#my work projects are in your hands

[ushiwhacka]

anyways my sanity and well-being depend heavily on these leaks c:

[i-like-forcefem]

When browsing through the wares of a newly opened magic shop you passed by an item that caught your interest, a massive mirror

You peaked inside expecting to see yourself, but instead you saw, a girl? About your height, quite pretty, good taste in fashion… Maybe your mom when she was younger?

It feels weird, in a good way, to see this girl follow all your movements, you couldn’t help but smile, and her smile is radiant

You felt an odd sense of relief… until you looked down to see that, you’re you, of course you are

Why do you feel so sad?

…

“Quite the item isn’t it?”, the Witch tending the shop noticed your interest and started talking to you “a magic mirror that shows you what you’d look like if you were born the opposite sex”

You stare into it

Why do you feel this deep dread?

“But that’s not all it does!” The witch continues “want to see a magic trick?” The witch asks laying a hand on your back

You’re curious to see where this is going, so you nod your head

In one swoop the witch pushes you against the mirror and as you brace yourself to slam into it, stumbling on your feet across the floor, you find yourself slamming into the witch face first

She laughs “I probably didn’t need to push that hard”

As you lay on the ground you feel different, you look as you prepare to push yourself up from the ground you notice your hands… are they smaller?

As you get it up and oriented yourself you glance at the mirror, still the same showing girl you, but how did you get turned around did… did you get

“Sorry” the witch says as her laughter days down “that’s the first time I’ve pushed someone through a mirror, should’ve seen that coming”

You look down and see the dress you’re wearing

“Now cutie” the witch claps her hands, and jumps up! She has a grin you don’t trust “I hoped you enjoyed the trick! If you ever want to become a guy again And I hope you have some savings! Gender-bending magic is quite expensive!”

You stumble back, you can’t turn back? The mirror is showing yo- Girl You, not the real Guy You, so… that’s a no go? You’re way to poor for anything

“But don’t worry cutie, we pay quite well here and just so happen have an opening for a maid and I can assure you, you’ll look just adorable in the uniform”

[heartorbit]

a wahoo girl in a wahoo world

[sentientsky]

part 4???

Ineffable bureaucracy ft. my real-life text messages

(Part 1 - it’ll lead u to the other parts, if u want to read the rest of this ridiculousness)

(Part 5)

[revvethasmythh]

for christmas, my mom got me this 5-strand multi-color mother of pearl necklace because, and i quote, "it looks like a button necklace!" and "i thought the colors would really POP against yellow" which is tbh incredibly cute and thoughtful because this was done explicitly to spare me from having to collect 10000000 buttons to make a new necklace for my veth cosplay, and honestly it looks EXACTLY like a button necklace so every time i wear it i look like i'm casually cosplaying her anyway, it's unironically the perfect veth accessory

[theladyhibiscus]

Not me as somebody who crochets on the reg getting criticisms/unwanted comments about everything I make:

"You always use the same colors" :/

Me: can't help it I'm a thalassophile and therefore I must always use beige, khaki, turquoise, teal, aqua blues, whites of all shades. Let the coastal creations commence!

"Nice bag. You know, that looks perfect to use only for holidays like Easter"

Me: ...my coastal bag is to be used every time I feel like it. What are you talking about.

"Those oceanic colors don't match with your current outfit so don't use it."

Me: it's not about what looks nice TO YOU but what feels right and fun to use FOR ME.

"Why don't you add (whatever) to your creation. It'd look great if you add (whatever). And, how about next time, you actually use a leather bag bottom instead?"

Me: I don't want to.

"You sure can't take a comment or a slight criticism. Why are you like this?" :/

Me: you sure can't mind your business.

"Why are you doing 2 projects at once. Finish one and start the other I don't get it."

Me: oh you sweet summer child ohohoho...you just don't understand the mind of a crocheter do ya?

"You know, if you make something for somebody it sure won't be coastal themed or whatever. You have to try something different."

Me: who said I'm making anyone ANYTHING? They don't want to pay the correct price for a hand-made creation so that won't be happening. Anyway, ONTO THE COASTAL THEMED SCARF!

[theanonymousninja247]

Birds

A small project dedicated to @sophiacloud28 and her story “A Shot in The Dark.” And inspired by this comment I was able to snag from her

I had so many thoughts and feelings working on this project, but the symbolism behind just birds and freedom in particular wouldn’t leave me alone. And you know what they say about a picture is worth a thousand words? Well here’s my attempt of a thousand words. So I present Miss Estrella as the Twite Bird

Flower meanings in Floriography

Iris: Valor, Wisdom, Faith

Ivy: Fidelity and Attachment

Picture progress because without fail, I always like the “before’” the actual final 😆

[yandere-yearnings]

i do have words and a story to tell,

it's just really fucking hard sometimes when

these are all pieces of me i feel like i should keep to myself.

[saraptor-art]

I have a question for you. A writing question.

Have you written most of sea salt and sun in advance? do you already know how it'll end? Are you set on how the story is supposed to go?

Or do you go with the flow, Biri-style?

Thanks so much for asking writing questions! I haven’t done any since the q a for my webcomic! First off, (I don't think this really is spoilers) the time-line of Sea Salt and Sun stretches over two years and yes, I know how it ends and everything is about taking the characters there naturally 😤 Before I started putting the story out, I had a lot of it outline with many scenes written. I was writing for myself, to experiment and get some of the story out of my head! (about 100k word at the time) When I chose to share it, I created a calendar for those two years and placed all the elements of the story I already to be sure there was a few good story beats. I update it each time I have an idea I want to add to the fic :) Then I outline 3 or 4 chapters to get a nice rythme for a "small arc" and decide what major scenes it will need. I write stuff for those chapters in a chaotic way - in multiple notes on my phones - before editing everything together.

But often, I write stuff way ahead because it calls for me 😉 (I'm around 300k words in my doc 😬 and a lot will need to be heavily edited)

My favourite thing about it is, because I have many fleshed out characters, they often take over scenes and the I have to deal with the consequences xD

[elkkiel]

I have made sleep token progress with father! He admits that he likes the music a lot and appreciates why I personally connect with the lore, he's just still hesitant about it because of the cult metaphor/aesthetics.

[averlym]

some very very quick costume shorthands!

[sheliesshattered]

It's been almost two weeks since my last sewing update, but I have been making progress on a couple different projects, thankfully. I mentioned in my last post that I was hesitant to cut into a king-sized 100% linen bedsheet that I've been hoarding for 10+ years. I knew I wanted to make an apron, but I also knew that it wouldn't take up anywhere near the whole sheet, and I had the thought that I might be able to get two projects out of this one sheet (and the remnants of the matching fitted sheet) if I was careful about how I cut out all my pieces. Possibly a gathered tiered skirt/petticoat, along with the apron.

I measured the two long sides of the flat sheet that had identical ~1.25" deep hems, and I found that each side was 112" or just over 3 yards long, not counting the top and bottom hems. That meant if I did side seams, I could get a 6 yard wide bottom tier for the skirt and not have to do a hem at all, just use what was already there. Not the widest hemline on this kind of skirt (I have a purchased skirt with a 25 yard hem, and years ago I made a 26 yard tiered skirt out of muslin), but with this heavy weight linen it felt like 6 yards at the hem would be plenty.

Gathered tiered skirts are really just rectangles and a bit of simple math. Since the sheet's side hem determined the size of the lowest tier at 224", I figured I would do 2-to-1 gathers and make the next tier up 112" wide, and the third tier up 56" wide. A fourth tier at that 2-to-1 gathering ratio would have been only 27" wide, which wouldn't have fit over my hips, so the skirt would have 3 tiers.

I'm a short girl at not quite 5'2" and I like to wear my skirts pretty low on my hips for spoonie comfort issues, so after measuring a purchased skirt whose length I like, I decided that between 30" and 33" inches in total length would be ideal. With three tiers that length could easily be divided into tiers that are each 10"-11" tall. I added a half inch for seam allowance (but no hem allowance on the lowest tier, since I was re-using the existing hem) to get the exact measurements for each of the pieces I needed for the skirt.

I was able to tear most of my pieces, since the linen bedsheet was nicely on the grain and tore relatively cleanly, thus saving my hands from cutting all those long pieces. I had meant to cut the top tier at 14" tall so that I'd have room to turn under a nice thick waistband too -- and then I totally forgot and cut it at 12" just like the middle tier, lol. I was able to get one of the middle tier pieces and both of the top tier pieces out of the remains of the matching fitted sheet, so I only needed one middle and two bottom tiers from the flat sheet. That left me with plenty of flat sheet left over for the apron, but I'll talk more about that in my next sewing post.

With my pieces all cut out, it was time to start the most annoying part of making a gathered tiered skirt: gathering all those tiers. I'm trying to sew with cotton thread more often these days, but for the gathers I switched back to polyester thread just for the strength. For the two bottom tier and two middle tier pieces I ran two lines of gathering stitches along the top edge, placed pins to divide each panel into quarters, and got to gathering and pinning.

With tiered skirts I really prefer to work from the bottom up, so that I'm always attaching a gathered piece to a completely flat piece of fabric, and save side seams for last. So the bottom tier pieces got gathered up and attached to the middle tier pieces, then the middle tier got gathered up sewn to the top tier.

Since I accidentally cut my top tier pieces shorter than I'd meant to, I did play around with adding a separate waistband for the top tier to be gathered onto. But I couldn't do a full 2-to-1 gather if I wanted the waistband to pull on over my hips, and the waistband made the proportions look weird, like the top tier was too long. So I ended up cutting the waistband off after I sewed it and actually shortening the top tier even a little bit more. After turning under the top edge to enclose the raw ripped edge and then turning under 3cm (~1.2") for a waistband casing, that top tier ended up being about 9" tall, and the proportions of that look much better for some reason.

Before I sewed the side seams, I decided that this skirt needs to have pockets, of course. I knew I was planning to do French seams to protect the raw edges against unraveling, so I put the pockets in with a French seam as well.

With the pockets in place, the next step was to do the side seams (including the pocket bags), being careful to match up the height of the hem and each of the tiers so everything was nice and clean and square. Then I was able to turn under that waistband casing and sew it in place -- my original plan had been put in three separate channels for narrow elastic that would result in a bit of a faux-cartridge pleating look, but actually getting the elastic strung through there turned out to be more of a pain than it was worth, so I ended up picking that out and just using a single 1" wide elastic band in the waistband casing instead.

And with that, the skirt was technically wearable, and with some fabrics I might have been happy to leave it there. But the raw ripped edges at the seams between each of the tiers worried me. I've had well-loved sewing projects just shred after many wears and washes because I left the seams unfinished, figuring I would be the only one to see the inside. Ideally I want this skirt to be in my rotation for years and years, so I decided to make the effort to finish those seams too.

My original plan had been to cover the raw edges inside with 3/4" herringbone twill tape. For some reason I was convinced that I had a bunch of it left over from a Wasteland Weekend project from 2018, only to discover that I actually only had ~3 yards left. So rather than ordering more and waiting for it to arrive (and then inevitably having some of that left over too), I decided to just make some 3/4" tape from the linen sheet itself. Since this whole skirt is rectangles on-grain and the tape wouldn't have to go around any curves, I made the tape from on-grain rectangles too, rather than bothering with proper bias tape.

With the hem and the waistband already cleanly finished, I just needed tape to cover the ~3 yard seam between the bottom and middle tier and the ~1.5 yard seam between the middle and top tier. I tore nice straight strips, trimmed off the frayed edges, and ironed the raw edges under to give me that 3/4" width. It's three layers thick in the middle but only 2 layers thick on the sides, since it isn't a proper double-fold tape.

Then it was just an issue of pinning it over the raw edges inside the skirt -- first from the inside in roughly the right place and then from the outside to make sure it lined up with the seam well.

I stitched-in-the-ditch from the outside right where the gathers met the next tier up, and then went back and did another line of stitching just slightly up from that, using the width of my machine foot (~1cm) as a guide. That covered all the raw edges inside and reinforced the seam, and gave it a nice neat appearance from the outside.

It also had the added benefit of behaving almost like cording on a corded petticoat -- the gathered seems have a lot more body and stiffness now than they did before, which gives the finished skirt a really lovely lofty structure.

The whole skirt ended up being about 31" long, right in that 30"-33" length I had originally aimed for, and when I wear it low on my hips where it's most comfortable, it just brushes the tops of my feet.

My plan is to wear this mostly under other long skirts and dresses, more as a petticoat than a skirt on its own (tho it is heavy enough and neat enough to be worn on its own, if I want). That lofty structure from the seam finishes adds a lot of floof to my other long skirts, just barely peeking out the bottom of the purchased green skirt I originally measured to figure out the length for this one, and hiding completely under my purchased 25 yard burgundy skirt but giving it enough extra volume that it doesn't drag on the ground quite so badly.

As the colder weather sets in I'm sure this will get a lot of wear under skirts and dresses (including the several dresses I'm still planning to sew in the next couple months!), but even now in the last heat of summer it's quite comfortable to wear, since it's linen. Jack commented that it seemed like a lot of work for a skirt that won't be seen (and it did manage to remind me how much I dislike gathering long lengths of fabric), but as long as it's functional and gets used often, I feel like all the effort was worth it.

While I was putting this together, I also cut out and started assembling the apron project from the same bedsheet. Even with all those pieces cut out, I still have enough linen left over for at least one more, maybe two more projects. Next up I'm going to get to all the finishings on the apron (which will be getting its own post once it's done) and keep trucking along on the handsewn eyelets for the Lengberg Castle Bra-thing. And once those two are done, I think I just might be ready to finally start on all the dresses I want to make with my new fabric.

[compacflt]

do you ever think about/write about how maverick threw goose’s dog tags into the ocean? the letterboxd reviews have me thinking again.

yeah that was literally one of the first little things august 2022 me petulantly retconned . fuck that . he kept one.

in my (and many other ppls) opinion those weren’t mavs to throw away they should’ve stayed with carole

and (i try not to talk about this as much as possible but) it suggests Something about mav & goose’s relationship that the filmmakers thought his dog tags should go to mav instead of to Goose’s wife (though i acknowledge and appreciate the usefulness of the visual metaphor of him saying goodbye to goose at the end of TG) (though that visual metaphor was rendered completely moot by the whole of TGM showing that mav HASNT moved on from goose and only moves on once he has the chance to save roosters life [which is why i retconned it])

ALSO? i am sure I’m not the first person to talk about this? But, to add a second layer of confusion & analysis, uh, the dogtags mav throws into the ocean aren’t goose’s.

I’m reading “metcalf, mike” from the backside. Those are VIPER’s dogtags. for some reason.

now i choose to believe that’s a props issue… someone grabbed the wrong set of tags & they were like ehhh no one will notice… script supervisor not doing their fucking job… so i choose to believe the filmmakers MEANT goose’s dogtags & it doesn’t change the end of the movie for me.

But im interested to hear from you—does that change/add anything to anyone’s analysis to know that mav threw VIPER’s tags into the ocean? there are a lot of really weird implications that come from taking what is probably a props fuck-up at face value!!! (Viper giving mav his tags [weird], viper being mav’s surrogate dad figure, thereby this scene becomes about mav saying goodbye to his FATHER finally,.. etc.)

[kitsunesakii]

Some digital Pasta for you all

[strangerabbitthing]

You guys remember the ceramic Pyro I made well I finally made my creature a body I might end up improving upon it later however I don’t have the materials to make it better right now well, I technically do but I tend to lose skills a lot I just haven’t had the time to relearn crocheting. :p

[skrunksthatwunk]

ive started a brainstorming doc for the kaiji koi-koi fic and a large large amount of it is just trying to figure out what works about kaiji and how i can innovate without diverging too much from the tone or themes etc. anyway ive been thinking about how the modifications fkmt makes to the games in kaiji function (i.e. minefield mahjong, restricted rps, one poker, etc), and how they each tie into key traits/feelings of playing to original versions. minefield mahjong centers and intensifies the feeling of waiting on a crucial tile while trying not to leave too much of a trail, one poker leans heavily into the bluffing via raising/calling elements of poker, and rrps sort of flips rps' main issue(?) on its head by removing its arbitrariness (while preserving at first the illusion of arbitrariness), and thus making it like.. something you can win via strategy and not just luck. ANYWAY i think ive figured out the key thread to pull for koi-koi and im very excited about that