#my research process unfolded :3

[superkooku]

Who did Asclepius resurrect ?

A couple days ago, I discussed the idea of mortals defeating gods with @kill-me-with-a-spoon on a comment section of my "thoughts on Epic" post.

We talked about Diomedes and Perseus briefly, but then a third example came in : Asclepius.

And I find this specific mention interesting because I didn't think about it but it kinda makes sense 😂

He didn't defeat any god like the two former heroes, that being physically overwhelming them. Instead, he simply "cures" death, thus Thanatos' doing. Not only his, but the Fates' too considering they cut the thread of life. And he meddled with Hades' realm, something that he hated and we know how that ended.

(Hades hating doctors will never not be funny)

I made some research on him for personal projects and so I want to use it right now for personal ramblings about who exactly Asclepius resurrected.

@kill-me-with-a-spoon was pointing out that if, by technicality, he didn't interfere with Hades' domain if souls he resurrected didn't cross the Styx. And I've got to say, I think he did.

Also, I completely agree with the fact that they're still killable. They won't die from the same cause since Asclepius heals their injuries but he doesn't deify anyone.

If we look up different sources, here's the list of people he resurrected.

Hippolytus (according to Pausanias and latin sources like Pseudo-Hyginus or Ovid)

What makes this particularly interesting is that Artemis is the one who has this idea. It shows that portraying her as a man hater is completely wrong since she asks her male nephew to resurrect her male friend/devotee. It shows her bond with Hippolytus (his death was very unfair, so I get it) and with Apollo too, since she trusted her brother's son completely.

Then, it's just funny but in-character that Theseus isn't the one who has the idea to resurrect his son, because of course he wouldn't think about it 😂. It's even funnier if we take late sources stating that Asclepius was among the Argonauts. Because Theseus was too, so they knew each other personally and yet Theseus couldn't think about it.

Another detail : Hippolytus seems to forgive Theseus in Euripides' play, but NOT after coming back to life in Pausanias' version. Different versions, I know, but if we mix the two, then we could interpret that maybe all this time in the Underworld gave him the opportunity to think about it, or maybe, with a new chance to live, he doesn't want to stay with his father.

I get you, Hippolytus. Go have fun.

Capaneus (according to Stesichorus)

What's interesting here is how Capaneus died : he participated in Polynice's siege against Thebes but was killed... by Zeus. He was struck by lightning because of hubris.

And then Asclepius comes and resurrects this guy. All the more reasons for Zeus to be angered. That means he came in and decided to undo divine punishment, the same one that will be his own doom in the future. It's pretty chilling for me.

Lycurgus

So, there are a lot of Lycurguses in mythology.

In the beginning, I thought it was Lycurgus of Thrace, which would've been hilarious because if this guy comes back to life, he'll come back traumatized and insane (also, any grapevine would be the source of PTSD flashbacks). And again, that would've mean undoing divine punishments.

BUT it seems to be a separate Lycurgus that was resurrected. Not the one who offended Dionysus.

It's also not Admetus' brother of the same name, though the logical link would've been easy to make (because of Apollo's servitude and Admetus also being an Argonaut according to some sources).

Honestly, Wikipedia is the only place where the Lycurgus that Asclepius resurrected is distinguished. Even then, the article speaks of a probable case and lists Apollodorus as a source. So not even researchers are completely sure of which Lycurgus it was.

Hymen/Hymenaios : yeah, according to the Orphics, he resurrected some guy named Hymen, even though the only figure with this name is a god... it would've been very interesting to analyze if I had more details about it. Unfortunately, there aren't really.

Tyndareus

Glaucus : It's funny how Asclepius resurrects both Theseus AND Minos' son. Though that exploit is more often attributed to the prophet and healer Polyidos. I wonder if there was some untold teacher-student relationship between the two, since Asclepius is one of the inventors of medicine (with Chiron)

And then there's this woman :

This cracks me up, because this little story alone states that Asclepius as a GOD still resurrects the dead even though he was punished for it. Tbf, he probably had to explain this to Zeus, that he had to compensate his partners' mistake. Still, that's hilarious that not even divine might stopped him.

Don't tell me he didn't know what he was doing. He's a smart guy and his father is literally mr. God of prophecy. I like his audacity.

So, coming back to the initial subject, with the sheer number of mentioned names, I do think they had the time to be buried and cross the Styx (except Capaneus, who was probably turned into ashes lol).

Asclepius definetly meddled with Hades' domain, thus angering the god of the dead and he 100% provoked Zeus.

But, not all the gods were agaisnt him. If we take the version where he resurrects people with gorgon blood, then Athena, who gave it to him, was in favor of his operations.

Then, there is Artemis who asked him to bring back Hippolytus and finally, quite obviously, his n°1 supporter is his own father Apollo (oh god, I could make a whole new post rambling just about Apollo and Asclepius).

So yeah, I really like this myth for many reasons and this is one of them : how it's tied to many other stories, how different figures behave and react to Asclepius' antics, how it puts the system of life and death into questions, etc...

Anyways, if you have anything to comment on about this myth, don't hesitate. I'd love to discuss it more !

My main source about all of this was Theoi.

[bonzos-number-1-fan]

TMAGP 28 Thoughts: Spooky Scary Skeleton

We're in the final stretch now. I'm curious to see exactly how things will wrap up but I have a feeling we might see it all unfold in the same night now. As an episode though I've got mixed feelings. Mostly because I'm not really sure I needed to hear much of what happened in this episode's statement. It'll be an episode that will either get better or worse with context for me. If there is a compelling point to this beyond exposition that will shape my feelings on it more than the episode in isolation.

Spoilers for episode 28 below the cut.

This will be a short one, I think. There truly isn't much to comment on IMO. Very explicit and mostly pay offs to a few bits that have happened before.

Trevor is exactly what I was expecting him to be. I've seen some comments about how shockingly different he is but I'm not sure I see it. Sure, his background is different. He's well off now. He's not a better person though, he's still just a ruthless grouchy old man. A treat to have him back. His issue with the contract is a little interesting though. Because, if anything, that proves the opposite of his claim. Presumably Ink5oul didn't actually sign that contract and so isn't actually employed in any capacity but the OIAR. It's not a good look certainly but it's not actually

The data processing and amalgamation tools are locked into a 24-hour cycle

This isn't quite the explanation I was expecting but it makes about as much sense as anything else does really.

It's nice to see Gwen selling out Lena and fulfilling part of her character's promise. Her introduction is basically "I'm going to take your job, Lena" and it's nice to see that's not been forgotten in all the trauma. Personally, I'm most interested in how it all relates to Klaus. He's not likely her major source for all the dirt she's got but he is a character I'm very interested in. He was a large part of the ARG and some of the more interesting background detail of the show.

Sam's run in the not one and only Archivist is pretty straightforward. There aren't really many details in the encounter nor the statement itself I think need picking apart. The bits I think are interesting are mostly things I've covered before too so I won't re-tread much of that. Firstly, the tests Sam talks about are a series of developmental and ethical surveys. We're actually fortunate enough to not only know what tests he was subjected to but how he did on them thanks to the ARG. During that we found CHDB which is a spreadsheet of exactly that. Test results from a lot of kids that the Magnus Institute was conducting. I have the whole thing on my masterdoc which can be found here and each column contains and explanation of what the tests are. Gerry and maybe Alice is on there too. Although I hope Alice isn't.

Next up it's Dr. Welling. A character who's shown up a fair bit but we know very little about. He was first mentioned in episode 17 as the namesake of the Welling Mutare Materia research centre that Darrien 3 got locked up in. In episode 21 he's mentioned through as the PoV character complains a lot about him. We don't really know much more beyond this though and I'm expecting he'll play more of a role in season 2.

Finally, it's just the yellow light to talk about really. This is one of those classic alchemical things that we know very little about these days, most source for it are terribly cited, and extant documentation from the era is either vague or treats it as common knowledge so little rigorous explanation exists. There are basically two things this could be, if it's anything, and that's a reference to sulphur or to citrinitas/yellowing. Sulphur is, well, sulphur. In the alchemical context it's part of the tria prima and as such represents the soul. The soul in this context is the Greek psyche rather than an Abrahamic conception. So it's more about emotion and desire. Citrinitas is one of those bits we know incredibly little about. What we do know is that it's one of the classical 4 steps to create the magnum opus, AKA the great work, AKA the philosopher's stone. Often you'll see people talk about a solar light, or a light from the soul, in this context but, again, we don't really know much about it and I'm not sure I've ever seen someone cite a historical source for that.

Outside of that I'm pretty sure everything is pretty clear. Sam's got some fucked up skellington trauma. What's interesting is what this implies about the other compelled statements we've seen. This one is undeniably Sam's own experiences from his own PoV. That didn't appear to the case with Drowning Victim, as the PoV character seemed to die and then they died. It was hard to tell with the autopsy statement but it didn't seem to be the case as they were, y'know, dead. Which seemed to make the inference that when Gwen had her run in that what she was talking about were someone else's experience. Especially when the context of that statement didn't seem to really match her upbringing. With this one being obviously and undeniably Sam's experiences that one could have been Gwen's and might warrant a little more examination.

Also, just to throw this one out there. I wonder if this Archivist represents the rebis.

leaving the tape recorder to flounder in the rain and stop.

That's a fun, albeit strange, visual.

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet and Terminology Sheet

DPHW Theory: 2578 is a fairly uninteresting set for this incident. Which is good but there is little to comment on.

CAT# Theory: I've still not sat down and worked through a few of my ideas on these. CAT2 is another of those very strange picks if it's Person/Place/Object. Even if the place itself is supernatural in some capacity there are some more obvious things it could be and so that makes this another mostly useless data point.

R# Theory: B seems about right for my ideas.

Header talk: Transmutation (Human) -/- Ceremony (Academic). They're doing it on purpose. I can feel the malice on these now. I'm attuned to the negative vibes. However, this—even more than Gwen's encounter with Ink5oul—raises the question of how this was filed. Metatextually we've had Alex talk about how the headings are written by these characters but this one doesn't seem to be the case. So this is either meta information or there is someone else filing these.

[ninadove]

watching character ai lukadrien create the most heart wrenching debilitatingly angsty love story to ever love story ever

Hey, I can tell there’s no malice behind your ask, but — don’t do that.

I write fanfiction myself, and a lot goes into it:

1. Unreasonable amounts of ✨ Time and Effort ✨

Just the other day, my WIP kept me up until 2 AM, because I wanted it to be neatly polished before even sending it to my beta readers (@paracosmicfawn and @dragongutsixofficial). The first thing I did the following morning was re-read it again, to correct any typos and inconsistencies my tired brain might have missed the night prior.

2. Research and analysis

For a cute little Lukadrien scene I wrote with my ✨ awesome girlfriend ✨ — something that was never even going to be published — I went through a dozen different sources trying to get a better understanding of what meditation actually is and to capture the philosophy behind it accurately. This does not make me special — all authors do it out of dedication and love for their craft, but it’s energy that could be spent doing literally anything else, especially when you consider how horrifyingly lonely the writing process can be (see point 1).

Also, there’s a reason I spend so much time making analysis posts on Silly Little Blorbos who do not exist! It gets my brain running and allows me to sharpen my understanding of the characters, so I can write them properly in my works.

3. A unique perspective on the characters, the source media, and life in general

Which gives all the flavour to my favourite AO3 works out there.

Like, yes, that extract you sent in your follow-up ask is cute, I guess, but it’s also incredibly generic:

When actual living breathing human (or Senti) beings share their work with you, they’re inviting you to a special part of their brain that they’ve decorated with their own experiences, references and visuals — things that they love and passed onto their favourite characters, so they can hopefully reach you. For instance, Character AI would never have had the genius idea to compare Felix’s eyes to an aurora borealis; this could have only sparked from @wackus-bonkus-maximus’ brain. Similarly, my version of Felix will often reference works of art and literature that left a strong impact on me as a child — an impact I’m sure can also be sensed in my approach to storytelling and even in the way I structure sentences and paragraphs.

Which leads me to my final and most important point:

4. EMOTIONAL BAGGAGE™

Because let’s be real — there’s a reason our brains latch onto certain characters, and said reasons aren’t always sunshine and rainbows. I’ve cried more writing about the Senticousins than over the loss of certain people or relationships in my own life. Long before that, I latched onto Clive and gave him everything I felt was missing from my life as a teenager, so I could live vicariously through him. And of course, I always make my characters some flavour of queer, because for a long time this was the only outlet I got for my own feelings and identity.

It takes a lot of vulnerability to put all of this on the Internet for others to read and judge, and it’s very disheartening to see that people would rather ask a machine to spit out some easily digestible but impersonal interactions than give your work a chance.

I can guarantee there are beautiful pieces of fanwork out there that will cater to your tastes and haunt you for years in a way Character AI or Chat GPT never could. And the good news is — if you don’t find anything, it means it’s time to write it yourself!

And of course, I cannot end this post without encouraging everyone to read about the writers’ and actors’ strike currently unfolding in the US.

[astro-royale]

「 ☆:.｡･Top 3 Feminine Energy Tips 」

1. Feminine Energy is about Joy, Ease, Acceptance & receiving. If you are angry at yourself and cannot allow yourself to be happy; then it is hard to enter the flow of feminine energy. How can you receive Joy from the External world when you cannot allow yourself to feel that joy and to receive it from yourself?

We live in a like attracts like Universe, meaning your vibrational state will reflect back to you what you feel. Especially what you feel about yourself.

I recommend working on that Resistance and negative energy you have towards yourself & about yourself, because it’s taking up so much space . That even if someone did want to give you something, their energy would literally not have space because yours is taking up so much.

Which brings me onto my next point…..

2. You are putting soooo much energy out into the world; with the wrong intentions

So many of us give to others with the unconscious expectation that they have to give something back . Or we give purely so that we receive something back, only to be disappointed when that need isn’t met.

Yes it’s true that some people are takers and will try to take as much of you as they can.

But it’s also true that people can sense when a person is doing things purely for validation or for wanting something back in exchange.

I have an exercise I like to do which I recommend to all my people pleasing girlies. Try to become conscious of every-time you give with an expectation. That way, you can catch yourself and stop. Question your own motives. If there is any reminisce of expectation then just stop altogether. Because you’re operating in your methodical masculine energy which is goal and outcome oriented.

To truly give something, means to give it from the heart and to give that thing unconditionally. So… if you never catch yourself wanting to give for the sake of giving. It probably means you don’t take enough care of yourself and you are depleted from trying to please others. Gain your energy back sis, fill your own cup and spend some time alone giving to yourself what you expect from others.

That way, when you start giving to the world again, it is no longer laced with any transactional energy. And that way.. when you receive… it will also be pure and from the heart.

Massculine energy = Head (outcome oriented)

Feminine energy = Heart ( Just Being)

3. Practise Vipassana Meditation

Vipassana Meditation is a type of meditation which is about allowing yourself to feel the emotions stored in your body. It is a kind of meditation in which you you place your awareness on your body, and you scan to see what you feel in each part. With no judgement. It is simply an exercise of observation.

This way, you are practising just being . Which is what feminine energy is about. Feminine energy is just allowing things to unfold and be; and well, how can you interact with the world in such a way and Trust the Universe if you cannot even observe your own Universe and let your own emotions flow with the comfort and support of your own awareness.

That way you learn to listen to yourself, nurture yourself and guess what… the world at large will reflect that because EVERYTHING is connected and everything is energy.

If you want to support this blog as well as my research there’s a Tip option in the bio. Or CashApp me £astroroyale .This way I can keep posting high quality content for you as it encourages me in the process <3 :) Thank you & Much love

Taking care of yourself is the way Girlies

[butterscotch987]

On writing a complex chapter: WIP/Author Notes for Through the Shadows of Shame (TSS), an AUP Fanfic

Just wanted to share another behind the scenes author's note for Through the Shadows of Shame, an Academy's Undercover Professor Fanfic.

Thumbnail is tiny so no spoilers ;)

This is for an upcoming chapter and it's very loaded with a lot of things. To be honest, I had to think of this chapter for almost a week, writing new outlines, drafts, ideas, assessing where I should put the chapter, and all of that.

It was a very difficult chapter because of all the emotions and body language as well as the environment which is more dynamic int his chapter compared to the previous chapters I've written.

So I figured I'd try mapping it out! I think writers really have a tool like this? But I didn't really reference any of those a lot, I'm used to doing flowchart to make sense of my brain, therefore I just did what was natural.

This was so helpful for me. When I tried to input all of the needed elements at once as I was writing it, it just didn't feel right and I got stuck thinking of what was wrong with it, not to mention how overwhelming it felt.

I like to really get in my feelings when writing the scenes, trying to feel and imagine what the characters would be feeling.

And there were a lot of feelings in this chapter.

So what worked?

Doing it in layers was by far a big brain moment for me. Instead of doing the entire scene in one draft, I did it in 3-4 parts:

First, I would draft the entire narrative focusing on the movement and dynamics of the changing environment and other external (non ML/FL) objects/characters. This establishes a sort of skeleton or structure for the entire thing because it gives us the timelines for when certain things need to happen and if it made sense for it to happen at that point (e.g. in my first draft it was only supposed to be 4pm and then the next paragraph the sun was already setting -- it just didn't make sense)

Second, after the skeleton is done and the scene is basically painted in with words, I add in the POV of the characters, 1 character at a time. The scene is difficult because they're both just walking silence not talking to each other, but they're both lost in thought so I needed to convey not only an inner monologue, but also body language, all juxtaposed into the setting in #1.

Third, I look at the side-by-side character thoughts/actions as the sene is unfolding (if you can kinda see it, there's a timeline of major events in the scene, and I've color-coded the thoughts of Ludger and Erina (my OC) and what change is happening at that point in time This is also for continuity, logic, and parallelism. (e.g. what are they thinking of at the same time? That would affect their body language and therefore change the perception or assumption the other person has of their current state of mind)

Fourth is copy editing. Mostly for rewriting the flow, making sure it makes sense, making sure the ideas are good.

Fifth is line editing. Tightening up the dialogue, cutting unnecessary lines, paragraphs, writing additional text for smoother transitions, wittier banter, etc.

Sixth is re-reading! And not just once. I re-read it a few times after editing, then leave it alone on the next chapter. Then I read it again at least once before I publish it. Because of this reason when I'm writing something I'm usually (ideally) 2-3 chapters ahead of my published chapters.

Phew, that was a hefty chapter. Anyway, I just wanted to share my process. Since I write the whole day and I'm alone most of the time, I don't really have people to talk to about this so I thought I'd talk to the internet void.

If you're curious about my story it's this one, on AO3: Through the Shadows of Shame - an AUP Fanfic

Tags: Romance, Fantasy, Comedy, Slow-burn Pairing: Ludger Cherish x Female OC (Original Character) Female OC is a fellow professor and she's a researcher who specializes in plants. And also she banters with him a lot. I think their interactions are cute.

[obeymeluv]

Hey Pookie Bookie, So I'm starting to write smut (I don't think I'm that good at it yet) I was wondering if you have and general tips about how to go about it and make it more detailed. anything would help.

Hello my friend. Thank you for messaging me. I'm not sure when this was sent but I remember seeing it and had to sit on it a while to get my thoughts together. General lack of energy/depression doesn't help the process, so apologies there.

General tips I have:

1) Find the "you" in your words. For me, my writing style has always been wordy and flowery and I've personally always admired the people who could paint that raw picture in fewer words. I don't feel very modern and it's a bit disappointing.

Writing smut doesn't necessarily have to be long to be detailed. The beautiful thing about words is how they all make an impact and there are a million combinations.

Smut doesn't always have to be 'flowery'. Smut can be raw, short, quick, desperate, and satisfying too.

2) Figure out if you want your work to be "OOC" for a character or HOW YOU would interpret that character (if you're focusing on specific characters. Personally I think this could apply to any and all you write for)

Example: ages ago I wrote what many people considered to be "OOC" stuff for Gaara from Naruto ('Perverted Moments' series and a song based AU thing I never finished come to mind). Got bashed on it left, right, and center on the daily but for as many people that hated it, there were at least 3 or 4 per that liked the iteration.

I find people who want to write smut (or anything) are often subconsciously limited by the canon and that it's cut and dry. You can still honor the source material and breathe your own life into it. Don't let the fears of "would so-and-so say this/act this way?' stifle your words. The right people will find your stuff and enjoy it. What is important is that you enjoy it.

For me personally, I give the boys animalistic/thoughtless behaviors at times because that's my interpretation of demons. They're on the fringe of human at the best of times so I have liberties there. I'll research a little into animal behaviors and sprinkle that into my version of Mammon or Beel or whoever.

3) Consider the tone of your smut

Like there are many ways to make love, there are also many ways to write that love. I'd start practicing snippets of different situations/emotions--pining unfolding into that confession both have wanted for so long, Person A just finally exploding into a confession and it turns out Person B was just waiting for a sign and needs to go to the eye doctor because it was fuckin' NEON babe!---and see what you like.

Think about what emotion you want to focus on. Soft love, like residual warmth in cotton spring-scented sheets as the sun tries to rouse two tangled lovers? Or wanton, shameless lust where you let loose and pretend like there are no consequences, like you're THAT PERSON for one night only to find, yes, there are consequences and you now have a smitten demon king in your bed complaining about a hangover, big black wings that hang past the mattress, and a twisting sense of dread in your stomach as he BEGS you to say you're now betrothed or his butler will simply KILL him (and maybe you? Is that legal for a butler? WHY IS HE SO SCARED? HE'S A KING?!)

4) Consider your 'scene'

I think it's best to go from big to small when planning/writing. Decide where the smut will occur and that may help with the words you use. It may seem clinical but I've always been an idea/outline person so this helps me.

Example: say you and Satan want to get randy in the library. Two possible choices for smut here: 1) quiet, muffled fun times where you MUSTN'T be loud so words like 'whimper' would work and scene building may include Satan covering your mouth or putting his fingers in it OR 2) You get loud and because Satan is feral and desperate and he just wants to see if you two can finish before getting thrown out. It won't matter if you are because the scratch marks and scent leave a legacy all their own.

That's all I can really think of for your question honestly. You never know what will inspire you. I think the little couple memes with 'Person A' and 'Person B' are cute. Sometimes I go on Incognito and look at Kama Sutra positions when I'm trying to figure out where a leg will go and if it can bend that way for a human 🤷🏻‍♀️

Hope this helps!

[elizaellwrites]

How Do I Plan Tag

So, appropriate to the conflicting sides of my personality, my planning style has two drastically different approaches... so let's get started! (I'm wordy, I apologize in advance.)

Thank you @my-cursed-prince for tagging me in this and for everyone who's ready to bear with me as I try to explain the war that takes place in my mind.

How do you plot your writing out?

Step 1- Inspiration

This almost always happens at the worst possible times, either while I'm at work, in class, doing homework, etc. Most of the time it's because I see or hear something that sends a lightning bolt of an idea straight into my mind, and I don't know how my brain jumped through the hoops to get what I got out of what I was given. When this happens, it's almost always frustrating in the moment, since I get the overwhelming urge to start immediately when I often can't. I either make a mental note of the idea, or I write a physical note to remind myself to revisit it.

Purposeful/directed inspiration can also come through listening to music, watching movies/TV shows, reading, and looking at art, but this is honestly less common unless I'm writing while doing these things simultaneously (which I do quite a bit.)

Step 2- Filtering

This can happen in one of two ways. The first is whether I decide to call my brother (my unofficial editor) to see if my idea even remotely makes sense to anyone that isn't me. Then we either scrap, alter, or build on the ideas over the next half hour or so. Most of the time he just tells me that it's my story so I know what will work best with what I'm planning, but I also know that some things can seem obvious to me as the author that will go unintentionally under the radar to a reader, so he's a great help in my process when I bring him in.

The other way can be best described as a mental file cabinet, where I keep all of my plans for current and future projects. Truly, I think this is the more common way I do it, otherwise, I would be calling my poor brother almost constantly. When I'm doing this, I'm basically skimming through each of the files, seeing if this new idea works anywhere, and which characters would be best for this plotline, or vice versa. If it doesn't fit anywhere but has potential, I make another file and save it for later. If it contradicts what I've built, it gets dismissed. If it does fit, I then go to the next step...

Step 3- Development

This is where I spend most of my time. If it's a character, this is background, personality, role, etc. If it's worldbuilding, I'm here for days to weeks until it's blended into everything I had developed previously, as if it was always there. If it's a plot line or event, I locate where it is in the master timeline and create a rough sketch of what I want to happen around the initial idea. Any research takes place here as well. It's pretty straightforward.

Step 4- Bullet Point Storylining

This creates a visual for me to go off of; a road map per se. It's flexible and very open to possibilities, yet holds me to the structure that I put in place during development. This way, nothing crazy happens, but I can still surprise myself in...

Step 5- Drafting

Where chaos unfolds. Anything can happen- as long as I try to follow the map I set up with my bullet points. Then I repeat the drafting of that part until my perfectionism is satisfied enough to where I don't feel like I need to burn the pages that only exist on my computer. So this period can also take quite a bit of time, as I refine and shape draft after draft. Editing is included in this step, as editing is simply rewriting, but way better.

In short, the process is: Plan, check the plan, plan some more, draw out the plan, then set the plan on (barely controlled) fire.

2. What's your favorite part of the writing process?

I really enjoy the actual writing part the most. It's incredibly freeing to get everything out on paper, and that feeling doesn't change when I'm even just rewriting.

Seeing how everything ties together even better than they do in the filing cabinets and scattered notes. I love to see my characters interact in a way that is better than I could ever simply explain that they would. I love when they come to life and react in a way that I didn't initially see from them but makes so much sense. I like painting my world with words so that others can fall in love with it as much as I have through the hundreds of hours I've poured into it.

In some ways, my writing process is a mystery to me in how my worldbuilding has gotten so expansive that I'm building a Google Site and a guidebook for myself. I don't know when my characters started acting without my explicit permission, and I don't know where the inspiration for my specific plotlines came from. Some have been there so long that they've just become a fundamental fact of the story and the world.

I love how it's gotten a life of its own through the chaos that has burned through the first four steps of my writing process in the last, but most important one. To me, my characters have been real people for years. Is that weird? Maybe, but it's also incredibly special, and I wouldn't change that for anything. They've grown with me, and so has my fictional world. As I grow to see the complexities of the world around me, and as I experience life, it reflects in my work for both the good and the bad.

I wouldn't have my writing process any other way. (Even if it creates an inner debate on how much chaos is too much chaos.)

Feel free to participate: @the-printed-words, @verba-writing, @marigoldispeculiar, and @queerlilchinchin & anyone else who may be interested!

[regrowyourhair1]

Hair Transplant Cost Gold Coast: A Comprehensive Guide

 Hair loss can be an emotionally taxing experience, affecting self-esteem and confidence. Like many others, I found myself exploring options to restore my hair. After extensive research, I decided to undergo a Hair Transplant  Gold Coast—a decision that transformed my outlook and appearance. In this blog, I’ll share my personal experience, the process, and tips to help you prepare for your hair restoration journey.

Why I Chose the Gold Coast for My Hair Transplant

The Gold Coast is known for its cutting-edge medical facilities and experienced practitioners specializing in hair restoration. The clinics here offer a range of advanced treatments, from FUE (Follicular Unit Extraction) to DHI (Direct Hair Implantation), with highly skilled professionals ensuring natural-looking results. Additionally, the sunny Gold Coast provided the perfect backdrop for a relaxing recovery.

The Initial Consultation

Before committing to the procedure, I scheduled a consultation with a renowned clinic. During the session, the doctor examined my scalp and discussed my goals. They explained the different techniques, including:

FUE (Follicular Unit Extraction): Individual hair follicles are harvested and implanted in the balding areas.

FUT (Follicular Unit Transplantation): A strip of hair is removed and dissected into grafts for transplantation.

PRP Therapy (Platelet-Rich Plasma): Often combined with hair transplants to enhance growth.

After assessing my hair loss pattern, the doctor recommended FUE for my specific needs.

Preparing for the Procedure

Preparation is key for a successful hair transplant. Here’s what I did leading up to my appointment:

Stopped Smoking and Alcohol Consumption: These can hinder healing and blood flow.

Avoided Certain Medications: My doctor provided a list of medications to avoid, such as aspirin and blood thinners.

Followed a Healthy Diet: I incorporated nutrient-rich foods to promote recovery.

The clinic also provided a detailed guide, which made the preparation process smooth and stress-free.

The Day of the Procedure

On the day of the procedure, I arrived at the clinic early in the morning. The staff welcomed me warmly, which helped ease my nerves. Here’s how the day unfolded:

Local Anesthesia: The procedure started with the administration of local anesthesia to numb my scalp.

Extraction of Follicles: Using a micro-punch tool, the doctor carefully extracted healthy follicles from the donor area.

Implantation: Each follicle was meticulously implanted into the balding areas following the natural direction of my hair growth.

The process took several hours but was pain-free thanks to the anesthesia. I even got to watch movies during the procedure!

Post-Procedure Care

Recovery was relatively straightforward, though it required diligence. The clinic provided post-procedure care instructions, which included:

Gentle Washing: I was advised to wash my hair gently with a mild shampoo.

Avoiding Strenuous Activity: Physical exertion was limited for the first two weeks.

Medication: I was given antibiotics to prevent infection and anti-inflammatory medication to reduce swelling.

Follow-Up Visits: Regular follow-ups ensured the transplanted follicles were growing as expected.

The Results: Patience Pays Off

Hair transplants are not an overnight fix, but the results are worth the wait. Here's a timeline of my progress:

Week 1-2: Some redness and scabbing occurred, which subsided with proper care.

Month 1: I experienced the “shedding phase,” where transplanted hairs fell out—a normal part of the process.

Month 3-4: New hair growth became visible, and I could see my hairline taking shape.

Month 6-12: Significant growth occurred, and my hair looked fuller and natural.

By the one-year mark, I was thrilled with the results. The transplanted hair blended seamlessly with my natural hair, boosting my confidence.

Tips for Anyone Considering a Hair Transplant

Choose a Reputable Clinic: Research the clinic and ensure the practitioners are experienced in hair restoration.

Be Realistic: Understand that results take time and may vary depending on individual factors.

Follow Aftercare Instructions: Proper post-procedure care is crucial for success.

Ask Questions: Don’t hesitate to ask your doctor about the process, risks, and expected outcomes.

Consider PRP Therapy: It can enhance the results and promote faster growth.

Why It Was Worth It

Looking back, my Hair Transplant  Gold Coast was one of the best decisions I’ve made. The professional care, combined with the stunning location, made the entire experience positive. More importantly, regaining a full head of hair gave me renewed confidence and a more youthful appearance.

Conclusion

If you’re considering a Hair Transplant,  Gold Coast offers world-class facilities and skilled professionals to help you achieve your hair restoration goals. With patience, preparation, and the right care, you can enjoy transformative results just like I did.

[nursophia]

CTS A | Week 10 | Compulsory Question 1

Q1. Discuss the seven weekly topics as a whole.

Firstly, we learned Critical Thinking, which is crucial for evaluating information, making decisions, and forming reasoned conclusions by questioning assumptions and considering diverse perspectives. Teamwork followed, where we explored how collaboration, communication, and trust are essential for leveraging strengths and managing tasks effectively within a group. Next, we focused on Emotional Intelligence, which enhances teamwork and conflict resolution by helping individuals manage emotions, empathize with others, and foster positive relationships. Building on that, we studied Conflict Resolution, emphasizing active listening, clear communication, and problem-solving to maintain harmony. We then learned the importance of a Growth Mindset, which encourages viewing challenges as opportunities for learning, promoting resilience and adaptability. Reliable Research followed, where we developed skills for discerning credible sources, organizing data, and maintaining accuracy. Finally, we examined the importance of Documenting Processes, which supports accountability, transparency, and learning by recording strategies and outcomes. These lessons collectively foster personal and professional growth, strong relationships, and overall success. The image below represents my visual metaphor!

I also use visual thinking from my Studio classes to better understand CTS modules. I create mind maps to break down complex ideas and show connections between concepts. I also visualize real-world scenarios or case studies as storyboards to see how critical thinking steps unfold.

I particularly enjoyed the acting-out session on conflict resolution in Week 3. Although I usually avoid conflict due to a fear of confrontation, this exercise taught me valuable lessons. Witnessing the resolution in action helped me grasp effective conflict management strategies.

Working in a group fosters collaboration, leverages diverse strengths, and enhances learning through shared ideas and perspectives. Each CTS lesson presents a new opportunity for teamwork and mutual learning. I wish I had actively participated more in group work by voicing my ideas. As a shy person, I tend to be quiet and follow my leader’s lead. Moving forward, I will strive to contribute confidently, ask questions, and engage in discussions from the outset.

(323 Words)

[jordancullenphoto]

How to Choose the Right Wedding Photographer in Mackay

Choosing the right wedding photographer is one of the most important decisions you'll make when planning your big day. Your wedding photos will be cherished memories, capturing each moment, emotion, and detail. With so many options available, finding the perfect Mackay wedding photographer can feel overwhelming. This guide will help you navigate through the process, ensuring you select a professional who aligns with your vision and style.

1. Define Your Photography Style

Before you start searching, take some time to define what style of photography resonates with you. Wedding photography can be broadly categorized into a few main styles:

Traditional/Classic: Timeless and posed shots that focus on formal moments.

Photojournalistic/Documentary: Candid and natural storytelling that captures the day as it unfolds.

Fine Art: Artistic and dramatic images, often with creative angles and lighting.

Lifestyle: A blend of posed and candid moments, focusing on relaxed interactions.

Understanding the style that speaks to you will narrow down your options and make your search more focused.

2. Research Mackay Wedding Photographers

When you know your preferred style, begin researching local wedding photographers in Mackay. Websites, portfolios, and social media platforms are excellent places to start. For example, on Jordan Cullen Photo, you can explore wedding portfolios that showcase different styles and moments, giving you a taste of what you can expect.

Key Tips for Researching:

Portfolio: Ensure the photographer's past work aligns with your desired style. Pay attention to how they handle different settings, from bright outdoor ceremonies to intimate indoor receptions.

Consistency: Look for a consistent quality across various weddings, not just a few standout photos.

Reviews and Testimonials: Reading reviews from past clients can give you insight into their experience, professionalism, and ability to deliver on promises.

3. Set Your Budget

Wedding photography can be a significant investment, but it's one worth making. Determine your budget early in the process, so you can filter out photographers who fall outside your price range. Remember that the cost often reflects the photographer's experience, skill level, and package inclusions.

Factors Influencing Costs:

Hours of Coverage: Full-day coverage vs. half-day can affect pricing.

Second Photographer: Having a second shooter ensures more comprehensive coverage.

Travel Fees: If you're planning a destination wedding or a shoot outside Mackay, check for any additional travel costs.

4. Meet Your Photographer in Person or Virtually

Meeting your potential photographer is crucial. It allows you to gauge their personality and communication style, ensuring you feel comfortable and confident in their presence. During the meeting, ask questions such as:

Experience: “How many weddings have you photographed?”

Approach: “How do you handle unexpected challenges, like weather changes?”

Availability: “Are you available on my wedding date, and do you offer backup plans?”

The rapport you build with your Mackay wedding photographer can make a significant difference in how relaxed you feel on your wedding day.

5. Discuss Packages and Deliverables

Wedding photography packages can vary widely. When discussing options, make sure you understand what is included:

Number of Photos: Estimate how many final, edited photos you'll receive.

Editing: Ask about the post-production process and editing style.

Delivery Time: Clarify when you can expect to receive your photos after the wedding.

Prints and Albums: Some photographers offer physical albums and prints, while others may only provide digital copies.

Ensure all details are clear and outlined in the contract to avoid surprises later.

6. Pay Attention to Communication and Professionalism

A photographer’s communication skills are just as important as their technical skills. They should be responsive, professional, and transparent throughout the process. Good communication will make the planning smoother and the actual day more enjoyable.

Red Flags to Watch Out For:

Delayed responses or poor communication.

Vague answers regarding packages and deliverables.

A portfolio that lacks variety or depth.

7. Trust Your Instincts

Finally, trust your gut feeling. If you feel an instant connection with a photographer and their work makes you excited, that’s a good sign. Remember, this person will be by your side during intimate and important moments on your wedding day. Choose someone who makes you feel comfortable and valued.

Final Thoughts

Finding the right wedding photographer in Mackay can make all the difference in capturing the joy, love, and unique moments of your wedding day. By considering your style, doing thorough research, setting a clear budget, and meeting potential photographers, you’ll be well on your way to securing the perfect match.

For stunning, timeless wedding photography in Mackay, explore the services offered at Jordan Cullen Photo. With years of experience and a passion for storytelling, Jordan Cullen can help make your wedding memories last a lifetime.

Need more tips or want to book a consultation? Contact your chosen Mackay wedding photographer and start planning your picture-perfect day!

[sarahjessica120]

Origin Story: Your Origin Story (Final) -

Title- "Full Alignment"

When fully folded 12.5 in x 12.5in

When fully open 25.5 in x 25.5 in

Materials- Brown drawing paper, tissue paper, acrylic paint, water, watercolors, dry rice, acrylic markers, pencil, eraser, scissors, drawing paper, bristol paper, and charcoal.

For this assignment, I decided to do my origin story on my own personal and spiritual growth I've had over the last 3 years. Since this assignment was pushing us to do something related to artist books, pop-out books, etc; I started researching about origami to get inspired, and in one of those folding videos I happened to space out and end up making a small fortune teller, like the one we used to play with as kids. I started to play around with the idea of maybe showing all the phases of my transformation while unfolding the entirety of the fortune teller since its purpose as kids was to tell you your future based on your decisions on each fold. So I decided to take that and depict my evolution while taking a step forward in making decisions for myself for my life to change nearly everything I believed I should at the time to later become the Sarah of today.

In the first unfolding page of the fortune teller, you see the oldest version of me that I can remember right before my spiritual awakening. I drew a quick drawing/sketchy-looking figure of me in my own spiral of self-doubt, self-sabotage, self-hate, overthinking, torment, negative energy, etc. Illustrated using mainly dark red, black, and grey to signify all these emotions, states of mind, etc, and the disconnect to my spirituality overall. We then start to turn the fortune teller and start seeing a more settled upright figure reflecting on who they are, what they are doing, their behaviors, and patterns stated previously in the piece. The colors ten start to change into the colors of an aura of someone who is reflecting, thinking deeply, etc; being lilac, pink, and teal. We then turn the artwork again and see a more closeup and frontal-ish pose of the same person in a completely different palette of colors surrounding her. In this phase of the piece, she is beginning to acknowledge and accept that she is all these things, starts believing she can change, sees her negative/ toxic behaviors and tendencies, and starts peacefully/ humbly accepting that those patterns are all there in view now, consciously. The aura then starts turning more pink, and yellow to depict enlightenment at this point in the awakening process. Moving forward, we turn and open the following flap of the fortune teller to see now the phase of deep releasing. In this part, I used deep blue and deep purple since those are the aura colors of deep emotional release, releases of blockages and stagnancy, and the strong spiritual connections forming at this point of transformation. We then flip over the whole piece of art to see the main and most intentional and deep part of my transformation; healing.

The process of healing through mainly the use of the heart chakra since it is the chakra I felt most connected to when healing through love and light and the mindset of letting go of what no longer serves you. During this time in my life I was really releasing co-dependency, forgiving those who had wronged me, forgiving myself for making certain mistakes, and allowing certain things to unfold in certain ways due to my actions and situations I put myself in and in how I indirectly hurt others as well. In this illustration, I drew myself as I looked then, when I cut my hair to my shoulders after having it below my waist for the past 3-4 years prior to my awakening. I drew myself in the mediation state with my hands in position to work directly with the heart chakra, through which I felt most connected, intentional, and light-hearted with during the countless sessions of meditation when letting go of my past self and everything I believed I needed to change about myself to change myself and my world around me. I depicted a few main crystals I started using to help my healing journey and center my energy during this process. You can also see a candle and incense burning as I used them frequently during these meditative states as well to focus deeply and use all main elements while shifting myself and my world. I included the main affirmations I used to tell and envision to myself while meditating. I also used blue, pink, and green in the background to represent the aura changing into one that was more calm, emotionally available, healed/healing, loving, light-hearted, genuine, sweet/tender, and sincere energy/aura radiated by her during this process.

Furthermore, we then start to unfold the bottom half of the center and main illustration of the whole work of art, to find a detailed drawing of an internal view of the Earth's layers. In one there was dry shredded rice applied with glue, and gesso and converted in paint later on to give the illusion of texture of one of the layers of the Earth's outer core and mantel. This later plays a part in referencing the heavy grounding of the root chakra, with roots embedded into the core of the Earth and all its layers all the way onto the trees at the surface of the Earth.

Additionally, we come to unfold the top flap of this part of the piece which begins to show us a little more of the main artwork. Along with as close a depiction of the Milky Way galaxy. Later on, making a reference to the alignment of the whole being to the Universe and everything it contains; the sun, the solar system, the moon, the stars, etc. Specifically referencing the top chakra, the crown chakra which is mainly supposed to connect you with the above entirely. We also begin to see that the feminine has changed and has grown her hair and might have a different meditative pose.

Finally, we open up the right and left flaps of the entire piece to completely expose the entire center painting of full alignment. We can now see that the feminine is in a meditative pose with her palms open and facing up, which is typically used to attract blessings from the universe, let it know you're open to receiving offerings from it, and magnetically attract all of your manifestations and desires, etc. Illustrated here are all of the manifestations I've indirectly and to some extent attracted towards myself over the last 3 years of my transformation, and things I'm still actively affirming to have materialize in the 3D when the time is right. There are also illustrations of the 7 chakras scattered around the painting. There are many affirmations I used and still use to manifest during this constant journey of change we're all in. We also see the newest version of myself yet with all 7 chakras aligned amougst each other, towards the universe and the earth with their respective initial affirmations; as in "I am, I feel, I do, I love, I speak, I see, and I know" and each chakra is painted with their corresponding color. I also included some of my favorite and still repetitive angel numbers and synchronicities, such as "1111,222,333,444,777,888,999,1220, and 1222." I depicted my on-pace graduation from FIU, the keys to my dream/fantasy car, owning my own apartment/ moving out soon, attracting more money, traveling more, falling in love, eating better, and dreading more, while also reading more books, keep going to the gym, and listening to good music to keep vibrations high. All this while being surrounded by a white and light yellow aura around the whole being to represent full spiritual alignment and unity of body, mind, and soul. With this, I've learned that in keeping this state of energy and vibration anything is possible of happening due to becoming so magnetic when reaching this state, through deep focus, discipline, love, and light. In conclusion depicting the last version of myself yet, in this spiritual journey.

Thank you!

[lyx2024studio]

WEEK 8

Feedback

I need to go deeper into the process. I need a detailed design process to prove my finished product. Every choice of color, style, character has to be explained. That doesn't mean I need a complicated study, I need a detailed explanation of every choice I make.

Research

Why Choose Young Asian International Students as the Target Audience?

Often youth Asian institution students experience culture shock and some identity crises whenever they transfer from one environment to another for learning. This results to such social issues as, use of language, loneliness, as well as issues do dealing with their people back at home. The design of the topic of the project involves focusing at this group of students as it looks at issues like cultural alienation and individuality, which define the experiences of these students.

This group is most developmental in terms of formation of the self and the self at the workplace. All these multicultural complexities may be effectively expressed and described by the use of visual forms of communication such as design. Using the pop-up book format means that the themes that are being passed to the user are conveyed effectively and with interest, and also makes it easier for young international students to relate to the story and make a connection.

Research indicates that the type of narratives that may be easily understood by audience experiencing emotional strain include the visual. The fact that the book is a pop-up one makes it also different from other books because it creates a physical involvement of the reader. This can metaphorically depict the actual process of people going in search of a part of them that feels lost in a given culture.

Why Use the Pop-Up Book Form?

1. A Stimulating Display through Interaction

Many children like to have a pop-up book because it is unique, fun, and you can touch the book. The physical process of peeling off or opening another layer and showing off the dormant parts is pretty similar to how people find themselves. Rather, this facilitates a real-life form of interaction which is far more engaging to the young Asians than having fixed points to look at for linking the Emotional Quotient.

2. The Effect which of Symbolizing a Cultural Detachment

The actual pop-up like appearance of each picture represents the different stages of cultural disconnect. At the same time, when going from one layer which is between the lines, to another layer, which is beneath the lines, the physical movement of the reader is analogous to searching for self-identity. The opening and the subsequent pages literally unfold to operate as an exploration of identity and unveil more layers of meaning as the book progresses.

3. Cultural and Visual Appeal

Organizational structure of the book may reflect Asian motifs, which are recognizable to Asian students, such ornaments, colors, and symbols. The incorporation of different colors such as China color red and New Zealand color green give a visual representation of assimilation of different cultures. These recognizable design features help the audience establish a certain rapport and feel at ease.

4. Sharing of Information that is familiar to targeted audience & Model Content

The information in the story of the pop-up book can be based on the experience of Asian international students who experience daily life including education system in the new country or homesickness. The narrative presented also refers to visions and design aspects and due to that, the personalization is stronger thus making the depth of the emotional involvement higher.

That's why I choose pop up book. I hope to establish a connection with the audience and the subject through this form. And I think my book will appear in the school, because my subject is Asian students, so this form will become a good way.

[abhinavuhblog]

Major Study: Digital Media Art

Week-3 ( 28/05/2024 )

After successfully finishing the third week of work, I reached a significant milestone by completing the initial phase of the project, which involved meticulously crafting and texturing a detailed automotive model. Initially, there was a sense of uncertainty looming over me as I embarked on this project, unsure of how it would unfold and what the final outcome would be. However, as the week progressed, I could feel a wave of confidence wash over me, and by the end of it, I was pleasantly surprised with the results achieved during this crucial first stage. This experience not only bolstered my assurance in the direction of the project but also left me feeling content and motivated to tackle the upcoming phases with the same level of dedication and perseverance. 

During the initial stages of working on a complex model and focusing on the texturing process, I found myself facing some challenges. At the outset, grasping the intricacies of manipulating the software proved to be quite a task. However, as I delved deeper into the project and spent more time understanding the tools and features at my disposal, I gradually gained a better understanding of how to navigate the software effectively. Moreover, I began to comprehend the significance of shaders in different sections of the model and how they contribute to the overall visual appeal. As I continued to familiarize myself with the software and its capabilities, I honed my skills in manipulating textures and shaders to enhance the model's realism and aesthetic appeal. This learning process enabled me to develop a more nuanced understanding of the software's functionalities and how they can be leveraged to create visually compelling and realistic models. 

During the past week, I dedicated my time to enhancing the texturing of my vehicle in Blender, utilizing an addon that had piqued my interest during extensive research. This particular addon serves the specific purpose of rigging vehicles for use in Unreal Engine 4 (UE4). With careful attention to detail and precision, I successfully rigged the vehicle and seamlessly integrated it into the Unreal Engine environment, marking a significant milestone in my ongoing project. Looking ahead to the upcoming week, my focus will shift towards further developing the scene where my vehicle will come to life, as I continue to push the boundaries of my creative abilities and technical skills. The process of refining and optimizing the visual elements within my project will be a key area of exploration, as I strive to create a captivating and immersive experience for users. Through diligent planning and execution, I aim to bring my vision to fruition and achieve a seamless integration of all components within the project, ensuring a polished and professional end result that meets and exceeds expectations. 

[jackylans]

Concept

The concept of this project is to reflect my emotional journey through the challenges of life by capturing dreamscapes. From being beaten down by life's hardships, to falling into despair and shutting myself off, then attempting to emerge from the shadows, and finally overcoming negative emotions—this series of photographs aims to narrate that progression. This is not only an expression of my personal feelings but also a tribute to everyone who has faced life’s challenges. Through this project, I hope to encourage people to confront their inner shadows, bravely overcome their struggles, and find the strength to start anew.

Story Board

I want to unfold this dream into a series of 8 photographs. In this dream, "light" serves as a manifestation of emotions and magnetic fields, influencing the protagonist and helping us analyze his inner state as he navigates various experiences and predicts his next actions. Throughout this journey, he will wander and struggle within both urban and natural settings. 

The demands of work, study, and unexpected events in the city force him to deal with various situations and emotions. Over time, his internal pressure grows, and his emotions become increasingly unstable. Not wanting to burden his friends with his negative feelings, he chooses to remain silent.

Fortunately, he finds solace in the nighttime, where he can escape to different outdoor environments. The contact with nature helps him release much of his negativity, as if nature continuously embraces him and endows him with boundless vitality. His heart begins to heal, and he becomes more positive and emotionally stronger. At this point, he wishes to share this newfound positive energy and magnetic field with those around him who need it. Thus, he returns to his original place, shining brightly.

Breakdown the process

To achieve the 8 scenes for this dream project, I need to break down the entire process into several parts and tackle specific challenges:

1. Finding the Right Presentation Method:

   -Type of Light: What kind of light will be used in each scene? How can the character interact with the light?

   - Color of Light: What colors will be needed to convey different emotions?

   - Light Power and Camera Settings: How will the light power be adjusted during the shoot? What will be the camera parameters?

2. Shooting Locations:

   - Urban Settings: Although my daily life in the city primarily involves school and the CBD main streets, what specific locations and angles will be used?

   - Natural Environments: For nature, which two parks near my home will be chosen?

   - Scene Composition: What will the foreground, middle ground, and background look like in each shot?

3. Character:

   - Interaction: Will it be one person or will there be interaction with passersby?

   - Connection: How will the light, scene, and characters be connected?

   - Emotional States: What will the character's posture be in different emotional states?

   - Realism vs. Surrealism: How realistic or surreal should the portrayal be?

   - Light Coverage: Will the "light" cover the character differently based on the emotions?

4. Shooting Process:

   - Timing: When will the shooting take place?

   - Equipment: What lighting setup is needed? How many tripods are required?

   - Wardrobe: Should the costumes be researched and selected specifically for the scenes?

   - Completion: Will the final images be captured in one session, or should they be divided into several parts and combined in post-production?

By addressing these key areas, I can systematically approach the project and overcome any challenges that arise.

[avidtrader]

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[pm-fmp]

Game References Part 1

For the development of my prototype, I intend to draw inspiration from a curated selection of video games, each chosen for its exemplary contributions to various aspects of game design, lore, and gameplay mechanics. This list is not exhaustive but represents a foundational set of references that will influence the development process.

Main Gameplay Ref Supreme Commander: Forged Alliance (2007)

The main gameplay reference for my prototype will be Supreme Commander. ("Forged Alliance" is only an expansion pack for this game, primarily adding a new faction among other things).

A distinctive feature of Supreme Commander is its zoom capability, allowing players to both zoom out to view the entire map or zoom in very closely to see individual units. This feature creates a profound sense of scale, unparalleled in other RTS games.

The game's unit and research types further emphasize this scale. For example, Tier 1 units are quite small, whereas Tier 3 units are significantly larger. Beyond these, the "Experimental" tier units dwarf the Tier 3 units, being ten times larger and more powerful in weaponry. This disparity in scale and strength becomes particularly evident on the game's massive maps.

Supreme Commander is celebrated for its intricate complexity and the extensive array of offensive and defensive strategies it offers. The game showcases an impressive variety of units and mechanisms for combat, extending far beyond the conventional. Players have access to tanks, mechs, and ships, including unique land ships equipped with the capability to extend legs and traverse on land, adding a layer of versatility and strategic depth to the gameplay.

One of the game's standout features is its artillery units, capable of launching attacks from a player's base to strike enemies across the entire map, embodying the game's emphasis on strategic foresight and positioning. Additionally, Supreme Commander incorporates advanced defensive technologies, such as tactical missile defense systems and protective shield bubbles, designed to thwart long-range assaults and secure player bases against formidable attacks.

No strategic warfare game would be complete without the ultimate weapon of destruction: nuclear missiles. Supreme Commander includes these as well, providing players with the potential for game-changing plays and the constant threat of devastating retaliation, thereby elevating the stakes and intensity of each match.

Incorporating these elements into my prototype, I aim to replicate the strategic richness and complexity that defines Supreme Commander. My goal is to offer players a similarly diverse and engaging array of tactical options for attack and defence, ensuring a dynamic and multifaceted gameplay experience.

Main UI Ref

HighFleet (2021)

The game HighFleet (which was made primarily by one person) stands out for its innovative HUD/GUI design, offering players the immersive experience of navigating the game as if they were seated within the cockpit or control room of a scfi ship/control room. This distinctive approach extends the game's immersion, with the primary gameplay unfolding through the interface of an LCD monitor around which is a telephone and buttons/switches that all have a purpose, simulating a futuristic command centre. Such a design choice not only enhances the thematic depth and engagement of HighFleet but also sets it apart in a market saturated with more conventional interface designs.

Inspired by HighFleet's unique HUD/GUI system, I aspire to integrate a similar concept into my game. By designing a HUD that mirrors the experience of operating a sci-fi control room of some sort, the game will transport players into its universe, offering a unique gameplay experience not many games provide. Furthermore, there can be different GUI's for the different factions that the game incorporates.

Embracing this design philosophy, I aim to create a HUD that not only serves the functional requirements of gameplay but also contributes to the game's narrative and atmosphere, making it a central element of the player's experience and interaction with the game world.

Starcraft Classic

While StarCraft employs a straightforward UI, akin to many other RTS games, it cleverly mimics the appearance of a control room a little more than others (but no where near to the level of HighFleet). This effect is particularly evident in the window on the lower mid-right, which activates upon selecting a unit. It resembles a CRT monitor, complete with the face of the person inside the unit, adding a charming touch to the overall experience. This distinctive feature is something I'm considering integrating into my own game as well if possible.

Moreover, despite its commonality in the genre, the UI's execution in StarCraft serves as a valuable reference point for my work.

Ace up Sleeve - Multiplayer

There is an additional aspect of my game concept, a culmination of several years of thoughtful ideation, that I intend to disclose at a later stage or possibly keep confidential. On counsel, I've chosen to withhold the specifics of this aspect to ensure its protection and integrity, limiting disclosure to individuals bound by a Non-Disclosure Agreement (NDA).

This element, which pertains to a unique multiplayer aspect not yet seen in any RTS game, is the cornerstone that distinguishes my project in the marketplace—it's my secret weapon.

References

Blizzard Entertainment. (1998). StarCraft [Video game]. Blizzard Entertainment.

Blizzard Entertainment. (2010). StarCraft II: Wings of Liberty [Video game]. Blizzard Entertainment.

Gas Powered Games. (2007). Supreme Commander [Video game]. THQ.

Gas Powered Games. (2007). Supreme Commander: Forged Alliance [Video game]. THQ.

Gyle. (2023). SUPREME COMMANDER EPIC #96 - Custom 4v4 on Setons! [Online Video]. Available at: https://www.youtube.com/watch?v=saAkZlZfDoQ [Accessed 05th April 2024]

Kerberos Productions Inc. (2021). HighFleet [Video game]. Gamera Game.

Microsoft Corporation. (1997). Age of Empires [Video game]. Microsoft Studios.

SergiuHellDragoonHQ. (2019). StarCraft Classic - TERRAN Gameplay [Online Video]. Available at: https://www.youtube.com/watch?v=ieWTi9OSCN4 [Accessed 05th April 2024]

VideoTaco1939. (2022). HighFleet Campaign Attempt #1 (No Commentary/Music) [Online Video]. Available at: https://www.youtube.com/watch?v=w_hck3dTO1g [Accessed 05th April 2024]

Westwood Studios. (1995). Command & Conquer [Video game]. Virgin Interactive Entertainment.