#nice and gentle things

[flowercrowngods]

Something gentle to tell you...hmmm sadly I only know fun animal facts if that also helps?

Penguins are ticklish, there's a species of anteater (the silky anteater to be precise) that looks like a plushie that's ben very well loved, bats have adorable lil buttcheeks

Also this:

🥹🥰 thank you you’re wonderful

[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[whatohitsonfirewelp]

You know what? I don’t WANT an awkward double date. I don’t WANT buck coming out and people having the ‘I know’ reaction or the ‘is it Eddie’ reaction.

You know what I do want?

I want Buck panicking over what to wear for the date. I want Buck flopping on his bed like very teenager after their first kiss all giggly and happy and touching his lips because he kissed a boy

I want Buck smiling every time he says Tommy’s name because maybe it isn’t forever and maybe he’s not even looking for forever anymore but he’s so happy and he’s so light and being with Tommy feels good

I want Tommy to keep calling him Evan, because before Buck was Buck he was Evan and Evan deserves to be happy to be treated so softly and lovingly and Evan deserves to be free.

I want Buck to be happy. To be happy and free and queer in the way we all deserve.

[zarla-s]

Both Kabu and Larry have resting grump faces but they're misleading! Kabu's very friendly and laughs easily, and Larry is polite (if very tired) and even treats you to a meal after you beat his gym. It's just very cute to me.

[patreon]

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

[First] Prev <–-> Next

[remainingeden]

When you start the night wanting to be mean but he gives you such a 🥺 look you have to just sigh and tell yourself "next time"

[asthedeathoflight]

The reason I think the Bizzies being gender swapped works way better than having the Lizzies be gay is because it makes space in this musical for women to have sexual appetites and agency towards men in a way that's fairly rare in depictions of heterosexual relationships. For the Bizzies to seduce the Warriors by offering what they know the Warriors want and have the Warriors feel empowered to take it is imo more subversive than just like. The concept that women can be attracted to other women. Within the context of Warriors, because the text does address queerness in other places, I think it ends up being a more powerful statement to depict (some of) the Warriors as heterosexual women who have sexual agency than just being like. Well in a lesbian relationship someones gotta be the "guy" and tonight its gonna be the Warriors. Cowgirl is a heterosexual woman and she likes sex and the narrative never calls her a slut for that, and even when her sex drive gets her into trouble its still explicitly the fault of the person who tricked her, not her fault for wanting to get laid. When Rembrandt is listing the needs the Bizzies are offering to fulfill for the Warriors, she lists sex right up there with food. And thats something that I feel like doesnt often get talked about with heterosexual women especially in fiction. Theyre expected to be passive. The idea that the Warriors could need to get laid as badly as they need to eat and take a nap is just treated as like yeah duh. They've had a bad night. And that IS a revolutionary thing to put in a musical.

[ipilokko]

YEAH okay reblogging these panels because i spent all my time on these and i love them 🤭

Now I’ll go back to my cave 🤭

That is from this page!

[tree-obsession]

I AM NOT OKAY DEAR GOD IT'S BEEN HOURS AND I AM STILL WEEPING

his gentle face??? the soft, delicate, kind voice and his eyes visibly softening even more and the real, genuine little smile as he blesses his younger self with his sister's voice in the background.

hoyo why do you hurt us like this it's going to consume my thoughts for DAYS now

[bielbunny]

It's Reference Sheet Day

I've been chipping away at this for a while, so I'm real happy to say my reference sheet is done and a new Biel update is live

[flowercrowngods]

im sorry you're going through this 🫂 so am i. but here's a bunch of dandelions from my driveway and some puppies and fish from petland and some plants from lowes! 💙

i love you 🫂🤍

[knox-knocks]

I love making andrew and neil dangerous and violent in fics cause no matter what they would literally rather break their own hands than hurt each other

[brewstersbru]

todoiida u have enamored me, have a fic abt it 🔥🧊🏃🏻‍♂️

Iida touches Shoto a lot. 

It’s scary, at first, because his hands are broad and callused and vaguely familiar in a way that sends a spike of panic down Shoto’s back. But he never uses them in the way Shoto expects him to. 

He’s gentle, so, so careful, even when it’s a high-speed scoop up in the midst of battle. It’s odd to be considered in those kinds of situations. Nice. And maybe Iida isn’t giving him any special consideration, maybe he’s like this with every person he rescues because he’s just that kind of man. It’s still nice, though.

He noticed it, first, when they fought class B, and Iida had rushed to fish him out from where he’d nearly drowned in liquid concrete, trapping himself under literal tons of it to do so. It was a frantic situation, Shoto was only half-conscious, he could’ve gotten away with being a little rough. With putting comfort to the side in the name of saving a life. But he didn’t. He’d cradled Shoto close, holding him lightly against his warm, humming armor and tossed him to safety. 

Then there was everything after his grueling fight with Dabi. Bleeding, and feeling more cavern than boy, Shoto had crumpled. It was over, but at what cost? Everyone was cheering. He’d done what he was supposed to. The mission was a success.

Then why did he feel so sad?

Iida caught him, with hovering, sturdy arms. Hugged him to his side when he needed it and let him cry, without judgement. Because he understood what it felt like to lose a brother, even if that brother didn’t stay lost. 

Defeating Toya was just the first step, they had been in the middle of a war. There was more to do, always more that needed doing. Iida could’ve urged him to stand. Tried bolstering his courage to get back into the fray. He should have. But he didn’t.

Not until Shoto had been allowed to feel everything he needed to. 

Shoto thinks back on that day, often. And not just to torture himself with images of Toya’s last stand. Of the memories of his sizzling fists against his skin. Sometimes it’s just to remember how Iida’s fingers felt against his face, as he fitted him with his mask. Brushing hair away from his eyes—careful, but not pitying against his scar—and asking if it was too tight. 

If he lets himself, he starts thinking about how it might feel without the mask, without their hero gear in the way. He imagines leaning into it. 

He wonders if that’s okay. If he should be recriminating himself for his thoughts. He’s never had time or mind to fall into these kinds of fantasies before and he’s not sure what to make of them. All he knows is that he likes Iida’s touches, and that he wishes there were more of them.

Not all of them occur in the battlefield, of course, but that’s where they’re most abundant. Shoto’s in the line of fire often, given his quirk and years-long training for it, while Iida excels at rescue. They make a good team. 

It’s nice in the dorms, though, because then it’s really Iida’s hands. Without gloves. 

They’re fleeting, little touches. A brush against his side as Iida sidles past, apologizing for encroaching on his space. A gentle shake to his shoulder when he falls asleep on the couch, waking him and directing him to his room so that he doesn’t wake with a crick in his neck. 

Small things. But Shoto cherishes them the same as he does every other touch Iida deigns to give him. It’s addicting, almost, now that he’s got a taste for them he’s ravenous for more. 

Iida’s hands are so warm. Shoto thinks this extends to the rest of his body because of his engines but he can’t be sure. He wonders how his right side would fare against it. If Iida were to touch him there long enough, with enough pressure to really feel.

He feels a little wild with it. The longing he has for these touches. Shoto doesn’t think he’s ever wanted something like this before; badly enough to consider asking, even if the answer will probably be no.

Standing at the door of Iida’s room at one in the morning, shivering with the memory of a cold so intense that it froze the tears in his eyes, Shoto considers his options. He could knock. Iida’s probably asleep right now so that would either wake him from sleep (which he would feel immensely guilty about) or go unanswered. 

Shoto doesn’t wonder why he’s come to Iida’s door, in the haze of gloom that had descended upon him immediately after waking. He knows why he’s here. 

Iida feels safe. Is safe. But it’s also one in the morning. And just because he touches him nicely when touching Shoto is necessary, doesn’t mean that he’ll want to touch Shoto otherwise.

He bites his lip, pulling some chapped dead skin from it with his fingers and wincing at the sting. His other arm clutches his pillow to his side. 

Before he can make up his mind, the door to Iida’s room slides open with a near-silent whoosh. Suddenly, standing in front of him is a yawning Iida Tenya, sans glasses. 

After rubbing his eyes, Iida squints at him.

“Todoroki?” 

Shoto swallows around something large clogging his throat. Coughs once, twice.

“Uh. Hi. Iida.” He says, wincing at himself. Even he knows that isn’t the way to greet someone whose door you were lurking outside of at one in the morning. Iida steps closer, still squinting.

“Are you- alright? Todoroki?” He cuts himself off and the sentence comes out choppy, but unlike his usual confident staccato.

“Yeah- yes. I’m fine. I’m sorry.” Faced with the reality of having to ask Iida to touch him, Shoto shrinks. He can’t do this. Not with Iida’s hair all mussed up, cheek slightly imprinted with the wrinkles of his sheets. 

Iida squints at him for another moment before holding a finger up and retreating into his room. He leaves the door open, though, and that is the only reason Shoto doesn’t turn tail and leave. 

Perhaps he’d disturbed him. Maybe, somehow, he heard Shoto’s engrossed shuffling outside the door and decided to investigate. He was owed an explanation, at the very least, and another ten apologies.

Just under a minute later, Iida returns, now sporting his usual square glasses and a small smile. 

“Ah. That’s much better.” His brows furrow as he looks at Shoto. “You’ve been crying.”

It’s not a question and Shoto doesn’t argue. He has. Or, had been about a half-hour ago, when he woke from the nightmare. He hadn’t bothered cleaning himself up before marching over here; mirrors are a little difficult when he’s like this. 

“Yes. I’m- I’m very sorry if I woke you…” Shoto can’t bring himself to finish the thought. To explain why he’d come here. What if he’s disgusted? What if he never touches him again?

The thoughts are irrational— Iida has always proven himself to be kind to a fault, he’d never judge Shoto for this— but that doesn’t stop them from occurring.

Iida’s gaze slides down to where his hands are clenched around his pillow, trembling slightly.

“Please, don’t apologize. You didn’t wake me, I was going to get some water.” He says.

Shoto nods without saying anything and angles himself so that he’s no longer standing in his way to the elevators. 

“Right. Well, you should go. Do that.” He’s looking resolutely at the ground unwilling— and perhaps unable— to meet Iida’s eyes.

Iida hums. 

“Why don’t we go together? I think I’d rather have some tea, now, and it’d be nice to have someone to share it with.” He smiles at Shoto, who just barely catches it when his eyes dart up and then back down to his feet. That sounds nice. And Iida is being so kind. 

He jerks his head into a stiff nod, following slightly behind Iida as he makes his way to the elevators.

Iida presses the button and they wait in silence, side by side, for the doors to open. When they finally do—after what feels like an eternity but can’t have been longer than thirty seconds—Iida brushes a hand, flat, at the small of Shoto’s back to usher him inside. The unexpected (but much yearned for) touch causes a jolt of electricity to flow through him. Unfortunately, it manifests as a flinch, and Iida steps back into the far corner of the elevator, apologizing. 

“No!” Shoto bursts out, going to follow him before staying himself. No one likes getting cornered in an elevator. 

Iida raises his brows, likely not expecting to see Shoto so fired up about something so trivial.

“I-“ He wars with himself over the correct words, now committed to being honest. The want is too much, especially after getting a taste of that warm, addicting touch. Iida waits patiently.

“I like it. When you- when you touch me.” He flounders. “It’s…” Shoto squeezes his fingers further into the soft down of the pillow, searching for a way to adequately express how Iida makes him feel. Nothing is big enough.

“Safe.” He decides on, and it’s still woefully lacking. “Warm.”

The elevator doors slide open and Iida steps closer, hovering his hand above the same place he’d placed it before. 

“Alright.” He says. “Is this okay?”

Shoto nods fervently and allows himself to be steered towards the kitchen. Iida’s hand is a nice, solid weight against his back. Something to focus on. He breathes deep and relaxes slightly.

“Thank you.” It’s more whisper than words but Iida hears it. They come to a stop just in front of the island, where Iida retracts his hand.

Shoro mourns the loss of it, but tries not to let it show. Iida has already given him so much tonight. His time, his touch, his understanding. Who is Shoto to ask more of him?

But Iida doesn’t move away. Instead, he shifts on his feet and asks, a little shyly, “Would you like a hug?” 

Shoto would love a hug. Hadn’t even let himself imagine a real one (and not a side hug or a piggyback in the midst of desperate fighting) lest he become too enamored with the idea. Before he started wanting too much.

He nods, a little frantically, and looks up to find Iida already staring at him, something inscrutable in his eyes as he holds his arms open. Shoto sets his pillow on the island and steps forward, wrapping his own arms around Iida’s middle, tense, at first, but melting to push his face into his neck with each passing second. The tears return, but Iida doesn’t mention them. Doesn’t do anything but rub at Shoto’s back in rhythmic, circular motions, muttering variations of “It’s okay.”, and “You’re okay.” As he cries. 

Iida is warm. Shoto was right. Enough that the right side of his face fits blissfully against his skin. 

Before long, though, Shoto becomes acutely aware of how much of Iida’s time he’s wasted. How long has it been? Minutes? An hour? He should pull back. Should let him get back to his night and content himself with what he’s been given. At this point, he’s just being greedy.

With effort, Shoto pulls himself away from Iida, swiping viciously at his eyes as he does. 

“Thank you.” He chokes, again. “I’m sorry.”

Iida’s expression cracks, a little bit, before righting itself. “You don’t have to apologize, Shoto. In fact, I must insist that you don’t. It is natural to want to be touched, it’s ingrained into us as human beings.” 

He coughs, averting his eyes to the side. “And… and, well, I liked it, too.” 

Shoto stalls, processing the words.

“You did?” He asks, voice small. Iida smiles at him. “Of course I did. It’s you.”

It’s like a bomb has detonated deep within Shoto’s chest, blasting open a whole slew of possibilities he used to keep under lock and key. 

“Then- then can you hold me again? Would you? Your hands are so kind.” It’s an odd way to say it, and Shoto knows that, but it’s also the only way that he can. Iida understands, anyway, or seems to, if the complicated twist to his mouth is any indication. 

“I will. And you deserve to be touched kindly. You don’t have to beg.”

Iida draws back into Shoto’s space—who had sat himself in one of the stools at the island, ready to spend the rest of the night just watching—and settles himself between his legs. 

With tickling, tender pressure, he cups Shoto’s cheek, then slides his hand back to cradle the back of his head and hold him to his chest. Iida’s heart beats slow and steady, a deep thrumming beacon of warmth inside an already warm man. 

Shoto uncurls his fingers from his pajama pants to pull himself closer, breathing deep as Iida’s fingers toy with some of the hair at the nape of his neck. 

“This is nice.” He breathes, because he knows Iida doesn’t want to be thanked again. Something light presses against his hair for a lingering moment before retreating.

“It is.”

[scarapanna]

Pre-corruption SM doodle!!!!

Au specific because if I completely missed the spot w him I have an excuse to still use the design/silly

Closeted clown nerd/aff

[regionalpancake]

Ah lads, the disability… it’s disabling me again.

[sysig]

Scriabin and Edgar eating crepes for requestober !!

Day 8 - Delicious silence