#new essential guide to characters

[leafy-m]

So I hit my 700th edit for the WHA wiki today, because I am a totally normal person

[artblooger19moon]

Pokémon Books that I have read

Pokémon Junior Raichu Show Off Sarah E. Heller

Pokémon Junior Two of a Kind Sarah E. Heller

Pokémon Junior The Wobbuffet Village Sarah E. Heller

Pokémon Junior Nidoran’s New Friend Gregg Sacon

Legendary Pokémon The Essential Guide Sinnoh Edition Katherine Fang

How to draw Pokémon Featuring Sinnoh Characters Maria B. Alfano

Pokémon Essential Handbook Gabrielle Lord

Pokémon X & Pokémon Y The Official Kalos Region Guidebook

[haaaaaaaaaaaave-you-met-ted]

Star Wars: New Essential Guide to Characters - Bria Tharen by Michael Sutfin

[shorlinesorrows]

not me finally developing an inevitable dnd hyperfixation when I have enormous amounts of work to do

[chowadoe]

sonadow fankid blast 💥 meet Breaker! his twin is up next 🕺

primarily takes after Sonic, taking over the day shift of watching Green Hills and the 'hero' mantle. beloved face. helps grandmas across the street. avid errand runner. has helpful big brother/camp counselor vibes!

🌖 At first I named him Breaker as a shorthand for 'daybreak' (his twin being named Dusk) and thought it was stupid (bc Sonic would name his kid something stupid) but the more i thought about it.. the more it worked.. windbreaker…. circuit breaker…a breaker being a heavy sea wave connecting to Sonic's fear of water..breaks/brakes… mm wordplay

very aloof! enjoys life. loves hiking. he loves anything with a good view. prefers to take it a day at a time, if given the choice. has a curiosity and interest in the powers and skills of others he's incredibly strong w/ powers including electricity + Chaos Control/time-space manipulation (and still wearing limiters)

he is extremely tactical with when and how he uses Chaos Control. With new opponents Breaker wouldn't use his Chaos Control, relying on speed and fistpower. If he did, he'd make it seem that he was just extremely fast getting places, using the shadows of his opponent and surrounding environment to slip between places

ever since he was a little, Breaker’s always come out on top. he’s always looked up to heroes, naturally- after all both their fathers were. and he’s settled into the role quite nicely, one of Green Hills’ very own, and just as beloved. all the townsfolk know him, all the women fawn over him, a true bonafide role model. But even his twin brother Dusk wonders/isn't sure if thats really what he wants or if its simply a role he’s acclimated to.

Breaker has a bit of an iceberg to his character. Most people see the very top layer, what they see day-to-day of the young aloof Mobian heralded as "Sonic and Shadow's son". there's something else that goes on beneath..

his powers essentially distort him from living the same wavelength as others. Like that moment in Sonic Prime where Sonic is going so fast, time has essentially stopped for everyone else. Tapping into this power has led him to believe he is invincible in ways, but not entirely. he enjoys all the scuffs, he enjoys what life has to throw him, his friends, etc. It keeps him grounded. as a result, he has a curiosity when he finally gets to dance with danger one-on-one like the average Mobian. he appreciates any opportunity to throw himself into dangerous situations because he enjoys the thrill of possibly getting hurt, as the pain allows him to feel 'mortal'.

One of his core principals is that he doesn’t want people hurt. He wants people safe. But sometimes it's unsure if thats the case or if its because he wants other people out of his way so he can set the stage between just him and his opponent.. and thus, minimize the collateral damage/cleanup.

He is rather tactical outside of battle too and does especially well in social settings. he already has the chops for it, being charismatic from the getgo, but he knows how to set people/things/his environment up in ways that would allow him to get to that final push for things to go his way without anyone being aware he had pulled any strings at all. he is incredibly observant, always picking up on the finer details. his hobby for people watching both comes in clutch as a both hobby he truly enjoys and something that could help him in future instances.

Whether Breaker wants to admit it or not, he cares about his image. Although his swagger is already quite effortless, he cares how the townsfolk perceive him, not just for the sake of vanity or narcissism but because he understands that people need an idol- they need guidance. That's what his dad was, and that's what he's for. It's what the stars were here for-- people had to look up somewhere for answers. He understands that he is something like a guiding light, a north star- but if they choose to refuse him, it's no skin off his back bc that’s their choice. He doesn't interfere with the choices people decide to make for themselves.

Breaker is a weird paradox character. where he's direct and very upfront, he is also so incredibly indirect about stuff too. Bro's always contradicting himself which makes it very hard for anyone to really pinpoint just what he's thinking beyond what they might know from the "hero" image he shows off.

Being good is a choice for him. But it's a choice he doesn't think about and something he's trained himself to wholeheartedly believe is instinct, as he doesn't believe himself to be a bad guy (and he isn't!) But it's like making a lie real and true.

Breaker, like his brother, has his own brand of isolation. Because of his powers, he lives on a different wavelength to other people. Always looking things through a window. He can look close enough to pretend the glass isn't there, that he's with there with everyone else, but there still exists that separation. So he chases after whatever makes him feel 'alive' and in the moment with everyone else.

[thewriteadviceforwriters]

How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[brittanyearnestauthor]

The Art of Character Growth

Learning is a continuous journey. We aren't the same person we were yesterday. Each day, we grow from new experiences and lessons.

**Character Development:**

In your writing, ensure characters grow and learn. Stagnant characters can lose readers’ interest. People seek hope and growth in stories, so reflect that journey.

**Humor and Engagement:**

Inject humor to keep readers entertained. A laugh can ensure they stay hooked to see what happens next.

**Emotional Connection:**

When characters cry, make readers feel it. Emotional connections are crucial. Remember, tears don’t always mean sadness—they can signify joy too.

**Vulnerability and Realism:**

Vulnerable characters in key moments make stories more realistic and relatable.

**Pacing Your Story:**

The right pacing is essential. Don't rush or drag the plot. For horror, build tension slowly before the reveal. In romance, let love develop naturally to avoid unrealistic expectations.

**Planning and Outlining:**

Outline your story to guide proper pacing. Avoid major time-consuming mistakes. Writing and developing characters is complex and requires thorough planning.

Practice pacing and character development for better stories. Happy writing!

[centrally-unplanned]

I was going through some archived scans of 90's otaku magazines, as is my sacred duty, and I stumbled on this ad for a Sega Saturn game I did not know:

The pitch of Roommate (as seen here) is that of a "real time" romance simulation:

What makes it real-time is that the game progresses in sync with the Saturn's internal clock. In that way [main girl] Ryoko is just like a real girl; she has her own daily habits and lives her life accordingly. So if you start the game in the afternoon, you might not be able to meet her because she's at school [...] The purpose is to enjoy living together with Ryoko in real time and communicating with her.

And this is exactly the kind of way-too-convoluted gimmick that sacrifices gameplay functionality on the altar of conceptual novelty based on random technology add-ons present in new-gen consoles of the era that I just love. Obviously the concept of starting a game and having the main girl not be present so you cannot play is completely asinine - but think of the realism!

Between that and the discount-Sadamoto 90's character designs, I wanted to see it for myself; so I spent way, way too long setting up a Sega Saturn emulator. In my experience early CD-ROM-based consoles often require much more bespoke set-ups to get working, in this case custom BIOS files in the emulator firmware directories, and JPN-language ones at that for this game. But I got it to work and oh yeah, this is some early "digital" console era crust:

Playing this game is just painful. The clock of course means that you essentially can't play it at all - looking at YouTube comments on the very few Let's Plays and such that exist, people are reminiscing about how they could never find Ryoko because their schedules didn't align. One person even comments:

This game is for NEETs and shut-ins

Which is a valid demo I guess! But it doesn't really stop there - your house is a "fully realized" 3D environment of bare walls which you navigate with clunky controls. Let me log in and take some screenshots...

Jesus Christ it's 10 pm and you are cooking dinner?! The one time I don't want this ghost popping out of the cracks in the floorboards, I swear...

Okay, got rid of her (She broke a plate -_- you moved in yesterday, girl):

You walk, in real time (step by step) through this pixel museum just...hoping that one of the rooms will contain Ryoko and proc a dialogue event based on the time of day. There is a little more to it than that but that is essentially the gameplay. This would, very obviously, be simply better as a straightforward visual novel.

But you see how that just isn't as cool in 1997, right? This is the era where the fidelity of graphics and the technology for simulation is progressing at a rapid clip, and everyone wants to see the boundaries pushed. Roommate isn't the first "real time simulation" game, but it is the most pure, the one fully committed to the bit. Your house is completely mapped out, the girl has her routine, you walk step by painful step through the rooms because this is "real", you are living it. They even use a live photo for the outside of the house to sell the aesthetic (and also save money):

Ryoko is waiting in the kitchen of that house when you come home from work, putting on an apron, ready to cook dinner. For you.

Assuming you get home at whatever fucking 30 minute window the game decided to gatekeep its gameplay behind! But of course I exaggerate - it wasn't that bad (there are little mechanics you can use to set some schedule times in the game for example), player tolerance for bullshit was way higher then, and you were expected to buy strategy guides for these things. So even though it was panned by critics on release...it was a sleeper hit with a devoted fanbase.

Which means it got a ton of sequels and ports! We don't have to go through them all, though I will share my favorite factoid about the first sequel - "ROOMMATE ~Ryoko in Summer Vacation~" from the wiki:

The character designs are significantly different from the previous game (especially Ryoko's brown hair and large breasts).

Priorities, baby. But some of the ports are interesting because of the changing tech. A version was ported to the PlayStation, which does not have the internal clock a Sega Saturn had. But coincidentally it did have the PocketStation, a handheld GameBoy/Tamagotchi hybrid expansion tool that did have an internal clock and could sync with the game. It also let you track Ryoko's schedule and play mini-games, with some very adorable animations as you can see in this ad for the product that featured Roommate:

This device absolutely reminds me of the Disc Fax system discussed in my Miho Nakayama essay - a very niche product biting off more than it can chew making games overly complex to play but allowing things that would otherwise be impossible (and this one was a good deal more successful at least). Here it allowed Roommate's central gimmick to function - and is super cute, honestly I would buy a standalone tamagotchi version of this game.

The PS1 also couldn't quite handle how the game was built for the Sega Saturn graphics-wise, and as such a bunch of the 3D elements were sanded off into 2D simulacrums - most notably the house:

Which, despite this being a technological downgrade, is way better! It looks adorable, you can actually see what is going on and where Ryoko is, and you can navigate it way more cleanly. God, did...hold on let me tab back to the game...yeah, is there no clock in the original game on screen. That is insane. Anyway the PS1 version had a lot of these cute little graphical additions, even right on the title screen:

It is definitely the better looking version, which is a classic tale - in 1997 the "bleeding edge" of 3D graphics were impressive to players, even through their roughness. Now they just aren't, and so the retro charm of designs that are optimized what the mediums of the time could reliably handle have a lot more appeal.

There was also a PC port in 1998, which did exactly what I suggested and added an "adventure" mode where you could ignore the clock system. They definitely learned over time what worked and what didn't; but the appeal of the gimmick is what first sold it to players in the end.

All of this is to say, don't play Roommate, and if you do just emulate the PS1 game instead of torturing yourself with the Sega Saturn version. Oh...you weren't gonna play a Japanese-only abandonware 90's not-even-eroge dating sim to begin with? Ah, well, yeah, I guess that makes sense.

Man I should translate it shouldn't I? So people can play it...

[tragicvampireromanceisland]

anyone else remember this weird little show that toon disney used to air back in the nineties?? inside out focused on the lives of the emotions inside the mind of thirteen-year-old riley andersen, as they worked together to guide her through each day. while essentially just being a workplace comedy, the show quickly garnered praise from critics and fans alike for its unique premise, strong and relatable characters, and positive messaging on emotional regulation for its young audience.

at first, it looked like the show was going to become a staple saturday morning cartoon. season 2 even added four new emotions to the original cast of five! unfortunately, it seemed like disney had other plans. clocking in at 52 episodes, inside out only managed to reach around half of the golden standard of 100 episodes for rerun syndication before it abruptly got cancelled. the reason why has been the subject of speculation in hundreds of online forum threads over the past thirty or so years. but who knows! if we drum up some more conversation about it, maybe we can get a reboot!!

[felassan]

Dragon Age: The Veilguard - new map of Thedas + detail shots

Art by Francesca Baerald [source, via]

"Illustrated by Francesca Baerald, this is an ornate piece of art that shows off the various lands of Dragon Age, and each location is enhanced by illustrations of characters, monsters, and dragons. It reimagines the land as it exists in Dragon Age: The Veilguard and it measures an impressive 24 inches in width and 18 inches in height. This is expected to arrive by Winter 2025, and preorders for it will close on November 5." [source] (emphasis mine)

---

"Dark Horse Direct and BioWare are thrilled to release an updated print of our map from the World of Thedas, your guide to the Dragon Age universe. Once again featuring the talents of Francesca Baerald, this 24-inch wide by 18-inch tall depiction of Thedas has been reimagined for the current world of Dragon Age: The Veilguard.   Enter Thedas, a vibrant world of rugged wilderness, treacherous labyrinths, and glittering cities plunged into crisis by the return of blighted gods. As you navigate through new allies and emerging enemies, this beautiful lithograph map will be your essential guide in capturing the darker tone of Thedas at war in Dragon Age: The Veilguard. With eye-catching details and subtle easter eggs for Dragon Age fans, this fine art map print will amaze your companions, whether it is hung on your wall or laid out in the Lighthouse for strategizing. With this map, there will be nowhere in Thedas that Solas can hide.   This map will be a timed pre-order between now and November 5th at 5 PM PST. Add this gorgeous update to your Dragon Age collection today!" [source]

[yawujin]

bwaaaah hetalia allies with s/o who's a virgin /// or, nsfw for their first time OUUUGGH!! also, what's ur limit for how many characters u write? I'd ask for both allies n axis but don't wanna bombard that many on u !! ^^

don't worry about that, i got youu ദ്ദി(ᵔᗜᵔ) enjoy!! 🤍

hetalia allies & axis | first time 💭 . ★⋆. ࿐࿔

type | nsfw , smut , they/them pronouns used , established relationship , light hearted , first time trope

author's note* part two is here 🤍

allies ♥︎

america/alfred f. jones

he's really excited and is prone to getting carried away.

it will take direct communication from his s/o to get him to calm down and take things slow. he can respect that, so he does.

he's making sure to be careful in everything he does, tracking his pace so he goes slow enough to not overwhelm them but fast enough to not bore them

he really really wants their approval...so he's doing the best he can (he wants that sweet praise after all is said and done)

england/arthur kirkland

he's like really anxious so if they're able to help him through that, that would be really great

he just has this fear that he'll hurt them so he is really gentle, it's an expectation that he's aware of so he just automatically does it

he's very encouraging and accepting towards mostly anything his s/o does during sex. he's the type to urge them to let it all out if they want to moan but are holding back. he also really wants them to grab onto anything of his, really. but only if they want to

he'll want to hurry and get them cleaned up as soon as they both finish, so they don't have to feel uncomfortable...especially after their first time

france/francis bonnefoy

he makes it very sweet, very loving, and makes sure that they feel comfortable before they even begin.

he'll give them words of affirmation, and letting them know they're free to back out at anytime. "if you want a break, just say the word and we'll have a break." france kisses their cheek

he's very vocal, complimenting them on their expressions, sounds and on their figure.

afterwards, he'll want to lie down and hold them. he'll tell them just how much he appreciates them and say what his favorite parts were. he'll ask them what theirs were, too.

canada/matthieu williams

he's shy but not anxious. being gentle is in his dna, so it comes to him automatically

"i never want you to feel uncomfortable..." he says. his voice is soft and sweet.

he's the type to guide them through it, putting his hand on theirs and placing it somewhere on his body. it's especially helpful if they're the type to not know where to touch.

i feel like he'd want to kiss them a lot, but he understands if they don't want to or get overwhelmed.

russia/ivan braginsky

first of all, he puts in effort to not look scary because he knows he can be intimidating

and since sex can be intimidating to some, he really tries to get them to have fun with it

he tries to do the same, and not take himself too seriously

he saves the sweet talk for after they both finish. for now, he wants to savor the moment with them and moan into their ear, watching how they react to all of it, all of him. he likes the fact that it's brand new to them, but he'll like it even more if he can please them...so he focuses on that.

china/yao wang

he's very well versed in helping people feel relaxed, especially during a moment that can be so overwhelming for some.

of course , it helps that he's experienced, too. that way he can reassure them and promise that he's going to make his s/o feel great

he's already prepared the essentials (i'll leave it up to the readers to guess what those are winkk)

he knows already that he's going to need to take things easy at first. it's really fortunate that he's good at tracking his pacing, and reading expressions. he keeps asking them if they feel alright, and if it's okay for him to continue. if they consent, he'll give them a quick kiss on the forehead before going back to what he was doing.

axis ♥︎

north italy/feliciano vargas

he's all smiles. he's just happy that he gets to be their first.

he's excited!! but he respects them completely, so he asks what exactly they want to happen.

italy is here to fufill their wishes. and that he does.

he can't help but hold them tightly in the heat of the moment, going in for a quick collection of kisses before pulling away for some air. he's getting desperate but he asks for permission before doing anything else.

germany/ludwig beilschmidt

he's nervous ngl but he knows what to do so he approaches this *situation* practically

he prolongs the foreplay just so he can give them a taste of what's to come also so he can get an idea of what they might like or dislike

he overthinks a lot of what people say and what their body language is so he takes that into account before they begin

he's the one to ask: "can i do this?" "is this okay with you?" before going any further. if they didn't know any better they'd think it's his first time with the hesistant way he goes about this (it's kind of sweet, since he's usually so direct)

japan/kiku honda

he's very sweet towards them, now more than ever

he says it's okay if they're nervous, but he really wants to know how they want to go about this

he urges them to talk about exactly what they want, so he can give it to them just as they prefer

he delivers; making them feel cared for from the very moment they start making out to the final moments where he's looking at them, even if they're too shy to maintain eye contact

prussia/gilbert beilschmidt

similar to his brother germany, prussia is direct and he uses this as a guide for them

he gently asks them if they can do a certain thing, letting them ease into it and letting them take the lead without so much pressure. he reminds them they can say no if he unknowingly asks too much of them

he does this because he'd rather not risk coming on too strong (he doesn't want to let his eccentricity get the better of him and overwhelm or scare his s/o ☹️)

he's happy with whatever they want to do and gives them a little bit of praise to encourage them further

south italy/lovino vargas

he tones down his usual blunt and outspoken demeanor just for them, reminding them that it's okay not to take themselves so seriously

he uses touch as a way to soothe their nerves, constantly holding any, and every part of them in one way or another

he goes ahead with touching them in the typical ways most people like, but tells them that they should let him know if they don't like something right away

as he gets accquainted with everything they do like though, he'll tell his s/o how amazing they feel, on almost every part of their body.

[literaryvein-reblogs]

Writing Notes: Fictional Culture

Fictional culture - an essential piece of worldbuilding in certain genres of fiction—particularly in science fiction and fantasy.

Storytellers develop fictional cultures in a variety of mediums, including film, television, short stories, novels, and video games.

A fictional culture is defined by the customs, languages, values, and symbols of an imaginary world.

How to Create a Fictional Culture

Although there are nearly endless possibilities, consider some of these general writing tips for creating a fictional culture.

Pull inspiration from the real world. Pay attention to the cultural behaviors within your society. Broaden your own cultural perspective by researching the ideas and values of different cultures throughout history. Use real-life cultural examples to inform your fictional world, but be wary of repurposing existing cultures or perpetuating stereotypes.

Build off your main character. Develop the setting of your story based on how it serves the character development of your protagonist. Build a culture that highlights or contradicts your main character’s goals, needs, and fears.

Develop a belief system. Consider the core values, social norms, and taboos of your fictional culture. A central belief system can guide how you create rituals, symbols, and artifacts within your story.

Create a social structure. Develop how the family structures and social hierarchies work within your fictional culture. Decide where your main character falls within the social structure. Monetary systems can change your social structure depending on whether you use a bartering economy or something more complex.

Construct a technological system. Determine how advanced the technology is in your fictional culture. The technology of your story will impact the entertainment, communication, and modes of transportation within your fictional world.

Write a brief history. Expand your culture by writing a brief mythology of your fictional society. Avoid overwriting, and keep your history contained to important information that can impact your story.

Examples of Fictional Cultures

To learn more about how fictional cultures work in fiction, explore the following examples.

The Lord of the Rings by J.R.R. Tolkien (1954): Tolkien created a wide variety of fictional cultures to inhabit Middle-earth. Each culture has its own language, value system, and history.

Brave New World by Aldous Huxley (1932): In his dystopian novel, Aldous Huxley developed a complex and technologically advanced culture with distinct social classes.

Dune by Frank Herbert (1965): Dune is an influential sci-fi novel with several detailed fictional cultures. One of them is the Fremen culture, which revolves around ancient superstitions and a rare commodity known as the Spice Melange.

The Fifth Season by N. K. Jemisin (2015): In this award-winning novel, Jemisin created a complex social structure with many "use-castes” that all have a place on an earthquake-ridden planet with one supercontinent.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[gidget-claws]

I have a few AUs with this guy- read more is just a ramble explaining him

I essentially wanted to make an AU that takes the vilified version of Tripitaka from LMK fandom and make him better written- a sorta "what if he did what people who don't understand his character wish he did"

He's called Puppeteer!Tripitaka, Wukong being the puppet. He never interferes with the pilgrims actions, seeing himself less as a teacher to guide them to come to new solutions, and more just having a bunch of demon bodyguards. He doesn't perceive their wrongdoings as something he needs to put a stop to- with it it leads to a weird dynamic between Wukong and Tripitaka...

Wukong essentially sees Tripitaka as one of few whos let him just do what he wanted- it causes a sense of respect to Tripitaka inspite of Tripitaka treating him more like a servant.

The rest of the pilgrims, however, slowly perceive Tripitaka as just a package to deliver than necessarily human. Something fragile, enough to never wish to bring harm to him, but enough to not treat him like a person...

He's also has some lore with his own wrongdoings (cough cough violence cough cough) but we'll keep that quiet for now

[venussaidso]

Ketu Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 (part 2) 𝐩𝐚𝐫𝐭 𝐨𝐟 𝟑

note: some of you may recall part 2 of my ketu dominant themes post series, which i deleted due to some doubts about my findings. however, i’ve decided to remake it, so here we are. initially, this was meant to be a short post about ashwini and mula as a pairing, but it turned into something else, as i realized i still had more to say. there will be spoilers for some movies/tv shows ahead.

warnings: mentions of murder.

As mentioned before in my other posts, Ketu is known for severance and detachment, which typically applies in a spiritual sense. Ketu is the headless body, and it is associated with the dissolution of identity and disconnection from the physical world.

The fictional trope of being born artificially, which I've seen Ketu-ruled nakshatra natives be casted in, perfectly ties into this.

The detachment from the natural roots, such as having biological parents or a human upbringing, creates a sense of alienation and lack of belonging — causing confusion of one's identity and spiritual roots. This concept can also extend to Rahu, as you'll see Rahu-ruled nakshatras in this genre of film as well.

The nodes can give themes of existential crisis and uncertainty, as one can grapple with what is real to them or not. But the quintessential themes of Ketu involve confronting the void, as questions of if these artificial beings possess souls or not are often raised, as these characters can feel incomplete or hollow, connecting to Ketu’s elusive nature.

So a clone or humanoid might wrestle with their artificiality, in search for individuality, often questioning whether their emotions, memories, or humanity are even genuine — which is perfectly illustrated in the film They Cloned Tyrone, which I strongly recommend onto your watchlist. That film explores disillusionment, forcing confrontations with reality and dehumanization.

Ketu's purpose is to guide individuals toward spiritual growth and self-realization, so a humanoid transcending their artificiality or programming falls well into that, and the film They Cloned Tyrone wonderfully shows this. Even Mula ASC Sebastian Stan's Winter Soldier, though human, transcends his extreme programming to rediscover his humanity and find purpose to live.

So, as Ketu is associated with dissolution, this can relate to the stripping of one's humanity and identity, as seen with the character Bucky Barnes transitioning into the Winter Soldier. The process of separating from the material, physical, or ego — to the point of dissociation — often involves extreme levels of torture and disturbance to the mind. Because human experiments essentially push all physical and psychological limits until uncharted territory is delved into. Ketu as a whole governs hidden, mysterious realms. This concept is deeply explored through human experimentation, as it involves dehumanization and, in some storylines, is meant for the subject to be torn through down to their essence, so that a new level of consciousness arises — often in the form of superpowers, as seen with the characters Homelander and Kilgrave, both played by Magha Ascendant natives. Ketu nakshatras are tied to destruction, rebirth, and exploring uncharted territories, after all.

Now, moving on from this, there are some negative archetypes due to the void-like effect of this shadow planet, which will involve the material plane more than the spiritual, but it is in alignment with the detachment from the world as a whole — leading to illusions and even obsession. Again, Ketu is illusory in nature.

Detachment from the world often signifies ignorance, and Ketu, being Tamasic, is said to be of darkness and ignorance. The Narcissus archetype reflects this in a deeper focus, especially through the character Dorian Gray.

Narcissus, the Greek mythological figure, forever gazes into his reflection, isolated from the outside world. This captures the inward-turning energy of Ketu, where one becomes consumed by inner processes, often leading to isolation.

The disconnection from reality, the lack of depth, and self-absorption is interestingly aligned with Ketu. As I've already touched on the Ketu influence on Dorian Gray, I have been fortunate enough to find more examples from @/encbeau on Twitter regarding this archetype.

Magha Sun Ben Barnes, Mula Sun Stuart Townsend and Ashwini Sun Reeve Carney have played Dorian Gray, a character who lives to absorb worldly things and people.

He is known for pulling people in with the promise of depth, but he is fundamentally empty. This character is the literary archetype of Narcissus, being deeply obsessed with his beauty and consumed by his self-image, which ultimately leads to his downfall.

In Greek mythology, Narcissus is a very handsome hunter who becomes enamored with his reflection in the water. Falling in love with himself, he tries to grasp his reflection in the water, but he can't, much to his dismay. He dies by the pool of water, where he's been actively consuming and taking in the image of himself. Narcissus dies ultimately unfulfilled by his reflection, symbolizing Ketu's eternal void.

Ketu natives can naturally exude a level of mystery and elusiveness, which is signified by the beauty of these Narcissus-type characters, as pretty privilege is known to have an illusory effect on the minds of people and society. These characters of the Narcissus archetype reveal an underlying chaos or hollowness concealed by their magnetism.

Another endearing character that initially appears as Narcissus is Fiyero Tigelaar from the film Wicked, portrayed by Ashwini Sun native Jonathan Bailey. At first, he is perceived as a self-absorbed moron who is concerned with his self-image. Although the audience soon comes to understand that he uses his charm and charisma to attract others and pull in energy. (++ The animation character Bojack Horseman, voiced by Ashwini Moon Will Arnett, is known as narcissistic).

Narcissus represents self-love and an inability to form loving relationships with others, which perfectly ties into Ketu nakshatras being found in golddigger tropes, in which these characters purposely marry for money and not love, and how such stereotypical natives find themselves in transactional relationships to fulfill their needs. Narcissists often find it difficult to love someone else, as they already struggle to love themselves enough; they don't view their partners as an individual, but more of a person to fulfill their needs. This is why narcissists are often drawn to other narcissists.

For example, both Cameron and Daphne from the series The White Lotus exhibit narcissistic tendencies, operating as self-serving within their marriage. They are different from Evelyn and Patrick in American Psycho, who don't love each other nor seem to care about each other as people, which is expected of this archetype dating itself.

Daphne is typically Ashwini, as she portrays herself as more outwardly vibrant and pleasant. While Cameron, being Mula, is overtly narcissistic. Ashwini natives in the media can be much more performative and concealing of their hollowness, as seen with Daphne. I love the interpretation that these two characters are essentially similar to one another, even though the audience has a softer spot for Daphne due to this nakshatra's charming and innocent energy. Cameron and Daphne literally fell in love with each other because they are the same person. As I said before, Ketu-Ketu can be a dynamic filled with power games. They're both definitely vampiric towards each other, but in some messed up way, that's what makes their marriage [Cameron & Daphne's] work.

Much like I've seen the same nakshatra lord pairing between Purva Phalguni and Purva Ashada, I am starting to see Mula with Ashwini as a pattern. To understand why they'd be drawn to one another beyond their mutual Ketu influence, I'd have to understand their fundamental nature and what their interactions signify.

Ashwini has to be one of the most reckless nakshatras, if not the most. First of all, this constellation cannot remain in stagnancy, otherwise it loses all of its potential. Its purpose is to individuate as a person, similarly to Jyestha nakshatra. Ashwini possesses prana energy, making it very self-powered and independent. Movement is constant, whether in thoughts or with the body. This can cause extreme impulsive actions or mental disturbances, but it all connects to the power of this nakshatra.

Ashwini has the power to reach things quickly, or quickly attain one's objectives, possessing Shidhravyapani Shakti. Practicing meditation or pranayama is important for natives under Ashwini influence. It is a Kshipra nakshatra, making it swift, in addition to it being the Star of Transport. Their movement and attainments in the material world can be inhumanly fast and debilitating for natives. Ketu is extremely magnetizing, constantly pulling in energy and heat. Co-ruling this nakshatra, which is in a Mars rashi, makes it incredibly sensitive. Late-blooming nakshatras are actually blessings, as one can handle their attainments and experiences better with age. Ashwini is not a late-blooming nakshatra, in fact, it can make natives experience events too early for their mental capacity.

The series Girlboss is based on the American businesswoman, Ashwini Sun Sophia Amoruso, who is played by Ashwini Sun Britt Robertson. Sophia is portrayed as impulsive and reckless, unable to keep a job due to her Ashwini influence. Her ungroundedness is why everybody underestimates her, which makes her feel isolated, forcing her to figure out her own individualism.

Fast as lightning, it all starts to click for her. As Ashwini brings in speed and clarity. The series makes it known that everything around her is all happening too fast, as she suddenly stumbles into creating an online business and has to learn how to be a boss. She is extremely intelligent, as well, which is why she's a quick-learner and is very resourceful. Ashwini falls in the merchant caste, making it good for business and quick decision-making. This nakshatra never slows down, so branching out through many endeavours is a theme here. There is an ability to embody a new identity anytime, as these natives can be initiators.

This has to be one of the nakshatras that get things done. Known for its vibrancy, Ashwini influence can give one a pioneering spirit and a drive for innovation, making it an excellent choice for entrepreneurs exploring new ventures. This nakshatra embodies the "Pioneer's Path," symbolized by the head of a horse which signifies initiation, swiftness, and drive. It is commonly said, by Vedic astrologers, that those seeking an auspicious nakshatra for business success or building one's own empire, Ashwini nakshatra will stand out. It is ruled by the Ashwini Kumaras, who are known to make a success of their own through efforts and relentlessness, despite all obstacles and resistance by Lord Indra. It is said by astrologers that there is exceptional growth and adaptability in businesses launched under Ashwini influence. Individuals born under this star have a natural inclination towards leadership, which contributes to the potential of being successful business pioneers. For example, Ashwini native Hailey Bieber is the driving force of Rhode’s success. She already gained recognition for her skincare routines on social media, which led to her launching her brand.

Her going from being an influencer and supermodel into being a savvy entrepreneur shows how much this nakshatra can make one go where the wind takes them, so long as the native themselves are resourceful and intelligent enough to make something long-lasting, which is the challenge here. Unlike Mula nakshatra, Ashwini doesn't necessarily dig itself deep into something, already unable to operate within stagnancy. Its shakiness can be problematic, causing some confusion in the native's life.

Ashwini native Selena Gomez has reflected on the toll of growing up in the spotlight, dealing with intense fame too early and the pressures in meeting expectations of the industry and society. Eventually, she ventured into the beauty industry, wanting to promote individuality and self-expression through her launched brand called Rare Beauty.

This makes her an actress, singer, businesswoman, philanthropist and producer; having achieved many titles since a young age (very similar to Ashwini Moon Zendaya, who is already known for many ventures). Of course, this came with a cost. Again, Ashwini energy is severely swift, and we see how this manifested to many problems in her mind and body. I believe her Saturn nakshatra placements (Pushya ASC, Pushya Sun) helped her sustain her career and fame, as Ashwini can cause serious burnouts, and the Ketu influence could drain away everything that was worked for. In general, the fire rashis provide passion for fuel, and this nakshatra is generally said to make one overconfident, or even overly ambitious, sometimes giving the naivety of a child. It's the one Ketu nakshatra which is the least grounded, which is interesting, as I found it to be the least paired up with Jupiter nakshatras compared to the rest of the Ketu nakshatras.

Double Ashwini native, Frank Williams, is another example of Ashwini granting one the ability to venture into many things. He had a passion for car racing, which led to him being a team owner. Due to his spinal injury from a car crash, he could no longer race anymore. But his passion is what drove him, as he carried on in the scene. Fire signs are very, very relentless.

He was a racing driver, a motorsport executive, then a businessman; said to be one of the greatest Formula 1 team owners in history.

The detachment that Ketu causes on this fire sign can manifest a detached mind, helping one free from overthinking and emotional entanglement, as Ashwini overall possesses an extreme level of concentration. Swift movement and pure instinct are Ashwini's most valuable traits, as clarity and impulse arise through detachment. Attachment often fuels stagnancy, where the intellect overrides natural impulses. While a detached mind bypasses this, allowing instinct — a deeper, primal form of intelligence — to guide actions, which is typically Ashwini at its best potential.

This explains why Serena Willaims has her Ascendant in Ashwini, and her sister, Venus Williams, has her Moon in Magha, a trine nakshatra.

Serena Williams is a prime example of Ashwini influencing detachment and instinct on the field. She had an ability to operate at such an extraordinary level which came from a combination of physical prowess, quickness, mental clarity, and a deeply intuitive connection to the game. From this physical prowess alone, it is stated that the people born under this constellation will have a huge ability to work as strong and brave men, irrespective of the individual's sex. Ashwini nakshatra embodies the power, stamina and strength of a horse.

The film Challengers (2024), starring Ashwini Moon Zendaya who plays a tennis prodigy, is said to take inspiration from Ashwini ASC Serena Williams and Ashwini Moon Naomi Osaka’s controversial 2018 US Open final.

Beth Harmon from The Queen's Gambit definitely embodies many of these Ashwini qualities. Her detachment and her fixed concentration allow her to navigate the chessboard with clarity and instinct, operating on a purely intuitive level.

The number one chess player in the world right now is Ashwini native Magnus Carlsen.

Beth Harmon's ability to tune everything out, to rely on her instinct and follow the flow of the game defines Ketu's intelligence. Validating my own theory that Ketu natives can be the "laid-back genius", the indifferent underestimated fool who goes with the flow. Such as Shikamaru Nara from Naruto, voiced by Magha Sun native Tom Gibis.

Alex Russo is another example of this lazy genius archetype. Her grades are terrible, as she lacks motivation, and she uses magic on impulse when she knows she's not supposed to. Despite all of this, she is actually very intelligent and clever. She just simply doesn't care to prove herself as anything to anyone.

Now, Mula carries a far more serious energy. This nakshatra has themes of uprooting and destruction, possessing a raw depth akin to the void. It deals with diving into the pits as it functions as a force of growth, while Ashwini deals with themes of vitality and confrontation. But Ashwini is more avoidant compared to Mula, much more resistant to the void as it wants to operate outwardly. The film Thoroughbreds is a beautiful illustration of this duo.

Mula Sun Olivia Cooke’s portrayal of Amanda perfectly encapsulates this nakshatra's ability to strip away illusions and reflect raw truths — again, uprooting and forcing growth & alignment. Due to her sociopathy, she is detached from humanity overall and has been coping through life by mimicking the emotions and actions of others – although she usually fails to pull through to that.

Claire Nakti talked about Mula's ability to peer through and see whose roots are aligned with their purpose or not, being the one nakshatra that sees beyond appearances the most. Amanda can read through people, as she's spent years studying human behaviour to disguise herself; but her energy feels more intrusive than understanding. Her stark honesty and emotional detachment unsettle Lily, who is played by Ashwini Sun Anya Taylor-Joy. Lily is avoidant compared to Amanda; her performative tendencies lining up with the outwardly vibrant, flighty nature of Ashwini.

The Mula native's uncompromising authenticity and piercing nature is a grounding catalyst to Lily reevaluating her lack of identity, as she has no idea who she is beneath her facade. Lily is quite similar to the character Patrick Bateman from American Psycho in this way, who is portrayed by Ashwini Moon native Christian Bale. Fans also speculate Lily to possibly being a psychopath, which would be fitting considering the way the film ends. This Mula-Ashwini killer duo reminded me of the real-life case of Paul Bernardo and Karla Homolka, a gruesome serial killer pair who also both have their Moons in Ashwini nakshatra.

According to Claire Nakti's Serial Killers Research Study, Moon in Ashwini was the highest placement of all. And Ketu as a nakshatra lord was the highest, which makes sense as Ketu is a Tamasic entity. A tamasic person is said to be dissatisfied, materialistic and internally empty, which supports the Ketu consuming stereotype — even the Narcissus archetype which I touched on. Under Tamas, people can be the cruelest and controlling of others. Ashwini nakshatra, possessing the purest energy of any nakshatra, being the life force, makes it explosive and active in the first place. This makes it suitable for sports, dancing, exercise, car racing and other impulsive activities. Such as murder.

In the series Penny Dreadful, Ashwini Moon Eva Green plays Vanessa Ives who becomes entangled with Dracula, played by the Mula Moon native Christian Camargo. Dracula is rooted in darkness and immortality, representing total power and destruction. This Tamasic nature of Mula is seen in his desire to possess and control her, reflecting Mula's ability to unravel and dominate.

Ashwini Moon Eva Green as Vanessa Ives and Mula Moon Christian Camargo as Dr. Alexander Sweet/Count Dracula in Penny Dreadful.

Vanessa Ives, who, despite her struggles with darkness, is representative of vitality. She is unyielding against forces that try to control her, as Ashwini is the wild horse that means to remain untamed, signifying total freedom. Dracula is drawn to her purity and the fact that she is wild and misunderstood herself, which parallels his hobby of collecting creatures of darkness (as a zoologist). This is a primary theme of this pair, in fact.

Her Ashwini energy is what ultimately resists his consuming nature, making this pair only work in equal power. I have made an observation of the Aries rashi being resistant to exploitative relationships, as they often pair with those of their equal footing.

In the Chinese drama My Journey to You, Gong Shangjue is portrayed by Mula Sun Cheng Lei, who relentlessly peers into the intentions of others, much like the character Amanda in Thoroughbreds. On the other hand, Shangguan Qian, played by Ashwini Moon Lu Yuxiao, has the ability to cloak her dark intentions with a disguise of innocence, vibrance and helpfulness in order to prey on his vulnerability.

She cleverly navigates this man's piercing gaze, creating a dynamic where her fluidity & quick wit keeps her one step ahead. The flighty nature of Ashwini is perfectly portrayed in this relationship, and so is the penetrative nature of Mula. Their dynamic is like a dance between illusion and truth, pretense and perception, a general Ketu theme which has been touched on deeper in Claire Nakti's scammer/con-artist exploration.

Despite their Ketu foundation, Ashwini and Mula are quite opposite, and they can very well balance each other out if one has both in their chart.

There can be an interplay of spontaneity and depth. Mula, being often stagnant, is able to slow down the capricious Ashwini; although the intensity and heaviness of Mula may suffocate Ashwini who is more optimistic and lighter in nature. But because of this contrast and their obvious similarities, it isn't surprising to see this pairing frequently.

Them being opposites, in their own way, can push for growth and balance. Mula is ying and Ashwini is yang, after all, but whether they are compatible or not is really another thing.

But due to their nodal influence, it can likely make a dysfunctional dynamic, especially if the natives aren't evolved or if there's a lack of a strong sense of identity, making the relationships possibly consuming and toxic. But, ultimately, Mula can be attracted to Ashwini's ungrounded, wild side; as they may feel stiffness within their own reality to some extent. While Ashwini may be attracted to Mula's ability to be stubbornly rooted and penetrative.

Examples of medias about demonic possession, which generally have Ketu nakshatra influence, include: Ashwini ASC Linda Blair who plays a young child possessed by a demon in 1973's The Exorcist. Magha Moon Patrick Wilson's character becomes possessed in Insidious: Chapter 2 when he goes into the spirit realm. The film The Possession (1981) is directed by Magha Moon & Mula ASC native Andrzej Zulawski. A little girl becomes possessed by an evil spirit in Ouija: Origin of Evil (2016), and she is played by Mula Moon Lulu Wilson.

In the film Raggedy Man (1981), Mula Sun Sissy Spacek's character lives in stagnancy. It is not until Teddy, played by Ashwini Sun Eric Roberts, offers her companionship and escapism from her inertia and struggles. Their budding romance is a bright spot in her challenging life, but as Teddy is of Ashwini influence, his presence in her life is fleeting — as though he is just passing by.

Ashwini, being ruled by Mars as well, deals with severance the most, having the ability to pull one out of darkness and cause healing, but its energy is as extremely vital as it is fleeting.

Generally, this pairing is not at all uncommon. Their individual functions are unique and can intertwine in their own way. Ashwini can be very romantic and childlike, while Mula is sterner and more ordered. In fact, amongst the three Ketu nakshatras, Mula can exhibit OCD-tendencies the most.

Mula is associated with tearing things apart and rebuilding them, and it being symbolized by a bunch of roots indicates a desire to bind or control. This energy could manifest into a relentless pursuit of "fixing" or understanding everything.

[His name is Roi, not Rio].

In this series Money Heist: Berlin, Ashwini Moon Begoña Varganative's character, Cameron, is revealed to have naively fallen in love with a rockstar years older than her. Her devastating heartbreak led to her getting mentally institutionalized. Ashwini influence may have prominent connections to lovesickness, as seen in Romeo & Juliet, which I had briefly touched on in my "Nodal Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 (part 1) 𝐨𝐟 𝐩𝐚𝐫𝐭 𝟓" post, validating its naive yet obsessive tendencies. But it's interesting that due to her fear of relapsing, she also embodies Ashwini's flighty, severing trait.

When Cameron is introduced into the heist team, they [Roi & Cameron] immediately feel drawn to each other. Their dynamic is established as two people who are fundamentally the same, their curiosity of each other creating an interesting dance of sorts. Roi is very disciplined and in control of his impulses — much like the Mula vegetarian vampire archetype, which supports the immense self-restraint that can be achieved through this nakshatra. He was once a delinquent as well, so him meeting Cameron represents a certain danger to his long-built system of self-restraint and security. Cameron, being Ashwini, is very impulsive and reckless; encouraging chaos and freedom. She ultimately pulls Roi out of his stagnancy and inspires him into wild, spontaneity – teasing his so-called slumbering inner-beast to wake. Her character proves to be even more typically Ashwini as she has an affinity for racing, speed and lives for adrenaline. Much like in the film Oscar & Lucinda, which also has an Ashwini-Mula romantic duo, Roi and Cameron ultimately connect through their Ketu impulses.

Understanding the power of each nakshatra tells us how they'd interact with one another, and how frequent some nakshatras attract each other through natives. For example, Purva Ashada possesses the Varchagrahan Shakti, which is the power to energize, while Purva Phalguni possesses Prajanana Shakti, which is the power to procreate. Together, a dynamic is formed where one represents energy and momentum, and the other represents creation and fruition — and it helps that their foundation is Venus, their ruling nakshatra lord, which not only provides the passion that comes with the fire rashis and Venus combo, but deep understanding as well. Making sense as to why they frequently attract each other in the first place.

According to their Shaktis, Ashwini is lightness and swiftness, while Mula is considered heavy and rooted. The Ketu rulership provides a great foundation for a deep, spiritual connection. There can be a significant balance, as Ashwini's lightness comes from its ability to release burdens quickly and remain moving forward, while Mula's heaviness comes from digging deep and ridding away what no longer serves. But fundamentally, there is a mutual understanding that true freedom is found in release and severance.

To make a conclusion for all three Ketu nakshatras, Magha doesn’t operate like Ashwini in terms of reckless energy output. Magha nakshatra is more focused on sustaining its dignity, preserving its status, and fulfilling its karmic duties — making sense of its pairing with Anuradha nakshatra, which represents service, loyalty, and collaboration. While Magha dissociates and detaches to fulfill its higher calling, Anuradha is the force which grounds everything and remains devoted. Magha with Anuradha is a pair I am also seeing frequently, so I'll be able to expand on this one day.

Mula stands out as the most disciplined Ketu nakshatra, due to its ability to dig deeply into matters, constantly seeking transformation and forcing severance where needed. In contrast, Ashwini nakshatra is considered to be the most active, as it channels, and also emits, a lot of energy due to Mars. This can result in Ashwini natives draining themselves, emphasizing their need to balance activity with rest for sustainability. Magha nakshatra, on the other hand, possesses regality, being the most dignified and kingliest nakshatra of the three.

[thewriteadviceforwriters]

Master Dialogue Writing Techniques for Engaging Fiction (For Writers)

(Beware, long post!)

As fiction writers, we all know that effective dialogue is essential for bringing our stories and characters to life. After all, the way our protagonists, antagonists, and supporting players speak to one another is one of the primary ways readers get to know them on a deep, intimate level. Dialogue reveals personality, uncovers motivation, and propels the narrative forward in a way that felt narration simply can't match.

But nailing natural, compelling dialogue is easier said than done. It's a craft that takes serious skill to master, requiring writers to have a keen ear for authentic speech patterns, a nimble handle on subtext and implication, and the ability to strike that delicate balance between being true to real-world conversation while also keeping things snappy, dynamic, and laser-focused on the story at hand.

If you're someone who struggles with crafting dialogue that truly sings, never fear. In this in-depth guide, I'm going to dive deep into the techniques and best practices that will help you elevate your dialogue writing to new heights. By the end, you'll have a toolbox full of strategies to ensure that every exchange between your characters is as gripping, revealing, and unforgettable as possible.

The Fundamentals of Effective Dialogue

Before we get into the more advanced nuances of dialogue writing, let's start by covering some of the foundational principles that all great fictional conversations are built upon:

Reveal Character One of the primary functions of dialogue is to give readers a window into who your characters are as people. The way they speak — their word choices, their tone, their body language, their turns of phrase — should provide vivid insight into their personalities, backgrounds, values, quirks, and emotional states.

Think about how much you can glean about someone just from how they communicate in real life. Do they use a lot of slang and shorthand? Are they verbose and flowery with their language? Do they struggle to make eye contact or fail to respond directly to questions? All of these subtle linguistic cues are powerful tools for crafting multi-dimensional characters.

Drive the Plot Forward While revelations about character are crucial, you also want to ensure that your dialogue is constantly pushing the story itself forward. Each exchange should feel purposeful, moving the narrative along by introducing new information, triggering plot points, creating conflict, or prompting characters to make pivotal decisions.

Dialogue that feels aimless or extraneous will ultimately bore readers and detract from the forward momentum of your story. Every line should have a clear intent or function, whether it's uncovering a hidden truth, setting up a future complication, or escalating the tension in a high-stakes moment.

Establish Distinct Voices In a story featuring multiple characters, it's crucial that each person has a clearly defined and differentiated way of speaking. Readers should be able to tell who's talking just from the rhythm, diction, and personality of the dialogue, without any additional context clues.

This doesn't mean every character has to have an over-the-top, hyper-stylized way of communicating. In fact, the most effective character voices often feel grounded and natural. But there should still be distinct markers — whether it's word choice, sentence structure, tone, or speech patterns — that make each person's voice instantly recognizable.

Convey Subtext While the literal words being spoken are important, great dialogue also traffics heavily in subtext — the unspoken emotional undercurrents, power dynamics, and hidden agendas that simmer beneath the surface of a conversation.

The most compelling exchanges happen when characters are communicating on multiple levels simultaneously. Perhaps they're saying one thing out loud while their body language and tone convey a completely different sentiment. Or maybe they're engaged in a subtle war of wits, trading verbal jabs that reveal deeper wells of resentment, attraction, or vulnerability.

Mastering the art of subtext is key to creating dialogue that feels layered, lifelike, and imbued with dramatic tension.

Strategies for Writing Snappy, Realistic Dialogue

Now that we've covered the foundational principles, let's dive into some specific techniques and best practices that will take your dialogue writing to the next level:

Omit Unnecessary Details One of the biggest mistakes many writers make with dialogue is bogging it down with too much extraneous information. In real life, people rarely speak in perfectly composed, grammatically correct full sentences. We stumble over our words, interrupt each other, trail off mid-thought, and pack our speech with filler words like "um," "uh," and "you know."

While you don't want to go overboard with mimicking that messiness, you should aim to strip your dialogue of any overly formal or expository language. Stick to the essentials — the core thoughts, feelings, and information being exchanged — and let the subtext and character voices do the heavy lifting. Your readers will fill in the gaps and appreciate the authenticity.

Master the Art of Subtext As mentioned earlier, crafting dialogue that's rich in subtext is one of the keys to making it feel gripping and lifelike. Think about how much is often left unsaid in real-world conversations, with people dancing around sensitive topics, conveying hidden agendas, or engaging in subtle power struggles.

To layer that sense of unspoken tension into your own dialogue, consider techniques like:

• Having characters contradict themselves or say one thing while their body language says another

• Utilizing loaded pauses, interruptions, and moments of uncomfortable silence

• Injecting subtle sarcasm, skepticism, or implication into a character's word choices

• Allowing characters to talk past each other, missing the unspoken point of what the other person is really saying

The more you can imbue your dialogue with that layered, emotionally-charged subtext, the more it will resonate with readers on a deeper level.

Establish Distinct Voices As mentioned earlier, ensuring that each of your characters has a clearly defined and differentiated speaking voice is crucial for great dialogue. But how exactly do you go about accomplishing that?

One effective strategy is to give each person a unique set of verbal tics, idioms, or speech patterns. Maybe one character is prone to long-winded, flowery metaphors, while another speaks in clipped, efficiency-minded sentences. Perhaps your protagonist has a habit of ending statements with questioning upticks, while the sarcastic best friend always punctuates their barbs with an eye roll.

You can also play with differences in diction, syntax, and even accent/dialect to further distinguish how your characters communicate. The key is to really get to know the unique personality, background, and psychology of each person — then let those elements shine through in how they express themselves.

Lean Into Conflict and Confrontation When it comes to crafting gripping dialogue, conflict is your friend. The most compelling exchanges often arise from characters butting heads, engaging in verbal sparring matches, or working through deep-seated tensions and disagreements.

Conflict allows you to showcase the high stakes, unresolved needs, and deeper emotional currents that are driving your characters. It forces them to make bold choices, reveals aspects of their personalities that might not otherwise surface, and generates the kind of dramatic tension that will really hook your readers.

Of course, you'll want to avoid making every single dialogue scene a full-blown argument. But learning to sprinkle in well-placed moments of friction, confrontation, and clashing agendas is a surefire way to elevate the energy and impact of your character interactions.

Read Your Dialogue Out Loud One of the most valuable tricks for ensuring your dialogue sounds natural and lifelike is to read it aloud as you're writing. Hearing the words out loud will quickly expose any clunky phrasing, overly formal grammar, or inauthentic rhythms that would otherwise go unnoticed on the page.

Pay close attention to how the dialogue rolls off your tongue. Does it have a smooth, conversational flow? Or does it feel stilted and unnatural? Are your characters' unique voices shining through clearly? Are there any spots where the back-and-forth starts to drag or feel repetitive?

Actively listening to your dialogue — and making adjustments based on how it sounds in the real world — is an essential part of the writing process. It's one of the best ways to refine and polish those character interactions until they feel truly alive.

Hopefully, this can help you all!

The key is to always keep your focus on authenticity. Ask yourself: how would real people actually speak?

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I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!