#my lord why does this look so weird on pc but not that bad on mobile

[saltylotus]

rinpana wedding for a @/joseiforaction donator on twitter 🕊️

[mrmistakemakeroywg]

how i see "The helper" episode . (i have diagnosed adhd and autism fyi: everyone is different so take what i say with that context <3 not all autistic people are like me so please understand this is more based on my experience personally)

Really weird post i know but hear me out. When i watch "The helper " i immediatly think about having meltdowns as a little kid or just any age in general wether online or irl.

^ Like if you`re looking at it like i am, you can understand why id say it feels like hes having a meltdown / breakdown because something that makes sense to him most of the time, now makes no sense at all to him / freaks him out |

| (Being unable to help people because they do not need his help which he is not used to , thus making him react way worse then most people would sense it is something very special to him Like how people will have specific special intrests or hyperfixations etc) personally i freak out and get meltdowns when my pc is broken or needs fixed and i cannot draw whatsoever for long peroids of time. )

and how you / i would immediatly feel ashamed , nervous and guilty afterwards , or just generally exhausted or depending on the person feel like a burden on the people around you.

(also for this next part yes i know this is implied to be sylvia`s idea but it still makes me wanna tear up because it hits home way too hard) and other people will immediatly treat you as a "trouble maker" that has to be dealt with , punished or pushed aside even tho its something you cant help and sometimes cant even understand .

the dialogue espeically is a gut punch for me.

"ohh.. So this is the guy you want out of town "

" i get it " he`s hurt , and ashamed of himself. and its probably a stretch but i feel like this has happened before because of how he says " i get it . " then he tries to turn it into a positive as per usual to his character writing , thats how much he loves helping people.

its his special intrest / hyperfixation <3333 so of course he can try to turn it into something fun . and the rest of the episode goes on as he Does what they asked him to. and they immediately reward him for throwing himself out of their way .

(this genuinely makes me so mad i`m sorry fuck those towns people man you could`ve just talked to him instead GRAHHHH) and how he gets super happy after FINALLY pleasing them.

hes so silly :33

also this last bit makes me angry a little

"son"

"thanks" ( im going to eat your soul stfu /halfjoke )

"happy i could help!! "

"that makes two of us " (BONUS) ALSO I WANT TO MENTION the scene where he tries to " stop " lord hater. I feel like this is him being pushed to his absolute limit to a point he tried to do something very out of character just for the comfort and relief of "doing something good" like hes reverting to the basics of "being a good guy " just to get that comfort of helping someone again.

it reminds me of that Version of himself in "the wanders" where the piece of himself that holds his trauma / what made him want to help everyone is still not inside of him yet, and he goes on a rant about how he is going to stop lord hater

"wander are you okay ?? " "im MORE then okay "

"IMMMM PERFECT !"

"Now come trusty steed , its time to stop that HEARTLESS evil doer LORD HATER ONCE AND FOR ALL !! "

"wait what-" "stop ?"

"YES! i am a good guy , and he is a bad guy. " "AND I STOP HIM ! "

------------------- HELPPPPP.... seriously tho sorry for the long rant about this episode but it genuinely hit home so hard that i have cried multipule times unironicly because of it. Reminder that im veiwing this through my own experience of growing up on the spectrum (adhd + autism specifically) not everyone on the spectrum will be the same as me when it comes to this episode. I had to get this out of my system because it was eating at my brain sorry yall 💔💔💔

if i made any typos or worded anything weird its becuase its harder for me to write long posts plus as of writing its 01:17 on my computor clock.

[brazenautomaton]

Fixing Afterlives: The Maw, First Visit

So our Shadowlands journey starts with the Maw. You know what? People hate this scenario now because you can’t skip it and have to go through it on every character, but the first time through, this is actually really good. You’re kicking in the gates of Hell with a platoon of Death Knights and then everything goes tits-up and you don’t have a beachhead and you’re lost and wandering and there are awful, awful things everywhere and you’re hiding and isolated and need to learn how to escape. You just need the option to skip it on your alts.

Plus the aesthetics of the Maw are great. They sell what it is -- the hostile architecture, sinister crystal formations, the way everything seems swept and shaped by a windstream of souls. We’ve seen plenty of environments that look like a Hell of flames. This is a Hell of pure suffering. Pain is what lives here. Pain is all that enters and pain is all that is produced. It’s only after you went farming Stygia for a while that the pain gets inflicted on you.

So we assemble the crew, get the exposition while we put together the Helm of Domination, get given a portal stone to establish a beachhead, and we bust in to find the four captives: Anduin, Jaina, Baine, Thrall. We rally the Death Knights into enough of a formation to make it in and find the evidence of Jaina, and I like that, I like how you track her by the huge formations of ice -- it shows you her power and the mark she leaves. Finding her is mostly the same although her dialogue is less generic and content-free (from now on assume I apply this caveat to all dialogue). She’s more confused and disoriented and even though she’s fighting it’s with a resignation that she knows it won’t work and she’s starting to think she’s only hurting herself by trying. She acts like she has been there for years. But you say you and the DKs are here to save her and she follows against her better judgment and agrees to try and find Thrall, who she struggles to remember, but seems to be trying very hard to be able to remember.

Then the Mawsworn Kyrian show up and laugh about her hopelessness, and you fight them. And they kill the shit out of you. 

More and more and more of them keep coming and they’re level 60 when you’re level 50 and if you do some bullshit to survive eventually one of them will grab you by the neck to Silence you, lift you into the air, and do the ol’ Val’Kyr Special and fatally drop you. You unavoidably die.

This is necessary early to establish what dying in the Shadowlands means. Play a special graphic effect when the player dies, something more drawn out and grasping. Play a sound effect appropriate to race/gender of the PC of them struggling against great pain and gasping. Then you appear next to a Spirit Healer (yes normally in the Maw you just respawn alive so you have to pick up your Stygia like in Dark Souls, we’ll explain the discrepancy later), a Mawsworn Spirit Healer, who says “No. Your suffering will not end. The Maw claims you.” and then starts to chase you the fuck down with a bunch of shades. You need to run, as a ghost, to claw your way back into your body. Obviously, if the shades catch you, you get dragged back to the start and the Spirit Healer fucks with you a bit. 

Your body has been dragged over to the area where Jaina and the rest are hiding; they fled while you were being merced. Jaina sees you stir. And she says “I’m sorry, champion. Death is no respite here. It is so hard to fight the pull… I struggle to even remember my body when I try to return.”

Jaina has been brutally killed over a dozen times. This is not her first rodeo. This is not her first escape attempt. This is not the first time she’s killed that particular Mawsworn tormenter whose name I don’t recall. It doesn’t end. It never ends. She doesn’t know why she tries any more, when she knows it will fail and she will die and suffer and claw her way back to her flesh and every time it gets harder and harder. All it buys her is the ability to offer futile resistance and maybe that isn’t even worth it.

Mood: established.

From there it goes mostly the same. You try to pump the shades for info about how to escape and they don’t know, they can’t know, they can’t even want to escape. The info you get is a memory of spitefully hating someone who fled to the waystone. You rescue your buddies. You see the Jailer fuck up Baine, only instead of giving him a spirit poison, he fucking snaps the dude like a Kit-Kat and drops his lifeless corpse, and you drag it to safety. You don’t need to find a poison dagger to counteract the spirit poison; you need to keep him safe and clear a path for his spirit to flee back to his body. Thus reinforcing what the danger here is and how it’s different and what they fear.

And while you do this, at some point, you run into Sylvanas. Maybe she just walks up to you while you’re all collected around Baine trying to help him revive. Since the Jailer won’t be saying “it’s not like you won anything b-b-baka, it was just a temporary setback,” you need to establish that feeling that he views your victories as completely meaningless. Sylvanas knows you’re here saving Baine. So does the Jailer. It does not matter. You cannot accomplish anything. 

Thrall kills her dead. She just gets back up. She has an escort for her soul to go back to her body. “How many times are you going to try that before you learn it’s futile? Come now, Thrall. I know you’re smarter than this. I know you respected me more than this.”

And then stuff like “How could you do this, Sylvanas? How could you betray the Horde?” Thrall is incredibly angry and offended at her. He thought he knew her. “Neither of us had any illusions you were not a monster, Banshee Queen. But I trusted you anyway because I knew you wanted what was best for your people. You were a monster, but a loyal one. How can you now turn your back on what little principle you had?” Sylvanas is hurt by this, but she doesn’t linger on it.

Jaina, however, is desperately trying to flatter her. Do this to sell the kind of impact this has had on Jaina, and what this suffering drives her to. “Please, Sylvanas. I know you were my enemy but you were an honorable one. It isn’t too late. Someone as cunning as you must know that this will end in ruin. I promise… I promise… I will surrender if you let me return. Kul Tiras will become servants of the Forsaken. Just, just let them live… please, you could rule our world, not slaughter it…”

Jaina breaks down in tears. Yes, she just tried to surrender her people to the enemy for mercy. Jaina is breaking. All of them will. The Maw is a Bad Place and makes them give up hope. That’s how we sell the threat. Not by making the enemies bigger or spikier, showing how they have broken these heroes. Less screaming anger. More pain.

Sylvanas scoffs at her offer. “It doesn’t matter where your people’s loyalty lies, Lord Admiral.” And then she says the phrase that will become a motif: “Nobody escapes the Maw.” She leaves. She doesn’t care what you do. It doesn’t matter.

But you have to still hold on to that sliver of hope that maybe the waystone is a way out. So you get Baine up and you sneak past this big-ass Maw army that can fuck 31 flavors of your day up. The jailer notices you and sends out a force to stop you at the waystone, and he repeats the phrase when he sends out the order: “Nobody escapes the Maw.”

So there’s the event, you fight off the army while the waystone charges, the army gets bigger and bigger, the charge meter gets stuck at 90%, you go to kick it and it teleports you to Oribos.

The mob descends on the other captives. Sylvanas and the Jailer look completely unconcerned with your escape. After having clearly seen you physically leave the Maw, Sylvanas brushes it off with “Nobody escapes the Maw.” Dun-DUNNN! Cutscene end.

You appear in Oribos. The Protectors stop you because you stink like the Maw and what the hell dude, yada yada. This is when you get a tour of the city, here’s the profession trainers, the bank, the transmog. Only secondary details need to be changed here. One, this is an instanced version of the city where no other players exist (you are the first one there, nobody else is). Two, Lich King Bolvar (hashtag #notmylichking) arrives from Azeroth and says SOMETHING to justify other players coming from the Maw but being less important than you. Something like, he saw what you did, there are other adventurers from Azeroth still in the Maw, his DKs are hunkering down in defensive positions and will try to make their way to the Waystone once it cools off because you already activated it, since you are the more special one, and there might be a chance that a couple others might have an echo of your power because they have had similar adventures. You are the True Maw Walker, and the context of the massively multiplayer element is “for your story, all those other guys have shitty Maw Walker powers that only work once you opened the pickle jar for them.” They can’t bring passengers, either.

Third, not the most importantly but yes the most importantly, if you are Forsaken or a Death Knight or Mechagnome or whatever you get a special dialogue where you say “Why do you keep calling me a ‘living mortal’? I’m not alive. I’m undead / a machine / maybe something else like maybe I missed the fact that vulpera are made of rocks and string.”

So Tal-Inara or whoever can be like “Oh, THAT’S what that is. Something was odd about you, mortal, that I couldn’t quite place. I call you ‘living’ because your soul is still tethered to a body. To us in the Shadowlands, to be bound in a vessel like this is far more important than the nature of the vessel itself.” That’s why people keep calling you “living”, to them you’re easy to mistake for one.

Kyrian in the Maw is disturbing news, and also WEIRD, because as Tal-Inara reminds us, “Nobody escapes the Maw.” Why would the Kyrian go down there when they can’t come back? It is terrible but not unheard of for mortals to try and speak to the Jailer but they never GO there because they can’t get out. And yet Sylvanas just walked in there? And he is mustering armies? Better go to Bastion and find out what is up. Let’s crank open this gateway, and...

[juiceboxman]

So I took Siobhan’s advice and listened to the BBC’s radio adaptation of the Lord of the Rings from the 80′s

It’s pretty good, you can listen to it here https://soundcloud.com/inkmore/sets/lord-of-the-rings-radio 

I had some issues with it but I liked it for the most part. I’m not a massive LoTR fan, only watched the films so I don’t know much, but here are the thoughts I had.

I once heard someone describe Hobbits and the Shire as “drama free people” after listening to this series, that’s obviously not the case. Hobbits seem to live for the drama, always talking shit behind one anothers back. I think Tolkien was trying to satirise rural or village life in England and I think he did a good job depicting how petty people can be.

Sam is a working class hero and Frodo doesn’t deserve him.

I understand how people can like Sam/Frodo because there is massive gay vibes coming off them. Personally I interpreted it to be unrequited and an example of some class division, with Sam being working class and Frodo being middle class. The amount of dedication and support Sam shows Frodo I don’t think Frodo would show back if the roles were reversed. I feel like its a very one sided relationship with Sam putting in way more effort than Frodo.

Bilbo’s whole thing seems to be that he went on a gap year once that turned out quite bad and now he kinda lives like a hermit.

I don’t know how reliable to the books the Radio series is, but I feel like the movies do more justice to stuff. Like in the Radio drama Gandalf makes his first appearance by just coming through the door and Bilbo is like “ah, Gandalf” and...that’s it. Movie version was better in my opinion.

I think the radio drama does a lot better to explain what the ring of power does than the movies. I always got confused by what the ring does, like in the movies all it seems to do is turn people invisible and make them into heroin addicts. With the radio I kinda understand more about it. Like the ring’s power kinda depends on the wearer, like a Hobbit could simply use it for invisibility and expanding their life force but a King could use it to control the minds of an entire enemy army and a Wizard could do even more. But it’s still vague and I presume Tolkien intended it to be, like it’s just a representation of the concept of power and this world’s equivalent of a deal with the devil. Power or wishes may be commanded but they will ultimately corrupt you.

Time in the books seem wild. Like at one point Gandalf says that Bilbo has gone off and he himself will start researching the ring and then twelve years go by and Frodo has just been fucking about, forgot that the ring even existed and Gandalf comes back and is like “oh yeah, ring is bad”

Also, Frodo is 50 when he leaves the shire???? Jesus 

Also, were the Nazgul just running about for 12 years looking for the ring? Like at one point the Nazgul knocked on some Hobbit’s door asking about Frodo and the Hobbit told him to go fuck himself and slammed a door- to a NAZGUL

Aragon’s voice in this radio drama is...way off. Like it sounds like Greg Davies. You don’t really have the soft voice of Viggo Mortinstein but the gruff righteous voice of the Principal from the Inbetweeners 

Elrond denying Aragon to marry his daughter until he becomes king of Gondor is like a stern dad refusing you to date his daughter until you get a real job.

Also Aragon gets the reforged sword, like, immediately when they leave Riverdale. Which is a bit weird to me.

It makes sense why Frodo is trusted with the ring. A king couldn’t be trusted because he’d use it for conquest. A Wizard could overthrow Sauron but in doing so would become just as bad so you’re back to square one. With a Hobbit, there is no desire for conquest or any wish for power outside of simply having the ring. Even when Golum had it all he used it for was to hunt fish and extend his life cycle. I’m curious of whether if Sam had carried the ring all the way to Mordor if he could will himself to destroy it or would he have failed like Frodo. 

Gimly and Legolas’ friendship is so cute. Like they start off disliking eachother but bond over their prowess in combat and plan out a gap year after the whole fellowship where they see the sights of middle earth. So wholesome

I don’t understand why they didn’t just kill Golum. Like I know he was important to find the way to Mordor and was ultimately necessary to destroy the ring after Frodo failed, but like the idea of “don’t kill him because of pity and he also probably has a part to play” is bullshit to me. Like he’s so gross and troublesome. It’s the same excuse Jedi have with “oh you can’t kill a Sith Lord because striking them down means you need to embrace the dark side” bitch Luke Skywalker round house kicked a guy into a Sarlack Pick- whaddya mean he can’t kill this wrinkly ass Emperor??? Ethical mental gymnastics are mind blowing.

For me the moment that made me really dig the series was when the Fellowship disbanded. Like shit hit the fan and everyone’s forced to do their own shit, really engaging storytelling.

The series is quite short when you consider all the battles are short cutted. Like in the radio drama you’ll hear a series of grunts for 30 seconds and then a song about how bad that battle was. I guess it would take a lot to depict a battle purely by means of audio.

Seriously the series is quite short, like it’s 13 hour long episodes and by episode five I’m like “oh shit we’re starting the second book already? Damn” It felt half the time there was so much stuff cut out I don’t know why

I think the radio drama is best suited for people who have either watched the movies or read the books. Like I don’t think it’s well suited for people who haven’t seen LoTR content before. Like the scene with the Balrog there is no description of what it looks like.

Also, Gandalf fought the Balrog from the deepest dungeons to the tip of the mountain? Damn, Gandalf’s leg day must be intense

I love the introduction of Treebeard and the Ents. Like you get this horrific imagery with warring Orcs and other evil creatures and then turn a hard 180 to these hilarious tree people. I guess that’s why the LoTR is so great. Because you do get those hard, gruesome battles but you also get these lovely peaceful wholesome scenes.

Quick question, how do you meet a guy called Saruman and then be surprised that he’s the bad guy? It’s the same deal with Victor VonDoom.

Also, did Tolkien have to have all the big villains names sound so similar?

Man, Tolkien loves having people end up together. With the Horse Princess who got friendzoned by Aragorn meeting up with that guy from Gondor. You love to see it

So like, was the King of Nazgul just talking shit or can he not be killed by a man? Like could anyone kill him by stabbing him the face or did the Horse Princess just find a loophole?

At one point this woman kinda makes fun of this flower called Kings Seed or some shit and Aragon basically calls her a THOT 

Kinda sad the series didn’t have more dragons. Like I would have liked to see a huge black dragon at the final battle at Mordor. But that’s just me, I love me some dragons

Also, the final battle at the gates of Mordor is so endearing. Like they don’t even know if Frodo and Sam are still alive but they go to war anyway because they believe they are and in doing so keep the eye of Sauron off of them. It’s really heart warming

The radio’s version of the destruction of the ring is kinda anticlimactic. Like I said it’s better with the dialogue than it is at the representation of physical actions like combat. Like if you didn’t know what happened at the end of the lord of the rings and you were listening to this you would have no idea that Golum fell into the lava with the ring 

I love the owner of the Prancing Pony’s reaction to Aragon becoming King of Gondor. It’s like “hey, remember that guy you saw shit in the woods that one time? Yeah he’s the President”

Also Sam’s Pony lives at the end of it. Love to see it. I feel like Tolkien read his first draft to his kids and they were like “what happened to Sam’s pony?” and he was like “uh, yeah, the pony....the pony lived! yes! the pony found its way back to town” you can tell this story is vibing on a different level than GoT or ACOC

Hobbits returning to the Shire fucking shit up like level 16 PCs returning to the town they started the campaign in

Also, all the Hobbits in the shire have no idea what the fuck went down? Like I understand they live in the middle or nowhere but that’s astounding 

It’s so funny what ends up happening to Saruman. Like he goes from being the second in command of the Dark Lord to being a shitty local businessman in a Village in Yorkshire

I can see how people can really get into the LotR. Like a world like GoT is just fucked beyond compare and any happy ending will be bittersweet at most. But here you have an ending where the characters leave the world better than when they found it

Frodo asking Sam to live with him was him totally trying to get with Sam, right? And Sam was like “oh that’s nice Frodo, but I have gf” and Frodo’s like “oh that’s alright, she can move in too!” it’s like watching a man back step his request for love by inviting a family into his home. You missed your shot Frodo! You had a whole year with Sam and you blew it!

Sam ultimately moving on from Frodo with his thicc Hobbit gf is the character development we deserved

That said, in the movies Sam getting a gf was a thing at the end of the third movie- like he’d been so shy before hand but after almost dying he’s like “fuck it, might as well give my shot” but here in radio drama he...had a gf all along? Like we only hear about her in the final episode and he’s like “oh yeah, my gf ain’t too happy. I left her for a year to fuck about with you so now I need to marry her. Woops” very startling

Also love how Tolkien represented PTSD with Frodo. I don’t think works of Fantasy like this before Tolkien really did this stuff justice. That said the ending is a bit weird. Like I understand that the “Undying Lands” are supposed to reflect Tolkien’s belief in Catholicism, Eternal Life and Heaven. But it’s really hard to not interpret the ending as Frodo as struggling to deal with his PTSD so he commits suicide. Because the Undying Lands is a place that Sam cannot follow. It’s heart breaking but that’s the vibe I got off the ending.

So yeah, there’s my thoughts. It’s pretty good but I’d only recommend the series to anyone who’s either seen the movies or read the books. If this was your first introduction to LOTR I don’t know if that would be any good. 

Also, while we’re here I recommend Escape from the Bloodkeep from Dimension 20. It’s  DnD actual play series that is a slight parody of LOTR. It’s really good.

[mymoonjin1]

Chris Chibnall ruined Doctor Who

Doctor Who sucks now. I’m sorry for starting this off with such a blatant statement, but we all know it’s true. And this angers me so, so much, because it used to be one of my all-time favorite shows, and now with a female lead it had so much potential, lost in shitty writing. Here we go.

I have to admit, I used to be one of the people against changing the Doctor’s gender. I thought it would be weird, that they were only doing it for PC reasons, etc. I changed my mind since then, but needless to say, I remained disappointed. I think that a female Doctor would have been a refreshing take on the character, it would have shut up people (like me at the time) and it would have made a lot more people take interest in Doctor Who. Jodie’s era could have been amazing, magical and revolutionary. But alas, here we are.

Jodie Whittaker’s first episode was watched by a little over 14 million people if I recall correctly. But why did the show fail in keeping that number? Simple: the writing sucks. Chris Chibnall is not a good showrunner. He took elements he knew of Doctor Who and tried to copy them, without understanding what made them special.

Let’s start with character development. The Doctor. There was a moment in Spyfall when Yaz says: “what would the Doctor do?”, and for the longest moment I thought… “what would this Doctor do?”, which is NOT something I should be thinking this far in Jodie’s run as the Doctor. It’s all been oh’s, wow’s, unnecessary exposition and not a single truly emotional moment, one that makes me feel like I know or relate to this Doctor. I feel like they tried to make a sort of female Eleven without everything that made him special. Jodie said multiple times “yeah, I can play an alien”, and of course, she could have. But the problem it’s not just about playing an alien. The Doctor is an extremely complex character, with extremely complex emotions. Emotions we are yet to see from her. And I am not saying she isn’t a great actress. I absolutely loved her in Broadchurch, a show that was also run by Chibnall. She is capable of showing emotional range. So why hasn’t she? Shitty writing. My guess? Chibnall is scared of criticism saying that this Doctor (a woman) is too emotional, criticism that wouldn’t have existed in previous Doctors' incarnations. Which is bullshit, and also leads me to my next point: the companions.

Having three companions may have sounded good in paper, but the reality is that none of them has had enough screen time to properly develop as characters. My guess? In the eyes of Chibnall (and probably the BBC, I don’t know), a team would lessen the controversy around the new Doctor. But they didn’t bother with them.

If someone asked you to describe Yaz or Ryan’s personality, what would you say? …Exactly. The only one worth watching is Graham, and even he hasn’t had a proper storyline. They tried to show more of their struggles in Can You Hear Me?, but here’s the thing. It is far too late in their arcs for this. At this point, it just felt way too forced. As someone with depression, It would have been great to see more of Yaz’s struggles with it, but just one episode is not nearly enough. Also, she connected with a police officer who we are never going to see again! Don’t you think it would’ve been better to see this development in her relationship with the Doctor? NONE of them have a strong friendship with her. They just say she’s amazing because she takes them places and shit. Not because they actually want to spend time with her. What are Yaz’s reasons to be there? She wanted to be more than just a cop that gave tickets, she wanted to help people, yet she just…left? And she has mentioned being a cop like, once since then. How does this make any sense?

Ryan was supposed to have dyspraxia, which hasn’t been mentioned since the bike thing, I think. It would have been great to see this being an actual part of his character and seeing him coping with it whilst traveling around in space and having dangerous adventures. But nope, they completely forgot about it, as well as his Youtube channel. Also, what are his motivations, his ambitions? Why is he there? In Can You Hear Me? we learn about his friend’s struggles with mental health, but again, shouldn’t it have had more impact coming from Ryan? A character we are supposed to care about at this point?

As for Graham, like I said, he’s the one with a more formed personality. He’s a goofball, he worries about the “kids” of the group, he’s a father figure. Great. But the problem is they presented him as wanting to travel with the Doctor to get over his grief, but they hardly show any of it. And there wasn’t any hint throughout the first season of him having any sort of thirst for revenge, so him wanting to kill Tim Shaw just came out of nowhere. But my biggest problem this season, was when he was opening up with the Doctor about his fear of his cancer returning and she just… said: “I’m sorry, I’m still socially awkward”???? WHAT THE ACTUAL HELL? There’s been plenty of times that we’ve seen this awkwardness. It is ALL we’ve ever seen from this Doctor. This was NOT the time to say this. This could have been a beautiful way for them to connect, to show more of the Doctor’s emotional side, yet what we got was a “suffer in silence bro, I’m so awkward lol”. REALLY? The Doctor has always shown compassion. Even if they don’t understand what their companions are going through, they are always there for them. Why would the writers think this was a good idea? It’s infuriating. 

I’ve been watching a LOT of Youtube videos talking about why Chibnall’s run has been a disaster. I really liked one called “Is the Doctor a hypocrite?”, by B-WHERE. In the video, they essentially say that this Doctor’s moral compass is a mess. In Arachnids in the UK, for example, she somehow thinks locking up all of the spiders and letting the queen die suffocating is more humane than just killing them quickly, which is what the villain does in the end. Ummm? Okay? Listen, the Doctor has always faced difficult moral decisions, even scary ones, like in the Family of Blood two-parter. But as the video says, they’ve never claimed to have moral superiority. And maybe this could have been a more distinctive flaw in the character, a flaw that maybe her companions saw and disagreed with. Like Ten’s wake up call at the end of Waters of Mars. But no. Again, it’s just plain shitty writing.

Ok. Now... The Timeless Children. Jesus Christ. There are so, so many reasons this was the worst thing to ever happen to Doctor Who, but y’all are probably wishing for this rant to be over, so I’ll just mention two.

In over fifty years, we’ve NEVER needed an origin story for The Doctor. The show is called “Doctor Who” for a reason, the question that should never be answered. And they just go and shit all over one of the most beloved sci-fi shows of the twentieth century in a single episode. Again, this is mentioned in several videos, but I thought the same thing right after watching the episode: making the Doctor another “chosen one” goes against everything the show represented. The Doctor was an ordinary alien who was not very good at the Academy, ran away with a stolen TARDIS because he disagreed with the Time Lords way, and couldn’t even control where the TARDIS would go at first. The Doctor is an idiot in a box. The Doctor helps because he wants to; because it’s decent and kind. ANYONE could be like the Doctor. And now, it turns out he’s always been special. The Doctor is the reason why Time Lords regenerate. The character is basically a god now. Why is this a bad thing? This changes EVERYTHING, and yet, it WILL CHANGE NOTHING going forward. Ruth’s Doctor says so herself, it doesn’t change who the Doctor is. Oh, but it does. It changes who the Doctor WAS. None of it matters now, none of their sacrifices, it meant nothing. That’s what makes this so heartbreaking. And I had so much faith in this season. I actually enjoyed a few episodes, like Nicola Tesla’s Night of Terror. I thought they were going down the right path. But Chris Chibnall has ruined my favorite show in just one episode. My only comfort is that there’s still plenty of Classic Who episodes I haven’t watched. Those will be the ones I’ll look forward to. 

(Also, that’s nOT HOW REGENERATION WORKS! IT DOESN’T BRING TIME LORDS BACK TO LIFE! IT HEALS/PREVENTS THEM FROM DYING WHEN THEY’RE IN PHYSICAL DANGER. GOD, CHRIS, WHY ARE YOU SO STUPID!) Okay, rant over, deep breaths. Thanks for reading!

[dungeoneering102]

D&D Quest Idea: Nightmare Before Christmas

One of my followers, @chiefswampballs, wanted to find out if there’s a way to run an adventure themed around Nightmare Before Christmas, an animated film by Tim Burton. So I decided to look into it. First: let’s look at the interesting elements of Nightmare Before Christmas.

Interesting Elements

The movie is filled with very cool elements that make the audience excited to watch the movie. To have a game with a similar setting would require one to use these or similar elements, to generate the same feeling. Here are what elements I found that make NBC interesting:

Monster Design. Every monster is very unique and fun to look at.

Settings. NBC hints at multiple worlds, each based on a separate celebration. This very hint gets people’s imaginations going. What does the Easter land look like? Is there a St. Patrick’s land where everyone is drunk? A land dedicated to July 4th? Oktoberfest? Chinese New Year? So many possible setting to explore.

The Music. One thing anyone remembers from this movie are the songs and the tunes. They are just so damn catchy.

The Charming Characters. Jack and Sally are all very fun characters. We root for them all the way through. Even Oogie Boogie, the film’s antagonist, is very fun to watch and listen to.

Some Pitfalls:

When running games BASED on other stories a DM can often fall into pitfalls, namely the non PC Protagonist pitfall. This is when the PCs end up being observers to the main characters of the source material, who are the real heroes of the story. With NBC, a DM might want to show off how great of a character Jack is, but end up having Jack do all the cool stuff (defeating Oogie Boogie, for example) and leave the PCs just wondering around observing. Avoid this mistake. Do not prioritize the NPCs over the PCs. Keep as much of the cool stuff for the PCs as possible.

Game Idea: The Skeleton Who Stole Christmas

Background:

The Party starts in a town of your choice. Simple, medieval town. It’s wintertime and it is the day before Wintercrest. Now I am using Wintercrest as a stand in for Christmas (since my D&D world doesn’t have a Christ). You can have your own name for it. Whatever it is, it has to have these traits:

It is a holiday set during winter.

People get each other gifts during this Holiday.

Santa Claus (or some kind of stand-in for him) travels door to door delivering presents to the Children (ages 16 and below) on the night of this celebration.

The rest of the details you can work out. Now your Party is staying in this town that is celebration their version of Christmas, and they get to witness the preparations for the Christmas Eve. Let your Party participate as well, if they want. Come up with some games (more on that later). Whatever it is, set up the celebration that will happen the next day. Here is where it gets good.

The Party wakes up early morning to the sound of countless screaming children. Their toys are horrific items, small monsters, little quasits, body parts, whatever have you. And there is the hook:

Santa brought demonic gifts to the children. Travel to Santa’s home and make him pay for this mischief.

Now the town Mayor or local King puts up a job posting saying something like

Any brave warrior willing to travel to the frozen wastes of North Pole and punish the mischievous spirit that betrayed our trust on this, most Holy of nights, will be rewarded 20,000 gp. Seek Archmage Duvalt in the court of his majesty.

Keep in mind, all the names, the reward, everything can be tailored to fit your style. Since the Party already has some reputation from being adventurers (start them at level 4-5), the townsfolk quickly go to them asking for them to take up the job. Through peer pressure, the Party agrees to take up the job. Now here���s how the plot will vaguely go:

Party goes to King, accepting the job.

King’s archmage plane shifts them to the Christmas Land.

The Party travels through a sad and gloomy Christmas town, full of unhappy elves, only to come up to Santa’s workshop, and discover that Santa has been kidnapped.

Throw in some clues for the Party here. After investigating the clues the Party figures out that someone from Halloween land was here.

Party goes to Halloween land to find its King, Jack the Skeleton.

Party has to fight through a dungeon of monsters and beasts to get to Jack.

Once they get there they see King Jack, his queen Sally, and his advisor, Oogie Boogie.

Party demands for Santa to be freed, but Jack, thinking they’re just there to ruin his fun has none of it.

Fight with Jack commences. Some 4-5 rounds in, Jack gets stabbed in the back by Oogie Boogie.

Boogie reveals that this was a plan he hatched, tricking jack to give the wrong kind of presents, to get the humans to dethrone Jack so he can get the throne of Halloween Land.

Boogie Man then offers monetary reward to the Party if they finish off Jack and give him the throne.

The Party then decides who to side with, fights the appropriate character. Whoever wins, they agree to hand over Santa, who returns to his home.

If Party sides with Jack, Santa blesses them for their kindness and gives them gifts (magic items). Otherwise, he gets upset with them and leaves them gift-less.

QUESTIONS

What if the Players Don’t Accept the Job?

If you’re not sure weather your PCs will accept the job or not, here are some options:

Tell them, before the game, to accept the job when its given. Most of your players (unless they’re horrible people), will go with it.

Just narrate the intro. Don’t give them the choice of declining. Players like this less, but it speeds up the process.

Have the local king/lord/mayor hear that there’s a band of adventurers in town, and physically come down offering the job. If your Party did something shady in the past, the king can blackmail them with that. Or he can be super nice, and double the reward money.

What Clues should I leave the Party?

When the Party is investigating Christmas Land, only to discover that Santa is missing, they need to find some clues as to where he was taken. These ought to be Halloween decorations. Stuff like: a broken pumpkin, torn paper bat, torn scary mask, a box of candy, whatever.

I also suggest you MAKE these clues (since they’re just decoration you can find anywhere) and give it to your Party. This will make it easier for them to figure out whats going on.

Be sure to have the archmage that teleported them explain that there are other realms, each dedicated to a Holiday. If you don’t explain this, they might not understand what the Halloween trinkets mean. By telling them this, they understand that there is a Halloween land somewhere. If they still don’t understand, have them return to the Archmage and show him the clues. He will then figure out who the culprit is, and send them on their merry way.

Setting

Christmas Land

This place only needs a single town. Have some generic locations for the Party to explore and interact with, such as:

Temple/shrine dedicated to the goddess of winter.

A general goods store

A magical item store

A toys store

Some kind of playground

Be sure to populate this place with elves. It’s up to you if you wanna throw in any elf, or high elves only. I recommend NOT putting drow (dark elves) into this land, and you’ll see why in a bit (even though toys made by the drow would be very fun to see). Make sure the elves are sad and unhappy. Not too gloom and doom, but really bummed and worried. If you want, you can have your Party try to cheer them up, and if they succeed to make the elves hopeful, the elves will gift them equipment to save Santa with

In the end of the town is a mansion. Its empty, ransacked, and that’s where Santa lived. Make it a puzzle for the Party to get into the house. Have some weird locked door. This increases the build up to the reveal.

Halloween Land. Halloween Land consists of two parts: a town and a dungeon.

The town is the same as before, except this time it’s all horror themed. All the items sold are horrific or in some way creepy. For a list of interesting, horror themed trinkets, look into Curse of Strahd, Find the “Gothic Trinkets” table and use that to generate creepy items. There is some information that the Party ought to learn in the town. Namely the Party should learn that...

The town is ruled by Skeleton Jack, King of Halloween, his queen Sally, and his advisor, Oogie Boogie.

King Jack has announced an upcoming “makeover” of the town, to a more “cheery” theme. The residents don’t really like this idea however.

The dungeon is Jack the Skeleton’s castle. It’s filled with ghosts, ghouls, and monsters that have been ordered by Boogie Man to hunt down all intruders. The good news is, since they’re all dead they don’t really die. The Party won’t have to feel bad about “killing” them in the end, when it’s revealed that the Party was being manipulated by Oogie Boogie.

Of course, the final stage of the Dungeon should be the boss fight with Jack/Oogie Boogie.

Final Thoughts

Feel free to modify the info I provide here as you wish. Remember that you can change the names of key characters, so as to not make the source material quite so obvious (call him the Pumpkin King instead of Jack the Skeleton). But here is my take on the whole Nightmare Before Christmas in D&D. I hope you enjoyed the read.

If you guys liked or disliked this post, please be sure to send me your thoughts. I’d love to hear them. Tell me, is there any way you’d change this? What holiday themed D&D games would you run?

The Unfair DM

[bluering8]

for the dnd meme, i'm gonna send you the same prompt someone else sent me: prime numbers!

2. Your favouritecharacter that someone else has played.

My favourite character was probably Pax! Her player is nolonger around because Reasons, but I still love Pax. She was hilarious and anabsolute delight, top-quality belligerent homeless drunkard with more arms (four)than brain cells.

Favourite character who is still active is maybe… Glitz??That’s a really hard choice because I particularly love the entire Navarenegroup, the Glitz-Levin-Aradi trio is super fun for me to watch interacting becausetheir personalities bounce off each other in really entertaining ways.

3. Your favouriteside quest.

I don’t think we really… do side quests… Numenera iskind of like Side Quests: the RPG, the whole point of it is that you’resupposed to explore and get distracted by random shit and race off in twentydifferent directions at once.

5. Favourite NPC.

Ssenofyn Srelthyn Syntysus! Ssen’s hilarious to me because he’sso consistently deadpan in the face of wacky shenanigans and questionablesocial skills. He cares only for science and it’s delightful. It also means he’sreally good at the job of Being A Party NPC: all he wants is for the party tokeep running around and exploring, so he’s content to stand in the backgroundand only help out when asked. He lets the PCs do all the Fun Stuff, and it makes sense for his character that he’d act that way.

7. Your favouritedowntime activity.

We don’t really… do downtime either… I mean, we could do downtime, but I’m a veryimpatient man and want lots of things to be happening at all times. Okay, wejust jumped out of a plane after encountering/rescuing a new PC and there’snothing immediately important happening, this would be a really good time torelax and take stock and have some RP where we get to know our new teammateright? Well, we could do that, or wecould investigate this weird space lego in a nearby pond let’s do thatinstead!!

11. How often do youplay and how often would you ideally like to play?

We play pretty irregularly? Mostly as a side-effect of wowthere are so many different time zones and conflicting schedules at play here.We’ve switched to play-by-post rather than having actual sessions, which has helpeda lot with the scheduling issues, but we still don’t play very often. I’m like68% sure we’re maybe on hiatus until the new books come out?

13. Introduce yourcurrent party.

There are three!

Draolis party: Tom Sideways (Charming Jack who Works theBack Alleys), useless layabout on a quest to locate a gun which fires weird timebullets and also an occasional pawn in his crime lord brother’s scheming; Aeli(Clever Glint who Crafts Illusions), a con artist who got herself involved inOracle’s political shenanigans; Styx (Ultraterrestrial Glaive who IntegratesWeaponry), a boisterous adventurer from the Timelands who found herselfstranded in the Ninth World by accident and is seeking to repair her worldlineshifter; Oracle (NPC), an overdramatic “””terrorist””” who likes to yell aboutpolitics a lot.

Navarene party: Enodyne (Perceptive Nano who Abides inCrystal), an imperious supervillain with a mysterious backstory; Levin (WeirdNano who Rides the Lightning), Aeon Priest, mom friend, and also an avidknitter; Glitz (Manipulative Jack who Possesses a Shard of the Sun), a fancyboy who wears impractical shoes and is super Extra at all times; Aradi (GuardedSeeker who Manipulates Force), a Gaian who is just here to explore ancientruins and doesn’t know why these strange people keep talking to her like shetolerates them.

Techhunter party: Mote (Mystical Jack who Fuses Mind andMachine), a space ape from space on a quest to find her lost god; Flux Dynamo(Mercurial Glaive who Employs Magnetism), who is ADHD as hell and loves spaceso much you guys so much; Ssenofyn(NPC), who is just here to do science.

17. What are somehouse rules that your group has?

Anyone who draws an art gets an experience point, AKA therule which lets Hap advance at approximately the ten times the rate of everyoneelse put together (I’m not deliberately spamming art specifically for the purposeof XP gain, I’m just Like This). The GM insists this is fine.

The new books are gonna be introducing Player Intrusionsalso, which presumably is gonna mean players get to spend an XP to make goodthings happen to themselves. The GM’s said that if there’s no mechanism to letplayers make bad things happen tothemselves they’ll houserule it in just for me, which on the one hand I feelkind of offended but on the other hand shit yes time to shoot myself repeatedlyin the foot!! I promise to use this power responsibly and only cause disastersfor myself so I don’t ruin the game for other people. On the gripping hand thisshould go some way to correcting the ridiculous amount of XP I’ve accidentallyaccumulated with my constant fanart, so it all balances out in the end I guess.

19. Do you or yourparty have any dice superstitions?

Nope! Except that back when we were using physical diceinstead of a dicebot Jack’s dice hated them, which was less superstition andmore objective fact because one time we had a session while they were visitingme and they borrowed a set of my dice and suddenly they could make non-shittyrolls.

23. Do you usepremade modules or original campaigns?

Mostly original stuff I think? Don’t look at me, I only haveaccess to the character-creation books, I don’t know how much of what goes on is canon and how much the GM makes up on the spot. Fortunately all my characters areeither foreigners or complete idiots so my relative ignorance of the NinthWorld doesn’t matter super much.

29. Do you prefer RPheavy sessions or combat sessions?

As a GM? RP sessions, mostly because the game I’m GMing usesa ridiculously ruleslite system so there’s not really anything interesting youcan do with combat. This might change if I ever get organised enough to runsomething with more than a single page of rules. But also, when the players are RPing and treating their PCs like characters instead of sticks to solve problems with, that’s super super pleasing for me because it feels like they’re enjoying themselves and getting engaged with what’s going on.

31. What is yourfavourite class? Favourite race?

My favourite type is jack! They seem to be, like… the bestset up for interacting with the world in the way I want to interact with it. Ilike having the variety in what I can do and I’m not super bothered by the lackof high-powered/specialised skills. It looks like the new book’s going to bemaking jacks their own Thing instead of just being a nonspecialised mishmash ofall the other character types so iunno, we’ll see how that one shakes out.

Numenera doesn’t really doraces the way DND does races. You get races, but they’re in place ofdescriptors rather than a separate trait. I ain’t give a shit about function orbuilding a mechanically-optimised character, if you tell me I can either pick aspecies trait or a character trait I’ll pick the character trait. So I guess Iprefer the default “race” (which is… not necessarily human, Mote’s a spaceape but she still counts as the default mechanically) because then I can picksomething else interesting to have going on. I did super enjoy playing an ArtificiallyIntelligent character one time, but the GM let me pick two descriptors so I wasAI/Mad and honestly if I could’ve only picked one, Mad all the way.

[serrj215]

The Imp, the Spirit and the FTP Server.

Reading was always one of Raven's passions.  In fact, for much of her life reading was one of the only things she was ever allowed to do other than meditate.  When she came to earth one of the blessings she cherished were the huge libraries. The easy access to knowledge and stories. She often thought that when she read she added to herself, new ideas and tastes of emotions she could not risk trying to feel for herself.

The passion for the written word was the reason why she was sitting in front of Beast Boys unattended laptop.  Raven never had much use for the internet.  It was all 'misspelled noise' She told Starfire once when she found the 'Wonderful book of facing’ and started begging her to join.  Yet the blocks of neat text on the screen caught her eye.  But this was Beast Boy this was most likely a video game guide or some other waste of perfectly good words.  

When she started reading, Raven couldn’t be more surprised.  She couldn't look away, the words just pulled her in so easily.  The browser was opened to a writing site and a large collection by an author called GML. Several dozen short but captivating stories. Before she knew it, she finished the first story and was onto the next one, then the next. Each one pulled at her in a different way.

One was a sad and morose tale of a lost friend, what the main character should have said to save her.  Another about exploring an alien world with an older brother. Raven read one that nearly brought her to tears, and the next one made her feel as bright as morning. They were like eating peanuts, she had read six stories before she heard Beast Boy bellow "Hey Dudes! Anyone see my PC?!"  

She had no idea what she was thinking, but by the time Beast Boy had come into the common room.  His laptop was closed, Raven was sitting in a lotus position chanting, and a link to the site was in her e-mail.  

"There you are Lappy!"  Beast Boy exclaimed scooped up the device.

"You named your laptop?"  Raven asked one eye opened?  

"This is not just a laptop! Its Lappy! connector to Social Networks and lord of Farmville!" He declared proudly holding the computer up as it held ultimate power.

"Please take your porn gateway and leave me alone" Raven closed her eyes and resumed her chanting.

"Raven?"

"What?"  

"You can get porn on the Internet?  Please tell me more?"  He asked with fake enthusiasm and his eyebrows dancing for emphasis.

"You know what you can also get on the internet?  Obituaries." a sharpness lining her voice.

"Well I am leaving, you are a bad influence on my computer. Come along Lappy."  Best Boy turned away petting the laptop like it was a loyal puppy.

It was nearly 1:00 am and Raven found herself using one of the ops room computers. The hardest part was remembering her email password. She dived right back into the collection of GML and soon she was lost in the words.  The stories were just short enough to keep her wanting more and the characters seemed so familiar. They must have been borrowed from other stories she had read, or modeled after historic figures but for some reason she couldn’t place them, even though everything they did or said fell into place in her mind like puzzle pieces.  

There were several stories about a forest Imp trying to impress a beautiful moon Spirit. The Imp was full of life and humor. Willing to go out of his way doing to most ridiculous things just trying to make the Spirit smile. The Spirit was described as elegant and ethereal, yet so cold would reject the Imp every time. It was heartbreaking to see the Imp get rejected again and again but he loved her, he would keep coming back for more.

It was 3 am before she was finished with all the stories.  Ravens eyes burned from staring at the screen.  She made her way to the couch to lay down and let the words of GML play in her mind. Sleep claimed her.

The next morning, she woke up to the clicking of the keyboard Beast Boy was sitting at the terminal she was using the night before.  She did remember to log out, didn’t she?  

He swiveled in the chair to face her their eyes met and he wore a smile that chilled her.  "You know you favorited all of them, but the one about the finding the magic dog.  What was wrong with that one?"

She was on her feet instantly and rage was front and center.  Beast Boy was very close to a long vacation someplace very hot.  At least he was till "I am glad you like my work" fell from his lips.

She froze. His work. HIS WORK.  

"Your work?" the words came out weekly with almost a squeaking sound she was not aware she could make.

"G. M. L.  Garfield. Mark. Logan.” He said slowly spinning in the chair.  “You really didn’t think I would sign anything on the internet 'Beast Boy'? Robin would love that!"  

Her mind ran back to what she read the night before. The stories started to line up to missions and battles they all fought.  She started recognizing the others from the stories, and she recognized herself.

A moment ago, she was ready to destroy him for violating her privacy, only to find out that in a very weird way that she violated Beast Boys. The stories might have been on the internet for the world to see but no one knew that the characters were real.

A chunk of ice started forming in the base of her throat and starting to spread into her chest. She thought that some of the things that the Moon spirit had done and said were so callous, so hurtful.  It put new light on the things that she had said to him over the years.

"You really wrote all of that?" she asked not knowing what else to say but needed to fill silence.    

"We all got stuff to deal with.” He leaned back in the chair and started examining the ceiling.  “You meditate, I do this." With a swing of his legs he stood up to face her. "I tried a journal, Rita said it would help, but it was easier to turn my life into a story.  Then I thought why not share it. "  

"Those are all our missions"

"The more interesting ones, with a little artistic license”

"Do you really see me like that?"  

"Like what?" he asked quietly, carefully, knowing exactly what she meant but not sure if he wanted to hear the answer. He knew what he wrote, it wasn’t meant to hurt her, but she had hurt him many times.  

"Am I really that cold?”

“Rae, I see the Moon Spirit as beautiful, lonely, isolated and unique, and that’s why the Imp loves her. I see you as someone I don’t get, but I can’t let you go. You keep bouncing around my head. "

“Her image stayed with him, in dreams, in passing glances and would wonder into his mind if it was left idle” She said quoting one of the last stories she read.

“It took me 2 hours to come up with that line. Spent most of it banging my head against a wall.” He looked away putting his hands in his pockets.  

"Is the Moon spirit ever going to give the Imp a Chance?"

"You tell me, but the Imp isn't going to give up. That boy is a glutton for punishment."  The words broke his mouth into a smile.  

"Does the Imp want to go for a walk?"

"I would love too, let me go get Lappy"

First thing I have written in so long.  Actually I wrote most of this last year but never was able to get past the rough spots till now. I have been in a funk lately but writing is not going to get any easier if I don’t do it. I have so many drafts and half finished things.  New ideas come but sometimes the scariest thing in the world is a blank screen. So this one went a little meta, but who doesn't love the idea that Beast Boy might also write fan-fiction? 

[sickofyourfandombullshit]

Heathers 2018

So when I saw @princess-has-a-pen​ post about the new Heathers remake I had to look it up for two reasons:

1. I’m a huge fan of the Movie and Musical and 2. I had to see the fucking horror show that Spike TV was no doubt going to turn it into.

Now Princess asked in their tags the exact same thing I asked myself when I saw the post:

“Why?”

Well friends, strap yourselves in cuz I’m about to take you for a fucking ride.

Why remake Heathers? A movie that has solidified itself as a cult classic for it’s gritty, fucked up story and characters that took pretty much every kid who went to high school in the 80′s (or any time really) life and amped it up to 11?

Cuz the original Heathers is full of 'problematic' things and they can now remake it to be more 'progressive' while snagging a new audiance of younglings who know about Heathers because of the musical.

Now my friends, as I stated before, I love both the movie and the Musical, but as a mature, rational fan over the age of 30, I can look at something I love and point out it’s flaws and believe me, when it comes to the source material, Heathers the Musical is stuffed full of flaws and that creates some problems.

I am pretty sure all the Tumblrinas who idolize ‘Heathers’ have only seen the musical because honestly, the ‘date’ scene where Heather McNamara gets raped in the background would be enough to make them REEEEEE all the way to the fucking bank.

Like legit, she is literally struggling under her date (and not in a fun way) to make him stop and Veronica just fucking leaves her there. We don’t see her get away or anything, so you can only assume that that whole thing didn’t end well, especially given how miserable McNamara is in the movie to begin with.

The Muscial made light of a lot of the grim parts the movie worked to highlight, specifically bullying and suicide and the dangers of giving into pressure and just  being a fucking terrible human being. Not to mention it twisted things in a way that actually reinforced some harmful tropes. Specifically with the two main characters JD and Heather.

JD in the movie is a completely sociopath who physically and mentally abuses Veronica for almost the entire thing and in the Musical they gave him the stereotypical ‘troubled boy who wanted to make the world better but it just got out of hand’ treatment. Like “Oh yeah, he murders three people and tries to blow up a school but his dad’s a jerk and his mommy committed suicide so you can’t blame him! Deep down he’s just a tortured soul who really loves Veronica!”. Spoilers! He doesn’t love Veronica, at least not in any way that should be even entertained as any sort of ‘love’. He and Veronica’s relationship coupled with his ‘sacrifice’ at the end of the play made me cringe extra hard because it felt like it was romanticizing abusive relationships and in all honesty it was. A specific scene from the Musical where I thought they were actually going to address the toxicity of their ‘relationship’ (at the end of the ‘Our Love is God’ musical number where Veronica seems to have a mental break down as she screams ‘Our Love is God’ over and over again as if to drown out the fact that she just assisted in the murder of two people), was brushed under the rug the next scene and seemingly forgotten about till something ELSE big happens and then it’s fucking Ground Hogs Day apparently.

Veronica in the movie joined the Heathers before the movie even began because she wanted to be popular and due to her skill in forgery is pretty much made their pet project. She’s not as much of a cunt as Chandler or Duke but she's still pretty fucking bad. She kills Kurt herself, blows off her actual best friend in exchange for shallow popularity, laughs over Heather Chandler dying and only turns on JD when the suicide note she writes for Heather Chandler backfires and causes people to glorify Chandler as a saint. This as well leads her to realize that it’s pointless to kill people because someone else just takes their place as “The Mythic Bitch” ala Heather Duke’s transformation (also because JD straight up slaps her in the face for trying to back out on him). She only ever does anything semi sweet at the VERY end after JD gets blown up. In the Musical she is portrayed as a sweet innocent little buttercup who is super besties with Martha and sticks up for the little guy and never meant to hurt anyone and was just dragged into everything bad by bad people. She feels constantly guilty for it and seems unable to make any actual choices herself outside of breaking into JD’s house to fuck him. She’s totally innocent guys. Totes.

And before you say “C’moooon it’s a fuckin’ Muscial!” you need to go watch you some Dear Evan Hansen or Les Miserables because those two Musicals are heavy as fuck and had no problem in showing how fucked up serious shit like war and suicide was through flawed characters.

Now with this new series coming out it seems destined to fail. It has only been releasing Instagram videos to promote the show and already it’s hitting all the same old PC points while being SO EDGY at the same time. It’s Riverdale all fucking over again.

“The terrible trio is more like a set of outcasts who have taken over Westerberg High School.” -EW article

Like really? Fuckin’ really? The Heathers were all popular girls due to their wealth (McNamara), beauty (Duke) and over all exuding of confidence and attitude backed up by all of the previously stated assets (Chandler). They weren’t a bunch of outcasts. They took pride in how they looked and how people saw them. I don’t understand this fucking need to make every kid nowadays an ‘outcast’ in an effort to make them ‘relatable’. They did it to every kid in the Power Rangers remake and MJ in Spider-Man: Homecoming and it’s starting to  get fucking annoying. Oh well, gotta get them kids with all that EDGE!

So let’s look at the ‘Heathers’ (I can’t bring myself to not put that in quotation marks when talking about these piles of hot garbage):

Heather Chandler is a plus-sized, Skrillex haired edge lord who looks like every Tumblr Feminist/Suicide Girls reject and literally gives off no aura of power or fear at all. She just comes off as some fat bitch who found the HAAS RadFem movement on Twitter and used it to fill herself with enough undeserved self importance to justify being a cunt to everyone. Yes, where the original Heather Chandler got her power and reputation through sheer intimidation and personality, this Heather Chandler looks like the type of girl who will physically assault you in the bathroom and threaten to sit on you till you die.

Gee golly, I see Heather Duke is a sassy gay male now (and a white one at that). Wow, it’s not like that hasn’t been done a billion fucking times. Funny that he’s a white dude whose character in the movie and play turns out to capitalize on Heather Chandler’s death to raise their own status to the ‘queen bitch’ of the school. That’ll do GREAT for gay stereotypes I’m sure.

Aaaaand Heather McNamara, our possibly Asian possibly Latinx butprobably just party bag of mixed race token character who is the literal punching bag of the group. At least that seems to have not changed but I am sure it’ll help add shallow sympathy since now it’s not a bunch of white kids beating up on a little white girl, it’s a bunch of white kids beating up on a little minority girl. Goodie goodie.

The rest:

JD literally gets nothing to show from his video except one speaking line where he is telling Veronica that she’s “Not like Heather Chandler” she’s “better” while quick cutting a bunch of random shots from the show that mostly seem pointless and just confusing with one flash of him apparently running the flat of a knife on his palm behind his back? So we get nothing from our poor, tortured sociopath. I can just hear the producers of this show now: “We can’t show him being too soft or the old fans might not watch it and can’t show him being a psychotic asshole or the Musical fans won’t watch it, so make it just as cluster fucking and confusing as possible so no one will ask questions and just be drawn in with all the cheap visual click bait!”

For Veronica we again get nothing. One line of “Dear Diary, I hate my friends but that doesn’t mean I want them DEAD!” followed by more random cuts of shots from the show, many of bloody scenes and hints of violence but a lot more of just weird confusing scenes that make no sense. It’s kind of funny for the sheer reason that they seem to be banking on people just already knowing who these characters are ala the original movie but at the same time are trying to pull in new audience members with all the vague quick cutting which they seem to have mistaken for ‘mystery’.

And last  but not least, we have Betty Finn. What’s that? “Who if Betty Finn?” all you fans of the Musical ask? Well you wouldn’t know who Betty is unless you watched the MOVIE cuz Betty is who Martha Dump Truck replaced in the Musical because Betty wasn’t fucking sad sacky enough and they didn’t want to clutter the script with such a minor character. Betty was smart and an actual good person, the only good person in the movie honestly, who was Veronica’s friend since they were in diapers. She didn’t have a huge part in the movie outside of providing some blackmail material for JD to use against Heather Duke and trying to get Veronica to stop being such a moron (which failed). Now she’s appears to be the stereotypical side character that will be prominent in the show, probably as a comic relief character or plot device to be used against Veronica at some point.

Now, there is a huge question you have to ask:

Where is Martha? Will Martha even be in the series? Alright, it’s two questions but you get the point.

I have two guesses;

1. Possibly

but more than likely

2. No. Absolutely not.

Why do you ask? Because Martha’s character served as a plot device in both the Movie and the Musical to show how awful the Heathers really were and how their bullying was actually dangerous. Martha was a fat, slow, ugly dump of a girl. Problem is, you can’t make fun of that anymore. It’s not ‘progressive’ to make fun of people with those flaws. As well it wouldn’t make sense, Heather Chandler is fat in this remake. Unless they’re going to go full retard with some kind of ‘internalized fatphobia’ shit it wouldn’t make sense to make fun of Martha for that. Heather McNamara is the stereotypical ditzy airhead which doesn’t seem to have changed in this remake so to make fun of someone being ‘slow’ while laughing at an Air-Head-of-Color would just be super duper mean!

If they DO put Martha in, she will either have to still be dumpy, slow and fat and end up being the most popular character in the end for ‘not giving into societies beauty standards’ or some shit, OR she will have to actually flat out die from her suicide attempt to push the EDGE and drive plot.

Either way this whole thing is going to be a train wreck that will either take off at the idiotic rate in which Teen Wolf and Riverdale did or be an utter failure.

I seriously hope for the latter. Sorry this is so long and there are probably some spelling and grammar errors. It’s literally 2:30 in the morning and the Monster I drank is starting to ware off so I’m running on fumes.

[thatkrazymann]

Throw a Watching to your Witcher.

So it has come to pass, another Netflix Drama series: The Witcher. For those unfamiliar, this new venture comes courtesy of one Andrzej Sapkowski, a polish writer best known for (drum roll please…) The Witcher series! The Witcher is a kind of dark fantasy series, like Lord of the Rings if it caught a venereal disease from a prostitute and also had an old, nagging injury from some old battle, like say, an arrow to the knee? The Witcher follows the adventures, or misadventures, of one Geralt of Rivia, a Witcher, as he travels the lands seeking to just live his life and do what he can to survive. If you are unfamiliar, a Witcher is a monster hunter, not a witch hunter, who has extraordinary abilities that have been granted to them via a forced mutation, they’ve basically been created to be roam the lands and kill various monstrosities for coin. But let’s get to the point, is Netflix’s The Witcher any good? I have played one of the games, read the books, seen the show(which apparently not all reviewers could be bothered to do but hey, why bother to fully work on something you’re paid for right?!) and after consuming all that media, I can’t say I’m totally a fan, but I can say that the show does indeed make for an entertaining watch for newcomers, and it’s at least better than season 8 of Game of Thrones so there’s a win right there.

As I have said, I’m not a devoted fan of The Witcher, I played the Witcher 3: The Wild Hunt, I couldn’t really play the others because I don’t have a PC. I was interested in reading the books after playing the game and found them intriguing and a nice change of place. But with both the game and the books, I found myself really searching for a starting point which didn’t really exist. The show does actually have a much stronger jumping off point, giving the viewer a good baseline for the series to continuously build around. That’s not to say that it doesn’t have some issues and problems, especially to a newcomer I’m sure. There were plenty of times where I took a trip to the wiki page for clarification or to just understand what some character had said that everyone seemed to think was important, and there are still things that I’m not sure the significance of. The Witcher does succeed at doing some pretty good world building, the monsters and magic system are especially well thought out, though a little hard to grasp. But you can really see that care has gone into this series, the team behind the camera, and indeed the team in front of the camera, really do care about this world and the story that is being told, which is rare for a Netflix series I feel.

*Spoiler town ahead so if you want to know what I feel overall, jump to the end!* 

If we want to talk gripes, I have a few but let’s start positive first, this is a rich story! There are so many things going on and multiple layers (like an onion) and the show really doesn’t stumble over itself too badly. A few things that did trip me up was the beginning of Yennefer’s story, why she sucked and then didn’t suck with magic, the girls who turned into eels for what feels like a test, etc. There were some minor quibbles but as the story progressed the true depth of each of the characters shone though. Now, acting wise, I didn’t think I would like Henry Cavill as Geralt of Rivia, I can’t really tell you why, I guess because I just couldn’t see his face as a Geralt but he has a strong opening performance that only gets better the more we see him. Henry is obviously the actor that has read the books beforehand and absolutely loves them, and that pays dividends. I’m not sure if he did all his own fight choreography but man, it looks like he did and during those moments his love for the character shines through in the most minute of details. While I don’t see the same love for their characters as I do from Henry, Anya Chalotra’s portrayal of Yenefer is amazing. The fact that she manages to play Yenefer with a literal crookedness about her before casting that aside shows just how great she is. Anya does a great job owning many of her scenes but I feel like the character kind of stopped getting understandable character development after she met Geralt and her actions become increasingly more contrived. The side actors are all pretty decent, some kind of phone it in, knowing they’re in a fantasy setting where they can say “fuck” repeatedly and not have it seem out of place, while some play to their strengths and deliver really good nuanced performances, although the Ciri storyline has got to be up there for most useless storyline around. Hardly anything answered and really not much gained besides having her occasionally see that everyone sucks in the “real” world.

A weird but for me, ultimately pretty charming aspect of the series that may or may not be a deal breaker for you is the fact that the whole series is told a little out of order. It’s not as tricky to follow as Westworld, but it does make you do some work, and you know what? That’s fine! Working to discover something is kind of a nice feeling, especially when your guesses come true, even halfway so. It doesn’t block everything off behind this grand, final reveal , it just feels a little odd to be seeing events and have characters refer to passages of time in large blocks. The Witcher also succeeds in this by making sure that if you didn’t pick up on some or all of the hints, you don’t feel like a dummy, something which Westworld had no shame beating into me. I certainly think it could’ve been a little more complex with its narrative structure and I know a large group of reviewers and viewers will moan about how it’s unnecessary and that they just want to watch something and turn their mind off and enjoy but you know what? Art isn’t an anesthetic, it’s not supposed to lull you in and put you asleep, it’s supposed to tell something that gets your brain jogging, and while this isn’t a jog, it is a brisk pace for the brain.

Now, time for some proper looking at what may not in fact be too great with The Witcher series and there are certainly a couple things. As I previously said, the Ciri storyline feels very superfluous to me. We don’t learn much beyond the fact that she’s some kind of kid who harbours ancient, primal, magic, which sounds cool until you realize that there’s no payoff for that. Shit never goes down. Sure, Ciri screams and trees blow down, stuff happens but it doesn’t affect the world, I don’t care about that as much as I feel like I should. The Ciri storyline I feel could’ve been saved for the opener of the next season, to show and fill us in on what happened to her between the beginning and end of the first season, then you can throw away as many characters as you want. Dragging her story out without any payoff feels incredibly lacklustre. Another problems is in fact something that I did touch on as saying it was good, the side characters. While the acting involved is good for the most part, I don’t find myself caring about any of them Sure, a couple of them are good and memorable, but on the whole? They all feel like they don’t serve a grander purpose. Whenever characters reappear, they still haven’t changed much and it feels like using them to hide little bits into the hidden narrative layer would’ve been the way to go. The exception to this is Jaskier, who is always brilliant but also helps to give us, the viewer, a character we can relate with who actually does things in this world that change and affect others. It’s disappointing that even my favourite side characters for their amazing acting, like Stregobor, Tissaia, Mousesack, and Calanthe, never really bring something into the fold that I feel gives weight to the narrative, which brings us to my final complaint. The story feels a little dry and meandering, and while that can be acceptable for some episodes and others do help give a better view of the narrative, the episodes toward the end just really bumble about. Geralt hunting monsters or interacting with royalty is interesting and telling, watching Geralt have some kind of fever dream not so much, even if the fever dream is very emotional. Same with Yenefer, when she’s learning magic and fighting off assassin’s and interacting with Geralt? A+, good going, conversely, whining about wanting a choice that SHE made and saying she wants to take it back because she was forced to make it? Not so much. Worse than that, she goes on to protect what she wants to burn down for really no reason that I can gather. Things are interesting but also tedious with her and the world she inhabits.

So, at the end of all this, what are my feelings on the show? Should you watch it? YES! Absolutely. There’re only a couple things issues and they’re all pretty minor in comparison to other shows. The writing and pacing is a little sporadic and while the acting on the whole is good, with the except that some of the minor actors phone it in so they can say “fuck” in the same sentence as saying “the elves” or “butcher of Blaviken”, then you’ll be fine. Sure, a lot of those characters have weird motives or no motives and people bitch and complain about things that I really don’t think is relevant but that’s fine. My two biggest gripes are with a lot of the characters just being absolutely unlikable for the sake nothing or something I don’t understand, even after delving into the wiki, and the Ciri plot which could’ve been touched upon in the season 2 premier and it would’ve had more weight. The acting is fairly rock solid with notable love going out for Henry Cavill, Anya Chalotra, Joey Batey, and Anna Shaffer. The fight choreography is some of the best I’ve seen and I really hope some kind of behind the scenes look at that is shown. So, all-in-all, I’d say a 7/10 to 7.5/10, and since a lot of people will generally think that’s bad, I’ll add this: I’m definitely gonna rewatch The Witcher, probably 2 more times (despite the “Netflix drama time commitment”) and I don’t think I’ll be bored or won’t enjoy myself! Give it a watch and let me know what you think!

[mohriarty]

tagged by @1runw1thwolves212

RULES: Answer all the questions, add one of your own and tag as many people as there are questions

1. COKE OR PEPSI: Coke 2. DISNEY OR DREAMWORKS: Uhh, I want to say Dreamworks, but Mulan is my all-time favourite animated film and that’s Disney so...? 3. COFFEE OR TEA: Tea. 4. BOOKS OR MOVIES: LORD I DONT KNOW?? I love both considering I’m a book AND movie buff wtfff 5. WINDOWS OR MAC: Windows, jesus christ I am not a fucking casual why is this question even here when Mac is obviously inferior to the gaming prowess of Windows. 6. DC OR MARVEL: LMAO fuck DC. MARVEL ALL THE WAY YALL 7. XBOX OR PLAYSTATION: X-BOX. AGAIN, THIS IS A WEIRD QUESTION WHEN X-BOX IS CLEARLY SUPERIOR. 8. DRAGON AGE OR MASS EFFECT: OH LORD. MASS EFFECT BECAUSE OF ANDROMEDA I GUESS - THIS QUESTION IS WEIRD CONSIDERING THEY ARE DIFFERENT GENRE OF GAMES BUT I’D JUST LIKE TO PUT IT OUT THERE THAT OBLIVION WAS THE GREATEST VIDEO GAME OF ALL TIME. 9. NIGHT OWL OR EARLY RISER: Night owl fam 10. CARDS OR CHESS: I’m the rad at both but chess for sure. 11. CHOCOLATE OR VANILLA: Vanilla. (Strawberry flavouring whoops both their asses so) 12. VANS OR CONVERSE: I don’t fuckin know. They’re shoes. I mean I want a pair of Yeezys if that coults. 13. LAVELLAN, TREVELYAN, CADASH, OR ADAAR: WHAT IS WITH THE DRAGON AGE REFERENCES?? IDK MAN MY CHARACTER RIGHT NOW LIKES LAVELLAN SO ILL GO W/ THEM. 14. FLUFF OR ANGST: ANGST 15. BEACH OR FOREST: Forests! Then again, I remember as I child I went to this empty beach and it was storming and I was sitting on a precipice looking over it all whilst the waves were going crazy and that’s always stuck with me because idk? 16. DOGS OR CATS: fuckin snakes. but i like dogs. 17. CLEAR SKIES OR RAIN: i want it to be storming. 18. COOKING OR EATING OUT: cooking (when someone else does it) 19. SPICY OR MILD FOOD: depends on the dish. 20. HALLOWEEN/SAMHAIN OR SOLSTICE/YULE/CHRISTMAS: Halloween! 21. WOULD YOU RATHER FOREVER BE A LITTLE TOO COLD OR A LITTLE TOO HOT: SON, SON. I AM LITERALLY THE WARMEST PERSON I KNOW I WAS LITERALLY IN THE SNOW ONCE IN ONLY A SINGLET AND PANTS AND I WAS STILL WARM. I ALSO HATE THE HEAT SO THERE. 22. IF YOU COULD HAVE A SUPERPOWER WHAT WOULD IT BE: Read the comics with Legion in them. THAT’S THE POWER I WANT. 23. ANIMATION OR LIVE ACTION: idfk 24. PARAGON OR RENEGADE: renegade 25. BATH OR SHOWER: baths because i can drown myself 26. TEAM CAP OR TEAM IRONMAN: TEAM CAP (BUT I WILL NOT TOLERATE TONY HATE YOU FUCKS) 27. FANTASY OR SCI-FI: HARD QUESTION. BOTH. 28. DO YOU HAVE 3 OR 4 FAVORITE QUOTES IF SO WHAT ARE THEY: I love quotes and thus I have far too many to list, but I find that this one by J.R.R Tolkien is one that is always playing on my mind: “So comes snow after fire, and even dragons have their endings.”     29. YOUTUBE OR NETFLIX: Don’t have Netflix, so YouTube. 30. HARRY POTTER OR PERCY JACKSON: HP. 32. STAR WARS OR STAR TREK: STAR TREK, BECAUSE WHEN I WAS GROWING UP AS A LITTLE MIXED KID I COULD RELATE TO THE STRUGGLES OF SPOCK. 33. PAPERBACK BOOKS OR HARDCOVER BOOKS: Hard cover!! 34. FANTASTIC BEASTS OR CURSED CHILD: FANTASTIC BEASTS. 35. ROCK OR POP MUSIC: I hate rock music and pop music. I like Rock ‘n Roll WHICH IS COMPLETELY DIFFERENT TO ‘ROCK’ A.K.A GO SEARCH UP CHUCK BERRY (R.I.P) 36. WHAT IS THE MOST IMPORTANT THING IN YOUR LIFE: I’d say my parents but they aren’t things. Perhaps my journal or my PC? I think mainly my cash lol. I’m unsure. 37. THE LAST BOOK YOU READ/THE ONE YOU’RE CURRENTLY READING: The Help by Kathryn Stockett and now I’m reading The Blind Side by Michael Lewis!! I def recommend yall check ‘em out. 38: SONG THAT MAKES YOU SMILE/SONG THAT MAKES YOU CRY: I’m not going to add the song that makes me cry because I dont want my friends to read that lol, plus Im uncomfortable with crying anyway. A song that makes me smile.... Wake Me Up Before You Go-Go - Wham! I guess is probs the no. one contender. I don’t know, I’m not in-tune with my feelings. 39. SUSHI OR WAN TAN SOUP: Sushi 40. SPRING OR AUTUMN: Both. Spring, because that’s when my tulips seem to be happiest! But they grow best in Winter. If it were a competition between all the seasons, let it be known that Winter will always win. 41. DRAWING OR WRITING: I like both, since I do calligraphy often and that ties in with drawing and writing. But if I had to choose I’d choose choose writing. 42. SINGING OR DANCING: I’m bad at singing and I absolutely, with 100% of my being detest dancing. So, by the great power of deductions, y’all can see that my answer is: singing. 43. TV SHOW/MOVIE/BOOK THAT’S LIKE YOUR HAPPY PLACE, SOMETHING THAT ALWAYS MAKES YOU SMILE: I’m in far too many fandoms, but something to do with LOTR, The Hobbit, HP, MARVEL, STAR TREK, etc. Would do the trick! 44. FIRST GOOD CHILDHOOD MEMORY THAT POPS INTO YOUR HEAD: I am four. My nose is cold and my ankles are submerged in clear, running river water. It’s Autumn. The leaves around me are falling and it is quiet and I am alone and I had never felt so free in my life. It was the first time I had ever felt something I couldn’t describe, and I remember how clearly I felt like I was ancient, like I had lost something old and powerful. I remember my heart felt heavy in my chest and I remember that I felt too solemn to be so young. I felt so sad but I felt so whole and those are contradictions I think, but I felt them anyway. 45. IF YOU COULD VISIT ANY HISTORICAL TIME PERIOD, WHAT WOULD IT BE AND WHY? The 40s, so I could contribute to the war effort, and I would try and save as many Jewish people as possible. I’d save my grandmother specifically, she didn’t die in the Holocaust but she was scarred beyond repair and it was heartbreaking.

[choiminhovevo]

Even numbers. You heard me ㅎㅅㅎ

why does the Tumblr app refuse to show my messages they are the worst

2. First game you played?

First game I played was Crash Bandicoot: Warped

4. Longest consecutive hours you’ve played a game?

probably when I first got Skyrim for 9 hours

5. Game with the best soundtrack?

yes this is an odd question but fuck it is important. Final Fantasy XII don’t tell Nobuo Uematsu I said that

6. An underrated game from within the last few years?

Shadow of Mordor I think. maybe because I love Lord of the Rings with all my heart, and when there’s extension on the lore and it gets turned into a sprawling video game I’m just so happy. people I watched play it loved it but I heard it wasn’t well-received.

8. The game with the best atmosphere/scenery?

so many!!! The Witcher 3 is so beautiful to look at *heart eye emoji*

10. Prefer PC or console?

team console all the way.

12. Most bizarre game you’ve ever played?

HuniePop; an explicit dating sim because I can. it’s just…. weird.

14. Do you watch playthroughs online?

yup! gotta make sure it’s worth the $60

16. The best year in gaming you’ve experienced?

2012 because that’s the only time I got to play games OTL

18. Worst game you’ve played?

Pokémon Moon, believe it or not

20. Favorite publisher and/or developer?

Bethesda!!!! land of glitches and infinite cabbages!!!

22. If you could turn one game into movie, which would it be?

AHHHHHH!!!! OMG ALL OF THEM???? the ones that I liked. honestly because Assassin’s Creed did so poorly (for damned good reason) I think video games should be turned into TV miniseries, so that nothing is left out. I liked Far Cry 4, but I wished it gave us time to delve into Ajay’s character and feelings. like his backstory is really interesting and heart-breaking, and it floors me that Ubisoft didn’t bother to give us more to learn about. I want more miniseries, not movies. butttttt if we were to get a movie from a game, then Stardew Valley. impress me.

24. Ever cried because of a video game? Which one(s)?

there are lots of sad moments in the games I play but not enough to make me cry, but it’s a combination of the background music and the atmosphere that just floors me so much I tear up. Final Fantasy X and X-2′s Macalania Forest scenery and music made me emotional, like the game’s pathos got to me. same with FFXV’s Fociaugh Hollow, Far Cry 4′s Bhadra’s Suite playing while Ajay takes in the foreign lands of Kyrat, Witcher 3 where Geralt returns to the land of Touissant…it’s the little things. great music and scenery put together is all the emotion I need.

26. How often do you play online? Co-op?

I never do. that requires interaction. I don’t want that. I get too immersed in gaming and I don’t want to explain or talk to people when I play. too distracting. you talk over the music I get infuriated.

28. Who got YOU into gaming?

my dad playing Tomb Raider and me getting interested in playing.

30. On average, how long does it take you in the character creation screen?

10 minutes maybe

32. Do you cosplay?

I want to.

34. Favorite male npc?

can I say Ignis?? it’s Ignis.

36. Best antagonist?

Radovid V the Stern keeps coming up so I’m gonna say him

38. Have you tried a game, hated it, then tried again, and loved it?

Final Fantasy XV I didn’t warm up to, but I gave it the old college try again and it’s great.haven’t beat it yet because I don’t have time. Fallout 4 I didn’t care for so much either but I got into again

40. Favorite voice actor?

Crispin Freeman even though I don’t own a game with him in it >.

42. A game you will never forget (in a bad OR good way)?

Pokémon Red, my first handheld game. it spawned into this 17 year dedication to the game. I have to own every game, I just have to.

44. Do graphics matter?

for my aesthetic since I get lost in playing and I constantly imagine myself in the lands as a swordsman, then yeah, they do matter

46. Always, sometimes, or never use subtitles?

I use subtitles because I play games that go into different languages and there’s tons of names to memorize so

48. A game you’ve always wanted to play but have never gotten to it?

Shadows of Mordor and Dragon Age: Inquisition

50. How many games to do you own?

10 maybe? not many. console games 10, but the Pokémon games? maybe 20.

52. A game you will always stand behind, and support no matter what?

FINAL FANTASY XII IS THE BEST OUT OF THE ENTIRE FRANCHISE SHUT YOUR FACE YOU DON’T KNOW HAPPINESS IT IS THE BEST THING THAT’S EVER HAPPENED TO ME

54. A sequel you really want?

The Witcher 4, but that’s not gonna happen. the Witcher series is finished TT_TT

56. Do you tell people irl that you play video games?

yeah if they judge me that’s their fault

58. Ever have someone walk in on a sex scene between you and you LI?

the sex scenes with Yennefer? yeah. ah well. I’m old enough to play the game so the other party just stared and then went on with their day.

60. The game you are best at?

Pokémon bahahahahahhaha

62. Would you want to work with video games when you are older?

it was a dream of mine, once. but I’m not smart, nor talented, nor driven to do anything of the sort so

64. Describe your favorite video game using only three words?

no I cannae.

66. Game with the yummiest looking food?

Final Fantasy XV

68. An older game that you’ve just recently gotten into?

there’s none at the moment

70. Do you play any mobile games?

I played Fallout Shelter

72. Have any guilty pleasure games?

HunieCam? it’s fun to watch

74. Which game has the best lore?

Skyrim