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sorqpmusicmin · 1 month ago

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LINEUP: 2024 OCTOBER-NOVEMBER ORDINARY TIME

(note: song titles in Bold Font are changes from previous lineup)

PAMBUNGAD NA AWIT:

Awit ng Papuri - Fr. Rey Magnaye [link] [sheet music]

Awit 150 - Fr. Richard M. T. Eleazar [link] [sheet music]

(Christ the King, November 24th) Christus Vincit (three languages) [link] [sheet music]

(Christ the King, November 24th) O Kristong Haring Marangal [link] [sheet music] [midi]

KYRIE: Panginoon Kaawaan Mo Kami (Sa Iyong Tahanan) - Danne Steven Galve [link] [sheet music]

GLORIA: Papuri sa Diyos (Misa Antonio) - Fr. Allan Antonio [link] [sheet music]

SALMO: Salmong Tugunan (Sa Iyong Tahanan) - Danne Steven Galve, John Paul Morales [link] [sheet music]

AWIT SA MABUTING BALITA: Festival Alleluia - James Chepponis [link] [sheet music]

AWIT SA PAG-AALAY:

Unang Alay - Rey Magnaye [link] [sheet music] [chords]

Tinapay at Alak Naming Hatid - Lester Delgado [link] [sheet music]

SANCTUS: Santo (Tinapay ng Buhay) - Fr. Manoling Francisco, SJ [link] [sheet music]

ANAMNESIS: Aming Ipinahahayag (Misa Solemne) - Jeffrey Miguel [link] [sheet music]

DOXOLOGY: Amen (World Youth Day ‘95) - Fr. M.V. Francisco, SJ [video] [sheet music]

PATER NOSTER / EMBOLISMO: Ama Namin - Fr. Eduardo Hontiveros, SJ [link] [sheet music]

AGNUS DEI: Kordero ng Diyos (Blessed Trinity Mass) - Ryan Cayabyab [link] [sheet music]

KOMUNYON:

Huwag Kang Mangamba - Fr. Manoling Francisco, SJ [link] [sheet music]

Salamat O Panginoon - Dave Magalong [link] [sheet music]

Paghahandog ng Sarili - Jandi Arboleda & Fr. Manoling Francisco, SJ [link] [sheet music]

Iesu, Panis Vitae - Fr. Manoling Francisco, SJ [link] [sheet music]

PANGWAKAS NA AWIT:

Purihi't Pasalamatan (verse 1) - Fr. Eduardo Hontiveros, SJ [link] [sheet music]

Magpasalamat Sa Kanya (verse 3) - Lui Morano, Norman Agatep [link] [sheet music]

ENGLISH MASS:

ENTRANCE:

Great is Our God - Noel Miranda [link] [sheet music]

Come to the Table - Moses Catan, Barbie Dumlao [link] [sheet music]

(Christ the King, November 24th) Christus Vincit (three languages) [link] [sheet music]

KYRIE: Lord Have Mercy [link] [chords]

GLORIA: Glory to God - Fr. Nilo Mangussad [link] [sheet music] [chords]

RESPONSORIAL PSALM: Responsorial Psalm [link] [sheet music]

GOSPEL ACCLAMATION: Festival Alleluia - James Chepponis [link] [sheet music]

PROFESSION OF FAITH: RECITED ONLY

OFFERTORY:

Blessed be God (Bayan Umawit) [link] [chords]

Lord We Gather Today - Lester Delgado [link] [sheet music]

SANCTUS: Holy (Mass of Christ the Savior) - Dan Schutte [link] [sheet music]

MEMORIAL ACCLAMATION: Save Us, Savior of the World - Dan Schutte [link] [sheet music]

DOXOLOGY: Amen (World Youth Day ‘95) - Fr. M.V. Francisco, SJ [video] [sheet music]

PATER NOSTER: Our Father - Fr. Nilo Mangussad [link] [sheet music]

AGNUS DEI: Lamb of God - Fr. Nilo Magussad [link] [sheet music]

COMMUNION:

You Are Mine - David Haas [link] [sheet music]

Blest Are They - David Haas [link] [sheet music] [chords]

Prayer for Generosity - Fr. Manoling Francisco, SJ [link] [sheet music]

Make Me A Channel of Your Peace (Prayer of St. Francis of Assisi) - Sebastian Temple [link] [sheet music]

RECESSIONAL:

I Will Sing Forever - Fr. Manoling Francisco, SJ [link] [music sheet] [chords]

Give Thanks - Henry Smith [link] [chords]

#lineup #ordinary time

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neshatriumphs · 2 years ago

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Dark Skin Directory

I did one of these for my sideblog BlackFemmeCharacterDependency (BFCD) and... While it’ll take longer on this end to do because there are more prominent figures here than on that one, I thought it would be good to also have one for my main...

EDIT: Okay, so the one that I did for BFCD does not work, so I am posting this one to see if it works, and if not, they’ll both be WIPS until I have the time to repair them

For the purposes of this list and on this page, whenever I say “dark skinned,” I mean a traditional brown crayon or darker. I grew up around Black people, so the words “dark skinned” do not mean the same thing to me as it do to nonblacks.

Queen Quet | Quiana Welch | Quinta Brunson | Quvenzhane Wallis

Wakeema Hollis | Whitney Houston | Whoopi Goldberg | Wunmi Mosaku

Xosha Roquemore

#to add to darkskin directory

Aliet Sarah

Tricia Akello

Sokhna Niane

Rashida Renée

Javonna Charde’

Ajak Deng

Edun Bola

Pretty Tye

Herieth Noela

#NeshaTriumphs Dark Skin Directory #4th #December #2022 #December 4th 2022 #Dark Skin Directory

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quordleona03 · 2 months ago

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Classic Fantasy in English

250 years, 69 books, 48 writers

Gulliver's Travels - Jonathan Swift - 1726

Fairy Tales Told for Children - Hans Christian Andersen - 1835-1863 tr. Mrs. H. B. Paull 1867-1872

The Water-Babies - Charles Kingsley - 1863

Alice in Wonderland/Through The Looking Glass - Lewis Carroll - 1865/1871

Mopsa The Fairy - Jean Ingelow - 1869

At the Back of the North Wind, George MacDonald - 1871

The Princess and the Goblin/The Princess and Curdie - George MacDonald - 1872/1883

The Strange Case of Dr Jekyll and Mr Hyde - R. L. Stevenson - 1886

The Happy Prince and Other Stories - Oscar Wilde - 1888

News from Nowhere - William Morris - 1890

The Book of Dragons - E. Nesbit - 1901

The Just So Stories - Rudyard Kipling - 19021

Peter Pan - J. M. Barrie - 1902-1911

The Enchanted Castle - E. Nesbit - 1907

Puck of Pook's Hill/Rewards and Fairies - Rudyard Kipling - 1906/1910

Lud in the Mist - Hope Mirrlees - 1926

The Midnight Folk - John Masefield - 1927

Dr. Dolittle in the Moon - Hugh Lofting - 1928

Patapoufs et Filifers / Fattypuffs and Thinifers - André Maurois - 1930/tr. Rosemary Benet 1940

The 35th of May, or Conrad's Ride to the South Seas - Erich Kästner - 1931, tr. Cyrus Brooks 1934

Jirel of Joiry - C. L. Moore - 1934-1939

The Tale of the Land of Green Ginger - Noel Langley - 1937

My Friend Mr Leakey - J. B. S. Haldane - 1937

The Hobbit/The Lord of the Rings - J. R. R. Tolkien - 1937-1955

Le Petit Prince / The Little Prince - Antoine de Saint-Exupéry 1943 tr Katherine Woods

The Wind on the Moon - Eric Linklater - 1944

Mistress Masham's Repose - T.H. White - 1946

The Little White Horse - Elizabeth Goudge - 1946

Trollkarlens Hatt / Finn Family Moomintroll - Tove Jansson - 1948 tr. Elizabeth Portch 1950

Nineteen Eighty-Four - George Orwell - 1949

Seven Days in New Crete - Robert Graves - 1949

The Borrowers / Afield / Afloat / Aloft / Avenged - Mary Norton - 1952/1955/1959/1961/1982

All You've Ever Wanted / More Than You Bargained For - Joan Aiken - 1953/1955

To the Chapel Perilous - Naomi Mitchison - 1955

Tom's Midnight Garden - Philippa Pearce - 1958

The Lion, the Witch, and the Wardrobe - C. S. Lewis - 1950

The 13 Clocks - James Thurber - 1950

Round the Bend - Neville Shute - 1951

The Armourer's House - Rosemary Sutcliff - 1951

The Once and Future King - T. H. White - 1938-1958

Candy Floss / Impunity Jane / Miss Happiness and Miss Flower - Rumer Godden 1954 / 1960 / 1961

Sword at Sunset - Rosemary Sutcliff - 1963

Book of Heroes - William Mayne - 1966

Tree and Leaf\Smith of Wootton Major - J. R. R. Tolkien - 1945-1967

The Crystal Cave / The Hollow Hills / The Last Enchantment / The Wicked Day - Mary Stewart 1970-1983

Dragonflight - Anne McCaffrey - 1968

A Wizard of Earthsea / The Tombs of Atuan / The Farthest Shore - Ursula K. Le Guin - 1968/1971/1972

Red Moon and Black Mountain - Joy Chant - 1970

Tom Ass or The Second Gift - Ann Lawrence - 1972

The Dark Is Rising/Greenwitch/The Grey King - Susan Cooper - 1973 / 1974 / 1975

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blackfemmecharacterdependency · 2 years ago

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Black Femme Character Dependency Dark Skin Directory || Entertainers Pt. 1 (A-N)

*I am attempting to redo this list that will not show up for some reason...

#BFCD Dark Skin December #BFCD Masterlist #BFCD DS Directory #Black Actresses and Female Entertainers Masterlist #Black Women in Entertainment #Flooding Your Dash with Black Lady Face #A-Z #Tags Masterlist #Masterlist #List will be updated as needed #BFCD Dark Skin December 2022

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vintagedreamsofsennett · 1 year ago

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A Submarine Pirate (1915) / Willful Ambrose (1915) / Bombs! (1916) / The Feathered Nest (1916) / Her Torpedoed Love (1917) / Hearts and Flowers (1919) / Down on the Farm (1920)

From her Keystone debut in 1915 to her last First National comedy in 1922, Fazenda was one of Sennett's top comedy stars—appearing in nearly 60 Sennett shorts and features during that time.

Fazenda became familiar audiences as the hayseed girl who was forever falling prey to the shifty city slicker or evil mortgage holder, with her spit curl, ribbon-tied pigtails and calico dress. Just as often, she was the hard-working blue-collar girl who would leave her dreary job as a waitress or maid to collect a healthy inheritance—pursued by the usual assortment of Sennett fortune hunters. With hazel eyes and light brown hair, Fazenda could just as easily put on a blonde wig and play attractive, vampish roles.

Born in Lafayette, Indiana, the daughter of a Mexican-born grocer and American-born mother, Fazenda's family moved to LA by 1900—where she attended Los Angeles High School and St. Mary's Convent. She debuted in dramatic stock with Miss Del Valle in LA and later appeared with Virginia Brissac. Louise got her start in films at Universal in 1912 under the direction of Wilfred Lucas, but by 1913 was appearing alongside Max Asher, Harry McCoy, Bobby Vernon, Gale Henry, Lee Morris, Billy Franey, Heinie Conklin and the other featured players in Universal's Joker Comedies.

When her Sennett contract ended in Sep 1920, Fazenda joined Special Pictures Corp. briefly in late 1920; then she appeared in a trio of California Producers Corp.'s Punch Comedies (1921) co-starring Chester Conklin and John Henry Jr. That came before a brief return to Sennett for a couple of appearances during 1921-22. Fazenda starred in some of Jack White's Mermaid Comedies (1923-24) before settling into roles in features. With the coming of sound, Louise returned to shorts for Christie (1929) and Darmour (1930). She continued with feature support in films. Fazenda found a second home at Warner Brothers, becoming a familiar character face in musicals.

On March 7, 1919, Fazenda married Sennett director Noel M. Smith, to whom she'd been engaged since 1917; they separated on August 14, 1923, and divorced on August 1, 1926. On November 24, 1927 she married Warner Bros. publicity director Hal B. Wallis, soon to became Warners' studio manager and then a long-time film producer. Fazenda retired from the screen in 1939, and remained married to Wallis until her death at 66 in Beverly Hills of a cerebral hemorrhage, leaving Wallis and son Brent. She is interred at Inglewood Park Cemetery, Inglewood, California.

-Walker, B.E., 2010, Mack Sennett's Fun Factory, McFarland&Company, Inc., Publishers, pp. 502~504

#louise fazenda #a submarine pirate 1915 #willful ambrose 1915 #bombs! 1916 #the feathered nest 1916 #her torpedoed love 1917 #hearts and flowers 1919 #down on the farm 1920 #책 인용

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awardseason · 2 years ago

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21st Annual Visual Effects Society Awards — Film Winners

Outstanding Visual Effects in a Photoreal Feature Avatar: The Way of Water – Richard Baneham, Walter Garcia, Joe Letteri, Eric Saindon, JD Schwalm — WINNER Fantastic Beasts: The Secrets of Dumbledore – Christian Mänz, Olly Young, Benjamin Loch, Stephane Naze, Alistair Williams Jurassic World: Dominion – David Vickery, Ann Podlozny, Jance Rubinchik, Dan Snape, Paul Corbould The Batman – Dan Lemmon, Bryan Searing, Russell Earl, Anders Langlands, Dominic Tuohy Top Gun: Maverick – Ryan Tudhope, Paul Molles, Seth Hill, Bryan Litson, Scott Fisher

Outstanding Supporting Visual Effects in a Photoreal Feature Death on the Nile – George Murphy, Claudia Dehmel, Mathieu Raynault, Jonathan Bowen, David Watkins I Wanna Dance With Somebody – Paul Norris, Tim Field, Don Libby, Andrew Simmonds The Fabelmans – Pablo Helman, Jennifer Mizener, Cernogorods Aleksei, Jeff Kalmus, Mark Hawker The Gray Man – Swen Gilberg, Viet Luu, Bryan Grill, Cliff Welsh, Michael Meinardus The Pale Blue Eye – Jake Braver, Catherine Farrell, Tim Van Horn, Scott Pritchard, Jeremy Hays Thirteen Lives – Jason Billington, Thomas Horton, Denis Baudin, Michael Harrison, Brian Cox — WINNER

Outstanding Visual Effects in an Animated Feature Guillermo del Toro’s Pinocchio – Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey, Mad God, Chris Morley, Phil Tippett, Ken Rogerson, Tom Gibbons — WINNER Strange World – Steve Goldberg, Laurie Au, Mark Hammel, Mehrdad Isvandi The Bad Guys– Pierre Perifel, Damon Ross, Matt Baer, JP Sans The Sea Beast – Joshua Beveridge, Christian Hejnal, Stirling Duguid, Spencer Lueders Turning Red – Domee Shi, Lindsey Collins, Danielle Feinberg, Dave Hale

Outstanding Animated Character in a Photoreal Feature Avatar: The Way of Water: Kiri – Anneka Fris, Rebecca Louise Leybourne, Guillaume Francois, Jung-Rock Hwang — WINNER Beast: Lion – Alvise Avati, Bora Şahin, Chris McGaw, Krzysztof Boyoko Disney’s Pinocchio: Honest John – Christophe Paradis, Valentina Rosselli, Armita Khanlarpour, Kyoungmin Kim Slumberland: Pig – Fernando Lopes Herrera, Victor Dinis, Martine Chartrand, Lucie Martinetto

Outstanding Animated Character in an Animated Feature Guillermo del Toro’s Pinocchio: Geppetto – Charles Greenfield, Peter Saunders, Shami Lang-Rinderspacher, Noel Estevez-Baker Guillermo del Toro’s Pinocchio: Pinocchio – Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate — WINNER Strange World: Splat – Leticia Gillett, Cameron Black, Dan Lipson, Louis Jones Turning Red: Panda Mei – Christopher Bolwyn, Ethan Dean, Bill Sheffler, Kureha Yokoo

Outstanding Created Environment in a Photoreal Feature Avatar: The Way of Water: Metkayina Village – Ryan Arcus, Lisa Hardisty, Paul Harris TaeHyoung David Kim Avatar: The Way of Water: The Reef – Jessica Cowley, Joe W. Churchill, Justin Stockton, Alex Nowotny — WINNER Jurassic World Dominion: Biosyn Valley – Steve Ellis, Steve Hardy, Thomas Dohlen, John Seru Slumberland: The Wondrous Cuban Hotel Dream – Daniël Dimitri Veder, Marc Austin, Pavan Rajesh Uppu, Casey Gorton

Outstanding Created Environment in an Animated Feature Guillermo del Toro’s Pinocchio: In the Stomach of a Sea Monster – Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho — WINNER Lightyear: T’Kani Prime Forest – Lenora Acidera, Amy Allen, Alyssa Minko, Jose L. Ramos Serrano Strange World: The Windy Jungle – Ki Jong Hong, Ryan Smith, Jesse Erickson, Benjamin Fiske The Sea Beast: The Hunting Ship – Yohan Bang, Enoch Ihde, Denil George Chundangal, John Wallace Wendell & Wild: The Scream Fair – Tom Proost, Nicholas Blake, Colin Babcock, Matthew Paul Albertus Cross

Outstanding Virtual Cinematography in a CG Project ABBA: Voyage – Pär M. Ekberg, John Galloway, Paolo Acri, Jose Burgos Avatar: The Way of Water – Richard Baneham, Dan Cox, Eric Reynolds, A.J Briones — WINNER Prehistoric Planet – Daniel Fotheringham, Krzysztof Szczepanski, Wei-Chuan Hsu, Claire Hill The Batman: Rain Soaked Car Chase – Dennis Yoo, Michael J. Hall, Jason Desjarlais, Ben Bigiel

Outstanding Model in a Photoreal or Animated Project Avatar: The Way of Water: The Sea Dragon – Sam Sharplin, Stephan Skorepa, Ian Baker, Guillaume Francois — WINNER The Sea Beast – Maxx Okazaki, Susan Kornfeld, Edward Lee, Doug Smith Top Gun: Maverick: F-14 Tomcat – Christian Peck, Klaudio Ladavac, Aram Jung, Peter Dominik Wendell & Wild: Dream Faire – Peter Dahmen, Paul Harrod, Nicholas Blake

Outstanding Effects Simulation in a Photoreal Feature Avatar: The Way of Water: Fire and Destruction – Miguel Perez Senent, Xavier Martin Ramirez, David Kirchner, Ole Geir Eidsheim Avatar: The Way of Water: Water Simulations – Johnathan M. Nixon, David Moraton, Nicolas Illingworth, David Caeiro Cebrian — WINNER Black Panther: Wakanda Forever: City Street Flooding – Matthew Hanger, Alexis Hall, Hang Yang, Mikel Zuloaga Fantastic Beasts: The Secrets of Dumbledore – Jesse Parker Holmes, Grayden Solman, Toyokazu Hirai, Rob Richardson

Outstanding Effects Simulation in an Animated Feature Lightyear – Alexis Angelidis, Chris Chapman, Jung-Hyun Kim, Keith Klohn Puss in Boots: The Last Wish – Derek Cheung, Michael Losure, Kiem Ching Ong, Jinguang Huang — WINNER Strange World – Deborah Carlson, Scott Townsend, Stuart Griese, Yasser Hamed The Sea Beast – Spencer Lueders, Dmitriy Kolesnik, Brian D. Casper, Joe Eckroat

Outstanding Compositing & Lighting in Feature Avatar: The Way of Water: Landing Rockets Forest Destruction – Miguel Santana Da Silva, Hongfei Geng, Jonathan Moulin, Maria Corcho Avatar: The Way of Water: Water Integration – Sam Cole, Francois Sugny, Florian Schroeder, Jean Matthews — WINNER The Batman: Rainy Freeway Chase – Beck Veitch, Stephen Tong, Eva Snyder, Rachel E. Herbert Top Gun: Maverick – Saul Davide Galbiati, Jean-Frederic Veilleux, Felix B. Lafontaine, Cynthia Rodriguez del Castillo

Outstanding Special (Practical) Effects in a Photoreal Project Avatar: The Way of Water: Current Machine and Wave Pool – JD Schwalm, Richie Schwalm, Nick Rand, Robert Spurlock — WINNER Black Adam: Robotic Flight – JD Schwalm, Nick Rand, Andrew Hyde, Andy Robot, Mad God, Phil Tippett, Chris Morley, Webster Colcord, Johnny McLeod The Lord of the Rings: The Rings of Power “Adrift” Middle Earth Storm – Dean Clarke, Oliver Gee, Eliot Naimie, Mark Robson

Emerging Technology Award Avatar: The Way of Water: Depth Comp – Dejan Momcilovic, Tobias B. Schmidt, Benny Edlund, Joshua Hardgrave Avatar: The Way of Water: Facial System – Byungkuk Choi, Stephen Cullingford, Stuart Adcock, Marco Revelant Avatar: The Way of Water: Water Toolset – Alexey Dmitrievich Stomakhin, Steve Lesser, Sven Joel Wretborn, Douglas McHale — WINNER Guillermo del Toro’s Pinocchio: 3D Printed Metal Armature – Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen Turning Red: Profile Mover and CurveNets – Kurt Fleischer, Fernando de Goes, Bill Sheffler

#visual effects society #visual effects society awards #ves awards #ves awards 2023 #winners

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compneuropapers · 2 years ago

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Interesting Papers for Week 2, 2023

Sensory Evidence Accumulation Using Optic Flow in a Naturalistic Navigation Task. Alefantis, P., Lakshminarasimhan, K., Avila, E., Noel, J.-P., Pitkow, X., & Angelaki, D. E. (2022). Journal of Neuroscience, 42(27), 5451–5462.

Cognitive experience alters cortical involvement in goal-directed navigation. Arlt, C., Barroso-Luque, R., Kira, S., Bruno, C. A., Xia, N., Chettih, S. N., … Harvey, C. D. (2022). eLife, 11, e76051.

Fast and slow contributions to decision-making in corticostriatal circuits. Balewski, Z. Z., Knudsen, E. B., & Wallis, J. D. (2022). Neuron, 110(13), 2170-2182.e4.

Neuromodulatory Mechanisms Underlying Contrast Gain Control in Mouse Auditory Cortex. Cody, P. A., & Tzounopoulos, T. (2022). Journal of Neuroscience, 42(28), 5564–5579.

Widespread implementations of interactive social gaze neurons in the primate prefrontal-amygdala networks. Dal Monte, O., Fan, S., Fagan, N. A., Chu, C.-C. J., Zhou, M. B., Putnam, P. T., … Chang, S. W. C. (2022). Neuron, 110(13), 2183-2197.e7.

Clustering and the efficient use of cognitive resources. Dasgupta, I., & Griffiths, T. L. (2022). Journal of Mathematical Psychology, 109, 102675.

Widespread ripples synchronize human cortical activity during sleep, waking, and memory recall. Dickey, C. W., Verzhbinsky, I. A., Jiang, X., Rosen, B. Q., Kajfez, S., Stedelin, B., … Halgren, E. (2022). Proceedings of the National Academy of Sciences, 119(28), e2107797119.

Human muscle spindles are wired to function as controllable signal-processing devices. Dimitriou, M. (2022). eLife, 11, e78091.

Prior actions influence cost–benefit‐related decision‐making during mouse foraging behaviours. Dylda, E., & Wang, K. H. (2022). European Journal of Neuroscience, 56(2), 3861–3874.

Model Sharing in the Human Medial Temporal Lobe. Glitz, L., Juechems, K., Summerfield, C., & Garrett, N. (2022). Journal of Neuroscience, 42(27), 5410–5426.

Serial dependence for oculomotor control depends on early sensory signals. Goettker, A., & Stewart, E. E. M. (2022). Current Biology, 32(13), 2956-2961.e3.

A synaptic signal for novelty processing in the hippocampus. Gómez-Ocádiz, R., Trippa, M., Zhang, C.-L., Posani, L., Cocco, S., Monasson, R., & Schmidt-Hieber, C. (2022). Nature Communications, 13, 4122.

Coevolution of motor cortex and behavioral specializations associated with flight and echolocation in bats. Halley, A. C., Baldwin, M. K. L., Cooke, D. F., Englund, M., Pineda, C. R., Schmid, T., … Krubitzer, L. (2022). Current Biology, 32(13), 2935-2941.e3.

Visual timing-tuned responses in human association cortices and response dynamics in early visual cortex. Hendrikx, E., Paul, J. M., van Ackooij, M., van der Stoep, N., & Harvey, B. M. (2022). Nature Communications, 13, 3952.

Functionally specific and sparse domain-based micro-networks in monkey V1 and V2. Hu, J. M., & Roe, A. W. (2022). Current Biology, 32(13), 2797-2809.e3.

Sigma oscillations protect or reinstate motor memory depending on their temporal coordination with slow waves. Nicolas, J., King, B. R., Levesque, D., Lazzouni, L., Coffey, E., Swinnen, S., … Albouy, G. (2022). eLife, 11, e73930.

Neurogliaform cells dynamically decouple neuronal synchrony between brain areas. Sakalar, E., Klausberger, T., & Lasztóczi, B. (2022). Science, 377(6603), 324–328.

Learning accurate path integration in ring attractor models of the head direction system. Vafidis, P., Owald, D., D’Albis, T., & Kempter, R. (2022). eLife, 11, e69841.

Selective representations of texture and motion in mouse higher visual areas. Yu, Y., Stirman, J. N., Dorsett, C. R., & Smith, S. L. (2022). Current Biology, 32(13), 2810-2820.e5.

Sound induces analgesia through corticothalamic circuits. Zhou, W., Ye, C., Wang, H., Mao, Y., Zhang, W., Liu, A., … Zhang, Z. (2022). Science, 377(6602), 198–204.

#science #Neuroscience #computational neuroscience #Brain science #research #cognition #cognitive science #neurons #neural networks #neural computation #neurobiology #psychophysics #scientific publications

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lostinfic · 2 years ago

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I posted 771 times in 2022

22 posts created (3%)

749 posts reblogged (97%)

Blogs I reblogged the most:

@gingerteaonthetardis

@darth-tella

@skyler10fic

@kahki820

@lostinfic

I tagged 721 of my posts in 2022

Only 6% of my posts had no tags

#fan art - 103 posts

#ten x rose - 48 posts

#lol - 39 posts

#dimension 20 - 33 posts

#ten - 24 posts

#nine x rose - 19 posts

#fic boost - 18 posts

#art - 17 posts

#😂 - 17 posts

#doctor who - 16 posts

Longest Tag: 102 characters

#while returning showrunner russell t. davies will maintain an “overall creative vision” for doctor who

My Top Posts in 2022:

Just gonna throw a fem!Mickey Smith in that fic, because Martha deserves a girlfriend and I don't want to picture Noel Clarke.

13 notes - Posted August 2, 2022

The Heligan Cult

-> Chapter 1 to 6 already on Ao3

Pairings: Ten/Rose, Ten/Rose/Master (yes you read that right, I promise it's good), Martha/Fem!Mickey

Rating: E

Genre: All human, college AU, dark academia, mystery and magic, mutual pining/slow~ish burn

Summary: Rose, John, Harold, Donna and Martha are students at the illustrious Heligan university. When Martha finds a coded map in an old book, it takes them to a forgotten place where their true desires are revealed. Whether it's the result of old magic or some hallucinogens in the air, once they become honest with themselves and each other, there is no turning back.

14 notes - Posted November 8, 2022

✨ Complete ✨ Ao3

Summary: Oops, we're still married... With plans to leave their small town, teens Leonora and Elsie eloped, but the marriage ended before it could begin when their parents had it immediately annulled. Ten years later, as Leonora is about to get married again, she finds out the annulment was never finalized. While the clock ticks away toward her wedding, she’s forced to reunite with Elsie to make their divorce official. When romantic feelings resurface, Elsie and Leonora must decide if their unfinished love story is one worth continuing.

Pairing: Leonora / Elsie (OCs)

Rating: M | Words: 25k

Tropes: friends to lovers, exes to lovers, romance, angst with a happy ending, hallmark movie AU, sharing a bed, disaster bisexual, pacific northwest vibes

17 notes - Posted April 12, 2022

You know I'm no good

Hardy x Hannah | 450 words | Suggestive themes Inspired by @gingerteaonthetardis 's moodboard 💛

This is by far the stupidest thing he’s ever had to be a part of: mixing in with the crowd, undercover, at some posh sex party.

Pretentious smut, he reminds himself, feeling out of his depths. But there's a killer at large, and if there's a chance this will protect people, he'll take it.

“Just pretend to be one of them voyeurs,” his boss had said.

Still, there is something undeniably enticing about the glow of the candlelight against the honey-colored stone, the chimes of champagne glasses, the brush of satin and velvet and silk on his touch-starved skin as he walks through the room.

When he sees her, she’s sitting on a widow seat, a book in one hand, a man’s head between her legs. She takes her eyes off the page and looks back at him. His heart stutters. She loses her composure for a fraction of a second but it’s enough to know she has recognized him.

Shit, she could blow up his cover. Blow up his whole life. He’s tried to stay away from her, to resist, he really has this time.

Hannah grips the anonymous man’s hair and raises her hips to meet his mouth. Hardy swallows thickly, but he can’t look away. A phantom flavor teases his tongue. She never breaks eye contact with Hardy, not even when she comes.

Later, when Hannah brushes by him, she slips something in his hand: a key, engraved with a room number.

He walks through the dim corridors in a daze. There are hands on him. Champagne bubbles burst against his teeth. Heat flows beneath his skin. Memories of her wash over him.

The room is mostly empty safe for a Tudor chair, dark wood engraved with patterns that will mark his skin. A coil of thick rope rests at his feet. Not a lifeline. He’s in too deep already.

“Nice suit,” she taunts.

"Nice dress."

She isn't wearing one. She’s wrapped only in midnight blue and charm.

“I’m on duty,” he says.

“Me too.”

She walks towards him. Heels on stone, swaying hips and ruby lips.

“Han…” A weak protest.

“Shhh.”

He sits down obediently and looks up at her with his big brown eyes.

“You’ve tried so hard, working and working, helping others,” she murmurs. There's a rhythm to her words that feels like an incantation. “It’s okay. You’ve done so well.”

She runs a hand through his hair, nails skimming his scalp. Shivers of delight run down his spine. The moon to his ocean, she pulls something deep inside of him. His eyes flutter shut.

“Now won’t you be good for me?”

21 notes - Posted June 1, 2022

My #1 post of 2022

Doctor Who - Goncharov AU

"It's for your own good, Rose."

"Don't you dare. If you send me away, I will come back ten times stronger."

563 notes - Posted November 21, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review #I proud that fan art is my no1 tag

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randomvarious · 1 month ago

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Today's compilation:

Best of Fourth and Broadway Volume One - Boogie On Broadway 1987 Freestyle / Disco / R&B / Plunderphonics

Oh, *hell* yes, folks. This is one of those albums that's really illustrative of what made so much of the 80s so fuckin' dope 😤. R&B, freestyle, disco, synthpop, hip hop, post-disco, electro, jazz, funk, soul, etc., were all just freely converging and bouncing off one another like pillow-wrapped bumper cars back then and it ended up yielding such a sweet collective tapestry of street music, so much of which seems to have been pretty forgotten since. Really nothing like it.

And this comp, like so many of these similarly eclectic and dancy 80s-types of comps, is one that really feels like riding your Cutlass Supreme around the city on a bustling and sunny mid-afternoon in the year of 1987. If the idea of that image instills in you a serious case of warm and fuzzies, even if you weren't around for the 80s, then I think you're gonna love what this comp had to offer, because it is so beautifully 80s-ephemeral 😍.

Now, if Island Records subsidiary 4th & Broadway is known for anything, it's for being the label that was home to rap legends Eric B. & Rakim, and for also releasing the revolutionary dance tune that was M/A/R/R/S' "Pump Up the Volume," which happened to sample its title lyric from a song that appears on this album too: Eric B. & Rakim's own "I Know You Got Soul." And I may have reached a premature conclusion regarding this 4th & Broadway sampler series almost a year ago when I posted about its lackluster second volume, because this first installment is significantly better, and it has a bunch of extended and full-length versions of songs on it too 👍.

Though a bit hard to pick a favorite among these, I think it's gotta be "Expansions '86" by Chris Paul, who is obviously not to be confused with the future hall of fame point guard by the same name. Paul himself has never released an album, but this Brit's debut Lonnie Liston Smith cover single that served as his sole release on 4th & Broadway is quite a lovely piece of post-disco synth funk that really hits another level just before the halfway point, when an unexpected infusion of some lively sax improv suddenly arrives. Those days when the sax played so much more of an integral role in the whole pop music landscape writ large were pretty terrific, and this song makes for a prime example.

Only negative thing I have to say about this release is that I don't think that much of that whole plunderphonics / sound collage era of the 80s has aged all that well. Those tunes whose main thing was just scattering sampled lines from various bits of mass media on top of a beat may have been cool conceptually at some point, but unless you're really slicing and dicing those samples up and creating your own rhythms and melodies out of them, I don't think they're all that interesting. And we've got two of those types of tunes here from a pair of otherwise highly respected acts in Steinski and Tackhead.

Other than those though, this album feels like such an authentically good trip back to a time in which so much of this music has since turned obscure. 4th & Broadway were kind of a big label too, but unless you were really in the thick of all this ephemera when it was out, I kinda doubt that you'd be familiar with the bulk of the artists that appear on this superb release. Some of you might think a lot of this stuff's corny, but I think it's fantastic 🤩.

Highlights:

Millie Scott - "E'vry Little Bit" Noel - "Silent Morning" Loose Joints - "Tell You" Chris Paul - "Expansions '86" Eric B. & Rakim - "I Know You Got Soul" Wanda & The Way It Is - "We Got the Feeling"

#freestyle #disco #r&b #r & b #r and b #plunderphonics #dance #dance music #music #80s #80s music #80's #80's music

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letterboxd-loggd · 1 year ago

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Torchy Blane.. Playing with Dynamite (1939) Noel M. Smith

August 5th 2023

#torchy blane.. playing with dynamite #1939 #noel m. smith #jane wyman #allen jenkins #tom kennedy #sheila bromley #edgar dearing #eddie marr #tiny roebuck #bruce macfarlane #george lloyd #dead or alive #playing with dynamite #torchy - dead or alive #torchy blane - playing with dynamite #torchy plays with dynamite

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gatutor · 2 months ago

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Evelyn Ankers-Charles Bickford "Burma convoy" 1941, de Noel M. Smith.

#Evelyn Ankers #Charles Bickford #Noel M. Smith

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thalkonvotes · 10 months ago

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Democratic Party

** Formed in 1848, the Democratic National Committee has been the home base for the Democratic Party, one of the oldest political parties in the United States

The Democratic Party is focused on advancing their Democratic Platform and looking for positive solutions that include everyone.

Their stance on, what would be considered, issues for major political debate would be:

Every person in this nation should be treated with dignity and respect

Health care is a right for all

Hard work of middle class families should be rewarded

Schools and streets should be free from gun violence

Women should be able to make decisions about her own body

Candidates

Aaron M. He (A: 4/26/23; Insufficient Funds)

Adam Ouariti (A: 3/31/21; Insufficient Funds)

Adrian Maurice Hall (A: 6/29/23; Insufficient Funds)

Ajay Thaliath (A: 1/27/29; Insufficient Funds)

Alida Felton (A: 4/6/23; Insufficient Funds)

Alan Huddleston (A: 1/5/23; Insufficient Funds)

Allan Channey Summers (A: 6/14/23; Insufficient Funds)

Amanda Catherine Eskelson (A: 8/22/23; Insufficient Funds)

Angad Singh Chera (A: 10/16/23; Insufficient Funds)

Ann Parkinson (A: 6/28/23; Insufficient Funds)

Anthony Manalakos (A: 6/8/23; Insufficient Funds)

Antonio Marco Pantalo (A: 11/17/22; Insufficient Funds)

Armando Pereze-Serrato (A: 1/19/23; Insufficient Funds)

Arse Vincent Cysewski (A: 1/23/22; Insufficient Funds)

Ashley Powell (A: 2/9/18; Insufficient Funds)

Azeem Hussein (A: 5/2/23; Insufficient Funds)

Beatrice Ramos (A: 1/3/24; Insufficient Funds)

Bella Berg Fonvergne (A: 12/15/23; Insufficient Funds)

Benjamin Garcia (A: 7/27/20; Insufficient Funds)

Bill Thomas Compton (A: 3/24/21; Insufficient Funds)

Brian Matthew Owen (A: 5/20/23; Insufficient Funds)

Brittany A. Mckown (A: 1/5/22; Insufficient Funds)

Bryan James (A: 4/5/23; Insufficient Funds)

Carson Loveless (A: 5/2/23; Insufficient Funds)

Cenk Uygur (A: 10/11/23; Insufficient Funds)

Charles Camilleri (A: 4/20/23; Insufficient Funds)

Christin Noel Powers (A: 7/15/22; Insufficient Funds)

Christopher Campbell (A: 2/9/21; Insufficient Funds)

Christopher David Portlock (A: 7/21/23; Insufficient Funds)

Chris Weiler (A: 7/18/23; Insufficient Funds)

Constance L. Johnson (A: 10/24/23; Insufficient Funds)

Coran De-Andre Smith (A: 10/9/23; Insufficient Funds)

Dantwan Samuel Watkins (A: 1/26/23; Insufficient Funds)

David Barnard (A: 6/4/23; Insufficient Funds)

David Cash (A: 5/3/21; Insufficient Funds)

David Curtis Jefferson (12/7/22; Insufficient Funds)

Dean Phillips (A: 10/26/23; Insufficient Funds)

Deborah Sharpe (A: 6/15/23; Insufficient Funds)

Donald Picard (A: 10/6/23; Insufficient Funds)

Doris Brown (A: 10/2/23; Insufficient Funds)

Dorsey Porter (A: 11/16/22; Insufficient Funds)

Dustin Rorex (A: 4/26/23; Insufficient Funds)

Dykeba Lecole Rogers (A: 8/22/22; Insufficient Funds)

Earl Davis (A: 1/19/23; Insufficient Funds)

Eban Cambridge (A: 10/17/23; Insufficient Funds)

Edward Nathaniel Grimes (A: 8/30/23; Insufficient Funds)

Erik Leckner (A: 4/28/22; Insufficient Funds)

Ethan Witzling Hamby (A: 6/30/22; Insufficient Funds)

Evette Rechelle Tippett (A: 6/5/22; Insufficient Funds)

Frank J. Lozada (A: 11/9/23; Insufficient Funds)

Gabriel Cornejo (A: 10/26/23; Insufficient Funds)

Gary Davis (A: 3/16/23; Insufficient Funds)

Gary J. Brown (A: 8/18/23; Insufficient Funds)

George Brucato (A: 4/16/22; Insufficient Funds)

Gerry Coleman (A: 4/21/23; Insufficient Funds)

Gibran Nicholas (A: 3/19/23; Insufficient Funds)

Golda D. Harris (A: 11/1/23; Insufficient Funds)

Gregory Marquis Thomas (A: 11/19/22; Insufficient Funds)

Harvey Wizard (A: 11/15/23; Insufficient Funds)

Heather Munoz (A: 11/7/20; Insufficient Funds)

Herbert Ezekiel Zeke Smyth (A: 4/3/22; Insufficient Funds)

Howard Dotson (A: 2/28/23; Insufficient Funds)

Hudson Theodore Zoller (A: 11/22/22; Insufficient Funds)

Hung Huynh Chan (A: 6/21/22; Insufficient Funds)

Isaiah Reid (A: 11/22/20; Insufficient Funds)

Jamarion Walker (A: 11/4/23; Insufficient Funds)

James Nixon (A: 7/26/20; Insufficient Funds)

James Orlando Ogle III (A: 3/7/22; Insufficient Funds)

Jason Palmer (A: 10/22/23)

Jeff Miles (A: 8/16/23; Insufficient Funds)

Jennifer Astello (A: 12/28/22; Insufficient Funds)

Jennifer Lee Ann Ney (A: 2/10/22; Insufficient Funds)

Jennifer McMurray (A: 10/31/22; Insufficient Funds)

Jodie Smithson (A: 11/7/22; Insufficient Funds)

Joe Exotic (Joseph Allen Maldonado) (A: 4/18/23; Insufficient Funds)

John Coyne (A: 8/19/23; Insufficient Funds)

John Gagliardi (A: 1/13/22; Insufficient Funds)

John Washington III (A: 3/26/23; Insufficient Funds)

Jonathan Tuan Tran (A: 11/15/22; Insufficient Funds)

Jose Font (A: 10/5/23; Insufficient Funds)

Joseph Firmage (A: 10/11/23; Insufficient Funds)

Joseph Jay Manger (A: 11/30/22; Insufficient Funds)

Joseph R Biden Jr (A: 9/5/23)

Joshua David Horwitz (A: 10/4/23; Insufficient Funds)

Julie Jones (A: 4/21/23; Insufficient Funds)

Kacey Nicole Samples (A: 4/24/23; Insufficient Funds)

Keira Anne Walker (A: 4/7/23; Insufficient Funds)

Keith Smith (A: 5/18/23; Insufficient Funds)

Kelan Farrell-Smith (A: 10/30/21; Insufficient Funds)

Kenny Taylor (A: 9/8/23; Insufficient Funds)

Kevin Gilroy (A: 6/3/22; Insufficient Funds)

Kevin John Carney (A: 10/14/23; Insufficient Funds)

Kina Shamier Kerry (A: 9/29/23; Insufficient Funds)

Kristopher Lee Davis (A: 11/19/22; Insufficient Funds)

Larry D. Azevedo (A: 2/8/23; Insufficient Funds)

Lee Mercer Jr. (A: 7/26/22; Insufficient Funds)

Lee Rhodes (A: 3/12/21; Insufficient Funds)

Lindsay Kelch (A: 11/16/22; Insufficient Funds)

Lord A.C. Toulme Jr. (A: 10/20/21; Insufficient Funds)

Lori Ann Henriques (A: 3/5/23; Insufficient Funds)

Marcus Alexander Branch (A: 11/28/22; Insufficient Funds)

Marianne Williamson (A: 2/23/23)

Mark Richard Prascak (A: 9/8/23; Insufficient Funds)

Mark Stewart Greenstein (A: 6/1/23; Insufficient Funds)

Martin Foster Robbins (A: 8/12/23; Insufficient Funds)

Mary Clement (A: 6/8/23; Insufficient Funds)

Mattie Preston (A: 1/6/23; Insufficient Funds)

Michael Chad Lemere (A: 8/6/23; Insufficient Funds)

Michael D'Ottavio (A: 11/9/20; Insufficient Funds)

Michael D. Swing (A: 1/14/22; Insufficient Funds)

Michael Landingham (A: 11/21/22; Insufficient Funds)

Michael Noonan (A: 6/21/23; Insufficient Funds)

Michael Soetaert (A: 12/23/23; Insufficient Funds)

Michael Steinberg (A: 7/2/23; Insufficient Funds)

Michael Tillinghast (A: 5/25/23; Insufficient Funds)

Mikey Lane (A: 11/26/21; Insufficient Funds)

Nancy Elizabeth Rodriguez (A: 5/3/22; Insufficient Funds)

Nicolae Bunea (A: 7/8/22; Insufficient Funds)

Nita Mildred Rice (A: 3/7/23; Insufficient Funds)

Pedro J. Velez (A: 5/20/23; Insufficient Funds)

Perry Jones (A: 1/1/24; Insufficient Funds)

Phillip Bryan Kleski (A: 6/13/23; Insufficient Funds)

President Boddie (A: 10/30/23; Insufficient Funds)

Quinci Renee Smith Slater (A: 12/12/23; Insufficient Funds)

Ralph Robbie Hoffman (A: 7/26/23; Insufficient Funds)

Randall Wick (A: 10/28/22; Insufficient Funds)

Reponsal Perkins (A: 8/19/23; Insufficient Funds)

Richard Hale Nelson (A: 4/10/23; Insufficient Funds)

Rick Chavez (A: 6/6/23; Insufficient Funds)

Riki Prado (A: 11/15/16; Insufficient Funds)

Robert Carlos Ayala (A: 6/21/23; Insufficient Funds)

Robert Ion Moldafsky (A: 1/26/21; Insufficient Funds)

Robert Jordan (A: 6/12/23; Insufficient Funds)

Robert Michael Becker (A: 7/18/23; Insufficient Funds)

Rodger Lee Roose (A: 9/30/21; Insufficient Funds)

Roland Kwadwo Dela Agorkle (A: 4/15/22; Insufficient Funds)

Ron S. Bull (A: 11/22/22; Insufficient Funds)

Ryan McCarty (A: 11/28/22; Insufficient Funds)

Ryan Oliver Christian Kraft (A: 1/3/24; Insufficient Funds)

Ryan P. Kirkpatrick (A: 5/27/22; Insufficient Funds)

Sae Hoon Park (A: 5/20/23; Insufficient Funds)

Sahmon Mustafa (A: 11/17/21; Insufficient Funds)

Saint jermaine Endeley (A: 4/26/23; Insufficient Funds)

Samuel D'Amico (A: 8/3/20; Insufficient Funds)

Sean McGuire (A: 6/21/22; Insufficient Funds)

Senator Cringe (A: 1/18/24; Insufficient Funds)

Shabadjot Bharara (A: 11/16/22; Insufficient Funds)

Shane Aleksander Mohammad (A: 10/28/23; Insufficient Funds)

Shantell Newman (A: 1/24/24; Insufficient Funds)

Shinae Ahn (A: 5/22/22; Insufficient Funds)

Skyles Fitzgerald McAuley (A: 4/30/22; Insufficient Funds)

Souraya Faas (A: 1/31/24)

Stephen Alan Leon (A: 4/1/22; Insufficient Funds)

Stephen Lyons Sr. (A: 9/21/23; Insufficient Funds)

Stephen Paul Murphy (A: 7/7/23; E: 10/17/23)

Steven Fleck (A: 10/12/21; Insufficient Funds)

Stuart Farber (A: 7/24/23; Insufficient Funds)

Sykema Powell (A: 4/20/23; Insufficient Funds)

Terrance James Harvey (A: 11/14/22; Insufficient Funds)

Terrisa Lin Bukovinac (A: 6/13/23)

The Fresh Prince of Bel-Air (A: 3/24/21; Insufficient Funds)

Theodore Milton Earth Fagin (A: 12/29/23; Insufficient Funds)

Thomas Daly (A: 3/18/21; Insufficient Funds)

Thomas Francis winterbottom (A: 1/22/21; Insufficient Funds)

Tiffany Gayle Keller (A: 1/4/23; Insufficient Funds)

Todd J. Ashcraft (A: 4/6/23; Insufficient Funds)

Trenita Walker (A: 10/4/21; Insufficient Funds)

Trista di Genova (A: 12/4/23; Insufficient Funds)

Ulrich Neujahr (A: 10/11/23; Insufficient Funds)

Valentine Vidal (A: 5/31/23; Insufficient Funds)

Victoria Dawn Zieg (A: 2/7/23; Insufficient Funds)

Wayne J. Villines (A: 1/5/23; Insufficient Funds)

Wayne Pope (A: 11/28/22; Insufficient Funds)

Whitney Medearis (A: 8/8/20; Insufficient Funds)

William Farms (A: 6/22/23; Insufficient Funds)

William Gailey (A: 12/13/21; Insufficient Funds)

Willie Carter (A: 3/19/22; Insufficient Funds)

** Definition is a summary of the About Page on the Democratic Party Website. There is also a link marked in above definition that will direct you to the incredibly long "Democratic Platform" document.

Back to 2024 Party List

#Democratic Party #Presidential Candidates 2024

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mica-dmss · 1 year ago

Text

The Reader Sources

Bordwell, D., Thompson, K. and Smith, J. (2016) Film art: an introduction. Eleventh; McGraw-Hill international; New York, NY: McGraw-Hill Education.

This text deconstructs various theories behind filmmaking, including the effect of narratology and successful film techniques. Methods examined are the significance of film space using mise-en-scene, the engagement of dramatic shot types, and the clarity of montage sequences. Bordwell and Thompson specifically delve into how modern media derived from Hollywood films by analysing the chronology of film events and its popularised classical narrative. Regarding narrative, the authors explain how it provides clarity in the life of its audience and as result, how such audience are gravitated towards chronological narrative eager for the prospect of life-lessons. That said, the authors do also investigate how other forms of narrative can create more complex plots in film, such as the idea of parallel narrative, which provides even more engagement with how the audience could perceive a life-like situation.

Cook, P. and Bernink, M. (1999) The cinema book. 2nd edn. London: British Film Institute.

In this text, Pam Cook explores the discussions involved within narratology, such as how Tzvetan Todorov's narrative theory helped establish a precedent for future formula of films. From this, Cook explained how narrative cinema and its cinematic codes settled in the development of film, with the help of 'cultural ascendancy'; the Hollywood pictures.

With this, Cook further examined concepts of film theory that were stemmed from this change. One notable example is Noel Burch's (1973) 'insitutional mode of representation' (IMR), the perceived dominant mode of film construction seen in virtually every film produced in our time.

Propp, V., Martin, A.Y., Martin, R.P. and Corporation, E. (1984) Theory and History of Folklore. N - New; 1; Edited by A. Liberman. Minneapolis: University of Minnesota Press.

Translated by Ariadna Y. Martin, Richard P. Martin and edited by Anatoly Liberman, this volume is the last of the original 5 volumes from the text 'Theory and History of literature'. The 5th volume covers the work of Vladimir Propp, including his findings and formulas behind his famous narrative theories, most notably his 31 functions theory. His studies involve close examinations into Russian folklore, which he found similar patterns of the folktale hero's journey throughout many established discourses within the plot. Thus, he was able to form the 31 'narratemes' often associated in folklore context.

Propp, V., Scott, L. and Wagner, L.A. (1968) Morphology of the Folktale. 2nd edn. Austin: University of Texas Press.

This text further explored in depth of the original papers by Vladimir Propp. Throughout his research into Russian narrative, he examines the 'organisation' of Russian folkloristic text and understood that its structure was mainly 'linear', thus explaining why the narratives were presented in a chronological order of events. He discovered that this type of narrative existed throughout centuries of storytelling, which Propp named this form of narrative as 'syntagmatic' structural analysis, based on the term 'syntax' of language from Greimas' rule of narrative grammar (cf Greimas, 1966a : 404). As a text based off of the original source, alternative theories were introduced to counter the lack of 'epistemological value' within Propp's works, such as the argument of structuralism and formulism provided by philosopher Claude Levi-Strauss. Strauss opposed to Vlad's 'syntagmatic' structural analysis, and argued the existence of paradigmatic theory.

Tringham, N.R. (2014) Science Fiction Video Games. 1st edn. Oakville: CRC Press LLC.

Within the topic of narratology, Neal Roger Tringham took a unique approach to analysing the structure of narrative through the study of game narrative. Tringham makes readers aware of the conflict between narratology and ludology in regards to the significance of stories in games, which he acknowledges the past of game stemming from elements of dualism and strategy. His text explores the evolution of narrative in media and how it has branched into different materials aside from traditional folklores and text - with the focus concerning games. Considering how the objective in recent games has been shifted by narrative, the debate between narratology and ludology involves a dilemma of if both concepts could exist together or rather intervene with each other; Tringham answers this with the existence of 'interactive' videogames.

Bronner, S.J. (ed.) (2007) ‘On Game Morphology: A Study of the Structure of Non-Verbal Folklore’, in. Utah State University Press (Meaning of Folklore), pp. 154-163.

Along with Tringham's research into gaming and narrative, Simon J. Bronner further establishes the distinction between the structure in 'types of folklore expression' and 'children's games'. The foundations of ludology is assessed in how children's games are operated; competitive games like first-shooter games are limited to a certain system, with little rules that simplify the essential nature of such games. Bronner identifies a solution to how narrative and game can become compatible through the use of 'motifemes', which introduces the 'story' unit comparable to folktale structure into games while maintaining the competitive aims behind the medium. In short, Bronner discovered how closely game and narrative resembled one-another, describing games possessing the structure of a "two-dimensional folktale" (pg. 156).

Bronner, S.J. (ed.) (2007) ‘On Game Morphology: A Study of the Structure of Non-Verbal Folklore’. Utah State University Press (Meaning of Folklore), p. 154.

This intriguing piece of work consists of Alan Dundes' investigation into game structure, and how it correlates to narrative. Dundes examined the similarities between narrative and gaming, by observing relationship between two different sides that pan out within a game, whilst comparing it to two opposing archetypes within narrative structure. He explores the coexistence of narrative 'perspective' within games, as he states that due to the immediacy and practicality of games, especially competitive games, two opposite perspectives are likely to occur, though the key fact is that they both reflect one main 'plot'; this is akin to if folktales were constructed with the involvement of both a hero's and villain's journey as opposed to usually one one execution of story through the hero. Thus, it can be found that both games and narrative involve one main plot regardless of roles, and showed how game and narrative could be compatible together, considering the criticism of games involving narrative.

Tringham, N.R. (2014) Science Fiction Video Games. 1;1st; edn. Oakville: CRC Press LLC.

Tringham's paper carefully considers the relationship between narrative and game, evaluating both criticism and support for the idea of both forms as combined. He delves into the dispute regarding interactive games and claims how such a difficult execution of a product would be impossible, due to the irony of the title; despite the players 'interacting' with a game by manipulating choices to change its ending, these 'endings' are not necessarily caused by the players, has they have already been planned and implemented in the coding of the product, by the developers themselves. Thus, it would prove difficult to mix the improvisation of outcomes that games prove, with a structure that is already pre-determined by narrative. However, Tringham acknowledges that while narrative structure may not be possible in gaming, the illusion of narrative elements within games may allow the prospect of a truly 'interactive game' become possible.

Cristofaro, M. (2020) “I feel and think, therefore I am”: An Affect-Cognitive Theory of management decisions’, European management journal, 38 (2), pp. 344–355.

In the aspect of affect in media, Cristofaro's work highlighting 'cognitive-affective' theory would be plausible in describing why people think and react erratically within a rushed environment, or towards a difficult subject. Cognitive-affective theory describes the mind having two systems that handle a variety of information and manage two types of reactions; 'system 1' consists of involuntary, 'preconscious' thought process that shows more emotion and less experience, as opposed to 'system 2' that operates more logically and executes one's rationality. In terms of their relationship, 'system 2' acts as a 'filter' for 'system 1', which is easier for the dynamic to occur when someone is placed in a situation that they learned from beforehand. Theories like this could explain why players who engage in games, such as horror games, end up 'desensitised' to its elements and are less emotional in making decisions in such games.

Mayher, J. (2016) Understanding Gender & Sexuality In Popular Culture. Indiana University Bloomington: Cognella.

Within this edited book features an entire group of volumes covering many interesting perspectives within society. Male gaze theorist Laura Mulvey explains the social and psychological origins for the often sexual depiction of women in film. Mulvey explains that in the eyes of male spectators, women are the "bearers of meaning", while men are "makers of meaning"; women bear the image of desire that men long for unconsciously, who make this vision come to life on screen. This describes the oppressive relationship emerged from patriarchal culture, with women ending up taking the passive role of 'bearing' meaning in film. Using Sigmund Frued's psychosexual research, Mulvey also elaborates that women's objectified representation corresponds to the sexual attraction of gazing at an object, known as scopophilia - this corresponds to the male gaze.

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redladydeath · 1 year ago

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Runners up:

Oldest Aragons: Annamaria Baranyai (39), Nikki Bentley (35), Chloe Hart (34), Gerianne Perez (32), Melinda Porto (32), Jaz Robinson (31), Chloe Zuel (31), Arum-soul Lee (31), Bre Jackson (30), Adrianna Hicks (30), Gabbi Mack (30)

Youngest Aragons: Jarneia Richard-Noel (24), Meghan Corbett (24), Phoenix Jackson Mendoza (24), Jasmine Shen (21)

Oldest Boleyns: Eniko Muri (33), Jennifer Caldwell (32), Amanda Lindgren (30), Baylie Carson (30), Danielle Mendoza (30)

Youngest Boleyns: L'Oreal Roache (23), Kelly Sweeney (23), Gianna Grosso (23), Sunayna Smith (23), Liv Alexander (23), Kala Gare (22), Julia Pulo (22), Ashleigh Weir (20)

Oldest Seymours: Hye-na Park (40), Abby Mueller (38), Viki Singh (37) Carly Mercedes Dyer (33), Maggie Lacasse (33), Ga-ram Park (32), Kayleigh McKnight (32), Marta Burdynowicz (30)

Youngest Seymours: Amina Faye (24), Bella Coppola (24), Lauren Byrne (24), Shelby Griswold (24), Natalie Paris (23), Holly Musgrave (21)

Oldest Cleves': Hyun-sun Choi (39), Erika Herceg (35), Olivia Donalson (29), Nasia Thomas (29), Jessica Niles (29), Brittney Mack (29), Reca Oakley (29)

Youngest Cleves': Aisha Kardffy (24), Kiana Daniele (24), Terica Marie (24), Oliver Wickham (21)

Oldest Howards: Sol-ji Heo (34), Sophie Ísaacs (31), Aimie Atkinson (30), Tsemaye Bob-Egbe (30)

Youngest Howards: Abigail Sparrow (23), Bryony Duncan (23), Artemis Chrisoulakis (23), Didi Romero (23), Georgia Carr (23), Maddison Firth (22), Courtney Monsma (22), Elysia Cruz (22), Lucia Valentino (22), Rebecca Wickes (22), Chelsea Dawson (21), Annabel Marlow (18)

Oldest Parrs: Monika Veres (37), Ju-hye Yoo (35), Ji-hee Hong (34), Meesha Turner (31), Janiq Charles (30), Taylor Iman Jones (30)

Youngest Parrs: Aja Simone Baitey (23), Alana M. Robinson (23), Amanda Lee (23), Anna Uzele (23), Rhiannon Bacchus (23), Roxanne Couch (22), Amelia Walker (22), Joy Woods (22), Athena Collins (21), Elena Gyasi (21), Izuka Hoyle (21), Maiya Quansah-Breed (21), Shimali de Silva (18)

@paleshadowofadragon

Oldest Aragon - Olga Szomanska (40) Youngest Aragon - Jasmine Shen (21)

Oldest Boleyn - Ji-woo Kim (39) Youngest Boleyns - Hazel Karooma-Brooker, Maddison Bulleyment, Millie O'Connell (21)

Oldest Seymour - Anna Peller (42) Youngest Seymours - Caitlin Tipping, Jasmine Forsberg, Lucinda Wilson (22)

Oldest Cleves - Ji-sun Kim (42) Youngest Cleves' - Kenedy Small, Maya Christian, Sophie Golden (23)

Oldest Howards - Anna Terpiłowska, Ryeo-won Kim (35) Youngest Howards - Alicia Corrales-Connor, Caroline Siegrist (20)

Oldest Parr - Nikolett Gallusz (49) Youngest Parr - Jarynn Whitney (19)

51 notes · View notes