#my sources are google

[ilysmsweaty2]

zoloft, diazepam, and xanax can all be yellow. zoloft has to build in your system, so it's probably not that. both diazepam and xanax work in a few hours (if you're taking diazepam for anxiety rather than seizures). my money's on xanax cause it's well-known.

thank you for coming to my TED talk.

[dungeon-roomba]

Disappointing fact, a human hemomancer using their own blood would only be able to use like, 2.4 liters without falling unconscious

Which is about one and a fourth of those big soda bottles

Humans have about five liters of blood, and if you lose about fifty percent of your blood you fall unconscious

So only about 2.4 liters are usable for hemomancy

That's assuming the bare minimum of not falling unconscious

Realisticly you can only use 15-30 percent of your blood

So that's about half a gallon of blood that's usable while the person is still mostly functional (edited)

However they'll feel weak

You can only use like, half of a liter while being completely unaffected

So all in all hemomancy is not super practical unless you find other sources of blood

[queerbauten]

Neil Gaiman is a Zionist, btw.

[paintedcrows]

"Bill... Can I call you that?" / "You can call me whatever you want except 'My Love'!"

"Ha ha! That's a joke! Everybody loves me!"

Y yo a ti Ford, or whatever. @fearoftriangles pointed out that in the Spanish version of The Book of Bill: Bill says Ford can call him anything but "Mi Amor" instead of anything but "Late for Dinner" and-

...I swear, Spanish translators cannot keep getting away with this

[majunju]

dance partner

[muffinlance]

That moment when you have to completely stop using Google docs for your writing because the AI spellchecker is actively, insistently wrong, when it catches things at all

Anyway here's me crawling back to LibreOffice and Scrivener like the disloyal hussy I am

[autistic-katara]

please keep racism and antisemitism out of the reblogs when discussing this, u will be blocked

[sentientcave]

Retirement Party

Chapter 6 - The Butterfly Effect

Read on AO3

<<First Chapter - < Prev Chapter - Next Chapter >

Contains: No Y/N (2nd POV but Reader is an OC), Kidnapping, Forcible relocation, Dubcon, Plus-sized Reader/OC, female Reader/OC, Everyone learns new things about each other, Manipulation, PTSD, Doll has a tragic backstory, Poorly translated Spanish, Lots of introspection

~4.2k - MDNI - Dark fic! Please mind the content warning above but honestly nothing particularly bad happens this chapter.

John gives you space for the next few days, letting you settle in around the edges of his own routine. You’ve always been an early riser, and so is he, but he starts every day with a run, and you prefer a slower pace. You’ve taken to coming downstairs after you hear the front door close, and stretch on the living room floor (you wouldn’t call it yoga, but you’ve spent the last few years keeping up with the Kinsey kids, and you know how important it is to maintain flexibility), and make coffee before you go back upstairs to get dressed and ready for the day. John always showers first thing after his run, but after the second day he starts taking off his shirt before he drinks a glass of water at the sink, watching you from the corner of his eye to see if you’re looking.

And maybe sometimes you are. It would be a useless endeavour, pretending that he’s not nice to look at. He’s big, barrel-chested, with thick, muscular arms, and he’s hairy in a way that’s unbelievably attractive, and he gleams with sweat after his runs. If he didn’t look so damn smug every time he catches you looking, you’d probably gladly spend a few long minutes studying him. Something about the man makes your fingers itch to pick up a pencil.

You just orbit around each other for those first few days. He’s working on some project outside, and you putter around the house a bit and look for new jobs online. You were surprised that he didn’t confiscate your laptop to keep you from calling for a rescue, but he made no effort to stop you from using your laptop or your phone. Perhaps he’d really listened when you’d tried to set boundaries. He’s certainly given you space to adjust.

On Wednesday, you video call your Lola— It’s been routine for ages, since you always had Sundays and Wednesdays off from work— and catch up. You start the call shortly after John leaves, to give yourself some time to talk privately. It’s nice to see her familiar, wrinkled brown face, even if she’s half the world away from you.

She clocks that you’re not at home right away, and gets that sly, knowing smile when you tell her you’re staying with a friend. “¿Estás viendo a alguien?” she asks. “¿Un joven tal vez?” Are you seeing someone? A young man perhaps?

“No nada de eso. Sólo quedarme con un amigo.” No, nothing like that. Just staying with a friend. Once again, lying to make it seem like you’re not in trouble. It’s not like your Lola would be able to do anything about your situation anyway. You would just worry her.

Of course, Lola is much too observant not to see that you're hiding something-- Even if all she sees of you is a video call once a week, you're her granddaughter and she knows you. "Dalisay," she says, her tone a mocking approximation of sternness. "Eres una mujer adulta. Me gustaría saber que eres feliz, que estás saliendo con alguien agradable. No tienes que mentirme. Mientele a tu otra abuela.” You are a grown woman. I would like to know you're happy, that you’re seeing someone kind. You don't have to lie to me. Lie to your other grandmother.

You laugh. "¡Es complicado Lola! Él es—" It's complicated Lola! He's—

The door opens, and John limps back in, early. "Rolled my ankle," he explains, taking your wide-eyed look as concern. "Just need some ice."

"Muéstramelo," Lola demands, laughing. "Tiene una voz hermosa.” Show him to me. He has a handsome voice.

John turns toward you, frowning. "I'm sorry, am I interrupting something?"

"I always call Lola on Wednesdays-- John, sit down, you need to ice your ankle, what are you doing?"

He's standing on one leg, in the middle of the kitchen, fishing a mug out of the cupboard rather than getting something cold and sitting right down. "I--"

You're not sure what possesses you, but you get up, and you make him sit, and you go to make him his coffee and wrap a bag of frozen peas in a tea towel. When you turn around, he's reached across the table to pull your laptop closer, smiling at the camera when Lola claps he hands together, beaming.

"Es guapo, Dalisay. Pero no joven, ¿eh?" She says, laughing. He's handsome, Dalisay. But not young, huh?

"No," he agrees, "soy demasiado viejo para ella. Todavía soy lo suficientemente egoísta como para intentarlo de todos modos.” I'm too old for her. I'm still selfish enough to try anyway. Lola laughs at his honesty, pleased with John already.

You set down the coffee and glare at him. But you gently set the ice pack on his raised ankle. He pulls you into his lap, sitting you on his other thigh. "John!" You protest.

"Oh, relájate, apo,” Lola chides, unhelpfully reading the situation just the way John wants her to. She seems impressed by John's accented Spanish, happy to not need to translate her words to English to speak with him. She speaks English perfectly well, but she prefers Spanish, calls English clunky and ungraceful. "Yo también fui joven una vez. Me preocupaba que ella nunca encontrara a alguien.” Oh lighten up, apo. I was young once too. I was worried she would never find someone.

"No es que ella no pudiera,” John says. "Ella es tan hermosa, pero mantiene la distancia." It's not that she couldn't. She's so beautiful, but she keeps her distance.

“John, stop that,” you say, and you do mean the way he’s talking, but you also mean the hand that’s firmly gripping your hip, kneading your soft flesh. It’s not hard enough to bruise, not even enough to hurt, but it’s distracting, and makes your heart flutter. The movement is also hitching your skirt up a little higher on your thighs.

The innocent, laughing look he gives you is no help. “Sorry, love.” He kisses your shoulder, his hand sliding up to your waist instead.

You glance over at the screen, wincing when you see two of your cousins crowded into the screen with Lola, all of them stifling laughter and one of them holding a chubby baby.

“He needs to buy you a ring, cuz,” Ligaya says, waving her baby’s chubby hand at you. “Say hello Berting, that’s your auntie Dalisay and her boyfriend.” She and her sister, Ceci dissolve into giggles. The baby laughs too, although he doesn’t have any idea what’s going on around him.

“He’s too old to be anyone’s boyfriend,” you grouse.

“He looks more like husband material to me,” Ceci crows. She points a threatening finger at the webcam. “You’d better be good to her! She’s our favourite cousin.”

“Y mi nieta favorita,” Lola says, And my favourite granddaughter, cupping her hand around her mouth as if that would keep Ligaya and Ceci from hearing her. They both laugh, unoffended, Ceci batting Lola’s shoulder lightly.

“I will,” John promises. “She makes it easy. She’s much too good for the likes of me.”

“And don’t you forget it, English!” Ligaya agrees. “Are you coming to see us for Christmas this year, Lisay? There’s at least four babies you haven’t met yet.”

“I’m not sure I can afford to this year. We’ll see if I can find work—”

“¿Qué pasó? ¿Perdiste tu trabajo?” Lola asks. What happened? Did you lose your job?

“You practically raised those niños!” Ligaya protests, as if that would change the facts of the matter. “They love you!”

You grimace, and haltingly explain that Mr. Kinsey had made a pass at you, and you’d been fired so that he and his wife could work out their marital issues. Apparently you’d been just too tempting to have around, despite the fact that you had less than zero interest in your former employer. By the end of your explanation, Lola looks ready to fight, and Ligaya and Ceci both look furious too. “It’s alright,” you say, trying to convince yourself as much as you are them. “I wouldn’t have been able to leave if they didn’t fire me. And I didn’t want to be raising someone else's’ kids forever.”

Ceci wiggles her eyebrows at you. “Yeah, Lisay, you want your own babies, eh?”

“You should start painting again,” Ligaya suggested, flicking Ceci with the hand not currently supporting her son. “You could sell prints online, portrait commissions. You’re as good as your mother, and she made it into that London Gallery.”

Lola notices the way your smile strains and shoos your cousins away. “El consejo es bueno aunque graznan,” she says. “Eres demasiado buena para dejar de pintar.” The advice is good, even if they quack. You’re too good to stop painting.

You change the subject, and Lola talks some about the children, about neighbourhood gossip, catching you up on everything before you end the call. You sigh, sinking into John unconsciously. He’s so big, and so solid, you wish you could do away with that undercurrent of fear ruining the little comfort his arms would provide you otherwise.

“Why’d you stop painting?” he asks.

“It’s not the same anymore.”

“Is anything ever the same?”

You twist to look at him. His eyes are too blue, piercing though you like he’s able to read the thoughts in your head. You have to remind yourself that he can’t, that he doesn’t know you well enough even to guess. You’re getting to know him pretty well though, and you recognize this earnestness, this plea to let him in, to let him help. John is a man who needs to do something all the time, that needs to focus on a task. You wonder what it is that nips at his heels so sharply— Is is inherent, genetic, something unavoidable, written in the core of his very deepest, truest self? Or is it just that he’s running from something, and must stay in motion, driving himself ever forward to keep it from catching up?

“Have you ever lost anyone, John?”

Surprise widens his eyes for a flickering second, before he hides it behind a tight smile. “Think we’re talking about you, Doll.”

“You don’t have to answer. I think it’s just easier to understand, when you have. Painting just reminds me of my mam. It’s like trying to swim with lead shoes on. It’s so hard to keep my head above the water that it’s easier just not to swim.”

“Maybe you could try takin’ off the lead shoes,” he suggested, his arms tightening around you. Levity and reassurance, like he knows exactly what you need. “Or maybe you just shouldn’t go swimmin’ alone.”

“A lifeguard,” you say, rolling the thought around in your head. Maybe that was the problem, the empty space was too apparent when there was no one around to fill it. You’d painted the flowers on the credenza with Ripley there, and that had even been nice. You’d thought it was just a fluke, but you hadn’t really thought about why it had been different. “That’s an interesting thought.”

“Did you have everything you’d need? We can look through the boxes for your supplies.”

You shake your head. “No. Yes. I have watercolours somewhere. Just no acrylics. But I could start with watercolours.”

“Yeah? We can look now, if you like.”

“Maybe in a bit. I’ll make breakfast first.”

“I can do it,” he offers quickly. “I want to take care of you.”

As much as you aren’t quite ready to admit it, he already is. “No, I think it’s my turn. Just give me a minute. I don’t want you to get the wrong idea, but this is kind of nice.”

He hums his agreement, picking up his coffee. You think he’s doing it so he can’t kiss you, and you’re so pleased that he’s starting to get it that you almost consider kissing him instead.

But you don’t. You just let yourself enjoy the moment.

Maybe that’s enough, for now.

You decide that having him sit and watch you painting would be awkward, so once you hunt down your watercolours and a sketchbook with heavy paper, you set up outside while he works. He’s constructing some kind of frame over a concrete pad, a covered porch, you think. You sit out of the way, facing the copse of trees that surround the house, and the overgrown, weedy garden. It looks like it had been set up early in the season with the best of intentions, but you suspect that it was too hard on his knees and back. He’d made the mistake of planting everything straight in the ground— You probably would have suggested planter boxes, if you’d been here in the spring. Then he could have sat on a stool— It would have helped keep the bunnies out too. The few tomatoes left on an abandoned vine have little bites nibbled out of them— Almost everything has little bites taken out of it.

It makes you smother a laugh. It’s easy to imagine John railing against nature— He’s so stubborn, there’s no way he gave up for a good long time— Cursing the rabbits and deer, leaning over the once-neat rows until his back ached. There’s a pair of rusting garden shears stuck out of the ground, evidence that he quit in a fit of pique some months ago.

He’s looking at you— He has a sense for when you let happiness slip through, like a hound picking up a rabbit’s trail in the woods. You can feel the burn of those bright blue eyes on you, the heavy weight of his attention. Does he make note of everything you smile at? You wonder how long the list is now. Puppies, the Stuart kids, Lola and your cousins, and now his poor attempts at gardening. You haven’t really let much else get past your careful, polite mask, knowing full well that stone-walling him is your best defence. He’s searching for an opening, and once he finds it, he’ll pop you open like a clam.

It seems inevitable. Still, he’ll have to work for it, if he wants you to let him in. He’s already set himself the first of his Herculean tasks, to get you painting again. It would be easier to face the Nemean lion. Your grief has sharp teeth, unblunted even after a decade, still dug deep into your heart.

“You aren’t painting,” John says in your ear. His hands settle on your shoulders, holding you in your seat when surprise would launch you a few centimetres into the air.

You turn your head to look at him, and he’s far too close. “You aren’t working.”

“Takin’ a break. You look like you’re thinkin’ hard about something. What’s on your mind, Doll?”

“Your garden. Must have been a storm of misfortunes to make you give up.”

“Few things get the better of me, but this was one of ‘em. Have to settle for buyin’ produce at the shops like everyone else.”

“It’s not really so hard.”

“You the expert in gardening?”

“No, I just used to help my gran with her garden. Picked up a thing or two about keeping green things alive.” You take a dry paintbrush and dust it over his fingertips idly.

“That the one we talked to today?” he asks.

“No, that’s Lola. Gran is the Scottish one.”

He hums, smooths out tension in your shoulders with his thumbs, catching the slightest touch of your skin at the collar of your sweater. "Didn't think you had family in the UK."

You tip your head back, looking up at him. He shifts, leaning his forearms on the back of the chair, hanging over you. "Just my Gran, she got remarried a bit before we moved to Manchester. She thought her husbands-- Well, I'll say kids, but they were full adults, older than my mam already-- She thought they were more respectable than my parents. Wouldn't categorize her as a real warm and fuzzy lady."

"You don't talk then?"

"No. Not since my parents died. We had a proper row at the funeral and she's never apologized, and I'm certainly not going to."

"Learnin' a lot about you today, Doll."

“That I’m stubborn and that I distance myself from the people that love me?” you ask, flicking the paintbrush at the tip of his nose. His whole face scrunches, and it’s kind of endearing. You’re already feeling soft about him from this morning, because Lola liked him, and because he didn’t ask if she spoke English, just launched right into Spanish that was a maybe a little rough around the edges, but good enough.

“That,” he agrees. “But I think it’s good that you hold your ground. You’re not stubborn for the sake of it, you say what needs to be said. I’d bet good money that you were in the right.”

“It doesn’t always matter who’s right and who’s wrong, John. Sometimes you have to set aside ego to make things right.”

“Tryin’ to teach an old dog new tricks?” he asks.

“If you know what’s good for you, you’ll teach yourself. Now go on, get. You’re distracting me.” You wrap your hands around one of his, and press a fleeting kiss to a spot between his thumb and his wrist before releasing him. “And be careful of your ankle. If you need to carry something heavy, let me help you.”

He laughs and withdraws, his shadow sliding over your page as he moves away. “Yes ma’am. You’re pretty cute when you’re bossy.”

“I’m always cute,” you say blithely.

You don’t look at him, so you miss the way he glances back over his shoulder, blue eyes burning. “You’re damn right about that.”

Ducking your head down to hide your smile, you pick your pencil up and look back to the garden. Something about the red-handled shears stuck in the soil speaks to you, so you lightly sketch it out on the page, humming to yourself quietly. The next things you need to hunt down are your headphones and the old mp3 player so you can listen to music while you paint.

There’s something soothing about hearing John work anyway. The whirr of his drill as he screwed framing lumber into place, or the buzz of his saw when he cuts pieces to size. He’s methodical, exacting— What makes him so good at building probably made him a poor gardener too. He can cut and fit pieces of wood together to make any shape he pleases, he can make a plan and nothing will fight back against it, beyond a warped bit of lumber here and there, but a garden grows as it will, and there’s no controlling the wind or the sun or the rain, let alone the creatures that might come looking for something tender and green.

That same struggle plays out between the two of you. He sees a map and a destination where you see a landscape. The journey, the exploration, is what matters to you, the light and shadow, the soft growing things and the hungry teeth that nip at the roots. In his mind he’s already built a house at the top of the hill, and he wants to pull you inside, lay you down, plant his seeds in a different garden, watch something new grow. It’s not simply impatience, but a need for control, for surety.

He exerts that control outwards, bending the world to the shape he likes. You’ve always turned it inwards, pulling in on yourself, turning your life into a safe little cocoon, turning deprivation and isolation into an art. Constructing masks to get you through, reliable scripts, being whomever you need to be to make things easier.

And perhaps it was easy, but it was lonely too.

Maybe they really had done you a favour. By pulling you out of your comfortable routine, they’ve forced you to face yourself, for the first time in ages, to ask yourself what it is that you want, to see who you are.

You feel like a butterfly, wings still damp and unfurling, perched in John’s hand. He could risk letting you fly away, or he could force you to stay by destroying some integral part of you. There’s no telling which path he intends to take, not yet.

You can just hope.

It might be insane— It certainly feels insane— but you really want him to be a good man. Not just out of self-preservation, although it probably weighs something in the equation, but because you want him. He’s right when he says there’s something here, something that’s been rolling around in the back of your mind since Ghost dumped you in his lap. It hasn’t even been a week, but it feels longer.

You keep half an eye on him while you put the first pale washes of colour onto paper. A few small versions first, to get a handle on light and shadow, colour values, just to remember how to mix colours the way you want to, and then start on the larger version, feeling a little more confident.

You’ve just blocked in the base colours when you notice that John’s limping again, and showing no sign of stopping his work. Sighing, you set your paintbrush down and stand. “John,” you say gently, putting yourself in the path between the saw set up and his lumber pile. “It’s time to take a break.”

“No, I’m fine, Doll. Get back to your painting.” He tries to move around you, but you side-step and block his path again. “It’s just a sprain,” he says, exasperated. “I’ve worked through worse.”

As if that was a good reason to ignore pain. “And you never considered that maybe you shouldn’t have had to?”

He frowns down at you. The difference in your heights has to be at least a foot, but he has a funny way of tucking in his chin and hanging his head when you’re standing close like this, and looking at you straight on anyway. A soft little hand settles on his stomach, unbidden— You’re not sure that you’ve instigated contact with him before, it’s always been him reaching out for you, his big hands achingly gentle. Is anyone ever gentle with him? Is he ever gentle with himself?

“The work will still be here tomorrow,” you remind him. “You have time to rest.”

A raindrop splashes on your outstretching arm. The two of you look up in tandem, at a heavy grey cloud that’s rolled over head— It hasn’t blocked out the sun yet, and neither of you had noticed it creeping up— and then at each other. “Guess the weather agrees with you,” John says.

You both scramble apart and into action. John covers the pile of lumber and the saw with tarps, weighed down with a few odd bricks so they won’t blow away, and you quickly pack up the water colours and your paintings. You don’t get there in time to stop a few splashes of rain from hitting the page, but you get everything inside before it’s completely soaked and set it on the kitchen table for the moment.

While you’re filling the kettle and looking outside, watching the rain splash against the window, John comes in too, and looks at your work. “The rain ruined it,” he says. “I should have been paying more attention to the weather.” There’s guilt in his voice, as if it’s his fault that the rain chose to fall where and when it did.

You set the kettle to boil, and join him, studying the paintings. Each of them unrefined— The smaller ones are just work-ups anyway, but the raindrops have warped the colours, creating voids with saturated edges. You wouldn’t say they’re ruined. There’s an artistry to incident, story preserved on paper in a way that your art wouldn’t do alone.

“No, I like it better this way,” you say decisively. “It underlines the theme of futility, don’t you think? How we’re at the mercy of the weather, whether we like it or not.”

“S’pose so,” he admits grudgingly.

His mouth is set so it almost disappears under his moustache. He really does hate the reminder that he has no control over some things. You dash upstairs and grab a couple of towels and tuck them under your arm, and take John’s hand, leading him out onto the front porch.

He follows you without resistance, although there’s a funny, curious look on his face. “What’re you doing?”

You let go, and put the towels down on the bench. “What does it look like I’m doing?” The rain is coming steadily now, the sky turned darker, sun all but blotted out, and it’s cold on your skin when you step out from the shelter and into the downpour. You throw your arms out and spin, laughing.

There are many things in this life that you can’t control. Things that are fixed, unchanged and immovable, laws of nature, the whims of weather, and Captain John Price. But you have choices too. You can try to move a mountain, but you’d be better climbing over it. You can choose to struggle against the current, or let it sweep you along. You can dance in the rain rather than wish it were sunny.

And you can hold out your hand, and invite John to dance with you.

Image Credits: Banner Dividers

[veryphi]

So like- Jason's eyes apparently turn lazarus pit green when experiencing pit rage.

Sleep deprived Tim Drake seeing it: That's so brat.

[badnewswhatsleft]

BEAUTIFUL MAN IN MY LAPTOP SCREEN

[bestanimal]

Round 2 - Arthropoda - Arachnida

(Sources - 1, 2, 3, 4)

Arachnida is a highly diverse class, ranging from the Demodex mites living on you (yes, you) right now, to the Triassic-surviving horseshoe crabs (yes, a 2019 genetics-based analysis places them within Arachnida, though this is still debated), to your friendly pest-controlling house spider. They live worldwide, mainly on land, but some also in freshwater and marine environments. There are over 110,000 named species, with more being discovered every year. They comprise the Ricinulei (“Hooded Tickspiders”), Xiphosura (“Horseshoe Crabs”), Opiliones (“Harvestmen”), Solifugae (“Camel Spiders”), Acariformes (“Acariform Mites”), Parasitiformes (“Parasitiform Mites and Ticks”), Palpigradi (“Microwhip Scorpions”), Pseudoscorpiones (“Book Scorpions”), Scorpiones (“Scorpions”), Amblypygi (“Tailless Whip Scorpions”), Schizomida (“Short-tailed Whip Scorpions”), Uropygi (“Vinegaroons”), and Araneae (“Spiders”).

Adult arachnids have 8 legs attached to a head/thorax segment called the cephalothorax. Their abdomen contains their heart and respiratory organs. Arachnids also have two other pairs of appendages that vary in function between orders. The chelicerae are mainly used in feeding and defense. In spiders, they are used to deliver venom. The second pair, called pedipalps, are used for feeding, locomotion, defense, and/or reproduction. Scorpions, Pseudoscorpions, Ricinuleids, and Horseshoe Crabs have pedipalps that end in a pair of pinchers used for defense and manipulating food. Pseudoscorpions also have a venom gland in their pinchers which they use to immobilize prey. Vinegaroons, Schizomids, Amblypygids, and most Harvestmen have raptorial pedipalps that are used for capturing prey. Solifugids use their palps as another set of legs, and spiders use theirs like hands, while the males also use theirs for mating. Mites and ticks use their palps to sense their surroundings. Mites are more diverse than other arachnids, some only having 6 or even 4 legs. Adult females of Podapolipidae only have a single pair of legs. Some arachnids have a tail-like structure called a telson. Horseshoe Crabs use their telson to flip themselves over if they are turned on their backs. Scorpions use their telson as a stinger to deliver venom, while Palpigrades, Schizomids, and Vinegaroons use theirs as sensory structures. Schizomids and Vinegaroons can also produce acetic acid at the base of their telsons, which they use as a chemical defense sprayed at attackers. Instead of a telson, spiders have spinnerets on their abdomen which they use to create silk. Some have no eyes; some have up to six. Some only have very simple eyes which detect light and shadow, while others have very advanced eyesight.

Arachnids are so diverse that it would be impossible for me to provide a general summary of their behavior here. Some lay eggs, some bear live young. Some have intensive courtship rituals. In most, mothers provide parental care, but in some this falls on the fathers. They can be predators, scavengers, carnivores, omnivores, herbivores, parasites, and everything in between.

Arachnids are one of the oldest living Classes of land animals. Xiphosurans first appeared in the Late Ordovician, with modern horseshoe crabs appearing in the Carboniferous and becoming more common in the Triassic. The spider-like Order Uraraneida first appeared in the Permian, with true spiders appearing in the Carboniferous. There’s a lot of talk about how horseshoe crabs predate the dinosaurs, and that’s true, but so do other arachnids… and most other arthropods as well!

Propaganda under the cut:

While only Spiders, Scorpions, and Pseudoscorpions have venom, they all have different methods of injecting it, meaning they likely independently evolved venom. Which is wild to me.

Spiders tend to get a bad rap (mostly due to western media banking on arachnophobia and spreading misinformation) but they are incredibly beneficial to humans, eating many of the species we consider pests. Some crops, such as cranberries, tomatoes, and potatoes, rely on spiders for pest control. It has been found that wherever farmers release spiders, their crop yields increase, while also cutting down on the use of chemical pesticides by 80%.

There are around 50,000 species of spider and all but one family (Uloboridae) is venomous. However, this venom is mainly used to capture prey, and only 10 genera have venom considered medically significant to humans. Bites are rarer than the media would have you think, and deaths are even more rare, as they are usually a result of secondary infections, allergic reaction, or pre-existing conditions. You are more likely to die from a mosquito bite.

Even if they weren’t super important and helpful to humans, spiders are still just small animals living their lives and are all too often unfairly demonized. I’ll get off my soapbox now but listen… I’m Love Them. They are just little guys.

Anyway, Ricinuleids have a hood, called a cucullus, which can be raised or lowered over their head. This hood is also where females will carry their eggs until they hatch. Baby hoodie.

Horseshoe Crab blood is blue due to a copper-based respiratory pigment called hemocyanin. It is often harvested for its unique reactions to bacterial contamination and is thus used in FDA testing. Horseshoe Crab blood has saved millions of human lives, however, overharvesting for their blood as well as for fishing bait has put their populations into decline, which has in turn affected populations of shorebirds which depend on their eggs as migratory fuel. Many areas have enacted regulations on harvesting and established captive breeding programs.

Harvestmen are sometimes referred to as spiders, but they are actually closer related to scorpions!

Harvestmen are unique among arachnids for their high diversity of feeding behavior. Many species are omnivorous, eating small insects, fungi, and plants. Some species are scavengers. Some species feed on fecal matter! Unlike most other arachnids, they do not have sucking mouthparts, and instead chew their food with tiny pinching jaws.

Many arachnids, especially most scorpions, are biofluorescent, glowing under UV light. There are many hypotheses for why this is, but it may allow them to detect the presence of UV light themselves, letting them know when there is a full moon vs a new moon.

Scorpions can also detect light through sensors in their tail!

Scorpion claws and tails are reinforced with iron and nickel

Mites are incredibly diverse and live everywhere. Many live in the soil and aid in decomposing, some live in water, some live on plants, some live in plants and create galls, some eat fungi, some eat lichen, some eat carrion, some are predators, some are parasites. Almost every species on land (mammals, reptiles, ants, plants, etc) has at least one mite species associated with it.

Vinegaroon courtship rituals involve a dance that can last up to 12 hours of the female testing the male’s endurance. Female vinegaroons invest a lot into their children, often starving themselves in the process, so they must be absolutely certain the male has good fitness.

[autolenaphilia]

The main reason to use Firefox and Linux and other free and open source software is that otherwise the big tech monopolies will fuck you as the customer over in search of profits. They will seek to control how you use their products and sell your data. When a company dominates the market, things can only get worse for ordinary people.

Like take Google Chrome for example, which together with its chromium reskins dominate the web browser market. Google makes a lot of money from ads, and consequently the company hates adblockers. They already are planning to move to manifest V3, which will nerf adblockers significantly. The manifest V3 compatible chrome version of Ublock Orgin is a "Lite" version for a reason. Ublock's Github page has an entire page explaining why the addon works best in Firefox.

And Google as we speak are trying to block adblockers from working on Youtube, If you want to continue blocking Youtube ads, and since Youtube ads make the site unuseable you ought to want that, it makes the most sense to not use a browser controlled by Google.

And there is no reason to think things won't get worse. There is for example nothing stopping Google from kicking adblockers off their add-on stores completely. They do regard it as basically piracy if the youtube pop-ups tell us anything, so updating the Chrome extensions terms of service to ban adblocking is a natural step. And so many people seem to think Chrome is the only browser that exists, so they are not going to switch to alternatives, or if they do, they will switch to another chrominum-based browser.

And again, they are fucking chromium itself for adblockers with Manifest V3, so only Firefox remains as a viable alternative. It's the only alternative to letting Google control the internet.

And Microsoft is the same thing. I posted before about their plans to move Windows increasingly into the cloud. This already exists for corporate customers, as Windows 365. And a version for ordinary users is probably not far off. It might not be the only version of Windows for awhile, the lack of solid internet access for a good part of the Earth's population will prevent it. But you'll probably see cheap very low-spec chromebookesque laptops running Windows for sale soon, that gets around Windows 11's obscene system requirements by their Windows being a cloud-based version.

And more and more of Windows will require Internet access or validation for DRM reasons if nothing else. Subscription fees instead of a one-time license are also likely. It will just be Windows moving in the direction Microsoft Office has already gone.

There is nothing preventing this, because again on the desktop/laptop market Windows is effectively a monopoly, or a duopoly with Apple. So there is no competition preventing Microsoft from exercising control over Windows users in the vein of Apple.

For example, Microsoft making Windows a walled garden by only permitting programs to be installed from the Microsoft Store probably isn't far off. This already exists for Win10 and 11, it's called S-mode. There seem to be more and more laptops being sold with Windows S-mode as the default.

Now it's not the only option, and you can turn it off with some tinkering, but there is really nothing stopping Microsoft from making it the only way of using Windows. And customers will probably accept it, because again the main competition is Apple where the walled garden has been the default for decades.

Customers have already accepted all sorts of bad things from Microsoft, because again Windows is a near-monopoly, and Apple and Google are even worse. That’s why there has been no major negative reaction to how Windows has increasingly spies on its users.

Another thing is how the system requirements for Windows seem to grow almost exponentially with each edition, making still perfectly useable computers unable to run the new edition. And Windows 11 is the worst yet. Like it's hard to get the numbers of how many computers running Win10 can't upgrade to Win11, but it's probably the majority of them, at least 55% or maybe even 75%. This has the effect of Windows users abandoning still perfectly useable hardware and buying new computers, creating more e-waste.

For Windows users, the alternative Windows gives them is to buy a new computer or get another operating system, and inertia pushes them towards buying another computer to keep using Windows. This is good for Windows and the hardware manufacturers selling computers with Windows 11 pre-installed, they get to profit off people buying Windows 11 keys and new computers, while the end-users have to pay, as does the environment. It’s planned obsolescence.

And it doesn’t have to be like that. Linux distros prove that you can have a modern operating system that has far lower hardware requirements. Even the most resource taxing Linux distros, like for example Ubuntu running the Gnome desktop, have far more modest system requirements than modern Windows. And you can always install lightweight Linux Distros that often have very low system requirements. One I have used is Antix. The ballooning Windows system requirements comes across as pure bloat on Microsoft’s part.

Now neither Linux or Firefox are perfect. Free and open source software don’t have a lot of the polish that comes with the proprietary products of major corporations. And being in competition with technology monopolies does have its drawbacks. The lacking website compatibility with Firefox and game compatibility with Linux are two obvious examples.

Yet Firefox and Linux have the capacity to grow, to become better. Being open source helps. Even if Firefox falls, developers can create a fork of it. If a Linux distro is not to your taste, there is usually another one. Whereas Windows and Chrome will only get worse as they will continue to abuse their monopolistic powers over the tech market.

[allmightyscroll-swag]

Panic Attack

(QUICK THING BEFORE ANYTHING ELSE- I added an aftermath to the last comic that is kinda needed to properly understand this one, & just in case some of y'all haven't seen it, just go to "←prev" down below and it should be properly linked up )

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I like to think that, while Leo has seen & helped Donnie through panic attacks before, Donnie has rarely, if ever seen Leo go through a panic attack; hence why he is unsure what would be best to help Leo right now. so he does what he knows how to; relay information and facts. His voice helps ground Leo through it.

[neversetyoufree]

She can't keep getting away with this

[bitchfitch]

idk at some point I think we need to stop lying to city people about what a no light pollution night sky looks like bc some of the saturation boosted long exposures folk are using as proof of what the nebulous they have taken from you are getting silly.

like this is a photo from the McDonald observatory obviously, but this is like. almost what you would actually be seeing under decent but not exceptional circumstances (ie sea level with low moisture/dust in the air, and no time spent intentionally avoiding light before hand)

[arctixout]

not approved