#need to go back it’s been so long

[anythingbyadriannelenker]

one insane thing that i keep forgetting happened was when my mom took me to the menil collection for the first time when i was 10 and she took me into the rothko chapel (because she gets it) and i jus fucking. sat there. and stared. overcome with some indescribable feeling. anyways shoutout to my mom

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[katabay]

earlier this year I started writing a comic about the siege perilous-grail quest situation after finally finishing the didot perceval, and it started circling around kay and perceval. kay as gatekeeper, taboo anxiety vs chivalry, and perceval not doing things "correctly," arthur's enduring affection for kay. that general area. also the horror of the grail quest itself.

this is comic is part of that narrative arc, so with THAT in mind: this is an abridged scene of a longer arc revolving around kay associating camelot with a cage, perceval's associations with jewelry and knighthood and the color red, and arthur's relationship with kay.

[some other scene context: perceval has injured his hand and can't participate in the tournaments, so he's craving some kind of fight. kay is disinterested in replying to this challenge, but he's not above reminding perceval of their first meeting. it's just mean enough in a weird-intimate kind of way that perceval's like, ok so we're doing the antagonistic version of court romance rituals. he picks up hunting because kay can't leave the castle.]

on the subtext of jewelry:

Clothes Make the Man: Parzival Dressed and Undressed, M.D. Amey

on the topic of kay, gatekeeping, and taboo anxiety:

Cei and the Arthurian Legend, Linda Gowans

the whole Red Knight/Perceval Shows Up In A Dead Man's Suit Of Armor transgression-situation (which kay references through red jewelry) mentioned is told in both de Troye's and Wolfram's Perceval narratives :)

anyway! to close out all this out: the transgressions. incredible! what is camelot but a bunch of transgressions stacked on top of each other tbh.

[narsh-poptarts]

Long time no FD how we feelin

[slavhew]

please draw something soft with little pq dirk and alpha dave or the silly pq older one iregrhgh ur art makes me so so sad abt them in the best way ever plsplspls

HI ANON. oh my god sorry for keeping you waiting this long. i wanted to do something nice for you but truth be told... i struggle with drawing people hugging & similar stuff. historically. but ur rq is WAY overdue so!! i did my best.

i only hope this reaches you alrighht... i wish it notified anons when their asks are answered ahgfdjksgg ;w; thank u so much for this and again so sorry it took this long...

[ruporas]

all I wanted was to save them... (ID in alt)

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[deoidesign]

Idk who needs to hear this but time and time again isn't over!!!

Webtoon removed the "time and time again will return!!!" Banner and I don't know why, but it's not over!!! There's still another 1/3 of the comic to go! There's a lot more stuff that I'm working on and it'll be coming back soon!

Please be patient with me, I know it's been a long time... But the stuff I'm making is really good and there's a lot of reasons it's taken this long. I promise I want it back more than anyone.

I'm trying to come back around the end of October. I'm doing my best to get everything ready in time, so no promises, but I'm on track to do so! I'm just one person writing and drawing everything, and my editor was fired so I'm not even getting any notes anymore. It's literally just me. I'm doing my best I promise!

[briankang]

Magic, madness, heaven, sin

[poorly-drawn-mdzs]

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]

[spacedlexi]

"sounds nice... having a partner"

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[thesunisatangerine]

against all odds (to wait for you is all i can do) – part ten

alexia putellas x photojournalist!reader

warnings: none (im pretty sure)

(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]

word count: 5.8k

The melodic chirping of birds in time with the gentle beat of Alexia’s heart roused you, your back delightfully warm, and for what seemed to be a long time you felt well-rested–felt as if the leaded weight that made its home in your bones finally melted away because, truly, you’d forgotten the lightness of being one felt upon waking from a night’s sleep or, even more so, the lightness one felt when waking in the sheltering arms of a lover. So you sighed, content and at peace, as you breathed Alexia in when you nestled further into the safety of her neck where faint wintergreen and her delicate, earthly scent lived, familiar and evermore comforting. 

When you finally drew your eyes open, the world came to focus and revealed, in its center, Alexia already awake, her head propped on her arm with her honey eyes, just like molten gold in the resplendent glow of the morning sun, lidded as she gazed at you with a lazy smile, soft and relaxed but it ignited you with a gentle flame all the same, whose radiance only intensified upon meeting your eyes. 

“Good morning.” Alexia greeted you and it struck you just how much you missed the sound of her voice in the morning, low and soft with just the right amount of rasp that never failed to incite the desire to kiss her right then.

“Good morning.” You replied in the same tone, cheeks warming to a gentle simmer in the face of your lover’s tender demeanour. She brushed the back of her fingers on your cheek while a silence filled the space between your eyes, intimate, as you soaked each other in. But when you could no longer sustain the weight from her gaze–when you chest had filled twice over that it felt in danger of bursting from the sheer joy of being looked upon by such earnest affection–you whispered, “you’re staring.”

Alexia tucked your hair behind your ear before she countered in a voice so tender your heart ached.

“And you’re beautiful.”

No words could translate the gravity of what you felt in that moment, so you spoke the only language that could ever come close to conveying it: you cupped her jaw and caught her lips between yours, seared the missed ‘good morning’s’ and the lost ‘hello, how are you’s’ into the kiss, the pace languid but sweet, savouring the way her lips parted in this silent conversation–relishing the way Alexia tasted like summer on your tongue.

Alexia tugged you closer, and closer still but still not close enough, with a gentle pressure from her hand against the small of your back, the other now over the nape of your neck.

But the conversation was cut short, too short, when a small gasp reached your ear, electrifying you in an unpleasant way your eyes flung wide open, darting immediately to the direction of the sound to find Elisa standing at the last step of the stairs, her hair ruffled from sleep, her loose shirt creased and draped slightly to the side, mouth wide open in disbelief as she gawked at the sight of the two of you.

And what a sight the two of you must have been. 

In your haste to extricate yourself from Alexia, you ended up flopping down against the tiled floor, the carpet doing little to cushion your fall, but you recovered quickly and now you stood there not quite knowing what to do with your arms or what to even say. Alexia, on the other hand, remained half on her back and half sitting up, her weight against an elbow, the other arm frozen outstretched towards you, a clear attempt to save you from when you fell down. If the situation had been different, you probably would’ve laughed especially at Alexia’s expression: her face contorted in part mortification and part worry, brows upturned, eyes agape, and lips partially opened–if only you weren’t too flustered yourself to do so. 

Alexia got her bearing faster than you, though–damn her and her athletic condition–because she, too, now stood from the couch (and did so with a lot more grace than you did). She cleared her throat, fumbled with her hands as it looked like she tried to stick her hands in her jacket pockets before it dawned on her that it remained still on the coffee table, so she resorted in putting them in her jean pockets instead. 

“Good morning, Elisa. How are you?” Alexia said in English and her voice wavered at the end, the question infused with a guilty inflection. 

With bated breath, you waited for your daughter’s reaction as trepidation filled you, which only worsened when Elisa’s eyes darted at you, then to Alexia, then back to you again. Numerous scenarios fleeted through your mind and out of all the images your mind conjured, what happened next was not one them: you didn’t expect the way with which Elisa’s surprise morphed into smug delight, her once opened mouth now curved into a coy smile, not dissimilar to a cat’s, that only served to accentuate the mischievous gleam in her eyes.

“Are you guys dating?” Each word deliberately drawled out as Elisa posed them, punctuated by a teasing cadence that set your ears and cheeks aflame. The question, thankfully, brought you back to yourself because only you could save you and Alexia from this situation. 

“Okay, I think I need to have a conversation with you so up you go, young lady, back to your room for now.” You said as you approached Elisa who you guided towards the stairs with a gentle hand on her back but not before you placed a good morning kiss on the crown of her head. Elisa whined, but she heeded your words nonetheless, although she did sneak a wave and a cheeky thumbs up to Alexia on the way up, leaving you with an amused smile on your lips at her antics as you thought fondly, shaking your head, ‘Oh my god, this child.’ 

When Elisa was finally out of sight and you heard her bedroom door shut, you let out the breath you were holding. That really could have been a disaster, and when you looked over your shoulder, you found the same thought written in Alexia’s face. You dragged your feet back to where Alexia stood who, as soon as you got close enough, was quick to pull you back into her gentle arms. With your cheek pressed against her collarbone, her arms loose around your waist, and her chin resting on your head, you were grounded back to the moment, your muscles relaxing as apprehension began to leave you. 

“That was mortifying.”

Alexia let out an airy laugh, the remnant of her nervousness still apparent. “I know. At least we didn’t do it last night.”

“Alexia,” you groaned as your cheeks burnt anew, “please, don’t–I don’t even want to imagine that right now.”

Melodic laughter filled your ears again before it tapered off which, once again, left you two blanketed in the subtle refrain of the waking world and the warmth of the sunlight that streamed through the window. You didn’t know which of you moved first but in the next moment, you found the both of you swaying to a gentle rhythm as you held each other. 

“So, what now?” Alexia asked, breaking the silence.

“I… I don’t know.” You answered truthfully. Sure, the both of you agreed to take everything slow, but where to even start? When intimacy and familiarity were already there, strong and incessant in their pull, how could torn lovers begin to mend the fragments–to keep everything tentative and slow? Where should the lines be drawn, the boundaries set, when a profound desire that transcended physical affection already made its home in your heart, a yearning that constantly craved for not only Alexia’s company but also her thoughts? Because with Alexia, you wanted–and would always–want more.

“I think, for now, I need to talk to Elisa about this–about us.” Sighing, you continued, “what do I even tell her?”

“Well, she seems to approve.” At that, the both of you chuckled, then Alexia spoke again, serious but her tone remained light when she did. “Tell her whatever you’re comfortable with. Slow, remember? No labels for now, it’s just you and me.”

She placed a kiss against your ear and you hummed, nuzzling her neck in gratitude.

Another pause. 

“I think I should go.” 

Hard as you tried, you couldn’t hide your disappointment at what Alexia just said even though it was probably the best thing to do right now. There were much you needed to talk to Elisa about alone: her nightmares and her therapy, and now this. The only thing that eased your heart was the fact that Alexia seemed as reluctant to go, too, with the way her hold on you tightened and you responded to her touch by falling further into her, clutching the fabric of her shirt in an attempt to let her know you’d rather she stayed.

“I know. Me, too,” Alexia sighed seeming to understand what you were feeling as she kissed your temple. “How about this? If you and Elisa are feeling up for it, I could take you some place tomorrow? I did tell you before that I’d show you around.”

At the reminder, the memory fleeted through your mind and a sense of melancholy filled you but you swallowed it down before it could take root. Then you hummed in agreement, “I’ll ask Elisa about it. What’s on for you today?”

“Apart from waiting until tomorrow comes?” Alexia joked which made you giggle. “I’ll probably visit La Masia, check with Josep for next week’s schedule, then head home or visit Mamá and the family.”  

“That sounds fun.” You said as you began to kiss her, knowing that your time together for the day would end any second now. As you punctuated each word with a kiss, you continued, “alright, I should let you go now, then.”

The rumble from Alexia’s chuckle radiated beneath your palm on her chest as she whined, “you’re making it really difficult to leave.”

“Okay, okay, I’ll stop now,” you giggled and just as you began to pull away, Alexia cradled the nape of your neck and sealed your lips together again for a deeper kiss. Then she pulled away but not before dragging down your lower lip with her thumb as she untwined herself from you and gave you a look that made you burn all over.

“Call me later?”

You nodded.

Alexia grabbed her leather jacket, gave you a smile and one last peck on your cheek, before she strode out of the door. 

The feeling of loss that arrived upon her departure did not go unnoticed by you but before it could settle in your heart, you made your way to Elisa’s bedroom. As soon as you entered though, Elisa shot you a question without any preamble, practically buzzing in her excitement. 

“Mom, why didn’t you tell me you’re dating Alexia?” 

Your cheeks burnt at Elisa’s bluntness.

“Before we get to that, ladybug, I need to talk with you about something first.” You said as you set yourself down next to her on the bed. Elisa regarded you with a look that said she already knew what you were going to talk with her about. You wrapped an arm around her and squeezed her shoulder. “I’m worried about your nightmares and your therapy. Do you think we need to switch to a different therapist?”

Elisa gnawed on her lower lip before she spoke in a soft voice. “I like my current one. She’s cool and she makes it easy for me to talk about what happened. But I can take more sessions if you want me to.”

“Do you think you need more sessions?” You looked at Elisa pointedly, emphasising the fact that the choice was hers to make. “All I want is what’s best for you and your wellbeing, Elisa. I’m not trying to make you do anything, especially if you know yourself you don’t need them, but I also can’t just stand by and watch so I’m just here to tell you that there are options. If you need more sessions, we can do it. If you want to change therapists, we’ll both find you a new one. As long as it’s going to help you get through this, we can do it.” 

“I’m not sure… Can I–” You caught her eye again and you raised your brows at her chosen word, and you watched as Elisa nodded, understanding what you meant, before she began again, “I will talk to my therapist about it and see if I do.” 

You beamed at her, proud as you squeezed her shoulder again. She smiled back.

“So, what do you think is causing this spike in nightmares?” 

“I… I don’t know. I think I’m just nervous? Also, maybe too excited?” Then Elisa added with a small laugh, “or both? I don’t really know.”

“About what, ladybug?”

“Going back to the Academy.”

At this information, you couldn’t help but frown, confused. “Is something happening in the Academy?”

Concern must have been too apparent in your tone because Elisa quickly looked at you and said as she waved her hands in reassurance, “it’s nothing bad, Mom, don’t worry! It’s just, Coach told us there are scouts coming some time around the end of the year and I’m… I really want to play for Barça, Mom.”

You understood her apprehension but her answer didn’t tell you why her shoulders looked like they’d taken on an invisible weight again with the way her spine curved inwards, almost dejected. 

“That’s a really big opportunity, ladybug, so I understand that pressure is there for you to perform your best. Is it the pressure that’s making you think about what happened?”

Elisa shrugged, quirking her lips to the side in an unsure manner. A moment later though, she nodded and admitted in a small voice. “I just don’t want to let them down. I don’t want to let you down.”

“Elisa,” you took her hand in yours.  “Never, never. If your parents were here, they would tell you how proud they are of how far you’ve come already. You’re so strong, ladybug, and you don’t even know how much. And if you happen to fall down, we’ll be here to support you until you’re ready to stand back up again. Just know that whatever happens, you will always be enough. Always, Elisa. ”

Elisa leant her head against your shoulder then she turned her head and gazed at you with wide eyes. “You really think I can make it?” 

“I believe in you, ladybug. Do you?” You pinched her arm playfully which earned you a giggle from her. When she looked back up at you and you saw the determined gleam in her eye, the worry in you was put to rest. 

“Yes.” 

At that, you couldn’t help the warmth that surged through you and you hugged her. “There you go. I’m so proud of you, ladybug.” 

After a moment of silence, Elisa asked in a teasing tone, “so… Alexia, huh, Mom?” 

Your cheeks warmed. “What about her?” 

“Are you together?”

“It’s… complicated right now, ladybug. We’re working on it.”

“Was that why you always looked sad whenever we talked about her? Before now?” You raised your brows in surprise. You’d always tried your hardest to school your features whenever Alexia was brought up because you didn’t want Elisa to worry but you didn’t think that you were that transparent. 

“Did I really?”

“Yeah. I don’t know how to explain it but whenever you tried to smile, it didn’t quite reach your eyes.”

“Oh.” Pause. “I… I didn’t know. I’m sorry.”

Elisa shook her head. “There’s nothing to be sorry for, Mom. And it’s different now. Now you look happy.”

“I am.” You admitted with a small smile. “How… how do you feel about us, though?”

“I’m happy that you’re happy, Mom. It’s going to take awhile to get used to the Alexia Putellas being around but I’ll be fine. And as long as she treats you well, I’m alright.”

Your chest expanded at her words. “Thank you, ladybug, that… that means a lot.”

Elisa hugged you then and you hugged her back. 

“Speaking of, Alexia offered to take us around the city tomorrow. What do you say?”

At that, Elisa practically jumped up, unable to control her excitement and you laughed. 

True to her words, Alexia pulled up in her car the next day a couple of hours before noon. Alexia looked comfy in her white sneakers, ankle length socks, shorts, an oversized t-shirt, and a baseball cap, and upon opening the door for her, she took you in her arms and kissed you. Her eagerness amused you and you laughed against her lips but you tangled your fingers in her hair to deepen the kiss anyway. 

“I missed you.” Alexia spoke between kisses.

“It’s only been a day,” you smiled into the kiss, charmed. “And I missed you, too.”

Time slipped you as you lost yourself in Alexia’s arms and lips, and you didn’t know how long the both of you were there by the open door, but it was apparently long enough that Elisa needed to interrupt you two. A terse cough made you pull away and, turning to look at Elisa who was standing just beneath the archway that lead to the living room, offered your daughter an apologetic smile. Elisa only stood there with her arms crossed, clearly unimpressed with the way her brows were creased. 

“Hola, Elisa.” Alexia said with a shy wave which drew your attention back to her and you bit your lip at the state of her face. You reached out to wipe away the faint smudge of your lipstick on the corner of her lips and, upon realising what you’d done, Alexia quirked her brows up as she smiled at you, sheepish. 

“Hi, Alexia.” A pause. “Wait, should I be calling you Aunt Alexia now?” 

Alexia opened her mouth then closed it, seeming to be completely disarmed by the question. And when she looked at you with plea in her wide eyes asking you silently how she should answer it, you knew just how much the question definitely caught her off guard.

“Uh, if you want to.” Her words lilted with so much uncertainty it sounded more like a question than a statement. 

Then Elisa grinned at the both of you, practically beaming. “I’m just messing with you, Alexia.” 

She then continued to skip between you two, bounding through the door and down the porch stairs, and you held your laughter in as Alexia looked after her with a bewildered gaze, mouth agape. Once Elisa got to where Alexia’s car was parked, she started to wave the two of you over. 

“She’s… she’s very funny.” Alexia laughed nervously, eyes still fixed at Elisa. Then she whispered conspiratorially, pointing to Elisa for good measure. “Are you sure she’s the same kid I met at the Olympics?”

“Yes.” You chuckled as you locked the door and began descending down the stairs. “She’s only like this when she feels comfortable around people. So, do you know what that means?”

Alexia shook her head.

You smiled at her, cupping her cheek before you pressed a light kiss on the other. “It means she likes you.” 

At that, Alexia smiled back at you with lightness in her eyes before she grabbed your hand, intertwined her fingers with yours, and kissed the back of it. And the gesture warmed you more than Barcelona’s summer sun ever could.

Then, once the three of you were in Alexia’s car, you asked, “so, what do you have planned for us today?”

Alexia adjusted her rearview mirror to look at Elisa at the back seat, smiling. “First of, who’s hungry?”

After a delicious–and a quite scenic–brunch at a restaurant located by one of Barcelona’s waterfronts, the three of you took a short walk down a nearby landing connected to the port. By this time, the sun had already reached its peak, and with the vacant sky and the high tide, the view was one someone would expect to have come out of a film; the blue tinge of both the heavens and the sea was so vivid that you knew your camera would have trouble capturing the essence of it. Image after image, you captured your surroundings and as the three of you walked on, rolls of film were exposed to the light of Elisa and Alexia, and these images, you knew, you would cherish forever. 

At one point during the walk, Alexia asked you to teach her how to work your camera, and so you did. With Elisa between you looking over at the sea, you guided Alexia’s fingers over the camera and taught her how to hold it properly, before you told her about the rest. As soon as she got it, she slung your camera around her neck and immediately started taking photos of you and Elisa. You laughed when she held the camera at arm’s length in an attempt to take a selfie of the three of you, adjusting it as best as she could to get the right angle before she set the timer. You told her as all of you returned to her car that you’d send her the fruit of her labour the moment you developed the negatives. 

About half an hour later after hitting the road again, the three of you ended up at the second stop for the day: Camp Nou’s Barça store–much to Elisa’s delight. When Alexia parked the car at a less crowded spot and began to take her seatbelt off, you fixed Alexia with a reluctant gaze, speaking in Spanish so Elisa wouldn’t understand.

“Is it really wise for you to just march in the store? You’re the Alexia Putellas, after all, there’s no way no one would notice.” 

In response, Alexia held a finger up to indicate you should wait and shifted so she could grab the hoodie that was hanging over the back of her seat. She put it on, zipped it up and pulled the hood down over her cap, then she put on a face mask and her sunglasses, her light brown hair spilling out to frame her face.

“Voila!” Alexia waved her open hands. “What do you think?” 

You looked her up and down. All of her tattoos were covered but even with her attire and her face concealed, you could still recognise her–maybe you could chalk that up to you intimate familiarity with Alexia’s being but still. So you said as you schooled your features, your voice monotonous. “Wow. You really look like a whole new person.”  

Alexia threw her head back, laughing. Then, “we’ll treat it as an experiment and see if they will.”

“That’s very modest of you,” you countered, tone still dry. 

“Thank you,” she retorted in a saccharine tone while she flipped her hair over her shoulder, and that, in turn, made you laugh. 

So then it was decided that you and Elisa would also wear face masks as all of you went on ahead in your quest to infiltrate–as per Alexia’s words–the store. Much to your surprise, Alexia’s disguise worked although she did draw some unwarranted glances, ranging from suspicion to pure amusement, due to the nature of her getup. And to your chagrin, once the three of you got back to the car with your bags of merch, Alexia smirked at you, smugness all too evident in the curve of her lips. 

After that, Alexia took all of you for a drive up a mountainside with the windows rolled down that let the fresh, summer breeze rush inside. With the wind in her hair, she began to sing along with you and Elisa to the music playing on the radio, nodding her head to the beat of the music. At the end of the ascent, Alexia parked the car at your third stop, which turned out to be the Tibidabo Amusement Park.

You knew this place was pretty high up, but the moment you stepped out of the car, even from the parking lot, the view hit you: it was incredible. The city of Barcelona stretched out far into the distance, expansive and seemingly never-ending, and you could just see the strip of blue that bordered the ports, and the colours of the city’s structures were made ever-vibrant by the radiance of the sun. The view pulled you towards the edge of the parking lot, where you put the viewfinder to your eye to capture it.

“The view is stunning, isn’t it?” Came Alexia’s voice from beside you.

“Yeah…” you said, breathless, dragging you eyes from the cityscape to Alexia and as you did the remainder of your breath was completely taken away, cheeks warming when you found Alexia gazing at you, her smile as tender as her eyes, while her loose brown hair fluttered to the breeze which added to the softness of her demeanour. The urge to kiss her then became too much so before you fall into temptation, you closed the distance and simply rested your head against her strong shoulder, an arm around Elisa’s shoulder when she stepped into the space beside you.

Soon, you began a short trek upwards to get to the entrance, and if the view from the parking lot took your breath away, it was nothing compared to what you found at the top: from the regal immensity of the structure of the Temple of the Sacred Heart of Jesus that greeted you, to the Torre de las Aguas de Dos Ríos that stood proud just behind the Temple, to the perspective that overlooked the other side of Barcelona. After another round of picture-taking, the three of you finally entered the park.

The day went by as the three of you amused yourselves with the park's attractions. And since you'd all forgone wearing masks, Alexia was, as expected, recognised by people and was stopped more than a handful of times for photos and signatures during different points of your excursion. And you watched with Elisa on the sidelines, appreciating the way Alexia interacted with her supporters, and smiled at her with encouragement and reassurance whenever she looked at you two with an apologetic gleam in her eyes.

By the time the three of you left the park, the sun had begun to set.

It was another drive around the mountain side that lead you to the last stop for the day: Mirador d’Horta. Alexia parked the car in such a way that the trunk faced the cliffside before she urged the two of you to step out and you gasped. 

You’d seen some magnificent scenes today, but this one was definitely your favorite.

There you stood, taking in the way the lights of the city burned like embers embedded in the earth. There was something about witnessing the city at night that never failed to make you feel connected, elevated, when you see the million tangible proofs of existence: under each light was a person, a family—lovers—all in their own worlds at their corner of this world you shared with them. And in your corner, in the opened trunk of Alexia’s car, was your world right beside you, and there was nowhere else you’d rather be. The three of you sat there in silence, Elisa in the middle of you and Alexia gazing over the city lights.

It wasn’t long until the day finally took its toll on Elisa, and she ended up settling her head on your lap and dozing off into slumber. You smiled down at her, brushing back her hair behind her ear as you watched her breathe deeply, feeling relieved when you noticed the peaceful smile on her lips.

“So her battery does run out. Sometimes, I forget just how much energy kids have.” The pure awe in Alexia’s voice made you let out a quiet laugh.

“It has its way of catching you off guard.” You shook your head fondly before you met Alexia’s eyes and teased, “I can’t believe she tired you out; aren’t you supposed to be the athletic one?”

“Hey! I’m only human; thank you very much. And what’s a thirty-year-old compared to a twelve-year-old?" Alexia raised an eyebrow in challenge.

“Touché. Ah, to feel young and full of energy again.”

Alexia cringed before she laughed out. “Please, stop. You’re making me feel old.”

“I’m making us feel old.”

The both of you chuckled, then took a momentary pause. You turned to Alexia and asked, "Did you run your parents ragged as a kid?”

The inner corners of her brows lifted—it was subtle, but you were familiar enough with the intricacies of her demeanour that you caught it—exposing more of her eyes, which looked pensive in the dim light, her lips pressed in a melancholic line before she smiled, wistful.

“Oh, yeah, but I’d like to think I wasn’t a menace. It’s just—you know, when you get so focused on something that you forget the time?"

You nodded. She continued.

“When I was much younger, there were times I was so intent on winning that I’d forget about dinner. So, one of them would look for me around the streets or the square. But after I got into Sabadell, my energy finally found the right outlet, and most days I’d gone home tired. Papá–” Alexia bit her lip, her eyes glazing over for a moment as she receded somewhere—a tender memory—then she shook her head. You watched the way her throat moved as she swallowed before she continued, voice raspy and quiet, “He, uh, he’d always exclaim, ‘She’s finally tamed!’ whenever I’d slump down on the couch after a practice. It was ridiculous, but it never failed to cheer me up.”

You grabbed her hand and squeezed it, expressing silent gratitude for the memory she imparted, as you smiled at the image of young Alexia with red cheeks in a sweat-soaked shirt, hair matted to her face, being chased and dragged back home to have dinner.

“No, I can’t imagine you being a menace. Mischievous, yes, and probably hot-headed, but never a menace.”

She laughed, winking at you. “Yeah, hot-headed is probably what people who knew me then would say about me. And I can’t imagine you being a menace, either.”

You raised your brow at her, smiling slyly. “Are you sure about that?”

Alexia opened her mouth as if to reassert her claim, but you saw the way her confidence wavered as she regarded you. Then she closed her mouth, now looking more unsure.

“Wait, are you being serious right now?”

You allowed her confusion to linger for another moment before you finally broke your character. “No, I wasn’t a menace, but you really should’ve seen the look on your face.”

Alexia squinted at you and muttered just loud enough for you to hear, her tone dry. “Are you sure about that?”

“Hey!” You yelled quietly, giving her shoulder a playful nudge but being careful not to accidentally jostle Elisa awake before you took her hand again. You intertwined your fingers together and pressed a kiss on the back of her hand, meeting her eyes. Then you took a moment to soak her in.

“Thank you, Alexia, for today. You don’t know how much this means to Elisa... how it means to me.”

Alexia squeezed your hand, smiling softly.

“I’m glad you both enjoyed it.” Alexia squeezed your hand as she regarded Elisa with a soft eye. Then a sincere smile lingered on her lips as she caught your gaze and said, “I think I needed something like today more than I realised. It feels good to be spending time with you again.”

Warmth bloomed in your chest, clearly understanding what Alexia meant.

“I know the feeling,” you whispered. And I missed you, too.”

With her other hand, Alexia reached out over the space between you and brushed her thumb over your cheek, tucking a strand of loose hair behind your ear as she smiled at you with her eyes and her lips. With the city lights behind her, the soft glow of the car light bathing her features in its golden glow, and the summer breeze playing with the soft strands of her hair, Alexia looked so tenderly human, the embodiment of warmth and all that the word entailed, gentle and, oh, so soft.

The two of you sat in silence, just soaking each other in, until a ping from Alexia’s phone interrupted the moment. Alexia looked down, read it, and then locked the screen with a sigh. When she met your eyes, hers were apologetic. You smiled in understanding.

“Time to go?”

“Yes.” Alexia sighed as she stood up and tucked her phone back into her pocket. “It was Josep. He reminded me I have a full day tomorrow.”

You nodded. You gently roused Elisa, watched her drag her feet to the back seat, and nearly chuckled when she fell right back to sleep after putting her seatbelt on and closing the door. You turned to Alexia, and as soon as she closed the trunk, you cradled her jaws in your hands and pulled her down for a kiss. Immediately, Alexia wrapped her arms around your waist, pulling you closer to her.

“I wanted to do that all day.” You whispered against her lips.

Alexia gasped when you nipped at her lower lip before she buried her fingers in your hair, deepening the kiss. “You have no idea.”

On the way back to Derek's house, Alexia kept one hand on your thigh. And with the radio playing softly as the car passed under a tunnel with lights overhead, it felt like you were in a movie.

After Elisa had gone back inside the house after thanking Alexia for the day and bidding her farewell for the night, you kissed Alexia’s cheek in gratitude. Then her lips.

With her forehead resting against yours, she whispered, “I’ll see you Tuesday?”

“Yeah.” You brushed your nose against hers before you kissed her again. You began to pull away. “Have fun tomorrow.”

“I will. I–” Alexia’s cheeks flushed before she smiled. “Bye, for now.”

Later, when you were in bed about to go to sleep, you received a message from Alexia. She sent you a link to a tweet containing a photoset that contained pictures of the three of you but mostly pictures of a hooded Alexia taken from a distance by the photos’ grainy quality, captioned, 'Alexia, what are you doing????’ followed by a string of laughing emojis.

At that, you couldn’t help but laugh. Her disguise was ridiculous in person, but captured like this, you thought it was a work of pure comedy. 

You messaged her back, 'I guess you do have reason to be modest after all.’

[felassan]

ouugh i just cant wait to return to thedas

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[ruporas]

wolfwood redraws (ID in alt text)