#not a co writer

[withoutanaestheticc]

Ugh you tell that flop that’s she been stealing your work 🔥🔥🔥🔥🔥 #you ate

The saddest part, aside from the fact that she wouldn’t edit her blog to remove my work, is that she *can* write.

All of her work is still on T&B under the tag ‘u’ (from when she was unreapp) so I’m baffled as to why she would steal my work and not just write her own.

[killerpancakeburger]

Thinking about a Reader who ends up having Scary Dog Privileges with Ghost without meaning to. It just happened.

Then they have to deal with the fact that this comes with duties too.

Tags: civilian!reader, gn!reader, mostly fluff, a bit suggestive, smug!Ghost, smooth!Ghost. 800 words.

Part 2. Part 3.

When Ghost is reluctant to getting sutured in Medical after accidentally opening his stitches, grumbling he can do it himself, who does the nurse call for? Yeah, you.

She could stand her ground, after all she's used to dealing with big, whiny men, but it's much more fun to knock on your door and smile at your bewildered gaze and gaping mouth when she explains the situation in two sentences.

"Ghost's being difficult, mind taking over?" "I'm sorry, what the hell does this have to do with me?" "C'm'on, everyone on base knows he's got a soft spot for you. Don't you want to make my job easier?"

You roll your eyes and slam your hands on your desk as you get up. Groaning as you walk past her— "I'm doing this for you, nothing else, got it?"

Mumbling to yourself "you've got to be kidding me" as you barge into the sick bay. Ghost is coolly seated at the end of a bed, large as life, casual clothes as black as his mask and— oh. You weren't told the wound was on his thigh— you weren't warned that he didn’t have pants on. You can’t help it, your eyes go down, down, your lingering gaze and your flustered silence forming a confession louder than words.

A noise — a scoff or a grunt, you’re not sure — emanates from him, breaks your trance, makes you look up. The amusement in his gaze tells you he noticed your oggling— of course he did. Nothing gets past the Ghost, and you've been remarkably unsubtle. Despite the mask, you swear you can make out the smug smirk on his lips. His cockiness reignites your irritation. Annoyance making you bolder than you really are, you charge at him, crossing the distance between you two in a stride, stopping close— too close. He doesn't back off.

"What's wrong with you?" you snarl. "Nothin'," he retorts, imperturbable.

It's actually the first time you’re overlooking him. You may be enjoying it a bit too much. Nevermind the fact that you've had to wedge yourself between his parted legs to get there.

You frown, unconvinced by his answer.

“Did Soap contaminate you?”

Bargaining to be cleared out earlier was the Scotsman's trademark.

“Johnny throws a fit cos he hates feeling useless. That's not what I'm doing.”

A smirk stretches your lips.

“Oh, no? I'm sure your reasons are much more noble.”

“Doesn't matter. Got what I wanted anyway.”

He's way too self-satisfied for a man in his underwear.

You throw an unequivocal look in the direction of his injury.

“What you wanted? A still open wound?”

“You.”

He replied without missing a beat, as confident as usual. It is both alluring and aggravating.

“And your idea of wooing me is making me upset?”

You don't add “because if it is, that's really fucking stupid” out loud, but you’re sure he got the message through your tone.

“Nah. But you're more honest when you’re angry. Gutsier.”

You only realize he slipped his index and middle fingers in your trouser loops when he sharply tugs at them. Off balance, you steady yourself by catching his shoulders.

Taking advantage of the strip of bare skin between your shirt and bottoms, the pads of his thumbs idly stroke your hip bones. The contact sends electricity through you, shivers of pleasure running down your sides.

“Ghost,” you start, severe, trying not to let the effect his touch has on you show in your voice.

“Simon,” he counters, surly. “Told ya it's Simon when we're alone, didn't I?”

He did, but you didn’t think he was serious. If that's what it takes to get him to listen… you’ll play by his rules.

“Simon. What's the rest of your brilliant plan? I'm here, but I can’t stitch you up.”

“How ‘bout a deal. I'll stop resisting… for a price.”

You raise an amused eyebrow.

“What kind of price?”

“A kiss.”

You snort. You didn’t believe him capable of something so… puerile.

“With the mask on?”

He doesn't move a muscle to get rid of it.

“Take it off.”

You usually wouldn’t obey what sounds like an order so easily, but it's the first time you get to touch the skull. Slipping two fingers between skin and cloth, you slowly roll up the mask all the way under his nose.

You gently trace the scars surrounding his lips. Then, the second you feel him relax, grip on your hips slackening and intensity of his gaze waning, you grab the bottom of his mask and drag it back down vigorously, making the holes for the eyes land way too low for him to see anything.

“If you thought you'd get a reward for acting out, you've got another think coming.”

[frogseasons]

me, personally, well. i think if senshi dungeon meshi was a recipe blogger he’d write a whole essay breaking down the ingredient sources, harvesting and butchering methods, and would end it with a personal tale. the actual recipe would be incredibly easy to understand. and then he’d add multiple nutritional diagrams. he’d end every blog entry with a message of encouragement. peace and love on planet earth.

[kirvia]

🐻 BEARY THE HATCHET 🪓

It's Halloween 199X, and you killed someone during your morning shift! Unfortunately, a true crime fan has stumbled upon it.

A game about hiding things.

🔪 ITCH.IO (PLAY IT NOW!)

☆ Black comedy Visual Novel/RPG with 3 endings, 10+ bad ends and 30+ unique cgs

☆ 1-1.5 hours to complete

☆ Available for Windows and Mac

☆ Developed in RPGMaker MV for #SpooktoberVNJam

☆ Collaborative project with @mokadevs and Team Cetacity

[gejnialnie]

hi I don't think this duo gets enough love, so here are my fave screenshots of Raph and Leo mirroring each other! :D

+bonus:

look at this frame! don't their poses look similar, even though they're in totally different places?? well, there's a simple reason for it! we can see raph in the driver seat, his left hand on the wheel, while the other one's searching for someting, it's symbolising his active role as leader, while leo stands alongside him, his left hand on a handhold while he gestures with the other, showing him being less active and more of a passive presence, but he's ready on his feet, it's symbolising his potential as raph's co-leader but also him not yet being ready, still gripping the safety rails instead of the driving wheel-

(nah i'm kidding- like, was it just artists drawing similar poses in one scene? oh yeah most definitively! will that stop me from over-analysing? nope! :D this basically wrote itself!)

[somethingintheforest]

ok but i really like the interpretation that Sherlock is actually Not That Smart. he is very very observant and has intense hyperfixations, but no, he cannot pass an exam.

i'm obsessed with the fact that Sherlock Holmes can be the model of 'grades aren't everything'.

another Sherlock & Co W

[puppetmaster13u]

Prompt 254

So. Danny might have accidentally become a bit of a cryptid. He didn’t mean to, but he’d become a bit nocturnal- like many an Amity Parker- and it wasn’t his fault that he couldn’t be bothered to make sound when he was tired. Or pretend to breathe or, okay, he could see why he kept freaking people out at the grocery store he kept going to. 

But it wasn’t his fault! He has to get food too! And really is it anyone else’s business? Seriously he thought that people wouldn’t be so surprised with how much magic is everywhere. Like you’d think they’d never seen someone who wasn’t fully human before or something. 

Oh great, there’s a journalist at the grocery store now- he’s going to ignore that and finish his shopping and then continue his online work. Ooh, and eat icecream. He deserves it for potentially putting up with this. 

Oh, it’s a little baby reporter, first couple of article thing. Adorable. 

[trashpuppyy]

thank you, @jakei95

underverse and xtale were huge things that got me into drawing and animating. it's very sad to see such an amazing creator leave the fandom and project she loves because of unreasonable people (smokin.corn said it best), but sometimes it's time to move on to more colorful, peaceful places

i do wish jakei and nyx the best in whatever jobs and projects they tackle next, and i know this fandom will keep cross alive and healthy and thriving while they're gone

and i do hope one day, this fandom can be better, and if jakei still wants to she can eventually return to the game she loves

i know a lot of people are worried this is the end, and while jakei is an amazing, irreplaceable creator we will all remember and have a special place for in our hearts, there are a lot of amazing creators out there to discover and be inspired by! this is not the end of the fandom, as long as we're all still kicking--supporting other creators, creating ourselves, and spreading the works of artists we love while being as kind as we can to everyone around us!!!

whether or not 0.8 is the very last episode, we will keep underverse and xtale alive in our hearts💝

don't lose heart and keep creating!!

"Don't cry because it's over, smile because it happened. :)" -the legend, Dr. Seuss

[box-dwelling]

While the extent to which dot and bubble handled its racism themes well is something I cant comment on due to the fact my skin tone is approximately the same as a sickly raw chicken, I do think it was a ballsy ass move that I do really like to have the Episode Where We Confront The Doctor Is BlackTM be set in the future rather than the past.

[t4tmetalsonic]

in light of recent events

[leonardburton]

the thing is. juno & nureyev's relationship has been such a major guiding thread throughout the podcast and the major drive of season 5, and the fandom has built itself so much (as fandoms often do) around shipping the two of them.

and yet nureyev doesn't show up at all in the last episode! or, he does, but it's only implied (for all we know it could be like. alessandra strong)(i know it's not but it would be really funny) and we don't hear his voice.

and it's so important to me that despite the room that their romance has taken in the plot and in our hearts, his absence reinforces that the point of juno steel's story wasn't a lady getting his man, it was about learning to grow as person for himself and for his friends (and not just his love interest), and it was about finding his footing in life and being at peace with himself and his place in the world. and he did! his growth and relative serenity is so apparent and just. a balm to the soul

and the fact that his man is back is just a nice add-on, not a necessity for his happiness

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[calicoscurse]

I think I've realized my biggest pet peeves with most protocol theories I've seen so far, and that it's people act like it's still Archives. Like hinging on Smirke's 14, or including so much Jmart and Jonah lore that it would be confusing to someone only listening to Protocol, and in general people cannot scrub Archives from their brain of it and are viewing things with those lenses on. But it's also interesting? Because I'm almost certain Jonny has mentioned knowing people are going to do this. And I'm sure the team will take advantage of that and there will be things in there that won't disrupt a Protocol only listeners experience, but will lead a Archives listen on a fun wild goose chase because it would mean something big in the Archives universe and be a big red herring or just stop people to a dead path because they aren't looking at it clearly

[tremendously-crazy]

So many sherlock holmes fanfic writers put sherlock in the most traumatic situations. Like ok, here's a fic where he's been brutally attacked by criminals. Here's a fic where he's deathly ill. Here's a fic where he's plagued by the nightmares of his past. I think it's just a universal thing that people like to see the main character suffer.

[theultimatefandomjumper]

more au stuff 👊🏽👊🏽💥💥💥💥💥💥

also some background info because idk how to chill tf out and dump a bunch of stuff without context 😓😓😓😓

Co-Parenting AU

- In this dimension, Fiddleford and Emma-May split up soon after their marriage and they make the collective decision to leave Tater Mcgucket in the custody of his father.

- For some reason, Fiddleford doubles down and joins Stanford at the shack to help with research as he takes care of Tate. Together, they make an odd unlabeled family and Stanford doesn't mind the company.

- Events in the original story play out and Fiddleford gets sucked into the portal and sees Bill being 𝓯𝓻𝓮𝓪𝓴𝔂, he refuses to help anymore and distances himself from Ford, living in some motel in gravity falls.

- However, in this universe, Fiddleford made the memory-gun but never chose to use it with the hindsight of it getting in the way of his relationship with his son.

- He stays in this situation, working at Greasy's diner, until Stanley comes over and Stanford asks for him to hide the journals and gets sucked in with their argument.

- Word of this quickly gets to Fiddleford through Stanley as a last resort once he registers the little tidbits of evidence of his former presence in the shack. Together, Fiddleford and his highly intelligent son, Tater, help Stanley out to restore the portal and bring Stanford back and they all live together.

- Despite all of their efforts, they still end up getting Stanford back 30 years later, but things are a lot better.