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ghostieblr · 1 month ago

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Peter's Vows

When Derek is born, there is an earthquake. Beacon Hills is many things, but it is not a place of earthquakes. This is an anomaly, this sudden shaking of the land, and Peter watches Talia go through the pain of birthing a cub, and he makes note of how her cries resonate with the moving earth. As the baby is brought to the world of the living, the earth shakes more; giddy, Peter thinks of the land. Giddy at this baby's birth. That's what it is.

The town reels with the destruction, however minimal it seems to be. It is the strangeness of the earthquake that has the people in a panic, and it takes two days of Mayor Yukimura calling for council meetings and community barbecues that they begin to somehwat calm down.

The baby is named Derek on the first day itself, born underneath the Nemeton, his pale blue eyes reflecting the moonlight in silver hues. Talia sobs with relief, Nathan beside her, stroking her hair. Laura is back at the pack house, safely tucked in the bed, the rest of the pack members keeping watch. Talia had wanted to bring her with them, fearing the worst of the anomaly, but their mom had convinced her to not do it. The birth of the Alpha's cub is a big deal, but it is also private: only the Mate, Emissary and Left Hand are allowed to be present, for comfort, safety, and protection, respectively.

It has been tradition since ages, and Talia is the last person to break it.

Derek is a calm baby. Sleeps through the night, doesn't cry for attention. Only does it for feeding, his survival instinct as strong as his lungs. Peter adores him, even if he may never admit it to anyone.

He is also curious about the boy. Why an earthquake? It cannot be a coincidence. Truly, he wonders how some people can be so dumb. Calling it a coincidence is insulting to the Powers That Be, which must have called upon such a natural reaction of the land for a reason. Derek is a special boy, and Peter vows to find out how.

Besides his incredibly compassionate heart, that is.

It is in his eyes, which have slowly turned into a kaleidoscope of colors, the kindness of him. Derek's trust is not so easily earned, but once it is, it is extremely difficult to dislodge it.

Derek is a boy destined to become a kind man, one that will be an Alpha with mercy in his heart but cunning in his mind. Peter sees the makings of it right from the beginning, the way the boy will procure solutions to his own problems as well as those he deems important to him. Laura is the first born and thus has the claim to being the next Hale Alpha, however Peter knows, somehow, perhaps instinctually, that Derek will be the Alpha.

Another piece of the puzzle falls in place when their emissary falls pregnant. She's an amazing woman, Claudia. Peter likes her wit and humor, and he enjoys the perspective of her husband, the deputy, and if luck is on his side, soon-to-be Sheriff of Beacon Hills. Peter is happy for the couple.

He is, also, astonished to see an almost five-year-old Derek climb onto Claudia's lap one morning, his small fists rubbing against his eyes, and his nose scrunching determinedly to find a scent.

Peter remembers the conversation well.

"Derek, honey? What are you trying to find?"

"Mine," is what Derek growls in reply to Claudia, and shoves his nose against her barely-showing belly.

Peter's laughing figure is shot out of the end of the couch and onto the floor by Claudia's impeccable throw of one of the decorative pillows from said couch.

Thereafter, it was peculiar but not unseemly to find Derek following beside Claudia, his whole little being focused on the life forming inside her. And when the night came, Peter wasn't at all surprised to witness the thunderstorm.

Claudia had plans of giving birth in the hospital, but due to miscalculated steps, or simply because of reasons not privy to them, the best possible option left for her seemed to be below the Nemeton.

John had lost his damn mind at the prospect. "It's raining! Heavily!"

"Talia gave birth in an earthquake," Claudia says through gritted teeth, "And the baby doesn't care, nor do I, John. It is—"

Her words are cut off by another scream, and she is right, of course. It is time.

Talia, John, and Peter are the only ones who should go with her, but Derek, the little sneaky wolf that he seems to have become, follows them. It isn't until halfway through that John, the human, realizes his presence first.

They move forward with the determined little boy, who is all sopping wet in his wolf onesie, and really, this is no laughing matter. Except it is.

Claudia is brought below the Nemeton, and the tree, big and branching and beautiful, hums in their presence. The canopy of it sheds them some, but not completely.

And so, under hard rain and sharp thunderstorms, Mieczysław Stilinski is born, his little body almost white under the moonlight, and his eyes, when they open, a shock of topaz, like a glinting jewel; a fallen angel, Peter thinks.

Derek carefully wraps the baby in the blanket Talia removes from the packed bag, her movements locked onto her son's and the baby's, while John tends to his wife.

Peter watches. He notes the way the baby is calmest in Derek's arms, the way Derek is mesmerized.

This is more than just being True Mates.

True Mates itself are the rarest of occurrences, but something tells him this is more than that. The earthquake, and this sudden rain, in April of all things, simply cannot be coincidence. There must be a reason, one that Peter must uncover.

In the coming years, he dedicates his time to the quest, and finds that, oh, this is something unique indeed.

Unique to the point of legend.

Of course, he gathers facts before telling anyone. Derek's control goes onto the list, as does his ability to switch between his shift as easy as breathing. Having such control at the age of seven is almost impossible, but he has it without the growing ego that would have inflated anyone else's with the amount of praise he gets.

Stiles, as Derek had nicknamed Mieczysław almost immediately post his arrival in the world, is no human. His mother's line has some pretty strong magical abilities, but the kind of power that this boy exudes surpasses imagination. Nobody notices at first, not even Peter, until Stiles is a couple of months past his third birthday. It truly isn't until Derek, almost nine, comes down from his room one day into the kitchen, says, "Which packet, Stiles?" that they realize it.

"Honey, he isn't a wolf. He cannot hear you," Nathan tells him, but Derek just shrugs.

"He is for today."

Peter hears the, "Blue one! Blue one! Blue is sooo pretty, Derek!" from Stiles, who is definitely sitting in Derek's room, upstairs.

Derek grabs the blue packet and goes upstairs, and Peter follows, followed by Talia and Nathan, who beckon Claudia as well.

Stiles sitting on the floor, a myriad of toys around him, while the packets of chips sit beside him, torn open, evidently by Derek's claws, who himself is playing with Stiles.

And they're both being fed flying chips.

The three wolves turn to Claudia as one. Her shaking head and awed face is enough to clue them in, and really, Peter thinks, this is fucking incredible.

Powers don't manifest as early as this in magic wielders. They're more of the puberty package, tied to emotions at the beginning rather than will.

This is... defying it.

Peter loves to see when the next piece of the puzzle will fall.

And it does oh so enticingly.

Years later, when Derek is fourteen and Stiles is almost nine, comes the first trial. The Alpha Summit & The Argent Treaty.

Peter doesn't believe Gerard's words to do no harm, so he sets up precautions in place. It pays off, because during the summit, he almost ends up blinding Deaucalion — something that could have turned super bad if left unchecked.

Gerard's attack is met with swift retaliation, but somehow, only his goons end up dead. Gerard himself remains free, and through sheer will, maybe, the old man manages to kidnap Laura.

By the time the adults sniff out their cub, they're too late.

Not in the sense of Laura being hurt, but in the terms of missing the action, somewhat.

When they enter the warehouse, they are faced with Gerard being held down by a black wolf, fangs around his neck, the eyes of the creature a deep, ruby red. Deeper than Talia's. At first, they all assume it to be one of the visiting Alphas, but then they realize Stiles' presence, too, and it clicks.

Stiles frees Laura from the painful looking electric rod, and comes back to Derek, coaxes him back to his human form as Peter and Nathan take care of the psychopath.

Laura lets Talia mother her, and then says, "We'll have two Alphas."

Talia looks at the now human Derek, and eyes shining with pride, she nods. "Come here, both of you," she beckons, and the boys run, Stiles' chattering a comforting sound for all of them.

A few weeks later, Derek admits to everyone he has a new friend, and talks about her often. Paige this, Paige that. Laura teases him, restrained in her words, trying not to upset Derek's control. Even Cora pulls back. Stiles, though, is almost worse.

He riles Derek to the point of him using his Alpha voice to shut up, and the whole Pack silences itself, even Talia. Stiles, though — an exception to all things sane — doesn't back down. The voice doesn't work on him, and Derek isn't phased by it. However, the smell of guilt filters through their home, and Stiles' sigh is followed by comforting words. There is no apologizing though.

Soon, they'll learn from Derek himself that he hates that everyone is walking on eggshells. That is why he kept bringing up Paige, so that someone would tease him, uncle Peter, Laura, Cora. Or that Stiles would rile him up.

"Why would he, though? He should be happy for you. I am." Cora's words are met with a laugh from Derek, and a groan of embarrassement from Stiles.

"He's weirdly possessive — don't push me, you know you are."

"Alright," Stiles sighs, "I am."

"And Paige is a great friend, but I don't nearly think about her as much as I might have let you all believe."

And that is when Peter sees it. The blink-and-you-will-miss-it purple flash of Stiles' eyes. Peter doesn't put thought into why now; he simply focuses on completing the puzzle.

And he does. True Alpha and Purple Eyes? That's easy.

That's legend.

Set in stone as the first Alpha and the first Emissary as well as Spark, who, arguably, also set in stone the sword of Excalibur.

That part of the legend has questionable sources, though. Sure, Merlin Emrys is, as per theories, the most powerful sorcerer of all time, and Arthur Pendragon the greatest ruler, the once and future king, but it doesn't have as much merit.

What Peter is sure about is that somehow, the Powers That Be decided that this is the pack to send these two to.

He watches Stiles argue about the best type of pasta with Derek, and thinks, suddenly, that perhaps this is their happy ending. What legends end happy? None. So this must be their time to be happy.

Peter vows another quest, then. To always protect Derek and Stiles.

#sterek #the hale pack #peter hale #derek hale #stiles stilinski #pov peter hale #sterek fic recs #*sterek fic recs #wow i'm on a roll today #i've had similar ideas before but wanted to write it in an experimental style #of derek & stiles being the first pair of alpha werewolf and emissary #of stiles turning derek into a wolf to protect their home and their people and hence the legend is born #if you see any errors no you don't :)#no but really it's currently 2am here and i should be studying but i am Decidedly Not #sh.writesonmain #sh.writing

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the---hermit · 1 month ago

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how I take notes on non fiction books

I recently made a post on my study method, and decided to make a whole separate post on my note taking method. The structure of the notes I write doesn't vary too much from my lecture notes to things I might have to read. A couple of useful informations you might want to know before I start actually talking about note writing is that I am mainly focused on studying history (tho I have had other humanities exams in my degrees), and that I study for oral exams in which the material is mainly composed of non fiction books, but sometimes include articles as well as lecture notes. Somehow I have also failed to mention that I am speaking about HANDWRITTEN NOTES. I only do handwritten notes, I don't work well digitally, so keep that in mind. And with this being said brace yourselves for a very long post. The bullet points I will be making are not really in a specific order and I will be including a few pictures too.

The first step when I am working on the materials for an exam is to figure out in which order I will be reading (and writing notes) the books. This hasn't really much to do with the notes themselves, but it's important to know which of your materials is more general and what other things go more in depth, so that you don't struggle too much while studying. Another plan related thing I always do is to write down each chapter of the book I have to study on my bullet journal and how many pages it is so I can plan my studying more comfortably. If the chapters are very long, and divided in subchapters I sometimes also write those down.

The goal of the notes I write is to fully take the place of the book, so they tend to be very detailed and long. I do this because the very act of writing is part of my study method, and working on things I have written down in my own words is just much better for the type of learner I am. So basically I read the book only once, then it goes back on the shelf and I work exclusively on the notes. This means my notes need to be detailed and well organized.

My method is to read a chapter, underlining important stuff as I am reading, and then right after I am done reading I work on the notes for that chapter before moving onto the next. I do this because it makes the note writing more effortless, I am fresh with informations I just read and I basically just need to skim over what I have underlined.

On underlining, since it is so important. I underline everything I will be including in my notes, it might seem much as sometimes it consists of full paragraphs, instead of key words. But this is okay because my notes I don't just copy and paste.

To create useful notes you need to be re-elaborating the informations. You need to read, understand what you read, and be able to write it down using your own words. That way the notes will be easier to review, they will often be composed of shorter sentences, and by doing so you are also actively making writing part of your studying and not just a mindless activity.

Personally I don't work well with full pages summaries, I need the text to be visually broken into sentences/small paragraphs, and I use a lot of symbols as well as abbreviations.

Symbols and abbreviations are in a way part of your very own language when you are writing notes, you tend to develop these with time, but they are so useful. I personally use different types of arrows, all caps words, position of the text in the page, different methods of highlighting and abbreviations (usually for words that come up often like country names, for example Italy becomes ita, France becomes fr, etc.).

Your notes need to be useful for you, they don't have to necessarily be comprehensible for another person (which means you can and will fuck up sentence structure because sometimes skipping a couple of words makes the notes shorter and still understandable), and they do not have to be pretty. They should be as tidy as possible, but again that might change from person to person, I have some very messy looking notes that make total sense to me. With time you'll learn what works best for you.

I have a visual memory so as I mentioned titles, highlighters, all caps, the placement on the page and other similar things are very important in my notes. I cannot fully exapain some of these things because some definitely only make sense to me in the moment (like the words I choose to write in all caps, or the way I highlight things).

I like to have a clear chapter and subchapter break (so that in case I need to refer back to the book it's super effortless). I like to write those with a red pen, usually the chapter title is in all caps and the subchapter in coursive, but it really depends.

I use only two highlighters in each set of notes yellow for dates, and the colour I associate with the book/the subject of the book (I have synesthesia I don't make the rules when it comes to colours). This of course might change depending your preferences and on the element of your notes you want to focus on. I like to have spacific colour for dates and time periods, because of course while studying history that is a fundamental element. If you are focusing on other subjects you might want to have a specific colour for names, or other elements.

I like to leave a big side margin to add either key words (especially in lecture notes since they might be messier and jump around informations more often), or additional information in a second time (sometimes it happens, after you read another book, or attended a particular lecture you have to add a couple of sentences and I rather have a blank space that never gets used rather than no space at all for emergencies).

I honestly mentioned everything that came to mind right away, but since note writing is now basically a mindless skill I have been practicing for years I surely forgot about something. I might end up adding to this post in the future or write another one. My note-writing method has also changed a lot thought the years from high school to university, it's a skill I have been perfecting for the past decade. This to say that depending on what you are working on things might change, and by experimenting with different things you might find out things that work very well for you. If you have any questions on specific things I didn't mention or that wen't clear my inbox is always open and I am more than happy to help.

Since this post is already very very long I am adding the pictures below the cut

Example of a page of notes before and after highlighting

Example of symbols and structure of the notes and the way I highlight things (in which you'll hopefully be able to understand my handwriting, and in which there might be some spelling errors but alas that often happens in my real notes as well so if there are any it's for the sake of accuracy lmao). If I end up adding informations on the margins I always use a pen of a different color so I can tell which informations I got from what source (ex. main notes from lecture, colorful notes from additional article).

Example of messier notes in which the main text in black are the notes I took during lectures and the additional colorful text was added while writing the materials (I rarely do this, it usually happens when the lectures follow a book precisely, which happens when we have to study books or summaries written by the professor). As you can see I often use post it notes to add more writing space, and sometime I even use them to create visually separated sections. If I end up adding some drawings I also usually like to have them on post it notes so they stand out more (and if you are wondering why the hell would an history student need drawings it's usually either because I need a map or a region/state to mark things out, or when studying for archaeology exams I often needed visual references, for example to identify different types of vases or decorations).

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