Prompt idea: Danny has been attending Wayne family dinners for weeks now and he truly doesn’t know how he got this far
Danny has been without a home or a means to get food for a while because of either identity reveal gone bad or Dan timeline shenanigans. Either way he needs to eat. As a last ditch attempt Danny tries to attend/infiltrate a Wayne family dinner. He’s seen the Wayne kids around Gotham and he’s sure that he could look and act the part enough to get in the door and out with some bread rolls at least.
Was it his best idea? No.
But he sure as sugar ain’t firing on all cylinders rn.
And Bruce already has a gaggle of blue eyed, black haired children.
What’s one more?
Batfam of course notices immediately when a whole new kid shows up, grabs some miscellaneous pieces of food and then prattles off some excuse about “not being that hungry.” (Clearly a bald faced lie) And that they were “Going to the library to study for finals, bye Dad!”
1. No one skips out on family dinners. Even Jason was here.
2. Alfred sets the table for everyone ahead of time and the kid had no place to sit.
3. Nobody in this house studies anything beyond case files.
4. Nobody in this house calls Bruce Dad.
Danny thinks he is suffering from success. No matter where he is in Gotham someone picks him up and insists he’ll be late for family dinner which is unacceptable.
Alfred just wants to feed the boy.
The batkids are amused by his efforts to look as though he’s been here all along.
Bruce is drafting adoption papers as we speak.
4K notes
·
View notes
if you ever go to an art gallery and you see a painting and you think "that sucks. I could do that." maybe you can! I think a lot of people could do like. Matisse. Mondrian. Rothko. From a technical standpoint at least. Not everyone but a good number of people. But please consider: Artists™ aren't special people. They're just people. Just regular folks with something to say and a trained skill who showed that skill to the right people.
So instead of being like "that sucks! that's dumb! I could do that. It shouldn't be in a gallery." instead try, "I could do that. I should be in a gallery." and then do it and go and show your art to people.
4K notes
·
View notes
once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.
and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots
3K notes
·
View notes
Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him
Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.
It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.
So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.
Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.
Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).
Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?
All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.
Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.
One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.
They Now Think Danny Is An Escaped Ra's Al Ghul Clone.
Memes For The Vibes:
2K notes
·
View notes
I love first-person because it’s about what the narrator chooses to tell. What do they focus on? What do they leave out? What can you learn from reading between the lines? Are they lying to you? Are they lying to themself? It’s great for unreliable narrators and for epistolary storytelling! It’s intimate but there’s still a distance because you aren’t really seeing the narrator’s thoughts--you’re just seeing the story that they’ve constructed.
I love second-person because it’s a conversation. Does “you” mean a broad, indefinite “you”? Does “you” really mean “I” but with plausible deniability? Does “you” mean one specific person? Can they hear the narrator? Do they know the narrator? What is the relationship here? Who’s talking? Who’s listening?
I love third-person limited because it’s focused and intimate. What does the world look like from inside this character’s head? What are they seeing? What are they feeling? It doesn’t grant them the privacy that first-person does; the narrative isn’t something they’ve chosen, it’s invisible and inescapable. As a reader you’re not watching so much as astral projecting.
(I love singular point of view because of how much it leans into that limitation. You’re not getting the whole story; you’re not seeing anything unless this character sees it. How do you embrace that? What do you do with the gaps around the edges? How does that define--or warp--the events that they’re experiencing?
I love multiple points of view because of how it broadens your understanding of the story and the world. If two point-of-view characters react in opposite ways to the same thing, what does that tell you about them? About the world? How does it feel to spend time inside a character’s head and then see them from someone’s else’s point of view? How do all of these viewpoints work together?)
I love third-person omniscient because the narrative is a character. It’s great for stories that know they’re stories! It allows for a camaraderie between the narrator and the reader! It allows for wider and more cinematic descriptions because you’re not limited to what a specific person can see! It lets you look at the characters from outside while still giving you the option to delve into their heads because you have full control over what you’re focusing on!
And I love authors who can combine viewpoints in ways you wouldn’t think would work but manage to pull it off! Stories with multiple point-of-view characters where one is first-person and the others are third! Stories that combine first- and second-person! Stories where the omniscient narrator suddenly refers to themself in the first person! Stories where you realize halfway through that you were wrong about who was narrating it!
Isn’t it fantastic that there are so many different ways to tell stories!!!!
10K notes
·
View notes