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mononijikayu · 3 months ago

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the other woman — ryomen sukuna.

“Do not mistake this for affection.” he warned, his voice low and rough. “I am still who I am. I am still the monster you should fear.” But you could only nod, your heart aching with a mixture of sorrow and hope. “I know,” you whispered. “I know, but I’m still here.” And for the first time, you thought you saw a hint of softness in his eyes, a flicker of something that could almost be… understanding. Maybe, just maybe, you were starting to reach him, one fragile step at a time.

GENRE: alternate universe - heian era;

WARNING/S: nsfw, angst, one sided romance, conflicted feelings, hurt/no comfort, unhappy marriage, hurt, physical touch, character death, mourning, loneliness, pain, grief, unhappy ending, depiction of one-sided relationship, depiction of grief, depiction of complicated relationship, depiction of illness, depiction of canon related violence, depiction of loneliness, mention of grief, mention of illness, mention of loneliness, heian! sukuna, long suffering concubine! reader;

WORD COUNT: 11k words

NOTE: this was always going to be long, because it's heartbreaking. and heartbreaking ones have to be something that has to be expressed well. i listened to this in a audio software like its a podcast and i actually liked it. the other woman by nina simone was the constant in the writing. also, this is the aftermath of ashes of love, which is a series i did about heian sukuna. anyway, i hope you enjoy this!!! i love you all <3

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YOU KNEW THAT YOU WERE THIS UNLUCKY. The moment you were born, there would be a bleak fate for you to live. You were an accidental child, and multiple times, your own mother had nearly miscarried. Perhaps even as a fetus, you had always known this. How cursed you were. Even if you had done nothing.

When your mother brushed your hair as a child, she would tell you of how you were born. She said that when you breathed the air for the first time, you were melancholic in the silence to the world. Somehow knew that you were built for this miserable world. And every day since that day, you knew. You were meant to live life without true joyous jubilation.

It did not help that the day you were born, there was a lone dark star in the morning sky, one which had been considered a bad omen. And with that, the whispers of fate echoing long before you had even had consciousness to know. Your village nestled in the shadowed valleys of Hida province, a place of whispered dread and ancient pacts. And for the longest of times, the once prosperous Hida province was in turmoil.

And so, in those days, if there was anyone who controlled the ruins of Hida, it was that god-like curse user Ryomen Sukuna. His name alone was a talisman against the unknown horrors that lurked beyond the mountains, a deity whose power and wrath commanded fear and reverence in equal measure. And all either quivered at the sight of him or drew fanatic fervor.

The Ryomen clan, his kin at one point, were at war—embroiled in brutal conflicts with neighboring clans for so long. And this had been going on before you were even born. The blood had soaked the earth for so long that the soil seemed to thirst for it. And the people were exhausted.

The clan struggled to maintain control over Hida for a long time now, their influence fraying like an old tapestry torn at the seams. And with that, a power vacuum had long been in existence. The chaos of the era was a tide that threatened to drown them all, and Ryomen Sukuna's protection became the last fragile hope for those who called this land their home.

Your parents spoke in hushed voices of the offerings, the sacrifices made by the villagers to appease their god, the man who can save them, this man to fear and worship, Ryomen Sukuna. To ensure his protection, they said. For years, the sacrifices continued, the chosen ones becoming mere footnotes in a history written in blood and fear.

It came upon you rather quickly when you were young and it struck you—that the villagers saw you not as one of their own, but as a piece on a board, a pawn destined for slaughter. A sacrifice to their god. You would be among the countless, one more life to be cast into the jaws of the demon god they all feared.

The day of your sacrifice came as the sky was painted with hues of blood and gold, a cruel irony that did not escape you. The air was heavy with incense and prayer, but there was no comfort in their muttered words, no solace in the chants that pleaded for Sukuna's mercy. They adorned you in ceremonial robes, marked with symbols and sigils, your skin painted with the sacred ink that was supposed to cleanse your soul before the offering.

You were led through the village, a procession of death that seemed to stretch on forever. The eyes that watched you pass were filled with a mixture of pity and relief—relief that it was not them, not their child, not their blood that would be spilled today. Mothers held their children close, men bowed their heads, and the elders chanted in a low, continuous hum that sent shivers down your spine.

At the shrine, they bound you to the altar, thick ropes biting into your skin as you stared at the sky, searching for a sign, a miracle that never came. The high priest began his incantation, his voice rising above the murmur of the crowd. You could feel the cold seep into your bones, the air around you thickening as if the very world held its breath.

And then, you felt it—the shift in the air, the heavy presence that pressed against your chest like a vice. You had never seen him before, but you knew it was Sukuna. The villagers gasped, a collective intake of breath as his form materialized from the shadows, a figure cloaked in malice and power.

His eyes, crimson and unforgiving, swept over you like a cold blade. You felt your heart hammer against your ribcage, fear clawing at your throat. You were nothing to him, just another offering, another desperate plea from a village clinging to survival.

Ryomen Sukuna smiled, a slow, cruel smile that sent a tremor through the crowd. He stepped forward, each movement a ripple in the air, as if reality itself bent to his will. You met his gaze, defiant in your fear, knowing that you were one of many. Countless lives had been given to him, countless souls lost to his hunger.

And now, it was your turn.

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YOU HAD NEVER EXPECTED TO MEET THE MAN IN THE FLESH. But before you stood this man, this god, with dark crimson eyes. Taller than any tree, intimidating than any curse. Frightening than hell itself. You could remember when you were younger. The whispers reached you before you even stepped foot in the shrine, everyone has. Tales of Ryomen Sukuna had traveled through the villages like the wind, carrying with them rumors that were both terrifying and tragic.

You had always known that the man was delighted with the worship of the human people. But they said he had taken no other concubines, that he showed no interest in any woman who dared come near him.

And if he did, they were more likely to be servants than anything close to a concubine. And some were not so lucky. Some spoke in hushed tones, their voices trembling with fear, that he was a monster of unspeakable debauchery, one who had killed the women for even daring to breathe in his presence.

But the truth, as you had come to understand it, was far more tragic. At least from how you see it. The people of Hida knew—oh, they believed—the story was told long ago. There was someone who had been so loved long ago and most of all, by Sukuna.

Ryomen Hiromi, the one who had captured Sukuna's heart, the one he had loved beyond reason. There was another Sukuna a long time ago, many were aware. But there was nothing proven.

If anything, the children of Hiromi reject any notion of such a relationship. But the tale was woven into the very fabric of tales told, whispered among the elders late at night and shared in riddles among the children who barely understood the weight of what they spoke.

Hiromi, they said, had been his sun, his moon, his stars. A woman of beauty and strength, whose laughter could calm the wildest storms and whose voice was like the sweetest song. She had been the only one to ever touch his heart, to see the man beneath the demon god. But she was gone now, lost to time and tragedy, leaving Ryomen Sukuna to languish in his grief.

No one dared speak her name aloud, not when Sukuna’s rage could split the earth itself. People have seen it. It was said he mourned her loss every day, that his fury was born from the emptiness she left behind. And that was why he would not tolerate any other woman. No one was going to be like her. None would match her wit, her beauty. Why should the king of curses settle for less when he had the world?

As you lay on the cold altar, the ropes cutting into your skin, your thoughts were consumed by the stories. What kind of man—no, what kind of creature—was Sukuna? You wonder about this paradox of a man, this creature like god.

Did he truly mourn, or was that just another tale spun by terrified villagers to make him seem more human? What was he, actually? You had a million questions, and you know they will never truly be answered.

A gust of wind stirred the trees around you, the leaves rustling like whispered secrets. You heard the shuffle of feet, felt the eyes of the villagers upon you, their fear palpable. Then, you heard his voice. You could feel it all, that powerful cursed energy, coming from one direction. For a moment, you had no words. Only uncertainty.

"Why do they send another?" Sukuna's voice was like a low growl, rumbling through the air with the force of a storm. "Do you think I am so easily appeased, you fools?"

You dared to lift your head, the ropes pulling at your skin as you met his crimson gaze. He was tall, imposing, and every bit as terrifying as the stories had painted him. But there was something else there—something in his eyes that spoke of deep, simmering pain.

"Do you truly want to know why they sent me?" you found yourself saying, your voice steady despite the fear clawing at your throat.

His eyes narrowed, and for a moment, you thought he might strike you down then and there. But he didn’t. Instead, he tilted his head, a cruel smile playing at the corners of his lips.

"Speak, then, girl." he said. "Tell me why I should not turn you to dust where you lie."

You swallowed, gathering your courage. "They send me because they fear you, because they believe you will protect them if they give you what you want. But… no one knows what you truly want, do they? No one speaks of her. Of Hiromi."

His expression shifted, a shadow passing over his face, and you knew you had struck a nerve. The air grew colder, a chill that seemed to seep into your very bones.

"Hiromi is dead." he said, his voice quiet but filled with an edge that could cut through steel. "And no one speaks her name. It is what I command.”

"But you still mourn her…." you continued, unable to stop yourself. "Do you not, my lord?”

His dark gaze bore into you, the weight of it almost unbearable. For a long moment, he said nothing, and the silence stretched on like an eternity. Then, slowly, he laughed—a sound that was bitter and hollow.

"You dare ask?" he repeated, as if the word was foreign to him. "What do you know of it all, little one? What do you know about such a life lived?"

You felt a tremor run through you, but you did not look away. "I know enough, my lord." you replied softly. "I know enough to see that your anger is not born of hatred, but of grief."

Sukuna's cruel smile quickly faded, and for a brief moment, you thought you saw something in his eyes—a flicker of vulnerability, quickly swallowed by the darkness. He hated how you said it, you know it too well. But there was no other choice. You were here for a purpose and you must fulfill it. You must.

"You are bold, little one." he murmured. "Bold….for someone so close to death."

"Perhaps, my lord." you whispered back to him. "But if I am to die, I would rather die knowing who you truly are, rather than the monster they say you are."

He stared at you for a long time, his expression unreadable. Then, he stepped closer, so close that you could feel the heat radiating from his body, the power that thrummed through him like a thunder strike.

"Then you are a fool, little one." he said quietly. "For believing that I am anything more than a monster."

But there was something in his voice, something that made you wonder if perhaps… he wished you were right.

For the meantime, you were lucky to have your life, despite speaking so boldly, despite saying her name aloud—the name that everyone else dared not utter. Sukuna’s silence stretched on, his crimson eyes still locked onto yours, unreadable, cold yet burning with something darker beneath the surface. He could have ended you with a flick of his wrist, reduced you to ashes for your insolence. And yet, he did not.

He leaned closer, the edges of his form blurring into the shadows that seemed to ripple around him like stabbing waves in the ocean. His breath was hot against your skin, his presence overwhelming, suffocating. You felt your heart pound in your chest, each beat a drum that signaled your fragile hold on life.

“Perhaps you are simply foolish. Many have died for far less than what you dared to speak.” Sukuna finally said, his voice low, almost contemplative. “Huh, you speak brashly.”

The villagers around you seemed to hold their breath, waiting for his judgment. They looked at you with a mixture of horror and awe, unable to believe you were still alive after uttering the forbidden name. You, a mere sacrifice, a lamb thrown to the wolf, had survived what so many others had not.

“Why do you think I will let you live?” Sukuna’s voice cut through the tense silence, his tone curious, but with a dangerous edge. “Do you think I find you interesting? Amusing? Or perhaps I see something of her in you, something worth sparing?”

You swallowed hard, the reality of your situation settling in. You had survived speaking out of turn, but you were still bound to this altar, still at the mercy of a being who could destroy you on a whim. Yet, something in his words gave you pause, a flicker of something unspoken that lingered just beneath his surface.

“I do not presume to know your reasons, my lord.” you replied carefully, choosing each word like a step on thin ice. “But if you see something of her in me… then perhaps I am not so different from you after all.”

Sukuna’s gaze sharpened, his eyes narrowing. “Not so different?” He laughed, a sound that was both mirthful and bitter, filled with a deep, aching emptiness. “You compare yourself to me? To Ryomen Sukuna? You are a child, a mere mortal who knows nothing of gods or demons, of love that scorches the soul and burns the world to ash.”

“And yet…..” you dared to continue, feeling the tightness in your chest. “If my lord felt nothing, you wouldn’t care enough to be angry… or to remember.”

He stiffened, and for a moment, his expression faltered. The shadows seemed to deepen around him, his aura flickering like a candle flame caught in a strong wind. You sensed that you were dancing on a razor’s edge, but you could not stop now. There was something here, something raw and real beneath the monstrous exterior.

“Enough.” Sukuna hissed, his voice a sharp command. The air grew colder, and you felt a shiver run down your spine. “You dare much, human. Too much.”

You pressed your lips together, bracing yourself for the inevitable blow, the moment when his patience would finally snap. But instead, Sukuna’s lips curled into a faint smile, one that did not reach his eyes.

“Perhaps I will spare you.” he murmured, almost as if speaking to himself. “If only to see how long that fire burns before it is extinguished. Or perhaps to see if you will end up like the rest—broken, hollow, pleading for mercy where there is none.”

He turned away from you then, his back a wall of power and darkness, his form towering against the dim light of the shrine. The villagers started, stunned, as if waiting for the other shoe to drop.

“You will reside in my temple.” Sukuna commanded, his tone leaving no room for argument. “You will remain there, under my watch. Let them see what comes of those who speak of things best left forgotten.”

A murmur rippled through the crowd, a mixture of fear and shock. They did not understand why he had spared you, why you, of all people, were allowed to live. Perhaps they thought you were cursed, or perhaps they thought Sukuna had some darker plan in mind. But you knew better. You knew that, in some small way, you had touched on a wound that had never healed, a scar buried deep beneath his monstrous exterior.

And as Sukuna vanished into the shadows, you realized that your fate was no longer in the hands of the villagers, or even in the hands of the gods they prayed to. No, your fate was now bound to his—a god who mourned like a man, a monster who remembered what it was to love.

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IN A WAY, IT IS NOT SO BAD, BEING HIS CONCUBINE. You spent your days in isolation, your life confined within the walls of Sukuna's palace. You were nothing more than a servant, though they called you a concubine. The title meant little, for you were given no special privileges, no adornments, no tokens of affection.

But it was a life. Your life. And it lived in some comfort, more than what is experienced by the rest of Hida province. You had multiple meals a day, you had rooms to yourself and even servants that address every bit of your needs.

Still, your world was small, your days filled with the quiet tending of the gardens, watching the shifting sky as the hours bled into one another. The flowers you nurtured became your only friends, their petals a fragile comfort against the cold indifference that surrounded you.

Perhaps the peace came from the fact that you did not see Sukuna often, and when you did, his gaze never lingered on you for long. He had no interest, no affection, no fondness to spare. You were simply there, like a shadow in the corner of his realm.

A figure lost amidst the vast emptiness of his domain. And perhaps that was for the best. It was better than being forced into Sukuna’s bed. You think that all women in the harem think that it was better that way.

But slowly, ever so slowly, something changed. His dark scarlet eyes began to linger, just a fraction longer than before. You felt the weight of his gaze like a chill running down your spine.

The other servants noticed it too, their whispers growing louder, bolder. You finally caught his attention. But it wasn’t because he had come to care for you, to see you as anything more than the nothing you were.

No, the truth was much crueler than that.

You were a spitting image of Ryomen Hiromi, the woman who haunted his every step, the ghost who lived in the shadows of his mind. At least that’s what the people say. But you did not want to believe them. Yet, looking at the murals at the glass gardens, the resemblance was uncanny.

It was obvious somehow. It was similar, everything. Your eyes, your hair, the curve of your smile. Every feature, every gesture seemed to remind him of her. And though you knew you could never be her, you had become a cruel echo, a reflection of something he had long lost.

And soon enough, the people talked. Of course, they did. They always talked. You tried to shut them out, but the more they whispered, the more people listened. And the more they listened, the more people spoke.

“She reminds him of Hiromi, I am certain!” they whispered. “She is nothing but a shadow, a poor replacement for the one he truly loved. She lives in her image, as if she could ever hope to fill her place.”

You became the other woman, even when you didn’t want to be. No, not even that. You were a pale imitation, a mockery of a woman who had captured the heart of the king of curses. Every glance Ryomen Sukuna spared you was not a look of admiration or desire—it was the gaze of a man staring into the past, into a memory that was forever out of reach.

And so, you lived your life as another woman. No, the other woman. To a dead woman. To a love that had died long ago, but never truly left.

Sometimes, in the dead of night, when the silence was so thick it pressed against your skin like a heavy shroud, you would wonder about her. About Ryomen Hiromi. Who was she, really? What had she meant to him, this fearsome god, this creature of darkness who now watched you as if searching for something he had lost in her eyes, now reflected in yours.

He never spoke of her. He does not want to. He does not dare to. Not to you, not to anyone. Some servants have been here longer than you and they have seen people killed over even a mumble of a prayer for the lady. And so you don’t ask.

Not even when there were times he would come closer, when his dark eyes lingered on your face, searching, always searching. Yet he will never truly find it. He knew this, as much as you did. But it was as if he was trying to see her again, trying to find her in your skin, in your voice, in the way you moved through the gardens like she once had, perhaps. It was hope, a foolish hope. And yet you cannot escape this foolish hope.

The weight of her memory suffocated you. You were not allowed to be yourself, to have your own name, your own identity. You were always, always compared to her, measured against a ghost that you could never be, never touch. And Sukuna, with his cold gaze and his empty eyes, reminded you of it every day.

"You’re not her, little one." he said once, his voice low, more to himself than to you, as if testing a truth he could not fully accept. “You’ll never be her.”

His words cut deeper than any blade, leaving you with the bitter taste of something unnameable, something that tasted like defeat, or perhaps longing, or perhaps both. You had never wished to be her, to be anyone but yourself. But here, in his domain, under his shadow, you were not allowed that freedom.

You were trapped, forever bound to a life that was not your own, in the shadow of a dead woman who would never release you, and a man who could never let her go.

Days bled into nights, a blur of routine and solitude, and you began to feel like a ghost yourself, haunting the corners of Sukuna's palace, where life seemed to move around you but never through you. The servants kept their distance, wary of your resemblance, as if fearing you might be some ill omen, cursed to echo the tragedy of the past.

And Sukuna… he watched you, always watching, his eyes a deep crimson that saw too much and yet revealed nothing. He was like a storm contained within the fragile walls of the palace, his presence a force of nature that you could neither escape nor fully comprehend. His mood was mercurial; one day, he would barely acknowledge you, and the next, his gaze would linger on you, heavy with something you couldn’t name.

“Do you enjoy the garden?” he asked one afternoon, his tone deceptively casual, as if he were simply inquiring about the weather.

You glanced up, surprised that he had addressed you at all. He rarely spoke directly to you, even when his eyes seemed to follow your every movement. “I do,” you replied, careful, measured. “It is quiet there. Peaceful.”

“Quiet…peaceful.” he repeated, almost as if tasting the word. A faint smile tugged at the corner of his lips, but it did not reach his eyes. “Yes, she liked the quiet too. Always wandering among the flowers. Trees too. She’d like that then.”

You stiffened at the mention of her, the ghost you lived with every day, who lingered in every corner of this place. “I am not her, my lord.” you said, a tremor in your voice. You had repeated these words to yourself countless times, but they sounded fragile, almost insignificant when spoken aloud.

Sukuna's expression did not change. If anything, his gaze grew sharper, like a blade pressed against your skin. “No, little one.” he agreed softly, almost mockingly, “You are not her. But you will do… for now.”

You swallowed the lump in your throat, refusing to let him see the fear that coiled within you, like a snake waiting to strike. “Why do you keep me here?” you dared to ask, your voice barely more than a whisper. “Why do you watch me as if you expect me to become someone else?”

He laughed then, a low, rumbling sound that sent a shiver down your spine. “You misunderstand, little one. I do not expect you to become her. I know you never can. But you… remind me of her. And that is enough… for now.”

The way he said it, the way his eyes darkened with something unreadable, made your blood run cold. You were nothing more than a stand-in, a living, breathing reminder of something he had lost. A cruel joke played by fate, a shadow dancing in the place of the one who truly mattered. To be kept alive, your village kept alive — because you look like a ghost.

“I am not a replacement, my lord.” you insisted, your voice firmer this time, surprising even yourself with the strength behind it. “I hope my lord knows that I will not live my life as a mere echo.”

His smile faded, his expression turning serious. “You think you have a choice?” he asked, leaning in closer, his face so near to yours that you could feel the warmth of his breath. “You are here because I allow it. You exist at my whim, not because of who you are, but because of who you resemble. Do not mistake this for anything more than it is.”

The reality of his words hit you like a blow, the finality of it sinking deep into your bones. You were nothing to him, nothing but a passing fancy, a painful reminder of a past he could not reclaim.

“I am not her, my lord.” you repeated, your voice shaking with defiance, with a spark of something that refused to be extinguished. “And I will not be her for you. You must understand.”

For a moment, something flickered in Sukuna's eyes, something almost like surprise, perhaps even respect. Then, just as quickly, it was gone, replaced by the cold, unfeeling mask he always wore.

“Brave words, little one.” he murmured, his voice low and dangerous. “But words mean little here, in my domain. You will learn that soon enough.”

He turned away from you then, leaving you standing alone in the empty hall, your heart pounding in your chest, your hands trembling at your sides. The silence closed in around you, heavy and oppressive, and you knew that nothing had changed. You were still trapped, still living in the shadow of a dead woman, still bound to the whims of a god who mourned like a man.

And yet, deep inside, something stirred—a flicker of defiance, of hope. You might be a ghost to him, a reflection of a lost love, but you were still alive. You were still you, and as long as you drew breath, you would not allow yourself to be consumed by his shadows. Not without a fight.

Time passed slowly in Sukuna’s palace, and with it, your heart began to change. You did not notice it at first; how could you? Day after day, the monotonous routine of your existence lulled you into a sort of numbness. The gardens became your refuge, the sky your solace.

Yet even as you tried to find comfort in these simple pleasures, you found your thoughts wandering back to him—Ryomen Sukuna, the fearsome god, the monster, the man who mourned like a human.

At first, you hated him, hated him for what he represented, for what he had made you into: a replacement, a mere shadow of someone who had meant everything to him. But as you watched him, as the days turned to weeks and weeks to months, you began to see more.

You began to notice the things others did not—the subtle tension in his jaw when he was angry, the way his eyes softened just a fraction when he spoke of her, the quiet moments when he thought no one was looking, and the mask slipped, just a little.

You were in the garden one afternoon, trimming the roses, when you heard footsteps approaching. Sukuna rarely came to the garden, but today he seemed restless, pacing along the paths with a dark expression on his face. He stopped by the old cherry blossom tree, his eyes distant, his hands clenched into fists at his sides.

Without thinking, you moved closer. "Is something troubling you, my lord?" you asked quietly, keeping your tone as neutral as possible. You had learned not to provoke him, to keep your words soft and your gaze steady.

Sukuna looked at you sharply, as if surprised you had dared to speak. "Why do you care?" he snapped, his tone harsh, but you had seen the flicker of something else—a fleeting vulnerability, perhaps? “Such matters are none for you to care about, little one.”

You hesitated, choosing your words carefully. “I see you every day, my lord.” you replied softly. “I see how you… struggle over something. And I cannot help but… care.”

He scoffed, but it was a hollow sound. “Care?” he echoed, almost mockingly. “You think you understand me, mortal? You think you can comprehend the depths of what I am, of what I have lost?”

You bowed your head, feeling the sting of his words but refusing to back down. “I don’t pretend to understand, my lord.” you murmured. “But I see the pain in your eyes, the way you linger in places she once loved, the way you… look at me.”

He was silent for a moment, his gaze unreadable. Then he turned away, his shoulders tense, his hands unclenching. “You are a fool, little one.” he muttered, almost too softly for you to hear. “A fool to think you can feel anything for me.”

And maybe you were a fool. A fool to care for a man who did not care for you, who saw you only as a shadow of someone else. But you could not help it. You could not stop the way your heart ached when you saw him, the way your breath caught when he looked at you with those sad, tired eyes.

Day by day, you found yourself drawn to him, not by his power or his beauty, but by the quiet moments when he thought no one was watching. The moments when his face softened, and you saw the man beneath the monster, the man who had loved so deeply and lost so terribly.

You saw the cracks in his armor, the places where he had been wounded, and you wanted, desperately, to reach out and touch them, to soothe the pain you knew he carried.

You found yourself thinking of him when you were alone, wondering what had made him this way, what had broken him so completely. You imagined him before all of this, before the darkness, before the loss, and you felt a strange, deep sorrow for the man he might have been.

One evening, as you were leaving the garden, you saw him standing by the cherry blossom tree again, his face turned upward, staring at the pale blooms against the darkening sky. He looked so lonely, so unbearably alone, that you felt your heart tighten in your chest.

Without thinking, you approached him, moving slowly, cautiously, as if approaching a wounded animal. “My lord, look.” you said softly, and he did not turn away. “The blossoms… they’re beautiful this year.”

He glanced at you, his expression unreadable. “Hiromi loved them.” he said quietly, his voice thick with something you could not quite name. “Fond of them.”

You nodded, your heart aching for him. “I imagine she did, my lord.” you replied. “They’re… peaceful.”

He was silent for a long time, his gaze fixed on the flowers. Then he spoke, his voice barely more than a whisper. “She was… my peace.” he admitted, his tone so raw, so vulnerable, that it made your chest tighten painfully. “And now… there is only emptiness.”

You wanted to reach out to him, to touch his hand, to tell him that he was not as alone as he thought, but you knew he would not accept it. So you stood there, beside him, sharing the silence, hoping that maybe, in some small way, your presence could ease the ache in his heart.

And slowly, painfully, you realized that you were falling into the saddest position in the world. You were beginning to care for him, truly care for him, despite knowing that he did not, and could not, care for you. You were beginning to understand him, to see the depths of his sorrow, to feel the weight of his loss as if it were your own.

You were living as a shadow, and yet… you found yourself wishing, hoping, that someday he might see you as something more. Even if you were just a reflection of a memory, even if you could never be her, you wished, desperately, that you could become someone to him.

But as you looked at him, at the emptiness in his eyes, you knew that day might never come. And still, you could not help but care.

Days continued to slip by in a blur of silent moments and stolen glances, and though you tried to keep your heart guarded, you felt it slipping further and further away from you, like water through your fingers. You had resigned yourself to your fate—a concubine in name, a ghost in truth. You had accepted that Sukuna would never see you as anything more than a mere echo of what he had lost.

But as time passed, you noticed a subtle change in him. It was in the way his gaze lingered on you a moment longer, or how his tone softened when he spoke to you. It was in the quiet moments when you would catch him watching you, his expression inscrutable, as if he were trying to decipher some mystery he could not quite solve.

As the sun dipped below the horizon and painted the sky in shades of crimson and gold, you found yourself in the garden again. Sukuna was there, seated on a low stone bench beneath the cherry blossom tree, his face turned upward as if searching for something in the dying light.

You approached cautiously, unsure if he wanted your presence or not. He did not turn to look at you, but he did not send you away, either. You took it as a small mercy, a silent invitation to sit beside him.

For a long time, neither of you spoke. The silence stretched between you like a fragile thread, delicate and unbroken. Finally, Sukuna spoke, his voice low and contemplative. “You are always here, little one.” he murmured. “Always watching. Why?”

You hesitated, searching for the right words. “Because I see you, my lord.” you replied quietly. “I see the way you carry your pain, the way you hide it behind your eyes. I… I understand it, in a way.”

He turned to you then, his gaze piercing, searching your face as if trying to find the truth hidden within your words. “And what do you think you understand?” he asked, a note of challenge in his tone.

You took a deep breath, feeling the weight of his stare. “I think you loved her more than life itself, my lord.” you said softly. “And I think losing her broke something inside of you that will never heal.”

He was silent for a moment, his expression unreadable. Then he laughed—a harsh, bitter sound that cut through the stillness like a knife. “You presume to know my heart, mortal.” he said, but there was no true malice in his voice, only a deep, hollow emptiness. “You think because you look like her, you can speak of love and loss?”

“I do not pretend to be her, my lord.” you answered, your voice steady, even as your heart pounded in your chest. “But I know what it is to lose, to live with emptiness. I know what it means to be alone, even in a crowded room.”

His eyes softened, just for a moment, and you could almost see the man beneath the monster, the one who had loved and lost, who had once been capable of kindness, of tenderness.

“You think you know loneliness?” he asked, his voice quiet, almost vulnerable. “You think you know what it is to love someone so deeply that their absence is like a knife in your soul, cutting you with every breath?”

“I think I’m starting to understand, my lord.” you whispered. “More than I ever wanted to.”

He looked away, his jaw clenched tight, and you could see the tension in his shoulders, the way his hands curled into fists at his sides. “You are a fool.” he muttered, but there was no heat in his words, only a weary resignation. “You should hate me. You should despise me for what I am, for what I have made you.”

You shook your head slowly. “I can’t, my lord.” you admitted, your voice breaking. “I don’t know why, but I can’t. Maybe it’s because I see the pain in your eyes, the way you look at me… the way you remember her. I can’t hate you for that. I just… I wish things were different.”

He turned to you sharply, and for a moment, there was something raw and desperate in his gaze, something that spoke of a longing he had buried deep within himself. “Different?” he repeated, almost scoffing. “There is no ‘different’ for us. This is the world we have been given, and we must live in it.”

You felt your heart clench painfully, knowing he was right, knowing that no matter how much you wished for it, you could never truly reach him, could never become more than what you were—a shadow, a reflection of a woman long gone.

But you could not stop yourself from caring, from hoping that somehow, someway, he might see you, truly see you, not as a ghost or a replacement, but as a person in your own right.

You sighed, turning your gaze to the blossoms above. “I know, my lord.” you murmured. “I know that better than anyone. But I still… I still want to understand you. I still care, even if you don’t care for me.”

He was silent, his expression unreadable, and for a moment, you feared you had said too much, crossed a line you could never return from. But then, slowly, he reached out and took your hand in his, his grip firm but surprisingly gentle.

“You are a strange one, little one.” he said quietly, almost as if to himself. “To care for a monster… to care for a man who has nothing left to give.”

You felt a tear slip down your cheek, and you did not bother to hide it. “Maybe I’m just a fool, my lord” you whispered. “But I can’t help it. I can’t help but care for you, even when I know you can’t care for me.”

He stared at you for a long moment, his eyes searching yours, as if looking for some answer he could not find. Then, without a word, he pulled you closer, his lips brushing against your forehead in a gesture so tender it took your breath away.

“Do not mistake this for affection.” he warned, his voice low and rough. “I am still who I am. I am still the monster you should fear.”

But you could only nod, your heart aching with a mixture of sorrow and hope. “I know,” you whispered. “I know, but I’m still here.”

And for the first time, you thought you saw a hint of softness in his eyes, a flicker of something that could almost be… understanding. Maybe, just maybe, you were starting to reach him, one fragile step at a time.

══════════════════

TIME FLEW BY AND WITH THAT, YOU AGED TOO. Slowly, like the steady drip of water carving its path through stone, Ryomen Sukuna began to accept your presence as something constant in his life. At first, it was subtle—the way he no longer sent you away when you appeared by his side, the way he allowed you to linger in his chambers or the garden without a word of complaint.

Over time, it grew into something more. He began to call for you, not often, but enough that you noticed. Sometimes, it was just to sit in silence while he read or stared into the fire, and other times, he would speak to you, his voice low and distant, as if he were speaking to himself rather than you.

He did not love you; you knew that much with painful certainty. His heart belonged to another, to a woman whose name he whispered in his dreams, whose memory seemed to haunt his every step. You were not her, and you never would be. You were a shadow of what he had lost, a pale reflection of a love that had burned too bright and consumed itself in the flames.

But he tolerated you, and in this dark, twisted place where fear ruled and love was a forgotten dream, that was enough. You had learned to find solace in the little things—the way his gaze would occasionally soften when he looked at you, the rare moments when his voice held a note of something other than indifference.

You knew you would never escape Hiromi’s shadow. Her ghost lingered in every corner of this place, in every whispered word and hushed breath, in the way his eyes darkened whenever he spoke of her.

You were not foolish enough to think you could ever replace her in his heart, nor did you wish to. You had come to terms with your fate, with the cruel twist of destiny that had brought you here, to this palace where the walls seemed to whisper her name.

For the finite years of your mortal life, you would be what you were to him—an echo, a shadow, a living memory of something lost. You could have fought against it, could have railed against the injustice of it all, but you chose not to. You chose to make peace with what fate had given you, to find what small joys you could in the fleeting moments he allowed you to be near him.

There were times when the weight of your existence threatened to crush you, when you longed to scream, to demand that he see you for who you were, not for the woman you resembled. But those moments were few and far between, and you had learned to push them down, to bury them deep within your heart where they could not hurt you.

Instead, you found contentment in the little things—in the way his presence filled the room, in the rare, unguarded moments when he would speak to you of things he had buried deep within himself. You listened to his stories, the ones he told in quiet tones when he thought no one was listening, and you treasured them like precious gems, tiny fragments of the man he had once been.

You learned to be grateful for what you had, even if it was not what you had dreamed of. You accepted that you would always live in the shadow of Hiromi, that you would always be the "other woman"; the one who was not loved, but merely tolerated. And for as long as you had breath in your lungs and life in your veins, you chose to find peace in that.

You sat beside him by the fire, you felt a strange sense of calm settle over you. He was quiet, his eyes fixed on the flames, his expression thoughtful. He did not look at you, but you could feel his presence, warm and solid beside you, a reminder that you were not entirely alone in this world.

You turned your gaze to the fire, letting the heat warm your face, and you whispered, almost to yourself, “I do not ask for more than this. I am… content with what I have.”

He glanced at you, his eyes narrowing slightly, as if trying to understand your words. “Content?” he repeated, a hint of incredulity in his voice. “You are content being nothing but a shadow?”

You smiled softly, a hint of sadness in your eyes. “Contentment is a choice, my lord.” you replied. “I chose to be content with what fate has given me. It is not happiness, but it is enough.”

He looked at you for a long moment, his expression unreadable, and then he nodded slowly. “Perhaps you are wiser than I thought now, little one.” he murmured. “To find peace in a place like this… it is no easy feat.”

You nodded, knowing he spoke more to himself than to you. You had accepted that you would never be more than a shadow in his life, but even shadows had their place, their purpose. You would be content with that, for as long as your mortal years allowed.

The days passed with a creeping heaviness that settled into your bones, a fatigue that no amount of rest could cure. You began to feel the strain in every step, the way your breath came shorter, the way your limbs feel heavy and uncooperative. At first, you dismissed it as exhaustion, a lingering effect of sleepless nights and endless thoughts that twisted in your mind like shadows.

But then came the coughing fits, each one more violent than the last, leaving a bitter taste in your mouth and a sharp pain in your chest. You ignored it at first, waving away the concerned glances of the servants who attended you. You kept your back straight and your face serene, refusing to acknowledge the way your body seemed to betray you.

Yet it grew harder to hide. The pain became more frequent, stabbing through your lungs like a knife with every breath, every step. The first time you coughed up blood, it was a shock—a bright, vivid red staining your hand. Your heart raced as you stared at the crimson stain, panic rising like bile in your throat.

You quickly wiped it away, glancing around to see if anyone had noticed. Thankfully, you were alone in your chamber, and you pressed a trembling hand to your chest, willing yourself to calm down. There was no reason to be afraid, you told yourself. It was just a momentary lapse, nothing more.

But it wasn’t. It happened again, and again. You found yourself waking in the night, gasping for air, your throat raw and burning. The servants began to notice the dark circles under your eyes, the way you would clutch your side when you thought no one was looking, the way you moved a little slower, a little more carefully.

There was a day that you sat in the garden, trying to find solace in the soft petals of the cherry blossoms, a violent fit seized you. You doubled over, coughing hard, and felt something wet and warm splatter against your lips. You wiped your mouth with the back of your hand and saw the unmistakable smear of blood.

A sharp gasp came from behind you. One of the younger servants had seen, her eyes wide with fear and concern. She rushed to your side, her hands trembling as she reached out to steady you.

“My lady, oh my!” she whispered, her voice filled with worry. “You’re… you’re bleeding.”

You shook your head, forcing a smile that felt like a grimace. “It is nothing.” you said, your voice hoarse. “Do not worry yourself over me.”

The servant looked unconvinced, her brow furrowed with concern. “I must tell Lord Sukuna.” she said quickly, glancing toward the entrance of the garden as if she expected him to appear at any moment. “He must know—”

“No, no…..” you cut her off sharply, your voice firmer than you had intended. “There is no point in that.”

She hesitated, confusion clouding her eyes. “But, my lady… you are unwell. He should—”

“He would not care, little girl.” you said softly, looking down at your blood-stained hand. “There is no use in troubling him with this. It would make no difference. Sukuna does not love me, nor does he care for me in that way. Do you think he would be moved by something as trivial as this?”

The servant bit her lip, clearly torn between her duty to you and her fear of Sukuna’s wrath. “But… if he knew, he might—”

“Might what?” you interrupted, your voice edged with a quiet resignation. “Send a healer? Take pity on me? No, he would not. I am nothing more than a reminder to him, a shadow of a past he cannot let go. He tolerates me, yes, but that is all.”

The servant looked at you, her eyes filling with tears, but she nodded slowly, understanding the weight of your words. She knew as well as you did that Sukuna’s heart was a barren, desolate place, filled with ghosts and haunted memories. There was no room for you there.

“Promise me, little girl.” you whispered, reaching out to touch her arm gently. “Promise me you won’t tell him.”

She hesitated for a moment, then nodded, her expression tight with worry. “I promise, my lady.” she murmured, though you could hear the doubt in her voice.

You leaned back against the tree, closing your eyes and letting the cool breeze brush against your skin. You knew there was no point in hoping for more than what you had. Sukuna had given you a place by his side, but it was not out of affection. He had lost the woman he truly loved, and you were only a semblance of her—a shadow he tolerated, nothing more.

You were dying, that much was clear. Perhaps it was a blessing in disguise, a way to free yourself from this liminal existence, to escape the torment of being a living reminder of what he had lost. You could find peace in that, you thought. At least, you could try.

You would not burden him with your illness, with your slow, inevitable decline. You would carry it quietly, with dignity, for whatever time you had left. After all, what was one more life in the grand, cruel scheme of his world? You were just another fleeting moment in the endless march of time—another sacrifice, another offering to a man who had already lost everything he had ever cared for.

══════════════════

YOU DECIDED TO LET FATE RUN ITS COURSE. You let time pass by, letting the illness be hidden in the shadows of low whispers and painful tears in your long suffering days and nights. And sure enough, Ryomen Sukuna had returned from his long and exhausting trip within the next few days.

He had been famished from his trip and sent word that he would be having supper with you that night, which you had obliged without another word. You dressed in your finest, watching the servants prepare the table in your chambers and calmly thanked them one after another as they left.

The evening had settled into its usual quiet rhythm, with the two of you sharing dinner in the dimly lit chamber. The flickering candlelight cast long shadows across the walls, and the scent of roasted meat and simmered vegetables filled the air.

It was a routine you had come to accept with a resigned sort of familiarity, a ritual that offered a small measure of normalcy in your otherwise constrained existence.

You sat across from Sukuna, picking at your meal with an absent-mindedness that spoke more to your weariness than any lack of appetite. His presence was imposing, yet tonight, he was unusually subdued, his attention focused on the food in front of him rather than on you. And somehow, you were a bit more grateful for it.

As you took a sip from your cup, you looked up at him, your expression earnest. "My lord, do you not think you should be more understanding of your subjects?" you began, your voice gentle but firm. "I must implore you once more to be more lenient with the people. The fear you instill is one thing, but mercy could win you their loyalty and respect."

Sukuna's eyes, dark and inscrutable, met yours. He did not respond immediately, his gaze lingering on you as if weighing your words. This was not the first time you had made this plea, and it was not likely to be the last. You had grown accustomed to his silence, to the way he would listen but rarely act upon your suggestions.

"It is not for me to coddle them, little one." he said finally, his voice low and dismissive. "Fear is a more effective tool than mercy. It ensures obedience."

You sighed softly, knowing well that your words often fell on deaf ears. Still, you persisted, driven by a conviction that even the smallest act of kindness could make a difference. "I understand your perspective, my lord, but sometimes even the harshest rulers find strength in showing compassion. It can—"

Before you could finish your thought, a sudden, sharp pain gripped your chest. You gasped, doubling over slightly, and a violent coughing fit overtook you. You struggled to steady yourself, but the force of it was too strong. Blood splattered onto the table, the vibrant red stark against the white of your kimono and the pale wood of the dining surface.

Your heart raced as you quickly wiped the blood away with your sleeve, hoping to hide the evidence of your distress. You tried to maintain your composure, but your hands were trembling as you looked up at Sukuna, who had gone still, his eyes fixed on the crimson stain.

For a moment, there was a silence so thick it felt like a physical presence. Ryomen Sukuna’s gaze was heavy and unyielding, his red eyes locked onto the blood that had marred the table and your attire. You could feel the weight of his scrutiny, his silence, a heavy burden that pressed down upon you.

"It's nothing, my lord." you said hurriedly, forcing a weak smile as you tried to brush off the incident. "Just a momentary lapse. Please, continue with your meal."

Sukuna’s expression was unreadable, his eyes narrowing slightly as he studied you. He did not speak, but there was a flicker of something in his gaze—perhaps surprise, or concern, or something deeper that he quickly masked.

You could feel the tension between you, an invisible thread connecting your quiet plea to his unspoken thoughts. It was clear that your condition had not gone unnoticed, even if he chose not to acknowledge it openly. You had always been a presence in his life, but tonight, the reality of your fragility seemed to cut through the usual indifference.

He took a deep breath, his gaze finally shifting away from you as he turned his attention back to his meal. The silence that followed was filled with the soft clinking of utensils and the low murmur of conversation from the servants who hovered at the edges of the room, their eyes darting to you with barely concealed concern.

You ate in silence, each bite of food tasting like ash in your mouth. The pain in your chest had subsided, but a deep weariness remained, a lingering reminder of your deteriorating health. You glanced at Sukuna from time to time, but he was absorbed in his meal, his expression unreadable.

The conversation you had tried to initiate was now buried beneath the weight of your illness, and you knew better than to press further. The battle for his leniency would have to wait for another day, another time when you were not so overshadowed by your own suffering.

As the meal drew to a close, you felt the oppressive silence settle around you once more. Sukuna’s gaze was distant, his thoughts seemingly occupied with matters beyond the confines of the dining room. You could only hope that, in some small way, your presence had made a difference, even if it was not the kind you had hoped for.

When the servants cleared away the dishes and the room began to empty, you excused yourself, retreating to your chamber with a heavy heart. You knew that your time here was growing shorter, that the end was approaching with each passing day. But for now, you would carry on, finding what small measure of peace you could in the fleeting moments you had left.

And as you lay down in your bed, staring up at the ceiling, you could not help but think of the blood you had tried to hide, of the way Sukuna’s eyes had lingered on it. You could only hope that someday, he might see you not as a mere shadow or a reminder of what he had lost, but as a person who had tried, in her own way, to make a difference in his world.

The next morning, you awoke to a disorienting cacophony of shouts and harsh reprimands. The once-familiar silence of your quarters was shattered by the sounds of chaos from the courtyard. Your heart sank as you stumbled out of bed, a sharp pain reminding you of the night before.

As you made your way through the hallways, the noise grew louder, mingling with the harsh, angry tones of Ryomen Sukuna’s voice. Your mind raced, dreading what you might find. You knew it already. You have seen it in the other households of the other concubines. And you can only know what had caused such a commotion. When you reached the courtyard, the scene before you was both startling and terrifying.

Your servants were gathered in the center of the courtyard, their faces pale with fear and their postures crumpled under the weight of Sukuna’s wrath. He stood at the center of the commotion, his expression thunderous as he raged at them. His anger was palpable, his words a relentless storm of fury directed at those who had failed to inform him of your condition.

Your breath caught in your throat, and without thinking, you stepped forward, your heart pounding in your chest. The courtyard fell into a stunned silence as Sukuna’s gaze shifted to you, his eyes dark with a mixture of surprise and irritation.

"My lord, please." you began, your voice trembling as you bowed deeply, your forehead nearly touching the ground. "This is my fault, not theirs. I beg for your forgiveness and mercy for my servants."

Sukuna’s eyes narrowed as he took in your contrite posture, his anger momentarily faltering. He regarded you with a mixture of disbelief and curiosity, his dark, unforgiving, gaze sharp as he assessed your sincerity.

"It was my decision to hide my illness, my lord." you continued, your voice barely more than a whisper. "I did not want to trouble you or cause unnecessary concern. Please, spare them your anger. They were only following my wishes."

Ryomen Sukuna remained silent for a moment, his anger still simmering beneath the surface. The servants, though still shaken, dared to lift their eyes to you, their expressions a blend of relief and apprehension.

Finally, Sukuna's gaze softened, a hint of resignation creeping into his expression. He took a deep breath, his anger dissipating as he looked at you with a new intensity. "You would take the blame for them?" he asked, his voice low and edged with incredulity.

You nodded, maintaining your bowed position. "Yes, my lord. It was my choice, my responsibility. I could not bear the thought of them being punished for my actions."

Sukuna’s expression hardened slightly, but the fury in his eyes had dimmed. After a moment of consideration, he gave a curt nod. "Very well. You will accept any punishment I shall put upon you.”

You swallowed the bile down your throat. “Yes, my lord.”

“Then I will call for healers. You will see them immediately." He says, as though it was the final verdict. “You will see them, all of them. Do you understand?”

“Yes…yes, my lord.” You whispered back to him.

He turned away from the servants, his gaze now fixed on you with an inscrutable intensity. "Go." he commanded, his tone leaving no room for argument. "See to your health, you foolish girl. Your servants too can go. They will tend to you, no matter what you ask.”

You straightened slowly, a mixture of relief and trepidation washing over you. You dared to look up at Sukuna, meeting his eyes briefly before turning to address the servants.

"Thank you, my lord." you said quietly, your voice filled with gratitude. "You have done nothing wrong. Please, return to your duties."

With a final, respectful bow, you turned and headed back toward your quarters with the help of your servants. As you entered your quarters, you felt like you had lived a thousand lifetimes in that one moment. Your servants were bowing at your feet, asking for your forgiveness. But you had all but shooed them away, telling them it was your duty as their master.

You wanted to be alone right now. At least when you still had the chance. When the healers arrive, you would have a life to yourself any longer. You would be stuck in their mercy, with their potions and their whims.

You must prepare yourself for the arrival of the healers. You groaned lowly as you clutch your chest, a wave of pain hitting one after the other. It will be over soon, that’s what you hoped. That’s what you want. You want to be free from this pain. You wanted nothing more than to be free.

══════════════════

THE PAIN WAS RELENTLESS. The days dragged on in a relentless cycle of pain and futile hope. Despite the best efforts of countless healers, none seemed able to bring you any real relief.

If anything, your condition worsened, each new treatment only seeming to accelerate your quick decline. Ryomen Sukuna’s frustration was palpable; his anger had become a regular presence, casting a long shadow over the already bleak atmosphere of the estate.

You had heard the whispers of the fate that befell each healer who failed to improve your condition. It was a grim reminder of Sukuna’s volatility, a dangerous mix of desperation and rage. The once-bustling quarters were now filled with an air of fearful tension as new healers arrived, only to face Sukuna’s wrath when their efforts proved ineffectual.

On one of the rare days when you felt well enough to leave your bed, you chose to sit by the garden. The fresh air and the sight of the vibrant blooms were a welcome distraction from the constant ache in your body. You had managed to position yourself on a stool under the gentle shade of a cherry tree, finding some small comfort in watching the birds flit about, their cheerful chirping a stark contrast to the turmoil that had become your life.

Sukuna appeared in the garden, his presence as imposing as ever. He walked with a deliberate pace, his gaze scanning the surroundings with an air of detached observation. As he neared, you looked up and greeted him with a smile, though the effort felt heavy, as if each movement was a strain against the burden of your illness.

“My lord.” you said softly, your voice barely more than a whisper. “The skies are beautiful today, aren’t they?”

Sukuna stopped, his eyes narrowing slightly as he took in your serene expression. The silence stretched between you, an unspoken tension that lingered like the heat of a summer day. He said nothing in response, his gaze fixed on you with an inscrutable intensity.

After a moment, he broke the silence. “How is it that you can accept death with such… calm?” His voice was low, edged with curiosity and something else you couldn’t quite place.

You blinked, taken aback by his question. A laugh escaped you, soft and brittle, more out of surprise than genuine amusement. “Accept death, my lord?” you repeated. “I haven’t accepted death, in truth. But there is no way to avoid it.”

Sukuna’s eyes remained on you, his expression unreadable as he listened. You continued, your voice tinged with a philosophical resignation. “Death will come for all of us, eventually. It’s a natural end to this life. We all must face it in our own time. In that way, we are all freed from the burdens of this world.”

He studied you with a mixture of skepticism and something akin to contemplation. “You speak as if it is an inevitability you embrace, little one.”

“Not embrace, my lord.” you corrected gently, sighing. “But acknowledge. It’s a part of life, as much as the beginning is. We can fight it or we can accept it, but it will come regardless.”

Sukuna’s gaze softened slightly, though his expression remained stoic. He seemed to be weighing your words, his usual fierceness replaced by an unusual quiet. “And you are not afraid, then?”

“Fear?” You tilted your head, considering the question. “I suppose I am afraid of the pain that might come before the end. But fear of death itself? Not so much. It’s merely another step in the journey, my lord. That is what I believe, at least.”

For a moment, there was a stillness between you, punctuated only by the distant chirping of birds. Sukuna’s eyes flickered to the sky, perhaps contemplating the vastness of existence you had spoken of. The anger that had once seemed so consuming in his presence now appeared subdued, replaced by a contemplative silence.

“I see.” he said finally, his tone carrying a trace of grudging respect. “Your words are… unusual.”

You smiled faintly, a tired but genuine expression. “Perhaps. But sometimes, facing the truth can be a way to find peace, my lord.”

Sukuna stood there for a while longer, his presence a dark silhouette against the backdrop of the garden’s tranquility. Finally, he gave a curt nod and turned to leave, his demeanor less harsh than before. The sound of his footsteps gradually faded as he walked away, leaving you alone once more with your thoughts and the gentle rustle of leaves in the breeze.

As you sat there, watching the birds and the shifting clouds, you felt a small measure of contentment. Sukuna’s visit had brought a moment of introspection, a reminder of the fragile balance between life and death. Even in your suffering, you found a semblance of peace, understanding that acceptance was not about surrendering to fate but about finding a way to live with it, even as the end loomed ever closer.

And just like that, the day you had dreaded finally arrived. And truly, you were left feeling an unbearable weakness that signaled the end was near. The once-familiar confines of your quarters now seemed like a distant world, and the pain of your illness was a constant, gnawing presence. Each breath was a struggle, each moment of consciousness a battle against the encroaching darkness.

To your surprise, your lord Sukuna appeared by your side as you lay on your bed, his imposing figure contrasting sharply with the fragility of your own condition. He had not been a part of your daily existence in the past weeks, his visits sporadic and his presence usually marked by anger and frustration. But now, he was here, seated beside you in a rare display of stillness.

You looked at him through the haze of pain and weakness, your voice a mere whisper. “My lord, it seems this is my time to part from you.”

Sukuna’s eyes were steady, his gaze betraying an emotion you could not fully decipher. “I know, little one.” he replied simply, his voice holding a note of finality.

A pained laugh escaped your lips, the sound mingling with a shuddering breath. “I only wish… I could avoid being reborn into such misery again. To be the other woman, to be nothing to you.”

Sukuna’s silence stretched between you, a weighty pause that seemed to deepen the divide between you. After a moment, he spoke, his voice low but firm. “You were something.”

You shook your head, the effort to move even slightly causing a fresh wave of agony. “You lie easily, as you breathe, my lord.” you said with a faint, sorrowful smile.

The silence that followed was heavy and palpable, filled with the unspoken complexities of your relationship. As you lay there, the end drawing closer with each passing moment, you found a strange clarity in the finality of your situation.

“I love you, my lord.” you said softly, the words carrying a weight that transcended the physical pain. “As sad as it is, I do. But I have no intention of having it returned. I hope that, in the next life, I never meet you again.”

Sukuna’s expression remained impassive, but there was a softness in his gaze that belied his usual stoic demeanor. As you took your final, labored breaths, his sigh was a mix of resignation and something deeper, something that spoke to the complexity of your intertwined fates.

“I hope so too, little one.” he said quietly, his voice carrying a rare touch of vulnerability.

With those words hanging in the air, you felt a sense of release, the weight of your suffering beginning to lift. As your consciousness faded and the pain finally ebbed away, you left behind the world that had been both your prison and your refuge. Ryomen Sukuna looked at your lifeless body, pursing his lips into a flat line.

“Live on in a better life, little one.” He whispered, his fingers brushing against your hair. “May you be loved by someone who loves you. May we never meet again, my other woman."

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books-and-omens · 1 year ago

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oh BY the WAY

This scene proves, doesn’t it, that living in the car is Crowley’s choice. When Aziraphale comes back from Scotland, Crowley shoves the box at him before he gets to the threshold. He gives Aziraphale no option to even say, “won’t it be easier to leave the plants here” let alone to propose anything else. Was Crowley, by any chance, actively avoiding a conversation about him living in his car this whole time?

Crowley is absolutely not okay, we know, we know. He is frustrated, he is struggling; he is asking what the point of it all is. Yes, he is fiercely protective of his independence when he says “my car”, “the precious, peaceful, fragile existence I have carved out for myself”—and the same time, he is still not willing to talk. He probably does not even see a way to have important conversations safely; the fear of rejection might still be too much. His instinct remains to run away from trouble. With something as terrifying as vulnerability and openness, he needs Nina and Maggie to tip the scales.

He has the swagger. He acts like he knows what’s happening, like he has things figured out.

I think we’re just starting to see how much that has not been true.

#disaster puppy indeed #good omens season 2 spoilers #good omens season 2 #good omens

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fieldexplores · 6 months ago

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Juice Boxes I want to give a shout out to SgtBaconBurger and their comic Nina Lives Alone. We ended up coincidentally making comics with a similar premise with mine being scheduled out a week later. I whole heartedly recommend Nina Lives Alone. Especially if you love slice of life comics.

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lisafication · 1 year ago

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This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game.

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her!

But that’s enough about the more normal, straightforward and understandable sibling.

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?!

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle!

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to.

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him.

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

#the coffin of andy and leyley #tcoaal #andrew graves #ashley graves #spoilers #multipost

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queerfables · 1 year ago

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I've been weighing this for a while and I've finally settled on a reading of Crowley's big revelation in 2x05 that makes sense to me. It's my best guess at what's going on in his head, accounting for the conversation that leads up to this moment, and the conversations that follow.

Full disclosure, I don't have much evidence to discount the possibility that this is Crowley realising how he feels about Aziraphale, except that I think the overarching narrative of Good Omens holds together better if he already knew. I do think my interpretation is stronger in context, though.

Let's review, then: Crowley and Nina have a conversation in which Nina assumes Crowley and Aziraphale are a couple, Crowley denies it, and Nina refuses to believe him. She pries into the reasons he might be lying and finishes up by saying, "Other people's love lives always seem so much more straightforward than our own." Crowley walks off looking like he's been hit by a truck.

In his next scene, Crowley is getting day drunk at the French restaurant across from the bookshop. He invites Aziraphale to drink with him, which Aziraphale declines. Crowley quickly starts brooding about the archangel they're hiding in the bookshop. "I spent last night worrying if he's going to wake up. What if he remembers who he is? What if he's faking it?"

I think there's a clear and direct line from conversation A to conversation B. Crowley realises that everyone can see he and Aziraphale are in love. Crowley panics about Gabriel regaining his memories. Rather than a revelation of feelings, I think this was a revelation of danger. Crowley and Aziraphale have survived through secrecy and deception, and it's hitting Crowley that their performance is slipping, under what could be the most intense scrutiny they've ever faced.

This could be a factor in Crowley's subsequent confrontation of Gabriel. I agree with @baggvinshield that pushing Gabriel to jump out the window was a test, but I also think that behind the calculating strategy is scared animal instinct. Gabriel is a threat that it would be safest to just eliminate. Crowley needs to be really fucking sure about him.

It makes sense if the conversation with Nina is what triggers Crowley's fears to resurface, because Crowley's just spent almost a full day alone with Gabriel and he wasn't on high alert the whole time. He let his guard down a little when discussing gravity and while summoning the rainstorm for Maggie and Nina. He was pretty keen to get out of there when Aziraphale got back, but he also sounded fairly relaxed when asked about Gabriel. I think in that moment he's more unsettled by Shax lurking around and the consequences of harbouring a fugitive than afraid of Gabriel himself.

I think Crowley's revelation reads like a romantic "oh" because that's what we're primed to expect. It's a common trope, right? Someone accuses the romantic leads of acting like a couple and they realise it's true. But I think that Crowley's jump to fretting about Gabriel makes more sense if he's realising how obvious their feelings are than if he's only just realising what they mean.

#good omens #good omens meta #fable talks good omens

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burnttongueontea · 1 year ago

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So, what is the deal with the world’s most conspicuously uneaten Eccles cakes? (A meta)

Well, I wouldn’t say it’s bad writing, not even the on-purpose-as-a-secret-message kind. I agree there is a visual ‘loose thread’ here that the creators wanted us to notice, but I don’t think the meaning has anything to do with Metatron or the eventual plan for S3. I think the eccles cakes are all about what’s going on in this episode with Crowley and Aziraphale, and they’re unsettling in exactly the way they’re meant to be, even if we might not register the full implications consciously on first watch.

On the most straightforward level, this shot is the punchline to a joke set up by Aziraphale and Nina in the coffee shop. Crowley orders six shots of espresso, bound to get him all worked up and stressy. Aziraphale, who desperately wants Crowley to be thinking clearly when he learns about the Gabriel situation, says to Nina: ‘What do you sell that calms people down?’ And she replies: ‘Eccles cakes.’ From this moment on the cakes are a visual symbol of what Aziraphale needs from Crowley right now.

That’s why they get so much screentime as we cross the road and go into the shop. Aziraphale won't leave those eccles cakes behind because he’s still hoping that Crowley will respond to the request they represent: Please stay calm, please be patient and listen to me with empathy.

But Crowley never does respond, and as he storms out we get that close-focus shot of the abandoned plate to make sure the subtext hits home. The cakes are framed sitting in front of the horse statue, brilliantly dressed up in Crowley's sunglasses, to remind us that they were brought there for him and he's dismissing them. (Crowley is the frantic horse who can't be managed!)

There’s another level to it, though, which doesn’t fully become clear until episode 6. The episode 1 meeting in Nina’s café is the first time that Aziraphale and Crowley share a scene in the present-day in S2, which means that the last time we saw them together was when they were dining at the Ritz. As viewers, we quickly recognise the visual language of their partnership: a table for two, a drink, a dessert. It feels familiar. But the food gets delivered and then nobody eats it. On that level, it is a set-up without a pay-off and it really niggles as you watch. S1 closed out their relationship with a happy toast after a resplendent dinner; S2 opens it with a snack that gets ignored. The dynamics of who offers food to whom are also off, atypical. It’s a sign of how things are going to go later on, hinting at the fact their dynamic is dysfunctional right now, even though it might seem OK on the surface.

Which brings me, finally, on to the other thing I’ve wanted to point out…

The punchline is that Crowley doesn’t eat the eccles cakes, but the really subconsciously disconcerting thing is that Aziraphale doesn’t. That he seemingly never planned to, and never orders anything for himself. In fact, we don’t see Aziraphale eat anything substantial in any of the present-day scenes in S2. The only things he consumes onscreen are sherry, tea, and a travel sweet. (Oh, and Manipulation Coffee, which is definitely a callback to Crowley’s disastrous sextuple-espresso.) We see him with food, yes, but primarily he wants to give it to other people.

For me this little detail of S2 – not something you even fully notice until you think about it – is a very telling understated cue in terms of Aziraphale’s post-Heaven state of mind. It's about what amuseoffyre puts so well in another meta: 'the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it.' At first glance, we see Aziraphale interacting with food and assume he is now living the happy Earthly life we wanted for him, but on closer inspection he's not engaging much in the pleasure of eating for his own sake. He gets a quick sweet pick-me-up on his way somewhere else in the Bentley - all alone - and that's it. He's too anxious, too busy, he doesn't have time. Crowley doesn't have time to invite him for lunch.

I find it fascinating that Gabriel gets a squillion cups of cocoa in this season, waxing all lyrical about them, and Aziraphale gets none. Aziraphale's mug becomes Jim's mug, even. And he mostly makes the tea to show Muriel how to blend in. In short, S2 Aziraphale is terribly preoccupied with looking after/managing others, and not taking the time to look after himself. Like the Maggie and Nina match-making, all that kindly treat-offering is displacement, displacement, displacement.

No wonder it all goes wrong.

#SORRY for image quality #good omens spoilers #good omens meta #good omens #takes by me

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halemerry · 1 year ago

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I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

#good omens #gos2 spoilers #good omens spoilers #good omens meta #kind of #is it meta if its mostly me pointing and yelling?#come suffer with me #you have no idea how many times i had to watch these sequences for this #crowley #aziraphale #the bookshop

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19burstraat · 9 months ago

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hmmm I know we can surmise that kaz & jordie were the iphigenia of the series, in that, whether it's fair or not, they had to be sacrificed for the benefit of everyone else. jordie had to die and kaz had to suffer it and live with it, because if kaz had lain down and died on the barge, it would have had a crazy knock-on effect. inej likely would never have escaped the menagerie, or matthias from hellgate, jesper would probably have fallen foul of debtors or gangs some way or another (he gets at least one beating from enforcers), nina would have been caught up w the dime lions trying to get matthias out of hellgate, and there's even some more tangential ones, like kuwei probably dying at the ice court and marya being stuck at saint hilde.... but I wonder what would have happened to wylan.

kaz had him under dregs protection, so he never suffered the way he did ("kaz is your luck, merchling."); no beatings, etc. without that... well, it's tempting to think that wylan would have just been killed some way or another. and yeah, maybe, but miggson and prior couldn't get him, could they? wylan has that scary glimmer of the biting-animal, kaz-style survivalist in him, and he had a goal; amass enough money to get the hell out of ketterdam and start anew. but how far would wylan have gone to get that money? van eck's letters pushed him into the arms of dregs munitions building. without the perpetual intervention of kaz-- protection, constant jobs even when there were better people for it, good pay-- how quickly would wylan have turned into someone more like kaz? he has a core of decency, but he gets the privilege of keeping that, because kaz helps him to. alone, would he have surrendered it, or been forced to surrender it, just for a chance to survive? I don't think he would have ever willingly given up. it's not an accident that kaz and wylan's first days in ketterdam are so closely paralleled, or that they have a set of similar skills/traits; it's explicitly said that wylan would also be able to count cards and control decks like kaz can, if he wanted to. and after he finds out about his mother, wylan's comforted by the idea of retribution for van eck, that kaz could destroy his father's life. they're a little bit too similar. but kaz is there to take the moral fall, for the most part; all wylan has to do is help him. but without kaz... well. that's another story, isn't it?

#an AU where nina and wylan both end up in the dime lions is mad. Nina And Wylan's Adventures In Fucking Pekka Right Up #maybe rollins is always fated to fall. may death never stop kaz brekker...#six of crows #wylan van eck #kaz brekker #soc meta #my post #crooked kingdom #long post

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paradiseismine · 8 months ago

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Late Night Talking - Trevor Spengler x Reader

Love note from Nina: Aaaand I’m back again with some more Finnie cuteness and filth, lovelies. My boy Trevor is way too underrated around here, so it’s about damn time we turn those tables.

Pairing: Trevor Spengler (Ghostbusters Afterlife/Frozen Empire) x f!reader

Warnings: mostly smut, but also some fluff. Also maybe this is kinda long (?) sorry not sorry etc

Summary: you visit the Spengler’s residence for a dinner party and end up having a lot more fun than you intended, if you know what I mean

Edit: part 2 here

Your mom and Mrs. Spengler had become best friends, all of a sudden - neither of them had had much luck on that when they moved to the city, but ever since they first met in a 7/11 a month ago, they were inseparable.

It was a Saturday evening, and your mom was dragging you along to Mrs. Spengler’s house, for a dinner party of some sort. You weren’t in the mood, but she seemed so happy to finally have a new friend, you just couldn’t say “no” to her.

So, all dressed up in a cute black dress and strap sandals, you rang the doorbell.

- Oh, hello - a tall lanky boy with messy black hair opened the door. - Good evening, Mrs. y/l/n… And you must be y/n, right?

You nodded, smiling sweetly, as your mom greeted the boy as well.

- Hi, Trevor! Your mom told me all about you - she said, giving him a warm hug after she handed you the huge cake tray she was holding.

It was pretty heavy - your mom wouldn’t show up to dine at someone’s house without bringing dessert - but you could manage to hold it.

- Callie, there you are! - she squealed as she hurried to meet Mrs. Spengler in the kitchen, leaving you and Trevor behind.

- She loves your mom - you said to Trevor, chuckling.

- My mom loves yours too - he chuckled. - Hey, can I help you with that? - he continued, gently taking the cake tray off of your hands.

- Thank you Trev, that was quite heavy - you said, relieved. - Should we bring that to the kitchen?

So you both put the cake in the fridge and helped your moms with everything - from setting the table to organizing the kitchen.

You had a great time eating and talking to Callie, Trevor and his sister, Phoebe. After dinner was over, the moms opened up a bottle of wine and sat on the living room to talk, while Phoebe went to her room to sleep.

That left you and Trevor alone in the kitchen, talking. It was already close to midnight, and by the laughs you could hear from the couch, you were not going to leave the Spengler’s home for a long time. Halloween was just around the corner, so you asked Trevor if he was into horror movies.

- Hm, kind of… - he responded, finishing his glass of soda. - I think they’re way too unrealistic sometimes.

- Ugh, wish I felt like that too… Movies like Poltergeist and The Conjuring totally freak me out. I’m just afraid of ghosts, I guess.

Trevor nearly choked, but you couldn’t understand why.

- Do you like slasher movies though? - he asked, trying to move on with the conversation.

- Yeah, I love them! - you answered, excitedly. - My favorite one is Friday The 13th!

- The first one?

- The best one, right?

- Absolutely - he laughed, then pointing to your moms in the living room - I think they’re gonna take a while there… Wanna go upstairs and watch a movie? It can be Friday the 13th if you want.

- Of course, I’d love that! - you said and walked over to the living room with him.

- Mom, Trevor and I are going upstairs to watch a movie, ok?

- Sure darlings, go there and befriend! - your mom agreed, her voice sounding a bit different already. Good thing you were driving.

You two went up the stairs to Trevor’s room, still talking about horror movies and your personal favorites; but you noticed he would talk just as excitedly about any subject. The conversation was light and comfortable. Trevor was so nice to talk to. He was also really good looking. Something about his lanky figure, dark hair and dark eyes really stood out to you.

Up in his room, you couldn’t help but walk around and notice the various objects he had in there.

- Whoa, do you like Arctic Monkeys?

- Their “AM” album is, like, most of my will to live. - he chuckled. - So yeah, I like them a bit.

- That’s an instant classic if I’ve ever seen one, right?

Turns out, you and Trev had A LOT in common. You were into the same movies, the same music and even the same places to hang out. He was working up the courage to ask you on a date already.

- So, uh… y/n, would you… would you like to go to that record store downtown with me… Sometime? It doesn’t have to be like a date or-

You put your index finger to his lips, and his eyes went wide.

- But can it be a date, though? - you whispered, your finger leaving his lips as you put your hand on his cheek.

- S-sure - he stuttered. He was much taller than you, even with the heels you were wearing.

- I would love to - you smiled, your hand still on his cheek. - I could talk with you all night if you’d let me.

- Me too - he smiled, putting his arm around your waist and leaning in a bit. - Y/n… can I-can I kiss you? Or does asking that totally ruin the mood?

- Of course you can! - you laughed. - C’mere.

You leaned in and your lips touched his, lightly. You touched your forehead to his and looked him in the eyes. He pulled you even closer by your waist and kissed you again, way more eagerly this time. His tongue asked for entrance and you permitted it, in pure ecstasy.

- Hm - he broke the kiss - maybe we could move this over there? - he said, his head pointing to an armchair on the corner of his room. You nodded, your lips parted and swollen from the kiss.

Trevor sat down on the armchair and you sat nearly on his lap, but sideways, so your butt was down on the armchair and your legs were all over his lap.

He put his hands on your bare knees and caressed them gently as you continued to kiss, more slowly than before. Your dress was a few inches above your knees. Nothing too modest or too slutty, but Trevor secretly wished you were wearing the sluttiest dress possible, just so he could feel you up without actually lifting up your dress and risking getting slapped across the face.

Little did he know you were craving that touch. You lightly guided his hands a bit further up your thighs, giving him the permission he wanted. To touch your soft skin and get intoxicated by you.

You kept kissing him passionately, your hands wandering from his cheek to his neck to his chest. You grabbed the collar of his T-shirt and pulled him even closer, wanting to savor him as much as you could. He let out a soft moan on your lips, so discreet you wouldn’t be able to hear it if you two weren’t all the way upstairs in his room.

Things were getting hot and heavy pretty quickly, but isn’t it always like that when you’re young? His hands were gently caressing your upper thighs for a minute, as if he was mentally debating a way to ask you to take off your dress, but gave up on that idea.

His slender fingers gently slid your panties to the side, only to meet your soaking wet pussy. You hissed and moaned in his mouth as he kissed you hungrily while slowly playing with your clit. His touch was so light, it made you ache for more; but at the same time, it was perfect. He continued for a couple minutes, your moans in his ear increasing. That had to be Trevor’s new favorite sound.

- Trev - you called, your voice faint and breathy. He looked into your eyes. His gaze was dark and full of lust. His swollen red lips were slightly parted, ugh, he was so beautiful… - If you keep going, I-I…

But you couldn’t finish that sentence. Your back arched and your mouth cracked open, your body completely taken by that orgasm. Your eyes were closed for most of the time, squeezed in pleasure, but when you peeked through them to look at Trevor’s face, he was grinning like the devil. He got you good and he knew he did.

- You’re so pretty - he said, mesmerized, his fingers still touching your pussy until you closed your legs and he realized you had ridden out of your orgasm. - and you look even prettier when you cum.

You sat there in his lap for a moment, head on his shoulder, resting a little from such an intense sensation. Trevor had quite a cocky smile plastered on his face, seeming proud of himself for making a pretty girl cum. For getting the chance to make a pretty girl cum and succeeding.

- Alright, so not only you’re all tall and handsome and stuff, but you also got magic hands? - you said, your hair ruffled and your voice breathy.

- Magic hands? Really? - he laughed.

- I’m serious. - you said, laughing with him. - But now I feel the need to… reciprocate, you know?

Trevor’s breathing quickened. You sat on his lap properly now, one leg to each side of his waist, straddling him while cupping his face for another round of passionate kissing.

His kisses found their way down to your neck, gently nipping on your skin, making you shiver and squirm. His fingers started toying with your dress’ straps until he felt confident enough to pull them down slowly.

The black lacy bra you were wearing underneath was beautiful, don’t get me wrong, but the sight of your breasts is what made his mouth water. With your dress already down to your waist, he put his arms around you to try and unhook your bra. As boys normally do, it took him a few tries, but he finally got it off of your body, his hands quickly covering your breasts again, fondling them.

Your skin was so soft and smelled so good, his kisses returned to your neck and continued their way down to your chest. Your nipples were so hard already, he simply had to take them in his mouth. One at a time, he licked and sucked gently, earning some pretty urgent moans. You knew you had to keep the volume down so your mothers wouldn’t hear you two, but that couldn’t stop you from moaning softly, just enough for him to hear. Your body was a feast and he had never been this hungry in his whole life.

- I-I thought it was my turn, Trevor - you said, softly, his lips still kissing the skin around your nipples and his hands groping your waist firmly. Damn, this boy was definitely going to drive you crazy.

Kissing his lips once again, you reached for the hem of his T-shirt and slowly pulled it upwards. He helped you take his shirt off, and his bare chest was surely a sight to be seen. Back to the kissing, your hands now wandered from his cheek, to his neck, to his chest, to his belly and…

- A-are you sure? - he asked, as you were about to touch his belt to unbuckle it. He didn’t want to pressure you into anything.

- I am pretty sure - you said with a smile, playfully kissing his nose. - Can I?

He nodded eagerly, so you unbuckled his belt, unzipped his pants and pulled them down. Trevor just sat still and watched as your beautifully manicured nails were touching his belt, then his pants, then his underwear.

You knelt down in front of him, using a pillow under your knees for comfort, and pulled his body closer to the edge of the armchair. You kissed his lips one last time, then his neck, scratching his chest lightly with your long nails, causing him to moan and bite his lips to avoid making too much noise.

You kissed down his chest, your nails now scratching his waist, and finally got to his underwear.

- Can I pull these down too? - you said, your big eyes pleading.

- Yeah - he said, barely breathing. - Please.

You gave him a naughty smile and pulled down his boxers. It was impossible not to lick your lips at the sight of that cock. The perfect length, the perfect girth, and that perfect pinky tip begging to be sucked. So you did it.

You took Trevor into your mouth hungrily, as your mouth was already watering just by taking his underwear off. Your head was bobbing up and down his thick shaft, as he tried his best to hold back any louder moans.

Suddenly, he grabbed some of your hair in his right hand and pulled your mouth off of his dick gently.

- Did I hurt you? - you said, looking worried.

- No, no, princess - he answered, scared that he might’ve offended you. - It’s just… you’re so so good… and so pretty… I’m afraid I won’t last, you know?

- It’s ok babe - you reassured him, caressing his bare knee. - You pleasured me selflessly, and I’m doing the same. If you want to cum now, then do it. I’d love to get a taste…

Your mouth went right back to sucking on his dick, your both hands now also added into the mixture. After a minute or two, it was too much for him to take.

- Y/n - he called, softly. You looked him in the eyes, mouth still around his shaft. You knew what was going to happen next. - I just… Please, can I cum in your mouth?

- Mhm - you agreed, not slowing down or stopping anything you were doing.

Trevor let out a muffled groan as he came in your mouth. You swallowed his warm seed at once, gently licking his tip clean afterwards.

- Fuck, you’re a goddess - he said, his voice faint, his eyes rolling.

You laughed a little and wiped the corners of your mouth.

- And you’re a darling. I’m glad you could trust me.

- Y/n - your mom called out from downstairs. - Is the movie over already? I think we should get going…

- In a minute, mom - you yelled in response.

You turned back to Trevor as he handed you your bra and put his own shirt back on.

- I had a great time with you today, Trev. Hope we can hang out sometime.

- Of course, I’ll text you - he started - there are already so many places I thought we could go together… You might just be the best company for basically everything. Specially late night talking.

You grabbed his phone off his desk, typed in your number and handed him the phone. Realizing what you just did, he smiled and held out his hand so you would give him your phone and let him do the same.

After the exchange of phone numbers and a quick good night kiss, you two got downstairs and pretended nothing had happened.

- There you are - Callie said as she saw both of you. - What did you guys watch?

- Friday the 13th - Trevor lied for both of you. - It was her favorite horror movie, and one of my favorites too.

- Aw, how cute. I’m glad you guys are friends now - your mom said, grabbing her purse. - But those old slashers have some awkward sex scenes, don’t they? We heard their moaning from down here.

- Glad they make movies more gory and less sexually charged nowadays, right? - Callie agreed.

Your moms were drunk and probably wouldn’t remember much about tonight. Thankfully, ‘cause your face and Trevor’s got just as flushed as if you had spent the entire night sipping wine.

#finn wolfhard smut #finn wolfhard x reader #mike wheeler x reader #imagine #mike wheeler #miles fairchild #smut #trevor spengler

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