#no longer battling it out
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a-novel-addiction-2022 · 9 months ago
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By learning to truly love someone else, you learn to love the world. And yourself, which may be even harder.
Luna McNamara, Psyche and Eros
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egophiliac · 17 days ago
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listen. people have always debated which character is the most normal guy but what if it has in fact been crowley the whole time. no string pulling no master plan just a guy who wants to keep his school running and is cursed with problematic students and incidents
honestly I think the funniest possible reveal would be one of two options:
ONE: Crowley has no plot relevance whatsoever. he wears the mask to cover his receding hairline. his darkest secret is the bottle of "medicinal" whiskey under his desk. this man can barely plan a PTA function with six months' advance notice, he doesn't have the time or patience for any kind of overarching master plot involving mutating students or whatever. the only thing wrong with him is that he's been running this school for (mumblemumble) years and, quite frankly, if you'd been putting up with NRC students for a couple of centuries, you'd have totally checked out by this point too.
OR
TWO: Crowley IS actually Raverne and HAS been slowly enacting a master gambit...to embezzle school funds. the overblots are still completely incidental. he has somehow less idea of what's going on than we do. we confront him about it and he's just like
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kat1nkulta · 5 months ago
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I can’t stop thinking about Loop. Imagine doing everything, anything, to get out of a traumatic situation but the price is you. Your body is gone, your name is gone, your family doesn’t recognize you, you feel like most of your memories of them are gone too anyway. Suddenly you’re denied your identity. It’s like YOU never existed… and someone else took your place. You, whose biggest fears are forgetting and being forgotten in turn. You, who’s hesitant to change and now you’re forced to. You can’t even really blame anyone else because you did get your wish, right?
It’s explained clearly in the game, but the implications of it just hit me extra hard sometimes. Siffrin is as much of a study of Loop as Loop is of Siffrin. They share(d) their fears too so mal du pays words essentially becoming the truth to Loop is just… 🪨🪨🪨🙁🙁🙁💥💥💥💥
What do you do when all you have is ripped from you, all your worst fears come true, and youre forced to just… come to terms with it?
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bfdifan26 · 5 months ago
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what the hecky
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fistfuloflightning · 1 year ago
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I’ll never get there, but if I put the work in, maybe I’ll get close enough that I can chase just behind perfection — and have a front-row seat as you achieve it.
Chapter 20, Cultivate by @neonghostcat
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dawnleaf37 · 5 months ago
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hey yeah i had another bad idea . for eucerin
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ratwithhands · 4 months ago
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I had this AU archived off my accounts for a few years, but I'm thinking about it a lot more these days so I'm digging it up for sketches.
This is Kudari from Codebreaker, functionally the starting antagonist for the story when Emmet accidentally collides with him and takes parts of his body.
For a little debrief, the main idea of Codebreaker is that Emmet discovers that he exists in a false reality, and that there is a parallel plane where all of the instructions for his reality exist. He finds his way to this plane by accident after walking back from another lonely day at work, and is hellbent on learning how to manipulate it in the hopes that he can recover Ingo with that knowledge. Kudari is his own set of instructions, who he partly dismantles, allowing him to actually interact with the code. This leaves a hollowed out shell that starts trying to find his own way to get his body back from Emmet.
I'd been thinking about the Beta Submas leaks which lead me to sketching him again. Here's the first rough warmup sketch I did with a fight between him and Emmet.
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From there I just started reworking his old design to be worse 💀
Let me know if you guys want more of this freak, he's honestly really fun to sketch.
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runawaycatwalker · 6 months ago
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Part 30. The Return
< First | < Previous | Next >
Description below the cut
Nathalie scrolls through photos on her tablet.  The pictures of Adrien have all been replaced by a white void.
Nathalie (internally): Aside from a few unprofessional photos, it seems Adrien has been wiped from the record.
Nathalie looks off to the side, frowning in anticipation.
Nathalie (internally): Gabriel won't be pleased.  Any moment, he's going to burst through that door and—
Gabriel bursts open the doors to Nathalie’s room.
Nathalie (internally): Nathalie!
Nathalie (aloud): *sigh* Yes, sir?
Gabriel: I need you to arrange an immediate flight!
Gabriel prances about in dancing delight.
Nathalie: A... flight?
Gabriel: My akuma found Adrien!  And then she immediately lost him, but I have my son's last known location now!  And!  We went near that area when we were all travelling the world!  It'll just be one quick trip to grab him, and he'll be back where he belongs!
Nathalie revolves what she knows around her head before coming to a decision.
Nathalie (internally): So, Adrien is retracing our footsteps?  He knows something about Emile, so is he just looking for answers?  Or is he seeking something we missed that could help her?  Regardless...
Nathalie (aloud): I'm coming with you.
Gabriel waves his hand indignantly.
Gabriel: Absolutely not!  You aren't fit for the expeditions we used to go on anymore!  You can't jeopardize your health traipsing up mountains!
Nathalie looks at him with steely resolve.
Nathalie: It's Adrien.  I'm coming, Gabriel.  You're going to have me there at your back whether you like it or not.
Gabriel adjusts his jacket in defeat.
Gabriel: Fine.  I won't waste any more time arguing with you.  You may come.
Nathalie: Very good, sir.  I'll make the call.
Gabriel looks down at Nathalie appreciatively.
Gabriel: Your loyalty is truly admirable, Nathalie.
Nathalie: ...  I do what I must.
Cut to the rooftop where Chat Noir once prepared a candlelit surprise for Ladybug.  A “Find Adrien” billboard is on display there (the spot where Adrien was once depicted replaced with white void), with all the lights that would illuminate it broken except for the one on the end.  At the dark end of the billboard, Chat Noir sits on the ground, waiting.
A close-up of Ladybug’s feet ‘plop’-ing to the ground.  Chat Noir turns his head to look behind him in excitement.
Chat Noir: M'lady!
Ladybug holds up a warding hand and holds tight to her yo-yo, making Chat stop his attempt to greet her in its tracks.
Ladybug: Stay back.
Chat Noir: M'lady?
Ladybug grips her yo-yo in her hands.
Ladybug: I need to know that you're not some sort of trick.  I need to know you're you.
Chat Noir looks at Ladybug with a need to fulfill her every request.  Ladybug’s head is shown from behind as the free parts of her hair blow in the wind.
Chat Noir: What do you need me to do?
Ladybug: I need you to remember.
Ladybug, eyes still obscured by blowing hair, holds up yo-yo defensively.
Ladybug: What conditions did you give the Celestial Guardian for relinquishing your miraculous?
Chat Noir: Hmm.  I don't remember giving him my conditions.
Ladybug: That's your answer?
Chat Noir holds out his hand invitingly.
Chat Noir: Well, I don't count telling Su-Han to 'come and get it'.  You're the one I gave my conditions to: That if I have to give up my miraculous, I will.  But only if you ask me to.
Ladybug rushes Chat Noir with a hug, throwing his arms around his neck, as he embraces her with a smile.  Images of them together are shown in the background: Ladybug smiling as she hugs Chat and he nestles his face in her hair; Chat holding Ladybug up in the air in front of him as she holds his face in her hands; Chat Noir swinging Ladybug in a circle as she grabs onto him and lets her legs fly outwards around them, Chat smiling as he holds Ladybug close.
Ladybug: That's right, Chat.  And I never asked you to.
Chat Noir: You would have.  I know you've given other heroes exceptions before, but me?  You'd never.  I knew it the moment Mayura recognized me: I'd have to go.
Ladybug and Chat cry in each other’s arms.
Ladybug: But I never even got the chance to say goodbye.  You were just gone and I had no idea if I'd ever see you again. I’ve missed you so much, Chat.
Chat Noir: I’ve missed me too.
Ladybug boops Chat’s nose with a teasing glint in her eye.  Chat gives her a playful grin.
Ladybug: Hold on... did you just say you missed you too?
Chat Noir: Hey, I'm very missable!
Ladybug: Ha!  You dork...
Chat Noir: Always your dork, m'lady.
Ladybug take’s Chat Noir’s hand and pulls him towards the railing, pointing behind herself at Marinette’s balcony.
Chat Noir: But shouldn't we be getting out of the open?
Ladybug: I'm already ahead of you: Marinette Dupain-Cheng is spending the night with a friend, so she’s letting us use her room.
Chat Noir pulls his hand out of Ladybug’s.
Chat Noir: Wait.  What are the odds that Marinette is actually Mayura?
Chat Noir looks away in panic, grabbing at his bell with one hand and touching the back of his neck with the other.
Ladybug: What?  None.  She can't be.
Chat Noir: 'Can't' in that you wouldn’t have expected it of her?  Or 'can't' as in you’ve seen Marinette and Mayura in the same room together?  And there wasn't a chance of it all being an illusion or a fake or—?
Ladybug: Kitty!
Ladybug holds Chat Noir’s hand in front of her (interlocking her fingers in his) and looks directly at the viewer with complete reassurance.
Ladybug: I am 100% paws-itive that Marinette is trustworthy.  Yes, she's not allowed to be a temporary hero anymore.  But she's safe.  I never would have entrusted her with saving our kwamis if I wasn’t absolutely sure she was on our side.
Chat Noir collapses into Ladybug’s arms as she looks at him with concern.
Chat Noir: Thanks for reassuring me.  I never wanted to doubt her.  It’s just... hard to go back to trusting people when I know I'm wrong about somebody.
Ladybug touches Chat’s face and shoulder comfortingly.  He holds onto her arm with both hands and looks into her eyes, comforted by her support.
Ladybug: I'm glad you still know that you can always trust me.  You ready now?
Chat Noir holds up the trapdoor to Marinette’s room, following Ladybug down as she holds his hand with both of hers, smiling up at him.
Chat Noir: After you, m'lady...
Below is the same image as above, only without text:
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yeoldbrainrot · 2 months ago
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Im realizing that my niche community posting is far more effective at getting me in a worse position on tumblr than my random drawings... maybe I'll post another drawing today, as like, a... social experiment? On myself?
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otaku553 · 2 years ago
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My brother recently got into Demon Slayer so I wanted to make a kny oc for him since I did it before with both me and my sister and never got around to my brother :)
But I started by refreshing my own design because wow?? It’s been 4 years since I first made my kny insert character and a lot of things are now outdated! Not to mention my art has improved a lot, I hope. More details under the cut!
Meet Ebisu Koharu: youngest of the Ebisu family and physically the weakest. They only barely passed Final Selection by hiding for the entire week and surviving off tips from their older siblings. Nonetheless, they still want to contribute, which is why they hold onto a thick, leather bound book that records every demon they’ve ever met in precise detail, with labeled diagrams and scribbled calculations in the margins of different strengths and weaknesses.
After spending a few years on the job, and properly seeing their data contribute to the successes of other demon slayers, they’ve come a bit more into their own as a competent researcher and fighter, though they still do tend to request paired missions with friends and family to act more as a support role rather than a fighter.
The Ebisu family is one of scholars. The eldest daughter Kaoru is a doctor, and the eldest son Shougen is a chemist. By nature, fighting is not necessarily their strong suit, which is why their family breathing style and techniques are all poison-assisted. Of the three, Koharu is the weakest and most averse to combat— they wield a short half-length blade, with more of a smooth ceremonial hilt and sheath than any practical weapon.
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twodiamondhoes · 2 months ago
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SLAMS DOOR OPEN hello!!! I hear you're looking for lil ficlet ideas!!
I would love to see your take on jimmy and grians relationship 👀👀👀 I simply wish there was more content of them in the world (shippy or non-shippy!!)
If u would like any additional prompts maybe the aftermath of grian taking jimmy out in wildlife????
No pressure at all if the thought doesnt appeal to you, saluting you so much as a fellow traveller on the writing strugglebus right now. GOOD LUCK!!! <3
Hi Theo!! Welcome in, please have a seat! :D
as for Jimmy & (/) Grian I totally agree, I love their dynamic so much!! Time to be the change we want to see in the world XD
Take my hand, we will get through this rough patch together!! <3333
I haven't actually finished either of their WL POVs (Blasphemous as a self-proclaimed Jimmy Main, I know) so IDK how well I can touch on that one, but I did see that clip of Grian joining their phasmo thing late that's floating around and I lost my mind. Have this modern au?? Phasmo au??? IDK but here you go!
Grian sank deeper into the couch cushions, watching some rerun of an ancient Top Gear episode on the TV in front of him. The sound is so low it might as well be muted in favor of listening to Jimmy off in the kitchen, rummaging around in cupboards as they waited for Joel to arrive.
On the screen, Hammond spun out just in time for Jimmy's voice to peak, some offended crescendo about the story he was telling. Something about someone at work.
For the first time in days, Grian felt his lungs fill, untrapped by the vice of panic or stress. He made some sort of noise in response to Jimmy asking if he could believe all of that. He tried to focus on the words, knowing that Jimmy would be more offended at him not listening than he had been at the lady in his story, but relaxation was stealing over him in waves, pulling the steel and the energy from his limbs the longer he sat there.
Jimmy's voice was much closer when he snorted, placing down a mug on the table in front of Grian. He didn't remember telling him what he wanted in his tea, but the label that spun in front of them was his favorite brew. Warmth steeped through him.
"Budge up," Jimmy said, the words floating down through the syrup of Grian's mind instead of crashing through and jarring him back to consciousness. He shuffled back into a mostly upright position, "are you falling asleep on me?"
“No,”Grian scoffed, leaving Jimmy more than enough time to settle in before he slid sideways again so that he could lean heavily on Jimmy’s shoulder. He hooked a grin up at him. “Now I’m falling asleep on you.”
“You utter-I'm not that boring, am I?” Jimmy groused, reaching for the remote. Grian kicked at the coffee table with his foot, scooting it enough that the remote was out of reach.
“As boring as you always are,” Grian said, if only because he couldn’t seem to untangle the emotions caught in the warm mixture in his chest, at least not in a way where he could pull them apart and explain them to Jimmy. “Maybe I’m just tired,” he said, trying to call up a haughty tone, “maybe it’s got nothing to do with you.”
Jimmy grumbled something more under his breath, but shifted so that Grian was resting comfortably at his side, instead of just smushed against him.
"Go on, then,” Jimmy said, settling back against the armrest so they were both halfway to horizontal. “Joel can wake us up when he gets here.”
Grian hid a smile against Jimmy’s shoulder.
“Glad you see things my way.”
#wix writes#fic: prompt fills#<- trying to be more organized lmao it's a losing battle I'm sorry#hermitshipping#solidarian#or is it#solidrian#I've seen both get used idk#something something the inherent intimacy of being able to relax around someone enough to fall asleep something something...#Look I have never once been able to fall asleep when something is boring me to tears. It's just painful. HOWEVER.#on multiple occasions I have been so relaxed listening to someone I love talk that I get Dozy. Those tend to be the best naps EVER#anyway this could be read as just buds or shippy but I 100% wrote it as trending towards shippy lmao#ty for sending this in theo!!! I had so much fun writing it even though writing short fills is so much harder than I remember it being lol#also wrt my thoughts on Grian taking out Jimmy in WL... ooh it's so juicy I just didnt have the capacity to keep up w them at the end there#I watched Gem all the way through and then swapped over to Joel's finale and those are the episodes I've watched. And I switched to Joel's#before I even knew he was the winner I just wanted to follow the Family to the end lol#but it means I have no context for the bunker explosion aside from like. the inherent homoeroticism of making sure someone knows you're the#reason they're going out of the series etc.#+ the fact that it does kind of feel like Lizzie was there as an afterthought. Grian's focus was on Jimmy and ending Jimmy's series#I could twist that in so many directions. but I would have to watch the episodes first ToT#they're on my list though so... mayhap eventually!!#why are my tags longer than the fic atp anyway <333333
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blueskittlesart · 2 years ago
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
#one thing i've really been noticing this time around is the specific way in which navi's targeting works#because even though other 3d games have that targeting mechanic navi's targeting is noticeably different#in two ways. the first being that she specifically targets weak spots in enemies almost as if she is pointing them out to link#and the second being that she is capable of targeting things link himself doesn't see#whether it be invisible enemies or triggers that are out of his reach or scarecrow points or whatever#it's really reminiscent to me of the way you teach problem solving skills to a kid. you see them struggling with something and beginning to#get frustrated and you say 'hey let's look around. do you see any solutions?' and if they can't see the solution themself you might point#and say 'hey what's that?' just to get their attention on it and help facilitate that train of thought for them#because like in most other games targeting is sort of assumed to be link's own intuition in battle#and therefore it will usually allow you to focus on one enemy within a swarm of them but it won't explicitly light up the weak spot for you#navi does that for link because she's essentially the mother teaching her kid how to problem-solve.#and when she's taken away in the final battle link is able to fight anyway BECAUSE she put so much time and effort into raising him#that he no longer needs her to facilitate that problem-solving process. he already knows how to beat ganondorf#because he's done it with her before. and that's exactly the mother's role in her child's life#protect him and raise him as best you can so that when you can no longer be by his side he isn't afraid.#foster that sense of justice and encourage him to keep fighting to change the world even when it seems unchangeable.#god. ocarina of fucking time#zelda analysis#asks
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lumberwoof · 1 year ago
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AU where Franka doesn't get approval for the transfer and instead has to cut and run to Rhodes Island alone. Liskarm just misses finding out and isn't able to follow. and then they reunite some years down the line for whatever reason, Franka happy at Rhodes Island but still a little lonely and Liskarm saying she's fine but being at Blacksteel for so long has made her colder and harsher and just plain miserable.
(it isn't all bad, she at least has Jessica and Vanilla, but they can't get under her skin the way Franka could. Liskarm swears that Franka would get under skin sometimes just to dig out the bad feelings.)
(and Franka has people. she's surrounded by people she cares about. operators cut from the same cloth as her, that will charge headlong into battle beside her. colleagues who will nag her about sleeping and eating and training and mission parameters. friends who will rag on her for her choice of reading material. but Liskarm was all of those things rolled into one. and she is not here)
#(for the purposes of this AU Vanilla and Jessica are with Liskarm at Blacksteel)#Liskarm's squad ending up on the landship for whatever reason#Liskarm seeing Franka out of the corner of her eye and just being knocked for six#their reunion would be an all out battle in an empty training room#other staff hearing about it and trying to intervene like ''what is this Blacksteel person doing to our beloved Franka''#Franka and Liskarm kick the shit out of each other but aren't able to actually talk because too many people watching#Vanilla and Jessica ''oh this is normal. this is normal! it's been 3 years but it's totally normal! don't worry!''#(it's really that trope of ''ex you still care about is doing good and you're miserable'' for Liskarm)#arknights tag#yeah I'll tag it#friskarm#if you ask me if this AU has a sad or happy ending. it has whatever ending you want#I do think Franka and Liskarm's relationship changed when they transferred to Rhodes Island together#because it was a silent admission that their partnership was no longer the result of circumstance#'we've been put together' to 'we're choosing to stick together'#so to lose that aspect of their relationship would be... interesting#also Franka has to slow down for Liskarm. Liskarm is /meant/ to curb Franka's reckless behaviour#so I like the idea that Franka at RI alone is even more reckless because she's not being properly challenged#she gels too well with some operators and it's so easy that it's terrifying#in the sense that combat becomes tunnel vision. which is not a good thing#I wrote more in the tags than the actual post..... this is normal for me
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bagelqaq · 2 years ago
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i thought this fits them pretty well hehe
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ragnarlothcat · 5 months ago
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Im on my knees begging you, please 🙏 please, por favor, 🧎for you to continue writing nothing compares with you 😔😭🙏🙏
😭😭😭 can I join you in floor begging? I don't know why that WIP was beaten out of my brain but I haven't been able to write a single word for it in over a year, easily. I had this idea that I'd finish one of my longer WIPs and doing so would unlock the ability to finish all my WIPs. As my posting history this year would suggest, this has not come to pass. I'm not sure what my logic was (why would one complete fic lead to more?) and indeed I failed at even finishing the single WIP I picked to focus on. So, idk. Once I accept the gravity of my hubris and/or failures and give up entirely (or I guess uncover a font of hereto undiscovered willpower and inspiration) I can make some kind of post laying out the rest of the plot maybe? If that would help? I don't know what people do in these situations other than invest in a hair shirt.
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kaurwreck · 5 months ago
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It's actually really appropriate that bsd happened to me because I learned about the Sengoku period of Japan from Samurai Warriors. I was moé Oichi in the very first dream in which I exercised volitional control over the dream narrative and environment.
#bsd#bungou stray dogs#samurai warriors#ive always exercised complete volitional control over myself/my dream character#but i had chronic and constant and sometimes recurring nightmares and couldnt control anything else#so i remember very fondly the first time i figured out how to adjust the narrative and environment#i was oichi on a vicious battlefield and i curled up on the ground crying because it was too chaotic and violent and terrifying#there were no clear “sides” — so there wasnt anywhere to go for safety. someone noticed me and raised their battle axe to kill me.#and while cowering on the ground all i wanted was an invisibility cloak to hide under#and got one! so from there i willed a proper fucking sword and horse#then i willed oichi's husband and saved him like a damsel in distress#first nightmare i ever turned into an adventure#now i have so much control over my dreams that i can run simulations of major decisions and can collapse the entire environment if i want to#but my dreams characters (which are just less conscious me) get annoyed if i break the dream without engaging with whatever it's processing#so i try not to.#also sometimes it's an interesting or exciting story and i want to see where it's going#or it's laden with imagery i want to unpack#or i forget it's a dream until the dream characters break the fourth wall at the end to deliver me the takeaway I need to remember#but none of this happened suddenly. it was a slow process that began out of my desperation to no longer be victimized by my own nightmares#and oichi was the turning point.#and also got me very into the sengoku period of japan from ages 9-15.#that abruptly ended because of a marijuana leaf#but that's a separate story#anyway#it just struck me that everything i know about japanese history. came to me first as gaggles of bishie japanese historical figures.#sorry japan but thank you bishie nobunaga and bishie dazai
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