#necromancer's art collection

[necromancer-idv]

Emma: Hey there!! Staying warm this winter? I can't stand the cold it kills my flowers :(

"I must apologize, but I am not at my castle at this moment, so I must entertain guests another day. Though, I am as warm as a corpse could be, I still dress like to dress heavily as it does bring some form of comfort in such a strange winter. There is hardly any snow, yet it is as cold as ever, so I suspect a shift in the World Tree's influence. However, please do not fret. Spring will come soon, and with it, the world will wake up to new life. Flowers come and go, but you can preserve their beauty. Press them with a heavy book or item, hang them upside down in a cold part of your home for several weeks, or keep them by a hearth to crisp. I, personally, take the time to gather many wildflowers or pick some from my personal garden, and hang them, so I could prepare them for today specifically. It is the anniversary of my twin's death, so I am heading to his grave with the flowers I collected and preserved so that they will not wither away thus keeping his memory alive."

[necromancer-idv]

"I can hardly read this. The writing is so aggressive..."

Original Meme under the cut!

Word is that there is a monster hunter among your ranks. I am merely sending a message that if they meddle with me, expect trouble. I do not plan on dealing with trivial attempts at destruction this Winter and would prefer a compromise, so I hope this letter finds you well. I expect we come to an agreement soon.

*~ Necromancer (necromancer-idv)

𝖁𝖎𝖑𝖊! 𝕱𝖎𝖑𝖙𝖍! 𝕿𝕽𝕬𝕾𝕳! 𝖄𝖔𝖚 𝖉𝖆𝖗𝖊 𝖈𝖆𝖑𝖑 𝖒𝖞 𝖆𝖈𝖙𝖎𝖔𝖓𝖘 𝖙𝖗𝖎𝖛𝖎𝖆𝖑?! 𝕳𝕬! 𝕬𝖑𝖑 𝖒𝖔𝖓𝖘𝖙𝖊𝖗𝖘 𝖆𝖗𝖊 𝖙𝖍𝖊 𝖘𝖆𝖒𝖊! 𝕬𝕷𝕷 𝕺𝕱 𝕿𝕳𝕰𝕸 𝕬𝕽𝕰 𝕮𝕳𝕰𝕬𝕿𝕰𝕽𝕾 𝕺𝕱 𝕯𝕰𝕬𝕿𝕳 𝕬𝕹𝕯 𝕴 𝕬𝕸 𝕿𝕳𝕰 𝕺𝕹𝕷𝖄 𝕺𝕹𝕰 𝖂𝕳𝕺 𝕮𝕬𝕹 𝕾𝕬𝖁𝕰 𝕿𝕳𝕰𝕸! 𝕴 𝖜𝖎𝖑𝖑 𝖑𝖊𝖙 𝖞𝖔𝖚 𝖓𝖔𝖙 𝖙𝖆𝖐𝖊 𝖉𝖔𝖜𝖓 𝖆𝖓𝖔𝖙𝖍𝖊𝖗 𝖎𝖓𝖓𝖔𝖈𝖊𝖓𝖈𝖊 𝖉𝖊𝖒𝖔𝖓!

[dhwty-writes]

Tána of the Onyx Seers

Another finished artwork and another NPC of my Pathfinder campaign, this is Tána, the dead(?) necromancer lover of @parttime-creative's current PC Atánasya. She showed up in the last session dissecting a devil's corpse 🥰

ID under the cut

[Image Description: A portrait of a female dark elf from the hips up. She is wearing all-black clothes and has a chin-length silver bob. Her silver, pupil-less eyes stare straight ahead. The background consists of a multicolored magic circle and a starry sky. End ID.]

[zephyrus-eleison]

be me, connecting with old notes on my ocs only to realize my vestige (pictured) was more angry that mannimarco thought he was better than her at necromancy than the fact that her soul was literally stolen and absorbed by Molag Bal

[parme-san]

^ i deadass feel that i peaked with this drawing i did at 17

[purpletyrant]

The myth that seeks to explain the origin of unicorns and their proclivity towards necromancy is older than written record. No evidence exists to suggest that any of it has basis in truth, but nonetheless the Lady Who Stayed remains a subject of idol worship for practitioners of this infernal craft. Some details of the story are contested, however, and many unicorns would take offense to the implication that the origin of their people is infernal in nature.

[neonjess]

Emma, my witch. She is a necromancer, shy when it comes to the living but very talkative with the deceased. She is an art student and she loves books, collecting dead things and stitching dolls for her ghost friends.

[buffpups]

The Kickstarter campaign for isekai fantasy TTRPG This World Summons Too Many Heroes!! is now live! The definitive edition of the game comes with the core rules and all three expansions in digital and print format with new cover art and a fresh new layout. Ten years ago, the Kingdoms of Ceria summoned a hero from another world to save them from the undead army of the Cryptlord. That man was Yuya Muto, a powerful sage with a special power that allowed him to create spell scrolls just by touching the mage whose spell it was. He succeeded in saving the kingdoms, and when he retired for a quiet life afterwards he created hundreds of copies of the summoning scroll for if heroes were needed again. However, as soon as he disappeared into the mountains the kingdoms started coveting each other's scrolls and fighting broke out everywhere for their control. After a decade of scroll theft and reckless misuse, people summoned from other worlds are now all over Ceria and creating more chaos than ever before. To restore the peace, the scrolls must be collected to prevent further tragedy. This World Summons Too Many Heroes!! was first released digitally on itch.io in 2021, followed by the Goddesses Expansion in 2022, the .Dungeon//Tower Expansion in 2023 and the Season of the Sage Expansion in 2024. This project would be the definitive edition of the game, including the core ruleset and all three expansions. The game uses the LUMEN system, designed for power fantasy action games with fast combat and a tight gameplay loop. Players get a chance to regain their strength with every enemy they defeat, making it a game about taking on insurmountable odds and showing off your powers in battle. There six archetypes from Hero to Demon Lord to Bystander, and 25 classes to specialise in: Alchemist, Assassin, Beast, Berserker, Black Knight, Blacksmith, Blood Mage, Brawler, Champion, Enchanter, Healer, Hunter, Knight, Living Weapon, Mage, Magus, Monster, Necromancer, Phantasm, Saber, Sage, Servant, Spellsword, Tamer, and Vampire.

Please support the campaign!

[cybershock24601]

My Mourn Watch Rook is romancing Lucanis and I’m planning to have my Antivan Crow Rook romance Emmrich and the best part of that is either way Viago is going to be dealing with an unhinged necromancer.

Rook Ingellvar is going to be hanging around and likely literally on the First Talon all the time being Rook’s normal weird self but then is going to say the most out of pocket shit out of nowhere about corpses and spirits. Possibly even raise a number of skeletal guard for the Dellamorte estate and wouldn’t that be a statement for the First Talon’s home to be guarded by the bodies of his marks. A creepy statement, Viago doesn’t know what Lucanis is thinking considering Rook’s everything and that’s before you throw in the necromancy but at least Rook is kind to the crows (the bird). When asked about it Rook says they have tons of them at the Necropolis and that they like her best because sometimes she’ll let them peck at the bodies before she brings in the beetles to pick the bones clean :). Viago and everyone in earshot wishes he’d never asked.

As for Rook de Riva, Viago is going to have the biggest headache in the world when Rook brings home her gentleman necromancer and his pet skeleton. And really, Rook? Going for the guy twice her age, Viago should have expected Rook to pull something like that. It does not help that Rook keeps dragging in bodies like a cat to present to her new beau for him to do… whatever it is the mortalitasi do with corpses. At the very least Viago gets a chance to see Vorgoth’s wonderful art collection so it could be worse and Emmrich makes for a decent conversationalist when he isn’t talking about necromancy. Though not by much. Viago still isn’t sure what he thinks about Rook’s “skeleton son” but at least Manfred’s keeping Rook busy enough that she’s not causing mischief.

[astra-ravana]

🜏Astra's Grimoire; Masterlist🜏

Working with Spirits

Abaddon

Angrboda

Arachne

Aradia

Astaroth

Asmoday

Azazel

Buer

Bune

Cernunnos

Dantalion

Decarabia

Eris

Gaap

Leviathan

Lilith

Loki

Lucifer

Marbas

Medusa

Melinoe

Morrigan

Murmur

Nyx

Paimon

Ptah

Raum

Ronove

Samael

Seere

Stolas

Uphir

Valac

Zagan

Invocation Ritual

Spells/Recipes

Commanding Oil

Crow Sleep Spell

Create a Dark Talisman

Clavum Et Spinam

Casket Boxes

Materialization Potion

Invocation for Integration of Multidimensional Gifts

Fire And Water

Attract the Fae Using a Faerie Ring

Black Opal Charm

Phoenix Ash

Hunter's Curse Enchantment

Hex Bag of Illness

To Give The Evil Eye

Folk Chaos Recipe: Influence Powder

Jar Candle Road Opener

Black Arts Oil

Other/Various Topics

List of Baneful Components

The Dark Moon

Notes On Crossroads

Magickal Herb Sets

Serpent Symbolism

Obscure Spell Components

Sigils Part 1

Sigils Part 2

Necromancer's Tool Kit

Courtesies Of Sect Law

The Powers That Be

A Dive Into The Dark Feminine

Interacting With The Fae

Eleven Powers of Witches

Essential Herb Collection

A Selection of Weather Magick

Bypassing Wards and Protections

A Collection of Symbols

My Personal Correspondences

Canabis Magick

Wand Woods

Key Magick

The Magick of Spiders

Celtic Astrology

Creating Servitors

Basic Incense and Their Uses

Hedge-Riding

Candle Divination

The Satanic Statutes

Basic Numerology

Liminal Spaces in Witchcraft

Cursed And Bonded Objects

Bug Correspondences

Magickal Uses For Bindweed

The Basic Principles Of Spellcasting

Egyptian Zodiac

Cursing By The Moon

Cartomancy

The Power of Hair

Tarot Tips

Blood In Magick

Soul Connections

Spiritual Downloads

The Four Powers Of The Magus

Types Of Witchcraft

Crystals By Use: Quick Reference

Witch's Runes

The Faerie Star

[felassan]

Thoughts on the new images of the Lighthouse Part 1. DA:TV spoilers under cut.

[Link to Part 2]

general: the Lighthouse looks so cool, it's beautiful 🥺 I can't wait to explore it fully and see the companions' areas change over time.

outside many of the windows are pieces of floating rock and odd architecture, a feature of Fadey scenery.

This can only be Emmrich's room. :) the giant skeleton statue on the left is exactly like the ones in the Necropolis Halls. the hanging lanterns have hexagon shapes, which I've become convinced is part of Nevarra's visual design in this game. the slab-like table in the foreground looks suspiciously like it's meant to hold a corpse/skeleton, and we can see Emmrich doing just that here. the room is filled with lots of flasks and other glass vessels, reminding me of the artbook concept of apron!Emmrich holding a smoking glass flask. I wonder if any of the jars/vases are more like urns and canopic jar kinda deals? there's a big scroll on the desk and lots of books and scrolls everywhere, as you might expect from a scholar and a professor. there's lots of skulls and skull-themed decor everywhere, even affixed to the wooden part of the upper floor, as you might expect from a necromancer. Emmrich really said okay I'm moving in now and my huge collection of skulls is coming with hhh. in the righthand corner of the room it looks like a giant skull (the bottom part of it looks to me like teeth), and on one shelf there's even a ribcage.

do the statue-figures on either side of the fire look like humanoid figures holding their heads in their hands to anyone else, only their heads are like vase-shaped?

maybe he sleeps upstairs somewhere?

the big spiral staircase is beautiful and so is the sunlight beaming in through the windows from above. :) the fireplace looks cozy. in the arches of the windows you can see the curves of ancient elvhen architecture. the view from up there must be so pretty!

This item on the top of one of the shelves caught my eye. I can't place it atm but haven't we seen this shape before?

This room can only be Neve's. :) in the bottom left is a stand with a different leg on it, the same as one of the ones shown in her artbook concept art. there is serpent imagery. I think diamond shapes and pointy objects like the wall-lights are part of the visual language design of Tevinter. the hanging lanterns look magical, a common thing in Tevinter. the rug is pretty and incorporates her turquiosey color palette. on her desk there is a turquoise pot (teapot?) - if you look closely, its coloring and the swirling designs on it are very similar to Neve's teacup here. :) there are various teapots and decanter-type things around the place that she could use for coffee.

it's smart room design, the big ceiling-high windows give the room the impression of a workplace office, like something out of a crime procedural.

Neve's casework wall. wanted posters/mugshots/suspect/missing person (they could be any of these) pictures, lots of notes, papers that look like they could be maps, strings linking together different papers in a clues-board like this meme, papers that it looks like Neve has annotated in red ink while studying them (circling and underlining things). a nice touch is that one or two of the papers are drawings of snowflakes, fitting for an ice mage. :)

I'm curious, what is this and what is it for? Bellara has one of these in her room as well, as does Lucanis (see Part 2).

these hanging objects are also interesting. they look like glass cases containing pieces of parchment on which a snake is drawn.

This room can only be Bellara's. :) it's filled with floating ancient elven magic-tech triangles and in the middle it shows the detached head thing from her artbook concept art. (he looks like if you activated him with the blue crystal or something that he could talk..). the room has a workshop vibe; she has a workbench and a stool, different instruments and gismos, and there's an array of artifacts on the shelves. the orange wall hanging on the right is triangular, flanked by two arrows in the nets and contains the skull of a deer/halla or similar animal. this must represent the Veil Jumpers given that many of them use archery, the triangles and the fact that their faction logo is a deerlike skull. it's a nice touch that even the structure of some of Bellara's furniture, like the sidetable on which the head rests, are triangular in design.

All the picture frames everywhere - are those mirrors? could they have something to do with investigating eluvians, or the network?

this looks like this halla statuette asset from DA:I. :) there's one of these in Taash's room too.

the ancient elven face motif, like on Solas' Trespasser armor and the Temple of Mythal Sentinels' armor.

hanging bone hh?

Left: what is this contraption? the ear is human Center: very ornate box. what's in here? maybe the animals on the top of the lid are stylized mabari? Right: Fereldan mabari banner.

Left: this pattern of walls and the triangle pattern on them is a feature of ancient elven architecture. Right: the way the walls (behind the frames) are designed here, it makes it look like pipes. Bottom: curious that we cannot see the ceiling.. :)

This looks like a sort of magnifying glass or microscope-type thing that would allow her to closely examine things she finds.

What does this do? :D

This (left), along with the head, feels like a focal point in her room. this hanging thing almost looks like a model of a planet or solar system - a planet in the middle, a ring of asteroids or something around it, smaller orbs around the place like moons. we've seen part of something similar before, in the ancient elven ruins in Arlathan Forest in the screenshot on the right. compare these bits; the rings, the paired triangles.

looking at the wider structure of the thing in Bellara's room, it also reminds an awful lot of this place (whatever it is), which even has the ring of rocks going around it.

feels important. :D

I feel like this is Harding's room. :) it's pretty and cute, a nice rustic space (suits her). the simple bedroll under a cloth canopy propped up with some sticks has the vibe of something a shepherd and scout might rig up to rest in when out in the wilds. the pond / water feature transforms it into an outdoorsy, nature-y space, as do the leaf-strewn floors and the plants growing up the walls. there's vegetation everywhere - potted plants and some areas which look like raised planting beds, basically little indoor gardens. this includes windowboxes, flowers and even mushrooms (I know that's fungi. yk what I mean hh). this makes so much sense for Harding - we know she loves nature and plants, and Ali Hillis mentioned that Harding also raises plants. I wonder if as the game progresses, she will grow more plants and the ones she has already will grow some more? like maybe she'll finish planting up the area around the pond the whole way round? and I wonder if her lil pond has fish? that would be so neat. please can I buy some beautiful koi for Harding to put in her pond to raise? also I wonder if any of the things she grows are edible? like imagine Bellara and Lucanis cooking with e.g. salad greens grown and raised here by Ms Harding :D and/or healing herbs we could use in the field?

this plant for example resembles the model for elfroot in DA:I!

I think maybe this is Taash's room. first off, near the middle of the room it looks like a makeshift weights bench, and we know that Taash is a gym bro. the hanging rings nearby that remind me of these. even the 'horizontal ladders' on the ceiling look like you could use them as monkeybars - if you look on the left, there are even ladders in the form of rings protruding from the wall that you could use to climb up there to access them.

even these frame things look like they could be used for some kind of physical workout/climbing situation.

on the table to the left it looks like piles of big coins, fitting for a Lord of Fortune. elsewhere in the room behind the weights bench it looks like there might be some gold bars. in the background is a hammer leaned against a crate.

this crate has her color scheme - the tealy hue, gold pieces and red ropes.

a Qunari symbol, in drapery that has her color palette, the teal with the red ropes. btw, comparing this and its location to the new screenshot of Taash, I think that this banner is the thing in the background that I was talking about here (the "something blue-green"):

in the background to the right is something blue-green with what looks like red rope hanging off it. a belonging of Taash’s? maybe this shot is from a quieter moment, somewhere in the Lighthouse, maybe her space? if you look here (Arlathan, the ruins are ancient elven), it has the same sort of repeating zigzag patterns on the same sort of arch-like curves as here. it makes me think that this shot is set in a room with ancient elven architecture. (and the Lighthouse was Solas’, so it would have ancient elven design).

If you look at the banner with a wider crop you can even see the "arch-like curves" with the zigzag patterns that she's standing in front of in the new screenshot. this area has fire to the left of the arch, which would cast the warm firey glow you can see from stage-left in the new Taash screenshot. so it looks like in the new Taash screenshot she was standing somewhere around here:

And that my guess of the setting of the new Taash screenshot was correct. :D

crate of some kind of weaponry or bones, including a map with a knife I imagine you'd use to mark spots on it with. :) piratey vibe.

clever room design btw, it has the vibe of belowdecks/the bowels of a ship.

horned statue or carving, like an ogre.

Top: the silver shield-like things on the wall have the same sort of scale-mail appearance as Taash's field armor. Bottom: this thing reminds me of a boat in shape. like a small fishing boat or something.

I wonder why Taash has a Grey Warden shield and an eluvian in her room? maybe the shield is just general decor (like the Fereldan banner in Bellara's room? unless Bellara is from Ferelden??). maybe the eluvian ties into why she apparently has some involvement and a strong interest in a main story mission set in the far reaches of Arlathan Forest, as described by Corinne Busche during the second Discord Q&A? -

"I was out in Arlathan, actually doing, on my way to do a main story mission, and I get to the far reaches of Arlathan Forest, and I already knew that Taash wanted to help me with some of the challenges of that arc. Well, Taash is right there waiting for me, so I actually chose to instead like, ah, Taash seems impatient, I’m gonna actually jump on that story arc right now instead of what I intended to do"

And what is this? Looks like a sun or an owl. ^^

I ran out of image allowance on this post so I'll put the rest in another post!

[Link to Part 2]

[necromancer-idv]

What are your plans for the future, Necromancer?

— 🌻 anon

"The future is ever present as mere seconds ahead of you can be considered but a drop in the endless ocean that is the march of time. My 'plans' are merely to set nature on its course to decay and bring things anew. After all, necromancy is an art of recycling and repurposing. I repurpose the bygone era of things and make them new to serve me in this cycle of life. On that note, it is time you look upon the light. Your time has come, and your soul will prove to be useful in the grand scheme of things, even if it is to serve me indefinitely."

[vigilskeep]

Any guesses on the Veilguard companions?

some suggestions i think are worth placing bets on

an antivan crow (the concept art and short story presence PLUS what’s been said about each companion representing “iconic factions���, i think this is a dead certainty). natural choice for a rogue, but the concept of crow mages has been being set up in the novels for a while

again judging by concept art presence, a nevarran mortalitasi necromancer OR a nevarran possessed skeleton type as our friendly spirit companion

a grey warden, probably from the anderfels/weisshaupt itself. always has been one and there is no faction more iconic, right? i believe there’s ancient voice acting snippets suggesting it’s some guy called davrin

considering the collective way that concept art captions, absolution, and apparently three separate stories from tevinter nights were like “hey did you know the LORDS OF FORTUNE are a thing? the lords of fortune from RIVAIN”, one of these. my guess is that they thought about going felicisima armada for a rivaini companion but didn’t want to just rehash isabela’s pirate gimmick so they made something up and they’ve been trying to set it up really hard

i’ve seen people suggest scout harding is being pushed forward for the role and i guess the inquisition is an iconic faction now?

otherwise, couldn’t really say for a dwarven companion. iconic factions might include the legion of the dead, the carta... the tevinter ambassadoria is a bit more niche but would make sense for a northern companion. i could also see them simply making one of the other suggestions a dwarf, the grey warden is definitely a strong contender since it’s always been a human man and it’d be nice to mix it up

speculatively, i’d like to see a templar. you can’t deny it’s an iconic faction. either a southern templar trying to take up a new cause after everything crashed and burned or a vint templar with a completely new perspective to what we’re used to would be a lot of fun. i would actually love to play this character if it’s not a companion lmao

another obvious faction is the dalish. it’s been a while since we had one, we’ve never had a non-mage dalish companion so there’s a lot of room for a fresh approach, they’re so plot relevant right now. someone’s got to give us that good good exposition! and i am so sick of it not being the dalish themselves 😭

i would be very surprised if there’s no qunari or tal-vashoth. i don’t have many strong ideas, i would just expect it to be a rogue or a mage, since warriors are all we’ve had

all that obviously tallies up to more than seven so we have to pick and choose—and i’m sure there’s plenty of surprises i haven’t thought of—but those would be my instincts! i’ve been thinking about this for a while haha. i’d be excited for any of these, just please, please hand over the romanceable dwarf. i know you’ve got them bioware

[babybutchianthe]

one end is one empire: monogamy in the nine houses

in Harrow The Ninth we are told the origins of lyctorhood lie in research conducted by john's disciples in the hopes of establishing how best to serve alongside their lord without needing him to confer immortality—those who became the first adepts and first cavaliers, then the first lyctors. we know that ultimately the design of lyctorhood was, in reality, a way for john to ensure his loved ones would be something he could touch, for them to become his hands and his fingers. the disciples' collective legacy lived on in two ways: the fruits of the lyctoral process, his saints, and the institution of the cavalier-necromancer bond throughout the nine houses.

as we see specifically highlighted in A Sermon on Cavaliers and Necromancers, this bond is a cultural fixture of house society and is emphasised not only as “one flesh, one end” but also as the essential equation of “the one binds to the other”; the sanctity of this bond lies in the framing of the two as being complementary halves, necromancer and cavalier forming one, and this sanctity being threatened by the disruption of the essential equation of one necromancer and one cavalier. a single cavalier paired with multiple adepts is placed under the logistical burden of supplying thanergy to, and protecting, multiple individuals whilst an abundance of cavaliers would leave the necromancer ill-equipped to perform necromantic feats that require intimate understanding of another's thanergy. the complementary difference of each is also their undoing as individuals: the necromancer's art is impossible without a swordswoman, and they are rejected by thalergy planets, while a lone cavalier without the care or craft of an adept is vulnerable “amid the bullet-filled barbarism of other planets”.

the bond is characterised as a joining of complementary halves, a union of the two incomplete to form a whole one. its nature is defind by each using “one flesh, one end” as a maxim for their passion for each other; the other is their ideal and their completeness. it is said to be the underpinning of house society—without the acknowledgement of the cavalier and necromancer's duties to each other, the sanctity of one binding to the other being upheld, and the continued reproduction of the bond the houses will fail in their mission to uphold the values of the god who became man and man who became god.

“Those who hold the sword must hold it for the necromancer. Those who were born with thanergetic nervous systems ply their art only by the grace of the sword. The necromancer is weak, and the sword is strong. The sword is weak, and the necromancer is strong. Our pleasure at the bond unbroken between necromancer and cavalier is a Nine Houses acknowledgement of the equality granted to us by God.” — Tamsyn Muir, A Sermon on Cavaliers and Necromancers

lyctorhood: the marriage of flesh and spirit

though it is made clear throughout the series that literal marriage of the two is considered to be taboo, grotesque and even traitorous to the ideals of the necrolord prime—in harrow the ninth, it is explicitly said that there are many strictures against a necromancer marrying their own cavalier—the bond between the necromancer and cavalier itself is an overt parallel to the christian concept of marriage: it is the joining of two incomplete, complementary halves to become one flesh in the name of god. house society is divided into adepts and non-adepts: those who bear necromantic characteristics that make them resemble the emperor, and those who do not, but can join with those that do and become as one flesh—one in his image, and one who can join with those that resemble him.

despite their supposed nature as complementary halves, incomplete as individuals, it is also made clear that the taboo against marriage and romantic entanglement is one born out of the necessity of keeping the bond a meeting of complementary forces united in the name of god rather than a codependent loss of self. the erasure of the difference between them violates the sanctity of their bond, diminishes each before society and god: the two are united as one flesh, but must remain unfused and defined as halves. the joining of necromancer and cavalier is one that necessitates their continued division.

She didn’t have to tell me in so many words what we both knew, that the relationship between cavalier and necromancer could so easily curdle into codependency . . . a loss of self on both sides. An obsessive fusion of halves, not two complementary forces. —Tamsyn Muir, As Yet Unsent

the reality of this, of course, is that the loss of self on both sides is an unequal one: the adept resembles john where her swordswoman doesn't, is the one to serve as her house's heir as opposed to the heir's bodyguard and representative in duels. the eighth—illustrated as the most devout and orthodox of the houses—is the one that best illustrates this imbalance through their use of soul siphoning, a temporary displacement of the cavaliers soul for the deriving of power through the ensuing void. the difference between necromancer and cavalier is their strength, and to forget it is to become diminished, their complementary forces lost to obsessive fusion.

the cavalier's role in the lyctoral model is to be consumed, to become the furnace of their necromancer's lyctorhood. the body of a cavalier is a means to an end, the swordhand that is discarded once a necromancer can take up the weapon in their own, and their soul is a source of perpetual thanergy and a securement of legacy, immortality. a cavalier is trained to follow a half-step behind and wait upon their adept, to die for them if needs must, and is conditioned to accept that their duty is a sacrificial one. the cavalier facilitates the art and legacy of the adept; the adept is born into the art, and the cavalier is born into service in the name of that art.

the necromancer's role in the lyctoral model is to consume, to ply the art with the aid of their cavalier and to burn the cavalier to fuel the formation of their legacy, a literal immortality of self. their necromantic characteristics are seen to make them more like the emperor, as per A Sermon on Necromancers and Cavaliers, and drives expectant parents to concern themselves with ensuring that their children are born on a thanergetic planet or in proximity to thanergetic grave dirt. each house is ruled by a necromantic scion. the equality of cavalier and necromancer may be spoken of at length, but the supremacy of the necromancer in society is clear; the adept knows the art, is closer to god, due to being born with a gift only found on thanergetic worlds, the emperor's dominion. it is the necromancer who becomes the lyctor, and the cavalier who serves as their furnace.

you cannot separate the concept of lyctorhood from john and alecto, nor the concept of necromancer and cavalier—both concepts originated with john and alecto. in fact, lyctorhood was conceived as an emulation of their bond: “You let us think we’d cracked it [...] You had already done it yourself. But you had done it perfectly!!” “Then, when the disciples come to you and say the word Lyctor, she does not understand that they want the thing you did to her—she watches as you watch … watch them misunderstand the process.”

when john created alecto—his cavalier, the first cavalier—he ate soil, wrenched a rib from his own body, and conjured a labyrinthe to house her in: partook in her flesh and imprisoned her in a body composed of a comminglement of hers and his, hid him in her and her in him. a marriage of flesh and spirit. similarly, the petty lysis we are familiar with requires the literal consumption of the cavalier's flesh and the integration of their soul with the necromancer.

Then the LORD God said, “It is not good that the man should be alone; I will make him a helper fit for him.” — Genesis 2:18

those who hold the sword must hold it for the necromancer, just as the necromancer can only ply the art by the grace of the sword; a lyctor, a necromancer, can hold the sword for themselves, and ply the art by their own grace. a grace in the image of god.

john's saints invented the process that allowed them to go on to wield the sword and bring themselves closer to his image, but that process required the lives of their cavaliers. john ensured that it did. the echoes of this manipulation are what went on to form the basis for the necromancer-cavalier bond that permeates house society, and shaped the empire; just as he coerced his loved ones into becoming his fists and gestures, john instituted a societal binary composed of people in his image (necromancers) and a people who can live and die to serve them (cavaliers).

“But from the very beginning of creation, ‘God made them male and female.  ‘That is why a man leaves his father and mother and is joined to his wife and the two become one flesh.’ And so they are no longer two but one flesh. Therefore, what God has joined together, let no one separate.” — Mark 10:6-Mark 10:9

the monogamous implication of one end

as we have explored, the bond of necromancer and cavalier is one modelled on that of the lyctors, itself modelled on that of john and alecto, and serves the twofold purpose of compensating for the physical infirmity of the necromancer and facilitating lyctorhood—the cavalier's duties are that of bodily service and sacrifice. it is a joining of complementary halves, inadequate in their individuality, the necromancer who resembles john and the cavalier who serves them and dies for them; it is defined by an essential equation, the one binding to the other—one flesh, one end, one empire.

in this way, it is a union that parallels the christian marriage in a number of respects: it is founded on the belief in an oppositional delineation of peoples into two immutable categories, benefits one of these to the detriment of the other in accordance with the will of god—specifically the category said to resemble him most closely, ensures that the beneficiary's legacy may continue through their union and the bodily labour of the other, and the arrangement is thought to be foundational to and uphold the godliness of the society. to sour the sanctity of marriage, of cavaliership, is to betray the ideals of god; the pursuit of true equality contradicts his design and is limited by societal strictures. their union is to each other, but they must not be codependent, must remain aligned with their roles, and must serve their emperor faithfully—to forget their difference and their roles is to diminish themselves.

“Monogamy is formed, then, not as a relationship between just two people, but rather as a complex system of obligations and social and moral impositions - mainly governed by christian morality, in which the family is legitimized only by sacred marriage and by the values of capitalism, of propagating wealth from family generation to family generation and the maintenance of private properties – which has, as its scope, the guarantee of monopoly and concentration of wealth and power of the nobles to the detriment of division of inheritance with “bastard” children. In this way, it is clear that, even before capitalism, monogamy is necessary for the management and maintenance of this system, serving as a support for the reproduction of power mechanisms in the social body - especially in the beginning and expansion of the capitalist formation - mainly through the family. Capitalism invests itself in the life, affections and sexualities of the population in order to use them as State apparatuses for the maintenance of relations of production and power through compulsory monogamy.” — @zapatism, Capitalism and monogamy

the exploitative nature of christian monogamous marriage, its role in ensuring the supremacy of the man, how it ensures the propagation of his legacy, marriage's contribution to the maintenance of other social institutions such as the nuclear family, and the institution's legacy of socially coercive mononormativity are all literalised by lyctorhood throughout the series. the necromancer is male and cavalier female, both in the societal sense and in the biblical sense, and this dynamic is made clearest by how lyctorhood is perfectly emblematic of patriarchal monogamy, a social arrangement that benefits the necromancer and wholly subsumes the cavalier.

“It is based on the supremacy of the man, the express purpose being to produce children of undisputed paternity; such paternity is demanded because these children are later to come into their father’s property as his natural heirs. It is distinguished from pairing marriage by the much greater strength of the marriage tie, which can no longer be dissolved at either partner’s wish. As a rule, it is now only the man who can dissolve it, and put away his wife [...] The Greeks themselves put the matter quite frankly: the sole exclusive aims of monogamous marriage were to make the man supreme in the family, and to propagate, as the future heirs to his wealth, children indisputably his own. Otherwise, marriage was a burden, a duty which had to be performed, whether one liked it or not, to gods, state, and one’s ancestors.” — Frederick Engels, Origins of the Family, Private Property, and the State

gideon, camilla, and naberius all demonstrate how the cavalier is pushed to sacrifice and conditioned to accept the supremacy of their necromancer while their respective necromancers showcase how the necromancer is bred and coerced into accepting the expendability of their cavalier. gideon justifies her own suicide, camilla pleads with pyrrha to lie to palamedes about how their incomplete lysis is steadily killing her, and naberius is murdered by his own necromancer; ianthe justifies the murder of her own cavalier from birth as an acceptable payment made with the life of a man born to die for her ambitions, palamedes is forced to pursue a 'truer' form of lyctorhood in the hopes of preserving camilla, and harrowhark's refusal to accept gideon's life results in her own incomplete lysis that is reponded to via corrective violence performed by g1deon at the behest of john.

the violence we see play out throughout the series overtly demonstrates the way societally enforced monogamy can foster and justify abusive dynamics, extreme levels of codependence, and corrective violence in response to abnormality. simultaneously, we see how the conditions necessary for normalising the necromancer-cavalier within society are, at their core, eerily familar systems of oppression and the construction of false homogenities such as monogamy itself;¹ the continued reproduction on the bond, like so many false homogenities, is reliant on societally instituted exploitation, coercion, and corrective violence that will hit close to home for a queer audience.

the union of necromancer and cavalier is descended from lyctorhood and is akin to marriage in a mononormative society, while lyctorhood itself represents the very height of how christian marriage functions to reify male supremacy and it and the ideals that reinforce it (delineation of the population into two supposedly indelibly distinct, complementary, oppositional groups that are coerced into the formation of supposedly equal unions that favour one that is a beneficiary of widespread societal privilege) aid in the maintenace of patriarchy and the reproduction of normative arrangements that contribute to the continued existence of the systems individuals live under. cavaliership maintains necromancer supremacy just as christian ideas of monogamy and marriage maintain male supremacy. john gaius' post-resurrection reconstruction of christianity does not stop at imagery and terminology: he has recreated a distinctly christian take on patriarchy and monogamy, based on thanergetic nervous systems instead of sex.

Malachi 2:10

those born on the houses think themselves to be fundamentally different to those born outside them; within house society necromancers reign supreme, and cavaliers' status is married to that of their necromancer's. the prejudice we see directed toward zombies and wizards is onscreen and blatant, horrific at times, but justified by the nine houses being known for their imperialism and brutal tactics. the discrimination toward those who lay outside the houses is much less overt, but nonetheless felt. we know from the beginning of Gideon the Ninth that the empire has enemies yet they are not characterised, humanised, or acknowledged in much capacity—and this remains consistent throughout the series until Nona the Ninth.

it is here we see, in detail, the treatment of non-house citizens: frequent planetary resettlement, bombarding, brutal violence that churns out waves of traumatised refugees, and a complete lack of acknowledgement of their plights. they are beneath notice. we do not see them until we, the readers, are placed on the ground of one such occupied planet and privy to ianthe's boredom as she rattles off a laundry list of horrific implications regarding how any individual or group who violates these conditions renders the entire agreement null and void, and the population will consequently represent a legal entity that has damaged property, acted unlawfully, committed or been accessory to murder, and performed a coup.

the people born outside the empire are subject to continual mass punishment for being born on thalergy planets, for being the descendants of those who turned their back on earth, for resisting resettlement and occupation, for the crime of their existence. they are cattle, to be herded and exterminated with little fanfare. they are fundamentally different to those born on thanergetic planets; the necromancy-cavalier binary is what separates house citizens from animals.

"One flesh" is the underpinning of our whole Empire. We are born necromancers, or we are not; yet we are one. The non-necromancer will still have necromantic children. The necromancer will have parents who lacked the aptitude. The possibility is within us. We live under the thanergenic light of Dominicus, are born, grow, and die in his thanergetic Houses; the Resurrection made us so. We are fundamentally different to those born on thalergy planets outside the Empire. Our anxiety drives the expectant parent to arrange to give birth back home, or concern themselves with the baby's proximity to grave dirt sourced from home. Our necromantic characteristics make us more like the Emperor. As he was once man, and became God, and was God and became man, so were we dead and became alive; so were we alive and became dead. — Tamsyn Muir, A Sermon on Cavaliers and Necromancers

john is a queer indigenous man who has created a neochristofascist empire, locked in a state of perpetual warfare and expansion, that is geared toward the mobilisation of violence against a population in diaspora, in the name of vengeance for an indelible sin committed by their ancestors. those within this empire differentiate themselves from the barbaric people their society subjects to constant displacing violence via a belief in their closeness to god, a closeness based on their position in a social arrangement that closely adheres to christian patriarchy and mononormativity. he has implemented the kind of violence wielded against indigenous people the world over throughout history in the name of punishment; john has taken up the tools of christian hegemony to oppress the descendants of the trillionaires.

the root of the problem with the nine houses is that it is an empire with concentrated theocratic power fueled by exploitation, and that theocratic power is explicitly modelled on christianity and the patriarchy that implies. cavaliership is one such example of where that leads. john's aims may have been supposedly noble, but the material results of his actions are the recreation of the same systems of oppression that have been used against those like him for all of history, and the ones we chafe under even now. nobody with truly noble aims and a firm stance against oppression would take up the exact oppressive systems he was subject to and turn them against another; is vengeance a truly noble cause when it hinges on the same oppressions that led to the conditions of the inciting incident?

similarly, we see the ways these false homogenities are indeed false: the enactor of corrective violence—g1deon—is himself an incomplete lyctor and was romantically entangled with both wake and pyrrha; john could be similarly said to be a subversion of this monogamy, but i would argue his case is instead an illustration of male/necromancer supremacy—his affairs with his saints come after he uses his power over alecto, gained through their ur-necromancer/cavalier bond, to 'put away his wife' in the name of maintaining the approval of his lyctors. i can't really elaborate on this anymore beyond recommending @familyabolisher's analysis of how the multiplicity of cavalierhood as a subject position casts the spectre of potential incest where Kiriona and Alecto are concerned as it is very much in the same vein as this

[liesmyth]

the locked tomb holiday exchange rec list

Behold! The good, the magnificent, the sad! The filth and the angst and the feelings! The weird shit that would make TazMuir proud! 💀🎉✨☠️🔥🎊

Here are some favourites from a skim of works posted for @tlt-holiday-exchange, both art and fic. They are MANY and they are JUICY. Find the entire collection HERE, and keep an eye on for authors reveal coming soon!

ART FILLS

A Beautiful Fairy Tale. Wake tells little Bomb a bedtime story but she can't mention a princess without talking about guillotines. Rated T.

Dubious Curiosity. Nona is curious. Nona loves everyone. And Nona wants Cam. (Camilla/Nona) Rated M.

Fingers In Her Mouth. Camilla Hect misses the Warden. Maybe he can lend a helping hand… even in death. (Camilla/hand!Palamedes) Rated M.

just guys being bros. Camilla/Gideon. Gideon touches a boob! A very happy new year to awkward butch lesbians everywhere. Rated T.

Pyrrha Dve Appreciation. Pyrrha & Nona, soft hugs! Rated G.

Stealing Breath. Camilla/Gideon butch-off make-out session. Rated G.

To Shreds, You Say? Pyrrha/Mercymorn/Wake fucking nasty. Rated E.

FIC FILLS

a buried and a burning flame. Coronabeth fucks Gideon's corpse. Rated E.

For all intents and purposes the corpse of the Ninth’s cavalier is a bad lay. That’s all fine, though.

a grave, deep and narrow. Camilla/Palamedes, GtN AU, Character Death, Tape Recorder Conversation Redux. Podfic included! Rated T

Only Lyctors were meant to leave the First House alive. Ianthe insists on bringing Coronabeth; Judith dies of her injuries. Camilla is stranded alone at Canaan House — alone, except for the persistent hallucinations of her necromancer.

affix. Coronabeth/Harrow, humiliation kink, improper use of bones, dom!Harrow, GtN era. rated E.

Cytherea doesn't go to Canaan House AU - Corona overconfidently approaches Harrow in the hopes of exchanging lab keys. Harrow humbles her quickly.

AITA for telling my dad I didn't like my birthday party? Gideon & John, In-Universe Social Media, Character study, Rated T.

I (20F) told my dad (45?M) that I wanted a cool birthday party, but he threw me a terrible birthday party instead. Am I really the asshole for telling him I didn't like it?

and kings shall come out of thy loins. Gideon/Ianthe, crack treated seriously, body horor, SNAKES. Rated M.

Ianthe saves God from the stoma and the River and all she has to show for it are these fucking snubes.

come, dearest heart. Lyctor Palamedes AU, HtN era. Camilla/Palamedes, Pyrrha/Palamedes, Pyrrha/Camilla/Palamedes. Rated E.

In Canaan House, Palamedes Sextus unwillingly ascends to Lyctorhood to put an end to Cytherea the First's rampage. He's left heartbroken, grieving, and terribly, terribly lonely.

Don't Care If You Think I'm Dumb (I Don't Care At All). Gideon/Ianthe, Gideon as Kiriona, Unwholesome Tower Princes Bonding ft. bad sex and retail therapy. Rated E.

The newly christened Kiriona Gaia is not having a good time on the Mithraeum. At least she has Ianthe there to make her worse.

Follow Your Dreams, Never Let Them Die. Gideon/Harrow, Pokemon trainers AU! Rated T.

On her Pokemon Journey, Gideon Nav approaches the mysterious Drearburh City Gym - but something feels oddly familiar.

Gaia's Natural Market. modern AU, retail hell, Harrow/Gideon, Harrow/Ianthe, Gideon/Ianthe. Rated T

RING-A-DING-DING, the Holiday's are here! And nothing says "Give!" like the bounty of the Mother Herself, so come on by to GAIA's Natural Market! Treat your family to a home-cooked meal with only the PUREST of ingredients - all Produce Organic, all Products non-GMO, and all Smiles Authentic and free of Toxins!

Good Girl. Coronabeth/Ianthe, puppyplay, muzzles, rated E.

Coronabeth is Ianthe's big dicked bimbo puppy. Ianthe's into it.

Goodnight, New Rho. Camilla & Nona. Domestic Fluff, Missing Scene. Rated G.

Nona gets a bedtime story. Camilla reminisces about growing up with an older sister. They both sleep well, despite a notable lack of dogs.

In the Empire of the Deeps. Gideon/Nona/Ianthe, Gideon/Ianthe, Pirate AU, monsterfucking-adjacent, Nona is an eldritch sea creature. Rated E.

A chance encounter on the beach. Ianthe is manipulative, Kiriona is sad, and Nona is not as innocent as she seems. Sometimes, you might yearn for one person and meet another one. Sometimes, you have to take what you can get.

just like normal. Ianthe/Coronabeth, Cytherea is also there. Penis in vagina sex, Exhibitionism, Squirting. Rated E.

Ianthe gives herself a cock, and Corona is increasingly bewildered that she hasn’t been allowed to sit on it yet.

language of its own. Camilla/Palamedes. Worldbuilding, idiots to lovers, pre-canon. Rated T.

Camilla Hect has to do an erotic poetry final.

Masochism Tango. Porn with feelings, knifeplay, vivisection, lyctor-typical everything. Rated E.

Two occasions in which Pyrrha Dve had the pleasure of being under Cytherea's knife, and Mercymorn had the pleasure of Pyrrha Dve.

METHODS OF SUBDUCTION. Judith/Cornabeth, Judith & Varun. Planetary science rizz. Rated M.

Varun the Eater teaches Judith Deuteros how to flirt.

midnight mass. Mercymorn/Cristabel, pre-canon, Character Study. Rated T.

A lifetime before the resurrection and two decades before the apocalypse, a novice nun and a third-year medical student discuss goodness, passion, and salvation at midnight on Christmas morning.

motherhood. Mercymorn uses flesh magic on Wake. Hate sex ensues. Body horror, motherhood as violence, canon compliant. Rated E.

“I will kill you,” you say, with all the placid fervor of a religious convert. When you’re on the edge of real violence, you lose that tense little furrow in your brow—it’s beautiful, really. “Please give me a reason.”

My Love Overflows. Corona/Ianthe, Strap-on, Dirty talk, Impact Play, Hair Pulling, Bladder control. Rated E.

The one in which Corona pisses all over herself at Ianthe's whims.

name and rank. Judith/Coronabeth, Judith & Varun. Judith's failwoman swag! Rated T.

As Judith lies dying, she has nothing but time. Varun the Eater uses it to teach her how to flirt with the Princess. Don’t worry. Varun has got this!

New Rule. Mercymorn/Pyrrha, Ranch AU, stablehand Pyrrha, boss/employee relationship. Rated E.

Never hire stablehands who are too handsome and capable for their own good.

no shade in the shadow of the cross. Cytherea/Mercymorn, angst, fisting, two pillow princesses NOT making it work! Rated E.

Cytherea and Mercymorn have an ill-timed tryst.

per my last email. Camilla/Palamedes. Academia, banter. On peer review and multitasking. Rated M.

“Warden,” she said patiently, “you want me so badly it’s making you stupid."

RISKING OUR LIVES FOR UNIVERSITY HOLE???? 🤯😳 University AU, Team 69. The hole is a basement to be clear! Rated T.

The difficult part of visiting the local haunted house for a feature in the university magazine is not actually the visiting; it’s the writing about it afterwards.

So Messed Up. Ianthe/Coronabeth. Puppy play, collars & leashes, tail plug. Rated E.

Ianthe using her flesh magic to give Corona a big cock for petplay because she loves the idea of her sister being a big dicked bimbo puppy girl who just wants to rut into her.

The Great Gamete Gambit. Camilla & Palamedes, Pre-canon, worldbuilding, sixth house reproductive practices. Rated G.

Palamedes and Camilla have an important package to send, but there's been a heist in the gamete repository! Can the 15-year-old Master Warden and his cavalier crack the case?

The Sextus Scandal. Camilla/Palamedes, Epistolary, Pre-Canon Divergence. Rated E.

Transcripts and documents relating to the disciplinary hearing and subsequent resignation of Master Warden Palamedes Sextus.

Ways to Be Perfect. Babs/Colum Asht, GtN era, Rated M.

When Naberius first glanced across the supper table at Colum Asht, he didn’t immediately get the impression that he was liked.

The end!

Thank you for making it this far. If you enjoyed any of these works, or anything else in the collection, please drop a comment to make our creators feel appreciated <3

[post creators reveal exchange wrap post]

[leonenjoyer69]

ELIAS WRIGHT MASTERLIST:

This is gonna be a mostly comprehensive collection of (basically) everything posted on Elias, from lore and fics to my art, as well as other people's art :3 Also gonna have other characters from the Lanyon Takes the Potion AU in general, like Mind Jekyll :3

ELIAS AND HYDE DTIYS - NO TIME LIMIT

MY ART:

MINDSCAPE OUTFIT REF SHEET

-----(AND UNCOLORED VERSION)

NORMAL OUTFIT REF SHEET (AND SOME DOODLES

------(ORIGINAL NON-COLORPICKABLE VERSION)

MIND JEKYLL REF SHEET

MIND JEKYLL AND ELIAS DANCING

DOODLE DUMP (MODERN ELIAS)

DOODLE DUMP (WET CAT LOOKIN MF, SUGGESTIVE UNDE CUT)

RULER OF EVERYTHING

THE WORLD IS UGLY (FLUSTERED HYDE HEHE)

(SUGGESTIVE?) OPEN SHIRT

(SUGGESTIVE) UM.. OPEN SHIRT?

HAIR TIED BACK WITH HAT

DOODLE DUMP (WITH HARRY)

TRANSFORMATION SCENE

ELIAS BOTHERING LANYON

---ugly era (I'm sorry buddy </3)---

(OLD) ORIGINAL REFERENCE

(OLD) HAND HOLDING

(OLD) KISS

(OLD) SIDE PROFILES

(OLD) DIGITAL :[

(OLD) COLORS ARE HARD

(OLD) LEANING ON TABLE

(OLD) LEANING ON TABLE, AGAIN

(OLD) TINY DOODLES

LORE/ASK ANSWERS:

BALLROOM POEM

FACIAL DIFFERENCES W/ LANYON

MINDSCAPE, MIND JEKYLL

MINDSCAPE

HARRY AND ELIAS HCS (WITH HEIGHT CHART)

HOW WOULD HARRY AND ELIAS INTERACT?

ANGSTY HCS

ELIAS WITH THE LODGERS

AU RAMBLINGS

MORE RAMBLINGS/HCS

FRECKLES?

---silly ones---

HE WAS A FIREFLY FAIRY

ELIAS WRONG

COFFEE BEANS

FIREFLY

MIND ELIAS MEMES

VOICE HC

WHAT CANDIES EVERYONE WOULD LIKE

EXTRA THINGS IDK HOW TO CATEGORIZE:

PLAYLIST

ACCIDENTALLY GASLIGHTING THE FANDOM TO BELIEVE HE'S REAL

FAN ART:

(some of these are currently empty bc the art hasn't been posted, and may not be, but all these wonderful people HAVE drawn things and shared them with me so they're getting credit, god dammit, THANK YOU ALL SM IT LITERALLY MEANS THE WORLD TO ME :D (if any of you wanna be removed tho just tell me :3))

@mx-hyperfixation

----DTIYS ENTRY

[ISA] @henryjekyllsreppressedsexuality

----MEMES HEHE

[MINT] @dustmint

----SILLY MEMES AND DOODLES

[PHANTOM] @phantom-dancing

----LIL MINDSCAPE GUY

[KAT] @kayatoastkkat

----MINDSCAPE BOI :3

[FIGHTER] @yourfavouritefighter

----MINDSCAPE POCKETWATCH BOY

----MENTAL HOPITAL :(

[ARSIE] @arsieu

----SITTING GAYLY

[PYRO] Pyrofoxpro309 on Instagram

[CAS] @saltypuppygentlemen

----DTIYS ENTRY :D

[ACE] @ace0frankie

[ALEX] @opossumking69 (I saw that Elias WIP on your story..)

[CLOVER] @cloverhasabomb

----MINDSCAPE BOI IS LOST

[TONEJO] @tonejo4ever

[NECROMANCER] @n3cr0m-nc3r

----LIFE OR BATH FOR EDWARD

----ELIAS AND JEANETTE

[NYX] @nightgalaxy24

----GOUACHE

----CREATURES

[MAGICALMO] @magicalmo

----MMM, COOKIE

IF I MISSED ANYONE THAT MADE FAN ART, PLZ TELL ME

FICS:

A LITTLE IDENTITY NEVER HURT NOBODY (MAIN FIC)

Masterlist last updated: 6/26/24