#no think only smash

[valkyurii]

i know people love to complain about malenia still but have they ever thought about the fact that complaining won’t change anything and maybe instead of bitching and crying they could just learn to fight her? all those hours spent on reddit writing essays and for what exactly? she’s still there. nothings changed. do they hope that fromsoft will see it and then change her? “she’s a sekiro boss” go play sekiro then i honestly don’t know what else to tell you at this point holy shit

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh

[captainmaxatx]

Logan and Wade almost always do the nasty with the lights out and Wade is a little disappointed but he gets it and he resigned himself to a lifetime of dark sex long before Logan came along, sucks to know that your partner doesn’t want to look at you while getting down to business but its something Wade can live with.

Meanwhile, after a long day of stupid big bright lights Logan loves to have the lights out when making love with Wade because there isn’t any extra light bugging him and his natural night vision means he can see Wade perfectly, just the way he likes it

[skydaemon]

kabru as a psych student who KNOWS about ethics guidelines and KNOWS he's not qualified to make diagnostic statements and therefore spends every moment with laios grinding his teeth to dust because HOW DOES THIS MAN THINK HE'S NEUROTYPICAL!??!?!?

[nosnexus]

Only seemed right to have Gorgug in green

Huevember day 26

[egophiliac]

WHAT DO YOU MEAN THE KNIGHT OF DAWN SPIRIT IS STUCK IN A RING

Please where does it say that I must know!!!!!!!

calling him "stuck" was mostly a joke (and I don't think he's really a floating little ghostie or anything, more like...just some kind of remnant?) but when he showed up at the end of chapter 5, I read it as his spirit being in/attached somehow to the ring, and I think the implication was meant to be that he (or what was left of him) was the one guiding Silver through Lilia's memories. that may be leaning a little too hard into my personal interpretation, but that's what I thought we were supposed to get out of it! 🤷

(now watch as they turn directly to the camera in the next update to explain that I've misunderstood everything and the ring is really a tiny little robot that we all must shrink down into to pilot) (which would actually be amazing, can we have that please)

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[cybertron-smash-or-pass]

[popfizzles]

Say whatever you like about Sloth, but she's very good at getting others to sit, slow down and relax.

And Wrath will occasionally take the time to do so. Not often, but occasionally.

A very "beauty and her beast" sort of situation...

[flambo19]

Stellaron Hunter Game Night 🎮

[dagrapesody]

The king and his jester, but they’re big boy evil

[spitblaze]

If you’re gonna care about prison abolition and justice you are necessarily going to have to care about the people who DID do those crimes and just want to reintegrate and live a normal life without hurting anyone. You're gonna have to be cool with the fact that the guy scanning your groceries might’ve raped someone. You're gonna have to relax about the possibility that your bank teller used to be a career criminal. The person sitting next to you on the bus might’ve committed three different murders, and as long as he's not about to commit a fourth right now, that's not your fuckin' problem. People don't disappear from society after they commit crimes, and most of them really just want to live a normal, stable life instead of going back to that. And the best way to make sure they don't relapse is to ensure they're able to live that peaceful life instead of freaking out because the guy next door used to run a dogfighting ring. You don’t have to be friends with them, you don't even have to like them, but you're gonna need to be okay with them existing in society. Sorry.

[dunkledog]

felt like drawin g this guy

im gonna crush him between my palms like a big ol' mosquitoooe

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[lucky-slice]

Do you understand how much kevin respects neil? And i don't mean when it comes to exy, like sure there's a whole lot of you're not good enough followed by you will make court bluh bluh bluh, i mean fundamentally as a human.

Kevin and Neil's conversation after the truth of Neil's father is revealed drives me absolutely insane because I think it highlights a lot about how Kevin views Neil.

so indulge me for a bit....

I think a lot of people forget, in light of Andrew choking Kevin for not telling him the truth, that Kevin's initial reaction was to tell Neil to run.

*sorry for the quality - these are all screenshots off my phone

Kevin's instinct is to tell Neil to save himself, despite what that would mean for the team's success and for Kevin himself. This is significant to me for two reasons.

It highlights that Kevin genuinely cares about Neil outside of his exy potential. For most people, this would be a pretty obvious response to finding out your teammate has a guaranteed death sentence if they stick around, so it might not seem all that meaningful, but Kevin was raised in such an environment were you continued to play no matter what - even at the risk of death. Kevin is unflinchingly callous when it comes to exy and his teammates (*see his reaction to Seth's death), but he is frantic in his concern for Neil in contrast to his fairly passive response to basically anyone else's wellbeing outside of exy. Neil's death will have no real impact on Kevin. If Neil dies or goes to the ravens, nothing changes for Kevin. He is not at a greater risk of being hurt by Riko or the Moriyama's nor will his exy career be effected. That's not to say he would tell Neil to stay if he cared about him any less, but there is a desperation that implies a depth beyond just that of a teammate.

The fact that Kevin is frantic and desperate for Neil to leave, gives weight to his decision to keep teaching Neil in the aftermath of the revelation.

Neil doesn't want to run - he wants to be Neil Josten until the end. He gave Kevin his game and now he's asking him to keep it and Kevin obliges.

This is essentially Kevin promising that he will keep Neil's secret. He will allow Neil to wear his mask and continue teaching him despite the fact that Neil is essentially a dead man walking. This, to me, is Kevin ultimately respecting Neil and his choice. At any moment, Kevin has the ability to got to Wymack or Andrew and give Neil the chance at surviving, but that would mean betraying Neil.

Some people (certainly the foxes) would view refusing Neil's request as the proper and morally correct thing to do. But I think Kevin's immediate acceptance of Neil's decision is both immensely meaningful to Neil and also a signifier of a shared understanding between to two.

Imagine how impactful it must be for Neil, who has never had autonomy over his own life and has been marked for death basically since he was born, to be told that not only will his decisions and his autonomy be respected, but there is someone who will stand by his side on the court, knowing the whole truth, until the very end.

Kevin doesn't have much to offer Neil at this point. He can not give him a future - he'll be long dead before he can ever make court, and Kevin is a coward - he is not andrew, he can't stand up against the Moriyama's or Riko or Neil's father. Kevin can not protect Neil in a way that matters. All he can do is promise to keep Neil's secret and offer him a few more months of being Neil Josten.

I'm not including this to disparage Andrew or to suggest that he does not respect Neil, but this highlights that Kevin knows the decision to keep Neil's secret is one only Kevin would make. Andrew without a doubt would immediately try to get Neil to leave or attempt to get him into protection. I'm not passing a judgement of morality on what would've been the right thing to do, but I do think Kevin's reaction is indicative of the fact that Neil and Kevin understand each other in a way that no one else really will.

Neil and Kevin are a parallel's in a number of ways. Kevin lived the life that Neil was supposed to have and they are two parts of one story.

To them exy is not a game, but it's not really about exy either. It's about deciding to stay just to play for a couple more months even though you'll wind up dead because playing means you finally get to live after years of being a ghost. It's about playing to be the best no matter what, even though the consequences are having your hand smashed and the life you know completely demolished. It's about playing even though you're shaking with fear and anxiety because you need proof that your life, whether it be running to survive or living under an abusive hand, was not a waste.

Kevin agrees to keep Neil's secret because if the roles were reversed, Kevin would like to believe that he'd be strong enough to ask Neil for the same thing. This is obviously conjecture and a heavy heavy reading between the lines, but I'd like to think there's some truth there.

Finishing up with this line because it makes me a little emotional.

Kevin starts the conversation by calling Neil "Nathaniel" and ends it by calling him Neil again. Its right there in the text, "it was a promise". Kevin is offering Neil a life that is fully his - not his father's, not Riko's, but Neil's to do with what he would like, even if its only for a couple more months. If that's not respect, than I don't know what is.

[leonardcohenofficial]

like i do not think we have to reinvent the wheel when it comes to interesting and meaningful theatrical storytelling / i am someone who is wholeheartedly and directly invested in the development and production of new theatre (as this is quite literally part of what i do for a living) and yet i can count on both hands the number of new plays i've read and/or seen this year that i would consider groundbreaking in terms of content form aesthetics politics etc. and the plays and playwrights that purport their work to be oh-so-radical and "out there" and avante-garde rarely are doing anything i find remotely novel + the plays and playwrights that have stuck with me most this years are ones created by artists who i think are invested in (not to sound hokey but) what the art itself is doing and what reactions are drawn upon viewing it and what bigger conversations can occur when we engage with this particular piece of storytelling in this moment