#my projects.. Those are just such two entirely seperate worlds to me? a Good And Successful Artist would be marketing and posting

[icewindandboringhorror]

Recent random life images ~

[funpuddle]

i say this as someone whos friends w a handful of plural/DID buds.. it's okay to come to terms with ur plurality. it's okay to say you have DID. its a frustrating thing to have and the world is very unkind to those with DID/who are plural. you kind of seem to brush off the really horrible trauma that seemed to happen to you really young, at least what i can glean from ur public posts and art. no, it's not normal for the bulk of everyone to have seperate identities or "guys" in their heads to cope with the world, but thats okay! no two people will experience mental illness in the same way. but sorry yeah, was going thru ur blog bcos ive been off tumblr for a min and saw the post conflating "alters/headmates" with "ocs/kinning". i mean this in the nicest way, they are not even close. me having a guy i project things i like/parts of me is not the same as having ur forming identity shattered into pieces by trauma and then ur brain coping to try and "fix" it by making a guy or guys to try and manuver the world

We all have parts maybe trauma just makes them more distinguishable. I was calling what were basically alters Ocs for the entire duration of middle and highschool and blurring the lines between straight up compartmentalized bits of self to serve a function, maladaptive daydreaming, and actual character writing. I think it's mostly fine with some awareness. For me it's just different words to describe things that perform the exact same function to various degrees. It's like a spectrum. But it's personal to everyone. I don't say that to negate my own trauma I say that but I think we can all be considered plural if we really looked hard enough.

Human brains don't follow DSM rules. Words and labels were made to serve us, not the other way around. I appreciate the sentiment it seems in good faith but in my opinion It's not helpful to fit brains in boxes

I am taking note of how it is safer to call an alter an oc than to accidentally call an oc an alter and perhaps I will have to think about that further and what it implies regarding internalized fears, but there is some genuine comfort in "not committing" to the idea and just letting feelings and thoughts come as they are, as they present themselves

[casasupernovas]

what are your thoughts about martha in the stolen earth/journey's end, the osterhagen key storyline, her ending up with mickey? and what would you do differently if it was up to you to write her in those episodes?

I know the doctor destroying gallifrey and the osterhagen key are parellels between him and martha. to end the war against the daleks. but due to this story being over-stuffed, it's never dealt with properly. martha is the only one in the tardis team who is still on earth at this point. sarah jane, mickey, jack, rose, donna and the doctor are all on the dalek ship. so if martha goes down, everyone left behind will die. wilf, sylvia, luke, francine, everyone. it's a terrible decision, and it's supposed to show the lengths that martha will go as a member of unit to not surrender to hostile aliens. and if people were evacuated which i highly doubt they would have time for, the daleks would have pounced on the fleeing ships. a lose lose situation.

in my opinion, this is way too big a thing just to drop it. in one of my favourite tenth doctor stories, 'prisoner of the daleks' we see what the osterhagen key does. the doctor sees a planet completely destroyed, on fire, it's countries melting like lava and he nearly throws up. i honestly think it's too much, way too much especially for rose just to say "oh she's good." i'm on the doctor's side on this one.

also, mickey ending up with martha made me grimace. because it just seemed like it was just done to kill two birds with one stone, and get the doctor saying goodbye to mickey and martha out of the way. only he doesn't say goodbye, he says nothing actually. it seems too convenient, how do i focus on things i care about more. you get a frankly insulting scene with a call back to joan redfern with emotional weight and nothing for martha, except pair her up with someone she has barely interacted with. not to mention how every single love interest martha has ever had has been a white man. shakespeare. the doctor. riley. tom milligan. if tom ellis wasn't available that's fine. but to pair the two people who were ditched by rose and the doctor felt insulting honestly and stereotypical, and purely for scheduling purposes for filming convenience. and the fact that she is the first one we see him *say goodbye to* feels like they wanted to get it out of the way, as she is forgotten under all the plethora of other goodbyes. but considering all the doctor and martha have been through, for her to be just met with silence is awful to me. especially as he saves her life. it speaks for itself i suppose, but not in a good way.

one of my main issues with martha and it happens in almost all her stories is that she is seperated from the main action and has to go it alone. and i think at this point, she shouldn't have to. i don't see why she couldn't have been right there on donna's street with everyone else.

so if i were to do it differently, i would change her entire plotline for series 4. martha's plot would be that she knows the dalek invasion of earth is coming, and it's because of 'the year that never was.' maybe she is reluctant to tell the doctor because of just how well..badly he handled the master in the previous season because let's be real. he got a lot of stuff wrong. the daleks want to wipe out everyone and they don't sucee, but series 3's finale still had a bigger amount of damage than 4. 10% of the worlds population decimated, russia turned into a shipyard, the nile frozen over, caspian sea poisoned, london turned into slums and overcome by wild dogs. if the daleks had wanted to steal the earth and use the reality bomb, it probably would have ended up happening still in that timeline, only with more difficulty because they would have to face the master and toclafane. with time reversing and restoring earth without all these enemies, their plan is put back on track. or maybe martha tries to warn the doctor and is sidetracked by this project indigo. or maybe the daleks interfere and take her out of the picture themselves because they know she revived the master, saved the world, they see her as a threat. and martha escapes, trying to find the doctor to warn him but ends up in the wrong timeline - 'turn left'. maybe in a big secret reveal, martha came across dalek caan in 'the year that never was' before he found davros. they remember each other.

make her go missing all season, have her be the one trying to get the doctor's attention on the screens, then have her return in 'turn left' with the even bigger rose tyler reveal bombshell at the end of the episode.

maybe martha realises she doesn't have to go it alone anymore (remind you of anyone?). that she has people looking out for her. hell, if she's been missing for so long, have her reunite with people, have rose be the one who found her or something. have her interact and speak with the daleks more. bring up the master, the 'year that never was'. show how the stories link. i would have martha be the one next to the doctor to directly speak to them. she remembers when they were so desperate not to be wiped out that they made human hybrids. martha saw the remnants of the cult of skaro. i think she should have a more central role.

and her story to end with her more settled back into life on earth, with her real fiance. how many people she has looking out for her, just like the doctor. and for martha's goodbye to be way more poignant. maybe have the doctor give her something, that shows the similarities between the two, something really meaningul. not sure what that would be, but a much better goodbye than what we got.

i think series 3 should be much more closely linked with 4. it was way too big just to be forgotten.

Thanks for your ask!

[zeondraws]

Some longterm project I am working on

So one thing I wanna document with my tumblr is this bus story I am developing. I want it to be something special for me. Something I can just rewatch again or look at when I have time. I just have absolutely no clue how it will turn out while I work on it the next years or so. Main themes of this story will be conflicts between individuals (in this case, literally between bus characters) and how it can be solved, seeing joys in life and going on an adventure and just something that is fun for the whole family. I atleast thing there is a great lack of something inbetween for babies and adults. I mainly see bus animated content for "babies" and the other spectrum is 18+ stuff for adults mainly those who like machines. (This topic is way broader than I am writing in here, sorry for this generalised summary!). Don't get me wrong, I respect both sides, I just wish there would be more. It just feels like this niche lacks something, not in the sense of cars movie or magic school bus. But something that everyone can enjoy especially teenagers, young adults who go through difficult phases in their life and maybe can watch something that is fun and informative. Also to maybe get people interested in busses/public transport. I just notice that bus companies don't know or don't have the capeabilities to make something fresh that actually will make more people be interested in this. Or maybe I am not seeing the whole picture, I know in certain countries/parts of the world public transport is way more common and supported than other countries.

But when it comes to art related things? I don't see much, only the same stuff over and over again. Even tho I find all the artists I see to be very talented and I am happy that they do what they love. Now before I dwell so much on this, I shall write a bit more about my project; I am documenting everything on my toyhouse, usually only my friends that I trust have access to the character pages, because I don't feel comfortable for strangers to read them. And here is the current list of characters I added in there.

The thing is there are some more characters missing in there and I have to figure out how much I can flesh them all out. (Excuse me for calling the folder Bussy lore, I just find it funny)

And here is an example of a character page

Might not be the most prettiest out there but I can pretty much put everything I need onto it and just check it again whenever.

I love keeping everything visually seperated, toyhouse is a good website for that. Previously I wanted to have two seperate "stories" take place, "Main Story" and "Offworld Story", but after a while I figured that I found the Offworld concept much more interesting than Main, so I figured I will merge them together. And with that I will call the Story "Offworld", this referring to what happened to the busses:

Vehicles who were test subjects on a "planentary lab" to test Artifical intelligence on, basically trying to see if those vehicles are self aware or not. And if they can develope a "social life" between each other. To check if they can feel complex emotions like humans can and what not. All that jazz, imagine that ex machina movie but with a different approach? I might try and watch a bunch more movies about AI/Machines to further grasp what how other authors deal with this topic. Tho with school I often don't have much time on my hands. This here would be how this Offworld would look like:

The planet in the foreground is called Castor, at the back you see the "planetary lab". Both are located in the Andromeda Galaxy in the Wallace's System. Well that system doesn't exist irl but I just made my own. You can see that the lab is kinda broken, it basically got damaged when the enemies of the owner of this lab attacked them. Now of course it might be strange to say that they tried to steal an entire planet but I'll figure it out eventually.

This planetary lab originated from Zeon's System, both of theses systems are far away from each other. It's mainly a problem that the owners of said lab are unable to locate it, thus the busses being "stranded" in a dangerous enviroment and having to settle on this new place. Plock, one of the bus characters, takes the lead to build a new home on Castor and gather enough materials to fix the lab and find their home again. It will take quite a while before they establish contact again, pretty much 30 years of waiting. While the busses wait they face many conflicts. This is where I could try to incooperate a few themes into the story, how they interact with other civilisations, with each other, with their world and with the lab. I would focus on a few busses especially, Milos who is the son of Plock and who is supposed to take over once his father is no longer. Putting him under great pressure and strictly raising his son so he turns out "perfect".

Other busses I would mainly showcase are Edwin, Alyx, Helene, Solange, Ellen & Marcin and Alondra.

Some other busses would be more like side characters, them being Romy & Mallory, Steffan, Althea, Ikarues and so on Some of the busses on my toyhouse will not appear in Offworld, mainly duo to unforseen circumstances that happened in "Main Story". One Character I'd like to empathise is Helene (I shortly talked about her in another post), she isn't actually a bus, or well wasn't always a bus. She is actually the Central AI of the planetary lab and would basically guard it from any hostile entities entering it. Her original form was a mechanical centipede that stands over 30m tall. It used to have a somewhat deer shaped head

I know this sketch is a bit rough, I drew this waaaay back in 2018? And the design stuck with me so I made it be a part of her original form, tho her ref is not in the works yet. I am currently working on a huuuuge ref sheet for Milos. At one point she took notice of the "Bus/Sentient AI Project" and wanted to partake in it, so she implanted a part of her conciousness into a bus. And pretty much lived alongside them for years. She developed her first "crush" on a bus named Ikarues and slowly began feeling more alive. Mainly because she was able to live among sentient beings who were similar to her, usually she was surrounded by humanoids and guarded this planet on her own for over a millenia. At one point she would change her centipede form to have a "bus head" removing her old deer head.

I am actually interested in properly developing her centipede body some more the coming weeks, I drew this piece quite a while ago to some specific part of the story that might be scrapped, I have to see.

She will definetely be one of the important characters in Offworld, I think I can do many interesting things with her, regarding her life and the amount of years she lived in solitude. How it feels to be alone for such a deeply developed AI.

I am just excited to see what I can do with this entire project, many fun things to add and explore, some topics are somewhat close to me. Especially when it comes to family and friends, and problems that arise and how to deal with them, and pretty much finding a meaning in life.

With all that being said, I will go further into some themes/characters in the coming weeks when my busy schedule allows it. Happy reading! Hope to see you soon!

[well-its-not-human-anymore]

So this is a personal one for me to ask and if you're not comfortable with it don't mind it; how would the tmnt boys (seperate) react when the reader confesses that they're autistic after the boys got curious when she had some peculiar, behavior or stims. The reader would be stressed, because she has a crush on the tmnt boy in question and she didn't want them to find her weird or just stop interacting with her. When she's met with confusion instead, because the boys never heard of it, cue this weird conversation where reader tells them to the best of her ability what it is and the boys just keep asking questions. Also some general headcannons with it maybe?

Okay so I'm actually really happy that you asked me this because I feel like ASD isn't portrayed a lot in any type of media. My ADD and ASD have a lot of overlap so I hope I can capture what you're asking of me!

Now let's get into it!

TMNT Headcanons

The boys reacting to an autistic reader

Leonardo

he wasn't really sure what was happening the first time you reacted

one minute you were standing next to him doing dishes and the next you were attempting to claw your skin off like an angry cat

Leo tried not to look annoyed as he watched you rub your hands against your shirt until your flesh started to turn red

you looked like you were crying but he knew you weren't

but your face was starting to turn purple and your cheeks were puffy from the effort of holding your breath

"Y/N? You need to breathe."

You shot a glare at him, scathing eyes meeting his now very concerned expression

your own softened and you clutched your arms to your chest, heaving oxygen into your lungs until your face became a normal shade again

"Are you okay?"

The words were stuck in your throat and you weren't sure if you should nod or shake your head

so you gave him a half-hearted shrug

he frowned back at you but turned to finish the dishes on his own

when he questioned you about it later he couldn't help but be curious

"Well actually it's uh- it's kinda a sensory type of thing? There are certain textures that I can't stand touching do I avoid them but if I come into contact by accident my brain just kinda explodes and I shut down."

"How exactly does that work though?"

"I don't really understand it much but like- you know that feeling you get when you think there's a bug on you and there's not but it really really feels like it?"

He nodded

"Yeah, it feels like that. And anytime I touch something that triggers that reaction it takes FOREVER to get the feeling off my skin. That's why I usually wear gloves when I do dishes. Guess I just forgot to grab 'em today."

He was sympathetic

and god, you were so embarrassed

lucky for you, Leo's not an asshole

"Well thank you for explaining it to me, you really freaked me out earlier. I'll talk to April and see if we can keep a pair or two at the lair just in case you forget again."

Consider your heart melted

you couldn't even find the words to thank him and holy shit was your face red

"Hey y/n?"

"Yeah Leo?"

"Why didn't you ever tell me- us that you were autistic?"

Did you rip the band aid off now or make something up? Which would ,technically speaking, be less catastrophic in the long run?

"I uh- I really like you and I really didn't want you or the other's to look at me differently..."

wow, you liked him? miss ma'am you have saved this boy a world of anxiety and damn does he thank you for it

"Thanks for telling me... and y/n? I really like you to."

Awh fuck yeah, best possible execution of band aid-ripping-off ever

Donatello

Donnie wished he could act surprised when you finally told him

he really wanted to, it would've made you feel better for sure

but he sucked at lying and he didn't want to make you feel like he thought you were an idiot

because that was so far from the truth

after going through extensive research on Mikey's behalf when he suspected he had ADHD Donnie had stumbled across many different websites that discussed the symptoms and overlaps between both disorders

to make a long story short, Donnie knew that you had ASD and he was waiting for you to tell him

it would probably come off as rude if he brought it up in conversation right?

he didn't want to risk it

but that didn't stop him from keeping an eye on you and your behaviors

he was a man of science, of course he was going to analyze you

not in a weird way or anything, just as a curious sort of precaution

but the longer you were involved in the turtle's lives the more noticeable your stims and meltdowns got, Donnie did his best to cover for you without making you suspicious of him

eventually he'd come up with something that he hoped would come across as a friendly gesture and wouldn't set you off or scare you away

it was game night at the lair and you, as always, were perched on the arm of the sofa, a large grin plastered on your face

inside your head was exploding but you were masking it pretty well if you do say so yourself

but Donnie was, well... donnie was donnie

so when he noticed you starting to rock a little more visibly he removed his attention from commentating the game and grabbed a pair of headphones from the side table

you were beyond confused when he passed them to you but your face revealed everything

"They're noise cancelling, try them on."

holy shit it was like putting your head underwater, everything was muffled

not in the way normal headphones did, you quite literally couldn't hear anything at all, just a calm amount of nothing

you nearly started crying when you realized that Donnie had figured you out on his own

but you'd never been more relieved about anything in your life

Raphael

he wouldn't admit that he was mesmerized by your presence

you practically radiated calm

his complete opposite

it was his favorite thing about you, because despite your quiet disposition and calming aura you weren't afraid to call him out or rebut any of his insults

this was not something you expected him to appreciate nor was it something you thought would make you catch feelings

but damn if you didn't

he'd been sitting in on yours and Donnie's little experiment for an hour or so now, watching you both exchange quiet whispers and inside jokes that you always seemed to lag on

then you slipped up

not bad, nothing detrimental to the project, just the same mistake that you'd already made ten times over

you might as well have exploded

"Y'N, you just have to move thi-"

"I KNOW DONATELLO. I FUCKING KNOW AND I JUST CAN'T DO THIS BULLSHIT!"

you set everything down gently enough to avoid breaking it before turning and storming out of the lab, waving your hands like they were on fire

Raph and Donnie exchanged a look that sent the larger red turtle following after you

when you calmed yourself down enough to talk you kept your gaze locked on the wall, explaining that you couldn't make eye contact when you were upset

he might not be the smartest brother, but Raph's no dummy, he put those pieces together pretty quickly after you told him that one small detail

he wasn't upset that you didn't tell him and you'd personally never been more relieved

your heart nearly splattered into the stratosphere when you finally gace him your own explanation

"yeah, I like ya too."

you grinned so wide you were sure your face would split open and your entire body rocked side to side with excitement

he thought that was pretty adorable too

And he did stick around to offer a bit of support when you apologized to Donnie for screaming at him

Michaelangelo

to be frank it probably shouldn't have taken so long for Mikey to realize that you were autistic

the similarities between your own personality and his ADHD were so in sight it was near painful

it was his turn to make dinner that night and you'd made sure that you came over early to help him set up, you knew how side-tracked he'd get and you were the poster child for solid routine

what more perfect matchup existed?

trick question, there isn't one

you were on one side of the counter cutting vegetables and he was on the other throwing said vegetables into the mixing pot

the music was at an ungodly level of loud so your only means of communication were screaming over it

"MIKEY."

"WHA?"

"YOU GOT THE-"

"YEAH."

"AND THE-"

"UH HUH."

"COOL, HAVE YOU SEEN THE-"

"TONGS? NO, THE SKEWERS. YEAH, THEY'RE IN THE OTHER DRAWER."

"THANKS."

the two of you went about your previous tasks, thinking nothing of the conversation that had just taken place

at least until you'd begun washing your knife and cutting board

that's when Casey walked in, looking both perturbed and annoyed at the same time

"Alright, which one of you knows telepathy?"

Mikey exchanged a glance with you and you returned it with a raised eyebrow

"The hell you mean brah?"

he looked at the both of you like you were the ones that had grown four extra heads before speaking again

"You literally just had a conversation with like five words and somehow just knew what the other meant? What's up with that?"

you glanced at Mikey again

"Holy shit, did we?"

"I mean, not really. You used your hands."

now all three of you were confused but it quickly became two when Casey shook his head in defeat and left the room

"You know I think he's right."

he blinked first and your staring contest ended

"But you used your hands-"

"I got autism Mikey, one does not simply not use their hands as forms of speech."

"You're-"

"Yep."

was the silence laughing at you? could it do that? it was kinda rude

"Huh, that actually makes sense, that's not mean is it?"

you shook your head no

"You're just me but fast."

Mikey agreed with that, pestered you with a few more questions, and went back about working, as did you, you saw no reason to address it further

but your cheeks burned red

"Yo- Y/N that actually explains why everyone else thinks we're a thing."

you didn't know if you could choke on air or not but you did it anyways

"Are we?"

he gave you his signature grin

"If we are then Raph owes April a hundred bucks."

you returned his smile

"Oh this oughta be good."

I'd like to preface this by apologizing for my near three week absence. Life got crazy and my writer's block hopped on a train, went through a school zone, killed seven pedestrians, and committed tax fraud before tumbling off a cliff never to be seen again.

But on the bright side- I got my SAT scores back and started some scholarship applications. Super happy with that. School's out in a few weeks so I'll be able to write more (hopefully).

Anyways, I hope I got this one down okay. I may have hyper analyzed the request so I might be a little off. But I really enjoyed doing this one and I hope you like it!

-Mars 🌠

[phantomluck]

My relationship with gender feels so strange.

For context, I've be raised as a girl my entire life. I've always flitted between hyperfeminity and androgy since I was about 6 or 7. In high school, I made a point of doing my makeup every. single. day. I wore bold colors daily. My freshmen year makeup routine puts the amount of glitter in Euphroia to shame. I always felt like I needed to be pink and bubbly.

And I LOVE girls. I LOVE feminine people. As a lesbian that's always been the case. Femininity is so gorgeous and powerful when it is claimed without they eyes of men. But I've always felt like I was trying to be a girl. Not that I am one. Like I am constantly attempting to grow into womanhood. But I don't know if I ever will or can- or even if I want to.

A friend of mine has a theory that cis women do not exist - not in a TERF way. They're nonbinary and have been out for years. The pressures put on women are so exhausting. AND to top it all off there's the fact that men define womanhood in our culture. Lesbians are excluded from most portrayals of Femininity, up untill fairly recently and the representation STILL sucks. I'm constantly torn between whether I'm nonbinary or if I'm just a lesbian navigating the world. Which is what I, and I think they, mean when they say cis women don't exist. Just that entirely binary gendered people are actually the minority if people thought about it for awhile. But maybe we are projecting.

I don't hate being perceived as a woman. I always understand where it comes from. It bothers me when those closest to me see me as such. Which, isn't fair to them, since only one person knows irl. Haven't even told my partner. Admittedly I think she knows though, as a trans person I can tell she's sniffed me out. Jokingly calls me "my lil guy" which is slowly becoming less and less jokey (the "lil" is because I'm short and its a running joke, nothing gross). She's also admitted that she does not think of me as cis. Which makes me feel odd, because I don't see myself as cis OR trans. Not now anyways.

Idk. I still really enjoy femininity when I feel safe. If I could identify with "lesbian" as my gender though, I would.

Edit: to clarify, I'm at a point where I believe that the only true expressions of Femininity is/are trans femininity AND chosen femininity as TWO SEPERATE THINGS. trans women are women and trans men are men nonbinary people are nonbinary etc. How someone identifies is who they are and gender is not chosen. And if someones gender is chosen then fuck it good for them! Forced femininity for anyone is no fun. That's my point. TERFs don't interact. I fucking hate you and your "gender critical" bullshit.

[masterhandss]

Hamefura Idol AU!

No one on tumblr really knows it but... I love idols, like idol animes and games are my childhood and has eaten away at my very soul. I like drawing and imagining idol aus for pretty much any show I get into, and sadly hamefura isn’t gonna be an exception to that :P

(i’ve yet to draw for my dumb au so have a placeholder image from an upcoming anthology by @/relaxmakoto)

Instead of being isekai-ed to a bootleg PS4 otome game, our monkey girl gets reincarnated into “Fortune Lover: Cinderella Idol!”, an idol-production rhythm game (help me i’m bad a choosing names).

(Long post, I’m basically gonna retell the entire game in an idol setting lol. I only wanted to draw for this au, but thinking about plot and gameplay was too fun so I wanted to share it)

The Game

The original game’s story follows Maria Campbell, the main character of the game who applied for a job in Sorcier Productions after seeing a wanted ad online. By some luck, she gets hired as a temp-producer for the famous male idol group “Fortuna”. After a few hours of gameplay involving producing the male idols (Gerald, Keith, Alan and Nicol) through the game’s tutorial (introducing various aspects of the gameplay like “Choosing your Idol”, “Getting Relationship Points”, “Rhythm Game Concert Mode”, “Idol Produce Mode”, “TV Drama Mode” etc), the game reveals the plot twist of the game: Not just the male idols, but you get to also idol-produce yourself!

By the outcome of various events, Maria ends up performing in the stead of another idol during a mini concert that she escorts the boys with, and immediately stole the hearts of the audience by her beauty and hidden talents! M.C. is actually the first idol in the “Self-Produced Idol” project, one that aims to determine and bring out the full talents of an idol by exposing them to all the in outs of the idol world. Maria ends up becoming quite known very quickly, being rumored as a “Cinderella” of the idol world (In sports, the term Cinderella is used to refer to situations in which competitors achieve far greater success than would reasonably have been expected, rather than the typical meaning of Cinderella which means “damsel”). This rumor leads her to the anti-hero rivals for Maria (who ends up joining you in the game as idols you can produce), the perfect idol Mary Hunt and the “rarely appears publicly despite her talents” Sophia Ascart.

They start out as rivals for the game but ends up becoming friends with you and becoming produce-able idols like the 4 boys. You can even form a trio unit with the girls if you have enough relationship points (when your trio unit “Amour” is unlocked, you get more events, songs and outfits for you and the two girls!). But the true antagonist of the game is Katarina Claes, a boastful and prideful newbie idol who joined a few months before Maria, who earned a fan base thanks to her confidence and mature style. She doesn’t have the best voiced or is very skilled at dancing, but her confidence and ideals draws people to love her for her unique character. Katarina lacks self-awareness though, and thinks that she is the jack of all trades when it comes to being an idol, thus leading her to have an unbelievable amount of self confidence when it comes to her popularity and skills. She despises Maria Campbell because of how much the articles praise her for her charm and adorable singing, as she thinks that Maria is nothing more than a wannabe that doesn’t know the harsh reality of the idol world (the irony of that is an important aspect of the game’s story, since Katarina is overly reliant on her producer Anne, and Maria is the one who works both as an idol and as a producer).

Maria doesn’t really play much into the “self-insert” protagonist, more like an involved protagonist like Izumi from A3 that plays an important role into the story. The player does get to choose Maria’s (and everyone else’s) songs, schedules, outfits etc. by the guise that you are Maria, working as both an idol and as a producer.

The game does have a “relationship points” system, which means you can actually date one of the boys form Fortuna (secretly). Even if you don’t intentionally date anyone, the game already does play the “you, the main character, are so important and they wouldn’t know what to do if you weren’t here” agenda that most games have, so the game already makes all the love interests seem interested with you regardless of whether you actively target Gerald, Keith, Alan or Nicol.

Katarina’s Bad End

(Rather than the life threatening doom flags of FL) In the game, Katarina Claes constantly sabotages Maria’s events and performances, creating the conflict in the “story mode” and the “events” of the game. Near the end of the game, the character who has the highest relationship points with Maria will reveal Katarina’s awful treatment of Maria in public, ruining Katarina’s reputation and causing her to lose public opinion and fans

Sabotaging fellow idols is actually quite common in idol stories, but the extent that Katarina goes for her bullying is terrible, which shocks the public because that side of the idol world had never been put into the forefront before. While Katarina does have an arrogant and prideful personality, learning that she, who didn’t have the cleanest reputation in the first place, has been harassing the darling of the idol world, meant that shows, programs, radios and events didn’t hire or invite Katarina anymore in fear of loss in sales or public outrage, leading to her eventual downfall.

The final event of the game, the Idol Queen Tournament, Katarina performs despite her ruined reputation, and was met with almost no response from the audience. Realizing that her life as an entertainer is ruined, she quits and vanishes from the public eye.

It is said in the epilogue that she moved into the country side, by a small farming field, shunned by her parents and the public for her embarrassing behavior, in order to repent and look back on her actions, much to her anger and disapproval.

The degree of Katarina appearances and story events differ depending on which male idol love interest Maria has the highest points in. Katarina is most active if you are closer to Gerald, as she is madly inlove with him and only became an idol to be by his side (as Gerald won as the “Idol King” of that year, and Katarina aimed to be his “queen”). Katarina is also frequently present in Keith’s events and interactions, as she makes fun of the both of you for being a disgrace as idols. She also appears on Alan and Nicole, but not as much.

“Fortuna” and “Amour”

Fortuna, the most popular male idol group during that time, and Amour the all-new girls idol unit, are the “produced” characters of the game

(i’m bad at thinking at idol group names so those are placeholders lol)

Gerald Stuart is a child actor known for being a perfectionist. Even as a child, he had a good face, pose, fashion sense, perfect memory, amazing acting talent and charisma to carry himself infront of a crowd. He became an idol in hopes of escaping the endless sea of acting offers he gets, and to just starve off a bit of his boredom and free time. He ends up becoming interest in their new producer Maria, due to her unique circumstance and how hard working and earnest she is. Idols are known for being prohibited from dating, but in the Gerald Ending Epilogue, he proudly announces Maria as the woman of his affections and deeply apologizes to all his rabid fans and supporters, and hopes to gain their support for his feelings for her. The two are crowned the “Prince and Princess” of the idol world for that decade.

Keith Claes is an adopted son of the Claes Household. He was bullied by his sister and mother, making him feel alone and isolated as a child. In his teens, he became a handsome playboy that easily caught the hearts of a female crowd, leading him to be scouted by someone in Sorcier Productions. He accepted, wanting to use the love of a huge fanbase to drown himself with praise and adoration and to fill the hole in his heart from years of trauma and loneliness.

Keith attempted to flirt with his new young producer, but gets constantly rejected due to the idea that idols can’t date (and bc Maria is just so busy), making him crave Maria’s attention even more. He ends up respecting her diligence, intelligence, beauty and honesty, making him slowly fall inlove with her. In the Keith Ending Epilogue, Keith confesses to Maria and wants to date her, but knows that he can’t just let go of the fans that he gained from his playboy persona, so instead he gives her a promise ring, telling Maria that when their whole “idol” thing is over with and pass them, he hopes to be able to date her (and even marry her) for real one day without a fanbase that might attempt to seperate them.

Alan Stuart is the twin brother of Gerald, who is often compared to his twin brother due to his lack of acting and entertainment skills. Alan does however, have a deep love for music. He might not be as good with instruments as his brother, but unlike Gerald, he truly loves composing and performing music and finds solace in the melodies that he can convey. Alan ends up becoming an idol due to his love for music, with the desire to one day use the connections he can make as an idol to become a full-time composer and song writer (as well as to generally learn how to sing bc he secretly likes that too). Alan also wanted to be an idol as a way to compete with his brother in an area that he is more knowledgeable on.

Throughout Alan’s encounters with Maria, he ends up rejecting Maria’s friendship and praises due to his inferiority with his brother. Through time, Maria’s constant praises of Alan’s music and singing ends up resonating with him, leading up to her telling him that he shouldn’t compare himself to his twin brother and there are only things that he is good at, like his music. Maybe a line like “Not even Gerald can recreate the melodies that you write and compose, Alan! These scores are very Alan-like, and there’s nothing I’d rather listen to; nothing that warms my heart more. This is something only you can do, as Alan and no one else” does him in.

In the Alan Ending Epilogue, he admits that his heart isn’t ready for a relationship yet, but declares that he wants to be with Maria forever and that from the moment Maria started to make an impact in his life, she had become the “Aria” of his music, and that he wants her to know that he will always write his music with his love for her in mind. He wants to be able to convey his love for her through song one day, and he hopes that she will continue to love him until he finds the right words to sing.

Mary Hunt is the daughter to a famous businessman and politician, who has connections to the Stuart Family. She met Alan by accident, during the dinner party in her house for his father’s birthday. Mary was hiding in her beloved garden, and had encountered Alan who had done the same, before she could retreat to her safe haven. She was in awe as she watched Alan play and sing a song in his small guitar, almost thinking that the song was for her. They ended up singing in a duet, with Alan complimenting her voice, saying that she should develop it. Mary instantly fell inlove with Alan, and had trained herself in the same musical arts that Alan loved, especially the voiced that he had complimented, in order to one day become worthy of performing by his side. She had originally assumed that Alan wanted to perform for an opera or musical, but when she found out that Alan wanted to become an idol, she auditioned to Sorcier Pro. as fast as she could.

In Alan’s ending, Mary was very heartbroken to know that she could not be the one to stay by her beloved Alan’s side, but silently thanked Maria for breaking Alan free from the inner turmoils that Mary knew was an impossible job for her. Despite her feelings, she still wanted to sing by Maria’s side and congratulates the two with all of her heart.

Nicol Ascart is the son to the esteemed Ascart Family, owner of the Ascart Inc., one of the major sponsors for Sorcier Productions. Nicol has been a child model and was popular since childhood because of his beautiful face. He doesn’t talk much, so when someone has filmed him singing to himself in the hallways in highschool, it immediately went viral, causing various scouts to offer him a role as an idol. Nicol had only accepted his request due to the circumstances of his little sister, Sophia.

Sophia Ascart is born with unique features, leading to her being bullied and made fun of in public due to her stage appearance. Sophia has always loved idols, being envious of their ability to enchant a crowd and sing songs about their feelings out loud. She had a sweet voice and an adorable face, but her hair and eyes caused people to think of her as a freak. She wanted to become one, but knew it would impossible for her. Nicol decided to use his popularity to jump-start Sophia’s possible idol career, by trying to brainwash/persuade his fans to also love Sophia (when she first joined and started as an idol). It didn’t work on everyone, but he was determined to help his sister.

When Maria befriends and even starts a unit with Sophia, Nicol eventually fell for the woman who made both his and Sophia’s wish come true. There’s also the fact that as their producer, Maria became a true friend of Nicol’s, one that didn’t look at him with obsessive desire and only wanted nothing more than to be a friend and an ally.

In the Nicol Ending Epilogue, he quits being an idol due to his desire to eventually join his father in the family business, much to the disappointment of his fans, but promises to always watch Maria from the side lines. He would always send bouquets almost everyday, with small cards giving the declarations of love that he normally wouldn’t be able to vocalize. He thanks her for supporting both him and his little sister, and promises to jump to her side once she is done being an idol.

Bakarina

As usual, Katarina ends up remembering her future as an 8 year old kid, and plans to prepare for her future “banishment” and humiliation. She learns to farm in order to provide for herself once she gets shunned and retreats to the countryside, and (unknowingly) meets all the characters in the game and gains their good favor before the events of the game begins

I’ll write the rest of the plot involving reincarnated!Katarina next time lol :P

This au is obviously heavily influenced by a lot of the Idolmaster console and mobile games, Ensemble Stars, A3, Vocaloid Project Diva games, Aikatsu etc lol. Thanks to anyone who gets to read till the end. Feedback (and name suggestions) are very appreciated! Hamefura is still a small fandom so idk if i’d write for this au, but it’s a good enough excuse to draw the girls in cute idol clothes so i’ll take it XD)

[zirkkun]

What are your views on UT!Chara? Are they good, neutral, evil (in your opinion) (No need to answer this ask if you do not want to)

hoo boy let me just. you’ve activated a Secret Essay(tm) of mine anon fbdshabl sorry i’ll try to keep it short LMAO

(under a read more just for a) length b) ut spoilers.. even tho im p sure most of you have beaten the game but who knows lol c) uhh Chara’s story is pretty dark so this has mentions of abuse and whatnot so please be aware of that ^^;;)

Morality alignment wise is like. Idk. I’m bad with assigning that half the time because it’s all subjective in a way right oh no my true neutralness surfaces like for example I wouldn’t do something I think is bad right? But someone else might think it’s bad. (Like my 16 yr old self might consider me today a terrible person just bc I like Undertale lol 16 yr old me is rude don’t listen to them) If I were to put them on a kind of DnD like alignment scale though, I think I would probably put them in a lawful neutral kind of alignment, maybe leaning a bit towards lawful evil.

But here’s the thing. Without Chara having any sort of backstory as to why they hate humans? It’s very hard for me to gauge where their motivation lies for the things that they did. Based off of what Asriel tells you when you talk to him in the Ruins, the genocide route, and the bits of narration we have, we can pretty much assume:

- Chara was pretty abusive, this is undeniably a fact even from just watching the videos in the True Lab; and while Asriel recognizes this, he didn’t want to lose them because they were the only one he felt close to. Which is likely part of the abuse they dealt by making him feel alone without them. - Chara hated humanity for reasons they would not disclose to Asriel, but it’s pretty implied that they attempted to commit suicide by jumping into Mt. Ebott. This could mean that they were abused in their past, which could in turn provide reason for their abusive nature (because, with Chara being a child, it’s very likely that they took in the personalities of those around them to make their own person up. Even though they were hurting, they didn’t exactly know why, and even still, many people with an abusive history that end up abusive themselves might not even recognize that they’re being abusive, which might be the case for Chara as well.) - Chara probably cared for Asriel. There’s a lot of things to indicate that they may have faked it or maybe it seems like they didn’t by their abusive nature towards Asriel, but it’s unlikely that Chara would fake caring about someone. If they jumped off the side of a mountain because they hated the people they were around so much, there’s very little reason for them to pretend they liked someone at the potential expense of their own happiness. More likely than not, Chara desperately wanted to keep Asriel close, but ended up being really controlling in an attempt to keep him close. Additionally, when you hug Asriel at the end of the True Pacifist route, the line “Hah... I don’t want to let go...” is said by the narrator, indicating it may have been Chara who said it. But considering how Sans also has lines that are spoken silently and in the default font, this may not be entirely accurate.  - Imma go off for a second about genocide because i have a pet peeve about when people suddenly decide that Chara is the one that caused it. This doesn’t make any sense -- but at the same time, with little to no games considering the Player and Player-Insert character to be two seperate characters, it’s no surprise to me that people i guess “projected” onto Chara. However, if you seperate the player from Frisk (in the same manner that Kris and the Player are seperate in Deltarune), it becomes easier to understand. Chara had nothing against the monsters. They liked monsterkind. It’s extremely unlikely that they would have the motivation to kill all of the monsters on their own. This wasn’t created until far into the genocide route, where the player has done most of the work for them. Chara is now living on pure Determination, which as we know is void of care and purely puts a person on a path of achieving their last desire, and once they wake up like this, with most of monsterkind already dead... well, what else is there to live for? They already attempted to kill humanity, failed, and now the only people they treasured have fallen like flies. Nothing matters in this world. Might as well delete the whole thing to finish the job. (also Frisk doesn’t have any motivations of their own either... unlike Kris they are shown to have no specific motivations (that i’m aware of?) one way or another and don’t reject the player ever so the idea that a canon frisk would reject the genocide route doesn’t make sense to me either. obvs au’s are exempt because they’re free real estate lmao anyway this is unrelated) - Chara’s a very calculated and observent person as well -- just look at how they died? They weren’t even afraid of death. They poisoned themselves with full faith that Asriel would take their Soul and bring them back to life (which also goes back to my point about how much Chara cared for Asriel, since, if they didn’t trust him, they would not have left him with that huge responsibility) by absorbing their Soul into his own body so they could exist as one. Chara saw their death as a stepping stone in their plan. All this from just seeing Asgore accidentally eat buttercups once and getting sick. A whole plan to get revenge on the people who hurt them from that. They even made a statement about wanting to be placed back on the Surface just to cover Asriel’s ass when he eventually took Chara on his own to the Surface. - okay this is probably just more of a me thing, but I’ve never gotten the whole “Chara hates Sans” concept. But considering I also don’t really think of Chara as the one who attempted the genocide route, I guess it makes sense. Chara probably doesn’t care about Sans one way or another, really, and Sans probably has very little idea who Chara is. I’ve always seen Sans’s statements during his battle said directly towards the Player, more or less using Frisk as the messenger -- like, for example (yes I have this on hand don’t judge me):

“sounds strange, but before this i was secretly hoping we could be friends. i always thought the anomaly was doing this because they were unhappy. and when they got what they wanted, they would stop all this. and maybe all they needed was. i dunno. some good foods, some bad laughs, some nice friends. but that’s ridiculous, right? yeah. you’re the type of person who won’t EVER be happy.”

- (cont) At this point it sort of taps into something I was gonna write for that Sans essay but here we go. I bolded “the anomaly” because this is the point where he directly refers to the player as their own individual in the game. What’s the only thing that’s different between Undertale and any moments of his life previous? The player. Hence, anomaly. Even Chara would have existed before the player showed up, right? Chara fell sometime within the 2010′s according to the opening of the game, and in between that time and when Frisk showed up, 6 other humans fell into the Underground. Clearly none of them had the same powers Frisk did, because otherwise, they would have not died and left their Soul behind for Asgore to use. That leaves one thing different -- player interference. Chara even directly states that the player is the one who woke them up with Determination, meaning they were asleep (or dead) for every year previous to their arrival. Sans probably only knows them as “the first human” like every other monster in the Underground (aside from the Dreemurs, of course).

i could probably go on for a while. but i will save you the time you probably didn’t want to spend reading this already by shutting up fdbshafb

[uwua3]

hi! first off, congrats on the new blog!! i read that misumi piece and i really enjoyed it hehe,, if it's alright, may i request some domestic fluff with kazunari? mayb looking over old photo albums of each other from when they were kids and laughing and telling stories about what happened in the photos? thank you very much and i hope u have a nice day :D

hi!!! this made me so happy 🥺 thank you so much, i hope to keep this blog running for a long time! also, i saw your reblog of my jealousy hcs and i wanted to say thank you for your sweet comments!!! i go back to it whenever i need motivation, you inspire me to keep writing ♡ thank you! i hope to continue making you proud as a writer :D <3

summary: kazunari had to stop living in the past and make new memories outside of his yearbooks with you

author’s note: this is definitely a much happier piece than my others! this was refreshing to write and i treasure it dearly, it’s definitely much more on the humorous side! no angst today, folks!!! (ok just a little, but it’s barely noticeable!)

this is just a little look into a hoarder named kazunari and his sentimental, nostalgic personality ♡ i, myself, am a marie kondo supporter so i love decluttering! if you are a hoarder like kazunari, honestly go you! you keep those knick knacks that remind you of memories! do whatever makes you the happiest :D

word count: 2,151

music: make you mine – public, tongue tied – grouplove (this song is so Kazunari !!!)

nostalgia.

🌻🎨 miyoshi kazunari

it was that time of year again

kazunari hated spring cleaning with a passion. so what if his art supplies were all over the dorms? he knew where everything was! uh, mostly...

(if you ignore his daily panicked house searches which kept everyone up way too late if he couldn’t locate a very specific paint shade for a big project he definitely procrastinated)

so, it took, so much bribery to get kazunari to even consider cleaning out his entire dorm room

(muku was a very Good Boy and already had his side of the room perfectly dusted and organized)

yes, you had to promise to pose as a model for one of his paintings one day (hopefully, not the type of class you were thinking) (kazunari’s suggestive wink didn’t help)

the thing about kazunari was he was somewhat of a, putting it politely, hoarder

as an extremely sentimental person, it would take the whole mankai company to even force him to throw something away

(“no! it has a special meaning to me! i remember what happened when i got this~” kazunari would whine, holding the useless item between his hands with no intentions to ever look at it again)

so the boys employed you to be kazunari’s rational judgement when cleaning that day

(“please actually make him do something.” sakyo looked like he was on the border of begging; kazunari’s abundance of random knick knacks and shopaholic addiction problem was becoming an issue that affected everyone)

rule #1 of cleaning kazunari’s storage room: don’t open anything because kazunari will become very sentimental and nothing will get gone

so therefore, as a team, you two tackled the rather spotless room. the interior was minimal and modern, just like kazunari liked it with pops of color here and there

(he had one blank white wall and you realized it was the backdrop he used to film all his social media posts [dancing tik toks, fashion #ootds on instagram, daily vlogs on his growing youtube channel])

at first, you were confused where all his stuff went until you opened a closet against his terrible and unconvincing distractions

without time to react, you found yourself buried in tens of books you couldn’t even fathom how it all fit

(“i’ve played way too much tetris.” kazunari would admit later on when asked about his immaculate stacking)

“you’ve got to be kidding me!” you groaned, pushing your head above the surface of book covers that have either never been opened or were way too old to even be functionable

“i’m sorry~ please, forgive me!” kazunari pleaded, immediately pulling you out of his own mess and using all his cuteness to make you roll your eyes fondly at your best friend

you almost started ranting at him about the dangers of taking up too much closet space with useless items before you realized:

wait! stop! he’s trying to get you to forget about throwing these books out! you thought suddenly, crossing your arms as you stared at the pile, trying to figure out how to approach the situation

“you cannot distract me. we are going through this mound and you will be getting rid of something today.” you ordered, seeing his shoulders drop in defeat as he nodded solemnly, but accepting his fate without any arguments. thank god for that

you two bent down and organized all the books into categories. popular photography instruction guides, creative advice columns, and all his past art textbooks kazunari couldn’t sell were put into a seperate group because luckily, they were relevant to his art school

things like old newspapers with funny comics were recycled (you refused to let kazunari read them in fear of invoking some form of nostalgia) (also because he had the whackiest sense of humor ever and would die laughing)

it was going well, until you reached the thickest photo books of them all (you had almost forgotten what you and kazunari’s school mascot was)

but unsurprisingly, kazunari had every single yearbook from each year of his education all the way until his last year in high school piled high to his chest

even he looked somewhat shocked from his mass accumulation from his teen years

“ah! i’m so old now~ look at all this! what else can i do except die?!” kazunari dramatically flopped onto his bed, tired of lifting so much weight. hey! his arms weren’t meant for exercise, he was a painter!

lifting his head to see you were distracted from alphabetically sorting the first section lovingly dubbed, “art shit”, kazunari mischeviously grinned as he leaned down to snatch a random yearbook

flipping to a random page, kazunari smiled as he realized it was the first time he ever met you back in elementary

kazunari sang your name as he sat upwards, having a shit–eating look on his face as he started swinging his legs back and forth

oh no, he was up to something no good, you knew it but humored him anyways

“yes, kazu?” you turned your line of sight to the most horrible picture possible: you with the ugliest haircut in the entire world with kazunari’s black hair taking up the entire photo as you two sheepishly smiled for the camera. it was not a proud moment

okay, maybe it wasn’t that bad, you just couldn’t help but shriek at the sight of your hair

“oh my god! you can’t just jumpscare me like that!” you laughed despite yourself. you knew you had to be serious and focused on decluttering, but one look at your past made you remember all the good times before so–called “adulthood”

“look at your hair!” you cackled, reaching up to playfully yank at his mullet as he yelped and lightly smacked your hand away. rubbing the back of his neck, kazunari huffed childishly and pouted like he was back in his youth

“come on! this was the pinnacle moment i realized, i should not be a hair dresser.” kazunari commented, making you remember how you just let a random 8–year–old boy waddle up to you with safety scissors and advertise his salon business like a professional

(yes, you bought into it right away. your teacher had a heart attack when she saw you with a majority of your hair on the floor and kazunari keeping small talk like an actual hair stylist)

thinking back after the haircut incident, you weren’t allowed to chat with the funny class clown anymore as you were forced to wear a hat every day

(it was either that or go completely bald to fix the job kazunari did to your head)

it wasn’t until you received a very creative and colorful apology letter with tons of sad faces drawn with waxy crayons that you snuck out to play with him on the swings in recess

“i can’t believe we became friends because i wanted free hair cuts for the rest of my life.” you added, staring at the picture with a sense of nostalgia. you kinda got where kazunari was coming from, memories were fun to look at every once and a while

at least, eleven years worth of memories after being inseperable from that moment forward

(maybe, you should’ve held onto it, you thought, not knowing that would be the first of many art pieces you would be gifted by him)

kazunari knew he won. excited, he dropped down to lay on his stomach as you leaned against the bed, watching as he thumbed through the pages with ease, leaning his head on yours comfortably

it was rare to find kazunari quiet, he must’ve been like this all the time when going through his stuff, you thought, at peace for once

lazily smiling, kazunari put his finger against your yearbook pictures as he reminisced on the past. something about everyone ever in your grade, how kazunari knew everyone and had a special memory with each person, no matter how big or small

“—and here, the teacher somehow caught a pic of us swinging wayyy too high for kids our age!” kazunari laughed, breaking your train of thought as you snickered at the absolute joy radiating from both your faces as you two competed to see who could reach the clouds

(kazu won. you fell off right after and had to get picked up from your parents after badly scraping your knee. it took another sorry letter and art of you two holding hands with a heart for your parents to forgive kazunari)

“let’s go back.” you interrupted him, making him sit up confused as you swung your keys out from your back pocket. it didn’t take any convincing for kazunari to nod right away and took the elementary yearbook into his arm

you two only had to exchange a secret look before formulating a plan to sneak out, leaving music on from kazunari’s speakers to act like kazunari was still cleaning

you two giggled amongst yourselves before clambering into your car, speeding off and laughing loudly from your successful getaway. the manager was none the wiser!

during the short car ride, you and kazunari played your favorite mixtape of all time

(“you kept this?!” kazunari yelled, giddily bouncing up and down from excitement when he discovered the mixtape stash)

he slipped the disc in as you two yelled along to childhood favorites with the windows rolled down, letting the entire neighborhood know the best duo were back in town

(seriously, there were so many you stashed away in your glove department. all labeled in sharpie with compelling titles connected to the inside jokes only you two found funny)

arriving at the destination, you two exited the vehicle to see the play pen was abandoned as the teaching staff went home for the day

the sun was setting and it felt like the playground was in another rift of time as you approached it, hearing the weak movement of the swings going back and forth on their own. you sat down, holding onto the chains. you hadn’t been back ever since you graduated. it hadn’t changed at all

kazunari opened the elementary yearbook back to the original page, pulling out his tripod and phone he always had on hand in his backpack as he set it up right across the swing set

“what are you doing?” you inquired, tilting your head as he fumbled around pressing different buttons and filters too complex for you to remember

looking up, kazunari grinned as he set a timer for 10 seconds before sprinting back to the swing next to you

“swing contest right now! i bet i could swing higher than you ever could!” kazunari challenged childishly, quickly kicking his legs for the momentum. you narrowed your eyes, refusing to lose as you two laughed over the sound of his phone taking a burst of photos

you realized what he was doing. he was re–creating your memories together

but you turned to look at him and your heart skipped a beat. you never remembered him looking this, different, in the purple lighting. for a flashing moment, you swore you saw the silhoutte of his black–haired, child self sit next to you before you blinked and saw him. kazunari was the same, just older now

you slowed down your swing by dragging your sneakers against the wood chipped ground. you grabbed both the swings’ chains to hold them together

you didn’t want to live in the past anymore. you wanted to grow up with him, too

“what—” kazunari started, matching your pace before being cut off by your lips against his, the phone going off for one last time

you pulled yourself in close enough just to smile. he smelled the exact same as he did when he discovered cologne for the first time. he never changed

you pulled away first even if he tried leaning forward for more, like he was waiting all these years just for that one moment. like he saw you in the same light, too

“i wanted to do that for years.” you confessed, watching as he took your hand carefully, like he was afraid you were going to leave. for once, he didn’t know what to do, which face to show

“me too...” kazunari agreed, seemingly speechless before straightening his back, like he was about to run away. the hair on your neck stood up, what was he about to do?

“i promise i won’t cut your hair anymore, unless?” kazunari winked dramatically, mimicking the shape of scissors with his fingers as he tried snipping at your hair

he laughed as you shoved him with all your might, hopping off the swing to chase him throughout the school parking lot

now this was a memory kazunari would never throw away, no matter what

(no one thought the two of you escaped until kazunari posted the pics on his instagram, both of you getting a scolding from sakyo this time)

(busted!)

[popculturebuffet]

House of Mouse Review: Not So Goofy or The Ungoofy Is Upon Us!

GG

Welcome back to the RIDE OF THE THREE CABLLEROS. And i’m hitting the ground running to continue the trek after some lessened activity over the holiday weekend. Especially with Christmas season already there.. and.. things to take care of. 

Your time will come, you blighted hell of an episode. But no today we’re talking about something actually good! It’s Not So Goofy! It’s back on in to the house of mouse as this was only one year after the previous episode. We’re on to season 2 though frankly i’d have to re-watch more of the show to spot a difference. The show really didn’t change all that much between seasons. The only difference i’ve heard of is Pete is ENTIRELY absent this season, so my long spiel on him being on the show continues to be worthless and I continue to not regret it. But since I covered most of the stuff I knew about the series and how much I liked it last time we can dive straight into the episode> And this one was a treat for me as Goofy was my faviorite watching this show back in the day and is tied with donald now as my faviorite of the classic characters.. not that it’s hard competition but still I love both. Goofy is kind, clumsy, and a loving father, he’s who we are and who we want to be all in one. As with last time, which you can find on the disney tab on my blog, i’ll be reviewing the host segment seperate from the short’s for coherency’s sake. So with that in mind...

NOT SO GOOFY: Hot Goofy on Beast Action We open with Mickey intorducing the show and everyone chanting house of mouse, house of mouse, which makes me want a version of the show that’s a disney fight club, with over the top smash bros or scott pilgrim style battles. God that’s a project I never completed.. reviewing that series... maybe some day i’ll just start from scratch and do that.. HINT. Point is instead  of Disney Fight Club, we get goofy breaking a bunch of shit, because this episode he’s extra clumsy. Though thanks tot his I am reminded the HOM’s jaintoral staff is the brooms from fantasia, which is a nice touch and we get a nice bit of Minnie sending all of them after Goofy keeps breaking stuff. So despite Mickey being the one interrupted constantly, everyone else is hte one to point it out, Minnie politley everyone else just sorta barging in. I was going to give out about them giving out when none of them were effected but.. really bad wait service really dose impact them all: Donald is co owner so if goofy injures someone he has to help pay the setlement, Minnie runs the staff and has had to have her brooms work double to clean up, Hoarace has to clean up structural damage, Daisy is guest services so she has to hear about it, Clarabelle only heard a rumor and Gus is chef so he has to remake the food. So i’m sympathetic to all of them.. except Gus. Gus your only gimmicks are your lazy, you eat things, and in animations case you only communicate by honking obnoxiously. You don’t get to insult a comedic genuis for doing his bit. 

But Goofy overhears this and is upset, saying they want him to be the oppsitie of goofy, ungoofy. I mean technically your right, but an ungoofy would be something more like this. 

“I WAIT INSIDE YOUR HOUSE UNTIL THE CRESENT DAWN THEN ONE BY ONE YOU’LL ALL BE GONE. “

See nothing like goofy. But no ungoofy in this episode’s case is just goofy acting refined and posh. And to help with that after the first cartoon, aka half the episode as i’m now realizing is standard, is...

I will never get tired of doing that. Rob Paulsen is back as Jose, and does a MUCH BETTER job this time. Though really that’s also because he has more to actually work with this time, so he can actually play the character. Him being a white guy playing a Brazilian is still unfortunate, still not his fault, and was covered more last time. We’ll get into how Jose helps goofy after the cut. 

So Jose helps goofy try to ungoofy himself.. which as established isn’t how that works but hey. So we get a funny montage of Goofy learning the ropes of being significant, getting a turkey on his head, and backslapping jose so hard he flies into the next room and goofy wonders where he is. I don’t have much to add, it’s just funny. It’s why reviewing comedy is hard. Besides being subjective sometimes that’s the most you can say. 

So it works, and Goofy helps everyone in a dignified manner.. and this is where the plot starts to slip up slightly, as for starters Goofy’s apperance is the same, he’s just closing his eyes a lot. He’s also not really doing anything wrong... the closest he gets is massaging bugs out of the beasts hair when he has an itch. 

And that’s because he didn’t ask if they have an open marraige.. I mean they probably do, Belle’s open minded and beast has needs, but still, he should’ve asked. Otherwise it’s going great.  As for where it goes wrong.. it’s because he dosen’t really DO anything bad. He isn’t an uptight jerkass about it or anything, he isn’t mean or tyranical to the customers or dosen’t transition to that he’s just.. not himself. Which isn’t good, btu the most he does in that regard is just not give the goofy laugh. Mickey and Minnie just suddenly kind of decided “Whelp this is bad let’s fix that”. And Disney would do this better, one of the Mickey Mouse shorts had Minnie, swooning over a sophisicated gentelman type on tv, give Mickey finishing lessons which turned him into a snobbish monster who broke up with her for daring to serve Bologna and not having a waiter. That WORKED.. and not just because we got Donald and Goofy kidnapping Mickey. But because we were shown there was nothing wrong with him in the first place, and there was something bad with the change. 

Here Goofy’s just.. compitent at his job. he’s not cruel to say max or clarabelle, he’s just refined. He should be himself, i’m entirely on board with that, but he’s not shown being worse off. I’m not saying he should stay posh, just give him a clear reason why his life is worse off this way is all. It’s basic storytelling.  But since Jose can’t just.. undo his training because he dosen’t know how they bring in Panchito! And we get another delightful song as Panchito tries to give a good lesson on being yourself with the help of his fellow cabs by explaning his long ass middle name... with Rob Paulsen’s voice. Yeah while Rob dosen’t play Panchito outside of song, he does end up voicing him for the number, likely because of his signature rapid fire delivery in music, but still does a GREAT job at that too. Serously I wasn’t just trying to placate people calling him a legend last time, he REALLY is fantastic, he was just given nothing to work with and here the diffrence shows as the song is really catchy, really beautifully animated and really fun and really plays to Rob’s strengths. Again casting a white man as a Latino is .. pretty sketchy, but it’s not Rob’s fault and i’m sure if Carlos was even offered the song, or even if he wansn’t, Rob apologized for it and made sure it was okay> Wether it actually was I don’t know but I can’t genuinely see Rob Paulson as the kind of guy to be racisit or steal rolls or any of that stuff. It’s likely they just knew he could sing fast and wanted to do that and dind’t think through implications. 

The song dosen’t quite work so they play a short, and when that fails Mickey closes the show sincerly thanking everyone and apologizing to Goofy. Goofy is restored.. horay? What do you think ungoofy?

“SOON THE APOTHEOSIS WILL BE APON THEE AND ALL WILL BE GOOF. ALL WILL BE GOOF. “ Oh you always say that Final Thoughts on Not So Goofy Wraparound: Not terrible, but it’s really thin plot wise. but joke and song wise it’s REALLY good, so overall i’d say i’ts just okay> Not a great or memorable plot, or an original one really, btu the use of the cabs is FAR better this time around, the song is really damn good, and there are some good jokes, so overall it works. Like the last one the wraparound is nothing specail, but it’s still deeply entertaining. Speaking of entertaining, let’s talk shorts. 

Roller Coaster Painters:  It’s one of those old “Mickey, Donald and Goofy” have a buisness deals, where all are hired to paint a rollercoaster with the person who does the most getting a free pass for life and Donald naturally being the only one who cares. A paint war insues between Donald and Mickey... mostly because Donald wants the prize real bad and Mickey wants to “give him a run for his money” instead of just helping him because he’s a dick I guess? I dunno, but it escalates to them paiting each other and, in my favorite part, Donald stealing shit from the park to create a paint arsenal for himself, forging the prize to get his revenge. Fun paint base fighting ensues, and Goofy inevitably wins and rips the thing. SImple, but really charming with really fluid and wonderful animation helping accenutate the hyjinks. Really good slaptstick stuff and a VAST improvment over the last episode’s longer short. 

Goofy’s Extreme Sports Wakeboarding:  Just a fun, silly skit of Goofy wakeboarding, my faviorite bit being him doing the tantrum, which his him doing a child’s tantrum in mid-air. What was your faviorite bit UnGoofy?

“BEHOLD MY SEED, THE SEED OF YOUR DOOM, THE SEED OF ALL WORLDS AND THE SEED OF ALL BLOOMS!” 

Awwwwww.... he has a kid now. 

How to Wash Dishes: Another How to Bit. Not as strong as the last one but still fun and throughly relatable as Goofy’s a dishwasher, which having been one twice now, I can relate to his surly disposition at the narrator guy talking it up. The Narrator then.. has goofy run up credit card debt because he’s a terrible person, hijinks ensue, and Goofy ends up.. washing dishes. Overall a fun short, and again relatable as Washing Dishes is not great. Not quite as good as the other two, but still enjoyable because well. it’s goofy after all. 

OveralL Thoughts: This was more like it. While the plot of the main segment was kind of thin and nonsensical in places... it worked because this is more of a comedy show and the wraparounds are more focused on jokes and crossover gags than a real plot, and worked SLIGHTLY better. The shorts were also really great, making this a hell of a lot more fun to watch. Highly recommend it to any cabs or house of mouse fan or if your intrested in house of mouse, this is a good one to try out.  If you liked this review, reblog it, like it, comment etc etc, and if you have an episode of house of mouse, another disney show, or just another show in general you’d like me to cover you can comission episodes by sending me a direct message on here or an ask to get my discord to hash things out there. Right now comissions are ONLY 3 bucks through monday, so get em now while their hot! And until next time there’s always another rainbow.  NEXT TIME: It’s Don Rosa again! Horary!. 

[bellamygateoldblog]

The 100 7x01: Discussion

My general takeaway from the episode can be summarised like this: Echo is spectacular. (I might’ve said “oh my god look at her!!!!!” and “ugh she is just The Best” too many times to count).

This is long-ish because I really just wanted to consolidate my thoughts in one place. Bitch it’s me i got a lot to say!!!!!

The Good Parts

— The farmhouse setting. While it’s existence is strange and “a sore thumb” and worked to further push Sanctum being the abomination born of clumsily mixing genres and time periods in terms of construction/costuming, making everything appear disconnected and obnoxious, it was still a nice change. It made me feel warmer and more comfortable as a ‘modern’ viewer. It’s a breath of fresh air from the constant dark element: dilapidated post-apoc buildings falling from their foundation, endless woods, and equally cold-feeling labs and skeleton dungeons.

— Echo. This was a damn good episode for Echo and every second reminded me of why she’s my favourite. She’s a badass. I always love to see her falling naturally into leadership of her little ragtag groups who accept it wholeheartedly. From the “testing a theory” moment where she went ‘when Gabriel doesn’t speak >>>’, to right at the end when she killed the solider about to “eliminate” Hope (hesitation is death...oh no he can’t hear us he’s got airpods in oh my god). It was Echo that got them through the whole sequence with the anomaly, Echo who figured shit out, Echo who quickly judged the situations and formed plans to overcome the obstacles. In other words: she did THAT.

Favourite scene: Echo coming face-to-face with the projection of her own insecurities in the form of Roan and Echo 1.0, and physically overcoming them (shooting them down), along with the trauma and pain that they both represent. The perserverence and getting the job done despite the emotional torture felt like a callback to the Psychosis episode of 6x02 when she was clever enough to sedate herself to silence the voices in her head. I also think the dialogue chosen was also foreshadowing that she would become a leader by the finale (commander?) and i love to see it!

— Clarke and Madi’s conversation. Oh Clarke, you just keep reinforcing and validating my perceptions of who you are as a person over and over again lol. In all her self-importance failing to remember that Madi, in fact, had and was raised by her biological parents for half of her life (and the new knowledge that she spent six years telling her little mind tales from the book of her life whilst apparently never taking the time to learn about Madi’s or acknowledge/honour her birth parents in any way) is “yeah that’s about right” to me. Sure you could say she was still reeling from the events of six and her death-almost death-almost death again. But I’ve always had this Thing about the relationship between Clarke and Madi. And i’ve seen some of the lighthearted humourous reception that scene got from fandom, “#where do you think the child CAME from?!” which only served to remind me of my own impression that Clarke views Madi as wholely ‘hers’, as if Madi’s existence was tied to Clarke, but i might elaborate in a seperate post.

This scene was a lovely display of self-awareness I’ve rarely seen on Clarke (never even got it when she electrocuted said child two seasons ago- however that absense of apology and acknowledgement of the sheer wrongness of that action also fits very nicely with my view of her lmao, still though, a weird choice for your ‘heroine’).

— Clarke’s “feels like a different world.” Felt romantically-coded. I think Gaia/Clarke might be the most convinient relationship to transform into romance at this point. However I’m sincerely hoping this road they could go down won’t reduce Gaia to a crutch/accessory for Clarke, and that she doesn’t become merely a love interest. I’ve seen talk already of Gaia being “Clarke’s happiness” etc.. which is already confirming my worst fears. Sigh.

This moment very much felt like found closure and the turning of a page. But i will say it was a very sharp turn from the three seasons of shoehorned-in mentions of Lexa, and last season’s emphasis on Clarke’s very-much intact emotional response to her memory- “it’s why you cry when you think about Lexa”- to her looking at an image of Lexa’s memory of her, reminicing but having no emotional response to it, and brushing it off while sharing a soft look with Gaia (and this is a few days since s6? I don’t know how this timeline is working but Tbh it’s not like these writers ever concerned themselves with ‘realistic time frames’ anyway lol). Yep, Jason’s seasons are individual “movies,” alright.

Other *nodding approvingly* moments

— Raven’s subtle “elevator eyes” on Clarke when she started giving her orders again. I see you, Miss Reyes, and I appreciate you.

— Raven + the foot in her mouth and the cute way she catches herself both times. I just love watching characters fail at existing LOL. She was feeling more human than stereotype or plot device this episode.

— "Mommy and Auntie O” and the implication that Hope is a child inside an aged-up body.

— This quote: “I know what it’s like to lose your family 100 years ago and yesterday at the same time.” It’s so literal but I like it a lot.

— Clarke being ‘leader’ again is, as usual, solely a matter of convinient (and familial/love) circumstances and it felt very true.

The Rest

— The Eligius Situation. So Clarke and her inner circle conquer and live in a nice home, and we’re specifically told Clarke takes the master suite (and the dog), and I was like ‘fair enough’ but then she orders prison labour. She tells them to build her a compound that they won’t actually get to be apart of, and to live in tents while they do so. They aren’t getting anything out of this (before they resist and set their own terms). This is slavery. Also, those aren’t her people to boss around, look down on, and use accordingly for her own gain (in fact they barely know her or why she’s gone from being that one unloyal woman who executed their men and got herself captured like an idiot, then couldn’t make up her mind about which side she wanted to kill- to one in the uppermost position of authority...like...they woke up yesterday) But, then again, that never stopped her.

— Too much and not enough at the same time. The pacing of the episode in general was awful. Too much happening in quick succession, no breathing room, too many factions (no, actually Raven, where is ALIE when you need her? smh). I blink, I miss an entire scene and a character is now beating someone else up. Amazingly, i was still bored 90% of the time.

— The Children of Gabriel calling themselves “The Children of Gabriel.” It was always goofy, even more so when a grown man is saying it.

— Murphy + his self loathing over Abby’s death. Did I miss the part where she was ever good to him? One of their final moments together was of her telling him he deserved to die over Clarke after she spent the entire series treating him like he was inferior and disposable. uhhhhhhhhhh.

— The picnic scene. Jackson’s sudden violent outburst was unearned (it wasn’t even set up???), and also disrespectful. Wrong place, wrong time, bro. He’s grieving? Okay. But when Abby’s daughter is sitting right in front of you, making this about you, ruining a perfectly good toast in her honour with your uncomfortable accusations loses you points you never even had to begin with. And this is a ‘me’ thing but I can’t be bothered to be sympathetic when this is about Abby Griffin.

Also, I have to say it. Eliza’s acting took me out of the scene every time I looked at Clarke. I couldn’t for the life of me work out what those expressions were supposed to be.

— Russell, his manpain, and a fury over the consiquences of his own actions  that could rival the grounders (”my brother died in your ring of fire [while he was trying to murder you all]” hmm sounds like a you problem). But the worst part is, I simply couldn’t tell where he stood or what he was feeling. He’s so one-dimensional. He’s an evil man (so much for ”grey morality”).

— Clarke + Jordan. A small point to make but all Clarke has done since Marper made her ‘Godmother’ of their son has blame him for everything bad happening lol. Marper loses a lot of my respect as time goes on for that choice. As much as I dislike Jordan’s presence in the show, still not a great pattern to have noticed.

— Raven seeking approval from Clarke (specifically) for the Prime idea was...weird and very bad. When has Raven ever cared for Clarke’s validation, especially in the last few seasons?

Was also taken aback by how Indra and Miller are both suddenly so protective of Clarke, like i can make sense of the Indra part even though it relies on me making things up that aren’t supported by what’s on screen, but Miller?

— (Bonus moment that was bad for me, but not for the same reason it was for the rest of you: the scene of Hope finding the message in her arm. When she was removing the blood-soaked bandage I freaked out because I thought she was peeling her skin off. You’re welcome for that visual.)

The Mixed/No Feelings

— Clarke’s full-dark-no-stars. How many times have they told me now she’s “the head”? LMAO. 

I have no actual formed opinion on it. Only disjointed thoughts. Like i might’ve just gone “good for her” if Clarke wasn’t the person she is, with the history she has.

I appreciate the idea, to have her spend the whole episode declaring she is, in fact, completely fine, to end it having her explode with the repressed pain.

I mean...i realise the cognition behind it, but it’s eye-roll inducing at this point. This- kicking Russell to death (giving him exactly what he wanted and set out to provoke), and burning down a palace she promised to keep intact, once again going against the group to do her own Thing that they all ultimately have the suffer the consiquences of and help clean up- is just a repeat of past patterns, and Monty’s “do better” mantra that she desperately clung to like she owned it last season is nowhere in sight.

(Also, I can’t be the only one who spotted her physically smacking that Sanctum girl as she walked onto the balcony? Not cool. Wasn’t cool when Murphy acted like a dick to one of them either this episode.)

The rushed switch did a number on me, too, like Jackson’s did. Literally five minutes before she was preaching about a peaceful life for Madi that doesn’t take revenge (I think I know what they were going for with that but it just left me feeling confused and frustrated).

Furthermore, I’ve seen talk that this was her “burning down of a symbol of oppression”, something she experienced first hand (not so unlike Blodreina and the bunker she desperately wanted to escape and deliver her people from), but there was no noble, calculated intention there. She burned the palace accidentally in her rage because she was in pain and disorientated. The moral stuff was just an after effect.

The speech was also very ‘Clarke’. Feeling entitled to and making decisions on who lives and dies right after declaring this wasn’t their kill to make. She wasn’t the only person hurt by the Primes (but we’ve also been given no reason to care about any of the other victims- the manipulated, enslaved population have been turned into a joke and a punching bag for the main characters which...isn’t great either). And the castle could’ve been used to shelter some of the “too many people” we had problems with through the episode (or used to harvest resources from). It really comes down to if i think the situation justifies the reaction and if i hold her wholely responsible...and this is the part where i reiterate that i have no intact opinion and don’t actually care to have one either ha.

[siarven]

WIP Prep Tag Game

Thank you so much for tagging me @i-belong-in-space <3 Your wip sounds amazing, I’m glad you tagged me so I could learn about it :D

Rules: Answer the questions and then tag as many writers as there are questions answered (or as many as you can) to spread the positivity! Even if these questions are not explicitly brought up in the novel, they are still good to keep in mind when writing.

FIRST LOOK

I’ll be doing this for Like Dragons of Old because it needs development since I only started writing it for NaNoWriMo this year :D

1. Describe your novel in 1-2 sentences (elevator pitch)

The Observer (an immortal) and a phoenix chicken raise two girls among the towering stacks of an ancient, sentient library. Selandri is the first child born in the Library in millennia, and Timbre is the only survivor of a war that destroyed an entire continent and killed (or changed) everything else living on it. 

2. How long do you plan for your novel to be? (Is it a novella, single book, book series, etc.)

Because I’m incapable of doing short things Like Dragons of Old is the first in a trilogy called Song of the Aunae. 

Each book will span about 10 years, from when they’re children to ~18, 18 to around 30, and I guess 30-40? I’m very unsure about that last book. But there’ll be a lot of character development and growing up all in all. 

3. What is your novel’s aesthetic?

see 5 ... sorry, I’m too lazy xD 

4. What other stories inspire your novel?

A non-fiction talk held by Neil Gaiman about him basically raising himself in the library when he was young :P Also a ton of fantasy novels with creative worldbuilding and magic systems.

5. Share 3+ images that give a feel for your novel

the wip-intro-post moodboard :D it’s the aesthetic for the whole story though, not just the first book

MAIN CHARACTER

6. Who is your protagonist?

I have three POV characters/protagonists, but I’m currently thinking that I’ll give each of them their own book in the series.

One is Selandri, she’ll get the first book. She’s the first child born in millennia in the Library, to later fulfill a certain task ( which she knows nothing about, of course). Selandri is ESFP and chaotic neutral. 

Next, Onii. Onii will be the POV character of the second book. She’s also immortal, but that’s mostly because she’s a phoenix. In form of a chicken, by choice (in that universe phoenix can choose their form when they are reborn). Onii is very chaotic neutral. Onii is isfp and very chaotic neutral. 

Finally, Timbre. Timbre will be the POV character of the last book. She’s the only survivor (in the strict sense) of a war that destroyed her whole continent, killed her people and changed nature there forever (think of it as sth like a magical nuclear bomb). She survived for a few months with the help of dubious gods (the aunae) before the Observer found and saved her (despite having other orders). Timbre is INTJ and chaotic good. 

They’re all very chaotic :P

7. Who is their closest ally?

All three are each other’s closest allies, and also the Observer. This will change throughout the series, however, as Selandri and Timbre will go seperate ways and finally see each other again, but on different sides. 

8. Who is their enemy?

I prefer antagonist? In this book, at first it’s mostly the Aeqana/Librarians (Selandri’s parents etc) because they aren’t used to children, and especially not their pranks. Later on some people on a surviving continent from the world Timbre is from, originally. 

9. What do they want more than anything?

On the surface, Timbre strives for knowledge, Selandri for adventure, and Onii for chaos. 

Deep down, though, Timbre and Selandri just want each other, and Onii wants them both to be happy.

10. Why can’t they have it?

Because they only realize that when it’s too late... 

11. What do they wrongly believe about themselves?

Selandri thinks that she’ll always be second choice after Timbre, and Timbre thinks that she’s evil deep down and that everyone close to her gets hurt. Onii thinks she’s a horrible parent. Or something. 

12. Draw your protagonist! (Or share a description)

I will, one day, but today is not that day. I have a wip of Onii, though (sorry instagram crew, I still haven’t gotten further than this :’D but it’s more than what you saw?...), and moodboards (including face-claims) for both Selandri and Timbre.

(it’s far from finished and the bright feather will be somewhat less bright later on, I guess)

PLOT POINTS

13. What is the internal conflict?

Selandri struggles mostly with her self-worth, and Timbre struggles heavily with survivor’s guilt, and feeling as if she should’ve died with everyone else. 

Also both of them feel like they don’t deserve the other.

Onii is generally carefree and loves pranking people (she’s very chaotic neutral) but she struggles with taking care of these two strange children, mostly because they love pranking others as much as she does but now she’s supposed to be the mature one?! After she’s spent the last millennia doing nothing else? Tsk!

14. What is the external conflict?

Librarians who haven’t been children for a long time not understanding that children need free time and having fun, especially not these children. Many raised eyebrows, and many punishments. 

Later on, when they leave the Library for the first time, the people outside, and their strange customs... and what they might have had to do with the Broken Continent’s past. 

15. What is the worst thing that could happen to your protagonist?  

To lose each other (for all three)

What they think:

Selandri - to become a Librarian and spend the rest of her days inside, cataloguing and transcribing knowledge collected from outside by other people. 

Timbre - to be forced into some kind of destiny she doesn’t want by the Aunae and/or the Observer. 

Onii - to be responsible for something that hurt Timbre/..., or to be incapable of stopping something like that. Also to never be allowed to prank anyone again.

16. What secret will be revealed that changes the course of the story?

Not telling you anything! Many. ;) Some only in later books. 

17. Do you know how it ends?  

Yesssssssssss but I won’t tell you

BITS AND BOBS

18. What is the theme?  

Trees/plants, dragons, art/music, books/knowledge....

Freedom of choice, survivor’s guilt, the horrors of war, having hope even in the darkest of times (hopepunk), lgbt+, love, friendship, post-apocalyptic setting, the merits and woes of technology (as in, the continent that survived is very futuristic, combination of science and magic), racism, religion(s), nature, exclusionism; ...

....I’ll need to invest more time here :P

19. What is a recurring symbol?  

See above. 

20. Where is the story set? (Share a description!)

There is one world called Ferreske. The Broken Continent exists there, as do the other continents that didn’t get struck during the War. One of those will be visited, and it’s a capitalistic, futuristic hellscape society driven by a mixture of magic and technology. 

The Broken Continent is devoid of human life. The Aunae have taken it over, more or less (they’re sort of tree gods) and they’ve changed the wildlife physically to survive the new conditions. During the War the enemy triggered a sort of “nuclear bomb” that killed everything in a 300 mile radius instantly, and set loose something the Aunae call the Radiancy, which nowadays kills everything else within about eight hours, unless you’re a plant (or the Observer). Which is why the wildlife has changed into a sort of plant/animal hybrid. Timbre’s people (some of them) prayed to the Aunae to save them when they felt the change in the air, so they got turned into trees. All children under a certain age were "protected” by the Aunae, like Timbre...except she escaped while she was still more or less herself, in contrast to everyone else. Also, the radiancy leaches away colours, so the Broken Continent is called the Grey Continent by some people. And Timbre is colourblind because of it. 

Then there’s the Library, which is its own world/realm, and also sentient. In the Library there are all kinds of knowledge. Timbre and Selandri grow up in the book part of it, but there is also an art section, music section, etc. It’s probably endless and holds a huge variety of knowledge, and peoples with different ways of life and clashing viewpoints. It’s a sort of sanctuary, I guess? The Observer is more or less the founder (but she’s lost control over it centuries ago). 

Some people are very angry that not everyone can enter/find the Library. Exclusionism will also be discussed, I guess.. but later on, when the protagonists are older. 

21. Do you have any images or scenes in your mind already?

I’ve planned the first book during NaNo, for the most part. I’m currently at ~60K of usable words (which will still have to be cut drastically), and I haven’t even “really” started :’D But yup, I know a lot of what’s going to happen. Not in detail, but enough. Especially two really mean scenes >:D

22. What excited you about this story?  

I LOVE EVERYTHING ABOUT IT, IT HAS DRAGONS AND MAGIC AND MUSIC AND TREES AND I LOVE THE CHARACTERS AND THE WORLD(S) AND ALSDKJFSKDJFSLDJFSLDJFSD I can’t wait!!!!!! :’D It’s basically me mashing everything I like into one and then hoping to get a decent story out of it. 

But first I need to finish Dreams and Shadows ;w;

23. Tell us about your usual writing method!  

I spend one NaNoWriMo writing things without knowing anything about the story except for my tumblr into post. Then, halfway during NaNo, I start having some ideas for the rest of the project, I plan some things, change and rewrite some other things, and then NaNo is over when I know roughly what I want to do.

Then I procrastinate far too much, before getting back into it with more of a plan than before. Then I write the first draft/draft zero, which is mostly me trying to find out what works and what doesn’t (and what the characters want/don’t want to do o_O) -- which I then print out, and kill with a red pen. Also I’ll probably give it to some people who don’t mind the rambling and all that. 

Then I rewrite it for the most part, so it’s (1) shorter and (2) better. That is usually the “actual” draft 1, which I’ll spend a lot of time revising and editing, but not rewriting on a large scale. I hope that this time I will finally write it all in one go, and not: write some chapters, rewrite what I’ve already written, add a few more chapters, rewrite everything again, rinse, repeat-- 

I’ve never gotten further than that, yet, but my other wip, Dreams and Shadows, is almost done with the second draft (the first half got revised quite a lot, while the second half didn’t. I’ve also already had people read the first half. Which was actually helpful for that thing as it’s a standalone... I HAVE THREE SCENES LEFT BEFORE THE SECOND DRAFT IS DONE). 

I hope that I can write LDOO in one go, though :’D

I guess I’ll just tag the LDOO crew for this, and maybe some others?? wow, I’ve gotten so lazy :’D 

@dramaticvoiceover @asttralhell @authordai @thereisnothingwrongwithbeingmad @importance-of-being-crazy @madmoonink @prismalicht @romenna @fynniana @sincerestaffect @writin-maaagic @random-stuff-thrown-into-a-pot @raiswanson @zekethegm @paper-shield-and-wooden-sword @stephrawlingwrites @kittensartsbooks @annelaurant-writing @lady-redshield-writes @wolfdancer333 @bmariewinter

@lynnafred @corishadowfang @writingwordsanddrawingpictures @amongwriters 

I love learning more about wips but this does eat up a lot of time so I totally understand if you don’t want to :’D

[grim-on-the-darkside]

Dave Filoni Quote about how Lucas felt about the Expanded Universe on video.

There is a quote that has been going around for a bit now, that I found the original source of. He said during an interview on “The Star Wars show”. There is a part of the quote that isn’t in it how it has been written, I can see why they left it out because you can’t quite understand it’s significance unless you actually see Filoni say it, his facial expression and his body language. The quote as written now is -

When I saw the video I noticed this small part of the quote that wasn’t included, it doesn’t change the message of it, it actually makes it more meaningful. The entire quote with the previously left out part is -

"There's this notion that everything changed when everything became Legends. And I can see why people think that. But, you know, having worked with George I can tell you that it was always very clear -- and he made it very clear -- that the films and the TV shows were the only things that he considered Canon. That was it.*

"So everything else was a world of fun ideas, exciting characters, great possibilities, the EU was created to explore all those things.  And I know and I fully respect peoples opinions about it that some of the material said 'the next canon part of it' <wink,wink>.... But from the filmmaking world I was brought into, the films and TV shows were it". ~ Dave Filoni speaking about working with George Lucas

--------------------------------------------------

Explanation -

[The 'wink, wink' part of it, you can't fully understand it unless you see the video and see Filoni's face and his body language, what he’s indicating here was essentially saying, yeah, Lucas Licensing did try and fool people and they outright lied at times, they were concerned that if people knew that the EU was literally a separate universe and not canon, that they would be less likely to spend money on it, because 'it didn't count'. ]

This is the actual video of when Dave Filoni said the above quotes during an interview on 'The Star Wars show' [41.40 mark] https://www.youtube.com/watch?v=hcNXPNXOv2A&t=16s

--------------------------------------------------------------------------------------------------

Leland Chee and Howard Roffman,they both acknowledge that wasn't true, and have made public quoted statements in that regard. After the fact tho. Leland Chee didn’t get caught lieing to 2012. And most of his ‘atonement’ statements they came years later.

Roffman didn't keep his part of the deal with Lucas, who insisted that the only way he would allow the EU to exist at all was in a completely separate parallel universe to his, which ironically enough was Roffman's suggestion because at first Lucas said "Stop right there, there is no way I am letting anyone else say what is and isn't Star Wars', so that was how Roffman made the deal. Roffman tried to convince in subsequent talks to make it all one universe, but Lucas was adamantly against it and he adamantly refused. He gave them a seperate sandbox to play in and this is exactly why you see the things Lucas was saying and the things Leland Chee were saying were incompatible. - That's also the reason they stopped using the term 'canon' and  only used 'continuity' trying to make it out like they meant the same thing, when they didn't. This was their duplicity, not George Lucas, Lucas was always honest about whenever he was asked in interviews. Separate universes.

Roffman comes totally clean about it in an 2017 interview about the whole thing. Which I have mentioned in two of my previous posts and promosed to share. Now is a good time to do that as it will help make sense of this part of what Filoni said.

Why did Lucas allow to go on than? Fair question. 3 reasons.

One, he told them from the get go he didn’t want to have to get involved all the time, he had his own projects and stories to work on, and he didn’t want to have to keep looking over their shoulders.

Two - He knew he couldn’t keep up with the fans hunger for new Star Wars and he thought this would keep them occupied in between his movies, bare in mind, he didn’t have any clue how big it would actually get. No one was expecting how good it would end up doing in terms of making money.

Which segways very nicely into the Third and final reason.

Money.

Lucas wasn’t about to deal with their duplicity by hurting himself on the process. He was making so much money off it, and he didn’t write a word of it, you can expect anyone to be that ‘upstanding’ so to speak. So he decided he’d handle it the same way they were, by making public statements, and than let them have to deal with the fallout because Lucas was being honest anyways, it was them who were doing wrong.

"And now there have been novels about the events after Episode VI, which isn't at all what I would have done with it. The Star Wars story is really the tragedy of Darth Vader. That is the story. Once Vader dies, he doesn't come back to life, the Emperor doesn't get cloned and Luke doesn't get married..."

~ George Lucas, Flannelled One, 2008

https://ibb.co/dtnYHbx

[Quotes like this were problematic, because if as they were saying “It was one universe” “One canon”, than how the hell could Lucas say The Emperor doesn’t get cloned and doesn’t get married??” heh]

-----------

”The novels and comic books are other authors' interpretations of my creation.  Sometimes, I tell them what they can and cant do, but I just don't have the time to read them all. They're not my vision of what Star Wars is.”

- George Lucas 2004

-------------

"I like to refer to the Interview with Lucas in the Special Editions.When asked about the novels and what not, he simply says:

”Those are another author's interpretation of what I've created, and not to be taken seriously, as far as what is really going on in the Star Wars world.”

~ George Lucas

[These are statements being made in response to live interviewers questions, so as you can see, this is how he dealt with it and let them deal with the fall out.]

-----------------

Back to the Filoni quote discussion -

Roffman admits later on that it was separate universes, Lucas did not consider the EU canon ever. Lucas just wasn't interested in it, he was only interested in his Star Wars. That's why there was so many retcons. It was all Lucas.

[I’ll be sharing the quotes from Roffman’s 2017 interview following this. This just helps set it up and bring it all together]

----------------

Not suggesting Lucas did anything wrong, he didn’t, he made it clear from the get go that was the only way he would allow it. It also makes some of the other Quotes from Lucas even more understandable than they already were.

Just for context and reminders -

STARLOG: "The Star Wars Universe is so large and diverse. Do you ever find yourself confused by the subsidiary material that's in the novels, comics, and other offshoots?"

"I don't read that stuff. I haven't read any of the novels. I don't know anything about that world. That's a different world than my world.... When I said [other people] could make their own Star Wars stories, we decided that, like Star Trek, we would have two universes: My universe and then this other one. They try to make their universe as consistent with mine as possible, but obviously they get enthusiastic and want to go off in other directions.

“There are two worlds here,” explained Lucas. “There’s my world, which is the movies, and there’s this other world that has been created, which I say is the parallel universe – the licensing world of the books, games and comics.”

[The things that happened in the Expanded Universe happened in the Expanded Universe universe, but they didn't happen in George Lucas' universe.The things that happened in George Lucas universe, They all happened in the Expanded Universe' universe. That was part of the deal, they had to have all of his stuff happen there exactly the same. If that conflicted with things they did before or after, didn't matter, they had to change anything that contradicted anything he did. [Retcons].]

--------------------------

"Q: What do you think of the Expanded Universe of books?

A: "The books are in a different universe. I've not read any of them, and I told them when they started writing I wouldn't read any of them and I blocked out certain periods [they couldn't touch where the real story happens]."

- George Lucas 2003

----------------

"The question selected from The Furry Conflict poll was: How much does the Expanded Universe influence the movies?

As I asked him, Lucas leaned back a moment and said to me “Very little.” When he first had agreed to let people write Expanded Universe books, he had said “I’m not gonna read ‘em” and it was a “different universe” and that he wanted to keep away from the time period of his saga. He jokingly complained, however, that now when he writes a script he has to look through an encyclopedia to make sure that a name he comes up with doesn’t come too close to something in the EU.He later commented that the future of Star Wars may lie in other venues outside of feature film."

- "Marc Xavier", November 2003, "The Furry Conflict and the Great ‘Beard‘ of the Galaxy"

 (report based on a Q&A session with George Lucas which occurred at USC on 11-19-03)

---------------

"Howard Roffman [President of Lucas Licensing], He once said to me that there are two Star Trek universes: there's the TV show and then there's all the spin-offs. He said that these were completely different and didn't have anything to do with each other. So I said, "OK, go ahead."

- George Lucas 2008

-----

When Lucas use the term “We decided”, “we would have two universes”, he was referring to himself and Roffman and the deal with Roffman mentioned here in this above quote.

The Expanded Universe was Howard Roffman’s idea, he brought the idea to Lucas. He was in charge of it the entire time Lucas owned Star Wars.

-----------------------

Now it makes why Lucas hated Mara Jade so much understandable. Lucas wasn’t involved in their stories. He didn’t approve concepts, he didn’t read the books, he didn’t deal with the book people personally, he had a liaison group.

“Well in George, George couldn’t stand Mara Jade, well he just couldn’t stand, couldn’t deal and they went out and got some sort of person who looked like she’d stepped out of a Cosmopolitan to be the model Mara and he just thought the whole thing was so not Star Wars and not his vision of Star Wars and once, I forget, I think Sue Rostoni between the novels told me or anyway told me they were killing off Mara Jade and I said ‘Do I get to tell George?'”

– J.W. Rinzler, Lucas Licensing and Author

http://starwarshub.net/2019/02/01/according-to-author-j-w-rinzler-george-lucas-couldnt-stand-the-character-of-mara-jade/

-----------------

As far as I know, George Lucas himself is not involved. He has a liaison group that deals with the book people, the game people, etc. They do the day-to-day work. Occasionally, he will be asked a question and will give an answer."

~ Timothy Zahn

---------------------------

"George knows more about Star Wars than we do. He doesn't see the Expanded Universe as ”his” Star Wars, but as ”ours.” I think this has been mentioned previously, maybe in other places, but it's not new info, as far as I remember."

~ Sue Rostoni, Lucas Licensing (LLP Managing Editor),2004

-------------

[This was when Leland Chee got caught lieing during a live interview from an Audience member question in 2012 ]

But just to give the context of how widespread this deceit and outright lieing had gotten to let’s look at the kinds of things Leland Chee had been saying for years first, and this is just the tip of the iceberg -

"The thing about Star Wars is that there's One universe..." ~ Leland Chee 2008

--

"Holocronkeeper does not support the notion of SW parallel universes."

~ Leland Chee 2009

--

"Everything outside the films was collectively known as the Expanded Universe, serving as an extension of the same universe in the films."

~ Leland Chee 2012

[Even though Lucas had said in 2011, that he makes no distinction between the movies and the Clone Wars series.]

"This is Star Wars, and I don't make a distinction between [The Clone Wars] series and the films."~ George Lucas, SciFiNow, October 2011

-----------------

"Unlike other franchises that reboot with almost every incarnation, Star Wars has proven itself to be a singular universe."

~ Leland Chee 2012

[Bare in mind that Lucas ruled by decree and anything he said was instantly canonical anything that might contradict it, was nulled and voided on the spot, also, note the year on these last two quotes, 2012]

Now watch this...

Q “Hi Mr Chee! I’ve got a question about continuity – are all the various different media of Star Wars (the films, TCW, the video games, the EU) intended to form a single universe, or is the EU intended as a parallel, alternate universe (like, for example, the different continuities between the various Batman comics and films)? I realise that fans tend to each have their own personal preferences, but I was wondering what the official Lucasfilm company policy regarding this was? Many thanks!”

"The dual universe question comes up often. I know George Lucas has mentioned it being two universes , but that’s not how I see it. His vision is definitely not beholden to ours, but ours is definitely beholden to his."

~ Leland Chee 2012

Same year, 2012. The last quote above he made one month before getting caught and admitting that Lucas said it was two universes.

It gets worse.

Knowing full well that Lucas had said it was two universes, Leland Chee had said this -

"And then there's the very top level of canon, the inviolable, infallible level of Truth, marked GWL—George Walton Lucas. It's the divine word of the Creator who stands outside his universe and is not subject to the rules that govern it."

~ Leland Chee, 2008

[Actually, Leland was standing outside of his Universe.]

and this

"George's view of the universe is his view," Chee says with a slightly grudging tone. "He's not beholden to what's gone before."

~ Leland Chee 2008

grudging means he was pissed and he resented it.

[Lucas said in 2005 it was two universes in a magazine interview. Wasn’t the only time he said it either]

You wanna see this get even worse?

*"The G/C/S-level canon stuff is a construct specifically for the Holocron. Non-Holocron users would have no idea what this stuff even means* and I would say most of the people who use the Holocron don't use the field, instead looking specifically to the source of the material. Individual entries are not broken down by canon level."

~ Leland Chee 2005

"...applies only to the Holocron, but is not the same as their standing in LFL's canon hierarchy.“

---

“Understand, that the Holocron's primary purpose is to keep track of Star Wars continuity for Lucas Licensing, and to some degree Lucas Online. To my knowledge, it is only rarely used for production purposes.“

~ Leland Chee

[What this means is that whole 'canon tier' he made up, that wasn't policy that was a filing system protocol for the Holocron like the Dewy Decimal system. It had no baring on actual canon or anything outside of his office.]

~ Leland Chee

-------------------------

Wanna see it get even worse?

"Star Wars continuity, even EU continuity, does not rest on my shoulders.  Our licensees submit product directly to either our editors or our product development managers. The Holocron serves as a tool for them to check any issues regarding continuity,  and after that, if the editors or developers have any questions, they pass it along to me to check for continuity. At the same time, I am constantly on the lookout to make sure that any new continuity being created gets entered in the Holocron. With regard to the the films and The Clone Wars, I am not involved in continuity approvals* though I have often been asked to provide reference material."

~ Leland Chee

[And they would have us believe that George Lucas let them do all of this on their own, and he had no say in any of it. He’s letting them say what is canon carte’ blanche’ They did say that, wanna see what Leland also said about declaring things canon?

Lucas is quoted as saying they don’t follow his guidelines.

-

This one’s the dozy.

As far as LucasBooks and Lucas Licensing are concerned, of course it is. LucasBooks and Lucas Licensing hold sway over the content and storylines of the Expanded Universe, and thus have every right to declare a canon of those materials. Whether this internal declaration is subscribed to by parent company LFL or Lucas himself is another matter, one which, though interesting, is outside the scope of this Holocron-oriented thread.

~ Leland Chee 2004

----

This is exactly what Dave Filoni is referring to. Them declaring certain things canon and writting on some [it wasn’t all, just to be fair, just some] EU products that their story is a canon continuation, and they were doing so without permission from parent company and George Lucas.

It get’s worse. heh

Turns out, Mr. Leland Chee, he never met George Lucas, he never spoke to George Lucas, not even on the telephone, not even by mail. Complete and total strangers.

"I didn't have any direct contact with George about Star Wars. - I would see some notes based on the interviews or the meetings. But I did not have direct contact with George about Star Wars continuity."

~  Leland Chee 2018

“I did not have direct contact with George about Star Wars continuity. Dave Filoni, who worked on Clone Wars, definitely did. So for me, the spirit of George’s work is what’s in the films, and it doesn’t go too far beyond that.” ~ Leland Chee 2018

---

Only took him about 4 or 5 years to fully come clean

"What George did with the films and The Clone Wars was pretty much *his universe ,” Chee said. “He didn’t really have that much concern for what we were doing in the books and games. So the Expanded Universe was very much separate."

~ Leland Chee, 2017 - SYFY WIRE

------------------

“Lucas’ canon – and when I say ‘his canon’, I’m talking about what he was doing in the films and what he was doing inThe Clone Wars* – was hugely important. But what we were doing in *the books really wasn’t on his radar.”

~ Leland Chee, 2018

-----------

And to top it all off, he said

"Dave Filoni is better equipped to relay Lucas’ true feelings about the EU." ~ Leland Chee

So every single on of those things he said about it being ‘One Universe’, One Continuity’, ‘A singular universe’, ‘same universe as the films’, ‘what is canon’, what’s continuity’, all of it, he did so without having a clue with how George Lucas felt.

But wait....there’s even a problem with that.....when he said Dave Filoni is the one to relay about Lucas’ true feelings, which is is in part true, it doesn’t take into account the fact that he did know Lucas said it was two universes.

He says G-Canon -

G-canon was George Lucas Canon; the six Episodes and any statements by George Lucas (including unpublished production notes from him or his production department that are never seen by the public).

Given the fact that he is the only who made that Tier thingy  for the Holocron, I’m kinda guessing he knew that statements from Lucas were canonical.

He heard Lucas say it was two universes, should we really assume all the other quotes from Lucas he never heard them?

Not only did Leland Chee lie, he knew full well what George Lucas was saying and it’s significance and it’s canonicity.

He’s not only a liar, he’s literally a canon breaker.

Leland Chee said Dave Filoni could tell us Lucas true feelings on the EU.

Which brings us right back to where this post started.

"There's this notion that everything changed when everything became Legends. And I can see why people think that. But, you know, having worked with George I can tell you that it was always very clear -- and he made it very clear -- that the films and the TV shows were the only things that he considered Canon. That was it.*"So everything else was a world of fun ideas, exciting characters, great possibilities, the EU was created to explore all those things.And I know and I fully respect peoples opinions about it that some of the material said 'the next canon part of it' <wink,wink>.... But from the filmmaking world I was brought into, *the films and TV shows were it".* ~ Dave Filoni speaking about working with George Lucas

He was talking about Leland Chee and Howard Roffman, They both knew the truth of it. They had co-workers who wouldn’t agree with them on what they were saying because they refused to lie about George Lucas.

"Within the issue of Starlog magazine with the War of the Worlds cover is an interview article with George Lucas. He stated something which he had said before, which is that he doesn't follow the SW EU, he doesn't read the books or comics. He also said that when they started doing all this (which is allowing other storytellers to tell their own SW tales), he had decreed that the Star Wars Universe would be split into two just like Star Trek (I don't know nuts about Star Trek, so don't ask me about that), one would be his own universe (the six episode movie saga), the other would be a whole other universe (the Expanded Universe). He continued to say that the EU tries as much as possible to tie in to his own universe, but sometimes they move into a whole other line of their own."

~ Confirmed by Sue Rostoni, Lucas Licensing Publishing, 2005

--

"Does the main storyline for books and comics go through Lucas to make sure it isn't going to conflict with future movies?

No. George doesn't give us much information about his future movies until he's making them. In general, George does not take the EU into account when he's making his movies.”

~ Sue Rostoni, LucasBooks/LL Managing Editor, 2003

--

"I know that GL doens't create the storys and concepts for the SW novels, but does anyone know if he approves overall story ideas?

"George doesn't see the overall story ideas or concepts. If there is a sensitive area, or if we are developing backstory for a character he's created or mentioned in an interview, we can query him to get more information, his approval, or whatever. And yes, we always query him if we're doing something drastic to a film character. I believe he does read the concepts for the games though."

- Sue Rostoni, Lucas Licensing (LLP Managing Editor), Jun 2004

---

"The books have to follow the same continuity the films do, as they are an integral part of the overall story of Star Wars that Lucasfilm LTD. recognizes as a legitimate continuation of the films, right?

Yes, the books follow the continuity of the films as best we can taking into account that George follows his own continuity, and rightly so. He's the filmmaker.

As far as ”legitimate continuation of the films” -- If George had continued making SW films past Return of the Jedi, I don't think they would have reflected what the SW authors have written.

[This proved to be true. Lucas wrote his own Sequel Trilogy in 2011. The EU did not exist in his sequel trilogy. He was already in pre-production for the movies himself before he sold to Disney.

"Fast forward to 2012, when we hear George is looking to make SW movies again, I thought 'I wonder what next Mon Calamari's gonna be.' And it turns out, the Mon Calamari this time was huge swaths of the EU. There was no Jacen, no Jaina. No new Jedi Order. Chewie lived. Not suprising, but there it was.    

~ Pablo Hidalgo, 2016, speaking on Lucas' ST treatments he wrote in 2011 https://ibb.co/nmjWcBM

He said it was not suprising because he had know forever already that it was two seperate universes and Lucas did not consider the EU canon ever.

"In the old days, George Lucas saw his universe as separate from publishing [EU]. He wasn't at all interested in connecting."

~ Pablo Hidalgo [Lucasfilm Story Group] 2016 http://i.imgur.com/6ZOkAau.png

"He [Lucas] only considers his movies and TV projects as his universe, and told the Clone Wars writers to only worry about those."

-Pablo Hidalgo [Lucasfilm Story Group]

https://i.redd.it/3fpbkocr43q01.png

[We know a lot about Lucas Sequel Trilogynow. Links to that at bottom.]

Sue R Quote continued...

The books, comics, etc., are a ”legitimate continuation” of the Star Wars saga as we [Lucas Licensing] define it. I'm not certain of the context of your question -- somehow I feel like I'm walking into something here...."

- Sue Rostoni, Lucas Licensing (LLP Managing Editor), Jan 2005

----

[At first Sue Rostoni was lead to believe what Chee and Roffman were saying was the case, but she found out that that wasn’t true, and she had met Lucas and she had been working at Lucas Licensing longer than anyone, and she refused to take part in any duplicity especially when it came to Lucas himself. She was a real class act and I have a ton of respect her. That couldn’t have been easy for her. She retired in 2011]

--------------------

So there we have it. So many things going on behind the scenes, so much misinformation on the internet, so many people lieing as it suits their personal wants and narratives.

This is about one thing for me and one thing only. Honoring the gift George Lucas gave us all, Star Wars.

I want his legend and legacy remembered truthfully and for what it really was.

His words matter. When it comes to Star Wars Lucas is God.

---------------------------------------------------------------------------

George Lucas’ Episode VII - https://medium.com/@Oozer3993/george-lucas-episode-vii-c272563cc3ba

George Lucas' Ideas for His Own Star Wars Sequel Trilogy - https://io9.gizmodo.com/george-lucas-ideas-for-his-own-star-wars-sequel-trilogy-1826798496

STAR WARS: The Original Plans for the Sequel Trilogy - YouTube - https://www.youtube.com/watch?v=x1dM9qFe4p0

https://ibb.co/jvph85c