#no reference images we die like men

[closertotheheartofthesunrise]

hello ultrakill fandom

[listenerofpodcasts]

“If I haven’t crashed, I’m not driving fast enough.”

closeups under the cut:

[bokunoheros]

˚࿔ LOVE BUZZ | KINKTOBER 𝜗𝜚˚⋆

🪲 authors note :// to my 7 iida fans, I hope my kinktober posts of him will feed you well

topics discussed and warnings:// modern/no-powers au, smut, tenya works a 9-5, you work from home, apology sex, thigh riding, shower sex, very light bdsm undertones (mentions of tenya iida being a switch), established relationships (you two happen to be married), hand jobs, kissing, p in v, readers gender is not specified but i do use female anatomical terminology and reference reader as ‘wife,’ FLUFFFFFFFFF, slice of life a little, tenya is such husband material i love him so much, ‘rough’ sex

word count:// 2404 raunchy words

ᯓ heed the warnings laid before you, your media consumption is your responsibility! ᶻ 𝗓 𐰁 .ᐟ

every WORD under the cut will be R-RATED- SO, +18 only, respect my wishes regarding interactions.

𝜗𝜚 no beta, we die like men.

✎ᝰ His texts were always so formal with you.

“Eat without me. I’ll be late.”

“I’m very sorry, I promise I will make it up to you.”

“I won’t be any later than 8 pm. I’m sorry, I love you.”

Though disappointed, you weren’t surprised to be eating dinner at the table alone again. You worked from home, and your husband, Iida Tenya, worked away at a law firm. You sent him back a vague and honestly petty ‘love you too’ message as you ate dinner alone for the third time this week. You could never be mad at him, no, never. You’d only play it up just to get coddled by him, kissed and spoiled.

After you finished your portion of dinner, you packed up his and sat it in the fridge, before wandering into the living room to have your personal phone time. A few minutes passed and he texted you that he was coming home and would be there soon. You didn’t care to reply, just huffing as you read the message before continuing to scroll through your image feed.

Within 15 minutes he’s knocking at the front door. He usually would let himself in, which was odd at first but you figured he probably had his hands full of paperwork. You got up from the couch with a tired groan, following the echoed noise of knocking until you opened the door.

There your husband stood with a tired smile on his face, holding his briefcase with one hand and a nice bouquet in the other. Your originally cold and upset expression melted immediately, your lips parting with a soft ‘oh.’

“I’m sorry I’m late. Again.” Your husband sighed, adjusting the flowers in his hand. They were your favorite kind too, dotted about with other smaller flowers like baby's breath and eucalyptus branches.

“Tenya,” you pouted, stepping closer to take the arrangement from him, holding it gently in the palms of your hand. He stared down at you, studying your reaction. “I got done as quick as I could but, I figured I owed you something.”

You snorted, “You know you don’t have to,” your fingers brush over every petal, savoring the velvety feel of each one.

“You always say that.” Tenya chuckles, rubbing the side of his neck. He watches you chew on the inside of your cheek while you observe the flowers he’s bought you.

You glance up at him before hoisting yourself up on your tippy-toes to give him a gentle peck on the lips. “I’m not mad at you, I promise.” Tenya nods, but he still looks dissatisfied with himself for hardly being home and letting work consume him. You step out of the way so he can come inside, closing the door behind him and locking it. He slips off his shoes with a sigh, dropping his briefcase of paperwork to the floor with a clunk. You stride to the kitchen to find a vase to put your flowers in, and when you finally place them into their glad enclosure with a hum, you're startled by your husband wrapping his strong arms around your waist.

“Gah!” You yell, chuckling while he tightens his arms around your front. “Mm, sorry.” He purrs into your neck, his glasses scratching your skin briefly as he moves to rest his chin on your shoulder.

“Want any dinner? I put it in the fridge for you.” You ask, leaning into his chest.

He shakes his head, “No, save it.”

“Are you sure?” You questioned him, rubbing his forearm with your hands. “You worked all day, did you eat lunch?”

Tenya chuckled into your shoulder, nuzzling his nose against what the collar of your tee shirt exposed. “I ate what you made me, it was delicious.” His arms tightened around you ever so slightly, “Forget about me, did you eat?”

You nod, raising one of your hands to brush into his hair. “Good,” he says, lifting his lips to your ear before he whispers: “Care for dessert?”

The hair on the back of your neck stands up and you can’t help but shiver at this obvious proposition. You smile faintly to yourself, pretending to act as if you didn’t catch his drift. “What did you have planned?”

Tenya’s voice vibrates in your ear, “Hmm, I dunno…” he trails off momentarily, his tongue swiping a line down your neck. “You.”

You sigh as his teeth brush against your flesh, rolling your neck to the side for him. “Why don’t you join me in the shower, hm?”

“I think I’ll take you up on that offer,” you chortle, nails scratching his skin. He lets out a pleased sigh, “Get in without me, it’s my turn to do dishes.” A hand slides over your rear, squeezing the fatty flesh there before he pulls away from you. You roll your eyes at him, lovingly of course, before you head to your master bathroom.

You leave the door open as you start to undress, listening to the sounds of plates clinking together as your dear husband washes them. Once you’re fully undressed, you open the doors to your glass shower and start the water, stepping in when it’s the right temperature to steam up the glass.

You’re rinsing your face when your husband joins you, slipping behind with a soft ‘hello.’ You share the water for the moment, letting each other rinse off, and taking the time to massage one another’s back when you swap back and forth between the shower head. When you go to swap again, you turn to your husband and wrap your arms around his neck, pulling him down to kiss you. Your lips mingle and his big hands find your fleshy hips, sighing into your mouth as he feels you up and down. Without his glasses the metal isn’t poking you in the face, and it makes it so much easier for you to slip your tongue as far as you can into his mouth. Tenya grips you tightly, pulling your hips flush to his. His semi-hard erection presses into your lower stomach and gives you butterflies.

“I love you,” he huffed into your mouth, licking his tongue along your bottom row of teeth. You hum in response, dragging your hands down his chest. He only lets you hum back as he moves you, pushing you flush against the tile. You shudder and gasp into his mouth when the cold ass tile hits your bare skin.

You recovered and snake one of your hands down to his cock, teasing his balls in your palm. Your husband breaks away from your lips and nuzzles into your cheek with a puff, his wet hair dripping onto your shoulders. You move to kiss his neck, licking up the water in his skin as you move your thigh between his legs, hoisting your foot onto the lip of the shower. He grunts as you force your leg between his, and he unconsciously grinds his hips into your thigh. Holding his arms above you to stabilize himself, he rocks back and forth while you continue to kiss at his neck and shoulders, using one hand to wrap around his dick and start a gentle pace.

“Mm, my God…” Tenya breathes, resting his forehead against the tile in front of him. You pump his cock until he’s fully erect in your hand, using your free hand to force him to ride your thigh. You chuckle into his skin, sucking a bright red mark into his collarbone. “M’You like that, baby?” You ask him, kissing his jaw tenderly.

He moans your name as you fist the top of his cock in your hand, “Mhf— Fuck, I do.” He grinds back and forth on your thigh, lazily rolling his hips while you jerk him off. Tenya isn’t one to curse, but when you two have sex the words roll off his tongue so naturally. You purr against his skin, squeezing his shaft as your other hand teases his rear, spreading him apart ever so slightly. He bites his lip to swallow a grumbling moan, balling his fists up.

He narrows his eyes, his demeanor changing as he starts to feel himself grow closer and closer to the brink— “Stop, mm’wanna cum in you.” he grunts, one of his big hands finds your throat, turning you to look up at him before he slams his lips against yours again. Your stomach flips and any objections are muffled by his puffy lips, his calloused fingers tightening around your jaw softly. You let go of his cock, straightening yourself back up and removing your leg from between his thighs. His hand moves to hold you steady by the nape of your neck, biting your lip as he kisses you. You moan softly into his mouth when you feel his over hand slide up your abdomen and to your left breast, groping the meat there.

He moves both his hands to your waist, turning you with him so that his back faces the tile wall while yours faces the glass doors. Tenya has to force you off of his lips to turn you around, facing you towards the doors. You pant as he presses you softly against the foggy glass, your cheek wiping the dew away. His hands land on your hips, his thick erection resting against the valley of your ass. He huffed behind you, his hands admiring every inch of your curves as you watched slack-jawed against the glass. Grinding against your ass, you hum, resting your palms on the glass while you push your hips back against his. Tenya leans down to kiss your shoulder blades with a gentle smile, muttering softly into your skin.

“Missed you so bad,” you moan at his words, moving your feet as he kicks your ankles open. The dominant hand on your hip moves over your navel before his skilled fingers find your cunt, using his index and middle finger to tease your clit. Your legs shake as he twirls his fingers in circles.

“Mm’Tenya, please—“ you mewl and he shifts his balance, straightening up his back. One hand leaves your hips to curl around his dick, angling himself for your cunt. Your husband uses his thumb to spread your lips, before he teases your clit with his cockhead. You shiver, pelvis twitching as he pushes himself against your puffy bud. He plays with his cock around your cunt, lathering himself in your arousal before he finally braces himself to enter you.

His thick cock slips in with little to no resistance, and you can’t help but hold your breath at the stretch. Your husband groans as he pushes himself in until your hips are flush together and his testicles tease your clit. His hands find purchase on your hips once more, keeping you steady as your knees quiver.

“Mmhhf…” you huff, pressing your forehead against the glass. He slowly pulls back, staring at how your pussy tries to suck him back in. “God, you always feel so good…” your husband mutters under his breath, keeping you spread with his thumbs. He pulls back until he’s barely inside of you before torturing you with another slow thrust, shoving himself balls deep again.

“D—Don’t tease me, Tenya…” your eyes flutter shut when his cockhead glides over that one fucking spot, “Fffuuck.”

He shushes you, gripping your hips tighter. “Just…” he trails off, biting his tongue. He pulls his hips back again, before thrusting back faster this time. He’s driving you fucking insane, but holy fucking shit does your husband have the cock of a god so you can’t complain. “Stay still, honey.”

His words roll off his damn tongue like molasses even though he’s starting to pick up the pace. His balls slap lightly against your clit as he keeps filling you with himself over and over. One hand leaves your hip to grip your shoulder, forcing you back on his cock as he starts to fuck you like a feral man. You spew moans from your mouth as he suddenly starts a rough pace. You move your face to rest your cheek against the glass, glancing back at him as he fucks you from behind.

Your sweet husband glances up at you with a smirk, slowing down just to spite you. Your eyes flutter shut with a pathetic moan, letting him manhandle you how he wants. He moves you closer to the glass so that your back is flush with his chest, doing this all while he is completely still inside you. You wince as your hard nipples slide against the cold glass doors, before his hands come to grope your tits.

“You’re so beautiful,” he mutters into your ear while he starts to speed his hips back up until he’s fucking barreling his cock into you, and the only thing you can to is cling to the glass like some fucking frog. Those big hands of his bite down hard into your tits, making you cry a painful moan. “Mm’my beautiful fucking wife—“ Tenya groans, and keeps fucking you into the glass until the panes shake, your eyes rolling back into your head before they flutter shut at his compliment. You can help but squeeze him tighter and tighter, your legs starting to shake as he fucks you closer to your orgasm.

“Tenya— mmfffhh, fuck—“ you mewl, “‘Gonna make mmm— cum—“ he suckles your neck at your words, nipping and biting at your skin as he keeps his pace, his dick brushing over right where you need him over and over. You tense, moans getting caught in your throat as you start to come around his cock, your knees buckling under yours and his weight. He lets go of your breasts and catches you, but he doesn’t stop his pace. You hold onto him, gritting your teeth as he bites into your shoulder as he comes, shooting all of his pent up arousal into you. Your husband gasps against your skin as he pushes himself as far as he can, making sure to coat every inch of your cunt with his semen.

“Hmm, Tenya.” You hummed with a pleased expression on your face. He hurries his face into your neck with a sigh, “Sorry, I might’ve been too…”

You shook your head before interrupting him, “No, I liked it.”

You sighed, “we're gonna have to shower again.” Tenya chuckled, “We’ve already wasted so much water.”

THANK YOU FOR READING! if you wish to see more of me, ₊⊹

my carrd // kofi (tip me!). // kinktober 2024

[alicentflorent]

The scariest thing about viserys is that he, and men like him, do appear to be harmless on the outside. He’s soft spoken, seems to be a bit clueless and naive, he’s generally nice to people and may even seem like a “family man” but behind closed doors you finally get to see his true colours. He has a violent side but he hides it very well. We don’t see his ugliness very often but when we do his actions are clearly abusive.

Viserys showed aggression multiple times behind closed doors, he was misogynistic in the way he viewed women and yes that includes Rhaenyra who he only really started to indulge to ease his guilt of killing her mother. He used aemma as a broodmare and put her through multiple miscarriages and stillbirths before pregnancy killed her, she was pleading with him not to put her through another pregnancy after this one then when she was dying in childbirth he didn’t even allow her to die with dignity, in the way she wanted to. Publicly, He showed love towards Aemma and cried over her death. He allowed Alicent to have some power by letting her have a seat on the council, only after years of rape and forcing her to become a mother of 4 because he was attracted to her teenage body. Both Rhaenyra and Rhaenys reference Alicent as prisoner of her circumstances in both her early years and late years of marriage. He is shown as a doting father and grandfather to Rhaenyra and her kids but ignores the children he forced Alicent to have. Their son loses an eye and he’s only concerned about “rumours” spread about his grandsons. “Look at me” he screams in the face of 10 year old Aemond who just lost his eye and is in severe pain. Then he moves on to scream in 14 year old aegon’s face. Alicent begs him “please Viserys, he’s your blood” and in this scene it’s important to note that the boys did not incriminate their mother when their father was yelling, trying to incite fear into them, they didn’t want their fathers wrath redirected towards their mother. His favouritism of Rhaenyra overshadows his early treatment of her, ignoring her and underestimating her as a worthy heir until daemon mocked his dead son. He always indulged her and never went back on her being heir. He came off as a loyal, loving father who made his daughter a queen in her own right.

Viserys could have represented a certain type of terrible man, the kind that hides behind his harmless good guy image. The show could have addressed that he is just as bad as his brother daemon but with more self control and enough denial to think of himself as a better man. Deep enough in his own deception to convince us that he was the good brother when he’s just another brand of bad. They could have addressed the damage he did to his wives and children. They could have told the audience that yes you also fell for his act and the deceptive portrayal we gave you because men like viserys will have you fooled in real life. Instead the show, which claimed to be a feminist retelling of martins work made this weak king and horrible man be praised as good husband, father and king. Never allowed his suriviving wife or daughters or even his sons be angry at him or dare to blame him.

[crazymuffin1]

this post is for people who wonder what the hell is going on with the venom movies/fandom because they havent watched it

if youre seeing it on your dash and dont want to scroll very long press J. if youre on mobile. cope.

venom the last dance is the third movie in the venom series and people who haven't watched the movies are probably wondering whats going on. whoever you're following has probably posted or reblogged some sort of eddie brock x venom thing. yes of course. mlm ships are popular and theyre the main characters. of course theyre gonna get shipped. just like stucky or other hot main male characters. nothing really special about these guys. right?

wrong! because as opposed to the other ones being non-canon ships where we just look at everything and say "thats gay" or look at it through shipping tinted glasses, symbrock is a bit special.

to start off with! the source material! the comics! im not gonna make this part long, just a bunch of images with short descriptions and you can interpret it however you want (click for full image)

panels ofter referred to as "the ones where they have sex"

no comment

even spider-man knows

aaaaaand the comic writers/artists also know

theres more (like how they have a kid and eddie experienced morning sickness...) but this is about the movie! not the comics!

first movie moments. im skipping smaller moments and i'll try to not write out the whole plot.

eddie and venom go through a whole car chase scene on a motorbike, and the moment eddie calls him cool, they get his by a car. often interpreted as venom losing focus from the praise

-omg why would that lead to venom losing focus?? because venom, on its planet, is a loser. bottom of the barrel. an outcast. and someone called it cool. venom sees that eddie is also a bit of a loser on his planet. theyre two losers together. Eddie asks why he doesnt just kill him and hop to another host, but venom says that hes a good match (other bodies reject the symbiote, and die from organ failure/eaten from the inside) and venom is "starting to like him" venom also gets a bit stuck on the moment that eddie says we instead of i. its both of them. together.

later eddie finds out his organs were failing (venom was starving and was working on fixing it) and when they get seperated the way he acts is kind of framed like a bad breakup. its not "im free from this parasite! yippie!" its "i trusted you and you hurt me. we're done" sort of breakup. venom tries to say he was trying to fix it but eddie ignores it (not the exact words but if you look at it you'll get it)

eddie gets taken away by the bad guys and venom hops on eddies ex and they reunite. and its not just reunite.

its this

thumbnail shows human face but it does not start off with that.

fun fact! theres a sort of deleted scene where eddie asks "who was i kissing just then?" and she says "mostly me" and then we hear venoms voice saying "well actually it was mostly me!" ALSO at the end of the movie, she says it was venoms idea. this was venom and eddie making out. not eddie and his ex. they do not get back together. she has a new boyfriend and they've moved in together so its serious.

venoms original purpose as to why the symbiotes are on earth was as a scouting party for an invasion force. venom changes his mind on being on the invasion part. eddie asks what REALLY made him change his mind "you did eddie."

also after the movie was in theaters they made an additional romcom trailer to promo the dvd/blueray release. the movie. framed as a romcom. im not kidding. on sonys official youtube. for both movies.

speaking of both movies, the second one has them breaking up! full on divorce after fighting and arguing!! very sad. and then venom goes to a rave (october, there are costumes, hes fully transformed) and says "i am out! of the eddie closet!" HES COMING OUT OF THE CLOSET. one person at the rave has a mask on that says "kiss me" and venom says "sorry no, not my type" THEN WHAT IS YOUR TYPE HUH??? MEN?? SWEATY LOSER GUYS??? his hosts keep failing because theyre not as compatible as eddie. and after having fun venom is sad and wishes eddie could've seen him. they of course, get back together* after some apologizes and because they need to fight a serial killer who also has a symbiote (carnage) because previously, they went to interview him, he insulted eddie, venom got mad on eddies behalf and grabbed him, resulting in getting bit, and that spawned a new symbiote from the blood. also the serial killer, (cletus kassidy) went to bust out his girlfriend who upon seeing his tentacles breaking her glass cage, called it hot.

*when they get reunited (anne helps out again) theres no kiss this time, and annes fiancee, after seeing them fight, says "those two need some serious couples counseling"

after a big climactic fight and mutual reassuring that theyre a perfect match for one another, they flee to some random place in mexico where they sort of have a love confession. theres an extended deleted version of it but i think many of us think they cut it down to save it for the third movie. also they get transported to the mcu in the post-credit and then re-appear in the post-credit of spider-man where theyre just sitting at a bar asking the bartender about the blip and thanos. venom decides to go skinny dip but they get transported back to their universe. net zero gain.

THE THIRD MOVIE

hasnt come out yet. but the promotional things. the trailer. my god the tiktoks and twitter clips?? WHY IS THE TIKTOK VIDEO CAPTION VENOM X EDDIE 4EVER??? HUH???? WHAT DO YOU WANT WITH ME!?!?! IF I GET QUEERBAITED IM GONNA EXPLODE WHY IS ONE OF THEM FRAMED LIKE A COUPLES COUNSELING HELP GUIDE.

i cant post this one on tumblr but this tiktok is a slideshow, one image of venom and eddie from each movie, and the background song is "I've loved you three summer Lover - Taylor swift" with the caption "it's a love love relationship"

WE JUST WANT THEM TO KISS AGAIN AND HAVE A MUTUAL, EXPLICIT, LOVE CONFESSION. AND HAVE 4 HOURS TENTACLESEX SCENE. (not necessarily in that order)

and the first trailer that came out for venom3 has the line"eddie, my home [long pause] has found us" like girrrrrllll for a full 3 seconds i thought he was saying that eddie is his home.

[youremyheaven]

Decoding Venus: A Journey Through the Nakshatras

Cancer rashi is considered the most feminine yet all the naks in Cancer rashi are ruled by masculine planets except Ashlesha ruled by Mercury which is a "eunuch" planet.

Similarly, Venus is the most feminine planet but Venusian nakshatras embody true masculinity.

Sexual polarity is imp because men are drawn to women who may outwardly seem feminine and charming but who embody strength and are emotionally masculine. The same way, women are drawn to men who seem outwardly masculine but who are in tune with femininity inwardly; this is what manifests as gentleness, kindness, appreciation for the fine things etc

The opposite of Cancer/4h is Capricorn/10h, 3 nakshatras fall into Capricorn rashi, Uttarshada, Shravana & Dhanishta. But I'll explain their masculinity later.

Now here are some things to consider,

*all Venusian naks are Ugra nakshatras (known for being fierce and cruel)

*all Venusian naks are Manushya gana

*all Venusian naks belong to a fire sign rashi

*all Venusian naks are assigned the cosmic purpose of 'preservation' (in Hinduism, the 3 cosmic functions, creation/preservation/destruction are personified as the Trimurti and different naks are assigned different functions)

The first Venus nak is Bharani and it is the second nak overall. It is important to understand that the Venusian journey begins in Bharani.

Bharani's deity is Lord Yama, the God of Death. He delivers justice and embodies Kala or time. Bharani is symbolised by the Yoni (which means "vulva" in sanskrit) and the word Bharani itself means "to bear".

Birth and death may seem like polar opposites but there is an element of each in the other. To be born is to experience the death of passivity. To die is to experience the birth of the spirit in another form. Lord Yama is associated with divine punishment and dharma but it would be more accurate to say that Lord Yama metes out the treatment that is the result of our own actions. He rules over time, hence what we do in the present is what we will taste in the future as its consequences.

"Time takes the ugliness and horror out of death and turns it into beauty"- Dodie Smith (Bharani Sun)

In French, orgasm is referred to as "La petite mort" which translates to "little death" and it connotes the "brief loss or weakening of the consciousness". Sex and death have had close associations in many cultures.

Hanya Yanagihara's novel 'A Little Life' has the following book cover:

its a photograph by Peter Hujar and is called 'Orgasmic Man'. The author insisted on using this image for the novel's cover because of how its difficult to tell whether the man is in pain or pleasure. This ambiguity is a major theme in the book as well, that deals heavily with sex, trauma, abuse, addiction etc

Hanya Yanagihara has Bharani Moon with Purvaphalguni Mercury & Saturn

The book, you could say explores the dark side of Venus in some capacity. one reviewer described it as "There may never have been a cover that better captures the emotional heart of a story — that is to say the agony and the ecstasy of desire."

"It poses this question: How does one navigate desire when all pleasure to be discovered in the sexual act has been forever stripped away and turned into the stuff of nightmares, and yet the deep longing for love remains?" the conflict between lust and love is a theme that's explored in the works of many Venusian natives.

Ishtar is a Mesopotamian Goddess of love, fertility and war. Like many ancient deities, she was a dualistic deity, associated with life and death, making love and war as well as thunderstorms and food preservation. Ishtar was closely associated with Venus.

Ishtar, though responsible for all life is never considered a Mother goddess. She bore arms as the Goddess of War. She is a paradoxical Goddess figure with many contradictions; sex and violence, fecundity and death, beauty and terror, centrality and marginality, order and chaos. She occupies a liminal space and her influence spans every area of society, she governs all of civilization (think: the preservation aspect of all Venus nakshatras). She was even worshipped as the Goddess of transition between life and death due to her ability to come back from the underworld after she died.

She was widely worshipped in Mesopotamian society as an administrator of justice (see the parallels between Lord Yama and Goddess Ishtar?)

All of this gives us an idea about the highly complex nature of Venus. it amuses me when people think that Venus is some soft uwu nakshatra with bright colored aesthetics and cute lighting when the actual Venusian themes are of violence and war💀💀💀Venusian naks are hardcore af, let me just say that.

“Love is a smoke made with the fume of sighs; Being purg'd, a fire sparkling in lovers' eyes; Being vex'd, a sea nourish'd with lovers' tears; What is it else? A madness most discreet, A choking gall, and a preserving sweet.” ― William Shakespeare (Bharani Sun)

Bharani is closely associated with birth and procreation, however its cosmic function is "preservation" and not creation. This is because with other naks assigned the cosmic function of creation (ex: Ashwini & Punarvasu) creation must manifest from nothing. It manifests itself on its own; you are the creator and the creation. It is a spiritual and metaphysical concept, so to speak.

But Bharani is not associated with that sort of cosmic creation where the universe manifests itself from nothing, instead its connected to the most primitive and primal of human acts; copulation and procreation. Its directly associated with sex and reproduction. And this is not something that can happen on its own. by nature, procreation necessitates the union of man and woman. its not a symbolic act or a metaphor, it requires two people to get down and dirty. Creation of this sort is necessary to "maintain" or "preserve" our species; it does not arise out of nothing; certain prerequisite conditions have to be met in order for it to take place. this is why Bharani's purpose is "preservation".

from the minute that one is born, we are all on a journey towards death. Lord Yama embodies time because the actions we perform in the present can only be revealed in their true nature with time, i.e, whatever we sow, we reap but this is something that takes time. everything in life can be said to come down to timing. be it lessons learnt or success achieved.

its important to keep in mind that Bharani's aim is Artha

There are 4 aims, namely and each nakshatra has a specific aim assigned to it.

Dharma: doing what you are supposed to do. Fulfilling your soul in daily activities Artha: generating income and wealth so you can provide shelter and food for your body. Kama: going after your desires. Moksha: liberating your soul.

Venus itself is a planet associated with wealth, luxury, abundance, beauty etc

The first Venusian nakshatra is associated with the material aspect of Venus which is creating income and thereby attaining security. If we look at Maslow's hierarchy of needs and correspond it to the 4 aims, we can say that Artha is at the foundational base and Moksha is at the very top with Kama & Dharma located in between the two.

It is very telling that while Venusian nakshatras are split among Artha, Kama & Moksha aims, there is no nakshatra assigned the aim of Dharma, which is doing one's duty. With Venus there is no duty, no obligation, no decree; whatever one does we do out of love, this is the essence of Venus energy.

Therefore Bharani concerns itself with the most basic of needs, which is creating security for itself. It occupies the sign of Aries, ruled by Mars and we can say Mars represents the 'soldier'; it is raw, primitive and only concerned with survival.

As we progress through the other Venus nakshatras, we see how the aims ascend on the hierarchy, finally reaching its peak with "Moksha" or liberation in the final Venusian nakshatra.

Bharani is concerned with the most raw, primal and primitive of acts and located in the very first fire sign of Aries, it is an outcaste nakshatra and is the ONLY venusian nakshatra that is outcaste which is in itself unusual because Venus is concerned with refinement, grace, elan and elegance but the fact that the Venusian journey begins in a nakshatra that is outcaste with the aim of Artha implies one deep cosmic truth; in order for an individual to truly embody Venus and understand the planet's energies, you must first begin at the very bottom and ascend to the top. in Bharani, represented by the womb, we see the aspect of a human being taking physical form and being born, they are not born to riches or pleasures but in the most dire of circumstances, and they must now create security for themselves before they can even think of pursuing pleasures of any kind.

All Venusian nakshatras perform the cosmic function of "preservation" or "maintenance".

this is because they are all Manushya gana nakshatras, and human nature is one that's primarily best suited for this cosmic function over the functions of Creation or Dissolution (for deva gana and rakshasa gana naks).

Creation itself is the feminine principle but "preservation" is inherently masculine. Destruction or dissolution is a different expression of the same feminine principle.

All Venusian nakshatras are also of Pitta (fire) nadi

In Ayurveda, people with pitta are said to usually have a muscular build, be very athletic, and serve as strong leaders. They're highly motivated, goal-oriented, and competitive. They are said to possess an aggressive and tenacious nature.

The second Venusian nakshatra is Purvaphalguni, presided by the deity Bhaga, God of Marital Bliss. Purvaphalguni is symbolised by the front legs of the bed or a swinging hammock, indicating relaxation and comfort.

while Bharani was concerned with birth and death, in Purvaphalguni the association is with the sexual act itself.

Purvaphalguni's aim is Kama (desire) and this nakshatra is associated with love, romance, wealth, luxury etc.

Bharani's yoni animal was the elephant, a large yoni animal signifies the immense sexual appetite of the native but also the capacity for a certain breadth of experiences👀 with Purvaphalguni, the yoni animal is a rat, which is widely considered to be the most sexual animal as it copulates and reproduces at an immense pace. It makes sense as to why Purvaphalguni is about sexual pleasures and bliss and not about the how or the why; its purely concerned with the process. These natives are freaky af and the most openly and unabashedly sexual of all.

“Beauty is desired in order that it may be befouled; not for its own sake, but for the joy brought by the certainty of profaning it.” ― Georges Bataille (Purvaphalguni Sun)

Purvaphalguni men love the idea of corrupting something that is innocent and pure and making it filthy.many of them perhaps have a virginity kink ���💀

In addition to this, Purvaphalguni men and Venusian men in general tend to exhibit the "Madonna-Whore Complex"

Jesse James (Purvaphalguni Sun, Bharani Mars) was married to Sandra Bullock and was outed as a serial cheater.

Tiger Woods (Purvashada Sun, Ketu in Bharani) was exposed as a chronic cheater (he slept with over 120 women during the course of his marriage) and spent time in rehab for his sex addiction.

Elvis Presley (Purvashada Sun) met his wife Priscilla Presley when she was 14 and he was 24. He was hell-bent on "preserving her purity" and they had a very "chaste relationship" after she was married and had a baby however he did not want to have sex with her anymore because she was a mother.

In the 2002 movie Spider, Ralph Fiennes played a man who struggled with the Madonna-Whore complex. He has Mercury in Purvashada as his amatyakaraka.

the movie Vertigo (1958) has this complex forming a major plotline. it stars James Stewart (Ketu in Purvashada) and Kim Novak (Mars in Purvaphalguni atmakaraka and Ketu in Purvaphalguni) as the lead actors.

The novel Portrait of the Artist As a Young Man features a protagonist who suffers from this complex and its the primary plot of the novel as well. Its written by James Joyce who is Purvashada Rising.

Madonna (Purvaphalguni Moon) often toyed around with the Madonna-Whore complex early on in her career and even has a song called Like A Virgin, the lyrics go like this:

"Like a virgin Touched for the very first time Like a virgin When your heart beats next to mine

Gonna give you all my love, boy My fear is fading fast Been saving it all for you 'cause only love can last You're so fine and you're mine Make me strong, yeah you make me bold, oh, your love thawed out Yeah, your love thawed out what was scared and cold."

Since Purvaphalguni is symbolised by the marital bed, and the consummation of the marriage was always associated with "losing innocence and virginity" and how sexual experience is linked with "knowing" and maturing from child to adult.

Black Swan, starring Natalie Portman (Purvaphalguni Moon) and Mila Kunis (Purvaphalguni Mercury & Venus) is a sexually charged movie that explores this dichotomy very well. Nina is a good little girl whereas Lily is highly sexual and wild.

A major theme of this movie is merging these two opposing forces. For good girl Nina to embrace her dark, wild "Black Swan" side. (spoiler alert!!) obviously in this movie, Lily's character is said to be an extension of Nina and not a real person which drives home this point even further.

Losing innocence and corruption/being corrupted are major themes in Purvaphalguni nakshatra and this is not just sexual. An ordinary person losing all sense of morality and submitting to utter debauchery and depravation is a common trope found in the works of many Purvaphalguni natives.

Take the movie, Taxi Driver, for example, it was written by Paul Schrader who has Bharani Moon, Purvaphalguni Venus & Mars

This movie revolves around Travis (the titular Taxi Driver) who is experiencing an extreme existential crisis and is deeply troubled by the prostitution he witnesses around the city; he is unsettled by the moral bankruptness and urban decay around him. He sets out to rescue a child prostitute and the movie has major elements of sex and violence.

This movie is a good example of Bharani's restrained Venusian expression meeting with Purvaphalguni's excess.

Hardcore (1979) directed by Paul Schrader (honestly all of the movies he's written and directed are LOADED with Venusian tropes, themes and motifs) is about a father who goes looking for his daughter who went on a church trip to Cali and ended up working as a porn star.

Like I've mentioned before, the dichotomy between innocence and corruption, divine and human, Madonna and Whore are core themes in the works of these natives. Like Taxi Driver, the protagonist has to descend into hell in order to save the person who is lost. The contrast between "polite society" or the prim & proper "morally upright" side of society versus the depraved, sleazy, immoral underworld is depicted in a very stark and raw manner.

Antichrist (2009) directed by Lars Von Trier (Bharani Sun, Purvashada Moon) and starring Willem Dafoe (Purvaphalguni Moon, Purvashada Rising) is another movie that explores Venus at its most chaotic, unrefined and truthful. Its about a grieving couple who lost their son and go to a cabin in the woods to cope but of course, crazy shit starts happening and is rife with sadomasochistic elements.

Purvaphalguni is the height of Venus, located in the sign of Leo which is ruled by the Sun; here a native loses all sense of ego or pride and gives in completely to their pleasures and desires. Its a very hedonistic nakshatra. Given that its aim is Kama and is a Manushya gana nakshatra, it points to how a native is willing to do anything to attain what he desires; there is no sense of "right" or "wrong" here because Venus is a planet of indulgence.

In Bharani, presided by Lord Yama, the themes were strongly tied to karma, justice, time etc but this is the initiatory stage of Venus, where Venus acts with restraint. In Purvaphalguni, Venus is at its most expansive and wild. Bharani's yoni animal is an elephant; are elephants known for being very sexual? no. they are known for how they protect their herd and how nurturing they are of their young ones. Compare this to the rat (Purvphalguni's yoni animal). Rats have millions of kids and don't stick around to care for them particularly. Since they procreate at such a fast pace, it's every rat for himself. they are associated with filth and dirt.

Its very common for Purvaphalguni men to be involved in sadomasochistic sexual activities; in fact, two of the most famous writers to address these themes, Georges Bataille and Marquis de Sade both have Purvaphalguni Sun & Moon respectively.

“Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and in ecstatic love.”― Georges Bataille (Purvaphalguni Sun)

"Lust is to the other passions what the nervous fluid is to life; it supports them all, lends strength to them all ambition, cruelty, avarice, revenge, are all founded on lust.”― Marquis de Sade(Purvaphalguni Moon with Ketu in Purvashada)

As such, many Purvaphalguni men have been involved in some type of sex scandal at least once in their career.

Nabokov who wrote Lolita had Purvaphalguni Moon and its a book about a old man who falls in love with a child. Like I said previously Purvaphalguni/Venusian men in general tend to have a virgin kink/a thing for innocence and corrupting someone and derive a sense of satisfaction from it.

in the 90s, Hugh Grant (Purvaphalguni Sun) was caught with a prostitute while he was in a long term relationship with Liz Hurley.

Freddie Mercury (Purvaphalguni Sun & Rising) was known for his wild and freaky love life, he openly spoke about his "enormous sex drive", he once celebrated his birthday with a 5 day orgy💀💀

Namjoon (Purvaphalguni Sun) received flak for recommending the book Almost Transparent Blue which featured graphic sexuality and violence including threesomes and rough sex. In his early career, he also received flak for his sexually suggestive songs like "Expensive Girl", "Trouble" and "Joke".

I don't want to go into this because I don't think there can be astrological evidence of someone being an abuser (i.e anyone could be any abuser regardless of their placements) but many Purvaphalguni men have had sexual harassment charges pressed against them.

“One must do violence to the object of one's desire; when it surrenders, the pleasure is greater.”― Marquis De Sade (Purvaphalguni Moon with Ketu in Purvashada)

This nak is the height of Venusian indulgence and as every peak is followed by a valley, Venus after ascending through the aims of Artha and Kama, now finds itself in the concluding Venus nakshatra of Purvashada. The aim of this nak is Moksha. When all else is satisfied, the only thing left to do is seek salvation.

Purvashada's yoni animal is a monkey and Purvashada belongs to the Brahmin caste. It is a Manushya gana nakshatra.

It is symbolised by “a fan/winnowing machine which separates grains from the husk”. It occupies the sign of Sagittarius and thus its sign lord is Jupiter.

The deity of Purvashada is 'Apah', Goddess of Water/Ocean.

In the final Venus nakshatra, the themes of refinement and purification are at their height. There is a relentless desire for expansion and the combined energies of Jupiter & Venus together can make a native simultaneously expansive but still constricted at the same time. Purification is a major theme in this nak. Bharani was concerned with birth and creation, Purvaphalguni with the sexual act in itself but in Purvashada, the Venusian focus shifts beyond either of the two.

Although Magha is most commonly associated with the "Goth" aesthetic, I would say even Purvashada natives have a tendency to lean towards a darker, macabre aesthetic.

Ozzy Osbourne (Purvashada Moon) was lead vocalist of the heavy metal band Black Sabbath and called himself "Prince of Darkness".

Johnny Depp (Purvashada Moon) stars as Edward Scissorhands in the movie of the same name. The movie revolves around an artificial humanoid creature who tries and fails to adjust to normal society despite the efforts of those around him. He falls in love with a woman he cannot be with. This is a common trope in the works of many Purvashada natives.

Lars & the Real Girl (2007) stars Ryan Gosling (Purvashada Moon) as a socially awkward man who begins to have a relationship with a lifelike doll believing her to be real. His family tries really hard to help him and ultimately (in a very Purvashada esque ending; because of Purvashada's connection to water) he believes that the doll is dying and mourns for her while submerged in water.

Charles Addams who created The Addams Family had Purvashada Sun (he was also Magha Moon), Morticia Addams was played by Carolyn Jones who was Bharani Sun & Moon, in the 90s adaptations she was played by Anjelica Huston who had Purvaphalguni Moon & Ketu

in the movie City of Angels starring Nicholas Cage (Purvashada Sun) the theme of a human and non-human being uniting is once again repeated, this time, Cage plays an angel who falls in love with a mortal woman. (spoiler alert!!) the movie ends with Cage choosing to be a mortal but his human lover passing away tragically. In true blue Purvashada fashion, the movie ends with Cage near the ocean, accepting his grief and new life as a mortal being.

in Francois Truffaut (Purvashada Rising) Jules et Jim, we see the tale of two men who both love the same woman, Catherine. The story repeats the same trope of how neither man gets to truly be with her (true union being impossible is a common Purvashada trope) and the movie ends with her driving Jim and herself into a river while Jules watches on. (death in the water or mourning someone in the water etc seems to be a common motif in the works of these natives)

“Love (understood as the desire of good for another) is in fact so unnatural a phenomenon that it can scarcely repeat itself; the soul being unable to become virgin again and not having energy enough to cast itself out again into the ocean of another soul.”― James Joyce (Purvashada Rising)

“The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed.”― Ernest Hemingway (Purvashada Moon, Purvaphalguni Rising)

Hemingway's most famous work is titled The Old Man & the Sea and its set almost entirely on the water/the beach.

Christina Ricci who is best known for playing several dark edgy characters is a Purvashada Moon (she's also Magha rising)

I've also noticed that certain Purvashada natives have associations with Satanism 💀💀 or star in films that feature violent, gorey rituals etc

Rosemary's Baby stars Mia Farrow (Purvashada Moon) and Satanism is a major part of the movie's plot 💀

Zeena Schrek (Purvashada Moon) is the daughter of the founder of the Church of Satan and was the first baby to undergo a Satanic baptism. She's probably best known for conspiracy theories stating Taylor Swift is her clone lmao 💀😭

While Jennifer's Body's main story can be considered an Ashlesha themed one, there are significant allusions to the occult, virgin sacrifice and demonic possession which makes me believe it can be attributed to Megan Fox's Purvashada Rising

in the movie Satanic Panic (2019), Rebecca Romijin (Purvashada Rising) stars as the leader of a satanic cult.

Jane Levy (Purvashada Sun) starred as the protagonist in the 2013 film Evil Dead that features a lot of demons and demonic possession.

Nina Dobrev (Purvashada Sun) is best known for playing Elena on the show The Vampire Diaries. while i know demons and vampires are not the same, you've got to admit they share a lot of similarities xD

Dakota Johnson (Purvashada Rising) stars in Suspiria which is about a young woman who accidentally finds herself in a cult/witches' coven.

Some very well known people who could be called evil personified are also Purvashada natives, such as Hitler and Harvey Weinstein (Purvashada Moon)

Purvashada natives love to play the devil's advocate, the quality we most associate with a monkey (this nak's Yoni animal) is its playfulness. Purvashada natives do things simply for the heck of it/thrill of it. There is no sense of purpose or direction to which their Venusian qualities are directed. Thus it represents the dark side of Venus. When all other desires are fulfilled and the only thing left is to seek Moksha, the nakshatra tends to exhibit the Trickster archetype.

the 2002 movie May, stars Angela Bettis (Purvashada stellium; sun, mercury, jupiter and rahu) and depicts the cruel and sinister side of Venus very well (trigger warning; this movie is VERY gore-y), its about a woman who ritually murders several people who she did not feel loved by (to put it simply).

While Bharani being the initiatory Venus nak is Venus at its most ethical, all sense of "right and wrong" evaporates into thin air as the Venusian journey progresses. In Purvaphalguni, this manifests as a desire for sex itself but in Purvashada, the native is dissatisfied with mere bodily union, it seeks something bigger. This theme of union being impossible/not satisfying can be seen in the works of many Purvashada natives. The desire to delve into the occult arises out of a desire to transcend ordinariness, find something that addresses the darkness and uncover the truth within it.

The Venusian journey passes through the sign lords of Mars, Sun & Jupiter; beginning as a soldier, working out of a sense of duty, reaching its height in the individualistic Sun, seeking pleasure merely for one's own sake and finally concluding itself in the expansive Jupiter where things get unusual. Venus is a complicated planet full of contradictions and combining its energy with that of Jupiter which expands beyond control means the darkness of Venus makes itself seen in ways we don't quite see in the same way in the other naks.

The tattvas of these naks are earth, water and air respectively. It originates in a very grounded fashion, full of practical concerns, then dissolves itself entirely in the formless water before becoming the element that's hardest to narrow down; air.

Bharani with Aries, Purvaphalguni with Leo and Purvashada with Sagittarius and all these signs are traditionally perceived as masculine and the Fire element in general is understood as masculine. The opposite of fire is water, which is feminine (water being related to the Moon, which is a yin planet) whereas fire is related to the Sun which is a yang planet.

it is the combination of masculine with feminine that heightens the effect of the other. a highly masculine man or a highly feminine woman have integrated the opposite energy within them fully; they are internally almost androgynous . they dont lack the influence of the other

in Bharani, we have the womb and creation, in Purvaphalguni we have the bed, in Purvashada, we have the winnowing basket, separating the husk from the grain, depicting the different functions of Venus; as source, hedon, and order.

[lialox]

underrated DokSoo moment!?

This one here (or better saying: Dokja rescuing Sooyoung from the cage):

Why!?

Because in novel version, kdj wasn't even batting an eye when others were dying, but as soon as someone approached hsy's shirt, bro took out his sword and start raiding the place😂���🏻

And he said "let that woman go" ycjcsivjcygifhfuucufobhxtxjvyxucyxyducfuvjcyduvucuf

Also hello!? Kdj!!!!! Stop looking at her underwear wtffffff😂🤦🏻‍♀️

You are TOTALLY correct this is an underrated doksoo moment!!! (I am so sorry for replying to this ask so late I really wanted to properly sit down and reread the whole chapter because that underwear thing is new to me and you have AWAKENED something inside me…!!!)

White undies. You are telling me that KDJ was ogling HAN SOOYOUNG’S WHITE UNDIES and that made him decide those pure white undies were too innocent to be sullied by these men!? 

“….”

That dot dot dot always appears when KDJ really REALLY doesn’t want to let anyone know what’s going on in his brain!! 

Doksoo lenses off: Kdj may have possibly remembered his trauma of growing up watching his mom be abused by a man. There is a line in the novel that goes like “my relatives treated me like a leftover product”. Being objectified really strikes a nerve in KDJ and he still has that part of him that would choose violence against the men performing injustice towards women. 

However, thinking about or even processing his trauma doesn’t truly appear until much later in the novel. That’s why the ………. Appears there in the narration.

The world of TWSA was created to make him perceive himself. ORV was written to be read by him.

The scenarios he’s put in, the characters he meets, are all reflections of himself and are written there to teach him how to accept himself (pls refer to other people’s meta posts about this for a deeper dive). This is one instance of finding a mirror image of his own trauma. 

Do you still pick up the knife sword? Will you still point it at the big bad man who is trying to hurt the woman who would do anything to save you? …….Will you kill him?

Kim Dokja will make the same choice every time. 

Which is, he wants to, but he won’t.

But that man will still die. There is a writer who will take the consequences of the death of that man on his behalf. Whether if it’s his mother or if it’s Sooyoung….

(again, sorry I really wanted to screenshot it but I STILL haven’t been in front of my laptop the past week to properly sit down and find the quotes I wanted to support this ask. I haven’t written anything in so long, even. When will Lia start writing again?)

He was trying to rationalize choosing inaction but…

Doksoo lenses on: Yk in some version of my ORV worldview I was questioning, what if KDJ really is aroace in canon?? However!!! You have successfully changed my LIFE with this ask. 

KDJ was checking her out so hard that OTHER people noticed. This man made a mental note to notice that it was in fact, her panties, and NOT just the white fabric of a jean pocket or whatever. Staring so hard that even that guy was all “I’ll let you fuck her first”. Unreliably narrate all you want, KDJ, the rest of us know the truth…!!! We know why you really started raising the whole place!!!!!

ALSO!!! What makes this an EXTREMELY underrated Doksoo moment is that in this passage this is where KDJ starts memorizing her likes and dislikes!!

He says HSY here hates cliches but if I remember correctly……. He also says 1864th HSY doesn’t like cliches. To know her well enough to understand her habits….. 😭❤️ Doksoo save me

[clairedaring]

Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.

note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes

TOR THANAPOB

Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)

Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before. I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...

Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)

Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.

NONKUL CHANON

Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021

Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.

Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)

Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.

Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.

JJ KRISSANAPOOM aka JAYLERR

JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)

JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.

One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"

This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.

So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.

It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D

BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)

Bright at Mono29 Lineup event

Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.

Bright's Interview with LIPS Magazine

Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.

Bright's Interview with Praew Magazine

Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.

Bright’s Interview with NineEntertain

Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.

Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.

I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."

[asongofstarkandtargaryen]

ASOS : Daenerys and her children

On her very first pov chapter of this book Dany refers her dragons as her children. What is more, she recalls maegi's prophecy of being unable to give birth to children and that strengthens her view on her dragons as her kids ( please note that she also refers to them as her children in previous book but since I'm focusing on Asos I won't include those quotes)

They are my children, she told herself, and if the maegi spoke truly, they are the only children I am even like to have

Asos, Daenerys I

She feels lonely because the prophecy makes her believe that House Targaryen will end up with her but she finds solace on her dragons:

House Targaryen will end up with me. That made her sad. " You must me my children" she told her dragons, " my three fierce children. Arstan says that dragons live longer than men, so you will go on after I am dead ".

Asos, Daenerys IV

However on the same chapter we start to see glimpses that the dragons aren't the only ones Dany considers her children. We witness Dany taking responsibility of the people who followed her after the sack of Astapor. That's what a just leader should do but the way Dany talks about her subjects (who are useless in the upcoming battles and will only delay her army, mind you) is so protective of them, and almost has a motherly tone:

The raggled-taggle host of freemen dwarfed her own, but they were more a burden than a benefit. Perhaps one in a hundred had a donkey, a camel, or an ox; most carried weapons looted from some slaver's armory, but only one in ten was strong enough to fight, and none was trained. [...] Yet Dany could not bring herself to abandon them as Ser Jorah and her bloodriders urged. I told them they were free. I cannot tell them now they are not free to join me.

Asos, Daenerys IV

At the end of this chapter, after Yunkai is liberated we have the iconic "Mhysa" scene. And Dany calls her new people, her children.

"They will not hurt me", she told him "They are my children, Jorah".

Asos, Daenerys IV

So, after this chapter the dragons aren't considered her only children anymore. Her people also occupy that place in her heart.

Which is why she's hunted by the image of the dead slave kids, the slavers crucified as a warning to make her not go to Meeren. The slavers knew that Dany is above all a rescuer of the weak and knew that this horrific action would affect her - and it did. Dany can't stop thinking about those poor children and at the same time she wanted to look an every crucify child and memorize them all.

Because to her those children facing this horrible end wasn't just a casualty of the war between her and the slavers. It was more personal, as those slave kids would also become her children once she liberated their city and would be under her protection. So ofc, her fury against of those who hurt them is gonna be huge. It's the fury of a mother or "mhysa" if you prefer it.

When she arrives at Meeren she also makes it clear that she wants a victory without endangering her beloved children ( aka the people who follow her). It's a paradox bc most leaders sacrifice their followers to gain more territories. But for Dany the good of her people is her first priority:

"No" she said. " I will not march my people off to die". My children. "There must be some way into this city"

Asos, Dany V

What angers her the most is that inside Meeren the slavers have luxurious feasts while her people - her children as once again calls them- are hungry. And that's something that she's not gonna let pass.

As she camps outside Meeren some of her people are calling her "Mother" once again and she doesn't dislike the familiarity they show her, on the contrary she enjoys it.

Some of the freedmen called her " Mother," while others begged for boons or favors[...] Many of the freedmen believed there was good fortune in her touch. If it helps give them courage, let them touch me, she thought.

Asos, Daenerys V

Later on, as she performa justice to the slavers but doing to them what they did to the poor slave kids we see her falter. Because Dany has a tender heart and she doesn't enjoy inflicting pain not even to the ones who deserve it. To strengthen her resolve she brings the poor children on her mind and does what she must do to honor their tragic memory.

Dany put the glass aside, frowning. It was just. It was. I did it for the children.

Asos, Daenerys VI

[ifuckingloveryoshu]

CANTO 6 PART 3 SPOILERS

Im beyond pissed, tumblr crashed in the middle of me doing this so this is going to be so much shorter than I want it to be. NON RYOSHU RELATED POST ABOUT THE HEATHCLIFF. DON'T TAKE WHAT I SAY AS FACT I AM NOT QUALIFIED FOR THIS. LOOK AT THE LINKS I CITE FOR MORE INFORMATION! You can click them when their mentioned. Im not citing in the proper format. This was done on 5 hours of sleep, two eggs, and a box of banana milk.

The Erlkonig or Erlking is this figure in German Mythology who kidnapps children. When he touches you, he kills you. This poem made by Johann Wolfgang von Goethe then adapted to this song is what you see. Erlkoning Heathcliff is trying to intice Heathcliff to die by telling him that it's his fault Cathy is dead. All identities refer to the sinner as "child" when you look into their uptie stories. Mili and the singer of the video here use the same technique of changing the tone and pitch of their voice to differntiate two characters.

The Wild Hunt is a part of Norse Mythology where Odin, mounted on his sixed legged horse Sleipnir, goes through the forest. According to norse-mythology.org, anyone who gets caught up in The Wild Hunt, spotted or seen, gets carried away. Your soul will get incorporated into The Wild Hunt. We all know Erlking Heathcliff did, the rising of the bodies. The Wild Hunt is also mostly describe as having hounds, and who was a hound? Hindleys.

From the same website, on the page of Sleipnir reads,

Also, the horse that heath rides on has a weird liney pattern on it's 4 legs that kind of look like that runestone. There's more connection here, I just don't want to type it again.

How did Project Moon mix two diffrent mythological ideas together? (Its not just two, they mixed so many more.) Meet human mistranslation and the progression of oral tradition and story telling throught time. I don't kno where to start. There was mistranslation poem when, according to ancient-origins.net Johann Gottfried Herder wrote a seperate ballad from the one I linked at the start called Erlkönigs Tochter.

The Anglo-Saxons were early German settlers. This is where things get messy because I have several more potential leaders of the Wild Hunt but here are two, King Herla and Herne The Hunter.

Herne The Hunter: Popularized by Shakespeare potentially from a play called The Merry Wives of Windsor. This man called Jacobb Grimm said that Hene The Hunter was related to Odin. Herne the hunter is this ghost. ( https://mythopedia.com/topics/herne-the-hunter ) Im trying to say there are other media that connect the Erlking to the Wild Hunt but its on Wikipedia so it makes it seem fishy. Another Link Here

King Herla: A british king who attended a dwarf wedding. When he left the wedding, the world had changed. Unbeknowst to him, 300 years had passed and he was claimed to be missing. When his men tried to get off their horses, they turned into dust so they were stuck like that. Read it here, its short. Someone better and more credible than me summed the story up better than I did, historian Chrissy Senecal. Read right here. An additional link to cross refrence if you'd like. King Herla and Odin got conflated together when really, their diffrent people

I found this other website article about Wild Hunts which kind of brings me to the next thing, the Harlequinn. They weild clubs, their devils, the image of them is popularly joyful? Maybe goofy and lighthearted? Perhaps associated with cards? Matt, or Heathcliff's portrayal of Matt. Now, I'm looking at Wikipedia and I see this section.

What do we have here? A mention of the Erlkönig, Dante's Inferno, masked, club weilding giant. Heathcliff's not giant but hes pretty tall, at least by my standards but whatever, im very short. DANTE'S INFERNO, Canto 11 and 12. What the fuck Project Moon, are you playing 5d chess?

Back on topic, Hellequin is the fairy king, and this figure pops up in German, French, Italian, and English folklore. I can't do proper research when all my search results are mixed with random junk and I'm becoming nutty. You will not normally be able to access this article without paying but here's the link anyways. Journal Article from this book on a section about horned deities made in 1922 speaks of a group of ghost riding, who are also huntsman.

And also another mention of Dante's Inferno. The name, Herne The Hunter is mentioned again.

All and all, The link between The Erlkonig and The Wild Hunt isn't as wild and unexplainable as I originally thought. It's just so cool to see all these concepts intersect. There still so much to touch upon like the headless horseman refrence and the Dullahans, RYOSHU COMPARING THE WILD HUNT TO THE PARADE OF 100 SPIRTS, something along that line, I forgot the name. I'm just not the right person to yell about this but I will anyways. The writers mixed so many symbols of death into one character. Such a wild and nutty Canto. Thank you so much Project Moon.

[drconstellation]

Lifting the Veil on the Bentley

Because I’ve been talking about the Bentley being Crowley’s black horse of late, I’ve had a nudge to talk about the number plate. I know it’s explained as an easter egg in relation to Monty Python, but I think we can explore it a bit further than that.

It’s worth having a quick look at this older post from @fuckyeahgoodomens where they explain the inspiration was from an animated scene from Monty Python's Meaning of Life .

The following is from the linked article.

As a nod to Terry Gilliam, who once tried to do a movie version of Good Omens, Gaiman and Mackinnon threw in a little reference to Gilliam’s origins doing animation for Monty Python. “The license plate of Crowley’s Bentley is ‘Curtain’ backwards,” Gaiman said, because of the writing on the mausoleum in the suicidal leaves section of Monty Python’s The Meaning of Life. “Curtain backwards, like it’s the final curtain,” Mackinnon explained.

Before I get into all the connotations of “curtains,” there should be two things you notice about the “CURTIN” written on the mausoleum. The first is the spelling itself. It’s shortened to look like the Irish surname Curtin, so the mausoleum appears to belong to a real person. Curtin is an anglicized version of Mac Curtain, which means Son of the Crooked, or Son of the Harp, as the ‘crooked’ refers the hunchback shape of the Irish harp. I wouldn’t read too much into that, its probably more just a way of getting an actual curtain reference into that scene.

The other thing is that is not just backwards, it is mirror-image, as if you are looking at it from the other side of the mirror. So we should ask ourselves – which side are we looking from? And why does this matter?

While director Mackinnon mentions it referring to the “final curtain,” we need to start even further back than that to understand what the final curtain is, because even that has two meanings, even if only in a general sense. But because this is the GOmens AU, you can guarantee we’re going to find out there is more to it than that.

We need to go beyond the veil.

To go “beyond the veil” has become a euphemism for passing into death, or that unknowable place people go once they die. It was originally a figurative reference to the area in a Jewish Temple that was separated from the main body of the Temple by decorative curtains, called veils. The veils were specially woven, often with the image of a Cherubim woven in by a skilled worker; it was not allowed to be sewed on or added later. Each panel of the veil would display a different face of the Cherubim, such as the lion on one side, an eagle on the other, and so on. Only the priests could go past the veil into the most holiest of places. The veil was symbolic of separating men and their sins from the glory of God.  

The word ‘veil’ can be translated into English as ‘curtain,’ so the two words are almost interchangeable in respect of this discussion. I was interested to see that the word veil comes from the Latin word velum, which also means ‘sail,’ as in “to move, to drive a vessel or vehicle forward.” I have previously commented that the Bentley should probably be a “she,” as traditionally all ships were female, and that’s a tradition we still see carried into the modern day, thousands of years after its origin. I’ve even seen modern day space probes – little ships sailing the solar system – referred to as she! But I’ll not be pedantic about it, don’t worry.

Keep your hands off my bitch, bitch.

So the curtain, or veil, is the boundary between life and death. Only – we are seeing it from the other side. And in the GOmens AU this “other side” is very real, and one Aziraphale and Crowley walk through with both ease and without much thought. They are agents of those on the other side of the veil, yet they walk with Humanity in a solid reality on the surface of the Earth. They know the other side is real. When wee Morag complains about Elspeth’s body-snatching activity that the ones she digs up and sell won’t be able to go to Heaven because they will be cut up, Aziraphale tries to tell her it’s not like that, but she's not listening:

WEE MORAG: Aye. Tell that to the poor souls who will not get into heaven 'cause their bodies are all chopped into wee pieces. AZIRAPHALE: Well, that isn't how it actually… CROWLEY: Heaven isn't all it's cracked up to be, you know. WEE MORAG: It's no right. I'm telling you. CROWLEY: Yeah.

For humans, though, there is supposed to be no return once you cross that threshold.

When we, the viewer, see the two worlds meet, it's usually signaled by the presence of fog, mist or smoke. When Lesley the delivery driver meets Death, the fog arrives, as he is no longer in the living world. When Aziraphale and Crowley leave Tadfield Manor, we have smoke telling us we are seeing two different times and places at once - the past and the present are overlaid on one another.

The Bentley must exist in both the Human and subliminal worlds at the same time - how else can it drive like it does? It doesn't really need Crowley's hands on the wheel to guide it. It couldn't have started out like that - it was made by humans, but we all know the Bentley is more than just a car now.

It chooses the music to play on its radio, it refuses to speed when taking Aziraphale to Edinburgh until Crowley yells at it, it tries to follow the angel after he gets out at the end of the journey. How it got like this we will probably never find out, but we figure its become an extension of Crowley by close association, much like Aziraphale tends to influence the world around him without effort as well.

In terms of it being a black horse - well, now we get into some interesting stuff!

Horses have been companions to humans for longer than cars have been around, so there is lots of lore and symbology associated with them. Previous metas around S2 have focused on "dark horses," as they were specifically mentioned twice in the script. But a dark horse is not necessarily a black horse, and vice versa, so lets look at some of the aspects of black horse symbology in particular that could be relevant to the Bentley and it role in traveling between worlds.

Horses were the original vehicle of the ancient world. While Famine was supposed to ride a black horse (the others were white, red and pale green for pestilence,) the black horses could also be messengers of death, a demon bringing death or a guide to the afterlife. In the Illiad, Achilles sacrifices four horses on the funeral pyre to accompany Patroclus to Hades.

[Edit: I've just put myself through the pain of watching S2E6 again, for reasons, and realised why the ethereal lift is in the entrance to the Dirty Donkey - because a black horse is a guide between worlds! Of course!]

They became associated with the Devil during the Middle Ages as the church tried to break the link to old pagan rites. The broomsticks witches ride are supposed to represent horses. And then there is the sexual connection to horses...which leads in a round-about way to the practice of nailing horseshoes up for luck and protection. Although perhaps the burning horseshoe on Jasmine Cottage is more directly linked to the story of St Dunstan tricking the Devil and making him promise he would never cross the threshold of a house that had a horseshoe nailed to the door.

Our favourite Bentley has been beyond veil and returned. Though it was kept valiantly alive through the sheer will of Crowley to escape the unnatural flames of the Sigil of Odegra, it expired at the Tadfield airbase once Crowley arrived and finally released it. It was only appropriate that Crowley took a moment to acknowledge its service.

Then Adam restored it the next day. Resurrected it, one could say.

Time for the "final curtain" to wrap this meta up.

To "face the final curtain" is another euphemism for facing death, or at least an ending. It's the final curtain of a theatre show, after the encores are done. Its the final fall of the curtain at the end of a run. Sometimes we might say its just "curtains" for something or someone, meaning it will be ending, as a shortened form. But both Aziraphale and Crowley knows death isn't the end; its a beginning as well. Its just matter of perspective to them.

I've seen other writers associate this final curtain with the first Armagedon't, and now we appear to maybe be facing the "big one" in S3 - the Second Coming. I think that is too simplistic an association, especially for GO. The reversed side of the veil could be so many things: the final battle, the ability of our ethereal heroes to move between worlds, it could even be Crowley returning from the "death" of being one of the Fallen. As always, the meaning will be need to be considered within the context of the scene, and which side of the curtain we are looking from.

[class-1b-bull]

how would they react to their s/o getting them a dog for their birthday?

Not proofread we die like men

Awase - he almost instantly got himself and his dog matching t shirts. He calls his dog anything but their given name but he loves the lil guy so much

Sen - he said that he didn't care for the dog at first (and he still says he dosent care for them) but theyre his best friend and he would take a bullet for his dog. He talks to his pet in a really high pitched baby voice when no one else is around lmao

Kamakiri - if its a bully breed hes fine but if its a small dog like a chihuahua he kinda scoffed at first but he likes the little guy. He calles him ferocious and trained him to attack peoples ankles on command

Kuroiro - he named them greg the dark overload and ruler of hell or some shit like that and then its just a corgi that wont stop trying to drink toilet water or smthn like that. He loves it more than life itself.

Kendo - at first she says its sweet and is gushing about it but then it turns i to a lecture lmao. Like she tells her s/o about how pets are big responsibilitys and how they should have talked before deciding to get her a dog lmao.

Kodai - she takes standard care of her dog and is really appreciative for the little guy but its a bit hard to tell just how much she cares for the dog on the surface. Her dog follows her around so much and simply sits with her when in groups and stuff. Her dog has her personality lmao

Komori - she loves the dog so much. She uses pet safe dye and keeps giving her dog crazy colors and making them little outfits and stuff <3 her little fasion model frfr

Shiozaki - she loves the dog so much <3 trained them to help her dig in the yard for her garden and plants. Pretty standard reaction overall other than the garden thing

Shishida - bro probably told his s/o that giving someone a dog without talking about it before hand is irresponsible because dogs are a lot to take care of but after the initial thank yous and lecture he spoils his dog way more than he should. He treats his dog better then most people treat their lovers lmaoo. Anyways dog is spoiled as hell

Shoda - he has the most energetic dog ever and its so funny watching him and his dog together because shoda is always just standing there and his dog is just running up the walls and doing back flips next to him lmaoo. Overall he really liked getting a dog for his birthday

Pony - she absolutely adores her dog. She definitely refers to it as her and her s/os child and she would badly photoshop pictures of the dog onto pictures of babies she found on the internet for 'proof' that the dogs rlly her kid

Tsubaraba - he loves the dog so much and he was ecstatic when he got them. He keeps putting sunglasses on his dog and using pictures of his dog as reaction images

Tetsutetsu - he adores his dog so much <3 he does literally everything with his dog and they are both so chaotic when together. He shares one braincells with his dog and normally the dog has it.

Tokage - pretty standard dog owner but she keeps putting leather jackets and shades on her dog while theyre around the dorms just because she finds it funny (it is)

Manga - he will dip his dogs paws in paint and have them step on a canvas and paint what he sees in the dog prints so most of his art right after getting his dog had paw prints in the pictures. When his s/os bday came around he painted them a picture with the dog paw prints dotted around

Honenuki - his dog rarely eats actual kibble. He promised his s/o that he will raise the dog to be happy and healthy and he is raising the dog that way but it does get sick a bit often from eating human foods that honenuki gave them that ended up upsetting their stomach. The dog hasent gotten sick it a while since honenuki found out exactly what makes his dog sick and what dosent

Bondo - he was really grateful when his s/o gave him a dog for his birthday and he spoils that dog so much lmao.

Monoma - he refers to the dog as his and his s/os kid when no one else is around and the dogs collar has a little bowtie to match Monomas hero costume (his s/o got the dogs collar) whenever Monoma takes his dog on walks they go by class 1As dorms just so he can go inside and give them a hate speech

Reiko - Honestly there isnt really anything special I can mention about her and her dog/ how she reacted when originally getting the dog but she does dress up her dog for halloween so thats cute ig <3

Rin - he let his s/o name his dog when they got the doggy for him but everyone else keeps putting his dog in stupid outfits when rin isnt around lmao

Gif anime- Fullmetal alchemist brotherhood

[livingdeadgirl3]

intro!!<333

Haiiii!!! I’m Delilah!!! Aka THE living dead girl!!

🎶 “Living Dead Girl.” 🎶

ABOUT MEEEEE •im a virgo!! august 28 baby!! •im a girl!(obviously.)im a fag! she/her/idgaf •im Andy Biersacks wife and Peter Steele and Rob Zombie are my daddy’s!!

•im a minor! music is life. im lowkey hella fucking annoying and stupid. im pretty fucking awkward and need to die. i spend most of my time on here bc i have no friends and i use tumblr to vent and yap so be prepared bc im ALWAYS here. im an asshole so um yea. i love my moots so much omfg. nghhhhh i love you guys so muchhhh nghhhhh!! please love me, meet my mother!!/The Cure reference…

•i post stuff about mental health, starving, body image, self harm, gore, depression, my abusive parents, and other stuff involving that. if you have a problem with that please just click off/unfollow/block there is no need to report!!<33 Love ya!!<33

•DNI: pedos, ppl scared of gay ppl, racists, creepy old men with porn blogs and such. I WILL NOT HESITATE TO BLOCK AND REPORT.🎀🎀🎀

^MY SONG GUYS!! REAL NOT FAKE!!^

•music i goon to: (the sounds of @iamthedisappearingboy whimpering and moaning) Hole, BVB, FIR, Billie Eilish, KoRn, Type O Positive, Some Metallicum, The Cure, Depeche Mode, She Wants Revenge, Some Linkin Park, Blink-182, Three Days Grace, Murderdolls, Lana Del Rey, Putrid Pile, Bad Omens, Cattle Decapitation, BMTH, 2Pac, Acid Bath, Alexisonfire, Evanescence, Kraanium, NIN, Marilyn Manson, Amy Winehouse, Elvis, No Doubt, Gwen Stefani, Bauhaus, Shitknot, older Green Day (i can bump some of their new stuff sometimes tho), Limp Dick (Bizkit), Bikini Kill, Beastie Boys, The Beatles, Fleetwood Mac, Black Sabbath, Rob Zombie, Cannibal Corpse, Clown Core, Genitorturers, Guttural Slug, Halsey, ICP, In This Moment, MIW, Jack Off Jill, Knocked Loose, KITTIE, Gaga, Lil Peep, Misfits, MSI, MCR, Mitski, A Perfect Circle, Sleep Token, Spiritbox, Sublime, some Taylor Swift, TOOL, and Suicide Silence. i could go on loll!! My Spotify<3

•movies/tv shows i like: The Office, Buffalo 66, Family Guy, The Simpsons, Sweeney Todd, Edward Scissorhands, Brooklyn 99, Supernatural, Scream (1996 ONLY), The Texas Chainsaw Massacre (1974), TWD, Misery, Girl Interrupted, Ghost Adventures, shitty 2000s/2010s reality TV, Death Note, AOT, IT (1990 ONLY.), Cowboy Bebop, PLL, Stars Wars movies, Twilight movies, One Tree Hill, 10 Things I Hate About You, Scooby-Doo, Courage The Cowardly Dog, The Bride Of Frankenstein and Glee!! i watch other stuff that’s just the things that come to mind/are my favorites.

•i <3…music, ultra strawberry monster, fruit, sushi, clowns, cats, possums, raccoons, vinyls, clothes/makeup/fashion, sleep, my bed, rain, the Sims4, plushies, the Twilight books, 10 Things I Hate About You, fall, hot men😔, shitty low budget horror movies, gore, smashing my head against the wall and my moots!!<33

^^ME AND @iamthedisappearingboy^^ REAL NOT FAKE !!! NOT CLICKBAIT !!! MOMMY LOVES YOU KITTEN !!!

@iamthedisappearingboy IS FREAKIEST POOKIE FRFR ^_^ WE ARE MARRIED WITH 2 ADORABLE CHILDREN WHO ARE MY WORLD❤️LOVE YOU DADDY !!! XOXO BUNNY❤️🐰

•some other supa cool ppl… @blorppppp @naturalbornluvr @burningbeneaththeskyline @dead-end-gurl @kirkwahmmett @twilistx @that1sc3n3guy @y0urfav0r1te-emo @dropd3adsyko @lubtubby @rottingapplegirl444 @born2d1elover @private-vampire @rankballs76 love all of you!!<333

Thank you for coming to my yap session!!<33

xoxo, Delilah!<33

[mediumsizedpidegon]

I'm unable to stop thinking about OG!Mobei-Jun. We never meet him like we do Luo Bingge but I have such a strong image of who he is.

To reference a text post I am obsessed with, if Luo Bingge is a male power fantasy, original Mobei-Jun is the ‘one man as an island’ belief. The idea of ‘one man as an island’ is basically the same as the lie of complete self sufficiency.

It means; you don’t NEED help. It means: you are an island, a city, a nation within yourself, and so you are all you need. It means; you aren’t weak and you can do EVERYTHING yourself. And while this isn’t an inherently male concept (everyone can be influenced by it) it does tend to be extra emphasized in male spaces. It’s certainly part of the toxic masculinity package. Because in toxic masculinity, other men are competitors. Rivals. Enemies. You crush them to get what you want and you do it alone.

Airplane takes Luo Bingge and turns a story about the cycles of abuse into the height of male power fantasies. And Airplane thus takes Mobei-Jun and projects his desires to be a one-man-island.

Because islands aren’t lonely. They can’t feel lonely. (You are a one man island and you don’t need people so that means you chose your aloneness. you have control over it.)

And here’s the thing: complete self sufficiency is utter HORSESHIT. ITS A LIE. IT DOESNT FUCKING WORK.

Since complete self sufficiency is a lie, translating Mobei-jun from book to real person gets wayyyy more complicated.

So my view of OG!Mobei Jun is someone who has frozen himself into complete indifference. He’s a man who desperately wants to belong to someone or something but has forgotten how. He’s a closeted romantic who has gouged out all the soft and vulnerable parts of himself. He moves through life as if everything is beneath him and less real than him because if it isn’t then he’ll fall apart spectacularly. He’s a man who’s sat so long with solitude that it’s crystallized him into a moving statue. He’s a flesh and blood person but he is so incapable of letting his guard down that the entire world sees the mountain he wants to be and not the cracks where the illusion fails. He doesn’t know how to live. He refuses to die.

OG!Mobei-Jun is the myth of self sufficiency. And it eats him alive.

He can’t trust his family, so he raised himself while "overseeing his future realm," leading to him being malnourished and touch-starved. He can’t trust his servants, and so he learned how to put on everything himself— in simple styles so that he could do them even injured. He can’t trust his advisors, so his kingdom is governed by fear and precedent rather than understanding. He can’t trust his palace, and so he is short on sleep and good food and relaxation: after all, he must do everything himself and thus he must know everything.

In comparison to SVSSS, original Mobei-Jun is noticeably thinner. He wears makeup to hide the dark circles beneath his eyes. The wound from the Huan Hua dart never healed right: and neither did many, many others. Compared to our Mobei-Jun, he looks…. brittle, with the vicious fear of an animal backed into a corner.

SVSSS Mobei-Jun is taller, bigger. He has that extra essential “I’m not alone and being taken care of” weight. Even just by looking at him, you can tell that he is miles steadier, with people he can trust at his back. He’s not constantly shaking with a combination of touch starvation and paranoia. He has less scars and the ones he does have look better taken care of.

SVSSS Mobei-Jun is just.... a complete antithesis to his original self. A complete deconstruction of the self sufficiency myth.

A one man island wouldn’t be rescued like three times like a damsel in distress! A one man island wouldn’t have a devoted servant to care for him: to heal his wounds and give him food and drink, a place to rest, and information more valuable than gold. A one man island wouldn’t know gentleness if it clubbed him in the head!

I guess what I’m trying to say here is that Shang Qinghua has a MONUMENTAL impact on Mobei-Jun’s life and his entire perception of the world and himself.

This is a man who could have friends! This is a guy who is unguarded enough to actually fall in love! This is a dude who might be close to some distant family members! This is a guy who might have HOBBIES or THINGS THAT MAKE HIM LAUGH!!!! The ripple effect goes and goes and with Shang Qinghua smashing his ‘I need to do everything myself’ belief, Mobei-Jun can relax and actually trust people! Other people even!

Imagine a Mobei-Jun that has not just Shang Qinghua but!! A half sister he really likes!! A couple great aunts he can ask for advice!! Some cousins that have children that call him uncle!! A friend or two!!!!

THIS IS NOT A MAN ALONE!!!

[gokubrain]

are you aware of the hit vegeta image song ‘love is like a ballad’ from the fusion reborn soundtrack where it’s essentially a kakavege love song 😭😭

https://www.animelyrics.com/anime/dbz/ainobaraado.htm

and i’m 99.9% sure it’s about goku too because it uses the word ‘yatsu’ which is only used by men to refer to other men in a derogatory way… it drives me so insane

OH YOU ALREADY KNOWWWW IM WELL AWARE OF THIS LMFAO thank u for giving me the chance to talk about it HAHA

under here cuz its kind of a lot:

lets break down the lyrics shall we ..

right off the fucking bat. starting off STRONG. for vegeta to even have the thought “on this small earth life must be protected to the end” is such a good line but pairing it with “but whenever i look at you i feel like a fool” CRAAZYYYYY. insane. protecting the earth is a huge part of all the earthlings’ characters, and without goku, vegeta wouldnt have those feelings. to talk about protecting earth in one line and then immediately talk about goku next is wildddd. “i want to protect the earth, you taught me the importance of that, and yet when i look at you im reminded that it’s because of YOU that i hold these feelings about this planet.” like okAAAY alright okay!!

“why do i treat you so harshly? why do i hurt you that way? yet still fight against great evils” GRAAAHHHH this is insane right LMAO

vegeta displaying confusion as to why he treats goku the way he does when they share the same goal.. when they fight the same battles.. this self aware-ness is literally what early-stage kakavege IS dude. vegeta feeling conflicted about his actions vs his emotions is the first step to realizing he’s in love with goku.. haha. lol

“for the sake of love […] i would even throw away my rank” VEGETAAA. WHAT ARE WE TALKING ABOUTTTTT LMFAO….

vegeta suggesting he would disown his own ranking, his pride, something very near and dear to him.. this is also early kakavege core LMAO i mean come on. thats just an insane fucking thing for him to say. unreal.

IT JUST KEEPS GETTING BETTER….!!!

“IN TRUTH, THIS POWER IS NOTHING. ALL I KNOW IS YOU.” VEGETA……..!!!!!!!!

ALL I KNOW IS YOU? ALL I KNOW IS YOU???

“although i pretend to be a steel wall […] all i know is you” is just. i mean. EXPLICITLY kakavege. this is kakavege poetry. this is vegeta’s struggle perfectly put into lyric form. i cant believe this fucking song exists lmfao

NOW. NOW..

“the smile you give me is always warm” is wild when thinking about how the entire fusion reborn movie consists of 45 minutes of goku smiling lovingly at vegeta LMAO DONT EVEN THINK VEGETA DIDNT NOTICE. !!

“here i am, offering myself completely if we can be together”

AINT THAT JUST THE ICING ON THE CAKE FOLKS. DONT THAT JUST BEAT ALL LMFAO. ANYONE ELSE FEEL SUPER NORMAL RN?

offering myself completely. giving my all to you. devoting myself to you. THIS IS ONE OF THE FUCKING BUILDING BLOCKS OF KAKAVEGE DUDE. THIS IS ONE OF THE RUNNING THEMES, A KAKAVEGE LEITMOTIF. THIS IS SO VEGETA. I WANNA DIE LMFAO

“if we can be together” …. i mean. what even is there to say about that. how much more explicit can he be here. this is the most straightforward thing vegeta will ever say in terms of kakavege lmao this is it folks. this is IT !!!

its just unreal right. that a song like this even exists.. i mean its so obviously about goku, talking about training together and vegeta being mean to him and protecting earth together and throwing away his rank….. if you think even for one second that this is about bulma you are BLIND. like lets all be serious a moment lmao

and i love that this is related to fusion reborn of all things. that movie is the fucking kakavege bible dude i SWEAR. this whole song makes so much sense if you see fusion reborn as a love story, it all fits so perfectly with how vegeta would theoretically be feeling during the (vaguely referenced) place in the timeline that this movie takes place. this is buu arc shit baby its the point of no return for vegeta its the beginning of the end.. he is realizing his feelings for goku.. i live for this shit man seriously this is what i thrive on

also the goddamn song is called “love is like a ballad” i mean what else can even be said lmfao ..!

[heartofaskywalkerprincessleia]

Anakin's vision in The Empire Strikes Back

(Contains spoilers for Star Wars Episodes 4-6.) 

I recently rewatched The Empire Strikes Back. It's been a long time since I've seen the film, and I found myself asking two questions that I've never considered before. 

Why doesn't Darth Vader (Anakin) use the Force to stop Luke from falling in Cloud City?

Why is Lando Calrissian (a total stranger to Luke) the one who opens the hatch and catches Luke? 

I came up with a theory to answer both of these questions: because of Anakin's vision. 

We know that both the Jedi and the Sith have visions of the future. The Jedi are connected to the emotions of the people around them. Visions are often caused as a sort of forewarning that someone will be in emotional distress. Luke himself has a vision because his friends are going to be in danger.

What you may not have realized before is the level of the cruelty shown by Anakin in knowing that his son is connected to the force and therefore has these types of visions. Because he wants Luke to come to Cloud City, he purposefully tortures Han Solo to trigger a vision in Luke. The audience may not have noticed that detail, because torturing Han Solo happens after Luke's vision. Anakin knows that Luke will be made to sense his friend's pain before it happens. 

This kind of vision happens to Anakin at the beginning of the film, when Luke nearly dies in the snow on Hoth. The Empire has been searching for the Rebels for some time, yet when Darth Vader sees the image from the Hoth planet, he adamantly states that the Rebels are there. This is only possible because he was able to sense his son in danger before, and, just like Luke is able to see Cloud City, saw the Rebel base before. 

That vision isn't the one I'm referring to. The vision I'm referring to happens when Anakin sets his trap for Luke. What does he see? Because Luke is about to be in pain, Anakin has a vision of Lando Calrissian, in the Millennium Falcon, rescuing his son. 

Anakin knows that his son has to join him, or be killed by the Emperor. Yoda said before that the future was always changing. Anakin's only hope of saving his son was to help his vision to become true. This is why the Millennium Falcon is left relatively unguarded. Think about it. Why is the Millennium Falcon even left alone in Cloud City? When the Rebels have used it to escape Vader multiple times already? I'll get back to that in a moment. 

Vader knows how to manipulate the emotions of others. He begins by trying to get Lando Calrissian's emotions to the edge. Changing the deal multiple times, so that Lando will become angry enough to rebel against him. After freezing Han Solo in Carbonite, he tells Lando that he's taking the princess. Vader can feel his emotions. He knows that's the last straw. 

With everything made as perfect as possible, Anakin begins the fight with Luke. Anakin tries everything he can to knock Luke unconscious without killing him, including throwing multiple metallic things at him using the Force. When that doesn't work, Anakin ends up revealing that he is Luke's father. 

Some people have argued that the reason that Vader doesn't try to prevent Luke from falling is that he's in shock. I think that is partially true. Anakin is in shock that his son would rather die than join him. However, he's also been trying to capture him for all this time. He can feel that Luke hasn't died. Why would he give up so easily? 

Anakin returns to his ship, and leaves Cloud City. Why is he doing this? He turns to his general, and asks if his men deactivated the hyperdrive motivator in the Millennium Falcon.

BECAUSE HE ASKED THEM TO DEACTIVATE IT. 

WHY would Anakin ask for the hyperdrive to be disabled if he didn't KNOW that Lando would betray him, and use the ship to escape? He knows that Luke is aboard the Millennium Falcon, and even tells the general to have the men turn their blasters to stun. He tries to connect with Luke, and tells him that he can't escape his destiny. 

Anakin knew that Lando would save Luke no matter the outcome of the fight. And he set things up so that, no matter what, his vision would come true and Luke would be rescued. 

He didn't know his son would refuse to join him, but he did know that the outcome would be this way. The only thing he didn't factor in was R2-D2 being able to repair the ship. Even with all his preparations, he didn't know the future exactly. 

What do you think of this theory? Do you have your own theory about this?