#my one big big gripe with this show which i have to mention is the mess that is Min-yeop and Eun-sae

[atalana]

actually you know what, while this isn't something i had an issue with in the movie (and honestly the costume designers for wicked did an incredible job), i do wanna talk about elphaba's stage dress bc i think the tumblr lesbians will have fun with it!

so like i made a post a bit ago about how i literally only have one gripe with the wicked movie and it's that every glinda outfit was pink (probably for marketing purposes, but stage glinda is incredibly varied in her colours, and she only has one pink dress, alongside a white, a yellow, a green, and two blue dresses)

but i didn't really go into how elphaba is, in her own way, just as colourful!

because if you read interviews with susan hilferty, the original costume designer for wicked, she talks about how the primary thing she wanted to play with was the idea of these two as earth and sky

glinda comes from the sky, both literally in terms of her first scene being in the bubble, but also that is who she is as a person, bright, airy, expansive. she gets so many colours because she represents the rainbow, and whenever her and elphie are put in contrast, she gets the light side as is fitting for the show

(i did mention this in my glinda post too, but in the show the school colours for shiz are blue and white, which they do conform to, but while every other student is wearing blue and white stripes, glinda is dressed entirely in white and elphie entirely in blue)

but to the point of this post! you then get elphaba as earth. i've seen posts around about how elphie's magic is so strong because she's more connected to the world around her, and that's not only true but something worked into her costume design! hilferty talks about mica and geodes being an inspiration here, elphaba comes from the earth and is an intrinsic part of it, she may not look like much from the outside but she holds an incredible beauty inside

and so her dress is designed to look black from a distance, but it's actually not! it's dozens of layers of different dark colours, that shine and catch the light in different ways

(these dresses are also all slightly different because she mentions they made each dress for the actress who would wear it, each one is unique to fit how that person plays elphaba)

it also to me represents her public vs private image, people like glinda who've seen those layers to her knows she's a beautiful person inside and out, know how she could be seen and loved and appreciated for her complexity and depth, but no one looks that closely. they see from a distance, and they see what they want to see - a wicked witch in a black dress

(especially poignant given how colourful oz is and how no one else, no one 'good', ever wears black)

and i genuinely do love the details put into elphie's movie design, i'm a big fan of victorian style costuming and she's got a lot of those elements (plus the amount of detail and complexity put into dresses that are entirely black should be commended)

but i wanna show off her coloured dress too, because it means the world to me

[lemonlovemeanslove]

Coffee Prince is like such an easy go-to example as to why genderqueer AFAB x cis man relationships are in fact queer, like thats in their nature. The show is a queer show about queer romance, about sexuality and gender and the complex, complex ways these things interact with culture and intense feelings. The sworn brother oath is such a great way to exemplify how we use socially accepted concepts of intimacy between men to justify (both to others but mostly to ourselves) why the feelings we feel for that particular person are so intense. When Eun Chan cried "I am neither man or woman," that is a confession. The ''whether you're a man or an alien'' line I have more complicated feelings with.

(Context: I've grown up in the Middle East in a very conservative circle. I say this now because when I tell you I KNOW misogyny and homophobia, I mean I KNOW misogyny and homophobia, and have in my youth consumed a lot of East Asian media where I have definitely noticed a kind of trend in many different genres. Because of misogyny, there is for a lot of women with a kind of fantasy of being loved despite being female. The man-woman relationship is so loaded with so much angst and patriarchy that there is this kind of underlying feeling that you aren’t liked for you, that you are seen for your gender and what it’s supposed to look like, to the point where it’s hard to want to project yourself into a typical F x M dynamic, because you can really only associate it with the patriarchal ideal you so wish to avoid for yourself.)

But anyways, that line to me is also hinting to this: hey, this isn’t just my kind of strange and confused coming out because I feel strange and confused, but also you, Eun Chan, are something out of binary that my subconscious has kind of picked up on but that I right now don’t really have the words for or even awareness of. Eun Chan sometimes wants to be perceived as female—or rather, as a ''girl'' sparkle sparkle—but only when looking for or wanting male validation. (This might seem contradictory to the italicized section, but it actually isn’t. Wanting to escape the role of the female completely but still craving the attention you have been taught to chase actually go very much hand in hand with each other.) Eun Chan is always performing gender when they need to. When they don’t, it isn’t brought up. It isn’t given a name, it just is.

Yes, I know it’s an older drama from a conservative country, but that doesn’t mean none of this was intended. And despite intent, it doesn’t make it less valid.

The drama is thoughtful and is open to complexities, half-truths, and almosts. Cut to ANYTHING between Han Yoo-joo and Han-sung. When I say I want complex female characters, I’m talking about Han Yoo-joo—what a fucking scene-stealer. Anyways, I’m rewatching the drama since I first saw it at 15 because my life is in turmoil, and yeah, it still hits.

[whateversawesome]

Let's Talk About Yor

Something is going on with Yor lately. Have you noticed it too?

Even though she wasn't in every chapter of the latest big arc (Wheeler-Yuri-Twilight confrontation), the arc started with her and ended with her and I think there's a reason for that.

As I mentioned before, Yor is a very emotionally intelligent character. She surpasses Twilight on this, who struggles with his own emotions and the emotions of others too.

So the way Yor works is by becoming aware of an emotion or a change within herself and then she reflects on that. Then, things happen to her and she reflects some more about that issue or emotion, which is usually connected to the things that are happening around her.

Example: Look at the chapters leading to the cruise arc. Fiona showed up and Yor started questioning her place in the Forger family. Everything seemed to be cleared out during that same visit, but then Loid went to a tennis tournament with Fiona and Yor kept thinking about this. When the tennis challenge happened, even though Yor won, this didn't make her feel better, quite the opposite. Finally, Loid reassured her during that date in the bar, right after he got kicked on the chin.

That should have been it, right? Wrong. More things kept happening to Yor and she kept thinking about her place in the world, whether or not she should keep her assassin job until we finally get to that moment when she realizes her reason to keep on living and protecting is her family.

I get the feeling we're now at a similar point in the manga. Somehow everything keeps pointing to Yor, specifically to Yor and her relationship with Loid. Look at what's happening to Yor and tell me what you think is coming:

1.That chat with her office friends about gripes, marriage and welcome home kisses.

2.The welcome home kiss that never happened when she got home.

3."The fight" she had with Loid, or more specifically: thinking about her husband while he was shot by Yuri. (Those sad eyes said a lot!).

4.That honest talk she had with Twilight where she tells him she wants to take care of him.

5.Her chat with Yuri, where her brother asked her if she loves Loid.

6.Meeting the Authens, a real marriage, and seeing them kiss. (The Authens' Theory here.)

See what I mean? If we take into consideration the way Yor grows as a character and the way she realizes things, then where is this heading?

It's clear Yor is about to realize she has feelings for Loid!

The way the story keeps pointing at a kiss with giant arrows is not a coincidence. For Yor, who is inexperienced, a kiss would mean true love and a real marriage (which is what she wants). If the almost kiss didn't happen at the beginning of the story (when Yuri visited) is because back then, the marriage wasn't real. Maybe they liked each other and a little more, but they had just met.

Now about the first twiyor kiss...we'll you can read my theory on that here. And I'd like to add a little more...

I know I said I wanted it to happen in the movie, but I admit I was being waaaay too optimistic about it. Sadly, I don't think it'll happen in the movie. Like some of you mentioned, that moment belongs to the manga and I agree.

However, all that is happening with Yor is leading to that kiss. I still believe she'll be the one who takes that step and will be the one who kisses Twilight. I insist; it's part of her character arc, which is about gaining confidence in herself, becoming a woman, and feeling worthy of love.

At this point, she's on the verge of figuring out her own feelings and after that happens, she needs to accept them and then figure out how she wants to proceed. I believe it won't be an easy task for her. Knowing Yor, she won't want to inconvenience Loid and impose her feelings on him. She also won't want to risk what she already has: her family. So it will take a while and maybe a little encouragement (maybe from the Authens?) to get to the point of actually want to act on these feelings.

But it's coming.

[loycos]

my head's a bit clearer, some thoughts about act 3

-my biggest gripe is episode 7- cool idea, love the concept of peaking into a different universe and seeing what our characters couldve been under different circumstances, but a WHOLE episode. when you only had 9 episode in this season, that already feel like theyre moving at a neck's pace. for a universe that ultimately doesn't matter to the main universe where the story takes place. the fact it had timebomb made it feel extremely fan service-y.

-no emotional resolution to a lot of characters. viktor and jayce are the only ones i can think of that felt like they got the screen time and care for an actual emotional closure.

-isha wasn't even mentioned in this act. in general she was already a martyr for jinx's character development but guys can you make it less obvious.

-it started in act 2, hence why i was so jaded on it, but it continues here: just where the fuck the political drama between 2 cities go? the conflict between zaun and piltover took a back seat since episode 4 and never came back. the resolution to it isn't bad per say, but when u got so little focus on it in the finale it just feels rushed.

-i loved the cait and jinx scene. but like, that was the resolution to it??? after act 1 thinking about it disappoints me. im not against a conversation being the climax to a story, but that is, and im not joking, the ONLY conversation these 2 have in the show one on one. in general the jinx\cait\vi arc ends with 1 conversation per duo (well caitvi got one fight and one very steamy sex scene but u won't catch me complaining). and after act 1, idk i think i wanted just a little bit more. im biased though- the jinx\vi\caitlyn dynamic is my favorite part about arcane. the teasers for s2 always had them front and center so i assumed it'll play a bigger part in the story???

-i felt like what the show was at its core, which is the conflict between the sisters and the cities, was completely sidelined this season. in general i can't really tell what the main theme of the show is anymore. but yeah look at the resolution to the jinx and vi story.did it feel like it had the emotional impact u expected? cause i felt like it was underwhelming.

-sevika?? didnt speak since episode 4???? huhh???

-maddie was pointless. why was she there?? i don't understand the point of that character. i dont understand her motives. she ended up not mattering at all to caitvi's story. the only thing i got from her inclusion is "caitlyn fucks" but is it that THAT important??? of a character trait??? to add to caitlyn of all people?? in THIS season??? this belongs in the realm of fanfiction.

-a lot here felt like fanfiction actually. every silco inclusion (except of him in the cell with jinx), the whole "nobody dies au" they threw in the middle, even the caitvi sex scene (IM NOT COMPLAINING THO). the caitvi scene at the end was dialog out of fanfiction, wtf was that.

-why did caitlyn lose her eye? im not like against the idea on a base level but losing an eye is very symbolic, and im not sure what its supposed to represent here. caitlyn is an observant person, its a big character trait for her. so youre basically saying she sees less now? that she's more laser focused? i sure hope not. wasnt her whole arc with giving up of revenge about seeing the "bigger picture"? her sacrifice didn't feel in character, because caitlyn is not really a "fight to the death" type of character like ambessa is. if she made that sacrifice for something like love, or for the betterment of other people, that would be more in line. idk, you couldve made me on board with it but im just very meh on it. also caitlyn only really emotes through her eyes, it sucks that we get even less of it now?? though i guess it doesnt matter at this point.

-what was the point of the enforcer that looked like vander?

-ambessa was so wasted in these last 2 acts its crazy. where's the "you have to be the fox and the wolf" mindset from her? she felt like she was wolfing only with no wit anymore by the 3rd act.

-mel????????????? it was. uhhh. maybe you shouldve saved it for another series, riot. but in this show, waste of time. the fight she had with caitlyn against ambessa was cool tho.

-i sound like im a hater but u have to understand. s1 of arcane was a political drama and a character study show. seeing all this discarded for magic and time travel shenanigans on like 4 different fronts was so jarring it took me out of the show multiple times.

-cant believe im saying that, but i wish they'd try to stick closer to the characters' current state in the source material (the cursed game). someof it felt out of left field and done for shock value, which isn't why we love the story or these characters to begin with.

good stuff:

-caitvi sex lmao ill take it babyyyyy

-jayce and viktor's scenes at the end were powerful.

-as usual, the visuals were phenomenal. the animation is gorgeous. fortiche u made this show what it is and youre still its saving grace.

-thank god they dropped the warwick\vander plot

-i liked the implication of the conclusion to jinx's story, even if it felt a little inconsistent with the character.

-the ending to jinx\vi\caitlyn was poetic and i did love it, even if it was rushed and didn't really hit the emotional highs i wanted it to.

[thatguywhodoesstuff]

What about you? What about the Warhammer Chaos gods interests you?

Alright, sorry for the late response, but here’s a point by point rundown on my thoughts on the various Chaos Gods and Chaos as a whole:

Khorne————————

The big man of Chaos and the one (besides Gork and Mork) that is benefiting and reveling the most from the constant battles and wars being waged throughout the franchise. In my opinion, the Lord of Blood’s main appeal to me is his simplicity. He knows what he wants and what he expects of his followers, and while at face value this makes him seem like little else than a blunt instrument, just how raw and utterly human the sensation of overwhelming and all consuming anger is both terrifying and compelling, especially in how it plays into and with Khorne also focusing on a traditional, albeit heavily blood soaked, concept of honor.

Tzeentch—————————

Ah yes, the Changer of Ways, Tzeentch is a tricky one on practically all levels. I will admit Tzeentch isn’t a personal favorite of mine, but I am a big fan of how the various domains he covers overlap and interact, such as showing the dual nature of desiring change which isn’t intrinsically good or bad, the danger of recklessly seeking knowledge, and not to mention the blinding effect unchecked ambition has on people. I can honestly get behind Tzeentch, his followers, and the nebulous, ever changing goals on paper, but the fact there isn’t much in the way of defined parameters regarding what Tzeentch draws power from is a bit of a turnoff.

Nurgle———————

Now we come upon my undisputed favorite amongst the Chaos pantheon. Grandfather Nurgle has a rather personal place in my heart as ever since I was young I’ve struggled with anxiety and fears regarding matters of death, pain, filth, sickness, and feelings of depression. See, when I first got into the Warhammer franchise, I found myself drawn to the Plaguelord and his followers as I felt strangely seen in them.

As for in-universe reasons, I find the paradoxical nature of Nurgle and his followers very intriguing. How this god of death also holds dominion over a twisted form of life. How he expresses his own twisted brand of love by “blessing” whole worlds with nightmarish blights. How his acolytes are all twisted & diseased pseudo corpses that are free of pain & fear of death as they shamble forward across the battlefield. I suppose the best way I can describe my feelings for Nurgle and his grandkids is that I find them sickeningly sweet.

Slaanesh——————

Okay, so I’ll admit Slaanesh honestly unnerves me as someone with obsessive tendencies. Aside from the more… obvious aspects of She Who Thirsts and her followers, what always interested me regarding Slaanesh was the personal connection and enmity it has with the Elvish/Aeldari factions. I will say, I do have one major gripe with how the Slaanesh faction is presented almost strictly in a carnal manner in WH40k and wish they would take more from the more widespread concepts of obsession and overindulgence they have been using in Age of Sigmar.

Malal/Malice———————————

Ah yes, the oft forgotten son of Chaos (and Games Workshop). I don’t have much else to say other than I find the overall aesthetic and concept of a faction that embodies the tendency of Chaos to turn inwards and self destruct to be absolutely phenomenal. 11/11, I really wish we would get more regarding this infrequently mentioned and not completely canon Chaos god and faction.

The Horned Rat—————————————

He’s the self serving god of a race of psychotic rat-men hooked on radioactive moon cheese that literally feeds on desperation and desires little else than to despoil literally everything, which led to him just inserting himself into the empty space left in the Chaos pantheon by Slaanesh’s imprisonment. What’s not to love about him and his manic followers in all the different and innovative ways they manage to manifest their depravity?

Hashut/Vashtorr————

Alright, I’ll admit I don’t have a whole lot to say about Hashut, but I thought I’d discuss these two together given their whole focus on the evils born of unchecked innovation and industrialism. Now, I will say I do find Hashut managing to corrupt and radicalize a whole group of dwarfs into their own subfaction with the promise of better materials/conditions to work with and the ability to wield conventional magic (albeit at a price) rather impressive, having basically carved out his own niche separate from the Primordial Four.

As for Vashtorr, I’m really interested in how the story regarding his quest to become a Fifth Chaos god will unfold, especially given how he’s aligned with the Black Legion, and while its clear that someone is going to get screwed over in that particular partnership, especially since it’s currently unclear who the unlucky party is going to be when that time comes. I also find it very interesting how Vashtorr more or less takes the opposite route of Hashut and instead has ingratiated himself to the Primordial Four via the manufacturing of Daemon Engines, while also being mostly untouchable in the greater scope of the Great Game.

Misc. Other Chaos Gods—

There isn’t much to say about the other Chaos gods as they are either yet to manifest or non-canon. I will say the idea of the Emperor of Mankind being a likely candidate of becoming the Fifth Chaos god is something I absolutely love and wish was more fleshed out aside from the rare references to the Dark King and the Star Child. I mean, common, it’s just so poetic that the man that spent thousands upon thousands of years busting his hump trying to elevate humanity and protect them from the forces of Chaos becoming just like the very beings he sought to starve and extinguish with his Imperial Truth and possibly condemning mankind, if not the entirety of existence, just like Slaanesh condemned the Aeldari. I get it’s something on such a massive scale that it’s just not feasible to properly tackle without massive effort on Games Workshop’s part, but it’s still something fascinating to explore.

Also, shout-out to the non-canon Necoho the Doubter and Zuvassin the Undoer for literally being the Renegade Chaos gods of atheism and plans going awry respectively.

Chaos Undivided—————

I suppose to answer the question of what draws me to Chaos is the fact it’s a dark mirror of the rawest, truest parts of humanity. It’s a corruptive force literally born from the minds of mortals and true to human nature, people try to rationalize it, direct it, wield it, only to invariably fail and fall deeper into its clutches. Chaos comes in so many forms and in some there are shades of good, yet it’s all clouded by the horrors it brings. It’s like an exploration of the human condition and yet, at the same time Chaos is in a way a literal man made hell, and that fact just fascinates me on a near morbid level.

I’m sorry that this was such a long read, but I hope this answered your question.

[thatfilthyanimal]

What are your thoughts on Schaffrillas?

Oh Anon I really hope this is being sent in good faith and isn't just bait because well. Hm.

I want to like the dude. I do. Without his review of Megamind (2010) I'm not sure Megamind would have had such a resurgeance that it's had in the recent years. And for a long time, I deeply respected the dude for that.

But I also had slowly fallen into the youtube trap of what I will not-so-affectionately call "ragebait youtubers", which are people who profit off of whatever new piece of media is the Big Thing To Hate. I was subscribed to a bunch of them, and had my big laughs at all the new "terrible" media coming out, for years.

And then suddenly Megamind Vs The Doom Syndicate was the new thing to hate. It was no longer funny. At all. Everyone I subscribed to dogpiled onto it and collectively sabotaged the series following it (many of which were people regurgitating things every other reviewer was saying, often getting things wrong about either Vs The Doom Syndicate or the show following it, Megamind Rules, if they even knew the show existed at all). The Rotten Tomatoes reviews tanked. The screenwriters got threats of violence on their personal blogs, one person actually stating that they wished they could cut their hands off so they could never write again. (Hi, what the fuck?) The Megamind tags were flooded by hate. The fans that DID like the new stuff were dogpiled and told they were stupid Dreamworks shills being paid to promote the new stuff. Nobody believed that there were actual fans that actually liked the new stuff, because the fans of people who do ragebait youtuber shit are miserable, unhappy people who fail to see joy in anything new just because it isn't 100% perfect.

My biggest gripe with Schaffrillas is the fanbase he caters to these days. I have not watched his newest videos about the new Megamind stuff (I refuse to watch any of it; I refuse to give these people my views for their blatant misinformation and hostility towards something "mid" at worst) but there was a SIGNIFICANT uptick in both hate in the fandom tags and harassment to both fans and the screenwriters on twitter, here, youtube, ANYWHERE-- after his video. I don't believe this was his actual intention, he's obviously not a dick, but I refuse to entertain the idea that his intention with his newest videos wasn't careless. "Why Megamind 2 Is A Cinematic Disaster" is a title implying the lie that Megamind Vs The Doom Syndicate is something that should be held up to the same standard as a theatrical "Megamind 2" and the dude is smart enough to know exactly that. The thing is, it ISN'T "Megamind 2", it's an extended pilot episode to a low budget straight-to-streaming show that is actually very damn good. Before Schaffrillas even got to review it, before it even released, I had seen news outlets falsely labeling it as "Megamind 2" in the same way, getting people's hopes up. I asked the screenwriters in a (now deleted because Elon sucks and lots of people fled the site) twitter post if they considered the film/series to be a proper sequel on par with a title like "Megamind 2" or not, and the response was basically "we just consider it a continuation of his story", aka what I took away from it: "No. Not a grand theatrical sequel like everyone is implying. But more stuff, regardless." My own expectations going in were lower, because of this, and I wasn't as greatly disappointed as everyone else who was under the impression this would be some high-budget Puss In Boots The Last Wish level production. Not these people's fault! News outlets and youtubers BOTH painted this film like it was supposed to be more!!

And the kicker to all of that is Dreamworks fully failed to promote Megamind Rules properly. In the advertising for Vs The Doom Syndicate, the show is mentioned as an afterthought at the end, as if there isn't like 7hrs of content behind that film to still watch after, that the writers/artists put blood/sweat/tears into for years beforehand. I assume there was a lot of push to have a pilot episode get turned into a "movie" even though it would have been better as maybe two episodes. But the backlash from the internet seemed to have hurt the Megamind Team SO BAD that the advertising for the 2nd half of the first season didn't even get finished. One of the team members slipped the unfinished ad video onto twitter finally. The ONLY people who advertised the 2nd half of the series were the Megamind Team themselves, and the fans who liked the show. Dreamworks social media was absolutely silent about it, choosing to promote everything else instead. Ragebait youtubers, and this culture of hating EVERY new piece of media that comes out, whether it deserves it or not (spoilers: it rarely ever does) had damaged the future of this show when it truly didn't deserve it. Dreamworks threw their hands in the air and gave up. The Megamind Team did their best to still promote it because their paychecks probably rely on it and they knew old fans still liked the new stuff even IF there was overwhelming backlash about it!

I don't think Schaffrillas realizes the full impact of everything he says and does in his videos these days. I don't know if any ragebait youtuber even cares anymore, as long as they get paid by Daddy Youtube for churning out the next video as quickly as possible before anyone can watch things for themselves and form their own opinions on anything. Does Moana 2 actually suck or is youtube just feeding me videos by unwashed losers who are mad their sequel isn't Shrek 2 perfect? I don't know!! But it's all I see! "This new movie sucks!!" "This new show sucks!!" "This new game sucks!!" holy shit! The reason I -LIKED- people making videos about Megamind before all of this was because the reception was generally entirely positive! People were talking about it because they LIKED it! Schaffrillas, give me a video over a damn hour about everything you LIKE about Megamind and I'll freakin' watch it. I will NOT sit there for an hour listening to someone complain about a piece of media they could just stop watching or walk away from and choose to go watch anything else the actually LIKE instead. IDK!! Idk. I'm old, I'm cranky, I'm tired. I'm glad people have mostly moved on by now and I can have a shred of normalcy back in the tags again. But it will forever be marred and ugly from all the hate from everyone shitting on the newest stuff (whether it deserves it or not) and I will forever be nervous to promote my fandom server to new fans for fear of one of these big youtubers dropping another "this movie sucks" video and their fans going to the tags on various sites to find ways to grief the fanbases for liking something "so horrible". Which, yes, already happened. A lot. (We banned a lot of people this year when we rarely ever had to before this :/)

I don't know if the dude realizes the bridges he's burned, both in the Megamind fandom and with various Dreamworks employees (not just about Megamind, mind you, but also other recent things he's said). This is NOT the way to get anywhere if that's what he's trying to do. It's just going to get him remembered as the dude who made people lose money/jobs because they couldn't make a budget larger from thin air, or couldn't read minds on what would be considered "good enough" to a larger swath of fans of something.

The Megamind Team is full of really good people who really did do a good job and tried VERY HARD with A LOT going against them to make a good product that would make fans happy. It certainly made ME happy! It was consistent with the the original canon material and even borrowed from fandom theories for some things (probably unintentionally? but it's still funny to me). Somehow Schaff managed to make a video over an hour long about everything bad about it. I don't see it that way, and it must be infuriating to live in a world where you CAN find over an hour's worth of stuff to bitch about with it. Yeah, the animation is crunchy and the pilot film goes on a bit long and could have been shorter. Whoo. I'm done. It was easy. Not over an hour long.

There's also a thing about the DeGun? Idk. I don't have the full context but I assume it's about the opening scene where Megamind doesn't dehydrate the Go Fish Gang dudes as they're running away. From a writing perspective, the building should have been completely flooded with water, so it makes sense that he wouldn't. Obviously though the animators didn't have time for the water everywhere or it just got overlooked. But also, Megamind sucks at his job. That's the point. He's new and he's not good. He also canonically doesn't use his DeGun to dehydrate people well before this! Metro Man, Titan, hell-- the whole tower falling towards them at the end of the movie? There's clearly rules towards his tech that are being followed (or the guy is just an idiot idk) that we don't ever get told about, and yeah that would probably be good, but personally all I thought was "ok he's dumb but let's go XD;" when it happened and that was it. I also didn't have monetary incentive to make an hour long video about hating it, though. So. Y'know.

All I really want is for the dude to reflect on where his videos are currently heading and, again, the bridges he's burning due to the careers and lives he's hurting by going this route. I can't sit here and pat his ass for him and tell him he's doing a great job when I feel like he's doing more harm than good, and apparently that's enough reason for his fanboys to have a problem with me and harass me and other fans. Again, I want to like the dude. But at the moment I don't think I can. Maybe he's said some really nice stuff in his recent videos, I don't know! I just know how his fans reacted and how much damage it did, and I don't care to look further.

As usual I just want to say that even if you don't like the movie, the show Megamind Rules is REALLY good and the ending is fantastic and satisfying. It's worth sticking it out, but you HAVE to try to put aside the urge to hatewatch and instead just watch for fun. This stuff is meant to be ENJOYED. Stop holding yourselves back from that. The world is hateful enough already.

[adobe-outdesign]

what do you think of the new pteri day stuff? personally i'm not a fan of the cardinal outfit mainly because something about the face just looks wrong to me, but i like the museum outfit and am glad we got a new one of those. and i think the candy pteri is so funny. i think it's cool to have a choice between a more typical-looking, but still cute, candy pet, and between using PB clothes to turn it into a peep. i've already seen people make hilarious customs with the peep pteri.

Candy: Yeah I'll admit, I'm not the biggest fan of this one, sorry. I do like the concept of it being based off a Peep (though admittedly most people outside of the US don't know what that is—note for non-US readers: a Peep is a vaguely bird-shaped marshmallow covered in sugar crystals sold around the holidays), and I do appreciate them doing two designs, one "outfit" that's super literal and then one that's more pet-specific, which shows a good deal of effort. Also, the outfit is pretty funny purely from a meme perspective in the same vein as the Maraquan Nimmo.

However, my problem is that we're on two ends of the extreme with both designs: one is literally straight up a Peep(TM) with nothing Pteri-like about it whatsoever, and one is a vaguely glittery Pteri with nothing particularly candy-like about it. Why not blend the two? Give us a Pteri with the same texture, but round out the claws, feathers, etc. Make the eye markings all blobby, give the head feathers and tail that signature Peep flip, make the pupils the little candy dots, and maybe even have a little bite taken out of the wing to show off the marshmallow interior. You could even still keep the same outfit for the meme if you want, but then you'd at least have a high-effort Peep-inspired Pteri instead of a Peep(TM) and a low-effort Pteri colour, which I think is an import distinction.

As a side note, I'm linking this post by @synthaphone out of obligation because it says most of the same things I just did but was published earlier:

Forest (Outfit): Once again, not a huge fan. I've never really liked these hyper-realistic animal outfits; I'm playing Neopets for the neat fantasy creatures, so for me, having an outfit that's just like, a straight-up cardinal feels pretty boring.

Putting aside personal preferences though, I also just find this really uncanny? It's a bad combo of way, way too much texturing and detailing on a very cartoonish body with eyes that really don't belong on that face. The rendering itself is at least objectively well-done with lots of nice shading, but I would've much preferred just a regular non-textured Pteri with the same colors and markings. Once again, the difference between making a Neopet inspired by something IRL and just making something that already exists IRL.

Museum (Outfit): Okay, now this one I do like a lot. I already made a review covering museum outfits and in it I mentioned wanting more that aren't just mammals. The Pteri is a welcome addition, following the same format as the other museum outfits but having the skeleton hang from suspension wires instead of it sitting on a platform like all the others. That's really nice attention to detail and works perfectly with the concept. While the rendering here is still more detailed than Neopets' art tends to be, it's not bothersome as it's not uncanny (being a skeleton) and you can still very easily tell it's a Pteri.

My only minor gripe is that the placard shows just a straight-up pterosaur, which is weird. I get that the Pteri is supposed to look a bit like a pterosaur with the head crest and everything, but just having a real-life dinosaur on there is kind of distracting. That's a very minor point though; otherwise, I'm a big fan of this one.

[unikhroma]

the big acid theory post

(i am sorry for how long this is)

couple weeks ago someone on discord asked if i could dm them my gripes about acid theory, since they hadn't seen any criticisms of it. i was very surprised to hear that so of course i did what any normal deltarune fan would do and wrote an essay (aka complained for several paragraphs). posting for reference sake so i have all my thoughts in one place and never make a post about this topic again

----------

basically my criticisms for acid theory are on all tiers/interpretations of it as an life-changing event where he ends up disfigured. i don't think it makes much sense to happen for multiple reasons

for it to happen from a narrative perspective i don't really buy it. spamton's downfall is already tragic in that he lost his friends, his fame and fortune, and got evicted. in regards to the mansion, the eviction itself is the tragedy, in particular that it's implied that it wasn't only him that got evicted that day. a swatchling says that the mansion used to be for high-class citizens. the rooms that were once for these citizens are now for lightners, so it wasn't just that he had no money, he was gonna get kicked out anyway.

i mention this cause a common interp of acid theory is that the mansion staff threw him in as punishment, and i think there's little evidence for that given the circumstances. a while ago i went on this whole spiel about how mischaracterizing queen and/or swatch to try and support the theory makes it weaker to me but that's additional stuff

and about the acid as a threat, it's hard to take it seriously when the majority of mentions of it are for gags or game design-related. for example, the gold berdly statue being dropped into the acid slowly dips in because if it just sank instantly, you could very easily miss it. the swatchling being stranded on the island is a goof with anticipating a battle the moment you set the bridge out for them.

for spamton falling into the acid as an explanation for whatever caused him to be a physical puppet (this is going off of taking the addisons' word that he was an addison too), it doesn't really line up. it doesn't make a lot of sense from a lore standpoint; there's no evidence to suggest that the addisons look like puppets underneath. i mean it's an interesting hc, but to assume it's canon that that's why spamton looks like a puppet now is kinda just filling in blanks.

that one q&a answer where spamton talks about there being some kind of "spamton method" he used every day and became "big" to me implies that it was some kind of slow transformation into a puppet. it's not much to go off of, but it's a lot more compelling than taking a tumble in acid. there's more mystery there and might even explain why spamton showed up to the mansion less over time

i think at this point it's clear that at some point he did get pushed in by someone, as stated in the spa attire from the sweepstakes and one of his valentine's cards, but to me it seems like it was an example of him being mistreated by the other rich residents in the mansion. before he talks about getting pushed in a pool, he mentions that he's gotten swirlies at the mansion, and to me it seems like he's still really bothered by his treatment there which is why he mopes about it.

queen mentioning that the acid can shrink people is also played for jokes, even susie in the ch3 video saying that they'll die if they drink the acid is played for jokes (also i think it would probably hurt them cause they're lightners and not cyber darkners)

anyway, if acid theory ends up being directly confirmed without any cryptic wording and all that i would still dislike it. i just don't think it fits with spamton or ch2's themes and it's randomly dark in a way that's not appealing to me. i like psychological horror more and the puppetfication thing already fits that. i know it's definitely appealing to others and i don't think people are bad for liking it per se, but it's not my kinda thing at all nor do i think it's canon, so i personally want nothing to do with it

[cineflections]

You know, if there was one manga that would be adapted to live action and succeed, I never would have guessed it to be this one.

I'm ofc talking about the One Piece Live Action on Netflix

A whole day binge right after release, I was READY, and thankfully, I was not disappointed. There are cuts and streamlining of the story, characters coming in earlier than in the manga/anime, and some of the emotional bits don't hit as hard as in the original. Still, I can feel the love the production team has of One Piece. The characters are goofy and lovable, but they are also serious and straight-faced.

One thing that I noticed throughout was the constant close up to faces and sometimes straight on, as if almost breaking the 4th wall. The very first scene with Luffy is like this, but there he DOES look into the camera directly, but the pov of the camera is revealed to be a newsbird. It's like a statement that they know this is a silly pirate romp, they know that some people will not take this seriously, but they will not do 4th wall breaks silly, but in-universe silly. Does that make sense?

I laughed at several points in the show, big and wide smile on my face and pointing at the screen several times...

But I do wonder how much of my laugh was on the show's on merit or if I was only calling back on the the source material. At times I did feel the straw hat crew not being as iconic as in the manga/anime. The extreme reactions, the over the top noises and actions, at the same time I realize that real people generally don't act like that.

I appreciate the show runners attention to details. Putting stuff in to tease future arcs, adapting some cover stories, some of the complete unhinged behaviors of characters (Garp I'm looking at you!).

This show adapted Romance Dawn, orange town, syrup village, baratie, and arlong park.

There are so many moments that are almost scene by scene taken from the manga. Luffy in the barrel and meeting Koby. Alvida with her giant spike club. We got to see some pre-captured Zoro moments (particularly him killing a baroque works agent!), Nami being a sneak.

Then we meet the one and only clown Buggy! They hammed him up, they made him a showman and a real clown (with a real bulgy nose as well, props!). I loved Buggy. Goddamn what a show stealer. Excellent casting, his devil fruit was show cased so well and it looked good!

Usopp's introduction is the most changed. The kids are gone and the Black Cat pirates never call in the entire crew or Jango. Instead of the fight on the slope by the beach it's instead in Kaya's house from which they cannot escape. The actor for Kuro nailing the mannerism and hand movements, altho his "teleporting" looks a bit wonky.

With Baratie we are finally introduced to Sanji! Who's British now 😆. And Mihawk's introduction tho! Badass and just so over the top and goofy. I love him so much! This is where we got the biggest change where we instead get Arlong and crew coming in smashing the place up (a tiny bit). Arlong may not be as tall as he should be but I love the practical approach instead of CGI, which means he actually feels present! All the fishmen we see are guys in costume and prosthetics!

Arlong Park felt a bit more rushed than the earlier parts, but I do think they nailed *that* scene tho.

If the bar for live action adaptation was below the ground, I would say now there's a new bar, which is on the ground 😅. I think it's a solid show but it might be my bias talking. I do have some gripes tho.

One thing that was constant in East Blue Saga was how much village people hate or are scared of pirates. I think they got the marines right, and the pirates, but they failed to really have the village people be a character in their own right. In the manga and anime the villagers are mostly a monolith who will think and act alike in situations and be part of the happenings either by watching or fighting. We got just about none of it here, except a mention in Arlong Park. They did some really good and cool world building with lots of people populating the sets in the background - but that's it, they're just extras to fill out the screen. There are ofc a few exceptions but I felt it was not enough.

I wish they had Luffy be more agile when using his gum-gum powers. Whenever he springs a pistol or a whip is stands in place, which I found boring (and they did so well with Zoro's fights!). I do think the explanation is that they decided for Luffy to be coming into his powers as we go. That we will learn with him all the things he can do (him not knowing he can blow himself up like a balloon proves this). I hope that in season 2 (please netflix!) they show the growth in his fighting!

But to end this long post. I just wanna say how much I fucking love the dude playing Mihawk. Goddamn he's so fun. MVP.

For the straw hats, I would say that Usopp feels the closest to manga version, and Luffy feels the most distant from it. But I don't dislike this, and I think the actor for Luffy has so much potential to really make the role his own.

It will never be "just like" the manga and anime, but that's ok! It's a new adaptation (in live action) made by people you can tell loves the source material and really really tried to make it work! I respect that, and I respect this show. Please watch it on Netflix! It's a fun and silly time, just like it should be!

[bobvelsebobsession]

opinions on tender lovin’ cannibal?

I never did a full thought thread on this but I’m glad you asked!

I played the demo when it release and honestly? I really did enjoy it! I’m not a big dating sim person, I don’t play many. I played Monster Prom years ago and that was roughly it.

I feel it has good pacing, character interactions are humorous. Each character has a very distinct personally that shines through with dialogue. The voice actors did absolutely wonderful in their roles. There’s lots of options for choices and getting on characters good sides seem very easy and straight forward.

The game does have some horror aspects which I scare easily so it’s not hard to make me uneasy. And with what parts do have that element it goes a good job with it since one was in a rather strange place.

Now the biggest thing I can talk about? The main focus of the game: Bob

I ADORE Bob in this game, he’s sweet and charming. Shows interest in you and seems willing to chat, perhaps it’s a facade or even genuine. We don’t know for sure, but even so he is very approachable! VoicesByCorey does a wonderful job as Bob and I’m so glad they convinced him to reprise his role for this.

I’m in the discord server for TLC and Corey so I get to keep up to date with things, I’m so excited for chapter 1 and future chapters! I’m happy the chapters will be a week long each and I hope the routes will provide a wide variety of endings. I hope we can share a kiss with the big man and have options for other dateable candidates in case Bob isn’t your cup of tea!

They mentioned they may do this so that’s good news, but Bob will be my first romance. I intend to do an extensive video for each chapter and all route options since this game has really grabbed my attention.

Some gripe though, the achievements don’t fully trigger and some dialogue for Bob is missing, I’m also not a huge fan of Y/N’s clothing. Mostly the hoop ear rings, I don’t wear any ear rings nor wear hats so it seems out of place. I hope maybe we can get options for this at least but I won’t hold my breath on it.

If anyone hasn’t played it and can, I suggest it! If you can’t but wanna see gameplay you can always check my YouTube: HerobrineSings for an extensive playthrough.

[demonslayedher]

Things that ran through my mind while watching this episode:

--s-

--SWORDS

--Sorry, gotta recover from the beautiful ending theme which is unique to this episode--the one that plays after the opening theme which they tagged onto the end of this one. It was just--look at that--those Nichirin blades are so shiny and textured, that is A++ use of computer modeling right there which you can get away with if you have character models there too, they are beautiful, and it is poetic how it mirrors the clip in the opening theme of all the swordsmen. Also, the colors, the lighting, all that gorgeous attention to detail on the steps of smithing a sword! I was cheering with every step! Tamahagane! Mizuheshi! Hammering and folding the billet! Lengthening and shaping the blade! Ya--

--NO

--NO!!!!!!!

--No, no, no, no, no, no, no, no, stop!!! How dare you do that to that beautiful blade!?!?!?!?! You render it breakable and useless!!!!!!

--Huff, huff, huff

--Let me back up and say that this was the second time I yelled "no" while rewatching this episode, because they briefly did it during the clip of Tanjiro passing by the workshops, too (which was otherwise wonderful). I also cannot take credit for noticing it myself, because fellow sword nerd @heartbroken4ever noticed it while these episodes were still new and made brief mention of the katana plunged in water being bothersome. We discussed it a little at the time, and since then, my research has put me through learning metullurgy in more detail, including a lot about this yaki-ire process of hardening the sword by submerging it in cold water. THE VERY BIG PROBLEM WITH THIS SCENE IS THAT IT IS SUPPOSED TO BE INSULATED WITH CLAY SO THAT IT ACTUALLY TAKES ON THE PROPER QUALITIES OF A KATANA. With how much attention to detail Ufotable otherwise gave the sword details and sword smithing process, I can only assume they did this because the viewers might be confused about a murky, bumpy-looking sword, and leaning the swords uninsulated as they plunged them into the water--twice!!--was for the sake of not losing the people who are not sword nerds.

--But, I am still mad at them for setting Yuukaku-hen in late fall BECAUSE THOSE MATSUTAKE MUSHROOMS ARE NOW OUT OF SEASON --griping aside! Tee hee hee hee hee, look at you, Ufotable, being such show-offs with the Infinity Fortress! I loved the sound design in this place and the flutes they added to the demony background music

--While wondering how Ufotable might show off in the first episode of Pillar Training on the theatrical release, it occurred to that we will get to witness Zenitsu witnessing Nezuko under the sun. Our ears might die.

--Since this was a rewatch, I got to giggle along and anticipate everything silly little Douma thing. I snapped along with him too on the "naruhodo." It's so unfair that this was the only time we ever saw Upper Moons interact. This is to say nothing of the extra Douma and Akaza interaction we miss out on, but like, Akaza and Kokushibo smackdowns with Akaza pissed off and Kokushibo pleased with him? But also, just like, Douma and Gyokko hangin' out? Please?? And like, Hantengu's terror-filled voice is endearing, that is my favorite Hantengu form, he's just a harmless silly little guy

--Kibutsuji "I'm disappointed in all of you, except Nakime" Muzan

--Ok, so, I was so wrapped up in Gotou's monologue because I love his manner of speaking so much that it did not even cross my mind that Inosuke was on the ceiling during that whole monologue

--Was Inosuke asleep up there? Is that why he did not pounce on Tanjiro the moment he was awake and talking to Kanao? Is that why Inosuke did not pounce on the delicious smelling food? Did Inosuke grow up clinging to tree branches and the ceilings of caves, because that was safest? Oh---oh my gosh--I did not mean to give myself a case of the Inosuke feels. Anyway, I love how he closes this scene out by staring real close at Tanjiro through his boar snout.

--Anyway, the other thing I was thinking during Gotou's monologue was how much I love the Kakushi and how happily I anticipated getting so much more Kakushi content in this episode. I love them a lot. If I ever show up to an anime convention again, I will probably be in Kakushi cosplay because that gives me fun ways to pose with any Kimetsu no Yaiba cosplayer I run into. They have such good poses, look at these guys. Also!!! Also, I love that the crows must also have the full course to the village obscured? And and and in that scene with Oyakata-sama getting the news of defeating Upper Moon Six, look at those birds hopping out of the way all startled when Oyakata-sama is worked up and coughing. Biiiirbs~ <3 --The first time I saw this, the part I most wanted to rewatch was Tanjiro HAPPILY SMACKING HIS FOREHEAD ON THE TATAMI. This is such a happy little boy, look at him, going on an adventure looking for treasure in the village, throwing his clothes off to go make friends, giving in to his shounen manga hero nosebleed fate but at least being a gentleman about saving the riceballs. You adorable little walnut, you are already dying because you had the mark and that is why you still aren't recovered. --Why were the Mitsuri and Nezuko interactions so brief.... wwwwwwhhhhhyyyyy

--TAISHO SECRET: Genya's birthday falls on "Nanakusa no Sekku," when people traditionally eat a rice gruel with seven herbs as an auspicious start to the new year. In modern day Japan, it is often treated like a day to let your stomach recover after all the rich and heavy fancy New Years food. This was yesterday and I made and ate this rice gruel, I kept thinking of how other characters might have forced Genya to eat this because they were concerned about his stomach. --Tooth

--Genya arguably is a more unfriendly person than Sanemi. While Sanemi was totally justified in being ticked off that a Corp member was toting around a demon and letting it live, Genya just turns around and yells "DIE" when someone says hello to him

--It's a good thing Tanjiro practices Water Breathing

--So, Mitsuri didn't know that was Genya, but she has heard of him, it seems. She made the connection that this is Sanemi's brother, not just that they have the same rare last name. Someone asked Sanemi about his brother, and Mitsuri either was there to witness somebody--maybe Himejima or Shinobu--say something about Genya, only to have Sanemi very immaturely imply they are imagining things that don't exist. Either that, or Mitsuri heard about this from Iguro. I can just imagine Mitsuri remarking right away how scary that is and how sad it is for Sanemi to not even acknowledge someone as close a brother, and then Iguro being like, "for the record........ I have never had any brothers."

--I want to be a guest of the swordsmith village. That looks like the perfect getaway for me. Nice and cozy buildings tucked away in the mountains, attentive hospitality, onsen, S W O R D S. I wanna go. Where is this place??? (That said, the stairs to the onsen do remind me of the stairs that led to the Love Breath display at the Yugawara Onsen collab event, hahaha)

--Muzan told Gyokko to head to wherever it was once Gyokko was sure of his intel. It took Gyokko at least another two months to be sure. It took that long to ascertain the location of the Swordsmith Village even once he felt pretty good about having figured it out. Either that, or they sure took their time.

[katzenklavierr]

Short Review of Sonic Movie 3

Sonic Movie 3 met my expectations pretty exactly: it's a fun action movie for kids that takes inspiration from the video games while making adjustments to meet its own internal lore, just like the first two. So I can't really say I was disappointed by it, but it didn't really blow me away either. I think I liked the second one a little bit better.

If you're a Sonic fan who liked the other two, you will probably enjoy it. If you're a Sonic fan who disliked the other two because they're not faithful adaptations, you will feel the same about this one.

Rest is under the cut for those who wish to go in blind.

Let's get the negatives out of the way first.

I only really have one major complaint and it's that there is way too much Eggman in this movie, to the point where it feels like he has more screentime than Sonic does, let alone all four of the animal characters. I don't even mind stripping Gerald of his moral nuance and making him the big bad (although never mentioning Maria's illness makes his motivations really unclear), but like. Jim Carry's Eggman (now twofold) is better in small doses. At least he died at the end I guess (but if they do another death fakeout for him I'm going to be so annoyed). I feel like the themes they were exploring with him might've been better suited for Shadow so that he'd be a stronger foil to Sonic, which they did a little bit but again. Way more focus was given to Eggman.

The pacing is also really bad. Like, worse than the other two movies. Most scenes don't have any time to breathe before we're jumping to the next thing. Only a few emotional beats are allowed to actually linger long enough to sink in. I get that this is Sonic and we gotta go fast and all, but it feels like this movie being about 20 minutes longer or cutting out some of the Eggman shenanigans to make room for other characters would've benefited it.

They really struggled to find a reason for Sonic's human family to be involved or give them stuff to do. They're important for Sonic's arc, and Tom getting hurt by Shadow is meant to parallel Maria, but they just kind of failed to be relevant in any other way. I didn't really feel it this was as big of a problem in the first two movies. Maybe this film is just suffering from not knowing how to adequately juggle an ensemble cast.

I was a bit worried that they were going to take the story beats from Sonic Adventure 2 and turn it into pro-military propaganda, which thankfully didn't happen. They didn't really address any of the military criticism directly, and Maria's death was explicitly accidental rather than an act of callousness, though I think it was a smart move to have them shut down Gerald's research and imprison him only to build the WMD themselves using his plans and show that they were only interested in keeping it in their own hands. Other than being an inconvenience to Sonic and friends, though, they don't really act as a significant antagonist but rather just a third party in the matter. Again, better than turning them into a force for good, though.

Now for the stuff I did like.

Keanu Reeves killed it as Shadow. He's done other VA work in the past, which I think helps, but he has the exact right timbre for him and just enough emotion to sell the role.

Shadow's relationship with Maria is shown really effectively, and I like that Maria gets to have more of a personality than she really does in the games (though I have not yet played Shadow Generations so I can't speak to her portrayal there). I wish they had explored the tension between Shadow feeling like a monster a bit more, though, as well as my aforementioned gripe that they removed Maria being terminally ill from the story (which I feel is important to her character and her relationship with Shadow).

The fight scenes and action sequences more generally were really cool. I loved both Sonic v. Shadow fights, especially the first one with Shadow on his motorcycle and Sonic on foot zooming through traffic.

Special effects and CGI were also well done and felt very grounded. All of the characters look so soft and I want to pet them so bad. I love the glitter effect when Sonic and Shadow go super, too.

While the scene itself felt a little forced, I did enjoy the chao garden restaurant. I want to eat a chao bao.

I completely called BOTH characters in the post-credits reveal. My thought process was that if they didn't put Amy in the 4th movie (which you know they are going to be making) it would be a crime against me personally and generally a bad move to put in another male character before her, and if they're bringing in Amy it makes sense to bring in Metal as the new threat, especially since they concluded Shadow's SA2 arc in this movie and (supposedly) killed off the Eggmen. I look forward to hearing more about it.

I think I'm still kind of in awe that I live in a world where my favourite blue hedgehog not only gets a big screen appearance, but a whole film series -- one that doesn't suck and is actually successful, even! I feel like the cultural attitude towards Sonic has shifted much more favourably and the films are getting more people interested in the franchise as a whole. In the threatre I was at, there were other adult fans there seeing it with their kids, it was very cool. So even if I have my gripes with them as a life-long fan, I feel they are definitely a net positive and I am glad they exist.

[darknebulablader]

So I watched the Garouden anime. And I have thoughts.

(TL;DR I liked it but have some gripes)

I watch/read martial arts series like Garouden not for the plot but for the beefy men beating on each other so I do not care that the plot of the anime is... sorta not there and goofy as hell. The fights are animated beautifully and are nice and brutal and that's what I'm here for. Yeah the animation was sometimes janky in the non-fighting scenes and there was some funny CGI in the background but again, the fights were good so I was happy. Yay men punching each other in the face.

Also I feel like if someone watched the anime without reading the books or Itagaki manga adaption they would have no idea what's happening and who any the characters are, like for example Tanba's little twink friend shows up halfway through the anime with no intro and it's never explained who he is and I think that's pretty funny.

But. My one actual problem.

From the trailer it was obvious the story was gonna focus on Fujimaki and tell a different story from the manga, which is fine, I actually like him better as a character now after watching the anime, I was pretty meh on him in the manga. But. Then Tanba is also a character. And then they name drop Tsutsumi in the first ep. And then they mention the Tanba vs. Tsutsumi fight. And speedrun like half the manga in like two eps.

SO HOW CAN YOU NAMEDROP TSUTSUMI THREE TIMES AND SET UP HIS AND TANBA'S FIGHT AND THEN LITERALLY NOT SHOW THE BEST FIGHT FROM THE MANGA LIKE HOW CAN YOU DO THIS TO ME PLS GIVE ME THE BIG-TIDDY-SHORT-KING VS UNEMPLOYED-HORNY-FOR-FIGHTING-MAN FIGHT I'M BEGGING YOU

So anyways, pretty salty my man Tsutsumi didn't get to fight in the anime. Other than that, I enjoyed it. Would love a season two.

[samantha-and-nellie]

i finally read “the lilac tunnel: my journey with samantha” (shoutout to @cannon-memely for letting me know that i should actually take the time to check it out!) and i have Thoughts. full reactions from reading it under the cut

to preface this (since there is going to be a tiny bit of snark and general silliness), i did overall have a good time reading this book! i have some qualms with the storylines they chose to put in there, but i do think that the journey books are one of the smarter moves they made during the beforever era. i remember really loving the “you choose” history books as a kid, and i think the interactive component is appealing and generally a great way to keep children engaged. i could absolutely ramble on more about historical fiction for children, but let’s just jump into my (semi-chaotic) thoughts about “the lilac tunnel.”

first of all, FASCINATING that samantha apparently has a swing at grandmary’s house, since i’m pretty sure that it’s never mentioned in the original books. do we think it was lydia and gard’s, or do we think gard (or even hawkins) put it up for sam?

samantha’s got ORPHAN SYNDROME and she’s got it bad

okay. this is probably my main gripe with this book, but having this book set pre-nellie (and thereby having on option to essentially be nellie but under grandmary’s employment???) is bizarre af

on the flip side, the fact that nellie isn’t around really highlights how lonely samantha is, and i think we all know that I’m SOOOO normal when it comes to themes of grief and loneliness in samantha’s stories

WHY TF DOES EDDIE HAVE SUCH A LARGE ROLE IN THIS STORY. DEAR GOD PUT HIM BACK WHERE HE CAME FROM

elsa??? having a prominent role in a samantha story??? what sorcery is this???

yeah, super duper excited to have it reinforced that samantha is ready to accuse servants of stealing so long as they aren’t the servants that she likes

i think we’ve all had nightmares in which eddie ryland appears

samantha having an understanding of the fact that she’s transgressing by being friendly with a servant girl when this book is set prior to her relationship with nellie makes me wonder how much child workers she has tried to befriend /hj

saint louis fair mention for the movie girlies:)

i wonder if the description of grandmary’s outfit on page 30 is meant to be a reference to this dan andreason illustration of her?

the magic lantern show is really cute:) (might be thinking about writing fanfic of this but with nellie…)

samantha being shorter than the protagonist of this story after being the tall one with nellie is honestly pretty funny. smol bean samantha

awwwww gard and cornelia

HEY HEY HEY 

WHAT THE ACTUAL FUCK

BEFOREVER I’M ABOUT TO THROW HANDS

anyways, apparently we need to re-traumatize samantha with near-drownings at every chance we get:) this is not messed up at all:)

guess we better pretend like that never freaking happened

… okay the locket origin story is pretty cute

this book has such insane emotional whiplash. what do you MEAN one piney point storyline is about nearly drowning and the other is about a moonlight swim with cornelia?!?

someone should really draw fanart of samantha wearing the protagonist’s capris (big bow and all)

tbh, kinda confused by the bike plot line in this story, cause didn’t they incorporate the bicycle short story into the main beforever books?

new career path dropped for samantha, folks! (medical field)

mmm the fear about illness is getting a little too relatable here

i love how much dress up there is in this book:) literally would’ve rocked my world as a child

not the ENTIRE RYLAND CLAN coming over for dinner. a formal dinner with eddie actually sounds so horrific

… guess that’s the note we’re ending on for me. thanks for reading my rambles, and feel free to let me know if there’s other journey books i should check out in the future!

[ammyramblings]

I have questions so please read at least some of this if you’re played Shadow Dragon, Veil Jumpers, Lords of Fortune or Mourn Watch!

Some Early Game thoughts on different factions:

I have played so far as Antivan Crow Rook and Grey Warden Rook and am now running a Shadow Dragon Rook.

It’s clear from my content that Antivan Crow Rook has been my favourite so far however some thoughts about why this may be below:

Grey Warden and Shadow Dragon Rook both have more times they can say something (roughly 7hrs in so far) that relates to their faction however everything else around it feels kind of flat. In my Shadow run specifically.

For example the Shadow Dragons start off strong but then kinda of lose it when Neve starts explaining everything about the SD like Vipers name and what the catacombs are used for to SD Rook. Earlier on in gameplay Rook will make some comments that Neve usually makes regarding how the stalls might have spells on in Minrathous; it’s a nice touch but it also shows me that it could have been easily explained that Dock Town isn’t their neighbourhood (this is specifically used in the beginning with Harding and Varric so could have easily been done again) or they could have been less familiar with Tarquin and Viper both options which would have sold me more on the immersive portion of the background than what we got.

We have a high number of conversations with Neve about how we’ve never worked directly together like why couldn’t that be true for the others? This is also mentioned in the crows storyline when Crow Rook would make a comment regarding always wanting to meet Lucanis so we know it can be done and doesn’t have to be a big thing.

Now admittedly this all probably isn’t helped by my playing warrior class which has to be my least favourite class so far BUT that said it’s not like comments that don’t make sense aren’t said in other classes. E.G Viper saying he’ll light the lights for Rook because it needs a mage when they visit the wall of light even though my Rook at the time is also a mage.

I guess my main gripe so far is it’s one of the first big missions of the game and unlike in the crows or warden ones where plenty of commentary is tailored to their background or specifically there to explain away them not knowing things that we as the player might think they should, this dialogue is word for word as if I wasn’t even playing as a Shadow so it’s kinda making the whole thing fall flat for me right now.

I’m torn because I want to do this run to see the options I don’t plan on taking now I’ve found the bits I really like to play with and my favourite characters etc but half the draw for me was seeing how the Shadows react to a Rook they know like Antoine and Evka do to Grey Warden Rook or Viago and Teia to Crow Rook.

Question to follow up for people who have played Shadow Rook - does this get better?

Because right now I’m kinda only putting time in to it to see that stuff and how a dwarf Rook reacts to Hardings stuff and honestly I could do that in a faction I feel more at home in if it’s all going to be like this. It also doesn’t give me super amounts of hope for trying out the other factions I haven’t yet I.e Veil Jumpers, Lords of Fortune and Mourn Watch. So people who have played these or Shadow Rook is it worth it? Or should I just go back to my little crow and customise the difficulty?

[jerreeeeeee]

i also read the suffering game graphic novel. here's praises and criticisms. this one is also more negatives than positives unfortunately, i tried to be fair and thoughtful but i did not like it very much

things i liked:

-lucretia prologue establishing that she went to wonderland + talking abt missing the crew. fun & mysterious

-hi mavis and mookie :) they are cute

-HI BARRY sometimes i forget he stalked merle’s family outing. i love that freak

-magnus and angus scene!! fisher showing angus the statue drawing!! ango detective subplot!! this is a nice and natural addition since we know he was sleuthing around the BOB

-merle teasing taako about his date is kinda cute actually love seeing them be friends

-thank god they got rid of the chimera. idk if this is a hot take or anything but its probably my least favorite fight in the podcast its so out of place and unnecessary. there are lots of fights that didnt really matter in the beginning like all the gerblins and the slime swamp in rockport but they were still like getting their bearings and the show was more like a real dnd campaign than a typical actual play, but by the time you get to the suffering game there’s more interesting things to do and you're like god why are we still doing random forest encounters just get to wonderland already

-not a positive per se but i’m not that upset about sterling and his party being cut. i feel like an adaptation would’ve had an opportunity to make that little c-plot matter more, and that would’ve been awesome, but as is in the podcast, i never felt particularly strongly about it? not enough to miss it. idk like magnus and merle were already for ‘trust’ even if it were strangers and taako never seems all that regretful about it (which like. fair. he’s the pragmatist and that’s how the prisoner’s dilemma works. he played the game right because he couldn’t afford to lose, knowing they hurt some slightly-less-strangers doesn’t really change that).

-i dont remember which of the boys discovered it in the podcast but merle noticing the smoke thing is good. he actually is competent and especially in an arc that’s meant to make him feel useless that’s a good little reminder

-i do like that the liches say the bell is very powerful & is threatening to destroy them like both keeping in theme with the rest of the relics and an introduction to the idea that sharing an incredible and dangerous power between two people makes it easier to keep your sanity, similar to lichdom

-griffin getting cut off with the hunger is awesome finally we’re taking advantage of the medium. nothing more to say that choice rules

-posts on tumblr hyped me up for taako recognizing barry’s dick but unfortunately that’s not really what happened and now i’m disappointed. but the graphic novels arent canon so i’ll just have to continue with my barry/taako awkward past one night stand agenda despite it all

-i dont quite know how to feel about the umbrastaff leaping to barry to replace the “love barry, trust barry” moment. on the one hand, having lup actually speak to taako wouldn’t work super well in graphic novel form, not to mention the whole band of projected thought thing was kinda convoluted and they are clearly very limited on time, and taako choosing to trust the umbrastaff in this way is a creative way to get that same effect. on the other hand, its so unclear what even happened or why it changes taako’s mind without podcast context. that’s one of my big gripes, you’re expected to be familiar with the story already, but if you’re familiar with the story, the graphic novels are… worse in every way. also, i really really liked the original scene so even though it doesn’t work, i miss it. this isn’t as effective—we don’t find out there’s a person missing from taako’s memory, his heart doesn't swell at the sound of her voice, he doesn’t know with certainty that she’s someone dear to him. it's just like, another instance of the umbrastaff acting weird. maybe you put together that 'LUP' is a person but you don't have any indication until the moment of remembering how important she is. all of that would be really difficult to get across in a visual medium anyway, but still, yknow, it doesn’t hit as hard.

-ango!! his mage hand is coming along so well!! although. why is his wand just like a stick. did he pick it up off the ground. taako needs to take better care of his boy this reflects badly on him as a teacher lmao

-i felt this way about the eleventh hour too but there’s so many little details of taako and merle’s friendship i feel like they have little asides and jokes together a lot and i love that

-the looming dread of the hunger is done pretty well (as well as it can be with such time restraints)

-merle trying to commune with pan and seeing john instead is good. very ominous and intriguing for new readers and exciting for podcast listeners

-really liked the panel of barry in the red robe against the stars and the bond engine’s white ring as he’s remembering. very cool very cinematic

-i actually also really like the framing as taako remembers, filling in the memories we’d seen previously and clearing out the static while he looks so broken, and merle asking him what he’s remembering, and then finally speaking his sister’s name. its framed very powerfully. i wish he and lup didn’t look awful so i could actually feel something at that part. like they are my favorite characters ever their story makes me so emotional and i just. they’re unrecognizable. the character designs are terrible and taako has spent 6 books now being mischaracterized and flattened to hell so i just can’t muster any emotion. maybe i'll redraw that page someday though because the panelling is genuinely very good

-the ending lucretia monologue is good she's the narrator she's the main character she's everything. love the portraits staticking out and mirroring and changing, and ending on the beach painting is great. very cinematic and a natural way to phase into the stolen century

things i didn’t like:

-i dont think taako’s deepest desire is his own brand of fashion forward athleisure wear if i’m being quite honest. these little things irk me

-why is liches get stitches all the way in the beginning… ill portent for how the rest of this book will go

-i think they shouldve introduced the flaming raging poisoning sword of doom way earlier. the payoff isnt nearly as good without the setup of having been magnus’ white whale for like fifty episodes. maybe they did mention it in earlier books and i just forgot though

-^ i hate his stupid ugly oversexualized stereotyped ass so fucking much its unreal

-why are edward and lydia ugly :( —(they're not ugly because they're chubby they're ugly because their color schemes and outfits are fucking awful) (fr though why are all their colors so muted and dingy?? why are their outfits boring?? at least their heart attack looks are fun)

-oh so there’s just no trust or forsake at all. yeah i don’t like that. in the end no great loss since i don't think it really says anything about thb's characters that hasn't already been said, but so much of thb's characters and arcs have been cut from the gns already

-i get that they’re low on time trying to fit in reunion tour but like come on part of the suffering of the suffering game is how long and painful it is cutting it down really just. makes it not matter as much

-magnus looks no different after aging LMAO he gets like 2 gray hairs and that’s it

-edward and lydia’s lich forms are also boring unfortunately

-no tasha’s hideous laughter on the heart attack mannequin? lame. although i have for the first time realized that dnd shows kinda have a thing for characters uninterested in romance being forced by mysterious powers to be haunted by creepy puppet-like “romance partners” huh

-magnus doesn’t forget kalen?? why cut that out? i guess because there was never closure for it in the original story?

-no boss rush?? that was fun :(

-magnus and taako aren’t surprised merle has kids??? did they know???

-dupree looks terrible but i guess props to carey for giving him feathers even though it looks bad

-just axed the liches’ backstory?? that was kind of important?? the fact that they turned to necromancy out of love for their family & powered themselves with positive emotions too? that like, has relevance later…

-NO BAD LUCK FOR ARMS OUTSTRETCHED? COME ON

-the framing of magnus’ soul being removed is so anticlimactic in general like the POINT of a VISUAL adaptation is to have interesting & cinematic VISUALS its just so messy

-all of arms outstretched didnt look very good in general sorry. its just such a big important moment and to make it so mid… a tragedy

-“i guess we still needed each other after all” doesnt work anymore because they removed all of edward and lydia’s backstory and character but it was an interesting line to me that i wish had been kept. hammering in that liches need anchors is, again, pretty relevant later on, getting rid of that foreshadowing sucks, and it also humanizes these villains in an interesting way that really highlights their powerlust as their downfall rather than just, like, cruelty for evil’s sake. like yes they torture people and find it fun because they’re so distanced from their own humanity but they also truly believed it was necessary for their own safety and seemingly only became sadistic after they desensitized themselves. i wrote a post about this a while ago but idk if i’ll ever post it

-not a fan of barry killing lydia either. idk why, its not like he hasn’t killed other people to protect the boys before. but that’s earlier in the show before we know he’s not just a villain and is in fact meant to introduce him as a villain. now he’s a friend so idk if you can just go back to having him murder people? again its not a wrong choice but it feels like messy storytelling. also like i think seeing a lich grieving her anchor and a sister grieving her brother would pull some heartstrings for him. it would maybe remind him of some people he loves and garner some sympathy and give him some pause. and i liked that in the podcast even though lydia was so distanced from the idea of positive anchors, killing edward just immediately undoes her, fits in with the themes and the way we understand liches to work, another powerful example of what bonds can do, and that's kinda lost here

-magnus’ answer to the bell sucks so badddd lmao when these books NEED context they’re devoid of it but when they actually have the necessary plot points/character arc established for the reader to put something together they have to go and spell it out like the audience is stupid. there was something so raw and powerful about magnus’ original “i’d hate it. shut the fuck up.” like just shutting it down and not even considering it. that’s completely lost when he has to be like “recap time! my wife, julia,” eugh just didnt like that. there are so many powerful lines from balance that i don’t hate on principal that they’ve changed, but there was no good reason to change, and so the new version just falls flat and there was no reason not to include the original lines verbatim? i get not wanting to just deliver a podcast highlight reel and have the gns be their own story or w/e but if you’re gonna do that you have to do it well, and they just keep being worse unfortunately

-they don’t get the chance to go off the grid themselves and choose to trust barry?? come the fuck ON that is IMPORTANT to the STORY

-this may or may not be an unpopular opinion but i’m not a fan of barry’s design either. i don’t like the hair and he’s not fat enough. less egregious than others but its still another instance of being like who tf is that

-barry’s little coin monologue was kinda fun and dramatic and i (finally) liked the visuals of him falling from the sky/silhouette of the starblaster against faerun’s single sun. but i wish they’d kept more of the original. add drama that’s fine but the point of it is to humanize him after we’ve spent so long thinking of him as a villain and a ghost and a force of the story and now it turns out he’s barry bluejeans. he’s just a guy. he loves his mom. he’s allergic to dairy. he’s afraid of the dark.

-especially not a fan of cutting out the “love that defined and redeemed you” and “dull weight in your chest” in barry’s coin monologue. those are important parts of his character. whether you interpret the love and the weight to be for lup or for the whole crew, you need to know that the red robe has lost people, and that everything he does is to try to get them back. he’s the lover and he’s grief personified. his mission is to save the world AND recover his family. thats like. kinda important for his character and role in the story. if you ask me.

-again the “we’ll get em next time” magnus flashback is not BAD but it could’ve looked so much better? carey definitely has strengths as an artist but her fight scenes and character design tends to be very weak so its unfortunate that this is an adaptation of a dnd podcast where those 2 things are like, the most important. idk i feel like i should be articulating what i mean better but i’m not sure how. the fights just are often really cluttered and framed in an odd way that doesn’t look very good or dramatic or dynamic. i don’t want to say carey is a bad artist, i really don’t think she is! but i think she was not the right artist for this project. the magic of a visual medium is, well. the visuals. when they’re mid the whole story suffers.

-taako and merle not just saying magnus is dead is sorta unnecessarily confusing since everyone like assumes he’s dead anyway? idk i don’t understand that choice. kinda fucks with his moment with carey. not a big deal in the end but it does seem unnecessary

-MAGNUS DOESN’T GO SEE FISHER?? the mannequin dies in fantasy costco??? what about johann???

-“you stole half of my fucking heart” i know a lot of people loved this line but it genuinely baffles me. Why Only Half. not only referencing one of the most heartwarming (and heartbreaking) lines in the original show with no context for why its meaningful at all yet—but also minimizing it? why soften that blow? why detract from the raw intensity of that grief? why reduce a very powerful sentiment? an adaptation of balance that doesn’t allow itself to be earnest and wholehearted (ha) about its platonic bonds is not a good adaptation, straight up. maybe its not that deep but it is To Me. maybe it has no real import and i’m just being stupid but like they made that choice to write half instead of just “my heart.” Why, genuinely

-hey what the fuck happened to johann for real though. that was a really important part of the story. hey. hey. what about johann. like are we just ignoring johann. am i insane. how has no one mentioned this. what’s up with johann

-

so all in all, again, rushed pacing, axing of a lot of very important plot points, shoddy visuals.

it did not make me relive the emotional journey of the suffering game and reunion tour. it inspired a vague nostalgia for the first time i experienced reunion tour, reminded me of how much i love the original show, and made me want to listen to the podcast again. especially reunion tour good god i love reunion tour. and it made me desperately wish for a good adaptation. i would do fucking anything for a good adaptation. the longing is making me sick. at least we always have podcast reunion tour.

the graphic novels are just so empty and soulless compared to the original show. i wouldn’t have an issue with changes, except that the changes, at every turn, gut the emotional core of the story that makes it so special, and ruin the strong themes throughout the story. they fundamentally misunderstand what is so good about balance. and also, like, basic storytelling. they’re poorly designed and poorly written, so they don’t even stand on their own as a different story. i'm not expecting an exact replica, but i am expecting good writing, good changes when necessary, and respect for the original beloved story. without those, the soul is gone, the spark of what makes balance so compelling and emotional.

i am dreading the story and song graphic novel. i don’t think it will be any good. the themes and character arcs and plot of the show have been mangled beyond belief so nothing is really meaningful anymore. can we go back to the johann thing for a moment—