#neutral themes compilation

[sl33py-g4m3r]

Neutral Compilation - Shin Megami Tensei Series

hope I have not in fact posted these before ~~

why in (censored)’s name would I delete these if I shared them ??

[k4vehrtz]

WHORETICULTURE. various jjk men / sub gn. reader

synopsis. filled with lust for some fucking guy.

who. nanami kento / satoru gojo / toji fushiguro / heian era! sukuna . ✦ . what. one night stand / unprotected sex / mild religious themes/ thigh riding / slut shaming / against a wall / mean dom (or just brat)! satoru / exes with benefits / exhibition / recreational drug use + alcohol consumption ergo dubious consent / oral (r giving) / body betrayal / brat! reader / implied cnc kink + masochism / domination loss / mild degradation + nipple play / double penetration

notes. terms are kept general thus gender neutral reader but it’s entirely up to your interpretation. a mini compilation of thirsts i had while attempting to fight writer’s block and an unforgiving schedule.

⸻ ## I KNEW IT WHEN I. . .

MET HIM !

[ NANAMI KENTO ]

nanami kento was the embodiment of the traditional man in every sense. he was a businessman — clad in a white button–down, black slacks, and a matching tie hanging around his collar. five days a week, monday to friday, nine a.m. to five p.m. a true provider.

that much you can assume from observation alone. he’s not like the usual crowd; the man stands out. so, it’s only natural that you become curious.

“i’m not above sex before marriage,” and when he speaks, he takes his time to carefully enunciate each word with practised precision. something you didn’t know you were attracted to until now, straddling his thighs.

“somethin’ tells me you’re not just a—” he presses a finger to your lips, interjecting, “if you’re suspicious of me we can always stop,” and you quiet down, rocking your hips back and forth as you feel his erection grow beneath your crotch.

the backseat of his car is a tight fit but it makes it all the more intimate. remnants of nicotine on his breath waft across your face, warming your skin.

“the windows are tinted,” he murmurs, tracing the outline of your lips with his thumb, “it’s as private as it’s going to get,” before inserting the aforementioned finger into your mouth.

you smile to the best of your ability, wet muscle swirling around the salty digit as you maintain your grinding. slow and steady, purposeful movements that prompt just the right amount of friction between the two of you.

“isn’t this—” nanami interjects once more (you can barely get a word out), by way of pressing his thumb against your tongue thus causing a copious amount of saliva to cascade down your face. it’s wet and messy and done entirely for his own amusement. “we’re not celibate.”

[ SATORU GOJO ]

“do you��” he pauses mid–sentence, startling blue eyes fixated on his cock sliding in and out of your puffy entrance before continuing, “usually sleep with the stranger that saves you from a creep at the club or am i special?”

if you could’ve, you would’ve rolled your eyes. he’s talkative — too talkative but you find yourself enjoying the sound of his voice anyway. your hole quivers and tightens, gripping him like a vice at the implication that hangs between the two of you.

“i’m not easy ‘toru,” you protest in a weak attempt to sound firm though it leaves your parted lips as a breathy whine instead. and satoru smiles at that, chest rising and falling rapidly as he laughs.

“when did i say you were easy, stupid?” he asks, feigning innocence as he tilts his head to one side, bringing one hand up to your face to pat your cheek.

the action being somewhat degrading in its own sense. but ‘toru — satoru — was just like that. saying one thing and meaning or doing another. you couldn’t wrap your head around him.

and he revels in the fact, his smile continuing to grow; the type that meets his eyes and makes them crinkle ever so slightly.

“you wound me,” he tsks, bringing his lips closer to your ear as your body jolts upwards against the wall in sync with his cock bullying your hole, “all i meant by it was that we just met and look where we are now.”

‘it’s the same thing’ you think, but that’s all it is — a thought. when your lips part, you only vocalize a string of  moans. satoru was a labyrinth and you were lost in him — or rather the pleasure he provides.

“bet you’re already justifying this in your head.”

⸻ ## I LOVED HIM WHEN I. . .

LEFT HIM !

[ TOJI FUSHIGURO ]

“what —” he lifts the shot glass to his parted lips, “are you thinkin’ about?” before swallowing a mouthful of cheap liquor, adam’s apple bobbing in his throat as he does so.

it’s a good question; one you don’t know the answer to, but a good question all the same. you’re thinking about everything and anything while simultaneously not thinking at all — a blunt dangling haphazardly between your lips.

“you want to know what i’m thinkin’ about?” so you answer his question with a question like a smart ass instead, leaning in until you’re nose–to–nose with the man you swore you’d never see again. and he doesn’t hesitate, a half–smile playing on his lips as they ghost yours. they’re warm, lighting a fire beneath the surface of your skin in its wake.

“no, i don’t want to know,” he sing–songs in response, catching you somewhat off guard. what blindsided you though was him lowering the waistband of both his grey sweatpants and his boxers. his cock, exposed to the cool air of the alleyway, standing at full mast—a vein running from the base to the tip.

suddenly your mouth feels dry and your knees feel the slightest bit weaker. it’s muscle memory — or its evil cousin that encourages your body to betray you.

you’re sinking to your knees, blunt discarded somewhere on the concrete (for god’s sake, you don’t care). your lips part, cheeks hollowed and throat relaxed. quiet anticipation coursing through your veins as you feel the weight of his cock in your palms.

“you know what to do,” he rumbles from above you, picking at the beds of his nails. and he’s right, you do know what to do; how he likes it.

you take him into your mouth, dragging your tongue along the outline of his piercing some ways below the head of his cock. and toji lets out a satisfied groan. once, twice, and then a third time before you focus on taking his full length into your mouth inch by inch until he’s hit the back of your throat.

from there, you move your mouth along his length, tracing every inch of it with your tongue — imprinting its shape in your mind all over again. it’s more like refreshing an old memory rather than creating a new one.

“knew you’d—” he clenches his jaw, cock throbbing in your mouth as saliva mixed with his pre–cum slips past your lips stretched to capacity around him, “come back t’me.”

 [ HEIAN ERA! SUKUNA ]

“i’m—” your breath hitches, catching in your throat in sync with the rise of your shoulders, “many things my lord, but sorry isn’t one of them,” as your hips stutter.

momentarily. one hundred and twenty seconds.

it takes sukuna less than thirty seconds to capitalize on your fault. two hands wrap around your hips, nails pressed into the tender skin forming crescent-shaped indents. you’re forced to move to his rhythm now; cruel and unforgiving.

“should’ve focused on what’s important little one,” he clicks his tongue in feigned disappointment. he’s far from disappointed though, his cocks — both of them — buried to the hilt throb inside of you. and an onslaught of tears blur your vision; your mind is clouded by a myriad of sensations.

you’re somewhere between excruciating pain and unbelievable feats of pleasure.

“this isn’t—” you try, albeit with great difficulty as your words come in between gasps. but sukuna interjects, the corners of his lips curling upwards: “fair? stupid, this game of ours was never meant to be but you know that already.”

two more hands make contact with your skin after that exchange; two fingers on one hand pinching your nipple whereas the other holds your face in place so that you maintain eye contact with him.

and sukuna rolls his eyes as soon as your gazes meet though it’s a somewhat playful gesture. something most would find difficult to picture. but not you — never you.

“stop pretending to be a damsel in distress i’m not a—” he pauses mid–sentence, smile growing as he thrusts his hips, “well, i’m not that kind of monster,” the sound of his skin colliding with yours echoing throughout the room.

you whimper, staring at him through half–lidded eyes and a curtain of lashes wet with unshed tears: “i like what i like.”

 © k4vehrtz — all rights reserved. do not, under any circumstances, plagiarize / repost / translate my work.

[suenitos]

I need someone to explain the !cdnf lore to me 😔

oh my godddddd how do i even go about this... so much of this is like you had to be there but i'll try my best ok. here are some things that helped me tremendously while writing:

cdnf manifesto (pretty much all cdnf moments compiled into one document with streams attached)

some cdnf moments

cdnf is an interesting case because it kinda emerged a little bit before the time the separation between Lore (plot) and Real Life officially happened (in my opinion this is when dream put out the please use c! to refer to our characters tweet) where a lot of the fandom attitude towards rpf was still being kinda weirded out by it, so a lot of people were drawing dnf "as a dare"/"because i lost a bet" and infamously "only shipping the minecraft skins" slash characters. previous to this/around the time of fundy's wedding video there was no real culture surrounding shipping most characters in a serious immersive way according to the story really up until the election and around the november 16 event. everything earlier than the explicitly described roleplay is kinda shaky at best in being considered canon, except for the kingdom line where cdream tells cgeorge that he will be the next king once they take back the land from lmanburg. theres also someee moments where theyre protective of each other during this war as cgeorge had always been on the side of the americans, kinda like irl which is a common theme in why a lot of people find this relationship fascinating. like. the rituals. we were still in dreams "straight" arc mind you.

a lot of the canon relationship relies mostly on the protective knight and king dynamic around late 2020 in which cdream crowns cgeorge king after he deems him more neutral to every conflict going on in canon over ceret, because of the running joke that irl george slept through every major event and he was building a mushroom house during the november 16 event. the big thing to remember about george is he wasnt super into the rp as much as dream was and we didnt see a ton of designated lore streams from him as a result, leading him to incorporate his sleepy/inactive nature as part of his character to sort of "excuse" him from a lot of the plot and from interacting with other characters. this was later though, but during the time of king/knight cdream was shown to be very protective of cgeorge and doing things like buying him flowers in secret (this was before fundy wedding was retconned but i still consider this one canon), stealing back his fish beckerson from cquackity i believe, and going to war against lmanburg and building obsidian walls surrounding the place AND exiling ctommy BECAUSE ctommy and co burned down cgeorge's house he built before becoming king. at the time people did read that as cdream using cgeorge as an excuse to do build walls and enact exile but i like to read it romantically i think thats more fun.

but as the person who created the server along with dream he was bound to have one of the most important relationships to him no matter what. after a while though, cdream dethroned cgeorge to re-crown ceret as cgeorge was starting to align himself with cquackity, csapnap, and ckarl in making a new independent nation that wasnt lmanburg, dsmp, or the badlands named el rapids (making him no longer the most neutral of the server) and this is the moment cdnf (and cdteam really) kinda split up for good in a way. do remember the reason this even happened is ALLEGEDLY because george irl wasnt super into the lore and dream gave him an out through lore, yet he underestimated the DRAMAAAA george would give as his character which led to a way more compelling story/narrative surrounding dethronement as cdream's complete betrayal of both cgeorge and csapnap to focus on other matters like ctommy or whatever. sadly, no more cdnf proper after this that doesnt come in the form of crumbs/mentions from other characters (such as two times csapnap confronting cdream and mentioning george to which cdream has very Normal responses) or dreams that dubiously affect real life (in canon) but cdream does what he does and cgeorge moves to kinoko kingdom with csapnap and ckarl. but honestly i think the most tragic part of dethronement was probably the fact it was on quackity's stream tbh 😒

the first time dreamxd showed up on the server was during george's tiktok banned me stream due to the fact cdream was in prison canonically but dream still wanted to play with george on the server on the rare occasion he got on, and this was the only stream that featured dream voicing dreamxd without filters, because it was a semi rushed decision. this stream could technically be considered the first cgeorge dream presented to us, but the concept that george's lore streams were dreams came one stream later featuring cniki and cbad as well. anyway this stream is kinda technically not canon because dnf and quackity were rping george getting banned from tiktok so its very much Not lore in that sense but it again featured a lot of dream being protective of george, "betraying" him and groveling and george acting sad and crying irl on command. rituals. ONE MORE THING TO ADD ABOUT THE PRISON THAT IS VERY IMPORTANT: cdream is captured and put into prison before this stream as previously said, but almost EVERY SINGLE character is there to watch EXCEPT cgeorge. meaning, he may have been in deep sleep at this point. HOWEVER, he never visits the prison ONCE in canon. more on this later.

anyway the next stream features some interesting implications about cdream and dreamxd's connection like are they two separate entities? are they split from a singular entity? can cdream take over dreamxd's body temporarily or is it dreamxd mimicing his voice and body (dream was using the same skin for both). also, dreamxd had access to creative mode which led many to characterize him as a god of the server and dream incorporated that into his character as a result, but also that he's a massive fucking simp for cgeorge in giving him items he asks for which again. rituals. this is the stream where cgeorge and dreamxd become friends forever as well.

but before explaining the last lore stream george ever did and also some stuff that happened after on cdream's side, there are also things to address regarding symbols and things that just made cdnf's relationship a lot closer than the others. for example, the wooden pickaxes they left in the nether near the beginning of the server's birth that philza eventually found and eret put in a museum. another is their literal child nugget (this one is a stretch tbh but it makes me smile) a chicken that george had in dream's room during the construction of the community house before a sewer ran through it :/ this one is purely me in that i also consider tnt to be a symbol of both cdnf in that cdream uses it a lot and cgeorge uses it to blow up the world in his last stream, and they both use it to blow up cquackity's las nevadas sign both in the dream and in canon. but the most important one of all is The Shield.

this damn. motherfucking shield. with a blue field masoned banner. was somehow the longest running symbol surrounding cdnf. i have gone to bed sick over this shield. a brief timeline about it: the first time we saw it was when cdream had it equipped during the obsidian lmanburg wall incident and cgeorge famously saying "im not going to be hurt if dream's next to me". cdream doesnt show up again with it to my knowledge but CGEORGE has it during the lil nas x stream (cdream in prison) during which he gets killed and lil nas x briefly equips it before karl gets it back to george near the end/after the stream. we never saw cdream give him this shield, it's kinda maybe implied that he gave it based on the fact its the same design?? who knows. later, the shield gets stolen by sapnap during another dream (this was during george's first year anniversary stream) featuring dream! where he dreams that cdream left prison and joined cgeorge csapnap cbad and ckarl on a tour of the server and kinoko. karl steals it back from csapnap during sapnap's stream with drista in secret, and manages to get it BACK to george MANY MONTHS LATER after an mcc and time travel shenanigans without sapnap knowing. george is GENUINELY happy about this damn shield and puts it in his enderchest, nearly freaking out when cpunz kills him and he thinks he lost it. super normal behavior. anyway. interlude over back to the last stream.

cgeorge's i blew up the dream smp deserved an oscar. seriously. masterclass in acting and streaming. the key point to remember from earlier here is cgeorge had NEVER visited the prison, but a specific moment from quackity's forming las nevadas stream revealed him standing outside the prison, looking inside, before cquackity got his attention, so he was clearly thinking about visiting, yet never had the courage or will to see him again. anyway this stream's inciting incident is cgeorge noticing no one is on the server and encounters cdream LEAVING the prison. they have a confrontation in which cdream asks cgeorge to join him or else he destroys kinoko. he kills cgeorge. after beating ctechno And cdream, cgeorge goes on a destruction spree and also kills cquackity ckarl and ccallahan before finally killing god aka dreamxd, his last link to cdream/humanity. that sequence where he fights him is oddly flirty. anyway he then goes on to go to the End and almost kills the dragon to rule over a world of nothing except.. it was all a dream. cgeorge ends the stream furious. this is the last we ever see of cgeorge.

meanwhile cdream gets taunted of cgeorge on various occasions: with csapnap, with cbad, and at the end with ctommy. one of the signs he has listing his plans has the name george on it, discovered by ctommy and ctubbo before they go defeat him. during the finale, ctommy goes into limbo and sees/hears cdnf during dream's FIRST dsmp stream before he abandoned showing his pov and convinces cdream destroying the world isnt the way before everyone blows up from the nuke L. thats the end of canon before "season 2" which. lets not get into that but them also dying to the dragon when the official end to the dsmp stream happened was really cute :( and its very poetic to note that irl dnf started this insaneeee phenomenon an ocean away and ended it all together in the same house in LA :(

last notes: dream fucking ADORED this ship so much that when he held a fanfic contest (dnf barely being accepted by the mods but allowing lore fics) he chose a cgeorge-centric cdnf fic as the winner. he liked so much fanart of it, and he particularly liked dreamxd and cgeorge fanart. he also accidentally revealed two google searches during one of his geoguessr streams which were "georgenotfound dream smp wiki" and "georgenotfound dream SMP king short story wattpad". okay man. protip ao3 is better for inspiration but whatever. but lets also not discount george here as he was also a freak and liked the famouss king/knight fanart of their characters near kissing and replied "hot" before people really took the concept of cdnf or any shipping super seriously. now, you can debate whether he meant that seriously or as a joke, but based on his streams if you were to find anything to ship, you seriously could not do that with anyone other than dream in either his cdream or dreamxd form unless you were looking to break up ckarlnapity in some way but those ships were less popular, probably because of irl dnf's real life chemistry. cdream is another story but thats not the focus here, though i wont deny there isnt grounding for a lot of other popular cdream ships, which is fine.

over time, dnf became incredibly close as friends and as a duo, and in terms of fandom developments, over the course of 2021 leading into 2022, shipping dnf as real people and not the pseudo heatwaves/accelerate/minecraft skins image of them became much more popularized. as dnf grew closer they did less streams in lore and their real life dynamic became a lot more interesting the closer the face reveal became. but in a way, in my opinion, the lore streams were a way for dnf in particular to sort of deal with their situation due to covid and dream's inability to go outside and do shit, in a sense the prison arc kinda symbolizes dream's irl situation though thats likely not the case. but a lot of their dynamic shone through in their characters via dream being very protective of george and george caring about him in his own way/being kinda obsessed with him in general.

overall, i think the best part of this ship is just how founded on delusion, crumbs, and denial from the fans it was yet how surprisingly supported it was by dnf themselves over time as the server became super mega BONKERS insanely popular??? like it is genuinely one of the only actual canon slash r ships in the story, moreso implied than anything else but holding much more water than something like ckarlnapity in the end which is CRAZY. the imagery and inspiration that came out of the ship was incredible and yet its still a very tragic story in canon that doesnt actually truly get resolved (i like to imagine season 2 fixed this). however in the end, although cdnf didnt get a happy ending, irl dnf did, in meeting/living with each other and officially shedding off this wild part of their life and career as characters in a story coping with their real life circumstances, to living life to the fullest physically together and happy. :)

[lintubintu]

Kot Kot Review

I like Kot Kot a lot.

Despite the almost harsh difference between the intro and how the song progresses, it´s not too out there.

The music seems chaotic and structured, is melodic, nostalgic and two-faced more out of necessity than provocation, and it´s ongoing. It spirals.

There is a lovely moodiness to it that seems mature and balanced, deliberately using the intro as a bridge again and repurposing the funky "kot kot" into something that softens into the lighter part of the song. The change of pace is noticeable but not alarming and almost hopeful.

Kot Kot is not a big song nor does it exist to troll. It enjoys being silly with the chicken theme and builds a narrative that can be purposely misunderstood by people who don´t like him.

During my first listen I was a little confused but intrigued by the seemingly contradicting parts that adapt well by the second listen. Pop and Rap evolve from clashing into shaking hands.

It feels a bit like a song nobody would put on an album anymore because it is deemed barely good enough to keep up with its fellow, more popular tunes. It stands on its own where others see a filler track.

Overall, it makes me have more hope for the album now; for it to be an album and not just a compilation of Singles.

I wouldn´t be surprised if this song was the opening number, nor would I be shocked to not find an Intro at all – Kot Kot is an introduction in itself.

From what I understand of the lyrics, it also is the first song of his that makes me want to know more about him as a lyricist.

To start the song of with MAYDAY is a deliberate choice because the song is not what it seems.

It´s soft spoken and not a shrill cry for help but knows of something that already affects the narrator enough that reaching out soon is imminent. It´s a literal stress signal.

The teaser made me think the protagonist in this song was simply sick of being treated like someone doomed to continue staging a party for others.

Relying on translations and interpretations of this song, the protagonist seems to realise that their lifestyle will rather leave them with very little time spent having fun with friends – because even the party-goers have gone to bed earlier than them.

Those that tried to keep up with them may have lost their step and had to give in to their own different schedules, or are worse off for keeping them company. So their company diminishes further.

There might be little life beyond the lifestyle, the sobering thought that solitude is too close within reach for comfort – the time left after work cannot always be shared nor of quality due to their schedule.

A double blow. Real life and bonding has to be spent in time confetti. Throughout it all, the silliness persists.

Rather laughable is the Explicit rating of this song. Was it the Perhana!?

The ending is a jumpscare, them finally being silly, breaking the cycle. But at the same time, it´s a rooster greeting the morning – the protagonist worked the night away.

For a moment, you are relieved the song is over. And then you play it again.

I would love for the upcoming album to be a concept album.

This song seems to divide people in a different way than songs before it did.

Some of you seem puzzled, others more neutral than hateful, none of the dislike so far is really loud.

The timing might be a bit unfortunate – song releases at this hour have the same problems as the protagonist in Kot Kot.

And even if you really don´t like this song, I fell that there will be something on the album that you will like.

It´s ok to not like things and it doesn´t have to be justified.

Still, I am interested to hear what you don´t like about this song because I think it makes for a worthwhile conversation and I like interacting with you.

Let´s do that while we have the time.

[knnangll]

A GUIDE TO FALL- part 1

Long awaited! So let’s get right into it.

Fall is about coziness, ultimate chicness, and to me a wonderful chance for your yearly rebirth. And yes, fashion absolutely does all of that for you.

The Basics of Fall Fashion

I’ve compiled a few pieces that I find to be a staple, the photos are not every single thing, but just a few to start you off. Quality is the ultimate theme for fall. You want the absolute best essence in curated looks. You don’t have to be in the most intricate designs or what not to be considered well-dressed, you just need good pieces that are well fitting. How things fit your body essentially enhance your life and give off a wonderful impression and enhances how you present yourself in the world.

Some of the basics I’ve included our long sleeve T-shirts that are relatively fitted, staple pairs of jeans in multiple washes, trousers that can be worn pretty much at any time, depending on how you want to style them, a couple of jackets that again can be dressed up or down and things that you will find yourself confidently reaching for all fall and parts of winter.

What you see in the collages are kind of your basic every day, quick dinner, quick outing type of pieces. We will get more into the elegant nature of fall fashion in PART 2, but this is what most people in their 20s are going to be reaching for. it’s essentially the “cool girl, it girl” capsule that I’ve sort of made right above.

When it comes to your denim, do not play around. Get yourself some 100% cotton denim that is going to be rigid and ultimately start molding to your body. I personally recommend vintage Levi jeans. I like to get mine and them from ShopAliGrace and AVintageFit. you don’t want your jeans to be too baggy, but you also don’t want them to be too fitted and give a little bit of that skinny straight situation. A really good dad Jean or boyfriend Jean is what you want to go for. I say those types because they look the best with sneakers, boots, as well as heels. they are easily dressed up or dressed down. You’ve probably heard the phrase “jeans and a nice top”- those are the jeans. when you have a solid curation of quality denim, your outfit building becomes so much easier.

your basic tops that you will wear casually or for nice dinners with your friends, those are gonna come from SKIMS, Ralph Lauren, or Aritzia. I love all for different reasons. I find skim to be a little bit more on the casual every day side where a lot of the Aritzia basic lines have a bit better durability with their fabric and give a little bit more of a polished look than Skims will. in my opinion, I do not think the fits everybody T-shirts are worth it. I find the fabric to be pretty thin and you have to have the most perfect bra in the world for it to be seamless. So I would opt for the smoothing line and the cotton line if you’re going to buy SKIMS. For Aritzia, you can go either way their cotton or thicker fabric lines are absolutely perfect and none of them are see-through.

Trousers – 100% head to Aritzia. You don’t need to look anywhere else you can also kind of look at more tailored places, but I absolutely prefer Aritzia trousers. I find them to be extremely flattering and extremely comfortable at that. I would recommend the limitless pants or the effortless pants and all of the neutral and basic colors. These pants are great if you work in the corporate world, if you’re going to a little bit more of a conservative dinner, or if you like the streetwear look with trousers, you can absolutely do that with these pants as well.

FALLS SECOND COMPONENT- PREP

I find the best fall outfit has a bit of a preppy/Ivy based look to it. You’ll see this with pleats, many skirts, sweaters, and layering coats. Excellent places for pieces of that nature would be J.Crew, Ralph, Lauren, Aritzia, Meshki, REVOLVE, Zara. There are plenty of other places, but I felt like those are the staples that are a bit more on the affordable side.

The semi-preppy look is one of my favorites because it commands control and really shows a regalness and polished look. Having this type of look to you can 100% create opportunities and open doors for you. Never in your life listen to people when they say life is not a fashion show, it quite literally is. a lot of people if they play their cards right get places because they look good. Not only is it statement for you as a person, but it commands you socially. You can tell a lot about a person based on the way that they dress, not always but it’s a general rule of them.

now, if you’ve been following me for a while, you know I love to wear black. It is my default color to select in all things. But the fall is home to some of the most beautiful deep colors that can be easily incorporated into a sleek outfit as a statement. The colors I’ve selected are just my personal preference and what I feel truly embodies the sleek yet cozy essence of fall. An example of how I might use one of these colors- let’s say the mulberry color, would be a long line coat to layer over sleek black based outfit letting the jacket be the attention grabber while still not being distastefully over the top.

WHAT YOU WANT

sleek tops and bodysuits in neutral and deep accent color as well

Trousers, various fabrics of pants, and of course, jeans in various washes

Vintage and bomber style, leather jackets, cashmere sweaters are a must, long line suit coats, a leather, long, long jacket

Date night, girls night, dinner night dresses it could be mini midi or Maxi. Again, really look at the richness of fall colors and don’t be afraid of too much black there’s no such thing.

Black boots, Brown boots, some accent color boots, such as a deep reds that will serve as a peekaboo moment of an outfit not the center.

A bit of a modern touch- go ahead and get yourself some Doc Martens. Thank me later. they are the cutest and spunkiest thing that you can throw with a casual outfit.

In terms of your sneakers, the girls are wearing the Dad sneakers. Throw away your dunks, throw away your Jordans, and throw away your sambas. Get yourself some neutral, shiny asics, Nikes. Anything you think that your dad will like, go ahead and buy those.

More in part 2!

^not proofread :)

[vasito-de-leche]

;R1999 FORGET ME NOT - General Headcanons

Compilation of headcanons and analysis on Forget Me Not as a character and other related things.

this post was brought to you by me, procrastinating on the second part of the Cover analysis and those yandere Pavia headcanons, and ALSO because mister lawrence cavendish jr is the second target for my brainrot

warning for suicide and self-harm themes!

On the subject of Forget Me Not's name and past.

It's Lawrence Cavendish Jr. Forget Me Not's real name is confirmed to be just that, as seen in this specific excerpt:

"Cavendish Jr, who was still alive and once sat in front of you [...]" which alludes to the dinner Vertin had at the Walden with Druvis III and Forget Me Not, and "'Forget Me Not', what a hilarious, stupid name". I only included this because I've seen people wonder about it.

What I mean to tackle in this point is the relationship between Forget Me Not, his origins and his current chosen name. Despite his calm and collected appearance, it becomes clear that Forget Me Not is one hair away from becoming entirely deranged, especially when confronted with the possibility of getting revenge. But why is Forget Me Not so focused on revenge specifically?

His backstory is not as openly laid out for us to read, but we can gleam some bits and pieces from all the documents and dialogue he has. To understand Forget Me Not, we also need to look at Druvis III.

All throughout chapter 02, we see parallels and connections being drawn between Forget Me Not and Druvis III - both of them appear to be extremely aloof, cold and collected, only to be revealed to be very emotional deep down, for better and for worse. Druvis III is initially defined by the neutrality and inertia that comes with being stuck in the past, while Forget Me Not is initially defined by the neutrality of the Walden and his ties with Manus Vindictae, an organization that rejects the future.

Druvis III is a disgraced, fallen noble whose life wasn't ruined by the fire that took her family, but the perception the world had of her, an image they forced onto her due to their hatred towards arcanists. And Forget Me Not has a family surname "buried in the dust, shot dead in history". A disgraced, fallen noble implied to have struggled with poverty, battling hunger and suicide countless of times. In the "··· Formula: 1920s" document, we can see a few pieces from various people and their opinions on Forget Me Not from the Big Mouth Bulletin. 3 out of 4 want him dead or think of him as a monster - entirely because of his existence as an arcanist.

The similarities are obvious. Hell, both share the theme of flora and plants, too. There is an even more subtle dynamic here too, alluding to the game's prominent religious imagery - Vertin's suitcase being compared to an ark that will brave the "Storm", the last supper moment, Arcana's offering, the orange, being a replacement for the apple of Eden...

And then, Forget Me Not association with snakes, rumoured to have a body covered in scales, with an arcanum skill that allows people to indulge in alcohol during the Prohibition Era - the snake that tempted Adam and Eve. Druvis III is associated with forests, trees, as well as a link between Vertin (the good guys) and Manus Vindictae (the bad guys) - the Tree of Knowledge of Good and Evil. The two go hand in hand and are linked together.

The big difference between them is that their respective quests to set things "right" are entirely different - their "revenge" is not the same. Druvis III was hellbent on finding out who set the fire that killed her family, not because she wanted them to face the consequences, but because in doing so, people would finally leave her alone and let her mourn. She could finally move on from something that she knew the truth of. Forget Me Not does it to feel satisfied with himself and get back at everyone who ever looked down on him or wronged him. To inflict as much as pain unto others as he had received before. It's a powerplay fantasy in which he finally wins, against all odds.

It's unclear what truly happened to the Cavendish that caused Forget Me Not to end up in such conditions, to the point where he'd go as far as make sure no one can trace him back to his family, to the point where not even the Foundation has a proper report on him.

But there is one line in particular that lives rent free in my head when it comes to the Cavendish and Forget Me Not's potential relationship with them.

This takes place after Druvis III loses her forest, after she loses her eternal branch because of Vertin's intervention during their dinner. They're talking about how to use her forest to build a refugee camp.

There's the possibility that Forget Me Not is simply alluding to that forest - something that used to belong to her is now something that he should have for the sake of Manus Vindictae's goals.

But! Indulge me for a second! There's a noticeable pause, there's a subtle tone to his voice. Reverse 1999's writing might be confusing at times due to the translation, but it's easy to see that it's loaded with metaphors, hidden meanings and so much more, to the point where reading deeply into everything most characters' say is pretty much the norm.

The dialogue that precedes that specific line is Forget Me Not insisting that he can transfer the ownership of the woods over to Druvis III anytime, because she has always been and will always be the only owner, no matter what. He does this to convince her to go through with Manus' plans, that's his main goal, he doesn't care about the woods. But that single line pictured above? It could mean so much more.

Again, the two share many, many similarities. So when Forget Me Not talks about what Druvis III once had - a prestigious family business, a name people can recognize, an assured future - is what he should have, it evokes a sense of entitlement and lingering resentment. Almost as if Forget Me Not's desire to go back to the past doesn't stem from nostalgia like her, but to reclaim something that was denied to him.

Which is incredibly ironic to me because both of them carried their family in their names - Druvis THE THIRD. Lawrence Cavendish JUNIOR. And yet, the one that worked so hard to obscure his origins and changed his family name was him.

Neither of these characters can be recognized nor traced back to their families by appearance alone - people need a name or a really good memory to truly recognize them. The only one with enough courage to continue carrying such burden is Druvis III. Forget Me Not wants something that he willingy lost the right to the moment he allowed Lawrence Cavendish Jr. to die and fade into obscurity.

The name "Forget Me Not" begins to sound more ironic. Like an order, a threat or the promise of his return - his desire for revenge and his hypocrisy become clear once you begin to dissect his character. Like the narrator in the "To Lawrence Cavendish" document says: "He is patiently waiting... to put his meanness, craziness and quivers under the sun". He's waiting to reveal himself.

The "stage" is shown when he makes people explode from inside out, a lot of people who recognized him as Forget Me Not, the mixologist. This is when we finally see his true intentions and the main difference between him and Druvis III, all in their respective reactions to the journalists.

She's terrified, thinking about the day of her family's funeral. On the other hand, he's ordering them to watch and record as he "takes everything he has been deprived of".

This is why the thing that breaks Forget Me Not is hearing that Druvis III does not care about the man who started the fire, that it's not important anymore. He believed them to be on the same page, that she would love to torture the single person responsible for all of her grief. The guy is projecting heavily onto Druvis III.

In the end, I don't know if Forget Me Not resents his father, his family name, if he had some sort of business to inherit and a "future" that was taken from him, or if they actually might've been a happy family.

What I do know is that Forget Me Not's desire for revenge was absolutely amplified and fueled by Manus Vindictae's own agenda. And that's why he works perfectly as both a victim of their MO and a willing member within their ranks.

He clings so hard to the past because there is no future worth fighting for, because everything would be much better if it was rebuilt from scratch with only those that won't oppose him and repeat history. He clings so hard that his new name and identity are, in the end, a plea for the world not to forget who he used to be and, at worst, an order because he sure as hell hasn't forgotten all the things others have done or said Back when Lawrence Cavendish Jr was around. Once his family outlived their usefulness or relevance within society.

TLDR: THIS is the cold-blooded, numb murderer who is actually very sad, empty and broken deep inside that some people wanted Pavia to be. Like, he's even sopping wet and sad and asking Vertin to kill him next time they meet.

Which leads us to my next point!

On the subject of Forget Me Not's self-destructive and suicidal mindset.

We've talked about Forget Me Not's views and relationship with the Cavendish - but what exactly is the end goal? He feels entitled to a better life, one he was supposed to have, and then what?

The "???" narrator mentions a woman who made a promise to Forget Me Not, as well as leaving a "sarcoma" behind which he then adapted and turned into his own. This woman is implied to be Arcana, as we see her talk to Vertin about being able to see the truth, to not be blinded - there's an emphasis in the way she recruits people by opening their eyes to reality. The sarcoma is the city (apparently "Windy City" is used to refer to Chicago, I had to google that but hey, that's pretty neat!). It's the world he lives in and that wants him gone. She focused Forget Me Not's grief towards it because in doing so, it would help Manus Vindictae's ideals of a world exclusively for pureblooded arcanists.

And even so, he remained suicidal. There was at least one more attempt at taking his own life, and that's when he saw "what had been on his mind". Whatever that might've been, no doubt influenced by Arcana and his situation, is what pushed Forget Me Not to "allow himself to revenge, revenge, re-re-re-revenge, and to die".

Ultimately, Forget Me Not's goal is to die at the end of it all - even after he gets his revenge, earns the life he wanted, takes back everything that was meant for him. This is why, after he's fully defeated, his last words to Vertin are to show no mercy next time they meet. To kill him.

This is not only a long and convoluted plan of revenge, it's Forget Me Not willingly marching into his own demise. And just like before, he's not strong enough to pull the trigger himself. Now that he has no solid argument to justify his anger - all because Druvis III has shown him that people can, in fact, move on - his only option is to have someone else end his life. He's shown tired, and the phrase "Don't save it no more" might indicate that even if there was someone who could repeat what Arcana did to him - give him a sense of purpose and a target for his grief - he simply doesn't have the energy for that.

Forget Me Not's self-destructive tendencies can also be seen in other ways. His job at The Walden is to cater to all the people who shunned him - he welcomes everyone and anyone for the sake of creating a network of secrets, he attends fancy parties and events full of those who call him a drug dealer, Satan's spawn and so much more. And he pretends to be someone else entirely while wishing for others to remember him. He willingly surrounds himself with all the things that hurt him.

His arcanum being related to alcohol is rather poetic to me - since Forget Me Not is said to have spiraled into decadence and into this extreme mindset, it makes sense that his main skill is related to being intoxicated and to drown into something that is largely hated but at the same time, desired and coveted. The Prohibition Era does have a very similar mentality to religion, namely western ideologies - you're meant to openly reject and loathe something, but the constant repression causes you to yearn for it instead. And at some point, this repression can become an addiction in itself, leading some to indulge in it. This loops back to Forget Me Not's association with the snake in the Garden of Eden.

It makes sense to me that he indulges in something so painful, while cohercing others into indulging in forbidden alcohol. That he later uses this very same arcane skill to kill all those people who, in his eyes, represent everything he loathes about the current state of the world. It's like a sarcoma that he now leaves behind, that kills from inside out.

And this is the last time I'll bring up Druvis III in a Forget Me Not post, but notice their choice of flower/plant? She has a mistletoe bouquet - a parasitic and toxic plant which represents positive things such as fertility, life and protection in many different cultures. Forget Me Not has black roses, roses being immediately recognized as one of the most beautiful flowers but, in this context, symbolizing things such as death and rebirth, remembrance, mourning. Their duality, contrast and the "two-faced" aspect is prominent there. And not to get very deep about character design, but Druvis III holds the bouquet very carefully and carries it around with her willingly, whereas the black roses that Forget Me Not wears wrap around his neck not unlike a noose.

To really drive home how Forget Me Not sees himself, here's the description they gave him for his boss fight.

They boil down his character perfectly, to all the little traits that make up his whole emotional baggage.

And to also put more emphasis on how Forget Me Not truly doesn't expect to live and "win" at the end of this whole revenge trip, here's his ultimate - "Heavengazing from Hell". He's fully aware that he's going to be destroyed by his own actions and that the only thing left for him will be to look up at heaven from hell. That all the good things will forever be out of his reach.

Now, onto proper headcanon territory, since I'm running out of media to analyze!

On the subject of Forget Me Not's scales.

As established before, Forget Me Not is associated with snakes - one of the segments from the Big Mouth Bulletin comments on this. "[...] he had scales under those long sleeves, one next to another embedded in his flesh."

And this can actually be seen on his in-game sprite! It's very faint, but there's absolutely some sort of texture peeking out from under his collar and sleeves that resemble scales. They can also be seen on the trailer animations. The only time these scales don't appear or peek out from his clothes are in The Walden illustration, with the other members of Manus Vindictae, but that can easily be explained as him covering up properly and the angle he's drawn in.

Originally I thought that they could be burn scars, as it would mean a stronger connection between him and Druvis III. But upon closer inspection, they don't look like burn scars at all.

I like to headcanon that it's a side-effect from his own arcanum, similar to how Rabies is implied to look like a scarecrow because of his involvement treating rabies. Being something "self-inflicted" - in the sense of him having the choice to stop and heal, but refuses to - also lines up with Forget Me Not's suicidal tendencies, the whole sarcoma metaphor and the fact that by carrying on like this, he's doing nothing but destroy himself and add to his suffering.

As for how far the scales have extended, I don't have a set favorite idea! Part of me really would love it if the scales coiled around his body like actual snakes, but also the idea of him having different patches of scales scattered throughout (again, like a sarcoma) and the third secret option of him being MOSTLY covered in them to the point where it becomes grotesque, something that he can't even look at.

They're not just a tattoo or pattern embedded onto his skin either - they're actual scales, cold and rough to the touch. The areas affected by this have grown numb, making it hard for Forget Me Not to feel any warmth or pressure applied onto them. This adds to that otherworldly and sinister vibe he's got going on, even if the lack of proper tactile sense irritates him. It's extremely uncomfortable if they're brushed or rubbed in the wrong direction, however!

Sometimes, Forget Me Not might pick at the scales, as if deciding whether he loves or hates them. In particularly bad days, he picks them out. I like the idea that, once picked, the scales grow faster and stronger, as well as in broader areas, making it a perpetual loop of picking them off from his skin.

Overall, it would be extremely easy to conceal them - he only needs a shirt with a higher collar and gloves or some make-up, but I like to think that Forget Me Not loves the idea of someone catching a glimpse of them, a reminder that he's dangerous and so much more than meets the eye.

As much as he he's been affected by the stigma against arcanists, he now thrives in their hatred for him and his existence - sneaking into places he knows he's not welcome is addictive, especially knowing everyone tolerates him because he's their only access to alcohol. The way everyone will turn around and talk shit about him once they're out of The Walden is fun, because it reinforces his views on why this current era deserves to be rebuilt from the ground up.

Forget Me Not has extremely poor eyesight.

I know the glasses look thin and pretty standard, but I just like to think that Forget Me Not can't see shit without them.

He has this habit of taking them off to "clean" them whenever he's talking with those he loathes - mostly humans - just so he doesn't have to look at them directly. Sometimes, he might just close his eyes and dissociate, pretending to pay attention if the situation calls for it. Yes, he's petty and hateful enough to feel physically sick when talking to people he hates.

If you pay enough attention, it becomes clear that eye contact becomes scarce, as if just looking at them will send him into a fit of rage (but he conceals it extremely well when needed).

Forget Me Not's poor eyesight is not a secret, and he often likes to make patrons nervous by making their drinks without his glasses - of course, he knows his way around drinks and potions, there's no chance of him messing up, he could do this with his eyes closed. But seeing customers squirm is such a delight. Because now, they must choose between making a scene in HIS territory or risk being poisoned with a poorly-made drink.

I like to think that he also just has a very fine ear, since he does play instruments (all of his attacks being related to music and him using a piano as his wand during the boss fight). So really, Forget Me Not couldn't care less about his eyesight.

Forget Me Not enjoys floral arrangement.

This is just based on his association with the actual forget me not flower. I think he enjoys creating bouquets or putting up vases full of flowers around his home, even if all of them may end up creating a very gloomy and decadent atmospere - they're perfect for funerals, and he simply may be preparing for his own.

And he leaves them out on display long after they've wilted. "They're more beautiful this way", he'd say.

It's not rare to find Forget Me Not on rainy afternoons with a pair of scissors on hand, absentmindedly cutting every leaf and petal off from all these roses, as if he had a personal vendetta against their colorful hues. Sometimes, he just twirls the stem around, pressing hard on the thorns to feel anything while he looks out the window. He's so very fucking dramatic and volatile.

Basically, I like to picture Forget Me Not as the type of person who has dedicated so much time into something as empty as revenge, that he absolutely has no idea what to do outside of that.

Everything he does is just a way to pass the time until he can go back to dedicate every waking second of his life into his and Manus Vindictae's plans, every "little pleasure" is just a façade, he doesn't get any real enjoyment from anything. Sometime he worries that revenge won't help him climb out of this apathetic life he's built for himself, but he can't afford to dwell too much on that possibility. Everything that he does is muscle memory, he's forcing himself to try and do it, because otherwise he could simply sit still in an empty room for hours on end, with the lights turned off, waiting and waiting - all alone with his thoughts.

[nabicube]

Beginning of the Happy Ending: Prologue

Masterlist ◈ Pairings: ot8 x gender neutral atiny reader (lmk if sth isn't gn) ◈ Genre: non-romantic idol au, angst, fantasy (?), all ages (correct me if I’m wrong) ◈ Summary: In the depths of despair, your world feels like it’s crumbling around you—nothing seems to go right. The only source of light in your life, Ateez, is dimmed when your bias, San, suffers a life-threatening accident on stage. Just when it feels like there’s no reason to keep going, an otherworldly being appears with a chilling message: you have only 100 days left to live. But there’s a choice—if you wish hard enough, you can switch places with San and save him from his fate. The decision is yours, but time is running out. ◈ Warnings: Themes of depression and despair, mentions of suicidal thoughts, dysfunctional family dynamics, supernatural elements, mild violence, swearing, idk if this is a warning but brief mention of Felix from stray kids (he's my skz bias hehe) ◈ Note: This series is a non-romantic ot8 x atiny reader story leaning more heavily on San x reader because he is their bias. It will be a compilation of short episodes, rather than chapters, showing how each member would guide you through hard times in real life based on their personalities. The story is more focused on the concepts and ideas than the plot. While there will be no romantic relationships portrayed, members and the reader develop a bond that is beyond just friendship.

Prologue: The End

Word Count: 1365

All it took was a single, cutting remark from your so-called parents—a seemingly insignificant jab that shattered the last remnants of your self-worth. The final barrier holding back the tide of despair had crumbled. Everything seemed to be falling apart.

All your life, you were forced to constantly move around, leaving you with no one you would truly consider a friend. At least nobody who you feel like you can spill all of these dark feelings of yours. You were failing miserably in school, work, your personal life.

You were emotionally drained, just so exhausted. It felt as if you will never escape this hell. You didn’t know what you wanted in life, because you were taken away your will to hope for any kind of future. 

The last thing that was keeping you on earth was your love for Ateez and San, your favorite idols. They’ve helped you through the most difficult times. And now, they’re everything to you in your crumbling life. Their powerful performances, music, and kindness for atiny…they gave you a reason to live.

But then there was the constant judgment from your parents.

“You’re seriously into those idols? Aren’t you too old for that?”

“Why would you waste your time on that? Why don’t you work on your life instead?”

When they insulted them, it almost hurt worse than when they insulted you. You were used to being degraded. However, they don’t deserve to be judged when they have nothing to do with how you are failing completely in life.

But now, you were just so tired.

You posted about how you felt on social media, but as always, no one responded. Most of your followers were bots anyway.

Just as you thought things couldn’t get worse, a post flashed across your screen from one of the kpop news accounts—and the headline you saw made your heart sink.

-------

Breaking: ATEEZ's Choi San Suffers Serious On-Stage Injury During Concert

-------

No. No, No, No. This can’t be true.

Your heart pounded in your chest so fast that your whole body started trembling.

San, the idol you adored more than anything, had been in a terrible accident on stage.

Your mind spiraled into chaos. You searched frantically for updates on San’s condition on your phone, but the situation seemed dire.

Despair washed over you. The one connection you still had to this world, the one thing that gave you a reason to keep going, might be gone.

If San is gone forever from this world, what is the point of staying here alone?

Maybe this was your sign to end it all.

Your vision started blurring, and as the darkest thoughts had almost consumed your entire mind and body—out of nowhere, a reply popped up on your social media feed from an account you didn’t recognize. The icon was the default image, and the username was some kind of random combination of alphabets and numbers.

The reply, clearly directed to your username, read:

“You will die in 100 days.”

What the hell?

You were confused. It was so random, yet it seemed like this random stranger somehow knew your situation.

After the initial confusion, the anger that you did not know who to direct at started boiling up.

You were thinking of what kind of nasty things to reply.

What the fuck? Who are you even? I’ll die when I want to, not when you tell me to.

But just as you started typing, suddenly, a shiver went down your spine. You were terrified, and you had no idea why. Suddenly, you were not alone in this room anymore.

And then you saw IT. Floating in through your closed window without any noise.

Great. Now I’m hallucinating. My brain must really be breaking down.

The entity kept floating closer until it was hovering over your bed. You wanted to look away, but you couldn’t. The only thing you could do was freeze and stare at it with wide eyes.

Does this mean I’m dead? And this thing came to take my soul?

It was tall and impossibly slender, its body a mass of swirling, black tendrils that writhed and twisted like living shadows. Its form shifted in and out of focus, as if the creature wasn’t fully tethered to this world. The entire entity moved with an unnatural grace, like smoke drifting through the air, yet it carried an overwhelming presence.

But then the thing spoke. Its eerie, deep voice was terrifying yet surprisingly soothing at the same time.

“Hey, I’m the one that sent that reply.”

Kind of sounds like Felix from Stray Kids, you thought.

Wait - what the fuck did it just say?

You almost laughed, despite the fucked-up situation, just because while that line was very unlikely to come from a demon… grim reaper…shinigami? Whatever this was, it matched Felix’s voice better than Felix himself. Good choice, my hallucinating brain.

That Felix-sounding thing said slowly:

“You are completely consumed with the thought of death, aren’t you?”

You agree with that. The thing keeps going in a painfully slow, unsettling tone.

“While at it, do you want to make my job easier by switching souls with your favorite idol that’s dying? You could save him in exchange for your life, and I have one less death to deal with. Your body is going to die in 100 days, but…at least he’ll have another 100 days to live, and I get to procrastinate. You can die in his place now, or who knows, his body might survive. Even less work for me. Your choice.”

It took a while to process what it was saying. The product of your imagination seemed to be getting oddly specific and creative.

“W–What? Uh…what the actual fuck? Are you saying I can switch places with San? You’re giving me this power? Why? Why now? What’s the point?”

You can’t believe you’re starting to think this thing is real and trying to converse with it.

The thing doesn’t exactly have a face, but you somehow could sense it was irritated at your response. Its following words were spat out much faster as if it didn’t care to sound scary anymore.

“Um…did you not get the message? I’m fucking lazy. It takes like a whole day for me to process souls after a human dies, especially those by suicide. Oh, by the way…do you care to know how you’ll die in 100 days?”

The ominous character of the thing was slowly starting to fall apart into a more sluggish, human-like one.

“N—no! No, absolutely not!”

That seemed contradictory because you were going to take your life at any moment. But now, since there is a possibility that it could be the cause of death for San, you didn’t want to hear it.

“Alright, alright, I get it.” The thing says in an unserious tone.

Then suddenly, you remembered why you were panicking in the first place.

“I—I want to switch with San! How do I do it? I have to take his place before he dies!”

You were desperate. You were still not 100% confident that this was not your hallucination, but fuck it. You would do anything to save him.

“Just wish for it real hard. Then go to sleep. When you wake up, you’ll have switched.”

“How the fuck am I supposed to sleep in this situation!?” You snapped.

The thing let out a deep sigh. “Okay, whatever–Forget what I said, have a good night…” It said, floating towards the window, mumbling something to itself.

You panicked.

“W-wait! I’ll do it! I’ll try at least, so don’t go!”

The thing paused for a second, then turned your way and crossed its arms lazily, tilting its head, waiting for you to do your part.

You laid down on your side, squeezed your eyes and fists so hard that they hurt.

Breathing heavily, your mind raced, filled with nothing but thoughts of San.

His powerful yet sensual performances. His sweet, dimpled smile. His thoughtful words for atiny.

You kept thinking and thinking until exhausted from the emotional rollercoaster you had experienced, you finally managed to drift off to sleep. You were more tired than you thought.

[arendelle-archives]

The Archive is now officially open!

Hello everyone! Sorry it took a little longer than expected. I got myself distracted (like I usually do).

The concept for the Arendelle Archives came into fruition in 2021 when friends @saiten-gefroren and FrozenHeart began working on the Frozen timeline study “Annals of Frozen”. The project was released to the fandom in July, 2021 and quickly gained traction among other fans who were already invested in exploring and discussing the lore of the franchise.

Around the same time, @virtual-winter published his 3-part series “An Odyssey Through Frozen Geography" which explored the real-world inspirations behind the world of Frozen, which perfectly fits the theme of the "Archive".  Together with “Annals of Frozen”, these two projects acted as the catalyst works that would bring a group of fans together on a common platform under a common goal and banner, starting off as a Discord-server in April 2022 and now, finally, stepping into the world of Tumblr!

So, what is Arendelle Archives?

As for the concept itself, we imagine that the Arendelle Archives, aka the Royal Arendelle Archives, was a 19th century national institution of Arendelle tasked with the preservation and documentation of natural, historical and geographical records. Though founded by the royal family (by Agnarr and Iduna undoubtedly, not that Runeard guy), it was a neutral agency without affiliations with any political or commercial power.

Moving on to the 21st century, we have established ourselves as a group of ordinary but dedicated Frozen fans with varying backgrounds and areas of “expertise” who are on a mission to restore the records that were once under the supervision of the Royal Arendelle Archives, in line with the same values that defined the "native" institution.

As spiritual descendants of the original Arendelle Archives staff, we aim to collect as much information as possible centered around Arendelle and its neighboring lands with the help of official material like the movies, books, comics, etc. (the “facts” of the Frozenverse if you will), then compile and summarize these facts by studying the source material and by making logical deductions without the interference of personal preferences or prejudices — It is a “science” for our beloved fictional world, not a “fiction” with personal attachments riddled through the work.

What have we done so far?

For the past two years, our focus has been set on collecting and presenting the history, geography and lore of Arendelle and the rest of the Frozen world. Entering 2024, our work has resulted in nearly a dozen completed or ongoing “in-house” fan-projects as well as affiliated works by creators tied to the Archive:

Seek the truth – Unraveling Frozen II (1st and 2nd edition) by Yumeka (2020)

Annals of Frozen (1st and 2nd edition) by Saiten and FrozenHeart (2021-2022)

An Odyssey Through Frozen Geography by Virtual Winter (2021-2023)

The Frozenverse – Media, books, comics and more! by Virtual Winter

The Flora and Fauna of Frozen by Virtual Winter (2022)

Reproducing Iduna’s map from Frozen II by Virtual Winter (2023)

Every appearance of Hans’ ship by Virtual Winter (2023)

Frozen Canon Talk! (1st to 4th edition) by Great Queen Anna (2021-2023)

Anna and Elsa’s lost family members by Virtual Winter (2023)

(links to the individual works will be added later)

What's next?

We are always “on the hunt” for like-minded fans with similar fan-projects in their portfolio. Just in time for Christmas of 2023, such an encounter resulted in the impressive video project “Frozen: The History of Arendelle”, a timeline study very much in tune with “Annals of Frozen”, created by Youtuber Geekritique in collaboration with us.

Just around the corner also lies the creation of a detailed Arendelle family tree based on the findings in “Anna and Elsa’s lost family members”.

After this? Only Ahtohallan knows… But with more Frozen content on the horizon, our work as archivists and record keepers will surely not be over any time soon and updates and refreshes of past works will definitely be coming in the near future!

Arendelle Archives on Tumblr

The decision to finally start this Tumblr came in November 2023. From now on, we will use this platform as the base of our operation and republish our previous entries, now finally unified under a common “Archives” banner. It will also be the main platform for future projects as well as reblogs of Frozen fan projects from other sources.

All things considered, we hope that through our work, we will contribute to the Frozen fandom as a whole and allow for regular fans, artists, analysts, and fanfiction writers alike to get a clearer picture of the lore, trivia and backstory of the Frozen-series!

Welcome!

Virtual Winter, Saiten and the rest of the Archive team

[kobitoshiningneedle]

My fandom hot take is: Ace Attorney has legal corruption as a theme and no idea what it's doing with it. It starts as a pretty straightforward "the legal system is unfair and slated towards the defence, prosecutors care about nothing but guilty verdicts and routinely forge evidence, you are the underdog attorney performing miracles" before retconning that the two major prosecutors implied to have forged evidence didn't do it on purpose after all, instead pinning it on higher officials, which at once widens the scope of the universe and makes the corruption run much deeper, but also somewhat "exonerates" the prosecutors of their more blatant wrongdoings (although not of all of them). And then after that, it makes two defence attorneys, including our heroes, into forgers, which itself is never retconned. And then there's this whole impersonating officers thing and it just goes completely sideways. It makes no sense. It's fascinating.

A really interesting question! The thematic inconsistency in Ace Attorney is really palpable, despite having some of the most comprehensive stories, so I'm with you on this one

Strongly agree | Agree | Neutral | Disagree | Strongly disagree

There are many, many Doylist reasons as to why the theme of corruption gets thrown from one side to the other, but saying that "Well yeah DD is kinda shit without nuance because it wasn't written by Takumi" would be a low-hanging fruit in terms of criticism. So I will try to compile my scattered thoughts about this topic here with another approach.

Seems like as a series Ace Attorney has this "protagonist biased" fault. We are rooting for Phoenix when he tricks Furio Tigre with the bottle. And we are supposed to be mad at Edgeworth for coaching Bellboy to deliberately misinform the court. And considering that, we can't even say that the series tried to imply the "defense attorney always good, prosecutor always bad" type of mindset - despite being first and foremost a game with a necessary element of satisfaction of defeating a malicious foe - because in the very first game there's Robert Hammond. And some time later we see Klavier Gavin. Apollo was a protagonist, so presenting the bloody ace was never called out. Meanwhile Edgeworth has entire drama around him handling SL-9. So that's why in my opinion this is exactly protagonist bias, when you win a game against Edgeworth and prove that this pink suit indeed tried to coach Bellboy to give a false testimony you get a portion of serotonin. The same serotonin runs through your brain when this sleazy new lawyer character gets caught.

But when you think about the grander scope, the things start getting sketchy.

In my opinion, it all can boil down to one sentiment, that again stems from the essence of this series - it's a game, and a story with black-while morals (yes, even games like Apollo Justice are pretty clear cut about who's in the right and who is not in my opinion). So it's a given that the protagonist will do things for the good of others. And the antagonists (which are often the prosecutors) will hinder that objective. So it's much more understandable that Phoenix will use tricks when he was trying to corner a loan shark who manipulated many people, or when he tried to bring the man who ruined his career and lives of others to justice. And with Edgeworth in SL-9 and Manfred in IS-7 is more like a flashback material, a foundation that have its story being built upon. SL-9 was a past case that doesn't quite have this urgency of saving a friend. And Manfred tried to put an innocent man in the jail anyway. I don't really like both of these (in my opinion) retcons, because they make the things unnecessarily complicated and REALLY rob Miles and Mandfred from their agency in some capacity whatsoever - but your writeup makes me think that my distaste could be precisely because these plot points have some serious implications which makes the inherent story structure of AA to bite more than it could chew. Anyway "you can use some tricks if it's helping people" is a pretty concise message that may encapsulate this conundrum...

...which is understandable in a game and a heroic, but an utter rubbish if we detach ourselves from the protagonists' POV. Like, even Edgeworth was truly believing he's doing the right thing in his early career. Besides even the "helping other people" part is fluctuating between different representatives of one profession. Phoenix is called out by Edgeworth in 2-4 becuse defense attorneys aren't heroes and they just make sure everyone is tried fairly. But only 4 games later we got a character who represents this message - Raymond Shie Eddie Fender. I probably derailed your ask beyong possible, but this too, is an argument of how inconsistent the series in its priorities.

I hope there is at least one comprehensive thought about this matter, because this issue is something that could be explored and discussed from very different perspectives... And here I mused about how and why these inconsistencies work, but all in all, I agree that there's no clear-cut stance in the series about what is corrupt and what is not even within one writer team's works

[hesperious-sands]

with the official start of the zine, i thought it best to hash out the official rules for the writers and artists! guests will also be invited soon, so be prepared ;)

rules for writers

writers must submit 1-3 fics, and all creative freedom is given to them (aka write about anything, including ocs!)

each fic must be between 1000 - 3000 words (as there were issues with the compilation with larger word counts in the savanaclaw zine)

multichapter fics are not allowed, but interconnected oneshots are, and you can go wild with the themes!

collaborating with other writers (and artists) is encouraged!! <3 feel free to write about these boyos to your heart's content.

romantic content is okay as long as it remains gender-neutral, and more platonic content is encouraged.

if you write cooking fics, feel free to drop the recipe!

rules for artists

artists must submit 1-3 finished artworks, and all creative freedom is given to them!

the artwork must be of a5 size with 3mm of bleeding, and landscape art must be of a4 size with 3mm bleeding.

if you draw kalim/jamil cooking, feel free to drop the recipe as well!

collaborating with other writers (and artists) is encouraged!! <3 feel free to write about these boyos to your heart's content.

romantic content is okay as long as it remains gender-neutral, and more platonic content is encouraged.

traditional art is also accepted, but must be uploaded and sent at 300 dpi. comics are also completely fine- but it depends on space and time available.

have someone you want to recommend as an artist or a writer? send us and ask and we'll look into it! reblog this post and help us out!

[sl33py-g4m3r]

Have I shared the long song compilations yet? Did I delete them if I did?

Found some long; cathedral of shadows, law theme, neutral theme, chaos theme, and world map compilations from the megaten games and wasn’t sure if I actually shared them or not.

Don’t wanna spam the same song compilations if I have already. Tried looking through the tags I use to tag YouTube videos and didn’t see them…

My body isn’t letting me sleep aaaaaaa

I need to heal my mp and my demons~~~~

On a totally random note what would the samurai make of the internet? Or the relics used to access it?

Is all of the modern stuff we use relics to them? I gotta play the game and read the stuff so I maybe csn larp as a samurai from The Eastern Kingdom of Mikado online, lol.

Hope I get around to playing someday.

[tofuiharbinger]

A Complete Compilation of SAGAU Disney References (pt. 1)?

AU: Disney, Mama Tofu, Genshin Impact Cult 

Genre: Crack

Word Count: 363 words.

WARNING: Informal writing style, subtle cult themes, gender neutral reader 

Description: An exclusive collection of the Disney moments that their Grace and the Mini-Creator have reenacted in Teyvat. 

Misc: These were copied from previous asks that I’ve submitted on Shiro’s blog, as well as some bonus snippets that I wrote in the process. Interaction appreciated! (But please do not disclose my existence to Shiro) Remember, reblogs help more than likes!

-Tangled-

Mini-Creator: “Oh, no no no no, this is bad, this is bad, this is really bad…”

Mini-Creator: …

Mini-Creator and Mama Tofu, simultaneously: “They just can’t get my nose right!” 

(Bonus)

Impostor AU and the authorities are all very confused because they should’ve heard some word about the two impostors now, but why haven’t they? With Ningguang’s backing, Diluc’s intelligence network, etc. it should be a piece of cake, right?

Well, if only a certain other impostor hadn’t replaced Albedo’s portraits with counterfeits that depicted them with horribly dysfunctional noses. Maybe they could’ve been caught by now. 

-Brave- 

Mini-Creator: But whyyyy? I don’t want tooooo :(

Mama Tofu: “I am the queen. You listen to me.”

(Bonus)

Random Acolyte A: See? That confirms it! Their Grace is the queen of all gods, meaning that the Mini-Creator should also be a god!

Random Acolyte B: Hm, seems sensible, seeing as how they know everyone’s birthdays, favorite foods, darkest secrets…

-Brave-

Mini-Creator: (invites Childe over for dinner)

Mama Tofu, who doesn’t really like Childe: “No weapons on the table.”

-Tangled- 

(Lantern Rite)

Mini-Creator: Standing here…

Everyone: ?

Mini-Creator: It’s oh so clear…

Mini-Creator: I’m where I’m meant to be…

Mama Tofu: (stifles laughter)

Everyone: We’re glad you feel at home here, your Grace :) 

Mini-Creator: “...and at last I see the light~”

-Frozen-

(Post-Sakoku Decree)

Mini-Creator, prancing around Inazuma: “‘Cause for the first time in forever!”

Mama Tofu, too occupied with convincing Ei to join as Elsa: 

-Tangled-

Mama Tofu: (brushing her hair)

Mini-Creator: “Flower, gleam and glow~”

Both of them hyperventilating when it actually glows: 

(Bonus)

Impostor AU where Mama Tofu and the Mini-Creator inevitably suffer some serious injuries from being hunted day and night. Nothing fatal, fortunately, but enough to disable smooth motor function. 

The Mini-Creator and their mother slump down near a large tree (doesn’t matter which one), exhausted from sneaking around and avoiding their looming demise. Mindlessly, the Mini-Creator begins brushing out a few tangles from Mama Tofu’s hair. 

“Flower, gleam and glow~”

Then the tips of her hair start to shine a brilliant gold, shortly before the wounds on her body begin to close. 

Maybe survival wouldn’t be that difficult after all. 

(A/N: If you think of any other fun references, you’re free to share! :3 Now I'm almost inspired to write a fic about this...)

[bundoesnotcompete]

A masterlist of my works. Kept for my sake and everyone else's. Nothing is proof read like usual. I HAVE DISCOVERED HYPERLINKING I WILL BE UNSTOPPABLE WITH THIS POWER

I have compiled my stories on ao3 for those interested in reading it on there!

The Lamb SAGAU stories - Discontinued

Original story

Part 2

Part 3

Other stories:

Khaenri'an reader during the fall of Khaenri'ah

Xiao and reader angst

Jing Yuan sibiling turned into an abomination

Kaeya sibiling as a harbinger

Jing yuan X Vidyadhara reader

Sunday X Aeon reader - inspiration got from this

Aventurine X Reader who also has divine luck

Zhongli x reader snippet of history between two lovers

Jiaoqiu x reader reader is a borisin

Reader isekai as Otto Apocolypse

Wriothesley with child thief reader

Incomplete works:

Reader as an aeon wanting emanators

Reader gets trapped between the Penacony Dream and Reality. Relations to Oak sibilings

Bite Sized Stories

Robin x Singer reader. Wedding themed

Lumine with an older sibling who is looking for her

Stellaron Hunter Stories

Part 1. On ao3

Part 2

Part 3

This story has moved to ao3 as of the evening of 7/16/24 - Discontinued

Updated as of 10/28/24

-----

Side note: I want to inform everyone that all my stories are made to be as gender neutral as possible. I want everyone to be able to enjoy what i have written. I cant guarantee that they will be neutral but unless otherwise stated that is my intention

[adarkrainbow]

Fairytales - the dark season (6)

Today's subject: Fairytale segments (or episodes)

My original plan for this "dark season" series was just a neutral presentation of "dark fairytale media" for you to discover and appreciate. But since my last post had me undergo a full movie review, why not break a bit the format?

As I compiled adaptations of fairytales, I noticed that several horror anthologies had the habit of creating at least one fairytale episode during their run. "Tales from the Crypt", the famous live-action horror show, has a quite notable example with "The Third Pig", a grotesque and violent - but humoristic - retelling of "The Three Little Pigs"... which stands out due to being the only 2D, animated episode of the entire series, embracing the tradition of cartoon fairytale traditions (Looney Tunes/Tex Avery).

When they decided to turn the "Tales from the Crypt" franchise into a cartoon series for teenagers, embracing the youth-horror vibe (it is the "Tales from the Cryptkeeper" series), they also had a fairytale-themed episode reinventing Sleeping Beauty.

I also thought about how the movie "Tales from the Darkside" had, for its framing story, a fairytale reinvention: a Hansel and Gretel modernization mixed with a Scheherazade plot.

Even the Simpsons' Treehouse of Horror intra-series had a fairytale-themed segment! (11th Treehouse)

Thinking about this, I realize it might be tied to another phenomenon - how American TV shows about what TV Tropes calls "monster of the day" often include a fairytale-themed episode. Look at the several shows about people fighting all sorts of monsters, demons, spirits and other ghouls, and you'll always find one episode depicting a villain taken out of fairytales.

Charmed had its "Happily Ever After" episode (and I could also list many other fairytale-flavored episodes like "A Knight to Remember", "Once Upon a Time" or "A Witch's Tail").

Supernatural had its "Bedtime Stories" episode (and later the "About a boy" episode)

And Buffy had its "Gingerbread" episode:

I don't have any conclusion, but it's just an interesting habit to notice in American television shows - especially since this habit focuses on either bringing the dark side of fairytales out, or twisting them with creepier ideas.

[yetihideout]

Favorite Albums

Music Composed And Performed By Goblin: Their Rare Tracks & Outtakes Collection, 1975-1989, Goblin

My favorite compilation from Goblin, the prog rock, synthesizer masters who became famous thanks to their contributions to the soundtracks for Dario Argento’s Deep Red and Suspiria as well as George A. Romero’s Dawn of the Dead. Often super-charged and kinetic, but also possessing the ability to be slow, atmospheric and moody, this group epitomizes the nature and energy of horror: from the otherworldly and terrifying soundscapes of Suspiria to the beautiful, thoughtful love theme from the obscure St. Helens (not a horror film, but dramatic nonetheless.)

Goblin is, without argument, one of the most influential artists to the world of horror music – no doubt influencing John Carpenter’s simple piano-driven theme to Halloween (listen to Goblin’s title track from Deep Red and compare) to the current crop of synthesized themes in films and series like Turbo Kid, It Follows, Drive, Stranger Things and many others.

These are all babies born of Goblin!

Silk & Soul, Nina Simone

My favorite album by my favorite vocalist for reasons that are inexplicable to me. This is the album that I play most often – perhaps it’s the odd variety of songs chosen (although all of the material in the Simone archives are from an astonishing range of disparate and unique sources). Historians would consider “I Wish I Knew How It Would Feel to Be Free” to be the signature song from this album, but I find her brief tale of simple, matter-of-fact racism explained in “The Turning Point” to be much more devastating, perhaps since it’s told from the point of view of a child.

All of the songs are wrenching and even her revisions of Burt Bacharach’s “Look of Love” and The Association’s “Cherish” are re-ignited with a more appropriate longing and yearning that only Simone can express.

Creepshow, John Harrison

My favorite horror soundtrack of all time. There is something about the opening piano theme that appealed to me even when I first saw ads for the film on HBO as a child (I was much too scared to watch the entire film, but I would torture myself by at least watching the opening credits). The child-like piano tune with the taunting children voices was spooky, fun and surprisingly catchy. This album was a sort of Holy Grail of mine growing up and I would often watch the film just to hear the music. It wasn't until many years later that I was finally able to get a copy of the record. Each story in the film is brought to life by a signature sound – from the Gothic, piano-pounding revenge motif of “Father’s Day”, the melodic and secretive tone of “The Crate” to the minimal synth soundscape that perfectly applied to E.G. Marshall’s roach phobia and germ-free apartment from the “They’re Creeping Up on You” segment.

Each and every note is deliberate, brilliant and visual.

Bone Machine, Tom Waits

My favorite Waits album, probably for the simple reason that each song is like a tiny, separate horror tale embodied with an extremely visual style and brought to life by Waits’ rough, often inhuman voice. Each song is painted in charcoal black and tell stories about the hopelessness of...well...everything. “The Earth Died Screaming” is perhaps the most famous track from this album, but my personal favorite is the slow and mysterious “Black Wings” – a familiar tale of a neutral angel (or demon?) and his exploits, both good and bad. “Murder in the Red Barn” is an equally intriguing tale that one can easily visualize and it's peppered with ambiguous lyrics like, “there’s nothing strange about an axe with bloodstains in the barn - there's always some killin' you got to do around the farm.”

I like to look at Bone Machine as a sort of audio short story collection of tales that Roald Dahl, Richard Matheson or Robert Bloch might have conjured up.

Thighs and Whispers, Bette Midler

A rare album that I actually listen to all the way through. This 1979 album has a diverse range of songs, including a great version of “Millworker” from the Broadway play, “Working”, and some cute disco-fueled tunes like “Married Men” and “My Knight in Black Leather”. Each song has some moment that gives me shivers, or at least slight goose bumps. One of those moments is in the song, “Big Noise from Winnetka” when they sing the line, “Once she was picking up the big boys…now I’m pickin’ up my little kids’ toys”.

The whole album makes me feel really good with all of its emotional ups and downs...which, afterall, is basically what makes a perfect album. Right?

Cow Fingers & Mosquito Pie, Screamin’ Jay Hawkins

My favorite compilation of songs from the incredibly insane catalog of Hawkins. All of the favorites are here – “Alligator Wine”, “Hong Kong”, “Little Demon”, “There’s Something Wrong with You” and, of course, his most famous track – “I Put a Spell On You”. Every song is unleashed in his inimitable way, through screaming, shouting and lip-smacking gibberish. His work makes me scream with laughter. I find that listening to his albums is the perfect remedy to road rage…just “singing” along with Jay is incredibly cathartic and relaxing! Take him along with you on your next commute.

Who knew that spouting out silly words and making fart noises would become such a huge part of someone’s career? I’m totally in the wrong profession.

Sweet Dreams (Are Made of This), Eurythmics

Definitely the first official “album” I ever owned. Like most people of my generation, Annie Lennox mesmerized me in the music video for “Sweet Dreams” (which aired on MTV practically every few minutes). I was equally fascinated, terrified and hopelessly drawn to the pounding computerized beat, the throwback classical strings and Annie’s low, monotone delivery contrasting with her higher-pitched, "choir of angels"-type refrains. And who could forget her bizarre appearance? This is the perfect example of the power of the early 1980s music video: The song and accompanying video compelled me to purchase the entire album. I loved every single song on it – a rarity that I have not often found with other albums.

With the eerie “Love is a Stranger” and the hypnotic “Jennifer” to the ethereal, jungle beat of “I’ve Got an Angel” and the fun and goofy “Wrap it Up”, I had unknowingly set the stage for my musical tastes. 


Hooked on Classics, Louis Clark conducting The Royal Philharmonic Orchestra

This was an album I remember being in love with as a young boy when I would play the cassette tape of it over and over again. It was a great entry point for classical music. The often goofy, pseudo-disco element that was added to the medleys of famous classical music provided a fun and punchy rhythm to the proceedings that was perfect for a child. I found a copy of the CD recently and discovered that the album is still a fun listen. The quick, “clapping hands” backbeat now reads very silly and one can envision the album being played during low-impact cardio exercises at a YMCA.

Though this album (as well as its sequels and spin-offs) has its vehement detractors, the album has a sweet innocence to it. It’s merely trying to make classical music a bit more accessible while not taking itself too seriously.

The Haunted Mansion, Disneyland Records

Though not officially an album by any means, this was a record I played quite often as a child. Accompanied by a terrific illustrated book that detailed the exploration of the famous Haunted Mansion of the Disneyland world, your narrator leads you through the famous scenarios from the ride. Though only running approximately five minutes or so, the adventure leaves your brain with indelible memories, probably the most startling being the bride with the visible, beating heart.

The B-side is what I remember the most from this album – a simple collection of sound effects, from moaning ghosts to the absolutely terrifying and intense sequence of a pack of dogs barking in the distance and getting louder...and ever so closer…

[urthestunk]

La Primavera by Sandro Botticelli: The Writers of NBC Hannibal Did Their Fucking Job

*TW: Sexual Violence, Rape, Kidnapping

To preface, I recently did a paper on this painting because I loved it from the show and I have a lot of thoughts I’d like to share. I truly believe the writers of this goddamn show deserve all the praise in the world for the amount of research they put into everything in the show.

This painting was commissioned by the Medici family most likely for a wedding and completed between 1477-1482 in Florence, Italy which classifies the painting as a Renaissance piece. La Primavera is not it’s original name as that’s unknown but was later given to the piece by an Art Historian. La Primavera translated from Italian means “The Springtime”.

Although this entire painting could be dissected character by character as there’s certainly enough to analyze, I’d like to specially point out the three characters I think both Botticelli and the writers of Hannibal wanted us to focus on.

On the far right side of the painting is a depiction of the God of Wind, Zephyr, and a nymph, Chloris. Zephyr is at the furthest end painted in mute grays and blues with his arms wrapped around Chloris with a look of frustration on his face. Chloris is looking at Zephyr with surprise and fear as she is being taken away by Zephyr. Firstly, it’s important to note that while every other character is characteristically neutral (as would be the typical depictions during the Renaissance), both Zephyr and Chloris have dynamic facial expressions which are more typical of the Baroque period. This, along with Zephyrs contrasting color pattern, separates these two characters from the rest of the painting.

We get the story of Zephyr and Chloris from Ovid, a Roman born in the first century who compiled both Greek and Roman mythologies into poems which often relied on themes of romance. As the story goes, Chloris was a lovely nymph who was enjoying the spring fields when the God Zephyr kidnaps and rapes her. After this, Chloris is transformed into the Goddess Flora who is depicted in La Primavera next to Chloris with a pregnant belly and flowers blooming around her. In Fasti Book 5 from Ovid it’s said that Chloris (now Flora) is happy and “enjoy[s] perpetual spring” that she “have a fruitful garden, fanned by the breeze and watered by a spring of running water” (Lines 200-202).

In Season 3, Hannibal and Will when they meet at the Uffizi Gallery have been separated by the violence Hannibal had committed against Will (stabbing him in the Season 2 Finale and killing Abigail). Essentially, I believe that Hannibal thought of himself as Zephyr when he sat in front of the painting and thought of Will as Chloris. We know that Hannibal had an affinity for this painting and especially these two characters because earlier in the season we learn that Il Mostoro (Hannibal’s “killer name” when he was a teen in Italy) killed two lovers that he positioned like Chloris and Zephyr.

I think that after the events of Season 2, and after Hannibal realizes he loves Will he sees this painting in an entirely different light. He accepts the violence he inflicted upon Will although he does not regret it. Zephyr apologized for his violence with the gift of a glorious transformation, Flora enjoys perpetual spring and is happy in marriage. I think what was so heartbreaking about Wills betrayal after they leave the gallery is that Hannibal has not yet transformed Will and given him his perpetual spring. Will continually rejects Hannibal and his own transformation, the violence that Hannibal has inflicted has no reward just yet.

It’s no accident that this painting is in front of them as they have arguably one of their most intimate and overtly romantic conversation of the entire show. The writers have put their fucking back into this and it SHOWS.