#no that sentence didnt make sense what of it

[residentsweatgoblin]

I'm only coming from the perspective of Ireland and Spain (Just Cataluña really) but "golliwogs" (the racist dolls mentioned above) havent been a thing since the 80s (still recent enough to merit discussion but not something ive ever seen in my living lifetime) and while the dutch are definitely very weirdly defensive about their "Minstrel Shows" (the festive blackface) I cant say I'm familiar with any other european yuletide traditions that are still practiced today that are particularly racist/offensive (I am open and encouraging folks to challenge me on this with citation btw). Anway, let me share with you some actually good european winter solsticetime traditions. In Ireland we sit around and drink from dawn til dusk around a warm fire with friends and family because its too fucking cold out and most everyone has work off, and we watch prince of egypt / ben hur / high school musical. Theres not really a name for it, thats just what christmas day/stevens day is about. As for a more localised tradition, remember that bit where I said its too fucking cold out? Yea well aparently all the leaded fuel really did a number on us Dubliners because come christmas day, without fail you'll see folks congregate at docksides, launches and beaches all around Dublin for a 'Christmas Swim'. Now, diving into briny water in late december at the same lattitude as Hudson Bay (thats in Canada), should probably be a death sentence, but Irish waters are fed into by a series of warm atlantic currents, so while still being pretty cold, its actually not terrible to swim in. And yea, people just go do it, on christmas day, because there wasnt shit else to do on christmas day back in the day. I dont know if this tradition extends to other coastal areas of the country but it probably does, maybe not up north cus its fuckass cold up there.

Now in Cataluña, *smacks lips* oh theyve got the best shit ever.

First of all, the nativity scene, the iconic centrepiece of christmas, such a pristine diorama, youve got the iconic trio joseph, mary and joseph, the donkey that worked so hard to get them here, some gentle well kempt shepherds, angels, cherubs, a divine star, theres even three kings that happened to be passing through town...but arent you forgetting someone? Arent you forgetting the most important figure in the nativity? Arent you forgetting...

EL CAGANER

Or to roughly translate: the shiterrrrrrrrrrrr

This guys a little figurine included in the nativity scene, typically placed outside the stable (the guy has a sense of decency he just had to go is all) its a predominantly Catalan tradition, but its common down the mediteranean coast and even Portugal and Naples.

Traditionally its just a little peasant guy wearing a red catalan beretina but theres shops around Barcelona where you can get celebrity Caganers.

this shit is better than funkopops in literally every conceivable way

But you know whats also a classic scatalogical festive season tradition in Cataluña?

Tió de Nadal

Look at this jolly little guy! Originally he didnt have the face or the legs and wasnt so small, once upon a time he was just a big log that you dragged into the house and assigned some personhood to for the hollywood season. Starting from the feast of the immaculate conception, every night before bedtime you give the tio a little bite to eat, and is covered in a red blanket to stay warm, then on chirstmas day or christmas eve, the kids beat the tio with sticks while singing songs, usually with lyrics ordering tio to defecate. After all the song and dance is done, you lift the blanket up and low and behold, tio has shit you out a beautiful pile of presents! Typically comprised of nuts, torons, candies, dried fruits and small toys, what a swell guy! Anyway, to get back to the topic of the post, im not trying to detract from the broad points, but for real it was kinda making it sound like every European country is the Netherlands and we're all out here cheering on blackface on christmas day. Again, if anyone knows of any other sickeningly offensive european holiday season festivities let me know, Im open to education and not just making shit up about other peoples of the world.

my only advice is to BE CAREFUL posting about holiday traditions around europeans. you'll post something casual like "anyone else watch the old Grinch movie every year? what a classic" and a european will appear as if summoned and say some shit like "funny how USAmericans always CONVENIENTLY forget that Not Everyone On Earth is from The USA…….. no of COURSE we dont watch 'the grunch' or whatever the fuck that is…. our tradition is to attend a community showing of Glummdorf the Racial Stereotype"

[eueuphoriaz]

Guess who else besides Kenny dare to scold Levi?

So, I find that this whole scene really didnt make much sense to me, especially in the anime. So I looked and noted some differences and putting my Levihan lens on, I conclude that this is a little banter between Levi and Hange, and Eren, yet again, got involved between them.

1) Hange vs Eren

Ok, it started with Hange trying to get more information from Eren from his "Attack Titan" mumbling. Then she tried to get support from Levi and Armin but Eren threw a tantrum and basically shut everyone up.

Now, the sequence that followed in the anime didnt do Hange justice at all. It kind of shows how she was just trying to irritate Eren but looking at the manga, Hange's and Levi's lines that were cut off would have made this whole prison scene more wholesome

2) Levi's attack

So, Levi sort of came to Hange's rescue by annoucing to Eren that his detention is over. Now Eren is calmer but we are starting to see a little banter between Hange and Levi.

"Hange gave you 10 day's worth of punishment"😏

"Huh???!? Huh!?!?"😵‍💫

Now, what I am seeing here is Levi, using Eren as the intermediary, to poke at Hange's quirkiness. And Hange, who was trying to ask Eren about his mumbling, turned her attention to Levi now and asked what is bad about the things she said.

The anime leaving out that part feels as if she has no capacity of introspectiveness, but yet we do see how Levi and Hange helped each other to stay grounded and focused, and at the same time, adding a bit of their own humour in poking at each other.

3) Levi help explain to Eren

Next, Levi tried to explain to Eren why they had approached Zackley to reduce his detention time. Levi is always looking at a bigger picture and he know that they need to build up the Survey corps fast.

So after Levi calmed Hange down and cue her that Eren also needed information, she explained what they had been doing and assured Eren not to feel worried. Let's just appreciate how patient and insightful Hange is, given that Eren just threw a teenager's tantrum at her but she still assured him not to worry.

4) Levi the moron

Now, it is time for Hange to payback Levi for calling her "Eren's 10 days' worth of punishment". So after she assured Eren, she called out herself and Levi as morons but the way she clenched her teeth, spitting the words and the speed at which she said that sentence in the anime, as Levi is walking away, it is like she is rushing to let him hear her words.

5) Hange's sadness

Now, I really dont appreciate Wit studio for cutting this Hange's scene out. It is already something that she is struggling and trying even before season 4. And Levi's line in the manga that the Survey Corp is now a 9 people organisation and they cannot afford to jail up anymore members, further show that Levi understood the sense of loss Hange is in. That whole prison scene in the anime, after cutting Levi and Hange's lines, really didnt do justice to Hange or Levihan at all. 😤

[slavhew]

i may not show it but im

perpetually insane about them

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[gomzdrawfr]

Couldn’t sleep so I woke up and word vomit in discord about PriceRaven omegaverse, specifically Alpha!Price and omegafalse Alpha!Raven

[perilegs]

ok i might need to force myself to not romance astarion bc i don't want to know what it says about me to turn down karlach, the woman of my dreams, the character made to cater me personally, like, if she was real i'd bring the moon and stars down for the chance to see her smile, she's everything i've hoped for in a rpg companion, what does it say about me if i turn that down for someone like astarion

[caterpillarinacave]

my world has been flipped over

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

[spfswithchipotlemayo]

Kevin and thea? Questionable at best legal yikes at worst

BUT

Thea literally didn't talk to Kevin for a year and a half when he ghosted her after breaking his hand "skiing" when she's literally an Olympic athlete in her mid 20's and came in guns blazing and Kevin still pulled?? Honestly idk if that makes it worse on her part

[amatres]

I know you have to choose the option but the farewell conversation that sticks most in my head in the Gallows is with Carver where Hawke can say something along the lines of 'This is how we're supposed to be, side by side' and he tells them they know it can't be like that forever.

Like, my Hawke at least spent so much of her life building her identity in service of her family. Hawke most resembles their father no matter what, and the family is shaped around them narratively (if you're a mage or not deciding which sibling you lose first and how that class effects how those siblings feel about themselves and their place in the family) and they shape themselves around their family in turn, exist for them, takes up the role of leader after Malcolm has passed. The answers of where Hawke considers home when they're asked never felt right, because they lived on the run for so many of their formative years, the true answer feels like to me to be their home is their family, the place never mattered beyond being allowed to rest and not look over their shoulder every day.

What happens to that identity when everyone you built it around is gone? Where would they consider home when it's all said and done? The Amell estate was something they got for their mother, one of the answers they can give to Varric in Act 2 on what they plan to do now is watch over their mother, Carver tells Hawke to look after her when the expedition separates them. Then their mother is gone too.

There's no final statement for this since it's just me rambling, but it's hm, sad to think about. Who is Hawke if they aren't living for the sake of another, when all those they lived for are gone and they never felt at home anywhere but in the people they surrounded themselves with?

[asakurahaos]

im gonna start learning korean bc im so annoyed i can only enjoy the lyrics when i translate them into english >:(

[capaldiera]

it's so important that bj and mulcahy are just not that big fans of each other. like they don't dislike each other they get along well enough they care about each other etc etc. but they're just not that jazzed about spending time together really. tfw you accidentally completely on purpose get into a "loveless" "marriage" of extreme social inconvenience for no discernible reason beyond "it just happened that way"

[schizononagesimus]

انا: لماذا تدمرون الأرض!!!

مخلوق فظائية: بسبب هناك الناس اللذين يعتقدون اللغة الإنجليزية اللغة فقط تحتاجون الى تتكلمون

انا: هذا عادل أفهم

me: why are you destroying earth!!!

aliens: because theres people who think that english is the only language they need to speak

me: thats fair i understand

[butch-muppet]

🙃🙃🙃🙃🙃

[lowkeiloki]

arguing with zionists is fucking worthless bc they only choose to acknowledge every fifth word you say, i told my sister "as a person of jewish descend i think its disgusting that israel is wants to associate all jewish people with its actions and they dont speak for jewish people, they speak for european colonizers" and she said "so you're saying all jewish people are european colonizers" no bitch, thats a whole different sentence, what the fuck are you talking abt

EDIT:

since some people are hung up on that part, no i didnt use my jewish descent against my sister, she used hers against me and i reminded her that im just as much of jewish descent as she is. this made sense to me from context as i was making the post, but in hindsight it obviously doesn't so thats my bad

also for all that u guys knew she couldve been my adoptive sister or stepsister or hals sister (which she is but we share the jewish descent)

[skeletalheartattack]

im sure he's relaxing on a beach somewhere. i bet he's still single.

a bestie can be anything. a bestie can be the 2007 roblox chain chomp face changer. ive known him since childhood. we grew up together. he literally changed my face and it was so cool. i hope he's still out there causing a ruckus and shit.