mingjue is unfamiliar with the scenario of "do something you find morally reprehensible or die" is to ignore that he has been living that exact scenario and chose death.

Nie Mingjue knows death is a risk for someone like Jin guangyao, in fact he explicitly acknowledges it even in his worst moments like the stairs in chapter 49. Had his issue been ignorance, then he would've responded to Jin Guangyao saying that he's in danger and has to sacrifice others for his own safety with "No you aren't you'll be fine." But he doesn't. He accepts the fact that jgy is in danger with no qualms and says: then you should die.

That's not him betraying his values, those are his values. He is, essentially, pro-suicide. Jgy is like hey I have a moral dilemma what should I do and nmj straight up goes "Kill yourself" and earlier that same chapter when he was faced with a moral dilemma he went "I'm gonna kill myself." He believes the solution to moral dilemmas is suicide! He is extremely consistent about this! When it's pointed out to him that it would have been dangerous for Wen Qing to oppose Wen Ruohan it doesn't phase him because he thinks putting yourself at risk to do the right thing is the only moral choice. The idea that he can only hold this belief because he is himself somehow not in danger, again, requires you to ignore that he is dying the whole time. And it doesn't deter him. He is the idea of self-sacrifice as a moral good taken to its absolute logical extreme. Someone who is ready to die and demands the same from everyone else.

It makes him a very fun case study for fandom, because a lot of fandom spaces also tend to revere self-sacrifice as the ultimate good, and yet we get very uncomfortable when someone starts demanding it of characters we love. Like woah, hold on, that's a bit too far isn't it? Only we the audience get to do that!

[meteortrails]

I think a lot about how we only get like one or two scenes of law actually interacting with his little sister, but it’s so glaringly obvious what kind of older brother he was to her through all his interactions as an adult. every time he pulls a morbid prank on the strawhats; the genuine joy of reuniting with his crew; his protectiveness and the way his crew’s safety comes before anything else. it’s so clear what a loving, doting, and insufferable older brother he must’ve been. you know if they grew up together he would’ve done that thing that older siblings do where they lie to you about how the world works and then just let you believe it until you’re like, 25. he would’ve walked her to school and tied her shoes for her and earnestly attempted to help her with her homework. and it kills me a little bit that I don’t think law recognizes that in himself; that the parts of him that were lami’s brother and his parent’s son are still alive and well in who he is today.