#my love for him blinded me I guess

[jojo-schmo]

In this house, we cherish Helpy. We thank him for his hard work and pat his head and give him all the candy that he wants because is a good and lovable little cub!!

[sysig]

I think the world is so wonderful... (Patreon)

[seriousturd]

Made another doodle comic of a BMB scene that I love!

Bonus under the cut hehe:

[shadowfloofster]

Watching Bad's vod where q!Foolish, q!Cellbit and q!Baghera are trying to set up q!Bad with q!Forever, now with CC!Bad's comment about his character being oblivious in an aromatic way is great

The others talking about who to ship q!Bad with while he sits in his chair, the aromantic and skephalo flag slowly fading into the background because this man will not be with ANYONE unless it's Skeppy

And I love that about him. They're currently talking in metaphors and q!Bad is just "????? I don't understand" and I love him for it.

Foolish: we're talking about the emotions in your heart right now!

Bad: Diamonds are forever!

Either he did that on purpose or that's the best coincidence to ever happen

[sqlmn]

So have a new OC! His name is Reynold and he works as like…. CIA or FBI I don’t know yet. His hobby is doting on his younger (by ten years) brother. His younger brother (and a friend) are recruited by a goddess from another world to be the hero (and aid) to saving her world from the demon king. Unfortunately, the hero is bad at saving the world if seems.

The goddess returns to earth and begs Reynold to join her and help the hero - his beloved younger brother. So he agrees under the condition that “I would do literally anything to help him. I only ask when you send me to your world, I want to be a woman.” And the goddess is just like “odd flex but ok” and does so.

Rey (it’s so much cuter than Reynold and still works) then does an excellent job at protecting the hero and solving problems for townspeople … to the point that the demon lord’s army kidnaps her and takes her to their castle as leverage to lure out the hero. The demon lord looks at her and just gets really confused because “your soul doesn’t match your appearance. If you aren’t the hero, were you cursed?” And Rey is not willing to admit to the big bad demon lord ‘well my brother called me creepy since we’re both guys and he wished he had an older sister instead’ so he just looks away and says nothing. Over a week, Rey keeps waiting for torture of some sort (heck, she’d be willing to torture someone for the hero and besides /what/ is otherworldly torture like?) but the demon lord keeps trying to talk and ask questions. Finally, he asks “do you want me to return your form?” And Rey agrees. He kinda misses being a guy.

Finally the hero gets to the castle and is ready to fight the demon lord and … doesn’t understand why there’s an illusion of his brother in the castle since he should be a she last he was aware. Reynold tells him “oh hey! I solved the whole world being doomed problem. I’m engaged to the demon lord. Don’t worry, I arranged for you and your friend to return home! And! I’ve secured visitation rights!”

The hero tries to suggest they team up and take the demon lord out buuuut the demon lord isn’t thrilled by the idea so he transforms into a huge dragon and gets between the brothers. Unfortunately, Reynold thinks that’s kinda hot. Crap. Oh well. He’s gonna be married to him so it’s fine probably. And so that’s how Reynold saves another world and gains a seven foot tall husband.

Also noteworthy: he’s basically a cryptid in two worlds. On earth he’s constantly going radio silent and then popping up at his parents house and picks the lock and stays for ten minutes before leaving. In the other world, rumors of a woman in love with the hero who fought anyone who got too close still linger in multiple towns.

[detrasystem]

it's actually bonkers how good of a host Lenni is. like...we're not all fusing but he does very much have little snippets of all of us in him. so there's like...not one thing that someone else can do that he can't. he is for real like our final form. and yet he still has such a strong individual personality of his own which keeps both him and the rest of us existing in harmony. insane. love how our brain has figured this out.

[todayisafridaynight]

Right??? Thanks so much! I actually first fell in love with Jo's character when RGGJo's voice lines came out haha, so it's super fun to be able to share them.

But I can think of a couple of reasons for the wild personality gap, and for me it starts at their respective roles. Obviously main antagonist and major supporting character are going to draw different levels of attention to themselves, but I think it's chiefly that RGGJo is not just Jo, but he's both Jo and Masato as one character.

RGGJo is much, much closer in age to Ichi, and though they're not "twins" like Ichi and Masato are (RGGJo is a little more than 2 years older), it's thematically there I think. The whole "twin dragonfish," dark and light, two sides of the same coin kind of thing.

And just as Ichi was initially conceptualized as a sort of "greatest hits compilation" of the previous protagonists' most compelling traits, I think there's a strong case for RGGJo being the same for the previous antagonists--specifically Nishiki, Ryuji, and Mine, who are pretty clearly Yokoyama's favorites anyway lol.

I have a feeling casting has something to do with it as well. RGGJo's actor, Hiroki Takahashi, is actually the exact same age as he is, and he's voiced his fair share of fun, flamboyant villains. If I wanted to speculate, he's also voiced his fair share of BL, so that may be why RGGJo's voice lines have a Certain Slant to them; directing his delivery to capitalize on his established appeal (although he has quite a range) makes sense.

Tsutsumi is also only a few years off from Y7Jo, and he was cast for having the dignity and screen presence to "make every word feel like it might have a deeper meaning." Yokoyama (and Takeuchi) wrote the games, he and Nagoshi handled the casting, and Yokoyama generally handles the voice direction for the main story, so a lot of it's specific to his vision.

Within that context I think it's relevant that he wrote Y7Jo while picturing Tsutsumi specifically. RGGJo was more malleable and less "consequential" in terms of the franchise, so, y'know, why not have a little fun with it? I think that's reflected in their designs as well. RGGJo's is larger-than-life while Y7Jo's is relatively subdued.

Overall, I get the sense RGGJo's role is more akin to "son" and "brother," (aniki, if you will), like Masato, whereas Y7Jo's role is more akin to "co-parent" and "father" and I guess "Evil Stepdad" in a Cinderella kind of way. It's not exact across the board, it's not literal across the board, but it's the archetype, right? And I think that does, exactly like you said, have far-reaching consequences for their backgrounds and who they've become as a result.

BTW, you actually are up to speed on Ichi's story, because uh… that's where it stops lol. It was discontinued at roughly the equivalent of the start of Chapter 12 in 7; the rest of the story was written, but not published. It Kills Me.

But I think, despite any concrete backstory, the implication for RGGJo is that (if I assume he joined earlier than Ichi, which would make sense given he's captain), he was at most 18 or 19 when he joined, and he's exactly the same kind of Arakawa fanboy Ichi is. The 15th anniversary book goes on to say he "was purely in love with [Arakawa]'s greatness" and so cannot tolerate the idea of allowing him to live and die in obscurity at the bottom rungs, of Arakawa being in a position not equivalent to his "greatness" in his eyes.

But Ichi thinks that's regardless of what Arakawa himself may want, since RGGJo is apparently not going to stop until he makes him chairman, which the Arakawa Ichi knows wouldn't really care about. I think there's an interesting mix of selflessness and selfishness in his desires that reminds me of Mine.

And that's explicitly as opposed to Y7Jo, whose loyalty remains the same, but whose feelings and motivations are complicated by the existence of Masato; the usage of "purely" before is notable here, as another suitable translation would be "uncomplicatedly," which to me would suggest that degree of admiration is a component of his loyalty in 7 as well.

So I think you're absolutely right the circumstances with Masato are a major aspect of what's going on with Y7Jo. It's inextricable because he's got this immense gratitude towards Arakawa for raising his son and also a need, a primary driving force, to be a part of his son's life at (almost) all costs. The natural result of that is going to be reluctance to do anything that tips the balance.

I think that's one of the things that make him so compelling, he's forced to make a lot of tough, meaningful decisions and there's often (but not always) no right answer. And that's really clear to see with Aoki, as you say.

(Kind of a side note, but somewhat contrary to the above, Masato may actually have existed in RGGO's timeline. There was a comment from Yokoyama or Takeuchi suggesting he's not in RGGO not because he simply "doesn't exist, but specifically because Arakawa may not have opened the right locker or may not have made it to the lockers in time. I guess the other implication would be that Masato would've been Arakawa's biological son in RGGO instead, since RGGJo would've been too young and there was no need for a switcheroo? It was just an off-hand comment, but it's interesting to think about.)

Also, loved your tags haha. It's SO funny you start off like you're going to say something crazy and then it turns out to actually be something I wanted to write about in the previous ask, but that I cut out because I couldn't make it flow. I guess it might just be the case that I'm crazy on the same wavelength?

But yes! I think a lot of the time, impressions of that aspect Jo's backstory sort of begin and end at Evil Stepdad Perpetuates Cycle Of Abuse, perhaps understandably, but there's genuinely so much that's established in both his and Arakawa's backstories that have clearly stayed with them that I'm positive your take on it is at the very least least true to the character, whether or not it's intentional.

Because like, Arakawa and Jo both came from abusive households. And they're both affected by Aoki's "parental abuse" (although Aoki doesn't know it himself, I guess he doesn't need to). But the way Arakawa has always dealt with abuse is defiance; I think the implication of one of the first scenes is that that's how he got his scar. Jo, on the other hand, has always dealt with abuse with avoidance. Running away. Brushing it under the rug, like he says he and Ikumi had done all their lives; I think that statement's fairly clearly linked to abuse and neglect.

And I think that shows both in Arakawa and Jo's respective responses to traditional authority figures and in how they choose to handle things with Aoki. Arakawa defies Aoki's plans in his own way at every turn, and he ends up getting killed for it. Jo, on the other hand, ignores it until there's nothing left to do but sever himself completely, in the same way there was nothing left to do back then but run. IT'S SO. Ugh.

Each Jo's respective role in the overall plot of their stories definitely plays a part in why they turn out different from each other the way they do; it's interesting to see how RGG decided to handle Jo's character to sort of 'adjust him' to fit better as more of a background figure than The Big Bad, and to especially see how his relationships end up is spectacular. Choosing to divide that devotion between his son and his boss in Y7 is something I'm just positively obsessed with: it's clear he joined the yakuza predominantly for Masato's sake, but the concept of Jo gradually coming to genuinely respect Arakawa as an individual opposed to someone that he just happens to have to follow after because his son's involved heightens him as a character for me (I might have to write a side piece on the psyche of Jo- there's just a bunch of aspects to him that I want to explore better and really intrigue me, but I refuse to try and squeeze any of that into this long-as-is answer lmao).

I definitely recognize Ryuji and Mine the easiest in RGGJo (Mine's influence still persists a bit in Y7 to me, if not solely for his devotion and his own version of The Knife Scene existing as The Eye Scene; though Jo's anger wasn't purely due to Arakawa's death in that scene like Mine's was due to Daigo's 'death', it was clear Arakawa's passing was a sore subject). Jo's dedication to Arakawa in RGGO really is totally reminiscent of Mine's devotion to Daigo: both willing to take drastic measures to secure the ones they idolize the spot they feel they deserve and to exterminate any opposition to that dream (if I'm remembering Mine's RGGO story right wherein he partakes in the Okinawa deal as a HUGE ploy just to secure Daigo remains chairman should he wake up, but I don't have to clarify how that didn't go as planned).

As for Nishiki, it's clear Jo borrows his 'position' in the story, just as Ichi obviously takes Kiryu's. To yoink a phrasing from another ask I got, they're 'dark parallels': though they both clearly want the best for Arakawa, they're going about it in different ways (in that sense, Y7Arakawa's line about him seeing the Arakawa Family as his 'sons' makes this situation a little funny: just two kids fighting each other for what's best for their dad lmao). It's a shame the story didn't go on any more after the Millenium fight, but I'm a little happy knowing in that I'm not missing anything (what I will scratch my head over is what RGGOMasato would've been like. I guess it's not exactly certain whether or not he survived The Locker Incident or he was just so considerably normal he wasn't worth bringing up, but regardless I'll have a ponder about it..). It'd be rad if RGG ever decided to release at least the drafts of the rest of the story one day, but I won't hold my breath.

I've peaked over at Takahashi's past roles (I didn't realize he's voiced so many characters I know omg), and I think that's a fair conclusion to come to: he repertoire combines characters with sort of 'harsh' tones to their voices/dialogue, but as you said he does benefit from having voiced some 'lighter' characters! As for Tsutsumi, I think I've made it a little clear on my blog that I've taken time to look at his past projects, and though I haven't seen all of his roles, Jo's an interesting inclusion to his list (but by no means an inappropriate fit. If I were to compare him to one of Tsutsumi's past roles, Nobunaga Oda from Honnouji Hotel is similar in being an intimidating man with a violent reputation but still having a 'soft'/deeper side). It gets more fun when I think of it: Tsutsumi, from what I can gather, is a tad renowned for playing loving fathers (whether they're perfect fathers depends on the character, but they all absolutely adore their kid/family- this might be the only time I've seen him play a father and he isn't doting on his kid, lmao). Yokoyama and Nagoshi are definitely masters at deciding who should play who and how to utilize their talents efficiently, and having prior knowledge to Tsutsumi's roles, I feel as though audience members would have been able to get a hint at Jo's whole character early on (just as RGG had capitalized on Takahashi's reputation) which I personally find to be a fun tidbit, if not just grateful that they chose such an excellent actor to play such an intricate character. Ergo, his ability to give 'deep' performances and have that sort of presence and give his character that type of atmosphere definitely helps enhance the human aspect of Jo's character.

It's a great blend into Jo's otherwise cold demeanor, and going off the idea that RGGJo was a combination of Masato and Jo, the decision to have Jo be a committed father to Masato (as much as he's allowed to be, anyhow) while Masato became the power-hungry villain (even if RGGJo's motivations were ironically centered around Arakawa succeeding moreover himself), it's somewhat of a roundabout way to have them still be connected: though they're not the same character anymore, there's that bond that keeps them stitched together that I find neat.

AND THANK YOU ABOUT MY TAGS I can't sugarcoat it, I'm not a very confident person, so I'm glad you've gleamed there's some validity to what I'm saying. And I'm glad you've expanded on not just Jo, but Arakawa's upbringing as well: though they both come from abusive homes, they do handle it differently, and I feel so blind for not even having wholly noticed it in how they react to Aoki- it's so brilliant I almost want to scream. It's a tragic irony that despite Jo resolving to not 'half-ass' things anymore and to face things head-on, to 'take responsibility', he incidentally falls back into trying to avoid the problem for as long as he can. It's poetic really, and I'm positively going to go insane over the fact.

[rubberbandballqueen]

a kid at work was like "look at my stuffed animal!!" and i was like "ooooo" bc i love soft things n then she was like "would you like to hold it?" n i was like "BOY WOULD I!!" n then she was like "but he's been injured so i put a band-aid on him" n i was like "oh does he need to be sewn up?" expecting this child to have been like me n just put band-aids on her stuffed animals For Funsoes but then she was like "yeah :(" and showed me the hole n i was like "oh my god. would you like me to fix him up?" n so anyway i have now fixed up the giant gaping hole in her stuffed sloth hehe c:

[orcelito]

I was on call for nearly 7 hours between streaming my samurai game, watching anime, and then just chatting some. Which was really great for getting my mind off things!!! Hung out with a good assortment of friends, which was pretty great.

Though. Now I'm alone again. Which I usually enjoy. But it also has me remembering why I was on such a long call to start with...

I have therapy tomorrow, and I don't know whether I should mention this. She's primarily my grief therapist, so it'd maybe feel weird to spring something else on her... but I don't know...

[something-of-a-hermit]

Why is O Superman (Laurie Anderson) so incredibly comforting but also I’m sobbing my eyes out at 12am over the line “and when force is gone, there’s always Mom (hi, mom!)”?

[lionblaze03-2]

personally I don’t hate gray wing nearly as much as everyone else because he’s a great example of having rose colored glasses just because ‘well, he’s family’, and not realizing until far too late that that essentially ruined his life and made him amount to almost nothing. Because clear sky is his brother, he wants to assume the best of him. Surely, my brother would never. Surely he didn’t mean it like that. Surely he’ll do better next time. He’s my brother. He COULDN’T be a bad guy. So he keeps giving him chances, over and over and over again, until it’s completely destroyed him. Until he can no longer breathe, his lungs full of toxic smoke that clear sky abandoned him to breathe in, until he is under his claws, nearly killed under the moonlight, until his people are battered again and again, until borders become inevitable. But he never, ever realizes, because- it’s his brother. Surely, his brother will do better next time. Surely, he didn’t mean it. Surely, he will change.

And believing that is the death of him.

[thesewordsareallihavetogive]

normally I'm not very critical of movies but oh my gosh. the one I just watched was so bad (I sat here for a while trying to figure out the best way to word this but the benadryl has already kicked in. no thoughts head empty). like genuinely how the fuck did this get funding. How did it make it into THEATERS?

[currently-becoming-potatoes]

List of words for the computer:

LONG POST- more under the cut

STANFORD- Pulls up a file on Stanford Pines, written by an unknown scientist. It discusses his extra finger and praises his intelligence, as well as calling him the “next evolution in the human species”.

BILL CIPHER- Takes you to the Wikipedia page for the Eye of Providence. Also took me to a Sesame Street video about a Jazzy Triangle and a Square. Not sure what prompted the change.

STANLEY PINES: Takes you to a list of EBay listings for brass knuckles.

FIDDLEFORD: Takes you to the music video for Cotton Eye Joe by Rednex.

SHERMIE: Nothing. I sure do wish we got some lore about Grandpa Pines.

GRAVITY FALLS: The text on the computer reads “never heard of it” and the red light on the bottom turns green.

ALEX HIRSCH: Leads to Google Images for “flannel”. Huh.

WEIRDMAGEDDON: Pulls up an article from the Gravity Falls Gossiper about how nothing happened at all and there was no apocalypse.

DISNEY: Screen reads “rat.gif censored for your protection”

SOOS: Leads to a page of writing from Soos himself, referencing many things (including Tad Strange being gay and madly in love with Woodpecker Guy. Love wins!!!)

DIPPER: Leads to a creepy yellow parchment with a message from Bill Cipher himself trying to trick Dipper into blinding himself by staring at the sun for 13 hours straight! Silly! (Also if you keep clicking on it, the page gets darker and blurrier until it implies we've gone blind)

MABEL: Causes stickers to appear on every available surface. Clicking it enough times leads to message “lab now fully Mabelized”.

WENDY: Leads to a note from Wendy that mentions a way to ward off evil triangles written in the bottom corner of the book.

GIDEON: Makes a web recording of Gideon scatting play. It ends with “I love you forever Mabel”. Please shut the fuck up you little creep.

TAD STRANGE: Plays a video of bread with smooth jazz in the background.

TOBY DETERMINED: Leads to a Google search for a restraining order. Holyyyyy shittttttt

WHO ARE YOU: “I could ask you the same question”

SEASON 3: “Season Two”. I guess that’s that lol

This was about all I could find. Please reblog with anything else you can discover! Thank you, fellow Gravity Falls enjoyers!

And make sure to give some love to all the wonderful folks down in the comments! Many of these answers and tips come from what they've found. I can't list everyone, unfortunately- I didn't expect this post to get popular- but, to everyone who's helped out, THANK YOU.

FURTHER EDITS:

BLIND EYE: Pulls up an optometrist’s eye exam. Each line reads “WKHBOOVHH”. Too lazy to translate atm.

PIÑATA: Bill Cipher getting beaten to death /hj

MASON: A note from Dipper listing several anagrams of Gravity Falls characters’ names. You can check in the comments for the answers.

AXOLOTL: “You ask alotl questions”. Thanks for the pun, Alex, but I’m kind of losing my mind rn

MYSTERY SHACK: Leads to a Google search for Confusion Hill, the real-life Mystery Shack!

MYSTERY: “?”

MONSTER: Leads to several YouTube videos for “There’s a Monster at the End of this Book.”

VALLIS CINERIS: Leads to an analog-horror-esque video of Baby Bill and his parents, who have been blotted out by static, and a voice repeating “WHY DID YOU DO IT” over and over again until you stop the video.

PORTAL: “Portal.exe has been deleted. I bet you could build a new one.”

GIFFANY: You need to put it in multiple times. Several warnings about breaching firewall, followed by a message from GIFFANY saying “SOOS! I still love you!” or smth like that, and then GIFFANY herself briefly appearing onscreen. Trying again after that summons her more. Also lets you download some ZIP files.

DORITO: Summons an image of a spinning Dorito, followed by the most cursed image of Bill Cipher I have ever seen.

GOD: A short video of an axolotl in a tank with a Bill Cipher statue plays. This is Alex’s axolotl, shown in the Book of Bill countdown.

REALITY: “Is an illusion”

FILBRICK: “I’m not impressed”

CARYN: “I knew you were gonna write that”

GLASS SHARD BEACH: Leads to an image of the New Jersey Hell Hole.

ANY CUSS WORD: Pulls up a paper reading “NOT S&P APPROVED. WASH YOUR MOUTH OUT WITH SOAP” with an image of soap below.

MATPAT: Leads to a video of MatPat next to a conspiracy board, holding the Book of Bill. He tells us we’re on our own.

BABBA: Plays an audio recording of Dipper singing BABBA. Not Disco Girl, a different song.

CRAZ: Leads to the Jem and the Holograms theme.

XYLER: See above.

AD ASTRA PER ASPERA: Shows us two new journal pages from Ford and Mabel, studying the Cipher statue. They’re definitely worth the read, I teared up looking at them.

ANSWER: “Question”

QUESTION: “Answer”

SEASON ONE: “Season -1: Antigravity Falls”

SEASON TWO: “Season 1” …maybe scratch what I said about Season 3. Or don’t. Things are starting to damage my brain.

CURSED (got from @slimslamflimflam decoding the candle! Thanks!): Shows two pages talking about the dangers of drawing triangles, with the bottom of the second page showing several drawings of Bill and the words “HE IS COMING, RUN”

THE UNIVERSE: “Hologram”

RIZZ: “Life privileges revoked. Now releasing poison gas.” This response is repeated if you type in SKIBIDI or FORTNITE.

BABY: Shows an ultrasound of a fetus Bill Cipher, captioned “Look at what’s growing inside you! See you in nine months, papa!”

JOURNAL 3: “The Journal for Me”

PACIFICA: Leads to a note from Pacifica calling Bill Cipher “ick” and telling us to follow her on social media under “Platinum Paz”

PLATINUM PAZ: Pulls up an image of Northwest Manor with the llama symbol overlaid and a “NW” logo beneath. There's also a short story beneath!

LOVE: Leads to an audiobook of “The Love Triangle”. Need to read later.

BLENDIN: “The time agent lost and presumed incompetent”. Uh…?

SCARY: Leads to another audiobook of a cheesy Goosebumps-esque horror novel written by Bill himself, apparently.

DIVORCE: Shows you the logo of the bar Bill went to after his fight with Ford… Billford bitter exes confirmed

ROBBIE: Leads to the cringiest messages ever. He’s such a failure I love him

CONSPIRACY: Leads to a video of a man losing his mind over the countdown counting up. I feel so seen. (I have been informed that his name is Charlie Day, he's an actor from It's Always Sunny in Philadelphia and that one meme, he had a quote on the back of the Book of Bill, thanks to everyone who explained that to me, I'm sorry, I'm uncultured)

RAT: “Thurburt’s number?”

BLANCHIN: Leads to a YouTube video on how to blanch vegetables.

TJ ECKLEBURG: “Never mention that name again.”

NOTHING: “Something”

SOMETHING: “Nothing”

BURNSIDE: “Burned inside.” Well… at least we know what happened…

WADDLES: Leads to the pig placement network!

THERAPRISM: Pulls up a sign from the theraprism regarding an emergency situation. The code reads "THE OLD ONE".

SHAPE: Pulls up an article on Plato, triangles, and Ancient Greece. This article is presumably written by Bill.

LLIB and BILL: THIS leads to the Sesame Street video every time.

WEIRD: Shows a video of a frightened Weird Al panicking about being trapped in a computer. Sorry, man...

CLONE: Pulls up an image of Paper Jam Dipper, a warning about not getting him too close to liquids, and an option to print.

TRIANGLE: ")" or "Tri harder."

THEYLLSEE: "Is seeing believing?"

DEER TEETH: "For you, kid!"

LIFE: "Life: 72% complete. Now loading: death."

DEATH: "Life's goth cousin."

PINES: "A good family tree."

OWL TROWEL: A slab of hieroglyphs, translating to an ancient ad for an owl trowel.

SCALENE: "Life form not found." EUCLID has the same outcome.

WELL WELL WELL BEING: Some assorted notes from Bill's Theraprism file. These include his greatest love and fear, his art therapy notes, and notes on his phobias. Three clicks is required to read them all.

BOO BERRY: Offers a poem on the meaning of life! Wow! I feel so enlightened!

LOVE YA BRO: Shows us a doodle from Stan of one of his and Ford's Sea Grunks adventures, and another code on the back. It translates to "Kings of New Jersey." I've been told it lets you download the code as a font.

SORRY: Reveals the repaired Backupsmore photo, with a note from Fiddleford about his and Ford's growing friendship. Fiddauthor fans, we are eating well tonight!

HORROR: Pulls up an image and report on The Always Garden, which is essentially a cheap Italian restaurant hidden in the backrooms.

HOLOGRAM: "Universe."

NAITSUAF: Pulls up a page that looks like it would be from the Book of Bill, in which Bill tries to convince us to sell us his soul. Clicking "ARE YOU READY?" pulls up a contract where we can sell our soul to Bill (with an alarming amount of coded fine print. Will need to translate later). You can print this document out, back out, or sign it right there on the web. Hitting "SIGN" causes the words "PLEASURE DOING BUSINESS WITH YOU!" to appear, and the document to close. In other words, I no longer have a soul.

IMSTILLONYOURMIND: Plays a recording of the ocean, with Stan faintly talking in the background. Poor Ford ain't quite over the divorce yet...

HOTXOLOTL: Pulls up a "MOST WANTED" doc on the henchmaniacs.

SEVENEYES: Pulls up a faded polaroid of The Oracle with text on the back that reads "LEAVE HIM. Escape to dimension *blurred out*. It's against the rules but it's the only reality where you'll be safe from him." The code at the bottom (once again decoded by the powerhouse that is @slimslamflimflam) reads "Set a course for Dimension: R34LITY." Is another Cipher Hunt in the makes? Only time will tell, hehehe.

JUST FIT IN: Plays an old commercial with a few moments of speech in the glitches at the end.

EVEN HIS LIES ARE LIES: Shows a transcript from a therapy session at the Theraprism. Bill discusses his relationship with Ford and cuts off the session when someone brings up his parents.

NOT A PHASE: Shows a Google search for "black hair dye stained an entire bathroom."

PAPER IS BOOK SKIN: Instantly downloads a page of fleshy pink paper with the word "ENJOY" written on it!

SHAVE YOUR GRANDMA: Pulls up a few more pages about the human life cycle.

LIES: Pulls up an image of "The Game of Lies" board game, with a long stretch of text from (I assume) Bill, ending with "LIE UNTIL YOU ARE NOT LYING ANYMORE." Someone has some issues...

SAY BAAAA: Pulls up a neat little rhyme about being Bill Cipher's obedient flock of sheep. The code at the end translates to "Black Sheep."

ONE EYED KING: Plays a video of a hypnotist's spiral, with Bill proclaiming "YOU WANT TO PLEDGE YOUR SOUL TO BILL CIPHER" in the background. There is also morse code that translates to "NAITSUAF", leading to a previous discovery- the soul contract.

TANTRUM: Pulls up a transcript of a spat between Bill and Time Baby.

TITANS BLOOD: "HOOT HOOT! Password please!"

CURSE WITTEBANE: Pulls up an image of a Bill Cipher ouija board.

FORDTRAMARINE: Pulls up several rejected files from Ford trying to convince us Fordtramarine exists.

SUCK IT MERLIN: Pulls up a tapestry of Bill riding a unicorn. The code at the top reads "DAY MARE VS NIGHTMARE."

HEY NERD: Plays a commercial advertising things such as a Bill Cipher calendar, the Scrubba-Bill, a severed hand, and the entire Cygnus-XIII galaxy. Half of the image can be found in the Book of Bill.

DESTRUCTION IS THE FORM OF CREATION: Pulls up a frantic page of notes from post-portal-shit Fiddleford. A sticky note at the bottom has a code that reads "Unreality."

RUBBERHOSE: Plays "The World is Small Ever After for All."

IRREGULAR: Shows us Bill's mugshot in color. The code below reads "No prison or attention span can hold him."

UNREALITY: Offers a guide by Bill on how to become immortal.

GUN: "Oh yes oh yes oh yes they both."

ABUELITA: Leads to a video on vacuuming the walls.

YES: "What's McGucket's favorite soda?"

NO: "Your loss..."

REPEATEDLY CLICKING STAN: This stuff deserves a section of its own, away from the OG Stan stuff. It takes you through several Ebay listings on various Stan-ish items until you get to a page written by Bill about Stan's secret shames. "Ex-wives" further confirms our theory on Stan and Eda's relationship, as well as revealing many other bits of lore. "Fears" is somewhat goofy to be honest. "Secret Shames" reveals that Stan is a fanfiction writer and that his mother is the only member of his family who truly loves him outside of Ford and the kids. "Unreported Crimes" is somewhat goofy as well. "Failed Products" basically confirms that Stan is that world's Alex. "Lowest Moments" is genuinely depressing, and "Darkest Thought". Well. I'm not spoiling it lol. And the bit on "How He Beat Me" causes Bill to get more and more frantic/angry the more you click it! Comedy GOLD!

DIPPY FRESH: Leads to a Reddit post of the Burger King Kids Club.

MEOW: Leads to a TikTok of a man playing the Gravity Falls theme on that cap keyboard.

HELP ME: Pulls up another video of Alex's axolotl and the tiny statue. Rip Bill ig :/

R34LITY: Pulls up several photos of the henchmaniacs in live-action, captioned "They found a new home."

JOURNAL 1: "The journal of fun."

JOURNAL 2: "The journal for you."

FBI: "Your webcam is on. We are watching."

BURNED INSIDE: Shows an image of a charred Oregon Parks badge and nametag on the ground.

HECTORING: Plays a silly little country song!

OROBOROUS: Pulls up two journal pages about Fiddleford buying Ford an axolotl to keep him company, and Bill subsequently telling Ford to get rid of him. There's also some code on the first page that reads "CHONKY BOY." Ford, you wonderful dork.

[fastandcarlos]

Clingy : ̗̀➛ Max Verstappen

summary: how does it feel to have the clingiest partner in the world? well, max verstappen can tell you

A hum of surprise came from Max as he felt your weight land in his lap, eyes flickering down as he watched you carefully. Your head settled against his shoulder, feeling Max’s arms wrap around your body, with his hands still holding on tightly to his controller. 

A murmur of comfort immediately came from you making Max chuckle, pressing a kiss against the top of your head. Since he returned home Max had been busy gaming in his room, and soon enough you found yourself bored of having to spend your evening alone in your living room. 

Whilst you didn’t mind Max relaxing and playing a game to try and calm down after his days, you did mind a little that he was doing it in a different room to you. After waiting to see if he’d appear for a while, you decided in the end you needed to take matters into your own hands.  

“Don’t stop just for me,” you whispered across to him. 

Max continued to play on his game, waiting until his character was killed before placing the controller down, his hands landing on your back. Max wasn’t blind to the fact that your hold was tighter on him than usual, making sure that you were as close to him as possible. 

“It’s unlike you to come and disturb me like this,” Max chuckled, moving his hands up to brush through your hair. “Something happened?” He then questioned, only for your head to shake back across at him. 

Your head tilted back as your eyes landed on Max’s, “I’ve just been missing you a bit and thought I could come and keep you company whilst you played some games. You’re not streaming tonight, are you?” 

“I think it’s a bit late to ask that question,” he laughed, “but no, no one can see your clinginess.” 

You shot a glare up at him as Max shifted in his seat, allowing himself to have a better hold of you. Max’s smile turned up as he noticed how your eyes narrowed, poking his finger against the tip of your nose, encouraging you to lay back down and rest on him again. 

“It’s not my fault that you’re such a good person to cuddle,” you told Max, jabbing your hand against his chest. “If you were less irresistible than there would be less of a chance of me clinging to you right now. You already spend enough time away from me as it is anyway.” 

“I can’t help the fact that I’m just so undeniably attractive,” Max smugly responded, knowing that your eyes were rolling without even having to look down at you. “And if you asked me, I’d spend every second of every day with you without anything getting in the way.” 

Your smile turned up as Max spoke, a rare moment of honesty from him, allowing his heart to open up to you that he so often kept guarded and all to himself.  

“I like making the most of the time that I have at home with you,” you then whispered, finding your own self opening up once again. “The time is so rare most of the time, I don’t think I actually want to share you with Formula 1 anymore, I might put a ban on it.” 

“I don’t know what’s happened to you, but I’ve never known you to be as clingy as this,” Max joked, “usually you tell me that I smell and to get away from you.” 

“I’ve changed my mind,” you laughed, “I guess you’re actually alright.” 

“Alright?” Max gasped, shaking his head. “I guess if I’m only alright I’ll drop you so that I can go back to my game and you can go and entertain yourself.” 

Max teasingly went to let go of your frame, only for you to tighten yours around him, refusing to be let go by Max. He roared with laughter as a gasp came from you, catching you just in time as you began to drop, not quite sure if you were going to land with a thud or not.  

Once you were secure in his lap, Max leaned down and pressed several kisses against your face leaving you squirming and wriggling in his hold. You had no room to breathe as Max smothered you with love and affection, unable to wipe the smile off of his face. 

“You know, I can be just as needy as you sometimes,” Max whispered into your ear as he pulled away, “this is how I’d actually like to spend all of my days with you.” 

“I’d love to show this side of you to other people,” you responded, “the lovable version of Max.” 

“Nope, he’s only for you,” Max smiled, pulling you back into his chest. “No one can know that I’m actually as soppy for you as you are for me, it’s forbidden.” 

It was one of your favourite things about being with Max, how he was a completely different person with you then he was around others. No one else got to see the part of him that made you feel so incredibly loved, that was for you to enjoy and nobody else. 

“Shall we stay here forever?” 

“I wouldn’t mind,” you smiled, “that would be fun.” 

“Don’t tell anyone and see how long it takes them to find us,” Max laughed, tucking you even closer against his chest. “If we cuddle up close enough, maybe no one will even be able to find the two of us.” 

“I think you might get a bit fed up of me clinging to you,” you tried to argue, only for Max’s head to shake back at you, even if it might seem that way at times, he absolutely could never get sick and annoyed by you. 

“I love how needy you are,” Max suddenly told you, pressing a kiss to your cheek. “Do you know how nice it feels to know that I’ve got a partner who always wants to be around me? I’d be more upset if you didn’t want anything to do with me and didn’t care.” 

“I just can’t get enough of you Verstappen.” 

It scared you at times how head over heels you were for the man who held you, never imagining you’d fall so deep. But the way Max held you, spoke to you and looked after you had you finding yourself losing control so often, even after so many years together. 

“I don’t think I need to be on the console tonight anyway,” Max whispered, resting his head against your own. “I think I’d much rather just stay right here and give my needy girlfriend what she wants, all the cuddles in the world.” 

“Needy girlfriend?” You gasped, hitting against his chest again. “It must be hard work for you having a partner who can’t help but just be so utterly obsessed with you.” 

“Not going to lie, it makes me feel incredibly smug sometimes.” 

Your head shook as you heard the attitude in Max’s voice, thriving on all the attention that he got from you. “Please don’t tell me you brag to all the guys at work about how much I cling to you sometimes?” 

Max’s momentary silence spoke volumes. “Can you blame me? I love making them all jealous, it’s one of my favourite things to do.” 

“I think you might be as annoying as I am sometimes.” 

“It’s not my fault you make me so happy,” he defended. 

“And it’s not mine that you do the same for me too.” 

˗ˏˋ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ! ´ˎ˗

[luveline]

hi jade!!! i would love to see a poly!marauders fic where they help r fall asleep please! absolutely no pressure at all just a suggestion ofc <3

“Why so moody?” 

You rub at your eyes, standing just behind the sofa. You’d been frowning when James spotted you, not wanting to ask. “I can’t…”

“What?” Sirius asks. 

Remus perks up from beside him. 

Three sets of eyes makes it worse and somehow better. Sometimes it’s easier to only tell one of them when you have a problem, but sometimes you need all of them to know. “I can’t sleep again. Are you coming to bed soon?” 

And listen, four people in one bed is insane but occasionally you manage it. Most of the time you sleep with James, less often Remus. You and Sirius tend to be incompatible while you sleep, because he grabs you around the neck and face for hugging and you wake up with sweat pouring off of you, blind. 

Perhaps that’s why he offers first and emphatically. “I’ll come to bed with you, darling,” Sirius says, a picture of concern as he stands. “What’s wrong?” 

“Nothing’s wrong, I’ve just tossed and turned for half an hour and I can’t take much more of it.” 

“She’s going insane,” Remus comments with a severe frown. 

Sirius helps him onto his feet. James, never one to be left out, turns off the television and gathers his throw blanket. “Not on my watch.” 

“Wait, I’m sorry. You don’t have to get up,” you say, wringing your hands behind your back. You hadn’t meant to summon them all to bed. You’d just wanted to know when you could expect an end to your agony. 

“Oh, well,” James begins, wrapping the throw blanket around your shoulders, “too late for that. Will you warm my side for me? I’ll lock up.” 

You feel shyer than you’d thought, shuffling back to the bedroom. Sirius’ hand finds your lower back as he enters the room from behind you, encouraging you gently to the side as he goes for the other. You’d left the sheets in disarray, the lamp on. James’ room is messy as always, but it’s your fault as you live from it most days. Remus is immediately put off by the overflowing dresser, closing each drawer with a shush over the runners. 

Sirius makes the bed, peeling back a corner for you. “Here, lovely. Climb in.” 

“I didn’t mean for you to wait on me,” you say shyly, embarrassed at their attention.

“There’s nothing I like doing more.” 

“He’s in a mood,” Remus says, though you’d guessed that already. “Enough room for me, too?” 

“‘Nough room for everyone,” you murmur, rounding Sirius to climb into bed as instructed. 

You and Remus end up in the middle of the bed, thankful for James’ sense of reality —everybody knew when you moved in together that the separate bedrooms wouldn’t last, but only James had the wherewithal to buy a very large bed. You’re immediately comforted by having one of them next to you, and Remus is very kind about it, asking in a murmur if he can cwtch you, wrapping his arm around your chest like you’re in danger of breaking from his touch. 

Sirius is less polite, but not less caring. If he thought you didn’t want him to touch you he certainly wouldn’t, but he knows he can hug you pretty much whenever he wants. He presses his nose to your face, Remus’ against your shoulder, the three of you deflating after a long day never quite this close to each other. You can feel a day’s worth of back ache leeching in your mattress. 

“Sorry,” you mumble. 

“Ooh, for what?” Sirius asks. 

“Making you come to bed.” 

“Didn’t make us do anything.” His breath warms your cheek as he talks. “It’s late. We would’ve been in bed soon.” 

It’s true enough. Everyone is in their pyjamas, Sirius smells like toothpaste. Still, you feel guilty for asking. And yet… you can finally relax now they’re here. It’s like they know exactly what’s been keeping you awake. Remus had cleaned and now holds your chest, Sirius reassures you and calms your stomach with his palm. 

James gets one good look at you all and rolls his eyes. “I asked you to do one thing for me. Jesus. Babe, could you move over?” he asks Remus, not giving him the time to comply before he’s in bed and smushing everyone even closer together. “This is fun. Sleepover!” 

“Just don’t start climbing on me again, Jamie,” Remus says. 

You close your eyes. “Don’t worry, they’ll chill out soon,” Sirius promises in a whisper. 

“Kiss?” you whisper back. 

Three different boys attempt to kiss you in the dimly lit bedroom. All the fuss doesn’t help you sleep, but knowing how much they care about you definitely does. 

[dead-girl-tells-stories]

Jazz, for some reason or the other, becomes a wielder of a red lantern ring. After going on her rampage and getting her revenge, she realizes that the feeling of rage won't go away. Instead of letting the anger destroy her, she decided to do something else with it.

That's how we end up with a stand-off between Hal Jordan and the most powerful Red Lantern he's ever seen. Because...

"What... what did you just say?"

The young woman smiled gently at him. He would've been fooled by it if not for the burning rage carefully hidden... No, she wasn't hiding anything behind those turquoise eyes. It was taking everything she had to hold it back.

"I said that I would like to join The Justice League." Her voice was soft and velvety. Comforting in a way that sends chills up his spine.

"But you're a Red Lantern."

There was a beat of silence, she cocked her head to the side while looking at the blood-red ring on her finger.

"I don't know what that means, but I'm guessing it's got something to do with this ring?"

Hal didn't respond but she took it as confirmation. There was silence between them once more before Jasmine sighed and continued.

"I feel angry, more than angry. This rage that I've been holding inside for so long has reached its limits and is finally bubbling over. Everything that I loved is gone so killed what took it away from me. But... but I'm still SO FUCKING ANGRY!"

She was screaming now. Tears of rage and sadness rolled down her cheeks as violent red energy radiated from her being. Hal flew back. He didn't want to fight her but was ready to do so if it came to it.

Just as easily as she lost it she pulled herself together, wiping her tears away, returning to her previously calm demeanor. It freaked Hal out.

"I... I know that blind rage without direction leads to meaningless destruction. I don't want to hurt anybody. No... I don't want to hurt the wrong people. I'm asking you to guide me, to guide my rage in the right direction... Please."