#nope just posted it lol

[sunderwight]

Thinking about a bingqiu Dreamling AU where Shen Yuan and Shang Qinghua are both bored deities, just sort of taking a brief sojourn through the mortal world to shoot the shit and see some interesting monster or other that Shen Yuan has heard about, when they come across a tea house and decide to take a break and do some people-watching instead.

Shen Yuan is well into something of a shut-in phase, which Shang Qinghua doesn't like, mostly because when Shen Yuan is in those phases he doesn't do particularly well either. Shen Yuan's a social butterfly, for however little he cares to actually acknowledge it about himself, and his critique of Shang Qinghua's literary masterpieces gets so much harsher when he's not getting enough enrichment.

So when they overhear one of the kitchen boys solemnly insisting that he is going to do everything in his power to never die, and Shen Yuan laments that the boy would probably regret such a wish if it came true, Shang Qinghua decides to bestow a rare bit of godly power onto this mortal and grant his wish.

He doesn't make him a god, of course, that wouldn't even be in his ability. At least, not without using up more time and effort than he's prepared to expend on this one random kid. But immortality on its own is not that difficult. The boy will still finish growing up, and will still be able to be harmed, to know hunger and pain and illness. It just won't ever kill him.

Shen Yuan sighs that it's a cruel thing to do to a mortal, especially one with such low odds of ever cultivating other skills to mitigate the potential torment of it all. But Shang Qinghua just shrugs and they place bets, that this boy will ask for the immortality to be revoked in a hundred years, or two hundred, or so on, or else he won't. Shen Qingqiu approaches the kitchen boy and flusters and bewilders him by telling him to meet him back here again in a hundred years time.

A hundred years later, the tea house is larger. The boy has grown to be a striking young man, who looks at Shen Yuan with wariness and something else, something almost like awe, as he asks what manner of creature he's made this bargain with. Shen Yuan assures him that he has no nefarious intentions, and instead asks Luo Binghe how the past century of his life has gone.

Horribly, at least at first. Binghe's mother had already died by the time they met, but afterwards he managed to earn enough money to travel to a nearby sect. Working in the tea house's kitchen was just a minor stopover along the way. Shen Yuan was wrong, it seems, about his odds of becoming a cultivator -- Luo Binghe earned entry as a disciple.

Yet, he had no success. The master who took him on was unaccountably cruel and mercurial, and Luo Binghe's attempts to cultivate failed. Looking back he sees now that there were many times when he should have died but didn't, but when it was all happening he just thought himself lucky. At least until an enemy sect attacked a cultivation conference, and he suffered mortal wounds that absolutely should have killed him (or anyone) but still didn't die. (No demon race or abyss in this AU, but there are still demonic and fantastical creatures.)

His cruel master, upon witnessing this, accused him of heretical practices and tried to kill him as well by flinging him off the edge of a gorge. The fall was terrible. Binghe lay at the bottom in a horrifying state, injured beyond reason and yet, still, he didn't die. Eventually his body recovered enough for him to drag himself out, and once he did the only thing on his mind was getting revenge. For the next several decades he managed to ingratiate himself to all manner of potential allies, forging alliances, accumulating blackmail, and convincing people that he had to be some powerful cultivator through his supernatural resilience, lack of visible aging, and a lot of bluffing. He got revenge on his old teacher, drove his first sect into ruin, and rose to prominence as a feared and respected leader of the cultivation world.

Shen Yuan listens with clear interest, asking plenty of questions and seemingly quite taken up with the story. At the conclusion, Luo Binghe admits that his actual cultivation is still mostly a matter of smoke and mirrors, and wonders if -- now that the hundred years have passed -- Shen Yuan means to strip his immortality from him.

Shen Yuan asks if Luo Binghe wants that. When Luo Binghe says no, he accepts the answer, and tells him to meet him back here again in another hundred years. Luo Binghe calls after him, but before he can ask anything more, Shen Yuan has disappeared again.

A hundred years later, Binghe arrives back at the tea house with an entourage befitting of an emperor. The tea house has also expanded. Luo Binghe orders a lavish feast from them, which everyone hastens to provide. He's spent the past several decades consolidating his power, forging alliances with key political players via several marriages, producing heirs, and crushing his enemies. As he brags about the state of his massive harem to Shen Yuan, the deity's eyes begin to glaze over. He doesn't seem impressed. He also doesn't seem to care much for the food, and eventually his attention is stolen away by a conversation at another table. The diners are discussing the exploits of a promising new poet and novelist. Try as he might, Luo Binghe fails to regain Shen Yuan's attention before the evening is done. Shen Yuan doesn't think it's a big deal -- after all, if Binghe is still riding on top of the world, he's probably not going to want his immortality gift revoked just yet!

Another hundred years go by. The tea house has returned to a more modest situation, the next time Shen Yuan sets foot in it. He waits an unusually long while for his guest to arrive, and when he does, he's almost stopped at the door by the tea house's servers. It's only when Shen Yuan bids them let him through that Luo Binghe is able to come to the table, almost collapsing against it and desperately falling onto the arrangement of snacks with obvious hunger.

Shen Yuan wonders if this, now, will be when the boy (no longer a boy) asks for the immortality to be revoked. Surprisingly, he finds himself resistant to the idea, even though it's also clear that the game has run too long. Maybe hundred year check-ins were too short? He doesn't like the implications of what's gone on, even if he's not really surprised about it either.

Between desperate mouthfuls of food, Luo Binghe explains that without mastering inedia, going hungry but never dying is a deeply unpleasant experience. Shen Yuan orders more food. Once Binghe has finally eaten his fill, he begins, haltingly, to explain his situation. His clothes are ragged, he is painfully thin, and his gaze is haunted.

Apparently, several of his wives conspired to assassinate him, despite his reputation as unkillable. Realizing that most poisons and such didn't kill him, but that he could still be incapacitated, they hatched a scheme to dose his food with a powerful sleeping agent, and then walled him up in a famous ancestral tomb. They went to great length to ensure that it was impossible to escape from. It took Binghe decades to do it anyway, digging away at the floors, and when he got out he found that his power base had collapsed. In-fighting and the incursion of his enemies had led to the deaths of all of his children, and what wives had survived had either fled or remarried. Not that he particularly wanted them back at that point, since the ones actually most loyal to him had also been killed early on after his own "death". His face marked him, to the eyes of his enemy, as a surviving descendant of himself. He was hunted down, chased across the continent and back again, until he managed to fall into enough obscurity that his pursuers abandoned the chase. Except that he has nothing, and any time he tries to regain something, he runs the risk of being hounded again. Those who might see some potential in him still remember the collapse of his recent "dynasty" and slam doors in his face, or else try and turn him over to those now in power in pursuit of a reward. Those who don't know that much see only a dirty beggar, and usually run him off on that basis instead.

Shen Yuan, almost hesitant, asks if Luo Binghe would like to have his immortality revoked.

Luo Binghe declines. How will he be able to take revenge on those who wronged him if he is dead? He has a hit list a mile long by now.

Which is definitely not the most noble of reasons to persist, but Shen Yuan finds himself reluctant to ask twice. Instead he orders more food, and then even reserves one of the traveler's rooms above the tea house for several days. By then the sky is turning grey, and Luo Binghe is losing his apparent battle with exhaustion. Shen Yuan presses the key into his hand, thinking it's probably not enough, but there are limits to how much gods are supposed to interfere and Shang Qinghua already stretched them to the breaking point with this entire scenario.

He leaves, not seeing the hand that reaches after him just before he is out of the door and gone.

Another hundred years pass. This time, Shen Yuan arrives to find Luo Binghe already waiting for him. He isn't surprised to see that Binghe's situation has visibly improved -- maybe he was keeping closer tabs on him, just a little bit, for this past while. If only to be sure he wouldn't have to warn the tea house workers to expect an unorthodox visitor again! But no, Binghe has been doing well enough for himself. No more harems or thrones, though. He dresses more like a well-off merchant now, deliberately posing as his own mortal descendant rather than as a great immortal cultivator. The food at the table looks far more delicious than usual too (Binghe commandeered the tea house's kitchen himself this time). As they chat, Shen Yuan is regaled with the exploits of Luo Binghe's travels and adventures, how even though he initially set out to claim revenge on those who overthrew him, by the time he was in a position to actually do so they had already died of the usual causes (time, illness, their own schemes backfiring, etc). Subsequently, only their children and grandchildren were left with the scraps of power they had obtained, and when one of those children employed Luo Binghe as a bodyguard, his initial plan to assassinate them eventually fell by the wayside. After all, the wrongdoings weren't actually theirs. From that point, Binghe was able to restore himself to a more comfortable life, joining his new employer on their travels until he had set aside enough earnings to take his leave before his youthful good-looks earned him suspicion. He then began investing in travel and trade, specifically cargo ships, because never spending too long in the same place or around the same people helped disguise his immortality. He had found that, at least for now, this served him better than playing the part of a cultivator. It also gave him time to try and actually repair his ruined cultivation base somewhat, and fighting pirates proved very diverting.

Binghe is midway through recounting his adventures with a gigantic sea monster, while Shen Yuan hangs on every word, when they're interrupted by the arrival of a brash young mistress, clearly wealthy and trained in cultivation. The young lady declares that there is a rumor that a fallen god and a demon meet in this tea house once a century, that they wield strange powers, etc etc, and she intends to interrogate them both with the assistance of her hired muscle and her own spiritual weapon, and discover the truth of the matter. Then she whips out, well, a whip!

Before Shen Yuan can deal with the matter, Luo Binghe is already on his feet, disarming the goons and breaking a few arms in the process. Shen Yuan is so distracted that he almost misses the whip aimed right for him, but before Binghe can catch the barbed weapon with his bare hand (wtf, Binghe, no) Shen Yuan deflects it with a wave of his fan, and then efficiently knocks the troublesome young lady unconscious. The hired muscle flees, Shen Yuan arranges for their assailant to be placed in a room upstairs until she regains consciousness, and he and Binghe resume their meal and conversation in relative peace.

Even though it's clear that Luo Binghe has not yet reached the end of his tolerance for life, Shen Yuan nevertheless finds himself strangely reluctant to part ways at the end of the night. Still, he does, because that's what is expected of him, gently denying Luo Binghe's suggestions that they find some other establishment to continue their conversation at. He also has to investigate these "rumors" that the young lady mentioned. It's probably nothing (Shang Qinghua has a loose tongue when he's drunk, and a lot of imaginative storytellers have frequented this tea house over the years) but he doesn't like being caught unawares like that. Heavenly politics are... complicated, it's best not to court unwanted attention in any capacity.

Another hundred years go by. This time, when they meet at the tea house, Luo Binghe asks Shen Yuan why he keeps it up. Why did he pick Binghe? What is he really after? When Shen Yuan fails to give any kind of clear answer, Luo Binghe shoots his shot and makes a (very obvious) move on him.

Shen Yuan, flustered, gets up and flees. Ignoring Luo Binghe's calls after him. It just doesn't make any sense! Why would Binghe do that?! He's a man who once had a harem of wives in the triple digits! Clearly he's not gay, so what was that all about? Was he just messing with him?! How dare he! Etc, etc.

Another century passes. Luo Binghe waits at the tea house, which has fallen onto hard times again. With the construction of some new roadways, travelers no longer pass through as often. Binghe listens, worried, to the proprietor's laments that this old place will probably not be around in another hundred years. He listens because he has no one else to speak to, because Shen Yuan has not shown up. Not that morning, not during the day, not come evening, and not now that it is closing time. Binghe nevertheless charms and bribes the proprietor to let him stay even after the place has shuttered.

It seems damning, of course. He pressed too hard and now his mysterious benefactor wants nothing more to do with him. Except, no, he refuses to accept that. He's still immortal. And he has gleaned enough of Shen Yuan's character by now that he thinks that even if he was rejected, he would be let down more clearly and gently than this. The more he thinks about it, the less willing Luo Binghe is to believe that he has been deliberately stood up (also, since the tenor of his confession was different from Hob Gadling's, he never delivered an ultimatum about what it might imply when they met up again).

Over the centuries, Luo Binghe has built up a few contacts with similarly strange and supernatural stories. Cultivators, sure, but also others, fortune tellers and people of strange ancestry, questionable abilities, those who have interacted with powerful beings of mysterious provenance. He makes his way to a certain gambling den, frequented often by such people, and while he flashes around enough money to draw curiosity, he collects information. Shen Yuan wasn't the only person who started paying more attention to the kinds of rumors surrounding the two of them after their confrontation with the young cultivator a couple centuries ago. And in fact, Luo Binghe has been spending many, many years trying to find out more about his mystery man. Though, too many potential deities and immortals fit his description for him to have ever conclusively figured much out.

This is how Binghe gets wind of a rumor that an eccentric occultist has somehow captured a god in his basement...

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[val-of-the-north]

Tibia Mariners and Those Lost in Death

While I am at it, I should talk about a detail found in Messmer's Shadow Keep. On the way to the Specimen Storehouse, you'll be faced with a peculiar sight: boats lit on fire.

This seems to be a callback to Viking funerals, except the boats are placed in a row and burnt on land. It's certainly an odd practice, but it might only be done this way because Messmer's forces are far from an accessible shore or water that's deep enough to perform it normally.

However, something else caught my eye. The boats looked quite familiar so I went back to check and...

It was the EXACT model as the boats used by the Tibia Mariners! Perhaps it is obvious seeing as the Messmer boats are used in a funerary rite, but I think it's still quite a significant connection, especially since the old Mariners have gotten quite a bit of new lore in the DLC. In Charo's Hidden Grave we can find the skulls of boatmen as a crafting material, presumably that of previous Tibia Mariners.

This is outright confirmed after finding the lone Tibia Mariner in the area, who upon defeat drops the Tibia's Cookbook, which describes them as the oldest of grave keepers.

(Btw I love the detail of the piece of lace cloth and golden ornaments, they are the same found on the Mariners themselves. They even come with the same ghostly glow)

This is quite the revelation, as prior to Shadow of the Erdtree we had no way of knowing that these guys actually predated the spread of Deathroot and Godwyn's transformation into the Prince of Death. And how could we doubt that, since they even drop Deathroot themselves? But there was something that most people have neglected to note about the Mariners, me included.

In the base game, the Tibia Mariner found in the Wyndham Ruins drops a spell called Tibia's Summons. This inconspicuous sorcery of the servants of death actually holds a perplexing description which mentions a group known as "Those Lost in Death".

There was something seemingly redundant and unexplained about these guys. What does "Lost in Death" mean? Why aren't they simply called "Those Who Live in Death"? It wouldn't blame anyone for assuming that this description just contains an outdated term for the undead before they stuck with the one used in-game. However, through the Tibia's Cookbook, we find a NEW reference to this same concept.

Roughly the same title (Those Lost in Death = one lost in death), the same underlying sentiment, and we have verifiable proof that the Tibia Mariners are outright ancient... so what's the deal with this? Well, I have a theory.

The descriptions of these things hint at the fact that the dead have been wandering for a very long time, and that they are in need of leadership. Before the DLC, it was easy to assume that the undead were simply a result of Deathroot, and the game seemed to suggest the same thing by stating multiple times that it was the origin of Those Who Live in Death...

... but that's the thing! Prior to Deathroot connecting them to Godwyn, the undead amounted only to shambling corpses. They were not LIVING in Death, but simply LOST in it, which is how the Mariners were able to control them in ancient times through the use of sounds, both their horns and the Calls of Tibia. It's only through the guidance of a lord, in this case the Prince of Death, that they found an identity and new life.

It's likely the undead waned in the era of Marika because of her elaborate Erdtree burials and general control of life and death. Heck, the figure of Rosus, who guides us to the Catacombs, must have also played a big part in their disappearance. His axe has a similar power to the Tibia's Summons and it's called Rosus's Summons. Its description also mentions that the dead easily lose their way, meaning that Rosus was meant to lend the dead a guiding hand. "Those Lost in Death" would be lost no more.

Without people Lost in Death, the Mariners kind of lost their purpose and vanished for a long time... until the Shattering and the rise of Those Who Live in Death of course. It might mean that the only reason they hold onto Deathroot is because it attracts and connects the new undead.

I guess Godwyn was meant to be a sort of "lighthouse" for all undead. He would make sure they never lost themselves but also that they would be allowed to live instead of being forced back to rest like with Rosus and Marika. Him being a "lighthouse" also fits the marine theme that all this death business is going for quite neatly I think...

But to return to what started this... maybe those boats lit on fire are Messmer's way of making sure the soldiers of his army aren't lost to death after their passing. A way to give them a proper rest the way Marika would have wanted, even though he is limited in what he can do about it. The Catacombs are now corrupted with Deathroots and Godwyn's corpse bodies, and guarded by his fervent golden Death Knights.

(P.S. - I didn't know where to put this, but "Charo" is one letter off from Charon, the ferryman of the dead in Greek mythology. Seeing as the place is connected to the Tibia Mariners, who shepherded Those Lost in Death in an age long past, I find that this connection might not be mere coincidence...)

[koyato]

Day 3

Tech

Red bloody traditions will overlieve even your faith in them

@accursedkaleeshi

To be honest this day was really hard for me to get in time so linearts on that point can be less detailed same as digital part(((

But still standing so here's the line bonus!

[isjasz]

The brainrot continues (Blame @vesperionnox and @cherrysherin we are dragging the whole server down with this au)

Part 1

[fairyroses]

absolutely losing it over the fact that both of the 2x04 commentary groups started talking about clex as soon as clark and lex were in the same room together

(watch with the sound on obviously)

[torchstelechos]

Im saying this with love in my heart, I highly doubt Siffrin likes people touching their face post canon.

[psychicsolanum]

they were so evil for cutting this. this man has not had a single moment of true peace from the first episode. he's never ever taken seriously by his siblings the whole show. and the one scene where he finally gets himself help, and is fully supported by his loved ones and they TOOK IT FROM USSS!

Look at the hope in his eyes for the first time in his life!! he has a support system that loves him and he has hopes of a future where he can love himself!!! this is character development and a satisfying arc!

like they knew they were gonna take it all away from him anyway why couldn't they at least give him this.

[skyward-floored]

also what happens to Malon after she's arrested????? (does she, perhaps, find smth out about her deceased husband 👀)

- hero-of-the-wolf

@hero-of-the-wolf

...

Malon was tossed into a holding cell without a word, and without so much as the hope of a trial or lawyer or anything of the sort.

She heard a distant laugh as the door was slammed behind her, and exhaled wearily as she sat up, brushing some dried blood from her cheek as she moved. The trip here hadn’t been long, but it had been one unpleasant moment after another, harsh shoves and sneers and glee at her arrest, and even a shock she’d gotten when a guard’s hand had wandered and she’d punched him.

Add that to the bruises she’d gotten from the fight earlier with Warriors, and most of her body ached.

Malon closed her eyes, thinking of her husband’s brother. Warriors had stayed beside her as long as he could after she’d been arrested, a hand on her arm until he'd been called away and had to leave. Despite the fact that they’d had to feign indifference and hatred towards one another the whole time, Malon had found his presence comforting. She’d missed him, and he reminded her of Time, and better days.

She only wished she could have spoken to him more. It didn’t take superpowers for her to see that he was barely holding it together.

“...Hello?”

Malon stilled, and raised her head, looking around the tiny cell.

It was essentially a stone box, small with no windows, a toilet in the corner, and two somewhat-cushioned benches by the walls that Malon supposed were meant to be beds. A girl who must have just been asleep was sitting up on one of them, holding her arm tight to her chest as she looked warily at Malon.

The girl couldn’t have been older than Legend, though her face was worn in a similar way that made Malon’s heart pang. Her blonde hair was messy and was trying to hang in her face, but her indigo eyes were sharp in the artificial light, and watched Malon with a calculating look.

“Are you a super?” she asked bluntly, and Malon blinked, then smiled, easing up to her feet.

“Hello to you too. Yes I am, but with nothing that’ll get us out of here I’m afraid,” she answered, wincing as she walked over and sat on the opposite bench. “Is this room temporary? Or am I going to be here a while?”

“I don’t know. I’ve only been here for about a day,” the girl replied, holding her arm tighter to her chest. “And don’t worry about your powers being useful or not. They’re blocked in here.“

Malon hummed. “That’ll be hard to test, seeing as they’re animal related. But thank you for the warning.”

The girl nodded and messed with her hair, letting silence fall between them. Malon studied her again, trying to figure out if she really was the same age as Legend, and her heart ached at the reminder of her son. She hoped desperately that he and the boys had gotten away— by now they must be close to Sky’s, even if they were being cautious.

All of them except for Twilight.

A deeper pang of worry shot through her as she thought of her other son, and she bit her lip.

Oh Twi, please be okay...

Malon sucked in a slow breath, and gave the girl a gentle smile. “My name is Malon,” she said, in an effort to keep herself distracted from her worries. Being anxious about her family wouldn't make them any safer. “How about you?”

“...Zelda,” the girl said quietly, then shrugged. “Or Zel. Or Zellie. Or Fable.”

“Fable?”

Her mouth quirked up. “I know another Zelda, we did nicknames to make it easier. Somehow that was just what got picked. It’s what I tend to go by, honestly.”

Malon smiled. “I know how that goes. I have two sons named Link, and more Links beside that rarely go by their names. Long story,” she added at Fable’s confused look.

Fable sighed and leaned against the wall. “Well, I’ve got time.”

“I was hoping to use mine to somehow get out of here,” Malon said with a glance around, and Fable closed her eyes.

“You’re welcome to try, but I’ve had no luck. I’ve gotten food once while I’ve been here, and they threatened to shock me if I tried anything with the door open. Not that I could with this,” she huffed, gesturing to the arm she had cradled to her chest.

Malon looked closer, and realized that the arm was swollen and bruised, the skin an unpleasant mix of purples and bluish-greens.

“Are you okay?” Malon asked worriedly, and Fable shrugged one shoulder.

“It’s just a broken arm. It got hurt in the fight before they arrested me, and nobody’s done anything for it,” she said in a pointed voice at the doorway.

The door stayed silent.

Malon frowned, and carefully stood and approached Fable, sitting down beside her. “...May I?”

Fable hesitated, then slowly held out her arm, the limb shaking a bit. Malon took it with a gentle hand, and studied it, feeling cautiously along the skin. Fable winced, but Malon made sure to be careful, and after a couple minutes, was fairly sure that the break was near the middle of her forearm.

“It doesn’t seem like it’s too bad,” Malon said, gently releasing her arm. “It’s swollen, so maybe that’s why, but I couldn’t feel the actual break. It’ll set easily if it is one, but we should probably figure out a way to get a sling for you.”

Fable wrinkled her eyebrows at Malon like she couldn’t quite figure her out, but she nodded. And she didn’t try to stop Malon when she pulled off the apron she still had on (she wondered briefly what had ever happened to the bacon she’d been cooking), and worked on tying it around into a suitable sling.

“So... what happened to you?” Fable asked after a minute of Malon fiddling with fabric. “If you don't mind me asking. You said you're a super, but you're not even in uniform. What did you do to get thrown in here?”

“Me? Oh me and my family have been doing a lot under ol’ Dark’s nose for a while now, and everything finally caught up to us,” Malon sighed, figuring a true explanation would take too long. Wind and Four alone would probably make Fable think she was crazy. “They came after us at home after we tried to help somebody. My family that was at the house made it away, but my one son was on duty... I don’t know where he is.”

Malon breathed out a sigh she told herself wasn’t shaky, and cleared her throat.

“How about you? What did a nice girl like you do to get arrested?”

Fable blinked, and looked down at Malon's attempts to secure the sling, not speaking for a moment.

“I fought back,” she said after a long minute of silence. “I just— I just hit my limit. I couldn’t take it anymore, what they’re doing, how they treat us...”

Fable’s voice wobbled.

“My... father died. And I know it wasn’t by natural causes, I found proof, but I couldn’t do anything with it. It was an official who’d had him killed, and I knew I had to keep acting like everything was fine like I didn’t know and I just... I snapped. It didn’t end well. Obviously.”

She swallowed thickly, and Malon, finished with the sling, gave her a gentle look.

“I’m sorry hon, that must’ve been awful,” Malon said softly, and Fable pulled her legs up to her chest.

“I've definitely had better days. At least I got to toss a few people into the harbor,” she murmured, then swallowed and looked away. “Do you... think your family is okay?”

“I hope so,” Malon replied softly. “Twi... Twilight— he’s my oldest— he’s tough, and his powers enhance his senses, so he should be okay. My youngest can turn invisible, and he has somewhere safe to go, and friends with him. I’m worried about them all, but... I trust their skills. I think they’ll be okay.” They'd better be okay.

I don't think I can lose anybody else.

Malon took a deep breath, and looked over at Fable, giving her a smile.

“And I’m not planning on sitting around here and waiting for them to rescue me,” she said firmly, and squeezed Fable’s shoulder. "Or see what sort of sentence or punishment either of us is going to get. I'm gonna to do my best to escape. You wanna work together and bust out of here?"

Fable looked at her in surprise, and hesitated, eyes scanning across her face.

Then her eyes hardened with determination.

“Yes. I don't want to stick around and see what they're going to do to us either. I'm in," she said with a deep breath, and Malon took her uninjured hand in hers, and shook it.

"In that case, we'd better get to work," she smiled, and Fable returned it. "What can you do, hon?"

And as Fable explained her powers, already looking less pale and defeated then she had when Malon had first been tossed in, Malon felt the hope that had started to dim in her heart flicker back to life.

[another-clive-blog]

Why are we as a fandom not talking more about this scene ??

Clive is literally asking the professor to come back and stop him. Like this isn't him pretending to be Future Luke : he looks genuinely upset/displeased even after the professor promises to come back. He only goes back to smiling after the professor says, and I quote "I wouldn't dream of leaving things here in that state" before talking about stopping his future self. Clive wants confirmation that Layton is actually going to confront the bad guys, that he won't just solve the mystery but fix it too.

And this is literally so important. Clive's speech at the end, about getting saved. This is concrete proof that he had truly meant it from the start, because he's asking for Layton to stop him and thus save everyone here. Which, hey- he didn't just hope and wait to get saved, he tried to save himself too.

Yep, that's right. The game talks about how dangerous it was for Clive to bring Layton underground : it doesn't talk about how even more dangerous it was to let him leave. He could have brought back cops (he did). He could have gathered precious knowledge out there (he did). He could have never come back (and yet he did !!). Clive letting Layton leave is the biggest threat to his plan, and yet HE DID. And you know what else he did ? Make Layton promise to stop him. You can't make a clearer call for help, you just can't.

"Oh but it doesn't make his crimes more forgivable, now does it-" of course not. This isn't about Clive's redemption, it's about Clive trying to avoid needing a redemption : his efforts are vain the moment he started using the fortress. But. There were efforts.

[lunarharp]

into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.

the sweet oblivion of the victim, the poisoned freedom of the witch.

for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.

the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.

but they were never whole to begin with, were they?

qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.

olly says nothing.

[boy-oneder]

Köln ~ Leftovers Edition ~

[unmerrymagdalene]

Y’know I’m really glad (for now), Robin is the only other LI that interacts with Avery

Because I think if Sydney “Gets upset whenever PC is unfaithful, constantly calls them their beloved, openly expresses their discuss over cheating (which does not change between fallen and faithful)” did, it would not end well at all

[beaulesbian]

one piece ch. 1117 spoilers

(i still can't stop thinking about zoro vs venus gorosei clash)

i like that zoro was there to block the attack on sunny, because in chapter 1115 we saw how with one slash nusjuro cut down the lab of the egghead tower

(mentioned again in chapter 1116)

and now in 1117, nusjuro was preparing to do the same with the sunny and strawhats.

which zoro blocked with a rashomon attack (along with possibly his conqueror's haki)

(i really love that detail that both zoro and nusjuro are surprised/taken aback when recognizing the kitetsu sword)

then being thrown away from the impact of the clash, with jimbei catching zoro and zoro yelling at nami and the strawhats on the sunny to launch the ship, it's supposed to go to the sea level..

.. where sanji, bonney and the elbaf giants are fighting navy,

and luffy is running towards the elbaf ship there too, waiting for the sunny to jump from above to make their exit.

i've seen ppl think that zoro might fight nusjuro again, like a longer fight to win against him, but tbh (at least in my opinion) that probably won't happen. they might clash again, with zoro trying to hold him back, but he wouldn't plan to win or defeat him, he knows nusjuro is too powerful, it would be more about buying time for sunny to leave.

i just hope that, if the sunny successfully launches, that both zoro and jimbei would be able to jump after it. it depens on if jimbei would stay beside zoro, or if zoro tells him to join the strawhats to stear the sunny (as jimbei is their helmsman) to the sea..

i kinda of had a thought / theory, that nusjuro might try to separate them? if he wouldn't stop the ship from leaving, maybe he would try to take at least one or two of the strawhats down? especially if he fought against zoro, whom he saw has the kitetsu sword (so some sort of connection to his own sword), who has conqueror's haki, and is a part of the strawhats which makes him someone the gorosei want to discard, maybe he would not let zoro leave so easily..

(one worry for next chapter ;-;)

[winged-wolf-s-collection-of-arts]

>:]

I'll be tracking our progress across the wasteland with comic snippets, stay tuned!

Taglist: @typosandtea-reblogs @mottinthemainpot @pure-vanilla-lilies

[wundrousarts]

Hi folks! It seems like people are discovering that there are people online who write some WEIRD! 👎 stuff for Nevermoor. Some tips and tricks for dealing with that:

Don't engage. Don't read the fics. Don't even comment to say how much you hate it.

Don't spread it around. It's gross as hell, I know! But being like "ew, guys, I found this gross fic" just means you're causing more people to seek out said gross fic, and that's just not great. If you don't want to see it, no one else wants to either.

If you can: block, mute, or filter. I don't really use any fanfic sites to know if these functionalities exist, but I'm sure people online have found ways. Edit: here's a way to do it on Ao3.

TL;DR: Ignore, Ignore, Ignore. 👍

(PS: Same thing goes for when people send weird inappropriate anon messages. Just delete them from your inbox and don't subject others to them.)

This is unfortunately something that's been present for years in the fandom, on both Ao3 and Wattpad. This is also why I essentially don't read Nevermoor fics unless they're for Mogtober, and even then I'm cautious. I have seen some weird stuff written about my favorite characters that I wish I could pluck from my brain and set on fire, or worse! But when I stumble across that stuff, I just quickly close the tab and pivot to something else to get my mind off of it.

We should not entertain these types of people in a fandom full of minors about a middle grade series, so: just don't engage with them, ignore them, filter them out, and maybe even drown them out with some fics of your own.