#never had a good idea for it tho

[julia-loves-cupcakes]

The TSL musical event looks different than I remember 🤔

Now playing: Shadows of friendship

My second @obeymeholidayexchange piece for @aspiringtrashpanda ! I had soooo many ideas for this prompt but nothing looked right X'DD so in the end I thought a fake screenshot would be a fun lil second gift ^^

Version without my tablet's UI after the cut:

The background I got from the game, cause there was no way I could remake it hkdhfk but I did redraw Levi cause I'm a masochist I guess

[hinamie]

I don't want to regret the way I lived

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[stars-n-kites]

really an inexplicable train of thought but i feel like taako is the kind of person who in a modren era au would just decide to go to a shooting range and learn how to shoot a pistol for funsies, but would consider learning to spin the pistol all cool like they do in cowboy movies to be his first and foremost priority. like hes already bought a holster and the moment he is given a gun he immediately starts trying to twirl it. the instructor has to tell him to stop or theyll take the gun away from him. he keeps trying to lead the conversation back to it anyway because he really feels like theyre putting the cart before the horse here if hes learning how to shoot the gun before even knowing how to dramatically reholster it if he were to get in some sort of cowboy duel. hes actually really good at the shooting part but he gets kicked out of the class after his eighth guntwirling attempt in which he accidentally flicks the safety off mid twirl and shoots one of their light fixtures

[yanxidarlings]

Seriously considering adding Squid Game to my writing roster after season 2, there's too much potential and I can't get over the cast

[starry-bi-sky]

Clone^2 - graveyard shift

The dinging of the door alerts Sarah of someone walking in, and she barely glances up from her phone to see who it is. It's past midnight and somehow her coworker John managed to convince her to take over his graveyard shift at their convenience store. He owes her one, because she's been standing here for an hour and nobody's come in.

Not a surprise to her - nobody likes to stay out past sundown in Amity Park, even after nearly three years of ghosts appearing all over the place.

But still, it happens sometimes. So she doesn't look up. The dinging bell just lets her know that it's not a ghost, and that's really all she can ask for. The last time she worked late and a ghost came in, she was cleaning the shelves from some weird goo for an hour.

However, the lack of footsteps in the store after a few seconds worries her enough that she forces her head to lift. And a frown weaves its way onto her face when she sees no one at the door, nor anyone in the closet aisles.

...Shit, was there really a ghost here? Can they ring door when they come in? Normally she sees them just phase right through. And normally they glow, bright and jarring that leaves a migraine building behind Sarah's eyes.

Her eyes quickly scan the shelves again, looking for anything out of place -- anyone with too many heads, or too many teeth, or snakes for hair. She's pretty sure a coworker saw that once when they were working graveyard.

But she still sees no one. Apprehension raises the hair on the back of her neck, and she straightens up from her lean against the counter. Fuuuck. Was this one of those... marshmallow ghosts? An animal ghost?

Sarah really does not want to have to fight off a three-eyed raccoon looking-thing with eagle feet. She's heard the horror stories. And there was no way to contact the Phantom or the Red Huntress to come pick it up -- and she wasn't gonna try her luck with the Drs. Fentons.

Her fingers itch for the broom hanging on the wall behind her. It probably won't do much against a mutant raccoon-ghost-monster, but it'll make her feel better.

There's a rustle and crinkle in the candy aisle, and Sarah's hands are curled around the broom before she could blink. Her heart beating in her chest. She walks out from the counter, the bristled end raised like a bat in the air as she creeps apprehensively towards the noise.

There's nothing there when she peers around the side, and the aisle shelves are tall enough that she can't see over them.

She raises the broom higher. Sarah was in softball. She could take out a raccoon-eagle-hybrid.. thing.... easily. She just... needs to pretend its a golf ball. Except golf isn't softball so that's a terrible comparison.

Oh god she was gonna get her face ripped off, wasn't she.

John so owes her one. So much.

Creeping down the aisle, she keeps her ears perked for any new sounds. But all she can really hear is the soft pop music playing on the store speakers -- chosen by yours truly from her own personal playlist -- and the hum of the freezers. Ugh. This was not good for her paranoia. Like, at all.

Sarah's down at the end of the aisle when she feels a quick set of taps on her shoulder. Her nerves are already shot, so she shrieks and whirls around on her foot, swinging the broom blindly.

Only to be met with sudden and blunt resistance. Blinking rapidly, Sarah stares up and sees a black gloved hand gripping the broom handle tightly, small white bandages peeking over the side around five fingers. Following the hand down connects it with an arm, and then a chest, and suddenly she's staring at a black hoodie and black jacket.

When she tilts her head up, Sarah comes face to face with the bone-white mask and the terrifying, unearthly green eyes of their local vigilante, the Phantom.

...Holy fuck. It was the Phantom.

He was taller than she initially thought. Was her jaw on the ground? Probably. It was flapping like a fish out of water. "I- uh, you-- buh--"

Slowly, the Phantom raised his free hand and wrapped it around the handle of the broom. Sarah watches, wide eyed still and stammering as he firmly plucked the broom out of her hands and turned to lean it against the shelves.

Something about him doing that must've kicked her brain back into gear, because the first thing that comes out of her mouth is; "Your eyes are really green."

And she was going to lock herself in the freezer in the back for that one. She feels her face grow hot with embarrassment, and the Phantom only looks at her blankly. Her eyes shift nervously. "Well, it's true."

It was! The green eyes of the Phantom was his most defining feature other than that unsettling mask he wore. Especially considering they were the same color as some of the ghosts. It was one of the many, many creepy things about the guy.

Looking at it gave her the same, faint headache as when she stared at a ghost for too long. So Sarah drops her gaze a little to avoid it.

The Phantom remains silent, but he raises his hands and signs something to her that she doesn't understand. Fuck, that's right. He didn't speak - and Sarah doesn't know any ASL.

Sarah cringes. "Sorry, I don't know ASL."

She can feel his burning green eyes boring into her, and he remains as silent as the grave as he reaches into his back pocket and pulls out a phone in a plain black case. She watches him turn it on -- or at least she assumes he does, there's a privacy protector covering the screen -- and type something into.

He holds it up to her face when he's done, and she squints at the screen. In the notes app, a small text reads; 'We're ready to pay.'

..Oh. This wasn't Sarah's night. Embarrassment flashes hot through her and she forces out a laugh in order to try and quell it, Phantom shoves the phone back into his pocket. "Oh! Oh, right! I'm sorry, I'll uh- get up to the front--" She stops in her tracks.

Wait. Did that message say 'we?'

She smiles nervously, tilting her head up at the Phantom as her brows thread together. "Um," she swallows dryly, "we?" Didn't... didn't the Phantom work alone?

As if startled, the Phantom jerks. And for the first time since he showed up, he blinks and turns around. Which personally, doesn't bode that well as the Phantom swivels his head from side to side like he's looking for someone.

Sarah thinks, after the Phantom stalks up to the end of the aisle and looks around, she hears him sigh. And when he walks back, he snatches the broom with an elegant twist and knocks it against the shelves.

Thud, thud, thud!

There's very, very quiet shuffling that Sarah would have missed if she hadn't been looking for it, and then silence for a few seconds, before suddenly there's a small child pushing past her side and over to the Phantom.

And in the process, scaring the shit out of Sarah.

She squeaks and jumps, nearly tripping over her own feet as the child makes a spot next to the Phantom's side. "Where did you come from?!" She says, her heart pounding against her ribcage.

The child says nothing, just stares at her through a creepy bone-white mask reminiscent of the Phantom's. Although unlike the Phantom, he was wearing some... kind of... dark red ninja outfit?

Sarah really wasn't quite sure. It was partially covered by a jacket that clearly belonged to the Phantom and with the sleeves rolled up multiple times to his elbows. The jacket alone nearly obscured the sword attached to his hip.

...Why the hell did the child have a sword.

She looks between Phantom and the child, at a loss for words. Why-- why did the Phantom have a kid with him, why was the kid wearing a mask like his.

"You have a child with you." Sarah says bluntly, her voice flat. It betrays how shocked she feels. The Phantom doesn't say anything, as she should have expected, but he does nod shortly.

The child bristles slightly, but says nothing. Part of his mouth was uncovered, and she watched it twist downward into a scowl at her. Unlike the Phantom, his eyes were not green. She couldn't see his eyes at all, actually. They were shadowed by the mask.

There's the sound of paper thwipping, and like a magician pulling out a card, the Phantom holds out a note card to her. He stares, expectantly, and Sarah reluctantly takes it.

Written in neat writing and bold sharpie are the words; "This is Wraith."

...And that's it. Sarah glances up at Phantom. Then at the supposed 'Wraith'. Then back at Phantom. "You're bringing a child with you to ghost hunt?" She asks, and okay, maybe she's not able to hide all of the judgement leaking into her voice. "And you gave him a sword?"

The Phantom stares at her blankly, or well, probably blankly. All of his expressions are unreadable with the mask he wears. But the kid, Wraith, bristles again like a stray cat. His scowl deepens, he puffs up, and he opens his mouth like he's about to say something.

...Only for the Phantom to immediately snap his hand out and cover his mouth. Wraith makes an angry sound, and Phantom drags the boy into his side, seemingly nonplussed as he twists his wrist and pulls another note card out of nowhere.

"He is perfectly capable of handling himself." The card reads, and then continues; "I would not have been able to stop him anyways. Wraith would have followed me regardless."

Did he have these prepared?

Best not to question it, Sarah decides. The Phantom has always been strange. So she just nods mutely and stuffs the two notecards into her back pocket. "Okay," she says, and moves around the Phantom. "I'll check you out up front."

[kindred-spirit-93]

THIS IS EPIC: THE ITHACA SAGA

i know we all said wed be crying but i didnt expect to be sobbing into my hot chocolate this early in the morning. (spoilers ahead)

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welcome home odysseus, husband to penelope, father of dear telemachus <3

[xxplastic-cubexx]

dumbass supreme says 'yeah ill play a quick game of rivals before lunch why not' and gets mvp more at 1

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

[feliville]

what do people usually share about their ocs ?? Sometimes there's things I wanna say about mine but yeah I don't know what's worth sharing : -(

[thelilylav]

I’m not saying a lot but I AM saying that John and Sam should’ve been allowed to kiss at least once

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[gossippool]

ok so my house of leaves x saw au. at first i was just thinking about dumping current wade in a fucked up building as a mission-gone-wrong type thing, but now i'm thinking it could be a modified stryker/francis experiment. so origins wade is taken and put in a series of saw traps in a house that does not make any logical sense--since this takes place in the 70s, superpowers of any kind are not that well known, so magic is involved but wade doesn't know it. so there's the psychological aspect of it in the form of the "sentient" house, and the physical torture of the saw traps which i'm thinking would parallel francis's torture methods

eventually logan finds him like he did in origins, but in a different context and after his mutation into deadpool (not weapon xi) has been awakened. then they get together because logan is the only thing keeping wade sane after all of that

[marcmorrigan]

finally delivering on the princess tutu headshots i promised... love these dysfunctional teens 🩰💖💕

LOTS of notes about headcanons/design choices under the cut! like. a lot. dont say i didnt warn you

starting with my specialest guy fakir:

i had a suuuper clear vision for fakir, and i couldnt be happier with how he turned out, he looks exactly how i imagine him! trying to translate his Bird-Shaped Hair into my style gave me SERIOUS homestuck flashbacks. my affinity for knights with Problems knows no bounds...

adding the hyperpigmentation around his eyes and his acne scars is what really solidified this for me-- i put those in and was like oh!!! there you are!!! my boy!!! and you can tell because i gave him acne scars + thick eyebrows that he IS my boy... there are very clear trends among my headcanons for my faves lol. big noses, thick eyebrows, skin imperfections, heavy eyebags, long dark hair... and fakir truly has it all 😤 he is so Ideal Character Design to me

i think fakir is actually pretty self-conscious about his appearance tho! we see characters like pike and lilie say hes handsome to ahiru, but i dont know how often he actually hears that? and im sure its hard not to compare himself to mytho, who is straight out of a fairy tale; being a regular teenager dealing with regular teen body stuff is hard enough without your roommate being a magically beautiful eternally youthful storybook hero. i think he probably internalises more that people see him as scary and angry, and that the girls who do have crushes on him always frame it in contrast to mytho, who is Good and Kind and Handsome, implying (or sometimes outright stating!) that fakir is Bad and Mean and... Well...

fakir is very sensitive but quiet about it, so i think its a very private point of self-consciousness. i think he puts a lot of semi-secret effort into his appearance; canonically he has a lot of very funny and clearly customised clothing, and he chooses to keep his hair long and in a very particular style (i have a whole breakdown in my mind of how he achieves that style and it involves a surprising amount of pins and an unsurprising fuckton of teasing. i think his hair is a little fried from heat damage!), and i think that probably extends to other things, too, like manicuring his eyebrows and doing a lot of very Teenage Skincare that doesnt actually help his acne much lol. i think he probably has a lot of self-injurious habits and BFRBs like skin picking and chewing, mostly at his acne and around his nails (both of which he hates, because he knows he shouldnt but does it anyway). i think if he does it enough that theres noticeable evidence it feels, like, world-ending for him, ESPECIALLY if anyone asks what happened lol. do not perceive him except in the very specific ways and contexts he approves of THANKS

on to the narratives favorite princess, mytho:

again, i had a pretty clear idea of the vibe i wanted mytho to have going into this-- i want him to have, like, extreme prince charming vibes, very Classically Handsome without necessarily being 'conventional.' i thought a lot about 'the happy prince' story while i was working on this, and really wanted him to look like a cross between how the prince statue looks in my head and a porcelain doll. and also a cross between jonny brown and brigitte bardot? lots of very direct influences for him lol. so! lots of gold tones, gemmy eye color, cute little tooth gap, quivering wide-eyed thousand-yard-stare doe eyes and big ol dolly anime lashes, which were the very last thing i added because i was NERVOUS about pulling those off lol. they turned out cute tho! ive only done a handful of pieces for this series and i can already tell princess tutu is gonna make me up my lash drawing game considerably, these kids all look like they blink and cause a hurricane from the gale force wind of their falsies

also wait i lied the very last thing i did was add his freckles/beauty marks because he needed that little extra oomph and those were It. i think he probably has some on his hands/wrists too 💕

i was a little unsure if my idea for his hair would translate with this flat-color approach but im pretty happy with it! its supposed to be afrotextured hair (somewhere between 3b and 4c i think? wide range of potential i knowww but im still kind of hammering out my headcanons okay, this is exploratory lol) thats been rolled and finger-styled into his little feather shapes. i think loose, chunky twists would be another fun way to interpret his hair and twists are one of my fave styles to draw do i might draw him like that at some point too...

i guess fakir is the one who styles his hair for him before mytho gets his heart back? i imagine fakir is pretty meticulous about maintaining mythos health and appearance, even at the worst stages of their relationship. i think itd be hard for fakir to frame the way he treats mytho as For Mythos Sake if he wasnt doing some level of actually beneficial care for him, so being really fastidious about things like mythos diet and sleep hygiene and hair care and such gives fakir an outlet for his 'you just have to do what i tell you' thing that helps him convince himself it really is helping, no really, hes doing this for mythos benefit and he just has to be strict with him because mytho doesnt UNDERSTAND he needs PROTECTING and fakir is the ONLY ONE who can do it so mytho HAS to let him because if he doesnt then why does fakir even EXIST, if he cant manage this then what is he good for, and--

yknow. the usual complexes. and their relationship is so complex!!! but also so simple, but like. in a good way. fakirs behavior is complicated but his motivation regarding mytho is SO straightforward which makes that downward spiral into harm really easy to map out... i wont go much into that in this post since this is about visual/appearance-related headcanons but just. augh. i love this show and i love these characters!!! and i hope its apparent in my work that i do love them so <3

im hoping to do a set of these for the girls next!!! i have some other stuff to finish first but hopefully... Soon... Some Birds...

[salsa-di-pomodoro]

Ok but can we talk about the absolute horror of being watched and monitored 24/7 that the ancients must have had. The citizenship drones being like an Alexa that's constantly following and listening to you (except it's five pebbles and not Alexa lmao). The fucking OVERSEERS. THEY'RE CALLED THAT FOR A REASON. BECAUSE THEY'RE SUPPOSED TO BE WATCHING THEIR CITIZENS AS WELL AS THE ENVIRONMENT ALL THE TIME. (I would talk about the fact that they all show arti fucking ads as well but honestly idk what else to say about that. Capitalism got yet another society 😔). That's some fucking nightmare fuel dystopian society settings we are being hinted at. You know the Big Brother Is Watching You thing. The book. Yeah that's what it reminds me of.

The Iterator Is Watching You.

[smilesrobotlover]

*head in hands* oot link is such a tragic character and it makes me so sad