#never in my life seen so many people complain this much about characters at the beginning of a story not being the way they want them to be
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“the greens are just more interesting to me because they’re worse” no one saying this can even handle daemon
#also very possible i’m giving the writers too much credit here but#has anyone in hotd fandom ever heard of a character arc?#never in my life seen so many people complain this much about characters at the beginning of a story not being the way they want them to be#like right now immediately#do we think maybe grief and loss and the horrors of war are going to cause some changes ??? 😭😭#like??#hotd
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If you could sit the vampire polycule/diabolicule down in a row on a sofa to watch one (1) movie with the intent of causing the maximum amount of psychic damage and/or drama, what movie would you pick for them? I'll go first: Moulin Rouge. Hear me out.
Louis is upset because he's a pretentious snob (affectionate) when it comes to Art and he's complaining that it's just a ripoff of the opera La Traviata. He's correct but he doesn't need to say it, he is allergic to camp and he's harshing everyone's vibes with his barely-under-his-breath scoffing.
Daniel is ruefully identifying way too heavily with Ewan McGregor's character. Daniel is sitting here with his mouth firmly shut like, "Nobody call me out for being exactly Like That when I was 20, nobody look at me, nobody read my mind, nobody make eye contact with me, god this is cringe. Look, he's even got the drug use going on." (This is show!canon that we're talking about so thankfully Daniel doesn't have to also cope with the "AND he's embarrassingly into a hot redheaded theater nerd, god just kill me now, nobody Perceive me please" vector of embarrassment). Daniel is also not having a good time with the creepy older men skeeving on this theater nerd sex worker once he thinks the words "Hm, Marius vibes"
Daniel and Louis also feeling kind of mutually overstimulated from how their heightened vampire super-senses are reacting to all of the Colors and Flashing Lights and Whippy Camera Movements etc. They have matching headaches and are feeling slightly nauseated.
Everyone is feeling some degree of slightly triggered, emotionally, about either Paris In General (Daniel), or Niche-Theater Life In Paris (Armand, Louis, Lestat). Big mixed feelings also about tuberculosis, a disease that makes people cough up blood.
Armand and Lestat are profoundly NOT allergic to camp, unlike some people on this wretched sofa. Armand and Lestat cannot be overstimulated by Colors/Flashing Lights/Whippy Camera Movements/etc, bc their vampire neurodivergence goes in the opposite direction. They have not blinked or moved in 90 minutes except to breathlessly clutch each other's hands. Lestat is muttering feverishly under his breath like "armand. armand. armand. is it maybe time for us to found another theater together, do you think???? armand??? what if we just. are you doing anything after this. how much cash do you have on hand right now." his ADHD hyperfixation on a new-old hobby is going BUCK WILD. He has to recreate this except EVEN MORE. Armand is watching Satine Suddenly Die At The End, just like how in all of his silly little plays someone also Suddenly Dies At The End, and he is deciding that this is maybe god's perfect movie. This is the greatest film either of them has ever seen. They think this is Cinema.
Armand and Lestat will have never agreed with each other for so many consecutive minutes as they will when the credits roll and Louis starts monologuing about how much it sucks to the point of VAST OFFENSE AND HURT FEELINGS on Armand and Lestat's part
the whole mess devolves into a screaming fight between the three of them while Daniel both refuses to referee and also won't stop making bitchy comments once he twigs to the fact that nobody else seems to have noticed that he was Going Through Some Cringe Nostalgia. The night is ruined, no one is happy, Louis takes Lestat floating the idea of founding a new theater with Armand since "you clearly don't understand art, LOUIS" as one of Lestat's top five greatest betrayals. Armand is not giving a straight answer about whether he is on board with the theater idea or not, which upsets everyone equally, unlike if he had said yes or no clearly and at least gotten one ally locked down. Louis appeals to Daniel to oppose the theater idea; Daniel does a bad job of doing so because he chronically believes that maybe having some hobbies will Make Armand Worse, which is a thing he's into sexually. Everyone goes to bed mad. The passive-aggression for the next week could be cut with a knife.
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Are Katara stans more likely to become Zutara?
To be fair: I also saw Kataangers, other- or non-shippers who care at least a little about Katara and did complain about the nerfing of her character. But still…maybe it is because of the communities I visit, but it appears to me that most Katara stans are more likely to become Zutara.
The reason I prefer this ship is that I’ve become a Katara stan first. I love every side of her, the loud one precisely, when she stands up for her ideals. And, as for Zutara: There is a deep understanding of each other’s needs along with mutual respect and a special bond those two share with no one else in the Gaang. They are equals—Zuko respects, accepts and loves Katara as a whole, and the same goes the other way around (canon-platonically or headcanon/ship-baiting-romantically doesn’t matter).
So, here’s what I don’t understand: if someone ships, I would assume they care about both characters and how they fit with each other. Yet, I’ve seen many Kataangers care only about Aang: What Aang wants. What his intensions are. That he is just flawed when he kisses Katara without consent…never how Katara feels about his actions, never how she is presented at the end of the OG, in the comics and in Korra.
Regarding The Southern Raiders in this case: I truly believe that Aang just wants to help, as many Kataangers argue in defense of his behavior. The teachings of the monks helped him during his dark times, plus, he is just a kid. He panicked, bc he thought Katara would follow the same dark path, and didn’t know how to express his worries. However, this is also my point against Kataang: He is just a kid. He still has so much to learn before even thinking about a serious relationship; especially with Katara whom he still sees through rose-tinted glasses—including that forgiveness to receive closure is not the right path for everyone.
If you mention this to some Kataangers, even very carefully, they immediately become defensive, saying that it’s just about making Zutara look better and demonizing Aang. And don’t get me started on the kiss by the end. 🙄 I’ve never read anything from them beyond “Katara is clearly happy.” But what makes you think she is happy? No explanation. People who agree with me, showing that they care about Katara, are mostly Zutara- or non-shippers.
Me, on the other hand: I can easily say that Katara has every right to hold a grudge against Zuko after The Crossroads of Destiny, bc he wronged her the most. Totally understandable that he had to go the extra mile with her to receive her forgiveness. I won’t sugar coat his actions to make him or Zutara look better, so much for their complaints—that isn’t necessary anyway. The difference: Zuko stood up for his mistakes, helps Katara to find her closure without asking for forgiveness, even if that is what he hopes. Let’s not forget how she opens up to him, even during this process; more than she did to anyone else.
Aang’s mistakes weren’t that huge, and it would take a scene of maybe a minute or two to truly show the regret of his actions towards Katara.
I believe that if you care about a character like Katara with such huge beliefs and intensions to create a better world, you wouldn’t be okay with reducing her to nothing more than an attachment whose world revolves around her boyfriend/husband—or her sweetie *ugh*. Yet, some Aang-stans seem not to care about this side of Katara and really consider her happy when her life is nothing more than pampering her partner.
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So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls
Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.
I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.
I decided to read the manga, and oh god.
This is one of the best things I’ve read.
The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.
And it’s a delight.
I binged all the episodes available to me in the manga, and had fun in each and every chapter.
The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.
Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.
Genuinely, I’ve had enough.
Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.
PART 1: “Magical girls are for little girls!”.
The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.
Personally, I don’t see anything wrong with it, but there’s people who might disagree.
“Magical Girls are for little girls” some people say “and you’re corrupting it!”
Which genuinely makes me laugh.
This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.
out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).
People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.
My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.
Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.
And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).
There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.
And it’s aimed at older men. Yes, it’s a Seinen.
In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.
There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.
Day Break Illusion is also a Shonen.
And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.
So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.
Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.
No one says “super heroes are ONLY for little boys”
Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.
So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.
Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.
(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).
And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.
You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.
Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.
This is, by the way, normal.
Completely so.
These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.
And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.
“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.
In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.
Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.
So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.
The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.
PART 2: Parodies and why I hate Earth Defender’s Club.
Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.
A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.
I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.
Because
1) It feels surface level in its commentary and depiction of Magical Girls and
2) More mocking towards the genre than paying homage or doing anything with it.
The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.
In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.
Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.
The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.
Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.
It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.
There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.
I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.
It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.
Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.
And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.
But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.
Which lead me to-
Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.
There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.
This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.
Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.
That said, the same is not as common for people who like to “dominate”.
I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.
One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.
The second one is Gushing Over Magical Girls.
It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.
She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.
There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.
In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.
Which is why I found it breathtaking when that didn’t happen.
Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.
This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.
It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.
This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.
Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.
However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.
This is important for two reasons
1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.
2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.
And that’s really the key here, and why I love the series.
Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.
Also, it’s just fun?
Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen
Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.
Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.
The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.
I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.
So, yeah.
It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.
My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.
And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.
A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.
Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.
Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.
GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.
I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.
Magical Girls can be so much more. You just, have to have an open mind about it.
#gushing over magical girls#2k magical girl essay#cute high earth defense club love#sailor moon#puella magi madoka magica#shugo chara#I will defend this show with my life it’s genuinely so much fun#yes I am willing to tank my reputation for it it’s so fucking funny 😭😭
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Keiji is a character that I'm pretty sure every one of us can recognize is an absolute weirdo (ok maybe some are too hard on copium for the "weirdo" part) and sketchy as hell, but thinking about everything he's done it really feels like he's so much shady and ruthless than we give him credit for. So here's me bulletpointing some the moments that I haven't seen too many talk about, a little theory throwing his status into question and addressing the massive elephant in the room that almost everyone refuses to acknowledge. If there's something else you feel I missed or wanted to evaluate on, do leave it in the comments.
[Also, disclaimer: I will be discussing Keiji and Sara in a romantic light near the end of this post, so if that makes you uncomfortable please proceed with caution or skip entirely. This should go without saying but for my own sake I will say it anyway-- No, I do not condone their relationship in real life. No, this is not meant to be "shippy" or endorsement of any kind. This will simply be pointing out their dynamic as another example to prove the whole point of this rant. But if someone else does ship them that's totally fine. Fiction doesn't equal reality and if you harass a real person over fictional characters you will not see the light of heaven. Be civil, please and thank you. My block button is rated E for Everyone and if anyone decides to ignore the warnings and be an asshole I won't hesitate to use it. Thanks for listening. Disclaimer over.]
*Being a murderer.
I feel like I should start with the most obvious and undeniable. I don't think this is debatable to anyone here. Mr. Policeman may have been an accident and kinda confirmed by Midori to have been set up, but he still shot and killed an unarmed man in a moment of panic and recklessness. Even putting that aside, there's no denying that he killed Megumi in cold blood to get out of his debt to her and covered it up to the group to preserve his credibility. Regardless of what you think of Megumi, he has no excuse here. Not only is he one more kill away from being a serial killer, he's the only participant in our group that has actually killed people directly aside from Alice. Another reason why I bring this up is cuz something that completely flew over my head is this:
At the start of the game he had the audacity to complain about not having a partner or someone he knows with him like Sara does as if he didn't literally let Megumi get ripped apart by chains probably not even an hour ago Keiji what the hell--
*Throwing Kanna under the bus repeatedly.
Despite positioning himself as a protector and someone to rely on, he's far from above putting their youngest members in danger. Next to voting for the fourteen year old girl to die, he had the great idea of letting said fourteen year old be the one to babysit their biggest liability. Up to the point where they would stay in the same room both day and night. While I absolutely 100% trust that Sou would never EVER do anything to her, Keiji had no guarantee of that when he send her off. Hell, he literally just got done accusing Sou of setting Joe up to die (which I don't believe almost solely based on the fact that he said it, more on that another time maybe). He knew Sou was bad news, and openly acknowledges how adults can be terrifying, but he did it anyway. The dubiety of throwing the already traumatised little girl to keep watch on what they thought to be the most dangerous adult that had manipulated her once before is not lost on me, and that he didn't take any responsibility for her afterwards isn't lost on me either. To be fair, the Sou and Kanna thing doesn't just fall on him, it falls on everybody (Alice gets a pass because he actually swapped out with Kanna to watch Sou for her), but he was the one with the final say on the matter and who encouraged her to take the role despite Reko's rightful protests. The fact that he also voted for her to die in the Main Game, and is the only adult to do so, doesn’t help his case.
*Attempting to frame Sou knowing Reko was actually responsible.
While you could argue he was trying to cover for her since he knew why she did what she did, trying to pin this act on Sou to cast more doubt on his is extremely shitty. Never mind the blatant corruption and the irony of a supposed man of the law abusing his power to knowingly frame an innocent person (in this situation at least), and him sowing more seeds of confusion and resentment within an already rattled group, and giving Sou legitimate reason to be suspicious of him (and by extension Sara)-- this makes it so difficult to trust him after realising he's done this. Literally every time he accuses someone of being or doing something suspicious (mostly Sou), I always have to think in the back of my head if he’s telling the truth or just telling a blatant lie. He's shown that he's willing to not only lie to cover for himself, but to lie to delegitimize someone else. And Sara never caught onto it (Sou and maybe even Nao likely did tho). She never openly acknowledged it-- No one did. The complete lack of mention of what he did here makes this action quite missable. Hell, I didn't even catch it the first time. Has he done this before? Who else has he lied about? Who else would he lie about? Who else would he knowingly pit against the group? You don't have to wait for that answer, because I will provide an example later. And with "later", I mean now.
*Casting suspicion on Gin before the vote while hiding the fact that he killed Megumi.
While it's not as blatant as with Kanna, there are two instances where Keiji shows a readiness to either put or leave Gin in harm's way. The biggest one for me is in the Main Game. Like, how dare you. That is a furry child, sir. This kid’s like TWELVE. Even though he makes a valid point about calling out suspicious actions to clear them up so we can all trust each other, casting doubt on Gin of all people right there feels pretty screwed to me. This was before the preliminary vote. His words could’ve very well gotten Gin voted for if he couldn’t disclose why he did what he did for whatever reason and therefore being unable to clear himself from suspicion. It’s even more fucked when you realise that Keiji has literally murdered his partner and is currently planning to get Sou killed while giving this whole spiel about doubting others so that we can believe them and pointing the finger at a little kid to make an example to the group. But when Nao, Sou and Sara call him out on his suspicious actions that could rightfully damage his credibility, he tries to shut them down completely. My brother in Christ, you brought it on FIRST (don’t get me wrong I’m very much aware he didn’t really mean the whole “trusting each other” bit but come on dude)--
Speaking about not meaning what he says:
*Letting the group think he’s Ok to vote for knowing he’s the Keymaster.
This kinda got to me because I thought this was Keiji actually being… vulnerable? Accepting the consequences of his actions and allowing them to vote for him in their distrust without protest even tho it could cost him his life, maybe. Correct me if I’m wrong, but I can’t remember a lot of times-- or any times, really-- where Keiji has willing put himself into the line of fire, at this point at least. He always finds a way to keep himself safe, give himself insurance, and I thought that this would be the one time he doesn’t do that. But this feels so ominous looking back knowing that he was the Keymaster the whole time. That our distrust and betrayal and his resignation to it all didn’t matter because he was going to be safe no matter what. That he knowingly allowed us to assume that he was a safe vote because he didn’t want his plan to kill Sou to be ruined, which narrowed down choice of people we can safely vote for even further. That this action is ultimately the reason why Sou and Kanna were our only options to kill off in the end. If he had admitted it there, we could’ve found someone else to vote for so our final options could consist of three people, not two. But he didn’t, and the rest is history. There’s a lot of things he’s done I can’t get over. This one ranks pretty high. The second Main Game is already a huge sore spot for me for obvious reasons; knowing that a lot of the things that happened were due to his inaction where it truly mattered and activity in all the wrong places doesn’t make me fee any better. He didn't say he was a safe vote-- he didn't lie-- but his words carefully omit that voting for him means a total party death, something he should've stated then (and before this, really).
*Leaving Sara with the sacrifice card.
Despite making a big show about “always being by her side” and being her “reliable policeman”, he chose to look away when she was in real danger. He attached himself to her as her right hand man, made her shoulder the responsibility of being the leader, constantly manipulated and flattered her to win her trust and gain her favour-- but when she needed him the most, he basically left her for dead because it was the most beneficial to him. Keep in mind that not only did he know about her getting the sacrifice (he was also the sage so he'd have seen the trade happen), but he had the tokens to help her get rid of it. But those tokens weren’t for her life. They were for his. He used them instead to give himself the Keymaster as insurance for the Main Game (the Keymaster he stole from Sou/Kanna most likely to buy Sara’s trust btw). His desperation for survival outweighed his sense of obligation to keep her safe, and that’s the most subtle yet transparent he’s been about his selfishness. What makes this so much worse is that Keiji is our support character. He’s an ally, and our closest one at that, to the point where Sara burned her hands in a futile attempt to rescue him and signed her life away to save his. And yet his loyalty and protectiveness pale in comparison to other characters. Compare his actions to Sou’s: one of their many parallels and similarities is that both their girls get hit with the sacrifice card. As we’ve established, Keiji was fully aware of Sara being send the sacrifice by Sou, had 50 tokens ready to go and chose to secure his own survival than save her life. Kanna ended up doing it instead, attempting to trade the card off Sara with Sou realising what happened immediately. And what does Sou do? Completely bend over backwards trying to keep her alive. He lied about being the Sacrifice so the others wouldn’t suspect Kanna of having that role, meaning he could try gathering vote for her without anyone seeing his true intentions. He tried to stop her about coming out with the truth of what she had done so she doesn’t sentence herself to death. After everything he did to survive-- after how much he lied, how much he schemed, how much he hurt, and how he had thrown himself away to replace everything that made him Shin with the man that had traumatised him years before the game began to scrape together even the tiniest chance to survive-- he threw it all to the wind and was willing to let it all be in vain if it meant she got to make it out of the Main Game alive. The worst part is that Sou had never intended to make it through that Main Game. He confessed to already knowing that Kanna would choose Sara over him if she truly had the Sacrifice card. Yet he still did what he did all in the hopes that she could win. Because it was all about her survival first, not about them surviving together.
It also gives a different context to Sou's panic and him stumbling over his words trying to come up with any argument to get them to stop. At first I thought that Sou was afraid for his life. Which would make sense-- Keiji and Q-taro set him up to die and seemed pretty adamant on having everyone voting for him to get it all over with. But he was already prepared to die the minute he realised Kanna traded with Sara. So it means it wasn’t his life he was fearing for here-- it was hers. To him, if they voted for him there, it wouldn’t have just been his end but hers too. But we know that Kanna isn’t the one who has the sacrifice. It’s Nao, and considering how the Main Game can end either or both of them dead, I wonder if he regrets not having given up there, not letting Keiji get away with that shitty stunt he pulled knowing it would’ve at least guaranteed her safety than leave her fate in hands of a girl with enough reason to kill her. Ignoring the sounds of my heart shattering into pieces for the 100th time thinking about the Greenblings, it’s so fascinating that our biggest rival and most distrusted member has a greater sense of loyalty and responsibility for his ally than Keiji has for his own. Sou can be a liar and manipulative and selfish, but for how unpredictable he is something I can always trust is his love for those he holds dear (Kanna) and general desire to protect our most vulnerable (Gin). Sou loves Kanna, and so he’s fine with protecting her even if it comes at a price he never wanted to pay. Keiji surely cares about Sara, but unfortunately that is something I can’t say about him-- at least at that time (also the fact that Sou ended up taking more care and responsibility for Kanna despite Keiji having been the one to throw her on him in the first is so ironic).
*Continuously pushing Sara to take on the role of leader.
I think one of Keiji's biggest failures in the game come from his treatment of Sara despite positioning himself as her most reliable ally and her partner. From the very get-go, he was very adamant of making Sara be the one to shoulder the responsibility of the group. He, along with Joe (he didn't do anything wrong here), pushed Sara to be the Challenger during the Russian Roulette, despite Q-taro and Kai being readily available. He made Sara be the one to interrogate the suspicious convict while distancing himself from the situation. And he encourages her to lead them through the Main Game, lets her make the choices that steer them all forward and as a consequence take the fall for them as well. Rather than take on the role himself, or let another adult take it, he places his full trust in her and makes her shoulder everyone's weight so he doesn't have to. And he can see the effect it has on her: having horrific hallucinations due to the immense guilt she feels. But having Sara as their leader gives him a greater shot at survival and helps his credibility, so even though he tries to provide her comfort he still continues to keep her in that role. Again, the high schooler taking responsibility for the adults falls on a lot of the older people here, but Keiji was the one who kickstarted it rather than just go along with it like everyone else had. Gin, Nao, Kanna, Reko and even fucking Sou to an extent all have moments where they take the burden off her and relieve her of that pain she shoulders all the time (or at least try to). I need Keiji to take more responsibility for both the group and for her.
*Pitting Sara and Joe against each other.
This is just another example of the previous point. This isn't as bad, and I could give him the benefit of the doubt that this might have not been intentional, but it's something I want to bring up regardless. I'll be the first to say that Keiji wasn't wrong here. Prying into everyone's votes is a very bad move, especially since no one knew that Mishima would actually die (it was introduced as a practice round, after all). I agree with him, Joe was being rash, but instead of leaving the conversation there, he decided to throw Sara into it to pick a side. Which is... not good. He already won the argument and already had Reko on his side. Bringing in Sara could not only make Joe feel worse and potentially strain their relationship (especially if she rightfully chooses Keiji's side like he was expecting and hoping for), but just puts Sara in the spotlight during something she doesn't want to be part of. While there's a chance he might've done this because he know Joe is more likely to listen to her than him, he should've known better than that. It again makes her take the responsibility of giving the final verdict that would've otherwise gone to him.
*Asking Sara to take responsibility for his life
I've got nothing other that the grown adult swearing his life to the grieving, unstable teenager to take responsibility for while asking her if she'd die along with him is weird as heck. Keiji's said weirder things prior to this, but this one is a different weird. I think Beanieman's post mostly echoes my thoughts on this on, so I'll link it here for this point. This part kinda bothers me:
He shouldn't be encouraging her taking on anymore responsibility than she already is. He knows that the deaths that happened under her leadership haunt her. He knows that she's very much unstable enough already, to the point where he takes baby-steps to avoid triggering her trauma over Joe. He positioned himself as her reliable partner, her rock to lean on (quite literally sometimes). We see first hand how emotionally dependent she is on him. If he died, it would destroy her-- she'd destroy herself over it. He knows this (or should) but he still does it. His disappointment and dismissiveness when she understandably rejects him makes it worse. The guilt of potentially not living up to his expectations is not what she needs.
*Potentially working for Asunaro
This is more ambiguous than everything else here and more a theory than anything but it's been on my mind for a long time that Ranmaru might actually be onto something here. We know that Asunaro has a strong hold on the police. Midori was able to infiltrate the force, and they were able to get rid of Mr. Policeman for looking into the corruption going on, first having Megumi fire him and secondly getting Keiji to kill him by planting false info about the suspect having a gun. Megumi was also able to get Keiji off the hook for murder, which I believe Asunaro had a hand in too (I theorize this might've been her wish). There's also Alice, who was arrested and sent to prison despite the fact that he (legally) didn't kill anyone since Midori was a doll. The police are connected to Asunaro-- by extension Megumi and extending further potentially Keiji.
Something I've seen someone rightfully point out is that neither of the options you're given to say in response to the accusation... actually deny it? Both choices dance around answering directly, which is suspect as fuck. If Keiji truly wasn't with Asunaro, why not shut that theory down immediately? There's no benefit to answering anything but "no" when he's innocent, and he's lied straight to people's faces for less. So why not just debunk it? I think it's cuz there might be some truth to what Ranmaru was saying here. The biggest reason I think this is because despite the fact that Keiji quit the force, he and Megumi were still associating with each other years later. They were kidnapped together and partnered up for their first trial. One missable piece of dialogue is Keiji admitting that he was with his partner-- or rather a "coworker"-- before getting knocked out.
That slip of the tongue and backtracking makes me believe this part to be true. Him switching from "my partner" to "a coworker", which is a lot more distant and impersonal, makes me think it's got to be Megumi. However, I don't believe that Keiji would wanna keep in touch with her after what happened willingly, so I can only imagine that it's due to that debt he has to her. My little game theory here is that after the shooting, the debt he owed her was a forced recruitment into Asunaro. It's the only thing I can imagine he meant by "the worst kind of debt", a debt he'd literally let her die for to get out of. And if this is true, then it could also explain away his instant attachment to Sara, since he'd know beforehand that she's someone he can depend on due to her having the highest chance at survival. Maybe he already knew about her beforehand, one way or the other. We know Hayasaka did (which I think we as a fandom moved on from way too fast btw). Kai and Sou did too. There's always a chance. And unlike Sou's victory rate and Midori's favourite number, it's not zero. One person made a comic about this idea I recommend checking it out, it's tastefully unsettling. But still very much unsetling and uncomfortale. Be warned that it's also Keisara-centred, so if that makes you even more uncomfortable they did the job right you can ignore it. Proceed with caution or don't read if you don't like.
*Being a predator
I have been waiting so long for this one XD For context: a while ago I made a longpost discussing the sanitisation of soushin and this kind of toxic attitudes in fandoms regarding "problematic content" (ships, characters, shows, you name it). In it, I mentioned that it's not only soushin that receives this treatment but a certain other dynamic too. It's not a rainy day, however this has been way overdue and if I don't get this done now I never will.
Something I've seen a lot, and I mean a LOT-LOT is this notion that Keiji acts "like a father" to Sara and that their relationship is a completely platonic father-daughter bond and that he's the resident dad of the group? Like, it's cute, but that's not at all what their relationship is. At all. Not even a little bit. We called Sou and Kanna siblings before the Greenblings reveal. The difference is that not only does half the fandom think this man is gay, but he's only ever been protective and caring and loving without any romantic intentions towards Kanna ever. His title as her brother was deserved, based on the genuine affection and platonic protectiveness similar to that of Alice's. Keiji has made advances tho, on many occasions, and his flirting is repeatedly acknowledged by other characters. Namely Sou and Reko.
(Sou grills him for being a creep every chance he gets I love him XD) But yeah, these are not the type of reactions and comments you receive when being a "father-figure" to the teenager. You get all this when you hit on the teenager. Which he does all the time by calling her "cute" every time she asks something and his "cute little detective", swearing himself to her by saying that "he's always on her side" or something like that, asking her if she'd die alongside him, repeatedly claiming or insinuating that they're on a date, or ""having a moment"" and going to ""take the next step"" when in private (*cough* groomer *cough*)-- you name it, he likely said it. He's a walking-talking ladykiller machine and teenage girls aren't safe, apparently.
(Quick note: The dialogue for the Russian Roulette one is a tad different now. In the new translation he says "cause you're so darn cute" now. I dunno if that makes it sound any less weird, but I felt like putting that out there. What I'm also putting out there is that according to the trivia he calls her cute 8 times throughout the game so. Yeah. *Cough* groomer *COUGH COUGH*)
Like, who tf says this?? Especially that last part 💀 Even if you wanna die on the hill that these are supposed to be "jokes" not to be taken seriously, we should all be able to agree that the (ex)police officer in his late 20s jokingly hitting on the high schooler he follows around is still weirdo behaviour at best and down right despicable at worst. The fandom seeing lowkey predatory/inappropriate behaviour from a figure of authority persistent for almost three entire chapters and dismissing it as "fatherly" and "platonic" is, well, concerning. It's very concerning. If your dad acts like Keiji, you should probably call the police. Unfortunately for Sara, Keiji is the police. And considering this guy got away with manslaughter, I don't think said police would do anything anywho. But yeah-- he uses flattery and flirting to distract her from prodding to much at him while simultaneously aiming to gain favour in her eyes. He showers her with reassurance of his loyalty and affirmation of his deeper attachment towards her and her alone every chance he gets to cement his position as her closest and most trustworthy ally. He insinuates a romantic partnership between them to others to mostly keep her to himself or the two of them alone (he always does that when they're investigating or going to investigate by themselves). There's such an obvious romantic undertone to their relationship and his actions that it going almost completely ignored in the fandom feels weird to me.
I want to make clear that there's nothing wrong with headcanoning Keiji as a father figure to Sara. It's cute. Keiji didn't have a dad himself, and the closest thing to a father figure he had was the man he shot dead. He's a damaged and hardened guy. But Sara's dad is involved with Asunaro and Gin's is an alcoholic, and in a situation where they both need guidence and protection he tries his best to grow and change, fumbling to become that decent father none of them got to have. It's nice, and a wholesome dynamic for our "characters with memorandum counterparts and only non-determined deaths" trio. But that's obviously not what their dynamic is. There's a difference between headcanoning something and erasing canon and the Yttd fandom leans heavily into the latter. Keiji's a creep, he always has been, yet 90% of people I see always portray him as a Mr. Dad Guy or completely sanitise him to hell when him being creepy and unnerving to be around is what made him such a fascinating character. Just like I said with Soushin, the sanitisation to make canon more digestible is one thing: harassing or insulting the people that explore canon is another. I'm gonna take a bullet, derail this rant and say it-- Keisara shippers get so much shit for literally being right it's so infuriating. Keiji does hit on Sara, a lot. He's creepy and weird like that. Him flirting with her isn't a "mistranslation" or a joke or anything like that; his dubious wording and antics are very much intentional. Yet the only people I see actually addressing and acknowledging that without adding fluff is keisara shippers and other ""proshippers"" only for them to get fucking sniped for it I cannot 💀💀 I have yet to meet a single eastern fan who calls this cop "fatherly". This really feels like such a western issue cuz the majority of the japanese fandom agrees that this man's a predator (correct me if i'm wrong but keisara is the most popular ship in the japanese side of the fandom, right?). Then again, eastern fandoms are more chill over there when it comes to separating fiction and reality in general anywho.
*Yeah, I think I'm done with the Keiji slander. Yay. Time to unceremoniously end this.
There's more to say about that, but this is a Keiji post, not another shipping discourse post (although it's hard discussing Keiji's predatory behaviour without bringing it up too). Before I do spiral from the original point, I'm going to try and reach some sort of conclusion here. While I did spent the majority of this post just reading Keiji to filth, and am very salty towards him in particular, this was not just to rake him through mud for my own sanity (tho it's part of it XD). Keiji's character is that he started off as someone who wanted to do the right thing, someone who wanted to be good and moral and protect others by joining the force only to kill all the progress he made along with the person who inspired him to become an officer in the first place. It heavily contrasts the Keiji we have now, a sleazy, unreliable and corrupt ex detective who flirts with underage girls and is willing to resort to the most bankrupt of decisions to save himself. A man that has long lost hope of his wounds healing that he lets them fester and his rot spread onto others. And while I headcanon Keiji to just inherently be a piece of shit, his former self tried his best to be genuinely good before he became so convinced he can never be better that he made peace with his shittiness in the end.
With all this I wanted to highlight some the shadier and bankrupt things he's done that I haven't seen much discussion around and refresh myself on them before the final part. Both so no matter how emotionally dependent and therefore rose-tinted Sara is about the man I don't forget what he's actually like and what he's done while also being able to appreciate how much he's changed for the better. Some of my favourite examples about how he's changed are these:
Before the second Main Game Keiji was willing to let Sara and Kanna die because it was the most beneficial option for him, but in Chapter 3 he takes the on the role of "it" from Kanna and refuses to tag Sara when he thought he was gonna die after failing to beat Midori.
Actually showing more sympathy towards Sou after the Main Game. He was very mean about dismantling his pretence of a cold front to Kanna's death, don't get me wrong, but he showed a lot more consideration and understanding for Sou's feelings and acknowledgement about his active role in it than he ever had beforehand.
He was genuinely fighting for everyone to survive the game, not just himself. While Keiji would prefer everyone making it out safely, he has a tendency to guarantee his own survival first through any means necessary. His plan to corner Midori in the banquet could've cost him his life if it weren't for Q-taro's final stunt, yet he still reassured Sara to save Gin even tho it could've resulted in his execution from Meister potentially finding him guilty of violating the rules.
Him hugging Mai and trying to be more cheerful was cute as heck. I'm sorry but him showing more vulnerability around his allies and being less closed off in a way he hasn't been before is something I'm very head empty about. That he was hugging and interacting with Mai without making any unwanted advances or ladykiller jokes and generally just having a more friendly vibe was nice. It makes his creeping on Sara more unfortunate, but I'll take what I can for now. The bar is in hell.
And that's it, I think. Overall, I hope they do address some of his actions here in the final part or make them have an impact on his and Sara's relationship. Especially that Asunaro part. The person who wished for Sara to join the death game is still unknown and so is Keiji's consent form wish (same goes for the Dummies, Hinako and Megumi), so I'm curious if they're related or not. If he's going to go down an even darker path or redeem himself as much as he can we'll see when the final part drops. He has the potential to go both ways. This is going to be kinda awkward if the next part reveals him to have been a decent guy all along, so hopefully that doesn't happen. Please be morally bankrupt, man. This post didn't end up the way I wanted it to, nor bring up as many points as I would've liked, but I know I won't finish it if I went full perfectionist on it (I already spent months on this writer's block do be a bitch) and it's looking kinda long already. Hopefully it's still decent enough as is right now. I'd like to say that this is my apology for the last longpost I made, but I brought up one of the most controversial and hated ships and traits of Keiji's character and defended them, so maybe I shouldn't 🙃 Anywho, hope you enjoyed and cheerio.
#yttd#your turn to die#keiji shinogi#keisara#character discussion#apologies to all the keiji fans i promise i'm one of you. sorta#he's one of my faves in the game and ranks pretty high but not for the reasons he should i think#keiji's one of those characters i feel negatively about yet want to learn and do more with so that's the energy i probably give off here#also i noticed that most of these points involve sara which makes sense but is also very sad when you think about it#there's a lot of other things i'd want to expand on (mainly that last point) but i suppose i can wait another day#this is going to be my last longpost in a while because i'm going to be busier from today for better or for worse. probably for better lmao#last reminder to be nice. this isn't twitter but i know better#i'll beta read it again later for any mistakes i missed so apologies for any potential typos or errors#also it might actually rain today so heck yeah#i'm a soushin shipper so happy keisara week to anyone that participates btw ^_^#momento rambles
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In the most /lh way possible , I honestly don't really think fanon killermare is ' knock off ' colorkiller ? Like I mean , even Fanon [ Multiple fanon interpretations , there's many .] Nightmare is very different from Color and I think each ship has its own interesting dynamics , so calling it ' off brand [other ship] ' seems a bit . Generalizing to me ??
[ apologies if this is hard to read or comes off as rude ! ]
No I get you. I’m promise im just pissy and also on my period lmao.
But here’s the thing. here’s the thing; people give Nightmare Color’s personality. They give him shit he never did for Killer, the stuff Color did. The stuff he worked on and he risked his life for and he tried so hard to do. And all he got for his efforts was being pushed aside and ignored and only brought up to demonize him and dismiss him and look down on him.
Yeah, I’m talking about the whole “killer falls in love with nightmare because he saved him” stuff. No Nightmare didn’t and this interpretation is so popular people genuinely think it’s true and as a result don’t even know who Color is at all. And when they do find out they’re dismissive or use him as bait for a pointless drama love triangle.
Ive literally had to convince people to care about what was already canon and there because people gave it all away to Nightmare like they did everything about Killer’s character and story. His entire character in fandom revolves around Nightmare, there’s hardly ANY killer centric stories that don’t involve shipping or Nightmare and it’s annoying.
Nightmare is in fact very different from Color; and that’s the thing. Most interpretations I see of fanon killermare hardly seem like Nightmare. It’s basically just Color in Nightmares skin with more sophisticated language.
People take away every single part of Color’s character and achievements and give it to a fanon Nightmare with a bit of a “darker gothic” twist and then complain about how Color and his friendship with Killer is “boring.” And im like; of course you think it’s boring.
You gave everything about his character and color spectrum duo’s relationship away to Nightmare and Killermare for absolutely zero reason. And it’s precisely because of that I have to shift through Killermare after Killermare to get even a smidge of anything with color. People find any excuse to get rid of friendships and ignore it and I hate it.
Color saved Killer. Color is helping Killer. Color is who Killer trusts the most, that’s his best friend, that’s how Killer turns to for safety and protection and stability and the first person he genuinely believed cared about him, one of the most important people in his life. If he’s dropping to his knees and worshipping anyone it’s Color—and Color will pull him back up to his feet and offer him a warm hug instead. Not Nightmare. That’s been the narrative for literal years now and it’s not true.
I haven’t seen any fanon interpretations of Killermare I could get behind besides maybe two that doesn’t make me think “Color could literally be doing and saying this” and the only reason he likely isn’t is because the person doesn’t know Color exists or wants to demonize him and give away all his hard work to a canonical kidnapper and trafficker and abuser.
I’d rather see Nightmare grow and change as a person and actually do something to earn Killers trust and loyalty. I’m sick of it being freely given because people want to ignore his canonical abuse at Nightmares hands. And I want this change to happen precisely because Color challenges him and offers to help him too in the end when he needs it.
So basically: I hate that fanon Killermare often completely ignores what Nightmare did to Killer. I hate what it does to Killer’s character and story. I hate that it ignores Color most of the time or only to demonize him. I hate that friendship or queer platonic relationships aren’t cared about in this fandom as much as romantic or “found family” ones even tho Killer and Color are found family and so are the entire Chromatic Crew.
People are free to disagree and keep shipping whoever they want, that’s not my issue and i don’t want to ruin people’s fun even as i complain. I just wish Color Spectrum Duo, and Color, and bits of Killers canon got more actual care and respect and attention. And also please tag yalls stuff with the proper ships so I can chose not to engage with it (not directed at anyone.)
#howlsasks#anon tag#sorry yall it’s that time of the month & im really passionate abt this topic and these characters sm#utmv#sans au#sans aus#utmv fandom#color spectrum duo#ship negative#killer sans#killer!sans#color sans#killertale#undertale something new#colour sans#color!sans#othertale sans#othertale#nightmare sans#nightmare!sans#killertale sans#something new#cw abuse#cw trafficking#undertale au#undertale aus#undertalesomethingnew#corrupted nightmare sans#nightmare’s gang#nightmares gang
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Gojo Satoru
I once said that he doesn't prioritise personal connection, but it's more nuanced than that, so very badly worded from my part.
Gojo very much understood personal connections and relationships.
Gojo however loves being the strongest, he loves his strength, revels in it infact and wouldn't give up on it for anything, even if it caused him loneliness and that's why his dehumanisation comes from HIMSELF too. He is fine being a tool and being lonely if it means he can have his strength. Yes, his mindset is fucked up, that's the point.
That's why I never subscribed to all the "bring back nerfed" theories because chapter 236 made it ever clear.
Sukuna calls him (and kashimo) greedy, because unlike sukuna who thinks "love" is worthless, gojo very much wants both connections AND strength.
It wasn't that people were not reaching out to him, it's just that, he wouldn't stoop to their level, he wanted them to become stronger so that they can become as strong as him, so no one is lonely, so that strength doesn't isolate them like it did with him.
He pushes away people while at the same time craves attachment and understanding, but since he would NEVER give up on his strength, that results into largening the gap/distance even more. He causes his own misery and is ready to live with it.
The recent chapter was pretty much very consistent with his portrayal, he fully committed to his role by becoming the monster he was stopping himself from being all these year, for his students. Even in this chapter yuta very much reached out to him, in a way gojo couldn't to geto during that kfc meet, but it's gojo who again decided that it's his burden to bear alone. His was being reached out, it's HIM who didn't close the gap.
People are not ok with him just being treated like a tool and just being seen for his strength, but my point is, when has he ever had any identity beyond being "The strongest," not to imply he doesn’t have any other identity at all, but everyone always prioritized his identity as the strongest, EVEN he himself.
That's the reason why he loved his youth so much and considered it the best time of his life, because then, he had BOTH, strength and a equal buddy (geto), that's why that friendship lasted such huge impact on him. (Also imma just say here, people both underestimate and overestimate his relationship with geto, it's very funny to watch)
People were complaining about characters seeing him as a tool, but they were quite unironically doing the very same thing. Putting him on pedestal, using him to continue being in series for their own happiness and enjoyment of the series, not respecting his wishes from chapter 236, and treating him the same way characters within the story do with him.
Also, you can dislike the way he was treated, that's precisely the point, but don't go around claiming the gege assassinated his own writing because your dislike ≠ bad writing. People are using morality of their real life within a story where everything is being questioned, the so called "good guys" of the story keep repeating that they are not heros, most of them are murderers themselves.
The curses are showing humanity, everything related to normal human morality is being questioned.
So the "he would be happy powerless" doesn't work because thats what YOUR morality tells you (its fine to feel that way), but he most likely wouldn't be happy with it, he isn't a real person either lol. Dude has nasty aspects to him, it’s one of them, they add more to his character, he is selfish (and selfless too), and let him be like that.
In the very end, Gojo very much managed to raise a bunch of students who will carry his will, he is alive in them.
Peace out ✌️
Pretty much my rant after this chapter because of the discourse going around is creating wayyy too many misinterpretations. Also I don't care what you think of the series as long as you just stop forcing your beliefs on others and saying its bad writing, when it's not. I don't think a character can exist outside of the narrative or story he was created in, gojo is amazing because of jujutsu kaisen story, outside of it, who is he?
#satoru gojo#gojo satoru#itadori yuuji#jjk meta#jujustu kaisen#jjk#jjk manga#gojo#jujutsu kaisen meta#yuta okkotsu#jjk 261#i was tired of people targeting gege like wtf#drop the series if you hate the writing so much#i want to read it because i love what gege is portraying#its not for everyone i suppose#geto suguru
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goddess! Meg from Hercules Disney with Heracles, poseidon, indra, rudra and shiva please? With her being on the side of humanity, after she met adam and eve and saw their love for their children (found family😭) so she just goes like 'frick you all gods I'm going with humans' like how meg changed after meeting Hercules in the movie.
A/N: People, pay attention to the character limit please!! My limit is 3-4, not more!! I’m getting request after request with more than 4 characters, so before you request please check the Request Form!! Because of having 5 characters, Poseidon and Heracles are in another part, thanks. Anyways, enjoy~
●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・
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🌊 Indra understood why you were so upset, you didn’t want to help them out that much, it was just a favor you owed Zeus, and he used it for this
🌊 Thankfully, he wasn’t possessive like others
🌊 When you pulled him aside after the first round and told him you were going to deflect to Humanity’s side, he just sighed, knowing he had no way of stopping you, he did enjoy your stubbornness, but sometimes it was far too hard to handle
🌊 Watching you announce it after saving the life of Adam made him smirk, you really cared for him, his wife and kids, huh?
🌊 You looked at your husband in the eyes and he just waved and pretended to tip a hat to you
🌊 He may be a God with a few personality issues, but with you, he understands better than anyone else
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⛈️ He and you were friends for such a long time, but due to pantheon issues, you guys cut off a lot while growing up
⛈️ As the Greek Goddess of Loyalty and Independence, you were busy constantly with handling many different affairs, mostly Hera complaining and getting revenge against Zeus’ ladies on Earth
⛈️ But when Ragnarok occurred, you noticed how unfair the Gods of your pantheon were looking down at the humans, who just wanted to continue their descendants life
⛈️ In this case, you jumped in the middle of Heracles and Jack’s fight and announced that Ragnarok would continue with you siding with Humanity
⛈️ In honor of the fallen Adam and Lü Bu, you would continue fighting and finish what the Gods and Valkyries had decided to start
⛈️ Rudra just smiled gently down at you, he knew he couldn’t stop you, you represented independence, you can’t take that away from someone, especially you
⛈️ He supported you full-heartedly, and as fights continued, you’d meet afterwards and relax with one another, speaking on how your sides were matching
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🪩 He dislikes humans quite a bit, but he did admire how peaceful you seemed with them
🪩 You were a Greek Goddess, specifically one that represented Revenge and Love, true love, you’d always correct, not the fake stuff you had to deal with your fellow pantheon members
🪩 Shiva and you had spoken about your allegiance with the Gods, and when he heard you wanted to side with Humanity, he snapped and flew into a quiet rage
🪩 Why would you want to side with them?! Those impeccable creatures were the reason your heart broke all those years ago! Yet you still like them?! WHY?!
🪩 Your husband sighed after a while of hearing you out and while he stayed with the Gods with his wives, all four of them smiled while you cheered on Humanity for their wins, starting with Sasaki
🪩 And seeing you smile and care for the fighters for their bravery and dedication, he couldn’t be mad, he’s never seen you so happy and caring before
🪩 Shiva and you would rest together a lot more when the daily rounds ended, he and you were apart most of the days now, and his wives would curl around you both, wanting to feel the love of their amazing and brave wife!
#Record of Ragnarok#RoR#Shuumatsu no Valkyrie#SnV#RoR Hindu Pantheon#Record of Ragnarok Gods#RoR Gods#Record of Ragnarok x Reader#RoR x Reader#Shuumatsu no Valkyrie x Reader#SnV x Reader#RoR Hindu Pantheon x Reader#Record of Ragnarok Gods x Reader#RoR Gods x Reader#S/O! Reader#F! Reader#God! Reader#RoR Indra#RoR Indra x Reader#RoR Rudra#RoR Rudra x Reader#RoR Shiva#RoR Shiva x Reader
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Many people’s negative feelings towards Terry Long lead them to wanting him to be removed completely from Donna’s history. I understand why. He was a good decade older than her, and she was freshly an adult when they began dating. He didn’t respect her career as a hero, often complaining about it despite having known beforehand what he was getting into. He took her child from her in their divorce. Etc.
Terry was not a good partner for Donna, but I don’t believe canon should just erase him. For better or for worse, Terry played a major role in Donna’s life, and removing him would change who she has become as a character/person.
The problem with Terry’s portrayal, especially prior to his and Donna’s divorce, was that the source material presented their relationship as healthy and tried to convince the readers of that. Clearly their relationship was not actually healthy.
When the age gap is brought up in the comics, it’s never for negative reasons. Sometimes it’s just a jab at Terry for being old, but often these references are used to show how mature Donna is. Wolfman has even said that he created Terry as Donna’s love interest because she needed somebody more mature like her. For him that meant she needed to date a man ten years her senior.
Only after their separation and divorce does their relationship start to be shown a bit negatively. However, even when it is, it’s not doing anything to show that the relationship was unhealthy when they were together. The negative things brought up and referenced about Terry are just that he was the one who initiated the divorce and left Donna and that he took Robbie away from Donna.
The ideal way, in my opinion, for what writers should do with their relationship is not to look back on it in a positive way, nor do I think they should completely ignore it ever happened. It should be acknowledged as something unhealthy that Donna didn’t seen at the time since she was young and naive. Something that took time/needs to take time for her to fully grasp.
However, this doesn’t mean I want for Donna to suddenly just completely hate him. I know many people enjoy revenge fantasies, and I know there are people that use Terry for those, and if that’s how you cope with things, that’s fine. I just personally don't see that as in character for Donna, nor do I really find it compelling.
Donna’s feelings towards Terry should be complicated. It should be something she struggles with at first that she later comes to terms with. There were some comics during and after the divorce that started to do this, but, again, her negative feelings were about the divorce itself and Terry taking Robbie away and not the relationship prior to these events.
During and after the divorce, despite everything Terry has been putting Donna through since he left her, she continues to believe she still loves him and thinks he must feel the same way about her. It ties a bit in with her issues with perfectionism. What they had was the perfect family she wanted, and she can’t fathom that she’s losing it.
She believes that despite everything he is still a good person. She has occasional moments of anger towards him, but she still feels positively about him a lot of the time. It’s heartbreaking seeing these moments.
New Titans #117
New Titans #128
Even after his death her feelings remain complicated. She grieves for him along with Robbie. After everything he put her through. It would be so easy for her to be angry at him for Robbie’s death regardless of how much at fault he is. But she doesn’t. Instead she continues to feel love for him. He took her son from her in more ways than one, and she still loves him.
Girlfrenzy! Wonder Woman: Donna Troy
This display of complicated feelings, where she continues to love somebody she has every right to be mad at, isn’t just something she does with Terry. She’s done this with the Titans of Myth as well. They messed with her memories and manipulated her, but she still feels love for them.
Return of Donna Troy #4
To me it’s just a lot more compelling for her to struggle with the fact that she still loves these people who she has every right to hate. Even as she comes to terms with how poorly they treated her. She loves Terry. He was an important part of her life. But he hurt her. From the start their relationship was unhealthy.
A story arc for Donna where it finally hits her how bad things were the whole time could be so much fun if handled correctly. And this is why I would prefer this over him being removed or just having Donna suddenly switch to just full on hating him. For her character it makes a lot more sense for things to be a bit more complex than that.
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I think this might be one of my favorite thing in Hualian’s dynamic.
I just live for the way Xie Lian accepts Hua Cheng, and by that I don’t mean like his love and affection or whatever, I mean his person, temper and objectives.
Xie Lian knows that Hua would help him in a heartbeat even if he didn’t ask but wouldn’t help anyone else out of kindness or worry. He doesn’t care about anyone but Xie Lian.
And Xie Lian isn’t like, bragging about it or showing to everyone how a Ghost King, a damn Supreme is always ready to help him without second thought. All he does is accept the help and he NEVER asks more than just his help.
If Hua doesn’t feel like helping anyone else ? It’s fine. If Hua wants to mock someone and be stingy about them ? Then so be it. Xie Lian absolutely do not intend to make him change his ways.
I’ve seen toooo many times characters trying to change another because their morality doesn’t align, the protagonist trying to change the antagonist’s ways because they find it bad. Never had Xie Lian even just so much as thought about it, it’s just not a possibility for him.
He will either accept Hua Cheng the way he is, acts and talks or nothing. He is mature and wise enough to know that at the end of the day he isn’t anyone to force him to change (despite being the love of his life but yk).
Hua Cheng has his own life, his own objectives and his own way to do things, never has Xie Lian judged him or resented him simply because he knows they’re two different people and no matter their relationship nothing can be changed about that.
The better exemple is when Hua Cheng’s affiliation to Black Water is revealed and you learn that for a long time at that moment of the story Hua has been hiding a lot from Xie Lian. He absolutely did not resent Hua Cheng even if he just sent his friends right to danger. Hua has his own limits and boundaries, his own goals and relationships and he respects them without even thinking twice about it.
Rather than complain because Hua Cheng hid him all this he would rather see how much Hua protected him and how he can himself save his friends, they often go one against the other because sometimes their objectives don’t align but they’re both mature enough to understand that they can’t control one another and that they have their own principles.
Just this. Hualian owns my heart, soul and body. My life isn’t mine anymore it’s theirs I love em sm I could die on the spot.
#tgcf#mxtx tgcf#tgcf donghua#tgcf xie lian#tgcf hua cheng#tgcf hualian#xie lian#crown prince of xianle#hua cheng#hualian#crimson rain sought flower#tgcf analysis#heaven official's blessing
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Denji's mischaracterization is insane.
ehrm so this is going to be a huge text, be aware! I don't wanna hear anyone cryin' cus I warned 🗣 ❗❗
If there is something that surprises me about Chainsawman it's not his author (and that's saying a lot) nor his other works that can be said the same as him, not even the behavior and actions of the characters. What surprises me is the huge mischaracterization the fandom has with the characters, specifically Denji. I would understand the impression Denji gives to someone who has never seen Chainsawman. Because let's be honest, we all thought at the beginning that Denji was going to be that perverted protagonist, someone like Meliodas or much worse characters. That was my first impression, to the point that I almost stopped watching Chainsawman, and thank goodness I didn't at the end. Because for me Chainsaw is one of those animes that opens your mind after finishing it.
That's why I'm not surprised that people have that first opinion about Denji. But what surprises me is those people who have seen it and are considered "fans" and have no idea about Denji's character. And I think that ignorance says a lot about how society feels about men who have been victims of SA. Yes, I'm talking about those who say "I wish I was Denji" "Denji liked it" In addition to that, lately fans are complaining about the 2nd part, with the comment "chainsawman is not like before"... it has always been the same. Nothing has changed (except the art style but let's forget about that) The story continues to be about a boy who is manipulated and used by people who want his power. And those same people take advantage of Denji's feelings, they take advantage of this child who has lived his entire life surrounded by bad people who never taught him how to love and be loved. A life so mediocre that he even thought that the only way to feel happiness and love was through s3x.
What people think is that Denji is your typical "perverted" teenager with weird fetishes. But to be honest, Denji is the most innocent character I know, and I say innocent because imagine thinking that the only way to feel love is through intimating, because no one in your f social group has ever taught you what love means. Denji IS NOT LOOKING FOR S3X. Denji is looking for someone to teach him how to love and be loved, what happens is that he has lived in such circumstances in which he does not know how to differentiate between one and the other. A perfect example that many people don't see about this is Makima: The first thing Denji thinks about Makima is that he loves her and wants to have s3x with her, but as he learns and has new experiences, little by little his vision of Makima changes. He thought that what he felt for Makima was love between couples because he believed that that was the only love that existed, but in the end he ends up seeing her as a maternal figure. That love he felt for her was maternal. But at the end how could he know? How could he know that's what he was feeling when he never had a mother figure in her life? Do you get what I'm saying?
Another example in which Denji realizes that love is not only through s3x is the love he feels for his friends. Power and Aki are not only his friends, they end up becoming his family. That's when Denji feels family love (and I don't think people realize this achievement between Denji and Aki's relationship. Denji has lived surrounded by men and due to his bad experiences with them he hates them. This same thing happened with Aki, but he ended up trusting him and became an important person in his life)
Do you realize that at the beginning the first thing Denji was looking for was s3x? Well, Denji ended up finding what he wanted most in the world: love, and he found it in a different way than expected. Even in part 2 they show us how Denji now has to take care of a little girl. And how does he do it? Giving her love.
For me that's what chainsawman is about. It's about a boy learning about life, it's about a boy who throughout his experiences finds the different types of love that exist in the world: romantic love, maternal love, family love, love of friends... And I hope this could be seen in more animes. There is not only one type of love, there are several. And I think csm by my point of view represents this pretty well.
I have always said it and I will always say it: Chainsawman is not for everyone. Chainsawman touches on such sensitive and deep topics (such as s3xual assault and hypersexuality) that not many people are going to understand or accept because for me they are sensitive, they are too young or they still need to learn more about life (Which is okay!) Even though it is an anime Chainsawman has never been for children, Chainsawman is not innocent. As I said, it touches on topics that today in the society we live in we could not say out loud. That's why Fujimoto is the f goat. For having written a story with situations as delicate as these in an ANIME. He is one of the few authors who is not silenced, no one is going to stop his creativity, his other works prove it. And another thing that is sad is that all these situations that happen in chainsawman and that happen in real life too, they relate it to fan service. Nowadays people think that all series or movies that have a sexual theme in the middle are for the public's pleasure. How have we ended up thinking that SA is for your pleasure?
Denji still has a lot to learn, let's remember that he is still a child who has been manipulated all his life. People don't suddenly change and make good decisions, especially someone as traumatized as him. His traumas prevent him from continuing to grow and people therefore continue to take advantage of him through his greatest weakness. But I hope that one day they give us a Denji who has already learned from his bad experiences and becomes someone great. Because he deserves everything and much more. Justice for Denji.
#chainsaw man#csm#csm denji#csm part 2#aki hayakawa#power#anime#manga#justice#justicefordenji#chapter 167#SA
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Haruhi and her frogin freind are out shopping together
How would three character of the host club be when they stalking them!
You and Haruhi have finally gotten together after so long. Traveling with your father’s business you’ve met quite a few people in your travels: karate masters, a flamboyant blonde, a really persuasive guy with glasses, and so many more. But nothing is like the market in your hometown or rather one of your hometowns.
Unbeknownst to you and Haruhi, the Ouran Host Club can’t help but follow after the mysterious person they met just last Summer.
Tamaki Suoh
“What a surprise the damsel we’ve been talking about happens to be here! Charge onward!”
He’s too excited and far too loud about his ambitions to follow you
Their ‘king’ isn’t exactly the best at covert operations despite his inclination for them
And if you or Haruhi don’t already know he’s there one of you will find him out
If it's you, you’ll call him asking ‘what brings you here?’
And he happily will join you two
Buying whatever he sees your eyes linger on
even if it's only a moment
When the day finally ends and you wave goodbye to make sure Haruhi gets home he waits for you
Now Tamaki Suoh could very well stay away from you watching protectively as you get home
But he’s too much of a gentleman to let you go alone
Or that he absolutely feeds off of your attention
Even if you originally refuse he won’t let you he’ll still escort you
Even attempting to invite himself inside but when he notices your frantic breathing and darting eyes he excuses himself
Making a show of driving away before instructing that they return in a couple hours
“My poor angel! All alone in such poverty! I just have to make sure they sleep well!”
Kyoya Ootori
“I’d also appreciate an in-depth look at their…personal life.”
He has to control his excitement with a push of his glasses
Typically he’d leave such a job to his…hired help
He gets plenty of updates from them but nothing beats getting the facts of his future spouse from ground zero
If he wasn’t so pretty and such a smooth talker it might have been easier not to be swarmed
But eventually, he gets a disguise good enough that he can continue to silently follow after
He’s sloppy because he hasn’t done this before or rather its been a while since he has
But he manages to maintain his cover
Making sure to make note of your conversation and preferences as you stop for food or buy different items
When the day ends he tails you from a distance by driver as he notes the safety of your route and neighborhood
Being sure to complain threaten the city council about the lack of lighting in specific alleyways
Of course, he will collect the Ootori photographers’ work for the day and decide which one he wants for his calendar, his wallet, his corkboard, his office wall, his bedside, his ceiling
“I’ve seen enough of their common lifestyle, it's time I elevated that. After all, we can’t have my love of all people being forced to live so below their means.”
Hikaru Hitachiin
“Well, aren’t you two cuties looking happy today!”
He’s already an avid stalker of yours
Now Haruhi is so used to this behavior she can wave it off calming any suspicions you have when you recall how this same situation occurred once before
Just like he planned
But now there's no shaking him off now
He’s following the both of you all throughout the day
Being sure to pick off your food with the toothpick that you’d been sucking on
Or being sure to lick the strokes on your popsicle you bought just moments before
Taking every opportunity to pull at your fingers whenever he wants to look at a ‘commoner’s’ stall
He’s even walking you home
Actually, he’s decided he wants a sleepover
You can’t refuse him, can you?
Because he does have that photo of you
How’d he get it? He’ll never tell
But you best cook him some commoner alternative to Italian cuisine
Otherwise, you’ll just have to pack up and come to his house
“Don’t forget (Y/n)~ you owe me for destroying this picture~! So what’s it going to be?”
Kaoru Hitachiin
“Hey, I’m glad I ran into you here! Been trying to widen my horizons and decided to try the commoner’s market! Mind if I hang out with you guys?”
He’s a lot more casual
Having a bonafide reason why he’s here
You would have never guessed he had bugged your phone when you last met
He’s great at acting casual
Oddly less mischievous without his brother
It's easy to oblige when he asks you to pose a ring for him
‘Don’t worry about it! It's for a friend of his!’ is what he says
Or when he asks about what you like off-handedly returning with it in hand from a supposed bathroom break
He’ll walk you and Haruhi home
So nice you only think it nice to offer your bathroom for the long drive he was in for on the way home
He couldn’t be happier to see the forgotten clothes strewn in your bathroom in person
Or letting the water run while he holds your toothbrush in his mouth then switch it with his decoy
“Thanks for spending your day with me! We’ve got to schedule one of around one of these days, preferably just the two of us!”
Mitsukuni “Honey” Haninozuka
“(Y/n)-channn!!! Come try this commoner food! It really is delicious!”
Honey has two stalking styles the silent type that makes use of his ninja prowess
And the type that just abandons watching you from afar entirely
He typically resorts to the former when you're out with potential rivals
Sabotaging every way he can before he results to pummeling the problem this person
But this time, it's personal
Haruhi is his friend but you are his future his sweetie cake just ripe for the taking
And while with most friends he doubts you’d be interested as he’s pretty confident they get the memo
But he knows Haruhi just draws people in that way
And he will not let that happen
So every time you go to look into her eyes he’s shoving ice cream, cake, tarts, his face in between you two
It's so much like his normal personality so neither of you questions it
It's also nothing to question when he walks you home before letting himself inside to give you whatever sweet you like
If you don’t like sweets he’s just bringing cake that he can invite himself to eat it
You can’t really stop him when he insists on exploring your home as if he didn’t already memorize where everything is
Moving faster than you can grab a hold of him he might let you go if you hug him+
“Wowww (Y/n), your house is so small! Y’know you should come to my house, it's way bigger! You can even have your own room at my place!”
Takashi Morinozuka
“...I didn’t want to disturb you two.”
He’s really good at this
Athleticism and stealth when he really tries give him the advantage
The only thing that can throw him off his game is you
He either gets lost as he watches you gush over a keychain or a stall you were particularly passionate about
So busy swooning silently that he’ll hardly notice when Haruhi finally taps him awake
With him, she’s the only one who can quite obviously tell
And since Mori has hardly shown any worrisome behavior she invites him
He’s so excited to be noticed by you
And will enthusiastically nod his head whenever you talk to me
Probably offered by Haruhi he’ll walk you home
Only now speaking more than he typically would
He can’t help but blush as he sees you continue to look at him only him
When he bids you goodnight he’ll stand in front of your home for awhile
Intensely watching your silhouette pad around in the window as you start your nightly routine
Imagining himself alongside you after his timer goes off he leaves reluctantly
Switching out with his subordinates
“Goodnight, (Y/n).”
#yandere ouran highschool#yandere ouran host club x reader#yandere ohshc#yandere ohshc x reader#yandere tamaki x reader#yandere tamaki suoh#lovelyyandereaddictionpoint#yandere kyoya#yandere kyoya ootori#yandere mori x reader#yandere honey#yandere mitsukuni#yandere hikaru#yandere kaoru#yandere x reader#yandere x you#yanderexrea#yandere#yanderes#yandere harem#yandere ouran host club headcannons
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A/N: Hey Hey!Soo I'm kinda back?
I'm thinking of reopening my requests, starting my inbox fresh and letting new ideas come into play. Might restart my tag list as well, what do we think?
I've recently gotten into Anime and wow, it's an amazing world. I'm thinking of creating a post full of the characters I write for. Plus some of the original characters I write for.
I would love feedback on this Au idea! Would love to explore some Au ideas with other chatacters as well.
Any and all feedback is appriciated, likes are great but reblogs are golden.
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Champagne Kissed Lips
Adult Film Star AU Smut - Minors DNI.
Namani Kento x Fem!Reader x Satoru Gojo
Words: 3,301
Warnings: Smut 18+, Daddy Kink, Oral (Male and Female giving and receiving), Unprotected Sex, Vaginal Intercourse, Threesome, Slight Choking, Explicit Language, Alcohol and mention of smoking.
I hope you enjoy it!!
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University was a drag, class after class, stress after stress, bill after bill. It wasn’t like the movies and it wasn’t something I wouldn’t consider doing again.
I walk through the campus towards my dorm room, hoping my roommate Nova isn’t home as I know her energy will increase my oncoming headache.
“Your home! I have a quick question and want zero judgment from you.” Nova beams, bouncing over to me as I sling my bag onto the chair beside my desk.
“Shoot” I weakly smile, hoping to have silence shortly.
“So as we both know, life is expensive and let's be real, we’re both struggling.”
I giggle slightly, nodding along with Nova, slightly intrigued by where this conversation is going.
“Anyway, I saw Tilly, you know Tilly right? The bright red hair, covered in tattoos with the tongue piercing?”
“Didn’t know she had a tongue piercing but yes I know Tilly, go on.”
“Well, she came into class with a new bag and phone and I’m talking about designer bags.”
I nod along with Nova, slipping off my shoes and looking through my wardrobe for my lounge wear.
“Anyway, I asked how she got these because only last week was she complaining about having to work three jobs to afford to live and oh my god you’re going to flip.”
“Nov, just tell me.”
“Porn, Tilly is getting paid to cum.”
I laugh covering my mouth as I lock eyes with Nova, seeing her seriousness.
“Wait really? Shit, good for her I guess.”
Nova nods as I sit across from her on my bed.
“Which brings me to my no judgment question.”
“Oh no.”
“Oh yes, we should look into it!”
“Nova, I can’t do porn.”
“Yes you can! You’re so hot, literally all the frat guys want you, you would literally be rolling in it.”
“But you know I don’t want frat guys. I wan-”
“I know, I know, you want a man that knows what he’s doing, someone with experience.” Nova mimics. “There’s a kink for that you know, it’s called a daddy kink.”
I roll my eyes at Nova, laying back on my bed and sighing.
“C’mon, it's good money.”
“Nova, I’m not recording myself for other people’s pleasure.”
“Don’t you need a car? Wouldn’t you like to be debt free? You could move to New York and own a penthouse!”
“Nova, enough.”
“Just know it's an option, I’m going to talk to Tilly about it.”
I nod in response as Nova grabs her stuff and leaves the dorm.
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It had been roughly four months since Nova mentioned the porn industry and never in my life did I consider that I would walk into this world from beyond my phone screen.
Within four months I had worked with numerous adult film stars, many of them satisfying, others only just worth the paycheck.
“Ready?” Nova smiles, her skin tight velvet dress hugging her curves perfectly.
I quickly swipe the red lipstick across my lips, pouting before looking myself up and down. A black see through lace dress, a leg slit high up to my panty line, lace barely covering my boobs, not leaving much to the imagination. Not that the imagination is needed when half if not all of these people at the party have seen me naked.
“Ready.” I smile. “You know, I hate these parties, why do we need monthly parties?” Nova groans, quickly lighting a cigarette as we leave my penthouse, walking through the crisp air of New York.
“Networking, how do you think I became so big so quickly? You’ve gotta promote yourself to the big wigs, make them want you.”
Nova shakes her head, taking a long drag from her cigarette as we round the corner to the hotel, joining the line of other actors.
“I dont want to whore myself out.”
I smirk, looking at Nova as we both laugh.
We’re quickly ushered into the glamorous hotel following behind people into the marvelous ballroom. Floor to ceiling windows of the New York skyline, dimly lit corners with velvet booths. Champagne towers in various spaces, topless wait staff and music blasting through the air. The thump of bass slightly vibrates the windows and glasses.
“Ooo” Nova’s face lights up as the waiter passes us, grabbing two glasses of champagne.
“Cheers to making it out of struggleville.” Nova states, gently tapping her glass against mine.
I quickly tip the lightly bubbling liquid into my mouth, finishing the drink quickly, Nova following suit. Both of us replaced our empty glasses with a refill.
“Holy fuck.” Nova chokes on her drink as I follow her eye line, my mouth becoming dry.
Nanami Kento and Satoru Gojo walk through the crowd, talking with three men both looking fucking mouthwatering.
“They never come to these things, I have never seen these two in person, fuck they’re tall, god fucking damnit, who do I sweet talk to get with them.” Nova rambles beside me as my eyes trail over the pair.
Both men are dressed in full black suits, Nanami has yellow tinted glasses resting on the bridge of his nose and Gojo with black shades tucked into his suit pocket. Both taller in person than expected. Nanami pushes his glasses higher on his nose, my eyes fixated on his hands, god his hands.
“Y/n?”
“Sorry, uh, I was daydreaming.” Blush slightly creeps up my neck as Nova chuckles.
“I haven’t seen you blush in a while.” “Haven’t been nervous in a while.”
Nova chuckles as she goes wide eyed slightly. Quickly composing herself.
“They’re coming over.”
I look over my shoulder and see the duo walking towards us as I quickly finish my drink, hoping the liquid courage rushes through me.
“Ladies.” Gojo smiles
“Gojo, Nanami.” I smile, feeling Nova nudge my shoulder handing me a fresh glass of champagne. I thank her with my eyes, feeling my skin cover with goosebumps under the eyes of the two men, both of them drinking in my appearance, sharing a look as Nanami pushes his glasses up again.
“I didn’t expect to see you both.” Nova breaks the moments of silence between all of us as Gojo chuckles, grabbing a glass of wine from the various waiters walking around.
“Didn’t think our absence was that noticeable.” Nanami mutters as Nova giggles.
Before Nova can say anything Geto walks up behind her.
“Gentlemen.” Geto nods at them, looking at me “Y/n.” He winks, whispering into Nova’s ear as she quickly nods and gets whisked away.
‘Fuck.’
It feels like the room gets smaller and time slows as the duo in front of me share a look, both of them with a slight smirk on their lips.
“So, what changed your mind in attending?”
“When someone knocks you out of first place, you’ve got to scout the competition.” Gojo smiles, both him and Nanami stepping slightly closer to me, towering over me.
“Oh, can’t handle losing?” I smirk, Gojo licks his lips and Nanami chuckles.
“We don’t like to lose darling.” Nanami whispers, his warm breath fanning my neck, a tingle running down my spine.
“We’d like to offer you something honey.” Gojo whispers, his hand holding my hip. “A night with us, no crew, just us three.”
“Don’t break our hearts baby.” Nanami whispers, pressing a soft kiss to my cheek. Gojo’s hand caresses my hip, his warmth seeping through the sheer lace of my dress.
I open my mouth, zero words forming as I nod. Gojo tuts shaking his head.
“We need to hear you agree.”
“Tell us what you think darling.”
Both men seek my approval as I smirk.
“Yes.” I whisper, my eyes flicking between the two of them as both men smirk.
“Gojo.” Nanami states as the white haired man nods, grabbing my hand and pulling me through the crowd, Nanami with his hand on the small of my back helping to guide me.
We make it to the elevator, the three of us standing in silence, a light chatter within the lobby and the distant thump of the bass from the party filling the air.
The elevator tings as the doors open, the three of us piling as the doors slowly close. The second the doors are closed both men push me against the glass window.
“Fuck.” I whisper, Gojo’s lips on my neck as Nanami kisses along my jaw.
Nanami grabs my chin between his thumb and index finger. His eyes lingering on my lips.
“Baby, you won’t be the same after us.”
“I’m counting on it.” I whisper as Nanami smiles, his tongue dragging along his bottom lip before our lips crash against each other. I moan into the kiss, Gojo sucking on my neck, his hand grabbing a handful of my ass.
Nanami pulls away from me as Gojo cups my cheek, bringing our lips together. His tongue fighting against mine, his kiss rougher than Nanami’s.
The elevator dings, both men pulling away from me as my chest rises and falls quickly. My brain is trying to fathom what’s about to happen.
Halfway down the hall, Nanami unzips my dress, his fingers lightly tracing my back as wetness continues to pool between my thighs, my pussy aching.
Gojo unlocks the door as Nanami slips my dress down my arms. The door clicking shut as my dress pools at my heels.
Both men stand and look at me, the only light coming from the city below. My skin feels hot, blush creeping up my neck as their eyes foam up and down my body. My thin G-string barely covered me from their gaze.
“God.” Nanami groans, loosening his tie as Gojo undoes his belt.
I bend down to undo my heels causing Gojo to stop me.
“We want them left on baby girl.”
“We’re sure you paid enough for them.” Nanami states, his jacket being folded neatly and draped over the couch, his body beside me as he trails his fingers up my side. My breath hitches as Gojo walks out of the room.
Before I can question his absence, he walks back into the room, a camera in his hand. Butterflies erupt inside of me as Gojo flicks on a soft warm light, getting the camera at the right angle of the couch right by the city scape.
“We don’t want a crew to be watching us, everyone hearing the sounds you make for us.”
“We want you to forget the camera exists, the bright lights and the sound crew.”
“We want you on our platform, our girl.”
Their words are like honey, smooth and sweet. The butterflies and goosebumps swarming all over me.
“Let me be yours.”
“Music to our ears princess.” Gojo smirks, quickly ridding himself of his clothes, Nanami following suit.
Gojo wraps his hand around my neck, pulling me closer to him as our lips crash together. His hands roam my body, his finger hooks into my G-string and flicks it against my skin. I moan into his mouth, a gasp falls from my lips as Nanami’s hand cups my pussy. A low groan filling the air.
“You’re soaked, fuck Gojo she’s dripping.”
My moans fill the air as Gojo pulls away from me, his piercing blue eyes focusing on Nanami’s hand, watching his fingers rub my swollen clit through my panties.
“Good girl.” Gojo praises, kissing the side of my head. I run my hand down Gojo’s toned chest, softly digging my nails into his skin, causing a low sigh to fall from his lips. I trace his clothed cock, watching him bite his lip before I slip my hand into his boxer briefs. “Fuck Nanami.” I gasp, his fingers slipping past my panties and pinching my clit.
“Lay down baby, let us take care of you.”
I lay on the soft couch, my head on the arm rest as Gojo comes to stand above me, Nanami moves my legs, hooking one over the back of the couch, spreading my pussy for his eyes.
“Perfect, more perfect than the camera could ever capture.”
I blush at Nanami’s words, looking up at Gojo, his cock springing free.
My lips part, shocked by his size.
“You can take it darling.” I open my mouth at Gojo’s words, a smirk on his lips as my tongue traces the tip of his cock.
“Fuck daddy” I moan, looking down at Nanami, his tongue slowly dragging up and down my slit, sucking my clit between licks. Nanami moans against my pussy.
“Keep calling me that.” He whispers before continuing to trace my clit with his tongue.
“Darling.” Gojo whispers, his hand holding under my chin, tilting my head back. “I know Kento is good, but daddy needs attention.”
I nod, using my hand to guide Gojo’s cock into my mouth, pumping whatever I can’t fit. Circling my tongue around his dick, hollowing out my cheeks, his cock falling past my lips with a ‘pop’.
“You’re good at that darling, don’t stop.”
I moan around Gojo’s cock his hand caressing my cheek, soft moans filling the air.
My free hand grips Nanami’s hair, tugging at the strands causing a groan to vibrate against me.
“We should have fucked you sooner.” Nanami whispers, blowing against my warm pussy, my legs shaking with a tingle. My back arches, his fingers slipping inside of me, slowly pumping in and out, curling up inside of me.
“Y/n, god baby you’re tight.”
I smirk at Nanami’s words, popping Gojo’s cock past my lips and pumping him faster.
“All yours, only for you.”
Nanami and Gojo chuckle.
“You’re eager to please us honey.”
I blush at Gojo’s words, watching as he pulls away from me, him and Nanami swapping places.
Nanami leans over me, his lips connecting with mine as I taste myself on his tongue. Both of us moaning into the kiss, his fingers dancing across my collar bone, his hands cupping my boobs.
“God Yes!” I scream, Gojo slipping inside of me, his cock stretching my pussy as Nanami rolls my nipples between his thumb and index finger.
“Fuck honey, no wonder your number one.”
I giggle at Gojo’s words, swiping my tongue around Nanami’s cock, his hand moving from my breast to my throat, softly applying pressure as he thrusts in and out of my throat. My eyes roll backwards, the sounds of our moans filling the air, the scent of sex flowing through the room.
“Good girl, you’re taking us so well.”
“Uh huh” I moan in agreement, Gojo’s thumb brushes against my clit, rubbing in fast circles.
“C’mon baby, daddy wants you to cover his cock.”
“Go on darling, cum for Gojo.”
I drag my nails up Nanami’s chest, his cock thrusting in and out of my mouth, my tongue swirling around him. Gojo rubs my clit faster, his thrusts dragging out of me slowly and thrusting into me harshly.
I dig my nails into Nanami’s abs, his groan filling the air as I hollow out my cheeks around his cock. My back arching and legs slightly shake.
“Just like that baby, that’s a good girl, cum for me.”
Nanami slips past my lips, my scream of pleasure filling the air.
“Fuckkkk.”
My body jolts, my pussy tightening around Gojo causing him to hiss.
“Just like that baby.” Gojo gently rubs my clit, his thrusts slowing.
“You’re such a good girl for us princess.” Nanami whispers.
I hum in response, blissed out as I feel the couch dip, Gojo and Nanami switching places.
Nanami grabs me by my hips, pulling me up to straddle his waist, his lips connecting with mine. Our tongues swirl against each other, his hands grabbing my ass, spanking each cheek.
I feel Gojo’s hand caress my cheek, my lips pulling away from Nanami’s. I smile up at Gojo, his thumb brushing against my bottom lip dragging it down as my mouth falls open slightly. I take Gojo’s thumb into my mouth, sucking and swirling my tongue as Nanami runs his cock up and down my slit.
My head tilts back, a moan falling from my lips as I gasp at Nanami’s size, his cock stretching my walls, slightly thicker than Gojo.
“God Nanami.”
“Mm, fuck you’re so wet and tight.” Nanami whispers, his teeth pulling on my ear lobe as Gojo holds my chin, his eyes locking with mine as his friend thrusts in and out of me, his hands holding my ass guiding my hips back and forth.
“You take cock so well baby.”
I smirk at Gojo’s words, leaning to the side of Nanami and tracing my tongue along Gojo’s cock.
Gojo’s fingers run through my hair, pulling it into a makeshift ponytail. Our eyes lock together as I use the rhythm from Nanami to bop my mouth up and down on Gojo.
Nanami wraps his hand around my throat, applying slight pressure causing my eyes to water and a gag to fall around Gojo’s cock.
“Huh, are you cryin’?” Gojo taunts a cocky smirk on his lips.
“Struggling to take both of us?” Nanami grunts.
I moan in protest, feeling completely full and blissed out.
“By the way her pussy is gripping me, I think she likes it.”
“Oh she fucking loves it.” Gojo states, thrusting his cock deeper down my throat as tears prick my eyes.
I pull off Gojo, my chest rising and falling as my nails dig into Nanami’s shoulders.
“God, I’m close.”
Nanami moan’s against my ear, his hand slipping between us as he rubs my clit in fast circles.
My moans fill the air, my hand pumping Gojo’s cock fast, my thumb brushing over the tip of his cock with every second stroke. Gojo runs a hand through his hair, tilting his head back, his loud moans complimenting mine.
“Just like that baby.”
“You feel so good.” Nanami moans, his head resting on the back of the couch, his fingers digging into my hips, his thrusts speeding up.
“I’m cumming!” I moan, my pussy clenching around Nanami, my hand speeding up on Gojo’s cock. “Fuck, fuck, fuck, don’t stop.”
Gojo’s fingers slip into my hair, his hand pulls my head back causing my mouth to fall open as I stick my tongue out.
“Such a good girl.” Gojo smiles, pumping his cock against my tongue, hot bursts of cum covering my taste buds.
My eyes roll back, feeling Nanami’s cum shoot inside of me, coating my walls as I swallow Gojo’s release.
Gojo leans against the couch, resting on his hands, all of us taking a moment.
Savoring our time together.
I slowly lift myself off Nanami’s cock, both of us wincing at the loss of contact. I sit beside Nanami on the couch, Gojo leaning down and pressing a kiss to the top of my head before walking over to the camera and stopping the video.
“I hope you know we’re making this a monthly thing.”
“Oh really?” I ask, raising an eyebrow at Gojo’s comment.
Nanami’s hand falls to my thigh, running his finger tips up and down, a soft smile on his lips.
“But we won’t film everytime.”
“Mm, I’d love that.”
“Wait.” I quickly stand up, my legs shaky as I search through our clothing, finding my phone and sitting on the couch with Nanami. Gojo smiles, walking over to the two of us standing behind the couch. I aim the camera at the three of us, Gojo’s lips on my neck, Nanami’s hand around my throat as his lips whisper against my ear.
“Show off.”
I smirk, taking a quick picture and showing the two of them. I quickly uploaded the photo to my instagram and twitter with the caption.
‘Champagne never tasted so good.’
#writing-wh0re-requests#gojo satoru#gojo smut#gojo x y/n#gojo x reader#jjk gojo#gojo fanfic#nanami kento#nanami x reader#nanami smut#nanami x you#nanami x y/n#gojo x you#gojo saturo x reader#nanami kento x reader#nanami kento x you#jjk smut#au!nanami x au!reader#au!gojo x au!reader#smut#smutty fanfiction#jjk#jjk x reader#jujitsu kaisen
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So this post said it way more eloquently and comprehensively than I ever could, but I've been mulling it over for a while and I wanna talk about it anyway.
I've been watching the Owl House lately and honestly I'm kinda in love with the way the show handles redemption. I see so many people in the fandom complaining about how the multiple villain redemption arcs are unearned, or that they get forgiven too easily, but like... isn't that the whole point? Redemption isn't earned, it's given. And I love the characters in the Owl House because they are brilliant examples of this principle.
Take Lilith, for example - she cursed her sister out of petty jealousy and in doing so subjected her to a life of ostracization, broken relationships, and suffering. Multiple people got seriously hurt because of Lilith's choice, most notably her own father. And instead of owning up to her mistakes she kept her involvement secret for decades, pledging loyalty to an oppressive dictator and climbing the ranks of the dictator's private army/police force in pursuit of her own ambition. Instead of confronting her own mistakes, she tried to cover them up. She attempted to absolve herself of guilt by quietly removing the consequences of her own choices (convincing Belos to remove the curse) without compromising her own goals. And she continued to hurt people in pursuit of this goal (leading multiple coven scouts to their deaths at the hands of an eldritch nightmare demon bird worm, using Luz as a human shield while attempting to subdue Eda). So when she eventually does confront her own guilt and turns a 180 on her character, a lot of people can't quite comprehend just how quickly Eda and Luz accept her, as if forgiveness was a foregone conclusion. In fact I don't think the word "forgive" was even mentioned.
Pretty much the same thing could be said for Amity, or Hunter, or the Collector. (There are a lot of redeemed villains in this show and I absolutely love it; redemptions are definitely my favourite trope in media.) The moment a villain confronts their villainy and chooses to change their behaviour, the protagonists welcome them with open arms. Often the protagonists begin reaching out to them even before they start to show signs of remorse, like with Luz and Amity in Lost in Language, or Luz and Hunter in Hunting Palismen and Hollow Mind, or Amity and Hunter in Eclipse Lake, or Amity and Luz in Reaching Out. As I said before, forgiveness is a foregone conclusion; the only thing preventing it is the villain's genuine decision to stop being a villain (which is neatly illustrated by the season 3 finale; Luz tells the Collector that he "did good" when he tries to extend forgiveness to an unrepentant Belos, and when Belos later feigns innocence Luz and the others see right through him. Belos' repentance wasn't genuine, and so couldn't be met with forgiveness).
A kind of inversion of this principle can be seen in Luz' character arc in season 2b and season 3. Luz blames herself for Belos' meeting the Collector, leading to Belos learning the draining spell and later the Collector's awesome and uncontrolled power being unleashed on the Boiling Isles while Luz and her friends are trapped in the human realm. From Luz' point of view, she is directly responsible for the rise of a despot and the probable deaths of almost everyone she loves. And she hates herself for it. In Thanks to Them she has an outburst where she basically wishes she'd never been born. One of the most heartbreaking moments in the entire show, for me, was when Luz asked her mother "why aren't you mad at me?". She clearly expects the people around her to reject her, to hate her, to treat her with the performative expectations that she explicitly doesn't expect from the antagonists in the show, even the ones who have acted far worse than she has (see Lilith, above), and she can't understand why they don't. Luz thinks she doesn't deserve forgiveness, when she has freely offered forgiveness to everyone she's ever met regardless of whether they deserved it. And once again The Owl House displays the theme of redemption by all the people around her working to reach out to her, to give her a redemption that Luz doesn't think she's earned. Once again, redemption is given, not worked for.
Look, I make no secret of the fact that I'm a Christian on this blog. And I understand that the overlap between "people who are Christians" and "people who watch The Owl House" is probably very small. But I just can't help but see something so profoundly beautiful in this show, so profoundly Christian, because this repeated motif of freely offered redemption to anyone who wants it is a perfect illustration of one of Christianity's core tenets. Redemption is not earned - it is given. The offer of total forgiveness and reconciliation is already extended, even to the worst offenders, even before the offender acknowledges their offense. There's nothing I can do to earn it; no self-flagellation needed to prove that I'm in earnest, no great deed I have to do to convince God that I'm worthy of forgiveness. The forgiveness is already there, waiting.
Kinda makes you think, doesn't it? The Owl House is a show about witchcraft, with very prominent and positively depicted LGBT+ relationships, and with a primary antagonist who is heavily implied to be a conservative Christian. It would be hard to have a piece of media that more explicitly rejects the normal cultural values of North American conservative Christianity. And yet this show displays a better understanding and celebration of Christian redemptive ethics than a significant proportion of actual Christians. I'm sure a lot of people would clutch their pearls and call it anti-Christian propaganda, but at its heart the Owl House is built on the fundamental Christian value of radical love.
I dunno. I just really like the Owl House.
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it's very disheartening to see several LU fans have publicly announce how much they despise [trope]/[character interpretation] when they've literally read *my* fics with those exact parameters. it makes me think, what, do they hate my fics now? have they always hated my fics and were just being nice? am *i* the reason they hate these tropes/characters interpretations? i ended up blocking like ten readers because they just came out swinging with, "oh yeah, that thing i told you i liked? well in reality i fucking hate them and im sick of you writing them"
yeah, exactly. nothing good can or will come out of situations like this. it's a low blow that hurts too many people and doesn't make anything better.
i'll have to check the notes on the landslide post again because i've already been filling out my blocklist with it (again, i feel bad for ovega, nobody has the right to jump on somebody's post like that). predictably, there's people taking the opportunity to be ableist as well.
my only problem is that i have to be careful. i've done a lot of "thanos snaps" already, for various transgressions, but if i do too many i won't have anybody left to engage with. it's not like i haven't done my share of complaining, but i do it in private with a single consenting friend. there's a lot of blogs i've never seen before who's only goal in life is apparently to tear down fandom creators, so i won't have any qualms about blocking them. others, though, i'll keep an eye on and hope they learn their lesson.
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btw I know I’ve been repeatedly (& pointedly) reblogging void’s post abt ppl hating kab today so. um. here’s some actual take. I know i said i would listen to bacon and complain less but im gonna try to keep this constructive.
it’s not about any individual person who doesn’t like kab or her style of lore. an individual not liking a character or storytelling style is normal and fine and demanding that someone SHOULD like this character and swallow down their emotional reactions or dislike bc shes a WOMAN is also very uncomfortable to me tbh! kab is not in fact one of my favorite characters by any means. in an ideal world life steal would have more women and i’d post about them more but like … there aren’t in fact many women in life.steal & not every character is for everyone & no one is obligated to like a character solely bc she’s a woman, yk? it’s not misogynist to dislike or even complain about female characters (although if you Never like female characters and find a reason to dislike all of them you, uh, should maybe be considering that!)
what makes me uncomfortable is the Pattern. and the Pattern is that women get hit harder & more universally by fandom criticism and hate than men do, without the corresponding positivity and appreciation their male counterparts get. what makes me uncomfortable is when ppl are getting intense abt how much she sucks in the twitch chats of ppl who, ultimately, are her friends ooc. this is all uncomfortable bc it is familiar, i have seen this pattern play out across different fandoms and different characters. it’s not just “this specific person doesn’t like this specific character”. it’s “fandom in general disproportionately dislikes female characters & has a tendency to harass the irl women playing those characters”. esp in spaces as sexist and male-dominated as mc.yt, that makes people justifiably sensitive.
I don’t really have a solution to this; like i said, I’m not interested in forcing people who don’t like a character to like her. (Especially since that doesn’t actually, you know, work.) But… I dunno, be a little nicer, especially places CCs can see (twitch chats especially; also twitter; to a lesser extent tumblr, esp if you’re maintagging or know they follow you)? Tag your neg/crit on tumblr so that ppl who don’t want to see it can just filter it out? (Honestly, this would go a long way for me—part of why I’m so bothered is just how inescapable the negativity is rn!) Think of how you’d feel if people regularly responded this way to lore you really like of your male fave, think about how you’d want them to handle their dislike or frustration, and then just … try to be considerate and fair.
#tldr#its fine for you (individual) to not like a character#but keep in mind the pattern of fandom hating on women#and keep hate away from where the CCs will see it#therapists dni#any British ants in the chat?
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