#need 2 draw his autistic ass again sometime.

[pengy-pop]

honestly this is the best gif ive ever made

The Scuttler

[clearsky]

My Top Comfort Characters/Kins and My Main HCs For Them

(Note, not all my kins/comfort characters are on here, just the ones I have more than 5 hcs for)

CW: Korekiyo Shinguji (DRV3), Himiko Yumeno (DRV3), Shinsou Hitoshi (BNHA), Kyoko Kirigiri (THH), Tsuyu Asui (BNHA), Entrapta (Spop), Ibuki Mioda (SDR2), Celestia Ludenberg (THH), Funtime Foxy (FNAF), Peril (WOF)

Korekiyo Shinguji (DRV3)

Nonbinary

He/They pronouns

Autistic

Chains and loose accessories are for stimming

Likes the feeling of silk and cotton

Can't stand the feeling of anything rough or bumpy

He likes collecting small trinkets and the bones of small mammals

Can't stand anything salty. He'll eat it but he certainly won't enjoy it

Dating Rantaro

Can flirt, but only if he doesn't try

Petnames are a hell yea

Gets sunburnt really easily

Group dates with Celesnaegiri and Ikuzono

Can't cook for s h i t

Had a scene kid phase in middle school

Went to the same middle school as Celeste and Maki

Knew them when Celeste went through her "I'm not like other girls" phase and Maki was a Band Kid™

Himiko Yumeno (DRV3)

Female

She/Her pronouns

Lesbian

Can force herself to fall asleep within seconds regardless of where she is

100% forces herself to fall asleep when she doesn't wanna listen/talk to someone

Himiko/Angie/Tenko relationship. I'm calling them the Traffic Light Trio

She likes taking naps in the forest

She prefers enclosed/tight spaces more than open ones

Has several hundred stress balls and squishies laying around

She overheats easy

Shinsou Hitoshi (BNHA)

Questioning his gender, but goes by any pronouns

Knows he's Asexual, at least

Has no clue what his romantic orientation is though

The kind of person to carry treats in his pocket just in case he runs into a cat

Will stop to pet literally every cat he comes across

Great at reading people

Doesn't talk unless it's 100% needed

Hangs with Tokoyami, Jirou, and Denki most often

Aizawa has 100% unofficially adopted him

Fosters kittens

Not a big fan of physical touch

He is 100% in the bakusquad. Anyone who says he's in the Dekusquad is a c o w a r d

He and Tsuyu vibe

Knows a bunch of random facts

Dark humour? Dark humour

*skates backwards into his therapist's room slowly sipping from an absurdly huge cup of coffee* Candice you're not gonna BELIEVE the shit I just went through

In case I forgot to mention it, he skates

Kyoko Kirigiri (THH)

Mtf

She/Her

Bi with female preference

Burns go up to her shoulders/collarbone/chest

Prefers to just listen as opposed to saying anything

Knows a ton of random trivia about everyone else in her class

She keeps a notebook she fills with all the trivia

Doesn't celebrate her birthday. She just doesn't see the point of it

Doesn't hate sugar/sweets, but if given the choice she would choose literally everything else

Cuts her own hair

A cat person

Permanent dark circles

T-Tall 😳

Like,,, 6'1 at LEAST

Only person taller than her is Yasuhiro (6'3)

Canon no longer exist

Ahahaha healthy life habits? What are those?

Can't handle horror games

She's the kind of person you'd go to if you needed to rant but didn't want any advice

Polyamourous yo

Celeste/Kyoko/Makoto

She's a dom yall are just scared to admit it

Tsuyu Asui (BNHA)

They go by They/Them

Lesbian

They and Ochaco are dating

They like to hang with Shinsou

Which mainly just means the two sitting in one of their dorms in near total silence doing whatever

Can speak English and French as well as Japanese

Learned English from cartoons

Picked up French bc they thought it'd be fun

Prefers to stay neutral in the whole Bakusquad / Dekusquad thing

They're invited to all outings/events by/for both squads

They like puns

They're a dumbass but willingly, and for fun

Like "someone says they like dark humour and they'll turn off the lights before telling a joke" kind dumbass for fun

Great at poker

Likes Disney Movies

Very touchy once you get close enough

Not in a sexual way, just likes physical contact

Especially fond of piggyback rides and cuddles

Extreme fear of needles

Entrapta (She-Ra)

She/Her or It/Its

Doesn't bother trying to figure out whether she's cis, trans, nonbinary, or what

Was AMAB though

Short as fuck (4'7)

Strong as fuck though

Cuddle game strong

Physical touch is a fuck yes

Cuddles

Piggyback rides

Hugs

Anything where she's touching someone is wonderful in her book

As long as she's the one that initiates it

Anyone else touching her without her permission makes her freak

Prefers being high up

Makes it harder for anyone to sneak up on her

An ace at video games

When it comes to sexuality she just says she's Questioning

Ibuki Mioda (SDR2)

Any pronouns + Pup/Pupself + It/Its

No idea what their gender is otherwise

Biromantic Asexual

Just likes sexual jokes

Gets distracted easily

Has severe hearing problems

She's plays her instruments as loud as possible, with the amp right next to her, without ANY ear protection

It's caused some damage

She talks so loud bc she has no idea how loud is considered acceptable

Wears hearings aids most of the time

Several piercings and tattoos

Likes hearing things jingle

She has a bracelet with a few bells hanging from it

She'll shake it whenever she's bored

LOVES hair accessories

Ribbons are a particular favourite

Occasionally she'll hang little charms from her hair "horns"

The kind of person who never takes any pills/medicine bc she keeps forgetting she has to

Frequently uses emojis

Skates everywhere but she isn't very good at it

She keeps crashing into everything

Has broken every bone in her body at least 3 times

Most of which was bc she keeps trying to kick in doors and skating down the stairs

Celestia Ludenberg (THH)

Nonbinary

Any pronouns, mainly goes by She/They

Bi, 70:30

Collects mini hand sanitizers and can tabs

Has single handedly gotten Mario Kart, Mario Party, Monopoly, Uno, and Clue banned a grand total of 17 times (and counting)

The kind of person to purposefully target someone regardless of what game was being played

Favourite victim is Byakuya (bc he gets so upset about it and she finds that hilarious)

Mains Waluigi

Celeste/Kyoko/Makoto

Has several banned Twitter accounts bc whenever she's bored she'll start discourse on purpose

Hangs with Korekiyo, Ibuki, Byakuya, Yasuhiro, and Leon most often

It's a weird friend group but everyone's sorta gotten used to it

She and Byakuya gamble together occasionally

She tries to avoid it bc he'll willingly blow his entire fortune in an attempt to beat her

Autustic

Can't stand the feeling of water

Mainly bc she can't swim for shit

Horror movies? Hates them

Gets flustered super easily

Taka is her twin brother

Kotoko, Kokichi, and Gundham are their half siblings (Same father)

Peko and Toko are their cousins

She sucks ass at go fish

Fuck canon she's 4'11 now

C h u b b y

Freckles

Once she gets comfortable enough with herself she dyes her hair in the peekaboo style

Either black and red or black and blonde

Haven't decided yet

I'll be doing Celesnaegiri hcs as a seperate post but I just feel it's important for you to know that she expresses her affection verbally and is a very touchy person

Went to middle school with Maki and Korekiyo

Has horrible eyesight

She wears contacts most of the time but she always puts off buying more

After the 5th or so time she ended up blindly stumbling around a week after her contacts ran out Kyoko convinced her to buy glasses as well

Religious accessories yo

Like chokers and dangly earrings with crosses and pentagrams and shit

Likes wearing wacky earrings

Can run and do all sorts of tricks in heels

She and Mukuro are exes yo

Keeps her hair short so it's easier to manage

Hair never gets longer than her shoulders if she can help it

She seems like the kind of person who'd keep her bangs grown past her eyes regardless of how frustrating or inconvenient it is

She's a sub yall just don't wanna admit it

Funtime Foxy (FNAF)

I'm going on the record to say this

Funtime Foxy is genderfluid and that is that

Goes by Funtime

Any pronouns, They/Them most commonly

Plays music (keyboard and guitar mainly)

They and Funtime Freddy (Freds) mainly play with the kids

Freds mainly tells stories with Bonbon while Funtime more so plays one-on-one

Has nicknames for everyone

Circus Baby - Ringleader

Ballora - Bells

Funtime Freddy - Partner

Bon Bon - Bun

Peril (WOF)

I like both Nonbinary She/They Peril and Mtf She/Her Peril

They're both such good concepts

She's a lesbian, Harold

She only had a crush on Clay bc he was pretty much everything she was supposed to like in a guy

Gimme a moment while I force all my mental disorders onto this poor child

Autistic, Anxiety (Social anxiety, mainly, but she has most types), Adhd, PTSD

I'd like to reiterate yet again that She's a lesbian

Sunny and Glory were her gay awakening

Peril in Book 1: Damn, Sunny and Glory sure are pretty. Anyone would be lucky to date them. Clay would probably go for them over me. He would be stupid if he didn't. I myself would willingly date them over someone like me. They're just so pretty :(

Peril waking up in a cold sweat in the middle of arc 2: WAIT-

Rarepair alert but Peril/Sora

Peril meeting Sora: "Hmmm She's attractive. I would love to date her. Too bad I'm straight and in love with her brother lmao :P"

Peril, a mere month later, waiting for Ruby to leave Jade Mountain, pacing in her cave, running face first into a wall: WAIT-

I remember reading this one amazing story where Sora taught Peril to read/write and Peril found out she set off the bomb and comforted her/convinced her her run so that's canon now

Btw if anyone can remember what that story was called/what platform it was on and could tell me I'd appreciate it very much

I'd even be willing to draw a character of your's or make you an icon or something

I usually don't accept requests bc I get burnt out easy but this is a special case

She runs into Sora again sometime between the beginning of TOP and the end

I like to imagine she just goes wandering around

Anyway she confesses like a mere few minutes after running into her again bc Peril is just subtle like that

The actual confession takes 15 minutes and the entire time Sora is just sitting here like "👁👄👁 sure"

Bam Peril/Sora

Peril plans to keep it a secret for a little while longer but she spends 3 seconds around Clay and pretty much blurts it out

Clay, who wasn't even aware that Peril was a lesbian, is just "👁👄👁"

I wanna say Clay doesn't know what a lesbian is but in my canon Sunny is a lesbian so Starflight has already told him

Anyway he's super supportive

From that point Peril is sorta open about her sexuality?

Like, she gives Clay permission to tell the rest of the D.O.D bc she isn't about to risk being in front of them when they hear the news

(When Sunny starts actively seeking her out as a hang out buddy and Tsunami, Glory, and Starflight appear to tolerate her presence just a bit more afterwards she pretends she isn't confused by the change)

She's pink, white, and blue bc I said so

If you look at a certain angle in the right lighting her eyes, mouth, fire, and under her scales all look purple

But her fire is normally white and blue bc I said so

Also she pale as fuck bc in my canon their fire just sorta burns their colour away

You know how you leave something outside for too long and it gets sunbleached? Where it gets all washed out?

Like that but more extreme

By the age of 10-12 firescale dragons are just white with pale eyes

That's right not even the eyes are safe

Ram horns :P

I'm also fond of Peril/Sunny

Or maybe Peril/Sora/Sunny

But Peril/Sora is the main thing

On the topic of that bringing in my hc that if one sib in a sib group is fire resistant all of them are

She,,, She can change her scale colour

But only slightly and only if her emotions are strong enough

Bc I don't give a fuck about Darkstalker's scroll we were robbed of hybrid Peril

Unfortunately all of Peril's emotions are strong

Rainwing ruff along her head and neck

It's like a hood

It's mainly smoothed to her sides but when she's startled it flares out

RAINWING PUPILS

Y'all will know what those look like as soon as I get off my ass :P

She,,, She can mimic bird cries

Hates the summer

She has more than enough body heat already and the outside is just hot enough to add on and make her feel sick

She can somewhat control her heat but most of the time it's based on her emotions

It can go from standing-in-the-middle-of-a-burning-building-cant-see-your-nose-smoke-is-so-thick heat (Strong emotion) to Hey-thats-a-nice-cozy-campfire heat (Calm/"weak" emotion/Sleeping)

I'm just gonna make a different post with all my Peril hcs cuz there isnt enough room for all of them here

[normal-thoughts-official]

Bitch talk about rapharl teaching Alec how to cook a good meal for Magnus and both deciding to work together after lot of bickering because of Magnus bane love juices (u said in your last answer to ask u this so I now demand)(also coz I m Intruiged)

bitch i literally have already told u about this but also sure uwu

ok so like….. alec doesn’t get food. that’s just how it is. he grew up eating nothing but institute food and you can bet your ass there wasn’t seasoning on that shit. on like shadowhunter christmas or fucking something they put salt on the food and that was real adventurous. in shadowhunter culture, food was always seen as nothing but means to an end, Nourishment™ and nothing more. i’m surprised they even had shit like pancakes instead of just being like “for my patrol i am bringing this raw kale, yoghurt and rice smoothie. it is the best combination of nutrients for this time of day & activity” or just straight up eating like nutrient paste like those astronaut food thingies, but i suppose for that last one you would need technological development. do shadowhunters even have blenders tbh. anyway

the point is, food isn’t culturally an important thing for shadowhunters, which is all but canon considering the face magnus made at institute food (seriously, like… the trauma), and there is NO WAY alec knows how to cook. moreover, he doesn’t really get the inherent connection magnus has with culinary as a way to keep tradition alive and express one’s feelings, including love

but he does understand the basic fact that food matters for magnus. it’s funny to me because during s1, every time they talked about dates, alec suggested drinks (as he knew it was something magnus liked), but magnus always went for restaurants. the ethiopian place he knows, the place they went to in tokyo for their second date... i think drinking is more flirting for magnus, but going to a restaurant is more romance. because like not to slut all over the place yet again, but food is love

all of that to say (can u tell this is gonna be a really long answer) that alec is smart enough to eventually realize that magnus would love it if he made him some food. but does alec know where to start? no. he can’t like, tell a carrot apart from a broccoli tree and that’s just how it is. so, he goes to raphael for help, because he knows for a fact that raphael loves cooking and that magnus loves raphael’s cooking

and because alec is Like That his approach is very much like… “okay so teach me right now how to make a michelin star-worthy meal” and raphael is like… rubbing his temples, stressed out already, because goddamn 

so raphael has to sit down and explain the facts of life, i.e. that it doesn’t work like that, to him. cue dramatic speech about how cooking is an art, it’s not just about following a recipe. raphael could teach alec the steps to the most intricate dish, and it wouldn’t be worth anything if alec didn’t understand food, how it worked and how it meant. you don’t expect someone to draw the mona lisa just from knowing art theory. it takes practice, and love, and dedication, and raphael is willing to teach alec all that, but he has to understand that it will take a long time

and alec is like. what the fuck is a mownay leezah and raphael has to sigh and be like. cooking is like mastering a weapon. you have to train. and alec is like ah okay understandable 

cue cooking classes, which will 100% be written here like some “the hero is trained by their wise, old uncle on the ways of fighting” trope because like, yeah. so put on some music that matches that tone

so for the first class raphael puts some soup in front of alec and alec is like. hmmm. and raphael is like “take some and tell me how it tastes” and alec of course goes all “soup……” and raphael raises his eyebrows at him and he’s like “vegetable soup……” and raphael makes go on gestures as patiently as he can and alec is like “i think there’s……….. potato” 

so speech number 1: to be able to cook, you need to know how to eat. cooking is something that you do with all your senses. you need to be able to taste, and tell what’s missing, or if there’s too much of something, and if the texture is right, etc. you need to know what you’re looking for, you need to understand how to improvise, you need to pay attention and be in tune with it. you have to understand the ingredients. and alec is just like, nodding along and doing his best, because look. he might be a himbo with no previous experience on this and he might have no idea what raphael is talking about, but he does want to get this right, and understand this part of magnus better, too. only reason he’s not taking notes is because raphael looked at his notepad like he was going to die

alec takes to describing and understanding textures pretty well (hypersensitivity, babey!), but struggles a lot more with tastes because he doesn’t really have the apparel to describe it accurately due to lack of experience with that. which quickly makes raphael kinda.. sad. he went years without eating (he WILL find a way to be able to eat AND be still a vampire if it’s the LAST THING I DO IN THIS STUPID LIFE) but he can still tell what everything tastes like from memory. it’s not that alec can’t tell, he just… doesn’t know what to do with them because he was raised in a culture that literally didn’t care (and possibly forced him to eat Bad Texture foods and shit like that because it’s not like he has the space to complain about that, does he? and as a fellow autistic raphael can sympathize with that very, very well) 

so slowly but surely alec starts to pick up on tastes and describing and telling them apart and recognizing them when together, you know, shit like this. and sometimes he can recognize something from places magnus has taken him to before and he’s like oh, ginger! that’s what it was! magnus likes this, and his eyes are so full of love raphael has no choice but to huff like a kid because he can’t be caught thinking that it’s cute that alec loves his dad so much

(but it earns him many points in raphael’s book)

once alec graduates in Eating, they go to speech number 2: Why You Have To Vibe With The Ingredients. maia is there for that one because i said so, and anyway they need to get to taki’s to have this particular class because they grow at least some ingredients there okay let me have this (one of the things that made maia’s heart melt for raphael the most was seeing the way he was so careful and loving with the plants, like….. especially if they’ve started working together before raphael could eat food, he would just treat them with so much care and longing and put his all into making sure they grew healthy and well and it was just… heartwarming and heart wrenching in equal measures). but anyway she mostly takes to sitting on the counter, watching this unfold, and being very amused

so raphael shows alec, who promptly almost steps on a really small basil tree, leading raphael to scream NO!!! like he is dying and making maia almost double over with laughter, what they have. obviously they can’t grow enough shit to run a whole ass restaurant but they have almost all kinds of herbs and a few quick-to-grow, easy-to-take-care-of ingredients like tomatoes and squash. bonus for these ones: their fruits are also very visible! so raphael gets to show alec how they grow, what the texture is like, how much they weight, etc. obviously he doesn’t expect alec to grow his own ingredients or anything, but it is important to pick the right ones, otherwise no matter what you do, your food will suck. and seeing some examples of them growing might help you understand why and how that works

so raphael goes around to teaching him how to select the best ingredients according to type of vegetable, then meat, chicken, etc. and like not to slut over raphael but for just a second can i say that he’s just… such a patient fucking teacher, even when alec makes him want to die on the spot, and he is clearly so passionate about the subject, like he talks about it with such conviction and care and wants to make sure that alec understands exactly how it works beyond just decorating what is the correct texture for what and maia is just making heart eyes at him the whole time. she came here to be amused but seeing her boyfriend like that really makes her melt. ugh i love them

also every once in a while alec will say something Painfully Shadowhunter-y and raphael will just stare right at maia with the deadest-looking eyes you’ve ever seen in your life, and she almost spits into her own coffee at least once. sometimes she pats his shoulders all like “hang in there, bud”. but also like, he can’t fool her and she knows that he’s proud whenever alec gets it right, and he’s happy that he gets to do this for magnus, even if kind of second handedly. he knows that it will make magnus immensely happy if alec manages to make him a good meal, and like, he deserves it. plus, raphael just loves food and being able to share what he knows about it is always a joy. not that he won’t complain the whole time. but you know

okay so for next time, alec actually gets to cook for real! some good ole’ s o u p. and alec’s like “hmm. i mean i wanted to make something nice for magnus, you know?” and cue speech number 3: if you aren’t able to make a really good soup, you won’t be able to make anything else. it doesn’t matter how simple the dish is, what matters is to do it right, to make it with love, and to make it taste like home. soup is not just soup, it’s warmth, it’s love, it’s caring, it’s peace. i want you to prove to me that you can pour your whole heart into whatever you make magnus. there are no better or worse dishes, there are dishes more suited to one’s taste, or to an occasion. if magnus is upset, some nice, hot soup is going to soothe him way better than the most delicate pastry. so make me some soup, lover boy, and prove to me that no matter what it is, you can put your love for magnus and take care of him all the same

and alec is not one to back down from a challenge, so he sets his jaw and proceeds to cook like he is heading to battle, or in an episode of hannibal, or some shit. and inevitably he overthinks every single detail and it turns out weird and suboptimal, and raphael is like “i can taste your nervousness in this” and alec is like “nervousness is not a taste” and raphael is like “and yet”

speech number 4: you don’t have to think about it, you have to feel. if you’re thinking too much, you’re stuck in your own head, you’re not paying attention. food isn’t made with the mind, it is made with the senses. pay attention to the textures, tastes, sounds, colors. don’t be out there trying to think of what the most accurate combinations are, or something. just pay attention to what you’re doing

and alec’s like. “i’m too autistic for this humbo jumbo i don’t know how to cook through following my heart” and raphael, ready to smack him with a newspaper, is like “it’s not about following your heart, it’s about following your body, paying attention to what you feel. you are more likely to notice texture differences, tastes, sounds, brightness. use that” and alec’s like alright

anyway so alec makes some and it’s like, alright, not fantastic, but good. then for the third one raphael just goes “ok just think about magnus” and alec is like *vibrating* man i sure do love magnus and he’s practically secreting heart emojis through his pores and raphael is like uggghhhgghhhghghhghhhhhh g r o s s, texting maia about his woes and pain lmao. anyway you guessed it the soup turns out great cuz i’m a corny bitch. raphael is like maia. maia. the soup was so good. just because he was thinking about magnus. he’s actually worthy of my dad. uggghhhhh put a stake through my hEART and maia is just like. pat pat

okay so then they go to more technical shit like chopping techniques and temperatures and stuff like that you know the usual shit. and raphael teaches him some more recipes until he eventually decides that alec is good enough to learn something fancier to woo magnus with - idk what that would be tbh so like insert something here. and okay alec graduates cooking class woohooo

and then a few days later magnus goes visit raphael and he’s all like “so… alec cooked for me the other day” and raphael pauses and softens incredibly and is all like “did he now?” and magnus nods, clearly so happy it’s unbelievable, possibly a little in awe because he wasn’t expecting the sudden display, not when he knew that alec wasn’t exactly interested in culinary, much less for it to be so good. like obviously alec had put thought and work into this and it’s just… really nice. and he felt just so cherished and loved and i just aaaaaaaa

obviously he tries to keep the lovey-dovey shit to a minimum, if anything because raphael already teases him enough (he’s still not over “because you’re totally unbiased”), but it’s just so obvious that he’s happy and he can barely hide a smile behind his tea and whatever raphael made for him (pan dulce maybe?) and he looks almost giddy, and that’s enough for raphael to feel accomplished. and he asks what alec made for him and magnus goes “soto ayam” and raphael’s eyes widen in shock and he smiles to himself like “the bastard”, because in the end alec made magnus soup, soup from magnus’ culture, because he understood perfectly exactly what raphael meant with food being love and care, and i just aaaaaaaaaaa

and don’t get me wrong he’ll make magnus fancy dinners too eventually, with roses and wine and the whole shebang, but he specifically chose soto ayam to be the first because he just loves magnus and wanted that to show through his food before anything else and i just doadsiahdaih im a soft bitch the end

[divine-motion]

don’t fucking interact if you ship t/cest and minor/adult ships

more shitty phone photos of sketchbook sketches for my tmnt fan incarnation/tmnt 2012 rewrite bc i have no shame and i’m having fun with it! pictures should have captions since i spent time writing them out, but tumblr might mess it up, so in case captions doesn’t work: 1. left to right: leo, donatello up, raphael down, michelangelo 2. Casey Jones up top, April O’Neil to the right, donatello in the middle and karai at the bottom 3. casey and don again, raphael to the left, mikey at the bottom just bc i liked how their their expressions turned out and didn’t want a bunch of negative space so don and case appear again 4. size chart featuring turtles. left to right: leo, don, mikey, raph 5. sketchy Slash design. big boy.

general thoughts character stuff below the Keep Reading. A Lot of rambling below so beware!!

April: 15 years old, trans and bi. local fifteen year old telepath finds out that not everyone is able to feel what other people are feeling, something she’s been able to do since she was six after she played in that one weirdly glowy puddle (early Kraang mutagen attempt that only managed to mutate April in the sense that it gave her telepathy, was originally intended to make humans become part of the Kraang hivemind). she’s largely unfazed by the existence of mutants and aliens, taking it in stride, and finds out about the Kraang - and meets the turtles - while snooping around TCRI business (aspiring journalist that she is) and accidentally witnessing the mutation of Snakeweed. her telepathy, which later as she grows in power alongside the turtles extends to telekinesis and basically possession, is very useful whenever she gets into a scrap since she can predict what moves her opponent will make, thus letting her dodge their blows effectively. personality wise she is a very determined and driven young girl, incredibly curious (and cannot mind her own business, she wants to know all the drama while not having to be part of it... which makes her very fortunate to be a telepath. listen she’s 15 she’s allowed to misuse her powers a little bit. as a treat.), playful, and cheerful, and she’s an extroverted autistic. in her spare time between her studies, she likes to play bass, sing, read, and write. that, and investigating whatever shady business is going on in town, and she makes it very clear to the turtles that even if they weren’t going to deal with the Kraang, she’d continue to try to stop them herself. she would like to not live under the threat of her or her loved ones getting mutated, thank you very much! and, you know, it’s kind of exciting. kind of.

i know it’s bc i have brain issues when it comes to parent figures but i am very much leaning towards Splinter not being... a good dad. i don’t think 2012 Splinter is a good dad anyways but i’d probably amp it up, make him a mix of 2012 and idw probably. i’m still mulling it over but like, remember in the season 1 finale when leo is watching his show and thinks the captain guy making a totally unnecessary sacrifice is a heroic move, and then Splinter tells leo (his fifteen year old child) that leo should know what or who to sacrifice, more or less telling him to sacrifice his brothers’ lives, potentially?? i know there was a lot at stake but hello??? i remember watching it and being like me: ah i see, this is showing that splinter is wrong and there is no need for any sacrifices as seen in the show when the captain Goes Down With His Ship for no reason other than just sacrificing himself, and leo will see that- leo: *tries to sacrifice himself twice in the finale, both times being kind of unnecessary/seemed like if he had just hurried or done something slightly different there would be no need to stay behind, and he gets out fine with no consequences, seemingly no injuries, and does Not learn anything, his brothers don’t even get sad when they think he died or get mad at him for pulling such a dumb move) me: surprised_pikachu.jpeg

like that moment haunts me. has any other splinter told their sons to sacrifice himself or his brothers? has any other splinter put that on them??? idw doesn’t count if he has bc he’s more explicitly supposed to be bad so???

sometimes writers think they’ve made an uncle iroh but they really, really, really haven’t. also his backstory is the same as in the show

anyways. Donatello: 15 years old, bog turtle, nonbinary (he/they, doesn’t mind being called brother but doesn’t like to be called “boy” or “girl” or whatever), bi. he isn’t in love with April. no creepy incel shit here. donnie is instead more like a mix between his Rise and 2003 self. he has trouble expressing himself and is pretty introverted, but he is very altruistic, kind, and compassionate. a lot of his inventions are made to help people and he was driven to learn about science and engineering because he wants to find a way to reverse splinter’s mutation, to give splinter his life and humanity back. he feels like he needs to know if splinter would just abandon them if he wasn’t a huge rat man, needs to know if there’s any part of splinter that blames them for being constant reminders of his mutation. other than that, he also likes to make inventions because he’s a dreamer and wants to experiment to see how much of the unknown he can push beyond. also, the best liar out of the turtles. also fairly good at compromising and prefers to solve conflicts without violence he can get a little... “obnoxious 15 year old genius” at times. even when he’s helpful it can come off as a bit “poor dear isn’t as smart as me”, and while he usually gets along well with Raph, he doesn’t handle Raph’s temper well at all (calls him “Wrathael/Wrath” and thinks he’s being super clever) and gets really dismissive of Raph’s “outbursts”.

Michelangelo: 13 years old, diamondback terrapin, unsure about the gender and sexuality thing but he doesn’t think he’s exactly cis and definitely not straight. a bouncy ball of sunshine and surprising emotional maturity and emotional intelligence! more so than his emotionally constipated brothers, at least. it’s on his thirteenth birthday (it was leo’s idea for them to pick dates that would let them have their own birthdays instead of sharing the “Mutation Day”, Mutation Day being another special “holiday”) that the Plot would be set in motion, as he’s finally allowed to go to the surface same as his brothers, and on this first night out they meet April and the Kraang and other mutants. he is a goof still, but he’s capable in his own right and gets frustrated when people treat him like a baby or an idiot because he’s not. he doesn’t always treat everything with the seriousness it should but like. he’s thirteen, he’s having fun. even so, he’s very insistent of taking responsibility whenever he does do something wrong and gets mad if someone tries to take the blame for something he’s done. definitely the most compassionate and empathetic out of the turtles, he’s quick to make friends and is very persuasive due to his earnest nature and good heart. much like donnie, he prefers to solve conflict without violence but does enjoy knocking skulls a lot more than donnie. unlike donnie, though, he is almost overly forgiving and not petty at all. he’s well aware that his kindness and forgiveness may be taken advantage of, but he still likes to approach people with an open hand, even if he knows that it may end up getting bitten. oh, and his hobbies include drawing, cooking, singing, and dancing. he likes to express himself!

Raphael: 14 years old, mississippi map turtle, trans, bi. all his fury is compressed within his tiny body, that’s why he’s so angry all the time! no, he’s not angry all the time, but he does have a short fuse. he absolutely hates his anger issues which leads to a lot of self-loathing, and a lot of frustration as his family members either don’t take his anger seriously or don’t have the tools to help him with it. he’s the physically strongest out of the bunch and the least agile. he loves animals and plants a lot and keeps a lot of flowers in his room, hoping that he can one day become a gardener. as his idw self, he wants to watch things grow, but no matter what he does he seems to be best at destroying things. he’s also the one most self-conscious about how the human world perceives them, as he greatly fears rejection, and is the first one to see something positive with people getting mutated - namely, that maybe this way mutants will be more well known and finally accepted by society, so he’ll no longer be trapped in the sewer until the end of his days. so yeah, he’s a huge optimist, in truth. also he’s great at knitting - great at creating and taking care of things in general - and there’s no leo and raph rivalry this time around. he can get mad at leo but not really more than he gets with his other brothers.

Casey: 15 years old, nonbinary (they/them), bi. teen vigilante who gets inspired to fight mutants and the big time criminals (no beating up pickpockets or shoplifters or whatever, just the ones that are really hurting people) and gets roped into the turtle fam after meeting raph and becoming unexpected friends (everyone was expecting it, once Casey realized that mutants are people and not weird monsters. well, not all the time, anyways). they struggle a bit in school not because of a lack of trying but a lack of time, as their parents work full time jobs and someone has to take care of casey’s little sister. their parents are very loving, but they only have so much time, so casey takes it upon themselves to take care of their little sister when their parents are busy and/or burned out from work. that, and they run into the classic dilemma of vigilante work clashing with school work. as always, they have a short fuse, they’re pretty cocky, they like beating ass, and they like hockey a whole lot. hockey, vigilante work, school, and taking care of their little sister... yeah, they have a lot on their plate. oh, and making their little inventions like the taser glove and their puck bombs, something that they bond with donnie over.

Leonardo: 17 years old, Central American wood turtle, trans, gay. he doesn’t fall in love with his sister oh my god. ahem. so, leo is raised from the start to be a Leader and has to mature very quickly, learning to be an adult way earlier than he should’ve, and as such he is very stoic and quiet, and doesn’t seem to have any hobbies, instead just doing chores and training almost constantly, and when he’s not doing that he’s reading or sleeping in his free time. he’s incredibly protective of his younger brothers and his other allies/friends, even if he acts distant and detached most of the time, and removes himself from situations where they’re having fun to not be the stick in the mud. he loves his brothers and admires them greatly, believing they could be So Much if the surface world would just accept them, and as a result he tries to be The Soldier so his brothers won’t have to. alas, they still get caught up in the Kraang and Shredder business, which frustrates him internally. he is the best fighter out of the turtles on account of having more years to train (and convincing Splinter to wait a few more years before they got Real training bc Come On Dude They’re Kids) but it’s the Only thing he’s good at, along with stealth and his sharp eyes. he absolutely sucks at talking when it isn’t about a mission or something he can script easily in his head. in his mind, he’s supposed to be more of a weapon than a person, an idea that isn’t exactly encouraged by Splinter... but not exactly discouraged either. his arc would be very paralleled with Karai’s, as they would both learn to hate their dads... also, absolutely down for murder, and a lawful neutral at best, putting his family and friends’ safety above all other things and following a strict personal code. doesn’t care too much for society’s laws, though.

Karai: 16 years old, demigirl, lesbian. same backstory as in the show, she’s born as Miwa but gets taken by Oroku Saki and raised as his daughter. however, she doesn’t exactly want revenge against Hamato Yoshi because she believes that he killed her mother. she never knew her mother, so it’s much more difficult to hate someone for taking her mother away, even if it does mean that she never got to know her mother. especially since her father rarely spoke of what her mother was like, and much more about how much he hates Yoshi. instead, her need for revenge is more for the possibly idyllic life she was robbed of, since she believes that maybe, just maybe, her father Saki would’ve been a kind father that would’ve let her have a normal childhood and not be molded into a warrior from the start if her mother still lived. and hey, maybe Tang Shen would be a nice mom too. being trained in the art of deception, Karai has a tendency to talk a lot and say very little, or at least very little that is true. she is rarely ever sincere and acts as if she’s taking nothing seriously, which is part of her defense mechanism to never let anyone close or see her true self. she mocks pretty much everyone, ally and enemy alike, but especially likes to make fun of her father’s henchmen and is always the first to point out their failures. while she does value honor to some extent, she is a bit “flimsy” when it comes to loyalty, especially after the truth about her father is revealed. when that is revealed, she at first just feels very numb, learning that not only has she been nothing but a tool and a weapon for the Shredder from the very start, but also that the idyllic fantasy where her mother still lived, perhaps her life wouldn’t be so different after all. she looks at leonardo and sees a reflection of herself, that her “real” father chose to train his sons the same way the Shredder trained her. she feels stupid for feeling like she’s been robbed of even a fantasy, but it still enrages her. of course, this also inspires her to stay with the Foot Clan... just to get the kill on Shredder.

... yeah. that got long. ahem. i’m very passionate about this unfortunately!! anyways i might draw/write more for it because no one can stop me and i’m having fun

[stimmypaw]

Stimmypaw reads Darkest Night! The fourth text post!

Back with these uh live reading comments! Remember those? yeah! I'm on the fourth book of Warrior Cats: A Vision of Shadows :D I read The Apprentice's Quest and Thunder and Shadow and Shattered Sky and now!! I'm here :D and boy did I have a time. Click read more to see it!

NEEDLETAIL?????????

Needletail???????????

What?????

OH???????

Wh THIS GUY IS TALKIN 2 DEAD PEOPLE????

HOW WHO IS THAT

OH MY GOD

These guys are weak and dumb skyclan is epic and sharing the territory with them is good, but of course sparkpelt isn't dealing well with change wink wink nudge wink nudge nudge huh???? (this is a nod to how I project into her and say shes autistic)

I am getting anxious for tinycloud SERIOUSLY how much longer until those kits??? Everyday you show up and its WOW my tummy ssure is HUGE AND BULGING I just Wonder Oh When They'll Be Born, probably pretty soon!!! :) and then they arent!!!! Birth dammit!!!

Cherryfall cut the sick and hurt cats some slack jeez youre Fine, youre not feeding half the forest and you have THREE medicine cats ready to help you if youre not feeling well

Bastard Cherryfall I hate you /lh

Dovewing and Tigerheart have relationship drama again. What is UP with those two I simply do not understand them

Watching Bramblestar trying to control this bizarre situation is actually funny he is so close to screaming "PLEASE dont be mad :c"

SOON WHEN???? JUST KIT THOSE KITTENS DAMMIT

Get her, Alderheart

They LITERALLY said something about sharing the territory, they were like "Stars have five points baby and we need those 5 clans togetherrrr" what else do these cats want??? I know its a big change but its necessary

Wait everyone shut up that cat is named Podlight this is so important to me

Dang these cats are really still struggling :c I wish they didnt blame each other

Harestar is so cool

What the FUCK mistystar????

God what a disaster of a gathering Starclan is gonna be so pissed everyone is doing the opposite of what they should

I was holding my breath oof

I hope thunderclan gives some territory too thats too small a space for Skyclan

Oh boy oh boy oh boy i am Anxious for these Kitties

Violetpaw is me having nightmares every night

Macgyver is a heavily gringue name and I have No Clue how to say it how the hell do you say it

Update its either Mick Guyver or Mac Guyver apparently

Its fun to see how different the sisters are from one another, I love them both

I also love their mom with the name identical to puddleshine wish I got to meet her

IM CRYING BRO........M...MDB.....NFBANN.....VIOLETPAW BELONGS MY DARLING MY DAUGHTER

Sadly Twigpaw is for gender binarism ���� /j

Twigpaw is often in her thoughts and doesn't pay attention to anything around her and I love her for that

Bad news Finpaw is gonna lose his tail, good news I can draw his tail fin-shaped

Puddleshine surgeon moment!!!

I love Graystripe and Millie

And I love that being flirty is a part of Sparkpelt's personality, I don't know what Alderheart is talking about she's always been dandelion-headed

Ok this is epic, I’m glad we’re breaking gender roles in Warrior Cats my heart dropped when the books called Briarlight cr*ppled, that’s the thing they promised not to do anymore recently right? I’m not sure but, I could use some uh less ableism on my Warrior Cats, the series is old but the newer books should be better, so yeah, good modernize these cats babyyy

OH COOL Skyclan journey!!! Fun I hope they find someone :] also fuck Molewhisker and Cherryfall bastards.

Jayfeather is gonna miss Alderheart too much for him to leave hehehe

ALL of Starclan showed up just to call out Riverclan pahahah

oooo is shadowclan haunted?????

FINALLY TINYCLOUD IS KITTING YES GOD YES GO QUEEN GOOOO!!!!

I wonder why Twigpaw wants to stay behind, there has to be more than just the camp stuff

"I wish I were more positive like Twigpaw, but at least I'm just as scarred by the death of my loved ones as my dad :] I like being like him"

Violetpaw witnesses a car crash 😔 that was a bit messy what happened to those cars also why the hell was one of them smaller was it a bike??? Or ???? Idk what's up with it!!!

Needletail just happens to have slow-down turned on for her on the discord chat so she can only say like a few words each hour :/ why the hell is she here tho Violetpaw needs to get OVER your death!!!!

This short exchange has made me love Dewpaw

Also, I love Twigpaw, I still wonder why she stayed behind tho

Ahh, is it cus she feels too estranged from her family :c ? I wish her mom was around maybe that would help

Jee Twigpaw be a tad more empathic, I can see Twigpaw struggles with that sometimes

You can't cheer him up right now he's grieving, just find him on common ground, talk to him, don't try to make him happy just try to keep him company

Oh wow finpaw that's a dangerous thing to say I hope Twigpaw doesn't crumble under the pressure to never be sad because people like her because she's happy and her being sad would be bad

ALSO I JUST REMMEMBRERD UH TWIGPAW MENTIONED BRIARLIGHT BUT BERRYNOSE IS RIGHT THERE???? HE IS RIGHT HE DIDNT DIE OFF SCREEN IM SURE OF IT WAIY

BERRYNOSS IS RIGHT THERE I CHDCKED!!!! HE LOST HIS TAIL TOO AND HES A GREAT WARRIOR, TWIGPAW!!!! YOU SHOULD HAVE MENTIONED IT ITS MORE RELATABLE

Okay I'm glad they're getting along this is nice

Oh look twigpaw you Are like your father :] this is cute

Skyclan begins to fish competitively I'm glad

I like it when medicine cats bicker about their leader's behaviors ehheheh, Jayfeather talking about how weak Shadowclan is, Alderheart being annoyed at his father for wanting to stay silent, the others worried about the tensions this is all cheff the kisser

Jayfeather spitting the truths about how Starclan doesn't know shit, and he is very much one to speak

Puddleshine: Rowanstar stepped up the patrols :c

Leadstar: He has warriors enough for that?? Damn good for him

Dang poor Skyclan I hope they manage stuff better soon

Oooo the girls are fighting!!!

Alderheart starclan anxiety time dang

Sheep :]

Needletail :[

I'm sad Ravenpaw isn't here, this is a lovely reunion scene but knowing Barley will be alone when they all leave breaks my heart

Oh, maybe not, but if they stay I'll be sad also cus Skyclan needs its warriors

Aw man, Twigpaw is struggling :c

OUCH

I WANT SKYCLAN 2 SWIM THO......

Omg crimes

That sounds kinda possessive twigpaw!

DOVEWING?????

T

WhHAHAGAHAHA WHERE DID THAT COME FROM

omg tigerstar 2 real

Whats he gonna do to rowanstar???

ALRIGHT THATA OVER THEN PAHAHA

Aw, I'm glad they're having fun tho, and that twigpaw sees herself as skyclan

Alderheart, as he meets someone for the first time in a while: ARE YOU OKAY???

Blackstar protagonist moment

The medicine cats: our gods are toying with us again and destiny is uncertain

Leaders: I cannot DO this right now PLEASE leave and let me care for The Real Issues

Alderheart: YOU WILL hang out at my house Willowshine this isn't up for debate

Riverclan suffered enough and it's their turn to throw a tantrum about it, honestly good for them hsghahah

Alderheart asks his father to go on a quest to check people's feet

WHAT THR HELL IS A CANTANKEROUS

Alderheart and Willowpelt sitting there watching Shadowclan fight

This is really funny

HEWWO????

Puddleshine, in his eyes: help help

I love Skyclan

Ok this sounds like it's gonna be very very fun

Mission impossible: Escape From São Paulo

Oh, is Fallowfern deaf? That's so poggers omg I wanna see more of her

Edit: fallowfern is an elder that lost her hearing with age and retired after that happened :/ boring

I love leafstar so much

Juniperclaw: aren't you gonna punish her????

Leafstar: why

Juniperclaw: when I tell rowanstar he's gonna be pissed

Leafstar: don't tell him

Juniperclaw: the fuck is wrong with you and your clan??? Where is everyone???????

Leafstar: busy

Icon

I don't trust abled people specially able-bodied people telling disabled people they just have to train harder and feeling sorry for yourself won't help.

But this is the closest to a positive message to disabled people we have ever had in warriors so I guess I'll take it but I want better

IVYPOOL!!!💖💖💖💖💕

Dang ivypool what a way to show someone you miss them hahaha

Twigpaw: uhhhh how's dovewing?

Ivypool: what do you mean did she do something illegal I'm sure she did

Ivypool is a seriously funny character WHY are you yelling at the young adult about your sisters illegal activities she doesn't know anything about it!!!!

Alderheart goes on an adventure

Feet inspector on the road!!!!

Jasper is so funny I love him

Omg what's he got against clan cats??? What's his sad backstory????

YEESSSS SPARKPELT MY LOVE 💖💖💖💖💖💖💖💕💕💕💕💕💕💖💖💖💖💖💖💖💖💕💕💕

Sparkpelt your opinion sucks but I love you

I'm really really glad they had this moment this is really sweet, they hadn't talked for a while but this is genuine like, we hadn't had this sort of relationship in so long in the books with just, dialogue yknow??? THEYRE TALKING ABOUT THINGS

And the pause Sparkpelt takes between her speaking to fix what she's saying "I'm sorry for saving you :c no wait uhh not exactly but like" this is so good so natural so fun I love you sparkpelt

I get why she has a diferent opinion on Skyclan it's good for someone close to Alderheart to have a different mindset from him and for him to have someone like uh be opposites from him a lil yknow contrats his characteristics makes both siblings fun round and full of kitty do you get what I'm saying???

I love this

I love Sparkpelt, love her lil anxious moments, love her, love that she just wants to fool around with toms and enjoys Larksong but doesn't want to get serious you go girl

They wanted to write smart-ass they wanted to write smart-ass so bad

They're doing this in the rain?????

I'm quite certain Violetpaw is a young adult by this point its valid for her to go

Wh why did you let your cat out in the rain dude!!! When it comes back it's gonna dirty up the whole place it's wet out there!!!! And the cold is gonna get in the house!!!!!!!

I WAS HOLDING MY BREATH OH LORD

That was SO INTENSE AND SO FUNNY AND SO MUCH, IM SO GLAD SHE MADE IT I GOT SCARED

Oh this is so epic

That moment when your cat nearly dies and then it runs off and you go after it and then a bunch of other cats show up and start running with it

I hope Twigpaw can see the others soon

Glad to see her keeping her medicine cat knowledge ehehehe

???????

Sandynose I hate you you are so abled

Sandynose: I don't want my son to feel distanced from his peers so I'm distancing him from his peers

DOVEWING???

SANDYNOSE SHUT UP IM GOING TO KILL YOU ANS MURDER YOU

I'm so upset with Sandynose WHY isn't leafstar seeing this WHY DOESNG ANYONE SEE THIS SOMSONE PLEASE CONFORT AND LOVE MY CHILD TWIGPAW DOESNT DESERVE THIS

Angry sad upset why

Piscina

Thanks graystripe

Ok who's dying this time

Ok no one just a background cat got hurt he will survive otherwise it would be relevant

This was intense though what will happen now???

YES FINALLY

Oh this is lovely so good they're here!!! The rest of skyclan has arrived and we are all happy together

That dream felt good

NEEDLETAIL??? AGAIN

Where were you at!!!!

What!!!

Check this man's feet how many toes are there this could be good

What

Hegshahwha what the fuck is up with this guy

Okay I like him

Ohhh THATS tree

Change your name if you don't like it you sound trans already

Yeah nothing makes one smarter like dying

This is very fun I'm excited for more of whatever happening

Twigpaw :c

HIS SNIFFLES

Oh no

Hhhhnn I want Twigpaw to be happy so bad, I hate seeing her struggles

Sandynose you are so evil and very detested by me

You can and you SHOULD feel angry at Sandynose he SUCKS and he is being needlessly mean at you!!!!! There are much better ways to bring up the possibility that maybe you'd be happier with thunderclan!!! Fuck off Sandynose

Oh so Snowbush hasn't improved, maybe he will die?

Poor Alderheart

Oh fuck there he goes

Yeah

Aw man, rip to the background cat

That was a heavy death too

Aw, I was hoping the rest of Skyclan would show up before the gathering, maybe just after it???

I wonder what's going on in Shadowclan

TIGERHEARTS MISSING HUH???

The couple was kidnapped

HUH????

Oh my lord oh fuck

Can't anyone step up to lead why do they depend on Tigerheart so much???

Jesus christ

Alderheart kills his gods

This is so chaotic and funny I'm worried as hell for shadowclan but excited a lot is happening

HI TREE AGSGAHAH

Tawnypelt >:(

Puddleshine: WAIT DONT KICK HIM OUT, CHECK OUT HIS FREAKY FEET INSTEAD

Oh dear

Twigpaw :c

TWIGPAW :CCCC Man rememebr when I said I hope Twigpaw doesn't crumble under the pressure of being happy for others? yeah

GET OUT SANDYNOSE I DONT CARE YOURE BEING REASOMABLE FOR ONCE YOU SHOULD HAVE BEEN LATER

:C

I'm so heartbroken for them

Uh pdhsgahab okay then

Bye finpaw

Wow that was easy for him

This is fun

I'm still sad as hell

Okay there's a lot going on right now wow

The owl scene was funny as hell to picture, this dramatic prophetic moment and the cats just "uuggh is that a prophecy??? Nooo"

Okay so

There's some shadowclan cats missing, considering the many sleekwhisker maps I'm sure she's up to no good but I have no clue what happened to the others and I hope they're okay

Wow! That was really something

Fantastic ending to a very good book its, definitely a different energy from the third but I'm really enjoying this I'm still excited as hell!!! I got worried things would get kinda bad from here but nope!!!! Very fun stuff for now this is very very good and I am enjoying it

This is definitely one of the most fun arcs I've read so far!!! The drama the stakes the little moments everything is tying together really well into a very fun story I'm enjoying a lot!

I worry for Twigpaw and hope for her happiness, and Violetshine too, hope her and Hawkwing deal well with missing her. Tree is being interesting. Alderheart wasn't much of a focus here but always fun to see him trying to solve the damn prophecy no leaders seem to care about. Mousewhisker was okay??? Lots of very fantastic turns for all events and uh let's see where this all goes next!!!

[bridgesoverrivers]

hi matt.. or mace.. idk what u want to be called rn or how long itll last but this is just for u to look back on because u dont know how to discuss ur actual feelings so u turn to the void, yet again

instagram is so depressing and so is just about every social media ive cycled through at this point.

ive made several break throughs within my layers of thoughts and also thought loops that i dont know how to quite get out of .. that being said i have made an amazing progress on realising that ive successfully lived alone for 6 months despite dramas with friends, family, friends again, along side mental health and health ontop of it all. living in my apartment can be so depressing sometimes.. its so quiet idk what to do with myself but ive gotten the hang of just doing stuff to stay busy without it becoming excessive or compulsive and it’s really nice tbh.

i need to spend more time writing so that i can actually manage to write an essay to cater for my autistic ass which im so confused about because my cognitive function has significantly reduced and i kinds feel like im in the awkward lost period again; where i cant show affection or think actual thoughts and im just talking random shit 24/7 to fill some void or something.

I got a rat 2 days ago (7/1/21.. ironic lol) , his name is Seven and hes about 6-8 weeks old and hes a total sweetheart so far!! hes very friendly and is starting to enjoy pats and company more and more every time we hang out. he likes my big hoodie that i converted into a slipknot hoodie which i am yet to sew so i can wash it n shit.

I have so many art project ideas im yet to fulfill like making music with chloe, drawing on a bunch of clothes i wanna diy and make cool with black and white patches n shit, make a tattoo flash so i can finally fucking start doing cool things but i keep on procrastinating buying needles/ink/stencils for like what the past 4 years

um my allergies or whatever the fuck it is gets so weird like im literally kinda fucking confused but i need to see an allergist which ive also procrastinated for 2 years.. i might have fucky lymphnodes or some shit to explain why my body hates everything i eat mayhaps but like ummmmmmmmm also got diagnosed with bipolar 2 which im like what noo im fineee but also like bro yeah legit spot on lmfao cause i get real fucking caught up in my thought loops and social habits i dont even realise that “self awareness” is probably the most nonchalant i am cause im probably like kinda manic and my brains just doing some stanky leg spiel shit where im on such a high from it i dont realise its just the bigger picture of it and im not addressing problems or knowing they exist.

but hey, while im in the neutral state or just one of the inbetweens where im still just me and im just vibin and i can be conscious of feelings/actions/environment  and i just get really adhd and super lost in time instead is p good.

i finally feel like my interests are back or a will to have any because god i exist for everything i used to be but that doesnt rlly exist anymore and in 2020 i became a bit of a shell but like 1 step at a time i can get back into it like bruh watching shows or movies wasnt on the agenda for like 2 years thats so friggin long but its finally over and im really looking forward to creating so many cool great things as i grow up and into what really is starting to feel like adulthood;;;; even if everything i fucking do becomes more and more apparent that my brain is abit special and i dont understand alot of shit or do anything abt shit but it is so gucci i am simply travelling through time trying to understand my individuality and perpetual ^   this    ^ shits kinda inevitable but i just have to literally fuckn live love laugh cause fuck u and ur mum lol

i hope one day when u read this u find this as good reflection and u get the hang of some things that seem so far away and out of reach.. youll get there whatever that vision is man :) <3

[papa-1-rights-activist]

Could you tell us some things about your characters?

thank you so much for this ask :D sorry for such a late response, but ngl i got very excited and started writing shit down as soon as i saw it, but then it turned into an entire essay and i had to cut down a ton of stuff until i decided to write it in a list of some sort kjhgkjfgkfg

currently i have like 11 fan characters in total so i will start with 4 to not infodump too much at a time

and i’ll admit that literally all of these guys were made for shipping purposes, but they all have different personalities and dynamics with canon characters. i’m such a sucker for writing couples, so many things to explore, that’s like my favourite thing ;w;

it got very long so imma put it under the cut \o/ (hopefully it works bc tumblr has been pretty unpredictable lately)

sorry if it’s probably way more than just “some things” but i couldn’t help it, i just love these guys so much and i don’t get to talk about them often u v u

e n j o y ~

imma start with the one you guys are more familiar with

Lucas

one of the cardinals in Ghost’s church

Mexican

in his late 40s (like 46-47)

hardworking, ambitious

pretty composed

huge „your teacher from english class who’s also a dad” energies

his character can be summed up to, as someone has said, „he’d kindly but sternly correct your shitty posture”

currently takes the 3rd place of most „best employee of the month” awards (Copia is 4th at that time)

he and Copia start off as rivals for the 2nd place (bc no one can beat whoever is the 1st)

but wouldn’t you guessed it, they end up dating

Lucas has a fair collection of various rodents, including rats. Actually, he’s the one who infected Copia with love for them. Luc prefers ferrets (that’s a rodent right kjhfgkjgh)

he doesn’t really get angry, but when he does he really goes off

he writes poetry, which is actually very, very bad, but Copia loves it to bits which makes Luc feel validated to write more

because his language is so similar to italian, Lucas can implement a lot of spanish into his conversations with Copia, while the other will reply in italian and they will still understand each other (ofc there are some exceptions that result in miscommunication, but that just makes it all more fun)

Copia shared with him that he’s writing music for his album (even tho he wasn’t supposed to tell anyone) and Lucas was more than happy to help him in the process…which was mostly moral support and a few suggestions.

he loves calling Copia “cariño”, “mi amorcito”, “mi alegría” and other cute names in spanish

once Lucas mentioned he used to play flute and Copia immediately decided to include a flute solo in one of his songs, so Luc could play it. Unfortunately things didn’t go as he planned and he had to change it to sax solo

The thing about Lucas is that Imperator sees him as a threat. She’s been plotting with Copia to get him to papacy for a long time, but in the end she isn’t the one who decides who will be in charge, so Copia has to work hard to deserve it. He was already a hard worker, but unfortunately Lucas works harder. It creates this dillema for Copia, bc on one hand he does want to become Papa and in order to do that he has to get rid off competition. But on the other he loves Lucas and he wants what’s best for him.

(i’ll probably post the pic above in a separate post with other doodles, i just wanted to show sth new and relevant)

Elise & Greg

Imma put these two together bc it’s impossible to talk about one without the other.

they work together in a company that takes art commisions such as paintings & murals and their restorations. They’re both pretty skilled in those departments, except Elise specialises in art restoration while Greg specialises in murals and frescos. And ofc one day they’re hired by the church.

they’re both pretty good at painting (but the thing about restoration is that you don’t have to be a great artist to do that, it has more to do with chemistry tbh)

They live together and have been very good friends for a few years now

they both went through some traumatic events in their lives, but maybe i’ll leave that part for another day (or i’ll leave it in my fanfic they’re from that i need to finish ;w;)

they’re very supportive of each other, but also they like to mess with one another

their chat is filled with horny texts about other people

Elise

34 years old

British

a bit awkward, tends to stutter when nervous

very sweet overall, feels the need to be everyone’s therapist

autistic, which shows mostly through her sensitivity to certain textures

hates onions (bc the texture is awful)

gets very emotional very quickly when she sees cute animals. She will use her baby talk to speak with them (which is sth that Copia does too with his rats and once he catches her doing that as well, he feels less embarrased about it)

Cirrus was the first one from the church to actually talk to her and show her around, making her feel a bit more welcome in an unfamiliar place

she talks through her sleep. A lot. Copia finds it very amusing…and adorable.

she discovers that Papa III has fallen hard for her friend way before he himself realises that, but then she’s also the kind of person to not see her own feelings for someone

she finds working on restoration quite relaxing. It’s sth she can fixate over and do for hours (even tho it’s not recommended)

a bit of a workaholic

another thing she finds relaxing is sitting in a corner somewhere warm and doodling people she sees around the abbey (mostly those she finds attractive lol so mostly Cirrus and Copia)

eventually ends up with Copia and Cirrus in a poly relationship

she also finds Cumulus cute, but the ghoulette isn’t interested in another romantic relationship. the one she has with Cirrus is enough for her.

Elise’s relationship with Copia is basically two dorks trying to impress the other while trying not to be too obvious about it, while her relationship with Cirrus is bisexual equivalent of „shy nerd has a crush on a cool girl leading the cheerleaders squad and shopes she doesn’t know. She knows.”

(had to doodle sth real quick bc i can’t believe that i don’t have a single good pic of him lol)

Greg

37 years old

Polish (bc ofc he is)

pretty stoic, might come off as cold

he gives cute nicknames to people he likes (in polish ofc)

he’s actually pretty cheesy and wholesome, but you wouldn’t know that bc he shows his affection through a language that no one understands (which is what he wants, he doesn’t want others to know he actually cares)

has some trust issues, so it’s harder for him to become friends with people

huge Scorpions fan. no, like really, he’s obsessed and will share his music taste with whoever will listen (which is mostly Eli and Papa III lol)

knows a few words in italian, but mostly those related to art after he’s been studying it for a few years. He doesn’t speak it, but he can read it.

he owns a guitar signed by Kirk Hammett (his musical crush)

he’s the kind of guy who will call the person he likes „my dear”, „my love”, „sweet pea” in his mother language and then tell that person it means „dickhead”, „loser” and „lazy ass”

his stay at the abbey is just laying under the ceiling and doing fresco for most of the day, visiting Elise in her art studio and dealing with Papa’s bullshit

Papa eventually starts coming up to lay beside Greg on the construction and watch him work. They tend to just lay in silence while a mix of Scorpions and ABBA plays from the radio. There’s barely any space for a second person, but Greg would lie if he said he didn’t find it endearing.

one time Greg fell off the construction and broke his leg bc of that dumbass (but it’s his dumbass uwu)

anyway he eventually starts dating Papa III

Papa purrs to Greg in italian and Greg speaks sweet words to him in polish (tho it took him a lot of time to get comfortable with that)

their relationship is your typical „1 brain cell and 1 dumbass” and under certain circumstances simply „2 disastrous dumbasses”

they once burnt down Elise’s apartment on accident and the only things they managed to save were the art supplies and Greg’s guitar

anyway

here are these guys in comparison to their partners in this silly style, bc all the other drawings are outdated ;w;

Melea

45 years old

American

fashion designer commissioned byt the Ghost’s church

huge fan of old rock

for a long time her relationship with Papa III was purely professional. He came to her studio, she took some measurements, they discussed what he would like and then he left and they didn’t see each other until the next meeting to try the outfit on, to make some changes, or for another project.

well that is until she asked him to stop putting his face paint on so he wouldn’t ruin the fabrics

i share this popular headcanon that Papa III is pretty self conscious about his clean face, so it was kind of hard to convince him at first

eventually their sessions became that much more personal because of that

she’s a bit superstitious, believing that some things may cause bad luck

collects crystals with good energy

she’s in a way a modern witch…but it’s not like she tries to be one

knows french fairly well, which allows her to talk to Papa (who also speaks it) when they don’t want others to understand them.

huge mum energy

loooves watching conspiracy theories. Sometimes she will pick one of the more ridiculous ones during her sessions with Papa and will argue and try to convince him it’s true, making it seem like she fully believes it, even if she doesn’t – just to fuck with him

and a few times she actually did convince him. Then had to tell him she wasn’t serious and oh my god the millenials aren’t killing the pillow industry by going vegan

anyway at some point they start dating which eventually leads to them getting married ;w;

her relationship with Papa is very soft and romantic. they have the same energy as Morticia and Gomez in regard of how loving they are to each other

also some chibis of these two bc again, all the other drawings are a bit outdated ;w;

[autistic-paul]

You Cut Through All the Noise - Chapter 1

Summary: 

Alice's parents are fighting a lot, and she's struggling. The whole situation isn't ideal for Bill, either. At least they aren't alone.

I have a lot of feelings about Bill and Paul being best friends, about Bill trying to be a good dad, and about the fact that Paul babysat Alice. She canonically thinks he's cool. So I wrote about it!

Tags: Bill & Alice, Alice & Paul, Bill & Paul, Divorce, Hurt/Comfort, Angst, Autistic Paul, Assume he’s autistic in everything I write, though it’s much less explicit in this one, Paul is everyone’s emotional support, Alice is wonderful and trying her best

Chapter 2 is here!

AO3, or under the cut! 1454 words.

Alice was smarter than anyone gave her credit for. Sure, her grades in school were good. She’d always been a decent student. Teachers liked her. Why wouldn’t they? She was a good student, handing in her work on time, raising her hand when no one else did. There was nothing quite like seeing a little gold star on her test, or her mother’s grin when she made honor roll. Her dad took every opportunity to boast that his little girl was going places, Yale, probably. He was so proud. It made Alice uncomfortable sometimes, but it was better than the alternative. She wanted him to be proud of her, so she blushed and accepted his overenthusiastic praise. Sometimes she wished that he’d notice other things, the arbitrary numbers that labeled her intelligent in the class came so easily to her. She didn’t feel like she deserved the attention for something that she didn’t work particularly hard for.

When Alice was fourteen, her grades began to slip. Homework stopped being handed in as often as it should be. It wasn’t through lack of effort, Alice never stopped trying her very best. It was sleepless nights. It was shaking hands in the school bathroom, water splashed on her face to try to regain composure. It was Alice staring at a blank screen in the middle of the night, the cursor blinking over and over and over.

It was yelling just outside her door, fights that never went anywhere, just in circles closing tighter and tighter, closing around Alice’s throat until it was all she could think about. It was chilly silences at the dinner table, and no acknowledgments or praise when Alice managed to scramble together a B. It was so much harder than it used to be. Trying to write an essay with tears making the screen blurry wasn’t easy, as it turned out.  Did her parents even notice? Did they care? They were too busy being determined to not care about each other to notice her.

Alice’s teachers noticed, though. They called her back after class and gave the same tired spiel about her not living up to her potential. Alice was convinced they all followed some sort of script. Occasionally they’d ask if everything was okay back home. Usually, they didn’t. It made no difference to Alice, she wasn’t going to break down in an empty classroom to an adult she didn’t know, open up about the fears keeping her up at night. This tension, the fighting, it had to be temporary. There was no other alternative.

Alice knew she needed to talk to someone. Her fears were hardening, crystallizing, and she didn’t want to know what would happen if they shattered. She didn’t need to explode in front of her parents, they were struggling enough. How long had they been like this and she simply hadn’t noticed? Did they hide it for her sake, until it was too large to hide behind polite smiles and empty gestures of affection?

Was it her fault?

Alice dreaded coming home, but she didn’t know where else to go. The few friends she had, acquaintances, really, had gotten irritated by the dark cloud following her wherever she went. They’d stopped inviting her over. Alice didn’t blame them, she didn’t want to be around herself either.

Alice had been walking home from school one day, and the anxiety tightening in her chest was crushing. The idea of going back, seeing her mother greet her with a strained smile as if nothing had changed was unbearable. Alice didn’t need to check the time, she could count down the minutes until her father came through the door from the building tension radiating off her mother.

No, she couldn’t go back. Not yet, at least. Alice didn’t really think about where she was going as she took a turn, one that didn’t lead home. She didn’t think about where she was going until she made her way to an apartment building. It was silly, Alice thought as she knocked tentatively. He probably wasn’t home. He’d be at work, with her dad. She hadn’t seen him in ages, and it wasn’t like her to just visit alone. Too late to turn back, though, and she stood awkwardly, fully expecting the door to never open, force her to abandon this plan and go home. She was so certain that it was all for nothing that she jumped when the door swung open.

Paul’s eyes widened, but he smiled when he saw her. A genuine smile. It warmed Alice’s heart a little, she couldn’t remember the last time she’d seen anyone so happy to see her. Her doubts washed away as he welcomed her inside without question.

The nice thing about Paul was that he was blunt. Not harsh, just honest. He wasn’t one to beat around the bush. The second Alice saw him, the sympathy in his eyes, she knew he was all too aware of what was going on with her dad. There were dark circles around his eyes, and she realized with a jab to her heart that he must be struggling too. Her dad was his best friend. As hard as it was to see her parents’ relationship falling apart… At least she didn’t sit next to him all day, watching his misery grow like Paul did. Alice wondered for a moment if this was a good idea. Paul’s hand was at his side, tapping his thumb against his fingers repeatedly, one after the other. Alice chewed her lip. He was nervous; Alice assumed he didn’t know what to say to her. This wasn’t normal, it wasn’t like her to drop by alone with no warning for some emotional support. She shouldn’t have come, it wasn’t fair to him. She was about to apologize and turn around when he gestured to the couch and spoke. “Do you want to talk about it? I just got the new Mario Kart, that’s an option too.”

Simple and direct, she should have guessed he’d know just what to say. Paul had known her practically her whole life, Alice had clear memories of Paul picking her up from school and taking her to get ice cream, grinning at her and telling her not to tell her dad. She didn’t have anyone else to go to, and she needed someone who understood how she was feeling. Alice had spent so long pointedly not talking about what things were like with her parents, and she suddenly realized that she didn’t know how to start. She wasn’t ready. He’d given her a choice, and Alice decided that she could talk about it another time, when she felt less fragile. Alice smiled softly and sat down on the couch, grabbing a Joy-Con. “Toadette will kick your ass.”

Paul dropped onto the cushion next to her, bumping his shoulder against hers. “Language!” He chastised. Alice stuck out her tongue, he’d been cursing around her before she even knew what the words meant.

She didn’t even realize that she’d never told her parents where she was until Paul paused the game to answer his phone. Alice took the chance to check hers, and winced when she saw her notifications. Missed call after missed call. Whoops. She’d get an earful when she got home. That’s what she got for forgetting to turn off silent mode after her test. The anxiety that’d briefly faded moved to the forefront again, and her thoughts blurred. She was so stupid, she must have worried them so much.

“Bill, don’t worry, Alice is with me.” Paul spoke softly into his phone, drawing Alice back to reality. A pause. Alice could hear her father’s frantic tone, but not his words. “She’s fine! We’re just playing Mario Kart.” Paul listened, closing his eyes. “Okay. I’ll get her home, don’t worry.” Alice tensed. It hadn’t been that long. Alice nudged him and he turned to her. She shook her head a little, hoping he’d get it. “There’s still a few tracks we haven’t tried, I was going to order pizza.” Paul spoke casually. Alice held her breath. She listened to the response on the other end of the phone, catching only a few words. Homework was the only one that stood out. Paul cut him off. “I need to go, bye!” Alice almost choked out a laugh. Paul was many things, diplomatic was not one of them.

Paul hung up and unceremoniously unpaused their game, making Alice scramble to keep up as he took a little head start. Alice finally relaxed. They could talk about everything that had been going on, the thoughts and terrors keeping her up at night. Paul would be there when she was ready.

[youknowmymethods]

Content Creator Interview #6

Hello again and welcome to our sixth interview. This time, it’s the turn of @ashockinglackofsatin to put @sunken-standard ‘s writing under the microscope. Together they chat about the early days of the Sherlock fandom, how music can influence writing, and why the I Love You scene helped end sunken’s own great hiatus.

For those who don’t know me: I am @ashockinglackofsatin on tumbr, satin_doll on AO3. My test subject...erm, sorry - interviewee - is the notorious sunken_standard, probably most famous for her two epic, novel-length stories Longer Than The Road That Stretches Out Ahead and Fumbling Toward Ecstasy, which can be found on AO3 (along with her other wonderful stories) and should be required reading for anyone aspiring to write fanfiction.

 You should know, first off, that I’m crap at doing interviews, which I discovered years ago when I had to interview musicians and various personalities as a job. I didn’t last long at that job.

 So here is Kat’s Idiotic Interview with @sunken-standard.

  satin_doll:  You’re very good at writing Sherlock’s emotional cluelessness without making him seem like an idiot or an ass. Can you talk a little about the way you see Sherlock’s character that allows you to do this?

 sunken_standard: Thank you :D  So the answer to this is going to carry through to some of the other questions, but basically, I write Sherlock as a version of myself.  I feel a kinship with the character, a highly intelligent person surrounded by idiots and so, so frustrated by it, but even more frustrated by his own brain and the inability to control it.  Probably autistic, just like I'm probably autistic (and I don't want to get into it but I'm not trying to co-opt an identity here or anything; I've tried to get a diagnosis and found out that's just not possible with my current healthcare options).

Anyway, one of my probably-autistic things is being hyper-aware of other people's emotions, but also having trouble identifying them and the appropriate responses.  At times I do lack empathy, like I honestly can't understand why someone is feeling what they're feeling because I wouldn't feel that way in the same situation and it doesn't make sense.  Sometimes I can empathize so much that it's overwhelming and I just kind of short-circuit, especially when it comes to grief or loss, and I end up being insensitive or just not saying or doing what a normal person would.

 So basically, I approach his responses to other people's emotions the way I would my own, only stripped of female socialization and self-awareness.

  satin_doll:  How much do you draw on your own life and experiences in your fics?

 sunken_standard: For scenarios and specific scenes, not a lot.  For emotional and sensory experiences, more. I haven't done very much or lived to my full potential, so it's not a very deep well on either account.  Every now and then anecdotes or details creep in (like Mars Cheese Castle and the “call me Daddy” during sex thing [which, for the record, was skeevy as fuck irl]), but most of it just comes from nowhere or stuff I saw on TV.

  satin_doll:  Both “Longer than the Road…” and “Fumbling Toward Ecstasy” are novel length stories. “Road”, however, is written without breaks/chapters. Did you ever consider breaking it up into parts or chapters? How hard was it to keep it all in one piece and how long did it take you to finish it?

 sunken_standard: When I write, I usually just start and then go 'til it's done or I burn out.  I got through three or four chapters' worth of FTE (and was on the verge of giving up until maybe_amanda convinced me not to).  Since the story wasn't nearly finished and I wanted to start putting it out into the world (mostly because I have no patience, but also because I knew there was a window to stay relevant and a large number of people were looking for a longer, meatier [cough] post-TFP fic), I decided to start posting what I had and just write as I went because I was, in hindsight, probably hypomanic and I was keeping a good pace at that point.

 I dunno, I think there was a lot more of that long-format thing happening in fic back then, where you'd have a 40k piece that only had breaks because of the word limit per post on LJ.

 As far as how long it took, I don't remember.  I know I started it February of that year and had probably a good 75% of it finished (all written at a tear, over the course of probably ten days or so, because when I was still smoking actual cigarettes I could and did do 3-5k words/ day), but then I dropped it and went on to try other ideas.  I went back to it when those other stories fizzled, and I finished it in maybe another 2-3 weeks with editing and beta reading.  I had some real problems with the ending and it was never good enough for me, but I just got to a point where I was sick of it and it was good enough.

 So basically, it's harder for me to work in chapters than it is one long piece.  There's more discipline to a chaptered work; each chapter is its own story, in a way, and each one needs to end on a certain kind of beat.  I still don't feel like I have a knack for it, and I think if I did anything long like that again I'd have to write most of it without breaks and then shoehorn them in where I could later on.

  satin_doll:  You took a long hiatus from Sherlock fic after S2, and came back for S4. What was it about S4 that sparked your writing again?

 sunken_standard: I don't really know.  I mean, the ILY was a big thing, but I think S4 gave me more to work with for the kind of things I write (all the angst and inner monologue) than S3 or TAB.  I had mixed feelings about S3.  I didn't like Mary much for a long time because she was one of Moffat's women (and anyone who's seen my tumblr knows how I feel about that), but I finally unclenched after a while because I like Amanda Abbington a lot and Mary was preferable to Sarah Sawyer (who I'm more ambiguous about now, but really didn't like for a long time because there was something about her that I read as smarmy, though now I see her reactions as more subtly uncomfortable and kind of like “what's going on/ this is weird/ John's a nice guy but is everything around him always this weird?”).  Anyway.

I did try writing a bit after S3, but I never finished any of it; I didn't really feel like there was a place in the fandom or much of a community at that time, either—at least, not like what I had been used to from the early days.  The tribe that existed wasn't my tribe (any of them).  I think I need a certain degree of shared enthusiasm to motivate me to keep writing.  Like, I have a lot of ideas for fic in other fandoms, but they're dead or never existed in the first place.  And I know I'll have some audience for the small fandoms and people will read and kudos and everything, but there's no one around to geek out with or bounce ideas off of, so it just isn't as appealing.  If I'm going to be miserable and alone while writing something, it's going to be something I can at least make money off of, y'know?

  satin_doll:  Do you edit as you go or finish the story first and go back over it to edit?

 sunken_standard: Edit as I go.  When I get stuck, I break that cardinal rule of writing and go back over what I've written and nit-pick it to death.  It's a bad habit, but at the same time, small changes have led to big developments in the course of the story later on.  I mean, I think sometimes this is why I have so many unfinished things, but I've tried just writing through and that doesn't work for me either. Once I get to the end of something, I've already made most of big cuts and done a lot of the reworking, so the beta polishing isn't as labor-intensive.  I'm one of those people that when I feel like something's finished, I don't want to have to go back to it again.  And if I didn't edit as I went, it would kind of feel like redoing the whole story and that's extremely unappealing to me.  It's kind of like baking—it's always better if you clean as you go, rather than waiting until the cake's out of the oven to do the dishes and put stuff away (which I do when I'm low on spoons, but it ends up seeming like double the work).

 satin_doll:  Do you proof it yourself or rely on someone else to proofread it for you? I’m talking technical details here, proofing as opposed to simple beta reading.

 sunken_standard: Mostly proof myself, since I edit as I go (and proofing is inevitably part of that when the mistakes just jump out).  My beta catches everything else (and she's amazing; I misuse words and just legit don't know spelling differences for a lot of things [stationary vs stationery] and I'm not great with grammar and prepositions because I'm an ignorant fucker with no education).

  satin_doll:  When did you first start writing? When did you first discover that you COULD write?

 sunken_standard: I remember writing stories as a kid, but I burned them all when I was a teenager so I don't even know what most were about or anything.  I do remember that I wrote one when I was in like 4th or 5th grade that was ST:TNG self-insert fanfic and I think the plot was me working with Data to bring Lal back. I know it was Data, because I had a huge crush on him as a kid.  I really thought I could grow up to write ST:TNG novels at that point.

 And as for CAN write—jury's still out on that one. Ask my 12th grade English teacher, who laughed in my face when I told him I was thinking of pursuing English so I could be a writer.  But before that, I had some other teachers that used to give me A+s on my creative writing assignments (despite all the spelling and grammatical errors).  In 11th grade, I had a really great teacher, Mr. Lansing, who turned me on to the good parts of American lit and really encouraged me to read (and write) what I liked, not just what other people told me I had to.  He encouraged me when I applied for the Governer's school, too. (The Governer's School is this program in PA for kids who excel; it's like a summer camp for the elite nerds.  They have a bunch of them, each for different areas—math, science, medicine, I think one that's like history/ government/ civics, and then one for the arts.  For creative writing, they take a total of 20 kids—10 for poetry and 10 for prose.  I tried for the poetry category and made the first round of cuts and went for a regional interview (with about 50 other kids, so like maybe 150 kids state-wide); long story short I didn't make it.  I was the first alternate, meaning if somebody couldn't attend, I would get their spot.  #11 out of 10.  I was so crushed, because it basically reinforced what I'd been told by other people—I was a big fish in pond too small to even piss in and there were always going to be people better than me.  I was already mostly checked-out when it came to academia and aspirations; after that there was just really no point to keep going.)

 Anyway though, I did write bits and pieces here and there even after school, thinking one day I'd get my shit together and write my own Confederacy of Dunces and then off myself (it's still a viable plan). Then, in 2008 I was recently unemployed and everything in life was shitty, so I wrote a big happy-ending fic for The Doctor and Rose.  It was kind of the right bit of media at the right time that inspired me.  More about that later though.

  satin_doll:   What/who do you think has had the biggest influence on the development of your style?

 sunken_standard: I've been asked this before, and I always feel like I'm a little pretentious and I trot out the same names (both fanfic authors and book authors), but I had a realization a while ago that I'm always missing one person—Vonnegut.  I think he's got this kind of no-bullshit way of saying things that still manages to be poetic and delicate and that's what I most aspire to.

I think a lot of my style is influenced by film, too. Some influences are probably Todd Solondz, Richard Linklater, Kevin Smith, and John Waters, as far as the way I approach the reality within the story.  I think I tend to focus on a lot of the same things—the weird, the mundane, the mildly uncomfortable—but I don't go nearly as far in any direction.  I think even the way I string scenes together and the shifting of focus within my scenes between action, dialogue, and inner monologue are influenced by cinematography.  I always say I'm just transcribing the movie in my head, so I mean, there's bound to be some kind of influence.

  satin_doll:  You’re noted for the banter between your characters, humorous and otherwise. Do you have rules/profiles for characters that establish their voices for you? Are there things, for example, that you think Sherlock or Molly simply would never say/do or would always say/do? How structured are these characters in your head when you start writing?

 sunken_standard: It varies slightly from story to story/ universe to universe, but I think I have patterns for the banter (and I have a different set for Sherlock and John, and Sherlock and Mycroft, but there are common threads throughout).  As for comedy, it's not quite straight man/ funny man, but I tend to default to Sherlock being more literal and deadpan and Molly being more expressive and emotive. I use the scraps of the dynamic the show's given us and just build on that.  It's kind of formulaic, actually: Sherlock does a not-good thing (degree of severity varies), Molly reacts with a blend of annoyance and amusement while going along for the ride.

 I have a kind of mental file for things I think would be out of character for each of them, but sometimes I like to try to find a way to get to one of those things and slip it into a fic organically.  One of the reason I liked doing the one-line prompt fics so much was that so many of them could easily have been intros to the kind of fluff that makes me gag; I'm no fool, though, and I love me some low-hanging fruit, so I just adjust it to my tastes.  I'm a never-say-never kinda gal.  Mostly.

 That being said, there are a lot of things that I think would take a lot of doing to make them be in-character.  I don't think they'd ever use pet names for each other unless it was through gritted teeth or with at least a bit of irony (like how I used “yes, dear,” in FTE, and I think in some of the universes in Ficlet Cemetery).  I can't see Sherlock ever doing housework unless it was for a case (though dishes and sanitizing surfaces are an exception, because both those chores are tangent to the kind of cleaning up after oneself one does in a lab setting, and imo that fits with his logic).  I can't see him being very affectionate in public, except under rare circumstances when he might do an arm around the shoulders or a guiding palm to the small of the back.

 And as for structure, I think they all start with the same scaffolding, but in every new universe they get draped slightly differently according to variations in backstory or tone or genre or whatever. Or like, they're already sculpted, but the lighting changes.  I think that as I write, they take on different nuances and acquire more depth, though.  Like it wasn't really until a few chapters in to FTE that I got a fuller picture of the Molly I was writing, even though I had the rough idea of her backstory from pretty much the beginning.  Same with Longer Than the Road, too.  As I come up with details of someone's past, I experience those scenarios and it makes me rethink and fine-tune everything about them in what I've already written, and adds more texture as I keep going.

  satin_doll:  You’ve listed a playlist for “Longer than the Road…” Do you write to music? How much does music inspire your writing? Does every story have a playlist?

 sunken_standard: It's funny, but I don't listen to music nearly as much as I did even 5 years ago.  Not sure why, honestly, maybe something to do with my mental health and overstimulation?  So I don't write to music much anymore.  Not every story has a playlist or songs attached (I don't think any of the FC stuff does, at least not in any significant way), but it seems like my best work is inspired by music in some way.

 FTE didn't really have a soundtrack, but I listened to a lot of the music I had in common with the version of Molly that I was writing—very 90s alternative and pop rock.  Lots of Pulp (which I picked as Molly's favorite band because I think they're Loo's favorite, or one of her favorites).  For the proposal, I had “Dreams” by The Cranberries on a loop as I wrote.  There's just something musically about that song that's full of anticipation and the wavy kind of guitar (I don't know the music terms and it's been so many years since I was into anything instrument-related that I'm not even sure how the sound is made, like a whammy bar or wiggling their fingers on the frets or whatever but anyway) just has this kind of wavering emotion that makes it feel like it's on the cusp of something.  And also it's the big romance song from every coming-of-age thing ever, and so just hearing it is like an auditory shorthand for breathless, adventurous romance, at least for women of a certain age (namely, my age, and I'm only a year younger than Loo/ Molly).  There was another scene—I can't remember what it was without rereading the fic—that I spent like three days listening to nothing but “The Way” by Fastball.  It might have been the thing with the drink testing and then the sex on the sofa and the cake baking.  (As an aside, I just started listening to the song and immediately got hit with a sense memory of night-wet spring air blowing in my window, because that's what the weather was when I was writing to this and it gives me a weird yearning pull in the back of my throat, like nostalgia almost but something else in it. Like, did you ever hear a pop song that taps into some deeper part of the human experience, both musically and lyrically, and you just feel like there's some universal truth in it that's too much to totally grasp?  That's how I feel about both of those songs.  Anyway.)

 Another story that had a few songs attached was Stainless, Captive Bead.  Radiohead's “Creep” was what they were listening to in the tattoo parlor, and a lot of the sex bits were written while listening to Nine Inch Nails' “Closer” (look, if it's set in the 90s and there's fucking in it, I'm going to find a way to relate it to “Closer,” because that song is just dark sex and angst set to synthesizers and a high hat).

 Also, sometimes when I write I listen to ambient noise stuff, cityscapes or rain or whatever fits the tone of the piece and my mood.  I can't listen to anything for too long, though, because I get listener fatigue and I burn out faster.

  satin_doll:  Have you ever considered self-publishing your stories as a book or series of books?

 sunken_standard: I've tried to file off the serial numbers on the Girlfriend series, but it was harder than I thought it would be so I back-burnered it.  I still like to think that one day I will, it's a life goal, but if I put too much pressure on myself I only make it worse and nothing gets done.

  satin_doll:  You seem to have a detailed backstory for every character in your stories, from Janine to Molly’s mother. Do you work these out beforehand or do they just happen in your head as you write?

 sunken_standard: Both?  I kind of touched on it earlier, but I usually have an idea of the backstory, the bones at least, and then as I write it gets richer.  I have multiple headcanons for every character, so I just start off with one of those.  Like I have five different families for Molly, all things I was coming up with when I was writing other stories.  Hell, I've got like five different Uncle Rudys (most of them highly unpleasant and most likely triggering).

I have a habit of just sitting and thinking about a character, like “what would make them this way?” armchair psychoanalysis stuff. And if I can establish a plausible-sounding backstory, I have a better foundation for introducing non-canonical traits or details.  I think that's the downfall of a lot of fic authors—they just write a canon character as they would an OC and expect us to play along without demonstrating any internal logic.  Maybe I'm just picky; there's certainly an element of that, too.

  satin_doll:  How detailed is the story in your mind before you start writing it? Do you work from plans and outlines with every story?

 sunken_standard: It all depends on the story.  Sometimes I have a whole series of detailed scenes just waiting in my head to be written out.  Sometimes I only have one thing and I just keep going.  I say I use an outline, but it's not a proper outline.  More like a collection of notes and bullet points of what I want to happen and what kind of beats I want to hit.  I usually keep it at the bottom of my working document so I don't have to switch to another doc to look at it if I need to.

  satin_doll: Where does a story begin with you? What constitutes the “urge” to write? You once mentioned (in a comment reply I think) that you know the ending of the story first and then write the rest of the story to get there. What do you do when a story goes off track? How do you get it back to the way you planned it, or do you even try to do that?

  sunken_standard: (I don't know why my document formatting went tits-up here, so I'll answer 1 & 2 both here)

 So stories are a visceral kind of thing.  I always have ideas.  Seriously, give me a theme or a title or something and I can spit out a summary and details in as long as it takes to type it out.  But actually crafting prose (can I sound more pompous?) is best likened to the urge to poop.  Classy, right?  I said it was visceral.  Really though, it's that same kind of state of heightened awareness/ arousal (in the strictest medical sense of the word, not sexual arousal), something is happening and if it doesn't things are going to get weird and I'm going to be very uncomfortable for a very long time.  Also, like pooping, if it's not ready, no amount of grunting or straining is going to make it happen, and it might even make it worse in the long run.  As you can tell, I've been very, very constipated for the last year.

 Anyway.

 Stories going off track... a lot of the time I just let it happen because it's taking me to a better place than where I thought it was going to end up.

  satin_doll:  Quote from you: “I spend way too much time thinking about who Molly is as a person. Writing porn and comedy both have their appeal, but I really like sitting down and thinking about what makes any given character tick and how they might feel about what's happening around them. 30s and single has so much baggage to it, even if all the women's magazine articles and whatever-wave-we're-up-to-now feminist thought pieces say it's a myth or a stereotype or whatever. It's a truth we don't want to be true because it's not fair. I mean, it's not the thing that solely defines any woman, but it's there, just like cellulite and brand new and worrying moles and our favorite brand of whatever suddenly being discontinued (or significantly changed) because some marketing person decided it was too 'old.' But anyway, such is life. And I like putting that in fic.”

 Do you write character studies to use as a reference for your stories, or just wing it for each individual piece?

 sunken_standard: The character study is dead, isn't it?  Like, as standalone fic.  Never see them anymore, which is a real pity.  I used to write them (or, well, start them, heh) before I took a break from writing/ fandom, mostly to try to get some of my headcanons down in some kind of usable way.  But I haven't really written a character study (in prose, at least) since 2012 or so.

 So when I write, I keep two documents open—the working copy that's a first-through-final draft and a “notes/ cut bits/ things to work in somehow” document.  In the notes document I usually keep any character details (backstory or how I want them to react to something later, whatever).  There are themes I go back to over and over, like a cluster of traits I reuse in some fashion because I think they fit the character (Mycroft and disordered eating, Molly as a middle child in some fashion, John as the child of alcoholics, etc.), so a lot of that just lives in my head. Any bits of characterization specific to a story go in the notes doc for that story, while any generic thoughts or something that I think I might want to use later gets stuck in another document full of random ideas, snippets of dialogue, jokes, AUs I'll never write, that kind of thing.  I've got a few of those docs from different writing periods.  They're mostly just a way to externalize a thought so I don't lose it; I hardly ever go back to them for anything.

  satin_doll:  What was your first involvement with fanfiction? Where did it all start?

 sunken_standard: I started to answer this in another question; basically, fanfic's been in my wheelhouse in one way or another since I was a kid (Star Trek novels are fanfic, period).  I discovered fanfiction back in the days of eXcite searches and webrings while looking for translations of Inu Yasha manga scans; I stumbled upon an English-language fancomic/ doujinshi called Hero in the 21st Century and it was so well-written, funny and poignant and well-researched I was just drawn in.  I still think about it and the author's other works to this day.  I did pick at the idea of writing myself, sometimes even put down scenes or outlines and did hours of research, but never did the thing.

 And then, in 2008, the stars aligned and I started a thing.  Journey's End spawned a ton of Doctor Who fic, and that was good, because I could just kind of slip mine in there and I probably wouldn't get a lot of criticism or attention.  So I wrote like two chapters without any idea of how it was going to end, and I submitted it to Teaspoon and an Open Mind (which was the Doctor Who fic archive at the time; it was curated/ moderated and where you went when you wanted to read something you knew would be good, or at least conform to certain standards, unlike The Pit [which is still garbage today]).  And I got rejected.  My grammar and spelling were awful (I didn't even have spell-check in whatever program I was using) and they said the whole thing had good bones, but I really needed to work on the English before they'd look at it again.  Getcherself a beta, they suggested, and I think they had a forum where writers and betas could connect.  So I got myself a beta and she stuck with me for like 30 chapters, answering questions and keeping my characterization on-track and basically re-teaching me the rules of written English.  I tried to email her a few years ago to thank her again, but her email bounced back. Her name was Julia and if she sees this, thank you Julia.  You're a wonderful person.

 Anyway, I wrote lots in that fic universe for like 2 months, then got another job and tapered off.  I abandoned it completely after a year.  Life got in the way of a lot of things, and the next time I was really inspired to write anything was a couple years later, for Supernatural.  I only put it on my LJ, never posted to a community or anything, and no one read it.  Literally, I don't think the post got any hits at all and for sure no one commented.  I sometimes think about putting it on AO3 just because.  And then Sherlock happened and here we are.

 satin_doll:  Do you think writing fanfic has hurt or hindered your original work? Why or why not? (that looks like a high school test question - sorry!)

 sunken_standard: Lol @ test question :D

 I'm not really sure, tbh.  On one hand, I only have so much creative energy—it's definitely a finite resource, and a scarce one—and devoting it to fanfic diverts it from any original work.  On the other hand, all writing is practice.  The only way to improve is to keep doing, no matter what it is.  So in that sense, fanfic's certainly helped me to find a comfortable voice and a prose style that works for me.  There are still problems to solve, figuring out the best approach to a scene or story from a technical standpoint (stuff like tense and perspective and all that), so I'm always learning something as I go. Mixed bag, really.

  satin_doll:  What was it about the Sherlock/Molly dynamic that got you started on a piece like “Longer Than the Road…” What did you see there that made you want to explore it in such detail?

 sunken_standard: So I always talk about how Sustain was my come-to-Jesus moment with Sherlock and Molly. Here's something I've never told anybody, not even maybe_amanda (because I was kind of ashamed, but not for the reasons people might think): before ever reading Sustain, I started a story that was Sherlock/ John and Sherlock/ Molly.  I had it roughly outlined and a few pages written, but I just kind of lost the feeling of it and it was starting to get problematic for character motivations, yada yada, so into the scrap heap it went.  It had a passing similarity to Sustain because of a platonic-sex-for-pregnancy element (hence why I never talked about it), but the major difference was that it was going to end up as a kind of polyamorous arrangement, Sherlock loving both of them and having a kind of co-parenting triad.  In mine, John wanted a baby, and Molly wanted her own baby, and Sherlock thought “best of both worlds!” and why do IVF when you can write awkward angst-fucking instead.  But yeah, I never finished it.  

 Anyway, I always saw something there, but I couldn't make it work in a way that was consistent with my own characterization of Sherlock until after Series 2.  Even in Series 1, he looks at her with a kind of fondness and a sort of bewilderment that just lends itself to nerds in love.  At the time (and even now, tbh), I kind of attributed that to BC having a crush on Loo (and oh man do I have theories, which are gossipy and gross and not the kind of thing I usually even bother having opinions about, but have you listened to the S1 commentary and some of the interviews around that time? there's something more there) and that kind of just spilling over onscreen and it working for the editor because it makes BC look sexy.

I mean look, I make no secret of the fact I started off shipping Sherlock with John almost exclusively (though I'd read just about anything), and after S1 aired it was just a different time.  I get really annoyed when people talk shit about the pairing and the people who still ship them, because most of them weren't even in the fandom at the time and didn't have the same experience as the OGs. When Series 1 aired, hardly anyone knew who BC was, and Martin was just the guy from The Office and some other shows that were kind of unremarkable; most of the fandom was composed of old-school ACD Sherlockians and a few stragglers (like me) that got there from Doctor Who or were just general mystery/ thriller fans that got sucked in. We had a different perception of it because we weren't led into it by Star Trek or Hobbits or MCU; the characters didn't have that baggage attached for us.  A lot of us already had a perception of Holmes and Watson as some shade of gay, so it was no great leap to see the very obvious romance (and yes, they all called it that in interviews at the time) onscreen as a romantic one. Martin, when asked, said basically that he'd play the next series (S2) however they wrote it, and if romance was there he'd go down that road.  Whatever, I don't need to defend it because people think what they think anyway.

.

Anyway, getting back to the actual question instead of a million tangents and rants, I think I saw a lot of the things that have since become like backbone tropes of the pairing (even in canon, with the whole “alone, practical about death” thing).  Their interactions in S2 were great; everything hinted at more than what was on-screen.  And I really liked the idea of exploring the dynamic that was pretty much already there, as far as Molly having both a crush and self-respect and Sherlock suddenly having to rely on this person (that he picked because she was reliable to begin with) who's a friend, but also kind of a stranger in the way that a lot of the people we consider friends are (at least, friends made in adulthood; work-friends, church-friends, club-friends, gym-friends).  Past that, I really saw the potential for character growth stemming from their interactions, but not like her humanizing him or whatever; both of them gaining insight about themselves, with the other person (and their relationship) as a vehicle for those realizations.  I think I could have done better on that front, but hindsight blah blah.

  satin_doll:  How familiar were you with the Sherlock Holmes character before the BBC series aired, and what made you want to write about him?

 sunken_standard: So I wasn't very familiar at all.  Just what was in the general cultural lexicon, maybe a few episodes of the Granada series on PBS as a kid, a few of the stories that I just couldn't get into when I tried to read them because I hate Victorian prose (hate it, everything about it, I won't read anything written before 1920 or so because I just hate it [Wilde being the singular exception, but I even get bogged down by him]).  Oh, and the RDJ movie, which wasn't really Sherlock Holmes to me, but just like a Victorian-era action movie.  After S1, I just devoured canon (though, full disclosure, I still haven't read all of it, probably only about 80%), then moved on to other adaptations and canon-era fic and pastiches, read a bunch of extra-canon material on the internet.  So as far as that goes, I'm very much a poseur and newbie in the greater Sherlock Holmes fandom.  At least I did my research?

 Anyway, it really took the modern adaptation and BC's performance to make the character resonate with me.  The aspects he chose to play up—the frustration and impatience and frantic mental energy—just hit a nerve.  He really channeled the “gifted” experience (which I suspect was just a lot of BC himself bleeding through).  Finally I could use a fictional character to bemoan how stupid everyone around me was and sound like a complete asshole and be completely in-character!  The heavens smiled upon me.

 Really though, I was initially attracted to how cerebral it was and how smart the fandom was overall.  It was the early fandom (and I mean early, like days after episode 1 aired) that drew me in, at least to a participatory (vs. consumptive) level.  Lots of very clever, very educated, very queer people having these deep, insightful discussions about everything (sometimes only tangentially related to the show).  When I did start writing, I didn't have to dumb anything down; the challenge was to sound smarter than I actually am.  And, I mean, I got to dredge up a lot of my own emotional baggage from being a perpetual outsider, which is always cathartic (and probably not very healthy, long-term, because it's not resolving anything, just exploiting myself, but that's a can of worms).

  satin_doll:  Are you more drawn to Sherlock or Molly as a character, or both equally? Why?

 sunken_standard: Sherlock, I think, for the reasons described in the last question.

I don't generally identify with female characters in fiction, since my own identification as female is tenuous (and in general they're poorly written and poorly realized, but that's another story). I mean, I can draw from my own experiences as a (mostly) female-shaped person with female socialization, but I have a hard time intuiting feminine and it's harder for me to write a “normal” woman.

Paraphrasing something I read in an interview with another fic author I admire, writing a woman is always a self-portrait, and how much of yourself do you really want to reveal?  Since I don't know how to woman correctly, I'm always afraid I'm going to slip up and hit the wrong beat for what a normal woman is and end up ruining the characterization.  I do manage to channel a lot of my own frustrations with men, relationships, being a single and childless woman over 30, and the patriarchy into Molly's character, though.

 I mean, don't get me wrong, I really love Molly (and always have—I was one of the first to use her as a main character and not just a punching bag or a punchline).  I love her sense of humor and her job and her fashion sense, all of it. She's not one-dimensional.  It's just easier for me to write Sherlock than it is to make decisions about who Molly is.

  satin_doll:  You are “internet famous” for Longer Than the Road (rightfully so!) What about that story do you think is so affecting for fans? How has “Road” influenced subsequent work you’ve done in the Sherlolly ship?

 sunken_standard: You know, I'm really not sure why it seems to resonate with people.  Maybe the homesickness or the exhaustion that comes with impermanence (and I mean, we all feel that on an existential level, everything's always changing and it's faster every year, just existing is like trying to walk in an earthquake).  Or the healing/ recovery aspect of it (I tried to balance both sides, the affected and the caregiver).  Or maybe I just wrote it at the right time (when there wasn't much else out there) and people kept coming back to it because it was familiar.

 As for how it's influenced subsequent work... I'm sure it has, but I don't know how, exactly.  I still think it's the best thing I've ever written and the closest to something literary I'll ever get, so in a way it's an albatross (no one ever wants to be reminded that they already peaked).  I get frustrated when my newer work doesn't live up to the standard I set for myself with it.  That frustration doesn't make me a better writer, it just makes me tired, so everything I do now is paler.

 One thing it did do was cement my characterizations of Sherlock and Molly and the dynamic between them.  I tend to write them a certain way and don't deviate from that, and that all has roots in the push-pull, love-hate thing I established in Longer Than the Road.  I can't write Molly without a degree of contempt for Sherlock and I can't write Sherlock without a degree of shame and contrition in his feelings toward Molly.

  satin_doll:  How does feedback affect what you write? How important is it? Is it more important that a reader “get” the point of the work or just that they like it? What kind of reader do you write for?

 sunken_standard: I try not to let feedback affect my writing.  I mean, I only get positive feedback, really, so it's a high.  I'm not trying to brag or anything; I count myself lucky that I don't get the shit others do (though I honestly think anybody that posts on The Pit is opening themselves up to it because it's a garbage dump, but I've never liked the site, so).  I try not to let it go to my head or anything though.

 I also try not to let it influence the direction my writing takes; I might do a comment fic or write a silly HC or something, but I like to keep my substantial pieces pure, so to speak.  Though sometimes a comment sparks something and a whole other fic grows out of it, so I fail there, I guess.  Sometimes it's a lot of pressure when people say they want to see more of something, or want me to write a kind of specific scenario, so I usually just don't, and then I feel bad about not giving nice people what they want and it starts this whole weird spiral of guilt and obligation and then swinging the other way and getting (internally) belligerent over not owing anybody anything.  I uh, have a complicated relationship with my work being acknowledged in any capacity.

 As for people “getting” it...  I don't know if they really do or not.  Sometimes I get comments and I can tell they're definitely on my wavelength and they picked up on an allusion or a detail or just saw or felt everything in the scene like I did when I was laying it out.  Once in a while I get a comment that has a different interpretation than what I was trying to get across, and that's really cool because it makes me re-examine my own work and see it from a different perspective (which I think makes me stronger for the next thing).  It's really validating when someone “gets” it, but at the same time, I write to entertain other people (as well as myself), so as long as they like it, I feel accomplished.

 It's cliché, but I write for an audience of one. I've tried to write outside my taste and it doesn't end well.  Sometimes I write tropes that aren't my bag (like the Wiggins “the Missus” thing, or kidfic/ pregnancy), but it's kind of like a nod and wink to people who do like it, rather than outright pandering.  At least, that's what I tell myself.  Sometimes you need to try on every bra in your size, even the ones you know you hate, just to make sure you're getting the right one, y'know?

  satin_doll:  Do you think fanfic has changed since you began writing it? If so, how?

 sunken_standard: Yeah, but I don't think it's a good or bad thing. And it depends on where you look and what you consume.  

 In the last like five years, Tumblr's purity culture has shamed a lot of kink back into the closet, I think, and people (in my fandoms, at least) aren't really writing on the edge.  I see darkfic, but it's about as dark as the night sky over Hong Kong.  I think people are afraid to go really dark anymore because they don't want the backlash from a generation fed on a diet of pink princesses and promise rings.  And I think everyone's desire for happy-ending escapism has ratcheted up because the real world is shit and TV shows are all playing Russian roulette with surprise deaths to add drama (thanks, The Walking Dead, for making that element so ubiquitous that the rest of the mainstream picked it up and ran).

On the other hand, I'm not seeing near the amount of badfic as I used to.  It was never as much of a problem on the old platforms and AO3 (compared to The Pit), but there were always some.  I mean, there are still lots of turds out there, but they all seem a bit more polished these days.  As far as the English goes, at least.  Maybe my fandoms are just maturing.

 I think people interact a lot differently now, too. This is going to kind of tie into the next question, but the types of feedback are different now and I think authors have changed what and how they produce to kind of chase the dragon of positive feedback.  Like, when I started, most public archives (read: not just one author's own website with all their fic, like you found in webrings a lot)—both completely open and curated—had some way to submit comments and allowed author replies. There was really no other way to let an author know you liked their work.  I mean, some sites tracked numbers for bookmarking features or hit counts, but those weren't as... active(? I guess), they weren't really participatory for the reader.

 Then AO3 came along and started the kudos thing (which people still bitch about because they think they get fewer comments; like be happy you get anything, ya fuckin' ingrates).  Kudos count became a de facto rating system, thanks to the sort feature. Whenever I start reading for a new fandom, I pick a pairing, pick a rating, and sort by kudos.  Sure, popularity isn't the best way to find good fic, but in any decent-sized fandom you can assume that the stuff on the first page is going to be written to a minimum standard.  Anyway, one of the ways to game the system a bit on kudos is to do a multichapter fic; I've seen works that are like 80+ 200-word chapters (don't get me started on omnibus fic across fandoms).  They aren't the best fic by far, but they pick up kudos every chapter, often from guests that are just people not signed in or on a different device.  I'm not knocking it, exactly, since it front-paged me for more than one fic. Part of me still feels like it's disingenuous, but I also recognize that I should pull the stick out of my ass. Anyway, the kudos count was kind of the death of the one-shot longfic (which, when I wrote Longer Than the Road, was a pretty common format).

And now, it seems like the Tumblr fic culture is writing ficlets (under 1k words) and posting without a beta (and I do it too). Fic consumption has become a social activity.  Reblogs aren't always about one's personal taste, they're a social signal of group affiliation.  If you don't reblog certain things, you're suspect and given a wide berth.  Woe betide the poor fucker that crosses party lines and posts one of the verboten ships.  And I mean, this isn't just one fandom, I've seen complaints about it from all corners—Supernatural, Star Wars, MCU, Steven Universe ffs.  I think when you have predominantly female spaces, you're always going to have an element of Mean Girl culture, y'know?  I'm probably going to get my fingernails pulled out for being misogynistic or some kind of -phobic for saying that.

Whatever.  It's true that a kind of hive-mind develops and all kinds of tropes and HCs get repeated until they become fanon.  I mean, that kind of thing's always happened, but the whole culture of Tumblr forces you to identify yourself and your group affiliation by what fanon you subscribe to, probably because it's harder to find your tribe without dedicated community spaces like LJ had.  With Tumblr, you basically have to trawl tags until you find your echo chamber.

I'm old and I fear change.

Tumblr ain't all bad, though.  It's very collaborative, kind of like the old-school round-robin fic people used to do.  Authors and artists riff off each other and a lot of really cool stuff comes out of these casual collaborations.  And I do like the prompt lists; I remember kinkmemes and prompting communities back on LJ, but it feels more off-the-cuff and spontaneous to just give someone a numbered list and let them roll the dice for you.

You know what else has changed?  We're kind of in a new era of epistolary storytelling with memes and shitposts; stories emerge that aren't prose (though might contain a prose element).  I mean, people did mixed-media epistolary in 2008, but it was a lot harder then (create graphic, hand-code into text piece, hand-code all the italics and bolding and font changes to denote various media types, if you're really a wizard add in-line text links to audio clips to add ambiance).  It's a lot easier to add a new thing on each reblog now, like someone does a video, followed by a 3-panel comic sketch, followed by a ficlet, and then a gif, you get the idea.  I like it; it's just a shame that it's so ephemeral.  Maybe that's part of the charm, though.

  satin_doll:  You’ve talked a bit about your experience with LiveJournal in the “old days”; what other platforms have you used in the past? Which ones did you like best?

 sunken_standard: I went into it a little in another question, but I first posted fic to A Teaspoon and an Open Mind (www.whofic.com).  Honestly, I don't remember much about it.  I'm not sure, but I don't think they had a richtext editor at the time (2008) and I had to hand-code some or all of it.  I vaguely remember having to do HTML for italics and paragraphs.  I know I had to do that on LJ sometimes because the formatting from whatever word processor I was using at the time did some hinky shit sometimes on a copy/paste.

 Next came LiveJournal (and DreamWidth, but I really only used that to back up my old LJ blog).  It wasn't better than Teaspoon, just different.  Teaspoon is niche, only fanfic and only for one fandom (well, one universe of fandoms, really, with all the spin-offs), where LJ was all kinds of stuff under one roof—personal blogs, communities with various intents and levels of participation, fanfic, fanart, gossip blogs, you name it.  I liked the friendslist view thing; it was like proto-Tumblr.  And you could talk to people on the threads; even personal blogs were like a forum.

 I joined AO3 in 2011, after waiting like six months for more invites to open up, but I didn't post anything there until 2012.  I'm really happy with it as a platform for posting fic.  I like the editor and I like the tags, ratings, and sort features.  I never even considered posting to ff.net because I'm a snobby fucker (and they can blow me with their whole “adult content ban” that still continues to be selectively enforced).  Anyway, I preferred having my fic on AO3 before I even left LJ, since I didn't have to split my stories into parts because of character limits.

 And then Tumblr took over and I kind of hate it, since you can't have conversations anymore, it's like leaving passive-aggressive post-its and there's no editing something once it gets reblogged, so typos and bad links and all that are always there.  And even when the original is deleted, the reblog keeps going, which I really hate from a creator's standpoint (though the archivist/ curator part of me likes it because it doesn't get lost in the ether [the recent purge notwithstanding] like so much of the early days of the web did). Tumblr's really bad for posting anything but ficlets and links to fic on other sites.

  satin_doll:  What would your ideal fanfic publishing platform be like?

 sunken_standard: Honestly, AO3 is just about as close to ideal as I can think of.  I just wish you could directly upload images instead of having to do code jiggery-pokery to link to something hosted elsewhere.  I've tried a million times and followed all the tutorials in an attempt to add the cover art to Longer Than the Road (gifted to me by @thecollapseinwonderland), but it just never works.  It shows on the preview, but not on the live version and it's frustrating because I'm computer literate, goddamnit.  Anyway.  And I mean, in an ideal world there would be better ways to find quality fic to my taste, but there's no real way to add a rating system (like 5-stars) independent of kudos without discouraging authors (and I mean the potential for abuse and bullying is just too great).

 Additional reader questions from @ohaine:

 Stylistically, Longer than the road is quite different from the other fics at the top of the AO3 Sherlolly ratings; stream of consciousness at the beginning, and the nested internal thoughts. How much of that was a deliberate departure, and how much was you just channelling the story as it came out of you?

 sunken_standard: At the time I was really influenced by a Sherlock/ John fic (I can't remember the title or author, it was 7 years ago, but I feel bad about forgetting). It was originally on LJ and their journal was a lightish blue color and the font was small (if anybody remembers this... there was something with an EKG and I think something with shooting up blood as a romantic gesture?). It was Sherlock POV and the author had a really unique way of presenting internal monologue. Anyway, at that time there was a lot of experimental writing going on on the slash side of things, it was great. To be perfectly honest, I hadn't read a lot of Sherlolly fic at that time because what did exist (as far as happy-ending/ happy-for-now stories vs like darkfic/ angst) was really, really not to my taste (the exception being Sustain). So it was only deliberate in that—even when I wasn't being experimental—I didn't want to write Harlequin books.

 I wish a story like that would just come out of me. I mean, to a degree it did, but doing the thoughts and sub-thoughts was work. I mean, I've always been a brackets-and-footnotes kind of person because I like reading it, but the way I did the thoughts was more like writing HTML than a regular rambling narrative.

  I think I read recently (maybe on a blog post?) that Riders on the storm was the original inspiration for Longer than the road. Was the scene in the storm your starting point with the story, or where did you begin?

 sunken_standard: That was the first scene I wrote; at that time I had a really nebulous idea of the story. The imagery was really clear in my head, though the very earliest concept took place in the desert—the classic American image of the road going on forever and rusty sands and the heatwaves rising up off the asphalt. I'm not sure how it morphed into North Dakota, I might have seen a picture of lightning over the plains or something.

 So after S2 aired, I just kind of sat and chewed it over for a month before any really strong ideas emerged for a story. I had to find the internal logic for the kind of plot I wanted to write—namely, them on the lam together. Making Sherlock have a breakdown seemed pretty natural at the time; in ACD canon (and many, many pastiches) he was always having them and going off to the country to recuperate. But he was supposed to be dead and he was all over the tabloids, so it's not like he could just move to some sleepy little village and hope no one recognized him.

I thought about sending him to Europe, using the places ACD Holmes went after Reichenbach (and I did start more than one with them in Florence, a few incarnations of which were Molly/ Irene wanklock PWPs, I actually think one of the Rusty Beds stories came from that, but I digress). The only problem with Europe is the language barrier; I thought it was too convenient to make Molly fluent in another language (she might have some conversational Spanish from a holiday or something, but that's it), so I had to make them go somewhere where English was common enough. I also didn't want them too far from the UK; I wanted Sherlock to be able to get on a plane and be back within half a day (I realize this isn't the reality of flying, but deus ex Mycroft, so). So Asia, Australia/ NZ, and even South Africa were out, leaving Canada, the US, or parts of the Caribbean. I didn't want them to by happy, so they didn't go to the Caribbean. Canada's great, but it's too nice and they also don't have deserts. America it was; it also really added some background tension because I think a lot of non-USians have a love-hate with us. Movies are okay, music too, and of course the tech and consumer innovations, but everything else is garbage and we're all just rude, ignorant, obese Yosemite Sams. For someone like Sherlock, I think the US is the last place he'd want to go (even though canon ACD Holmes was really into America). And I mean, write what you know, so that was that sorted.

 Once I got them here I needed them to do something; I wanted to tell a very intimate story, and that would be boring if they were just living in a 2BR cape cod in Jersey. And I mean, what city would really suit Sherlock? Where could he have a life that wasn't London? Anyway, the inside of a car is just about as intimate as two people can get, and the greatest tradition in American literature and film is the road trip, and that was when I knew I had a solid foundation for a story. After that, it just kind of flowed as I planned the route.

  Perfect, not perfect-perfect is a beautiful, brave piece that I think has a real air of authenticity to it. It was a very tough read, purely because of the journey the characters are on, and I wondered how difficult it was for you to write? Was it catharsis or an emotional black hole?

  sunken_standard: You know, I'm not really sure if it was either catharsis or black hole. A lot of the particulars and even the emotional places in that story aren't mine, but an amalgam of some other friends' experiences with polyamory. My own experience with it was pretty shit and pretty unremarkable, but I learned a lot about the human heart and how some people can lie to themselves because they can't let go of their ideals and their identities (I'm also still a little bitter), but that's got nothing to do with the price of tea in China, so moving on.

 Since a lot of those experiences weren't mine, it wasn't raw, so it wasn't very hard on me, personally. I think I wrote it in like three days? I don't think I wanted it to be a slog, so that's why it's in present tense and very sparse and matter-of-fact. Dispassionate, even. There are times when I'm writing really emotional stuff that I'm disconnected from it (which is a fuckin' mercy, because most of the time I'm right there going through it, over and over for days sometimes until I get the scene right and can move on to the next thing), and this was one of those times. I was writing this alongside the Girlfriend series, so there was some overlap there; I'd already done the emotional labor for everything up to Mary's death and I was thinking of different angles of approach for later installments of the series.

The most “me” part of it is near the beginning, writing my way around the bisexual experience from someone else's point of view. I don't have a lot in common with any of the characters; they're a higher social class, urban, products of a more liberal culture, yada yada, but there are some things that are just kind of universal and misunderstood about bisexuals, the stereotypes that we have to contend with and end up internalizing.

Oh, and the perpetual alienation is all me, too. Molly's feelings of being left behind are mine, how I felt every time friendships drifted apart or when female friends got married and then had kids. So a lot of the fatalism and insecurity are me projecting how I would feel or react. I kind of like depressed Molly, more than the perpetual ray of sunshine/ cinnamon roll at least.

 *********

 Many thanks to sunken_standard for taking the time to answer these questions!

 And many thanks and much love to OhAine for all her hard work putting this project together! It’s been fun and enlightening!

Next week, Friday 29th March, it’s the turn of @ellis-hendricks and @geekmama 

[theicombaticon]

all of the even numbers for the character design ask meme :0c ?

Sure! you monster

*Inhales*

⭐️ 2. Who’s the oldest character of yours, defunct or not?

“Defunct or not” is the catch here; I’ve come up with a LOT of characters ever since I even knew what a story or person was (even if I didn’t know those exact words yet), so trying to figure out who the oldest one is would be an absolute nightmare. 

Hell, I had an OC for a fictional actor who would play me in a fictional movie starring me as myself (even by child/autistic child standards, I was a very delusional kid) 

🦋 4. Any minor characters that have either taken over or branched off into their own stories?

Absolutely. I’ve had this character for a while named Opal, who was originally going to be part of a Platinum nuzlocke I never finished as something of a priestess for Giratina/actually was a part of Giratina (I can’t remember which one I settled on). 

A little bit before my interest in doing the nuzlocke began waning (lucky for her), I found that I like her too much to just have her be a bit character in a piece of work that was basically glorified fanfic, and so I wanted her to have her own universe to play around in. 

While her initial placement in that story as its central character has changed as the nature of that story has changed along side her new version, to be honest I’m ultimately happier with how she is now than when I first conceived of her (especially from a design perspective) 

🎨 6. When creating a character, do you come up with the visual concept or the written concept first?

It varies? I’ve had times where I come up with who a character is before I have a concrete design for them (this usually happens for groups who members I haven’t designed yet but I know exist), and sometimes I’ll have a design but no personality to attribute to it (this was what happened with Eva). Of course, the latter scenario means that when I start writing for them, their design gradually changes to accommodate said writing, so I guess either way the writing ends up reigning supreme in the end?  

💖 8. Is there a character that embodies your good traits, or traits you wish you had?

I wouldn’t know

I’m happy that I decided to make Alice be basically content with being autistic/trans (at least she has some things she’s ok with about herself), since I feel that giving her those traits has in turn helped make me more content (can that count toward this question?) 

I wish I was as brave in the face of people wishing them hate as one character I have (who I’m not naming because spoilers for them). I also wish I was as decent at reading others as one I mention in a question below. (I feel like saying any more would just turn this into a vent post, so I’ll stop there) 

♨️ 10. Is there a character that explores your interests or fetishes (orrrr is that just all of you characters)?

*inaudibly screams internally*

…NEXT QUESTION PLEASE?

💭 12.  Do you fantasize about being any of your characters, or are you more detached?

Fantasize about being a character? Not really. Fantasize about being in their world? Absolutely.

🎇 14. When writing for specific characters, is there anything you have to do to get into the right mindset?

Already answered!

🌩 16. Is there a character of yours who’s a real struggle to write/draw? Why do you think that is?

In terms of writing, there’s this character I have named Kaeb. His deal is that he’s a disabled and formerly enslaved djinn (his disability omes from djinn bodies in-universe work like gem bodies from SU. An in-depth explanation of how his form doesn’t work is complicated, but basically he has no proper ears, and his lower arms and legs don’t form properly, and he lacks his deeper connection to his ingrained element) who is haunted by his pre-enslavement life and went as far as trying to destroy himself to escape it (which was how his form started glitching up). 

The trouble with writing him comes from just how much there is to unpack with him (I don’t want him to overshadow the rest of the characters in his “group,” especially not the most central character of them), as well as making sure he doesn’t just come across as a huge edgelord.(which would kinda undermine his entire character)

(If I can add another one, I have Brian G. Caterpillar who I’ve had trouble making a deeper character than his placement in the story. I’ve had progess here and there, but I want him to be more than just an in-universe psychiatrist of sorts)

In terms of drawing, it’s actually Alice (ignore the old-ass, out-of-date design, but then why did I link it…?), most specifically her fucking hair. When it looks right, I love drawing it and it makes me happy. When it looks a wonky as it does in art like that, it makes me want to throw my pencil/tablet through my sketchbook/screen. I actually have a decent logic to how to draw it now (you don’t have to ignore this one this time jesus I’ve gotten so much better tbh)…at least from the front (getting it to look right from the side, on the other hand…)

💎 18. Is there anything you really wish you could do, character-design-wise, that you feel is outside your current skillset? A concept that you wish you could pull off but are uncertain about?

Aside from wishing I could draw more complicated designs without wanting to kill myself, I’ve also noticed that I tend to design certain bits very same-y (like armored gauntlets, helmets, cuffs, shoes, etc) and I want to be able to vary those up a little.

But honestly? I mostly want to be able to make my designs more wild. On of my biggest inspirations art-wise is Hirohiko Araki, and I envy his ability to take the wildest design choices (hair, costuming, color scheming, etc) and create some of the most striking character designs I’ve ever seen. Just…I want to get to that level of “hey, I’m going to take the most absurd idea for a design and make it work”   

🎬 20. Do you ever plan to do anything (comic, animation, etc) with your characters? Or are you just happy to have them?

Oh I have A LOT of plans (maybe too many…?) 

Alice is the main character of a comic that’s going to be a thing soon enough (it’ll start either by the end of this year of the beginning of next year; it would have already started but I wanted to iron out a few kinks first)

Opal and Kaeb are going to be in a sci-fi/fantasy anthology series that’s a loooong way away from starting (they were actually from two different stories but I merged them together to help fill in some gaps each individual one needed filled as well as to condense the amount of work on the back burner). I haven’t decided what format it’ll work best in, but I have a LOT of plans for it.

 This isn’t even going in-depth about the numerous other ideas and plans I haven’t mentioned in these asks (help)

……….

*collapses*

I don’t ever have to do this many asks at once ever again