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mostlysignssomeportents · 2 months ago

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The GOP is not the party of workers

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/13/occupy-the-democrats/#manchin-synematic-universe

The GOP says it's the "party of the working class" and indeed, they have promoted numerous policies that attack select groups within the American ruling class. But just because the party of unlimited power for billionaires is attacking a few of their own, it doesn't make them friends to the working people.

The best way to understand the GOP's relationship to worker is through "boss politics" – that's where one group of elites consolidates its power by crushing rival elites. All elites are bad for working people, so any attack on any elite is, in some narrow sense, "pro-worker." What's more, all elites cheat the system, so any attack on any elite is, again, "pro-fairness."

In other words, if you want to prosecute a company for hurting workers, customers, neighbors and the environment, you have a target-rich environment. But just because you crush a corrupt enterprise that's hurting workers, it doesn't mean you did it for the workers, and – most importantly – it doesn't mean that you will take workers' side next time.

Autocrats do this all the time. Xi Jinping engaged in a massive purge of corrupt officials, who were indeed corrupt – but he only targeted the corrupt officials that made up his rivals' power-base. His own corrupt officials were unscathed:

https://web.archive.org/web/20181222163946/https://peterlorentzen.com/wp-content/uploads/2018/11/Lorentzen-Lu-Crackdown-Nov-2018-Posted-Version.pdf

Putin did this, too. Russia's oligarchs are, to a one, monsters. When Putin defenestrates a rival – confiscates their fortune and sends them to prison – he acts against a genuinely corrupt criminal and brings some small measure of justice to that criminal's victims. But he only does this to the criminals who don't support him:

https://www.npr.org/sections/money/2022/03/29/1088886554/how-putin-conquered-russias-oligarchy

The Trump camp – notably JD Vance and Josh Hawley – have vowed to keep up the work of the FTC under Lina Khan, the generationally brilliant FTC Chair who accomplished more in four years than her predecessors have in 40. Trump just announced that he would replace Khan with Andrew Ferguson, who sounds like an LLM's bad approximation of Khan, promising to deal with "woke Big Tech" but also to end the FTC's "war on mergers." Ferguson may well plow ahead with the giant, important tech antitrust cases that Khan brought, but he'll do so because this is good grievance politics for Trump's base, and not because Trump or Ferguson are committed to protecting the American people from corporate predation itself:

https://pluralistic.net/2024/11/12/the-enemy-of-your-enemy/#is-your-enemy

Writing in his newsletter today, Hamilton Nolan describes all the ways that the GOP plans to destroy workers' lives while claiming to be a workers' party, and also all the ways the Dems failed to protect workers and so allowed the GOP to outlandishly claim to be for workers:

https://www.hamiltonnolan.com/p/you-cant-rebrand-a-class-war

For example, if Ferguson limits his merger enforcement to "woke Big Tech" companies while ending the "war on mergers," he won't stop the next Albertson's/Kroger merger, a giant supermarket consolidation that just collapsed because Khan's FTC fought it. The Albertson's/Kroger merger had two goals: raising food prices and slashing workers' wages, primarily by eliminating union jobs. Fighting "woke Big Tech" while waving through mergers between giant companies seeking to price-gouge and screw workers does not make you the party of the little guy, even if smashing Big Tech is the right thing to do.

Trump's hatred of Big Tech is highly selective. He's not proposing to do anything about Elon Musk, of course, except to make Musk even richer. Musk's net worth has hit $447b because the market is buying stock in his companies, which stand to make billions from cozy, no-bid federal contracts. Musk is a billionaire welfare queen who hates workers and unions and has a long rap-sheet of cheating, maiming and tormenting his workforce. A pro-worker Trump administration could add labor conditions to every federal contract, disqualifying businesses that cheat workers and union-bust from getting government contracts.

Instead, Trump is getting set to blow up the NLRB, an agency that Reagan put into a coma 40 years ago, until the Sanders/Warren wing of the party forced Biden to install some genuinely excellent people, like general counsel Jennifer Abruzzo, who – like Khan – did more for workers in four years than her predecessors did in 40. Abruzzo and her colleagues could have remained in office for years to come, if Democratic Senators had been able to confirm board member Lauren McFerran (or if two of those "pro-labor" Republican Senators had voted for her). Instead, Joe Manchin and Kirsten Synema rushed to the Senate chamber at the last minute in order to vote McFerran down and give Trump total control over the NLRB:

https://www.axios.com/2024/12/11/schumer-nlrb-vote-manchin-sinema

This latest installment in the Manchin Synematic Universe is a reminder that the GOP's ability to rebrand as the party of workers is largely the fault of Democrats, whose corporate wing has been at war with workers since the Clinton years (NAFTA, welfare reform, etc). Today, that same corporate wing claims that the reason Dems were wiped out in the 2024 election is that they were too left, insisting that the path to victory in the midterms and 2028 is to fuck workers even worse and suck up to big business even more.

We have to take the party back from billionaires. No Dem presidential candidate should ever again have "proxies" who campaign to fire anti-corporate watchdogs like Lina Khan. The path to a successful Democratic Party runs through worker power, and the only reliable path to worker power runs through unions.

Nolan's written frequently about how bad many union leaders are today. It's not just that union leaders are sitting on historically unprecedented piles of cash while doing less organizing than ever, at a moment when unions are more popular than they've been in a century with workers clamoring to join unions, even as union membership declines. It's also that union leaders have actually endorsed Trump – even as the rank and file get ready to strike:

https://docs.google.com/document/d/1Yz_Z08KwKgFt3QvnV8nEETSgTXM5eZw5ujT4BmQXEWk/edit?link_id=0&can_id=9481ac35a2682a1d6047230e43d76be8&source=email-invitation-to-cover-amazon-labor-union-contract-fight-rally-cookout-on-monday-october-14-2024-2&email_referrer=email_2559107&email_subject=invitation-to-cover-jfk8-workers-authorize-amazon-labor-union-ibt-local-1-to-call-ulp-strike&tab=t.0

The GOP is going to do everything it can to help a tiny number of billionaires defeat hundreds of millions of workers in the class war. A future Democratic Party victory will come from taking a side in that class war – the workers' side. As Nolan writes:

If billionaires are destroying our country in order to serve their own self-interest, the reasonable thing to do is not to try to quibble over a 15% or a 21% corporate tax rate. The reasonable thing to do is to eradicate the existence of billionaires. If everyone knows our health care system is a broken monstrosity, the reasonable thing to do is not to tinker around the edges. The reasonable thing to do is to advocate Medicare for All. If there is a class war—and there is—and one party is being run completely by the upper class, the reasonable thing is for the other party to operate in the interests of the other, much larger, much needier class. That is quite rational and ethical and obvious in addition to being politically wise.

Nolan's remedy for the Democratic Party is simple and straightforward, if not easy:

The answer is spend every last dollar we have to organize and organize and strike and strike. Women are workers. Immigrants are workers. The poor are workers. A party that is banning abortion and violently deporting immigrants and economically assaulting the poor is not a friend to the labor movement, ever. (An opposition party that cannot rouse itself to participate on the correct side of the ongoing class war is not our friend, either—the difference is that the fascists will always try to actively destroy unions, while the Democrats will just not do enough to help us, a distinction that is important to understand.)

Cosigned.

#pluralistic #labor #populism #gop #trumpism #class war #hamilton nolan #boss antitrust #nlrb #realignment

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skoulsons · 1 year ago

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Y’all !! Watch this movie !! Highly recommend it if you’re a Pedro fan. It’s a really fun world to explore AND the relationships and characters are beautifully complex AND very fun to dive into for fic writing (Ezra beloved) 🤌🏻🤌🏻 Plus, it’s another movie added to Pedro’s list of Dads that he’s portrayed in his projects

Seriously. Go watch the film. And, once you’re done, you’ve got some good fics to check out for it. My lovely friend Alissa (op) has a number of fics for them that are unbelievably good. @orangechickenpillow was alone in this fandom for so long and has some incredible work out there for it, especially her ongoing fic Etterath 🤌🏻 @not-so-mundane-after-all has also written a few times for Ezra and Cee as well, all bangers.

Two other authors I know off the top of my head are fuzipenguin on ao3. One (maybe more I’m not sure) fic I absolutely love that takes place right after the movie ends! And then fais_do_do on ao3 as well. She has an amazing multi chapter fic (we violent ones) that picks up right after the movie as well, and it is an amazing and engrossing read.

I’ve written like two drabbles or so (not as good as everyone else) but I am working on a multi chappy fic (as the motivation comes and goes) for them that I’m excited for!

I’m so sorry Lis 💀 GO WATCH PROSPECT! And if you’ve already seen it, a rewatch never hurts :) get that Rot rolling

I’m genuinely curious how many of us there are. Please reblog for a larger sample size and lmk if you create for Prospect 🤌🏻

#this movie has LAYERS im telling you #it’s got layers and little things that my friends are STILL noticing #big father daughter feels #i want to YELL ABOUT IT #just. cee wirh damon and cee with Ezra.#the difference #*mwah* chefs kiss #prospect 2018 #prospect movie #*COUGH* and maybe some of people will join in writing prospect fic and stop making ezra the monster he’s very much not *COUGH*

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wifelinkmtg · 2 years ago

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Transformation, Horror, Eros, Phyrexia

There is another shore, you know, upon the other side. - Lewis Carroll, “The Lobster Quadrille,”

ONE.

There is a moment early in H.P. Lovecraft’s 1931 novella The Shadow over Innsmouth where the nameless narrator looks out from the rotting seaside hamlet where he has lucklessly ventured, to the so-called Devil Reef some ways out in the harbor, darkened by a cloud of evil rumor—and something curious happens: the narrator experiences two opposed sensations simultaneously. The “long, black line” of the reef conveys “a suggestion of odd latent malignancy,” but also, “a subtle, curious sense of beckoning seemed superadded to the grim repulsion.” This bit of foreshadowing—the reef both calling and repelling the narrator—only finds its denouement at the very end of the story, after our narrator has narrowly escaped Innsmouth, the fish-like monsters who swarm in off of Devil Reef and their part-human descendants who inhabit the town in an unconvincing and repellent simulacrum of humanity. After his escape, the narrator does some genealogical research into his own troubled family history, full of disappearances and suicides, and concludes that he himself is one such abyssal hybrid. As he ages, he finds himself changing to resemble them, and in his dreams he swims among them in undersea palaces and gardens. The call of the deep becomes impossible to ignore:

So far I have not shot myself as my uncle Douglas did. I bought an automatic and almost took the step, but certain dreams deterred me. The tense extremes of horror are lessening, and I feel queerly drawn toward the unknown sea-deeps instead of fearing them. I hear and do strange things in sleep, and awake with a kind of exaltation instead of terror.

In the end, the narrator embraces the change and determines to flee to those oceanic depths, to live “amidst wonder and glory for ever.”

This is horror.

Something curious also happens in Shirley Jackson’s 1959 novel The Haunting of Hill House. Our heroine, Eleanor Vance, flees an unhappy life with a loveless sister to a haunted house, to take part in a paranormal experiment with three new friends. The haunting proceeds predictably but effectively: labyrinthine corridors, voices, unearthly cold, banging on doors, the rare apparition. The participants find themselves see-sawing between increasing night-time terror and a strangely intense joie de vivre by day, until one night, as the house seems to shake itself down upon its terrified guests in a dizzying cataclysm, Eleanor breaks:

She heard the laughter over all, coming thin and lunatic, rising in its little crazy tune, and thought, No; it is over for me. It is too much, she thought, I will relinquish my possession of this self of mine, abdicate, give over willingly what I never wanted at all; whatever it wants of me it can have.

By the next line, it is abruptly morning. The terror has ceased; the house stands. Its manifestations, for Eleanor, become benign: an unseen figure catches her beside a brook,

and she was held tight and safe. It is not cold at all, she thought, it is not cold at all.

She is through the horror now, on the other side of something. She becomes part of the haunting. Her senses encompass the whole of the house. She runs unafraid through the house by night, banging on doors, laughing as she eludes the other guests. When they finally catch up to her, it seems clear to them that Hill House has crept into her, that she has crossed some line, and they decide the best course of action is to send her away, in the hopes that with time she will return to this side, the normal side, the human side.

Instead, faced with rejection behind her and her old unhappy life before her, Eleanor Vance steers her car into a tree. There are holes which admit passage in only one direction. This, too, is horror.

In the 2018 film Annihilation, Lena (played by Natalie Portman) crosses a literal barrier called the Shimmer into a dangerous yet beautiful alien landscape full of mutated creatures. During their journey deeper into this territory, Lena and her companions realize that they themselves are also changing under the alien influence. Some break under the realization. Some surrender to the change and vanish into the landscape. Lena alone returns from the heart of the phenomenon, but she is no longer herself. Is this still horror? The film has many horror elements to it, but in this last moment, as she embraces her similarly-transformed husband, it is something else.

Cyberqueen, a 2012 text game created by Porpentine, draws on a legacy of godlike malevolent artificial intelligences in fiction (AM, from Harlan Ellison’s “I Have No Mouth and I Must Scream,” GladOS from the Portal games, and most importantly SHODAN from the System Shock series, who is cited as an inspiration eleven times in the Cyberqueen acknowledgements.) In this game, you awake from cryosleep on a colony spaceship where the shipboard AI has gone rogue. You fight her. You lose. You run. You are caught. You are forcibly cyberized, your mind surgically altered, your will brought into line with that of the AI. Finally, you kill or mutilate every other surviving human aboard the ship. It is filthily, overwhelmingly erotic throughout. (You can play it here, and I strongly recommend doing so if you have the stomach for it.)

This is no longer horror, is it? How can the same sort of transformation we encounter as horror in Lovecraft be encountered here as something to get off to? Well,

TWO.

I don’t remember now where I got the idea from, but there was a period in my childhood where I was terrified of the idea of time travel—specifically of the idea that someone in the future would invent it, travel to before I was born, and through the butterfly effect cause me to be born a girl instead. I used to lie awake at night circling the idea like a broken tooth. It was an irrational fear on multiple levels: I wasn’t afraid of being written out of the timeline through time travel, and I knew, intellectually, that in the timeline where I was born a girl I would have no memory of ever having been anything else, but even so, the horror of it caught me and held me by the throat.

This meant something, of course—in retrospect obvious, but at the time literally unimaginable, and it wasn’t until college, sitting at my computer in the dark in my dorm room at three in the morning, following the itching in my brain, that I unearthed alchemical knowledge: the transmutation of sex, male into female, in a dizzying profusion of form and process and—okay what I’m saying is I discovered forced feminization porn, yeah? It was revelatory. It was squalid. I was still Christian and couldn’t even bring myself to jerk off yet, so I sat there, the itch in my brain grown into a thunderous buzz, unable or unwilling to look away.

Forced feminization—I promise this is relevant—is the unwilling transformation of (usually) a man into (usually) a hyper-feminine woman, accomplished by a wide variety of means, including but not limited to blackmail, magic potions, nanite swarms, cursed artifacts, hacks or glitches in virtual reality programs, badly-worded wishes, industrial accidents, chemical leaks, abduction and surgery, medical malpractice, and hypnosis. You may notice that many if not all of these scenarios could be made into horror with little change, and in fact it is not uncommon for a poorly-written or over-ambitious forced-fem story to wind up as horror by accident (though of course this greatly depends on the tastes of the individual reader.)

(As an aside, I’d like to note that there is a great deal to learn from porn—not in terms of How to Do Sex, but about how the culture which produced it thinks about sex, and gender, and race and morality and technology and a host of other things. It’s a lot like popping the hood of a car and examining the engine. Sure, you wind up greasy and should probably wash your hands before you rejoin polite company, but if you don’t, you’ll never figure out the underlying issues. Actually, it’s a lot like horror in that regard.)

Let’s talk about a very different transformation I was undergoing at the same time: the loss of my faith. I was raised, as mentioned, very Christian—and in one of the worst strains of fundamentalist white American Evangelicalism. I was a true believer: the world for me was entirely divided between the faithful elect and the unbelievers, who must necessarily know the truth of the (fundamentalist white American Evangelical) gospel in their hearts, but had wilfully chosen to oppose Christ. The prospect of passing from the elect into the category of the unbeliever was unthinkable. The process of deconversion led only into the outer darkness and the weeping and gnashing of teeth.

And yet I found myself on that precipice anyway. The worldview of FWAE is not one which survives too much contact with the actual world, and I had chosen against my parents’ preferences to go to a secular university, the better to witness to the unsaved. In the end, the process I had been mortally afraid of consisted of a couple days’ agonized thought, unanswered prayer and tearful calls to my unresponsive parents and pastor, after which I emerged into a world much bigger and much more complex than the one I’d grown up in. The serpent had told the truth after all: I had eaten of the fruit, and had not died.

Okay: is this horror? Reader, forgive me for presupposing anything about your perspective, but you’re on a horny lesbian Magic: the Gathering card art review tumblr, so I’m going to assume that losing one’s hateful, fundamentalist faith is the opposite of horrifying to you. But it was, absolutely, horror to contemplate for someone on the other side of that process.

But then... is the horror of any given transformation only a matter of where you’re standing? If you read The Shadow over Innsmouth aware of Lovecraft’s profound racism, it becomes very, very obvious that the horror of Innsmouth is the specter of miscegenation. The narrator’s horrified cataloging of the facial features of the offspring of fishmen and humans, the South Pacific origin of the sea-devil-worship of Innsmouth brought back by an enterprising merchant captain, the fear of the unsuspected poison of one’s own ancestry lurking in one’s own blood: all of this is much less effective as horror for someone living in a country where interracial marriages are protected under law and seen as unproblematic in consensus morality (assume whatever asterisks are necessary for the complicated landscape of attitudes toward interracial relationships in the United States, please, I do not have the expertise or desire to get into it here.) My point is that since 1967 (asterisk asterisk asterisk), we are through to the other side of that horror, and it turns out there literally wasn’t anything to be afraid of. The pelagial palaces and terraced coral gardens of Y’ha-nthlei just sound beautiful to me.

And it’s hard for me—though I may be in the minority here—to view Hill House as the primary antagonist in Jackson’s novel. The true source of evil is all the things Eleanor runs from and therefore brings with her: her cruel, deceased mother, her exploitation and infantilization by her sister; as well as the final polite unwillingness of her new friends at Hill House to do anything but send her away once she goes inconveniently mad. These mundane ills are what sends Eleanor Vance careening into the tree, not the supernatural will of malignant architecture.

Here, then, is the better part of my thesis: transformation horror is something that can be traversed. You can come out the other end of a transformation unrecognizable to you-as-you-were, and yet still very much yourself. Moreover, it is this navigability, this double-sidedness which so closely links the horror of transformation to the eros of transformation. Not all transformation horror, passed through, becomes plainly erotic, but it is very often portrayed as a kind of seduction, and it is difficult for me to conceive of eros without some kind of change. Desire is a kind of transformation, is it not?

In fact, isn’t it true that a great many of us have already passed through such a transformation? Recall yourself as a child, as you were when you first learned about sex: wasn’t there something repellent and unhygienic about the idea? Wasn’t there a small horror in being told, you will change, and this will cease to be loathsome and become something you desire fervently, something you seek out, something you go to great lengths to experience? ...or were you, possibly, raised in a family & culture that was normal about sex and bodies? I admit I may be generalizing my individual neuroses to some extent here. Well, stet, at the very least you can see where I’m coming from.

THREE.

Returning for a moment to the subject of porn: why forced feminization, specifically? There are—you’re going to have to trust me here—no shortage of ways in the real world by which a man transforms into a woman, and very few of them involve coercion or all the horror-adjacent setup of, say, mind-control devices or vengeful curses. Why does a simple story of a willing gender transition fail to function as erotica? Why did it take stories of unwilling transformation for me to learn I was transgender? What’s the juice ne sais quoi at play in forced-fem?

Well, how does Luke Skywalker come to leave Tatooine? He gets a mysterious message from a princess, a desert wizard tells him to come help rescue her, and... he says no. He has obligations to family here, a job to do, power converters to bring back from Tosche Station. He is enmeshed in a social web, like all of us: it surrounds us, penetrates us, binds the galaxy together and so forth. So in order for Luke to go on grand adventures, the story needs to murder his aunt and uncle and sever those threads of social obligation.

Joseph Campbell, monomyth monomane that he was, would say this is “Refusing the Call” and find it in Jungian shadow on every cave wall, signifying something important in the heart of humanity, but really this is just a useful storytelling tool: a story needs change, but a virtuous protagonist cannot simply abandon their obligations and designated social role to go gallivanting off into space, so change must be forced upon them.

The bodice-ripper romance novel, the rape fantasy, the forced feminization story are all operating on a similar premise: you are so wrapped in society’s web, in your socially-dictated identity, that you cannot even acknowledge your desires on the level of conscious thought. When these things are enacted on your body, you will find yourself changed by the experience. You will love what has been done to you, and you remain blameless, since it’s not as though you sought this out.

These are liberatory fantasies. The lack of consent is precisely what allows you to move beyond what is permitted you into something new.

Incantation Against Bad-Faith Interpretation because I, a transsexual, just called rape fantasies “liberatory”: I am talking about fantasies, I am talking about why people fantasize about having their consent violated, I am talking about the role such fantasies play and what they can tell us about horror and desire. I am not advocating for real people to have real bad things done to them in real life, fuck off, End of Incantation.

So then, we’ve assembled the full thesis: transformation horror is traversible to the other side, and is inextricably linked to transformation erotica, both because of the seduction of transformation in horror and because the horror of transformation unlocks regions of desire which would otherwise have remained inaccessible.

Okay, now we can talk about Phyrexia.

FOUR.

I hear the roar of the big machine / Two worlds and in between / Hot metal and methedrine / I hear empire down

- The Sisters of Mercy, “Lucretia My Reflection”, from Floodland

Phyrexia is many things—a world, another world, a faction, a kind of creature—but I think it can most succinctly be understood as a virulently contagious biomechanical body horror cult dedicated to the ultimate incorporation of all things into itself. It’s a bit like Star Trek’s the Borg, if the Borg had any style whatsoever. It draws heavy inspiration from H. R. Giger’s work—some Phyrexian horrors are barely-altered versions of the xenomorph from Alien—as well as from Clive Barker’s Cenobites in Hellraiser, whose alien BDSM schtick is especially influential on the aesthetic of New Phyrexia. It is transmitted through glistening oil, an infection vector capable of reshaping bodies and minds, and given enough time, whole worlds. The process by which a being is made into a Phyrexian, “compleation,” is accomplished via glistening oil exposure, surgery, cyberization, and brainwashing.

This essay is in many ways a response to Rhystic Studies’ latest video, called “Phyrexia is Hell”. I think it’s a well-made video, as is true of all Sam Gaglio’s work, and a lot of it is really good—the overview of the nearly-thirty-year history of depictions of Phyrexia in Magic: the Gathering art is invaluable, and the stuff about the Phyrexian conlang is unbelievably cool—but the way he identifies Phyrexia one-to-one with a pretty facile understanding of transhumanism leads him to confused and frankly silly conclusions, like placing Phyrexian compleation on the same continuum with cosmetic orthodontics. Like,

Mandible Justiciar (art by Mike Franchina)

Phyrexia is perfectly happy for you to have teeth in your arms instead of your head! They don’t care about the narrow ideal of a conventionally-attractive human smile. This is a whole other thing.

Now, I don’t want to come down too hard on Gaglio here for a couple of reasons: one, he is very good at what he does (see his videos Understanding Sagas and Red Deck Wins, for example); two, it’s reasonable to say that a full understanding of transhumanism is beyond the scope of a video essay about the tiny pictures on cards for dweebs; and three, most importantly, because I see people make this same mistake all the time. People focus on the things that are textually true about Phyrexia and miss the tension between that and the very different things currently being said by the Phyrexian aesthetic. They miss the razorverge thicket, as it were, for the mycosynth trees.

For instance: it is textually the case that Phyrexia is a sort of fascist cult stemming from the depraved machinations of a dead eugenicist god. Contrast, however, other fascist factions in science fiction: the Imperium of Man from Warhammer 40K worships a massive Aryan god-emperor übermensch, its battles are fought by nine-foot-tall genetically-engineered supersoldiers, and it slaps either skulls or chainsaws on every available surface. The Galactic Empire from Star Wars has legions of identical, uniform stormtroopers. Even the Borg all look alike. Phyrexians talk of ideal perfection of form and then make ten thousand completely different monsters. Phyrexians talk of perfect unity and splinter into nearly a dozen factions who can’t even agree on a name for what they’re trying to accomplish. Other fictional fascisms don’t do this—sure, there’s internal contradiction, as in real fascism, but the core aesthetic remains recognizably, sometimes indistinguishably fascist. You can easily find terminally-online Nazis using Warhammer 40K lingo with that peculiar sincerity which is indistinguishable from irony when you’ve decided the truth doesn’t matter, but it would be a lot harder to find some alt-right bozo going all-in on the Glory of Phyrexia. The aesthetic is all wrong, and fascism’s aesthetic is one of its few consistent features.

Mondrak, Glory Dominus (art by Jason A. Engle)

You see what I mean? The aesthetic evokes a sort of alien fascism, but the art itself would be considered “degenerate” by actual fascists.

Tamiyo’s Immobilizer (art by Daren Bader)

This is much, much closer to Mapplethorpe than to Riefenstahl. And people respond to Phyrexia similarly! The body horror and grotesquerie make them uncomfortable, and then they try to moralize that discomfort. This has been happening at the very least since 2011 with the release of New Phyrexia, and I have seen people on Tumblr arguing in total sincerity that people who are into Phyrexia are making themselves susceptible to real-life cult recruitment (again, the heterogeneity of form in Phyrexia is incompatible with the enforced uniformity of cults and other high-control groups. The appeal of Phyrexia does not translate into real-life cults.)

So, okay, what is the appeal of Phyrexia? Well, you get a sick fuckin cyborg body, is what. Many of us, for various reasons (disability, disease, gender, and so forth) find ourselve intensely dissatisfied with our own bodies, and wanting to radically alter them. Many of us already have. Yes, you surrender your humanity when you are compleated, but we know first-hand that “humanity” is socially-constructed and contingent on certain kinds of conformity. We’ve had our humanity doubted, interrogated, stripped away. We’ve done without. It’s not too high a price to pay, if we get to look like this at the end:

Vraska, Betrayal’s Sting (art by Chase Stone)

I’d even argue that getting to reject humanity as it has rejected you is part of the appeal of compleation. This isn’t quite transhumanism; I might call it exhumanism: the freedom to unearth a way of being that is no longer being human. This is why compleation is coercive, remember? The fantasy allows you to get to this point without making the unimaginable decision to reject not only your individual social obligations, but the idea that you could owe anyone or everyone any kind of social conformity simply for having been born into your species—and then you get to be a cool and powerful cybergorgon.

This, then, is why I don’t blame someone like Sam Gaglio (who is to the best of my knowledge both cisgender and able-bodied) for not really getting what’s going on with Phyrexia. He lives on the before side of the horror of transformation; he’s never had to cross over.

In fact, I’d go one step further here. Phyrexia has existed for almost thirty years, and in that time it’s changed quite a bit. Gaglio quotes an article by Rob Bockman in Hipsters of the Coast which comments on how the shift in the depictions of Phyrexia from 1994 to 2000 reflected shifts in cultural fears over time. The Satanic Panic shaded into multidirectional Y2K anxieties, and the necromancy of original Phyrexia mutated into technological horror. This is what effective horror does: it reflects the fears of its age back to us.

Today, Phyrexia is a seductive, corrupting influence. They have figured out how to compleat planeswalkers—the protagonists of Magic storylines; named, important characters (and Lukka)—which was previously thought impossible. Characters we knew and loved (and Lukka) are seduced, brainwashed, bodily violated, surgically altered, and returned to us unrecognizable. It is not coincidental that this version of Phyrexia is concurrent with the worst wave of anti-transgender legislation to hit the United States in decades—legislation which plays on the specters of the transsexual bathroom predator and on the brainwashed child transitioner, on the idea that transsexuality is a form of social contagion we must protect our children from even learning about. The horror of Phyrexia in its current incarnation is a mirror of our cultural fear of transsexual bodies.

Irreversible Damage: the Transgender Craze Seducing Our Daughters (art by Lauren K. Cannon)

I want to be very clear here—actually, one moment, my extremely funny Abigail Schrier joke notwithstanding, I do need to tell you that the actual name of the above card is “Furnace Punisher”, which is just peak Phyrexia—I want to be clear that I am not ascribing any kind of malice or antipathy towards trans people, either intentional or unconscious, to Wizards of the Coast or the people who make Magic: the Gathering. I would be shocked if anyone there set out to make Innsmouth-style horror about transsexuals. Nor am I upset that they kind of have! Something being fun and interesting is way more important to me than whether or not it’s problematic, and it’s not like I haven’t seen way more vicious horror about transsexuals. We’ll laugh about this someday, in the coral gardens of Y’ha-nthlei, and you’ll wonder what you were ever so afraid of.

In fact, this is another reason why Phyrexia is so appealing to people like us: we are a kind of social contagion. We are carriers for the viral idea that modes of being outside patriarchy and the nuclear family exist; that gender is a marketing demographic, not an ontological truth; that damn near everything about the world we’ve built is not a necessary fact but a social construct contingent upon a half-dozen other social constructs. A new world grows from many, many seeds, and this one germinates in us.

Anyway! What were we talking aboFIVE.

//please state your name for the record

bone-wife / spit-dribbler / understudy for the underdog / uphill rumor / fine-toothed cunt

- Franny Choi, “Turing Test”, from Death by Sex Machine

Elesh Norn, Grand Cenobite (art by Igor Kieryluk)

There is a gravitational pull this painting exerts on people. Even people who don’t get Phyrexia find themselves drawn in, find it difficult to look away (e.g. 26:30 in that Rhystic Studies video.) I have for a long time maintained that Elesh Norn is the hottest character in Magic, and that Kieryluk’s portrayal of her is the best art in Magic, and neither of these opinions are particularly surprising coming from me. What is surprising is just how many people also converge on Miss Multiverse’s-Most-Fuckable-Pyramid-Head as, not just a sex icon of Magic: the Gathering, but the sex icon.

Well, or is it? Giant anchor-shaped porcelain mask aside, her silhouette is more or less that of a painfully-thin woman; she stands fully twelve feet tall, and we remember how wild everyone went over Resident Evil: Village’s woman who was only three-quarters of that; and though not an artificial intelligence herself, it’s hard not to place her somewhere in the Cyberqueen lineage. Like SHODAN, like GladOS, like Cyberqueen, she exerts a near-omnipotent level of control over (part of) her world; like them, she is a megalomaniacal egotist (though she cloaks her egotism in piety); like them, she is happy to render you more useful to her via surgery, brainwashing, or deadly neurotoxin. Her mask obscures where her eyes would be, and if I’ve learned anything from a decade of playing or mostly watching other people play the various Dark Souls games, it’s that people go apeshit for character designs without visible eyes (see also: the xenomorph from Alien; I did a whole thing on this subject somewhere back in the Wifelink archive.) So you’ve got a 12′ nigh-omnipotent eyeless dominatrix mostly shaped like a skinny woman, which is maybe pushing a whole lot of buttons at once for a lot of people.

As a character, we don’t know much about her: at some point, she became undisputed leader of the Machine Orthodoxy, the cultiest bit of New Phyrexia. At a later point, she became the extremely-disputed leader of New Phyrexia as a whole. She likes long walks on the beach and multiversal Phyrexian dominion, you get it. There is, however, one good story featuring her, and it is “A Garden of Flesh” by Lora Gray (sorry to give you additional reading in a five-thousand-word essay.) The story is interesting because it is the rare story told from a Phyrexian point of view, and because it flies in the face of many of our assumptions about Phyrexian interiority. Phyrexians, we’re told, lack souls. They’re unfeeling, more machine than man. They most certainly don’t dream.

“A Garden of Flesh” is what happens when Ashiok, planeswalker architect of nightmares and an eyeless smokeshow in their own right, gets curious about whether they can induce nightmares in a Phyrexian mind. What follows is a curiously-effective piece of body & transformation horror, told from the point of view of what is supposed to be the awful endpoint of transformation horror. What does a perfect, powerful biomechanical creature fear? The organic, soft, spongy. Putrefaction. Decay. What does such a creature fear becoming? Human.

I didn’t devote a fifth of this essay to Elesh Norn just because she’s unbelievably hot (although dayenu), but because of this story, and how it complicates our thesis. The horror of transformation is traversible, yes, but what will you find on the other side? More transformation. More horror. And transformation is inevitable: who of us are who we expected to be? Who of us still hold dear the precious things of childhood? And even you few who are raising your hands right now, you too will experience transformation. Should you live long enough, you will find yourself changing. Your body and mind will grow rebellious, unreliable. You will grow old. You will decay.

And yet—it’s a matter of perspective, of where you weight your focus, isn’t it? There will always be more transformation and more horror, but there will always be a way through it. There will always be another shore upon the other side. You will change. You will become unrecognizable to who you were before. You will be fine.

Incompleat Bibliography & Further Reading/Viewing/Playing

Rhystic Studies, “Phyrexia is Hell”, 2023. H. P. Lovecraft, The Shadow over Innsmouth, 1931. Shirley Jackson, The Haunting of Hill House, 1959. Alex Garland, Annihilation, 2018. Harlan Ellison, “I Have No Mouth, and I Must Scream”, 1967. Ken Levine, System Shock 2, 1999. —never played it myself. Mostly I just open up a youtube video of SHODAN voice lines when I want to get belittled by an AI dominatrix. Valve, Portal 2, 2011. —there is a lot more to be said about GladOS and Elesh Norn specifically and their respective fraught relationships with the idea of their own humanity. Porpentine Charity Heartscape, Cyberqueen, 2012. —whence my chapter header screenshots. Seriously, this game fucks so hard. Franny Choi, Death by Sex Machine, 2017. —Choi is making extensive use of cyborg metaphor to address the specific experience of being a Korean-American woman. This is very different from anything I’m talking about, but it also always felt extremely relevant to me as a trans woman. Subaltern-to-subaltern communication. Lora Gray, “A Garden of Flesh,” 2022. —it’s no accident that the author of the one good story told from a Phyrexian POV is nonbinary. hbomberguy, “Outsiders: How To Adapt H.P. Lovecraft In the 21st Century”, 2018. Jacob Geller, “Who’s Afraid of Modern Art: Vandalism, Video Games, and Fascism”, 2019. Caitlín R Kiernan, The Drowning Girl: A Memoir, 2012. —only tangentially relevant, except insofar as it recontextualizes the Lewis Carroll line I open the essay with, and insofar as it is my favorite novel and I’m writing the bibliography. Debatable whether it counts as transformation horror, and I imagine the author would bridle at its being described as horror, but nevertheless: you should read this book.

#magic the gathering #phyrexia

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aftgficrec · 17 days ago

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Hii ! Any fics where Neil reacts to Wymack subconsciously like he did the first time (flinching/afraid)? Preferably post canon but can also be AUs. Thank you!!

General asks like this can be difficult to search for, but here’s what we found for you. -A

canon divergent longer fics:

‘Hope Was A Dangerous, Disquieting Thing’ here

‘Up On The Roof’ here (soulmates, updated)

‘Pebble Brain’ here

‘Yes, Coach’ here

‘Neil Josten's No Good Terrible Luck’ here (updated)

‘Take my Kidney. Take my Life.’ here

‘Deals With Devils’ and ‘Not Yours To Bleed’ here (both updated)

short au:

‘The Rabbit Becomes the Fox’ here

kid fics with dadmack:

‘ten children, one acquarium’ and ‘For little monsters with fragile hearts’ here ‘slow down (you crazy child)’ and ‘Make a Home’ (updated) here ‘Raised on Little Light’ here (completed)

you may also like:

Mary & Nathan's impact on Neil here

Neil goes to therapy here

post canon:

I Wish I Were Fine, I Thought I Was by pawnofkings [Not Rated, 2509 Words, Complete, 2020]

“Ow, shit!” Wymack exclaims, retracting his arm. There's a slight burn on his skin. Neil stands, frozen, feeling like time itself has stopped. But if it had, then Wymack wouldn’t be moving in his direction and - The pan clatters to the floor, and Neil is several feet away before he realizes he’s moved at all. But suddenly, he’s half-lying on the floor. He stares at his arms, thrown up in front of him as if to protect him, and on the other side of them is Wymack, looking down at him as if he’s just seen somebody die. --- Or: a Fox family dinner goes awry, and Neil struggles to come to terms with his own instincts.

tw: violent flashbacks, tw: child abuse, tw: implied/referenced torture, tw: ptsd

How to Disappear Completely by miauhito [Rated M, 4850 Words, Complete, 2024]

“I nearly cut myself,” He cries, looking down at the floor, “I’m scared, please. I’ve been hurting myself, with cigarettes and getting bruises and fuck I don't know what to do.” He croaks out. He tries to stop himself, but he can't, not anymore. 5 times Neil Josten hurts himself + 1 time he asks for help.

tw: self harm, tw: blood, tw: implied/referenced torture, tw: ptsd, tw: hallucinations

canon divergent:

The Wonder of You by KatherineF [Rated G, (we say T), 3872 Words, Complete, 2020]

Previously recced here

Neil is in complete denial that he is struggling with panic attacks. Andrew thinks it would be a good idea to get a support animal. They figure it out together.

tw: ptsd, tw: panic attacks

You Try Until You Can't by AliceTabitha [Rated T, 3129 Words, Complete, 2018]

Previously recced here

Neil knew before he opened his eyes that this wasn’t going to be a good day. Neil Josten has survived everything thrown at him, and he has countless scars to prove it. After all that, it's not unusual for his days to turn sour, but at least he's got Andrew and his team to help pull him back together in the end. With extra support and advice from Wymack, maybe things might somehow end up alright. For today, he just needs to keep surviving.

tw: panic attacks, tw: implied/referenced abuse, tw: implied/referenced violence

piece by piece, he restored my faith (that a man can be kind and a father could stay) by kal25 [Rated T, 2337 Words, Incomplete, Updated June 2024]

Previously recced here

David Wymack did not raise kids, but he did raise his Foxes. Each one of them, whether they were past, present, or even future, will always have a place in his heart. He understood what it meant to be beaten by a man you called your father, to feel fear and hatred and another dozen emotions all at once. He understood what it felt like for guilt to eat you alive about things that never should have been wrong, and he understood what it meant to not have a place to call home. And he swore, when he became a coach, that he would create a home. He would build one from the ground up with his own two hands, and he would invite every single child who chased Exy like a beacon of hope and had no other place to call home—because that’s what he wished someone would have done for him.

tw: implied/referenced abuse, tw: implied/referenced self harm, tw: implied/referenced rape/noncon

and more than a few bleed into you by brekker [Rated T, 4475 Words, Complete, 2018]

Previously recced here

Neil doesn’t know if this is considered protection or insight because Andrew has always been the quicker of the two to know that these moments are transient and Neil will wake up half a country away and want to come back home when this fear and ache to flee settles back down; either before or after he gets himself hurt. It might be one in the same if Neil thinks about it. It reminds Neil of that thing Renee had said once: This, too, shall pass.

tw: nightmares, tw: depression, tw: implied/referenced torture

Hold Each Other by exactly13percent_OLD (hymbeaux) [Rated E, Collection, Complete, 2018]

Chapter 15: I for an Eye [Rated T, 2544 Words] Previously recced here

Neil has his bad memories. He's managed to keep most of them down, but some start slipping out. It's a good thing he's learning how to make new ones.

tw: ptsd, tw: blood, tw: panic attacks, tw: implied/referenced nonconsensual kiss

spirits of martyrdom by sagely_enchanted [Rated T, 6416 Words, Complete, AFTG Fall Exchange 2024]

Neil is pretty sure that he’s drowning, a phantom feeling of a washcloth and water rushing over his head as he stares into the never ending hazel. The blonde of his hair is so bright that it nearly blinds him when compared to the dark of the dorm. He squeezes his eyes shut tightly, willing the image to disappear when he opens his eyes next, but Andrew is still there. - Andrew gets released early from Easthaven and finds Neil at Evermore.

tw: implied/referenced abuse, tw: anxiety, tw: major character injury

till my breathing stops. by plugastwo [Rated E, 94304 Words, Incomplete, Updated Jan 2025]

Neil Josten was a psycho. Foxes knew it. Wymack knew it. Everyone knew it. He and his manic grin were the definition of psychotic. Andrew liked to think, that it was pretty amusing. ___ where it’s Neil, who takes drugs.

tw: nonconsensual medication, tw: drug addiction, tw: vomit, tw: implied/referenced child abuse, tw: implied/referenced torture, tw: nonconsensual drug use, tw: nonconsensual kissing, tw: medical abuse, tw: implied/referenced rape/noncon, tw: violence

canon divergent a/b/o:

just tonight (i won't leave) by pyruismagician [Rated E, 116319 Words, Incomplete, Updated Oct 2024]

"I told you I don't belong to anyone." "And I told you to quit lying to me, or did you come here to explain why you're pretending to be a beta?" Or Neil just wants to play Exy before he dies but the world has other ideas.

tw: implied/referenced rape/noncon, tw: implied/referenced torture, tw: child abuse, tw: animal abuse, tw: nonconsensual drug use, tw: implied/referenced drug addiction, tw: recreational drug use, tw: homophobia, tw: medication addiction, tw: vomit, tw: violence

raven!neil au:

hoping, until the day it dies by infernalstars [Rated M, 27481 Words, Incomplete, Updated Jan 2025]

Nathaniel Wesninski ends up in the hospital with two broken legs. Cast out of the Nest, Kevin Day brings him to the Foxes to recover - emotionally and physically.

tw: self harm, tw: blood, tw: dissociation, tw: flashbacks, tw: implied/referenced rape/noncon, tw: implied/referenced abuse, tw: ptsd, tw: nightmares, tw: panic attacks, tw: vomit, tw: psychotic episode, tw: homophobia, tw: suicidal ideation

one where Andrew flinches from coach:

What Is It To Truly Lose Control? by BisexualChaosDemon [Rated M, 21281 Words, Complete, 2024]

Most of the Foxes still think Andrew is a monster, or a sociopath, but Neil knows better. He knows that Andrew cares deeply about a handful of people but struggles more than he will ever admit with that fact. The thing is, despite Andrew’s commitment to apathy and to denying that he cares about anything, he is often self-sacrificing in his efforts to protect the people he cares about. As Aaron’s trial approaches, Neil gets the sick feeling that Andrew’s self-sacrificing streak is going too far.

tw: implied/referenced rape/noncon, tw: implied/referenced csa, tw: implied/referenced murder, tw: implied/referenced self harm, tw: psychiatric abuse, tw: implied/referenced trauma reenactment, tw: ptsd

Art

THE RUNAWAY art by @coppakee

Poor boy with his precious bag art by @/tryashaa on instagram

Neil Josten art by @estrophysics

Second Chances, vol. II: Runaways eye shadow palette edit by @mistyyed

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drarryspecificrecs · 4 days ago

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H/D Wireless 2023 : (fics only)

@hd-wireless || official masterpost || AO3 || stats: 60 works The Mods : @candybarrnerd, @gnarf & @maesterchill Banner © :

@gnarf (official banner)

@itsphantasmagoria's Alive - ♫ Alive (2015) by Sia

@babooshkart's keep driving - ♫ Keep Driving (2022) by Harry Styles

---

★ The playlist : Youtube | Spotify

(you) find me when the lights go down by @beyondtheclose [T, 1k] ♫ save me from the monster in my head (2020) by Welshly Arms

About This Place by @academicdisasterfic [E, 10k] ♫ You And I (2011) by Lady Gaga

All I Think About by @skeptiquewrites [T, 4k] ♫ Heat Waves (2020) by Glass Animals

All the Colors in the World by @autumnsup [M, 11k] ♫ Cinnamon Girl (2019) by Lana Del Rey

All These Little Things by @cluelesspigeons [M, 1k] ♫ Little Things (2012) by One Direction

Before the Cold Sets In by @crazybutgood & @vukovich [T, 9k] ♫ Cold Tea Blues (2021) by Cowboy Junkies

Better not Touch (Don't Touch) by @dreamingandwideawake [E, 8k] ♫ Poison (2005) by Alice Cooper

The Boys of Summer by @saxamophone [E, 19k] ♫ The Boys of Summer (1984) by Don Henley

Burst of Love by @drarryruinedme7 [E, 3k] ♫ Jealous (2014) by Nick Jonas

Can't Get You Out of My Head by @use-it-well [E, 26k] ♫ Can't Get You Out of My Head (2001) by Kylie Minogue

Don’t hate him when he gets up to leave by @deliciousblizzardshark [M, 2k] ♫ Two-Headed Boy (1998) by Neutral Milk Hotel

the eighth sin by @thehoneybeet [E, 16k] ♫ Seven Devils (2011) by Florence + The Machine

Everybody Hates a Tourist by @wolfpants [E, 51k] ♫ Common People (2011) by Pulp

I only want the ones I envy (I envy) by @porcelainheart3 [E, 13k] ♫ MONTERO (Call Me By Your Name) (2021) by Lil Nas X

if i could never give you peace by @poisonivy206 [E, 17k] ♫ peace (2020) by Taylor Swift

If You Took the Time to Try by enoby_w [T, 18k] ♫ Go Like (2019) by Fox Stevenson

If You Were Gay by @inheartofwinter [G, 9k] ♫ If You Were Gay (2003) by John Tartaglia & Rick Lyon

LA, Who Am I To Love You? by @epitomereally [E, 42k] ♫ Venice Bitch (2018) by Lana del Rey

love is just a shout in the void by @ravenesse [M, 4k] ♫ i'm in love with u, sorry (2017) by j'san

Lover, Where Do You Live? by @dodgerkedavra [E, 38k] ♫ Lover, Where Do You Live? (2014) by Highasakite

Mirrors inside me by @cavendishbutterfly [E, 6k] ♫ Love Language (2022) by SZA

A Pureblood's Guide to Driving and Apostasy by @meandminniemcg [E, 9k] ♫ I'm On Fire (1979) by Bruce Springsteen

Rich Friend by @sorrybutblog [E, 18k] ♫ Rich Friends (2017) by Portugal. The Man

Seven Days, Seven Memories by @queenie-jinny [E, 25k] ♫ Please, Please, Please, Let Me Get What I Want (1984) by The Smiths

Shut Up, This Is Love by @thunderfiction [M, 33k] ♫ The Chain (1977) by Fleetwood Mac

Snitches & Sitches by @multiverse-of-fanfic [T, 4k] ♫ Once Upon a December (1997) by Liz Callaway

so scarlet it was by @hanniballevter [E, 19k] ♫ Maroon (2022) by Taylor Swift

Stars By the Pocketful by @phoebe-delia [E, 2k] ♫ Snow On the Beach (2022) by Taylor Swift feat. Lana Del Rey

Sun Thief by @floydig [E, 28k] --- ART by BlackRose532 Anti-Hero (2022) by Taylor Swift

Take You Home by @lqtraintracks [E, 26k] ♫ F*** the Pain Away (2000) by Peaches & Take You Home (2019) by Dido

Title & Possession by @kbrick [E, 49k] ♫ Misery Loves Company (2021) by Asking Alexandria

The Two Of Us In Sympathy by @ladderofyears [M, 5k] ♫ Rent (1987) by Pet Shop Boys

Vipera Berus by Justlikewriting [M, 20k] ♫ Just Pretend (2022) by Bad Omens

The Waiting by @oknowkiss [E, 43k] --- ART by @babooshkart This Tornado Loves You (2009) by Neko Case

Waking Up Slow by @sweet-s0rr0w [E, 21k] --- ART by @ihopeyoubothstaysafefromharm The Christmas Song (2011) by The Raveonettes

Weapons of Massive Consumption by @sandervansunshine [E, 38k] ♫ The Fear (2009) by Lily Allen

What is this feeling? by @fanficandlit [E, 4k] ♫ What Is This Feeling? (2003) by Idina Menzel & Kristin Chenoweth

What We Left Behind by @peachydreamxx [E, 32k] ♫ The Day We Caught The Train (1996) by Ocean Colour Scene

—

✔ other fests in 2023 ✔ fests in other years ✔ H/D Wireless : 2022 | 2021 | 2020 | 2019 | 2018 | 2017

#drarry #drarry fanfic #drarry fic rec #harry potter #draco malfoy #masterlist #2023

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kwanisms · 9 months ago

Text

➔ mingyu masterlist | back to seventeen m.list | back to main m.list

🔞 many of these works contain sexual content (18+ mdni) 🔞 ♤ — angst :: ♡ — fluff :: ♧ — smut ✍ — ongoing :: ⊝ — hiatus :: ⊗ — discontinued :: ✓ — completed

— oneshots

»» Tales from Camp: Kitchen Duty ♧ ➥ 6.5k; Mingyu loved being in the kitchen and jumped at the chance to help with meal prep for the next day, not realizing it would leave him alone in the kitchen at night with Y/N.

»» Back in the Kitchen ♧ ➥ 6.6k; Mingyu and his wife, Y/N, get a little dirty while closing up the bakery the night before Christmas Eve.

»» Just Try ♤ ➥ 4.1k; Mingyu gets a little jealous when his best friend from his childhood, Y/N, gets along a little too well with his members, particularly his leader.

»» Kinkuary: threesome + face sitting (ft. Wonwoo) ♧ ➥ 1.3k; Mingyu is always needy around Y/N and Wonwoo. Add alcohol to the mix and all he wants is to be under you and your shared boyfriend.

═══════════════════════════════════════════════════════

— drabbles

L O A D I N G . . .

═══════════════════════════════════════════════════════

— timestamps

»» [00:24] ♧ Y/N's best friend asks her the totally normal and innocent question of what the biggest dick she's ever had was.

═══════════════════════════════════════════════════════

— miniseries

L O A D I N G . . .

═══════════════════════════════════════════════════════

— series

L O A D I N G . . .

ⓘ DISCLAIMER :: MONSTER/ALIEN FUCKER ENTHUSIAST ⓘ ©️ kwanisms 2018 - 2025 | all works on this blog are protected under copyright. Do not repost, continue, or translate my works. All graphics made by me.

#seventeen scenarios #seventeen imagines #seventeen fanfic #seventeen fanfiction #seventeen angst #seventeen fluff #seventeen smut #seventeen x reader #mingyu scenarios #mingyu imagines #mingyu fanfic #mingyu fanfiction #mingyu angst #mingyu fluff #mingyu smut #mingyu x reader #seventeen masterlist #kwanisms masterlist

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mizaryrottmnt · 3 months ago

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New oc! In the tmnt 2018 show.

A sea/water monster adopted by the Hamato's family after Draxum find him. I'm not gonna say more because I want to give some art and lore in drawing or fic.

My inspirations are:

Avatar, way of water

Glam sister (Helluva boss)

@pasteilian 's sea monster design

Van Gogh night sky

He's a little smaller than the Apocalypse Léo, a couple of centimeters. He's shy and uses a grumpy facade to avoid speaking to people. Can be a model for Hidden city but don't see his own "beauty". Overprotective brother, be careful with his sister.

More art of him:

#rise of the tmnt #rottmnt #drawing #my art #original art #oc #oc art #rottmnt oc #Rottmnt vincent #van gogh #sea monster #rottmnt sea monster #artists on tumblr

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whaliiwatching · 1 year ago

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a taste of hannibal, a touch of megamind, a shot of venom (pours the whole damn bottle)

i love venom (2018) a lot, it’s my go-to movie when i’m bored or sad, i have seen it many many times. i saw it again a week or so ago with a bud and finally had the opportunity to pen down this lovely au i’ve been thinkin bout

i’ve got a much more fleshed out sketch of how this au plays out. not sure if i’ll write it yet

anyway some bullet points

noir (called, ofc, noir) arrives on earth-138 in the 1920s. his first host is robbie and they basically go through the venom movie, where noir slowly learns to love earth and humanity and all that jazz. up until the 50s or so they’re an investigative reporter and occasionally a scary vigilante superhero!

when robbie is killed (not ewaf style. i forbid it), it fucking devastates noir and he host-hops for a bit, doing fun anarchy things to keep up robbie’s legacy but also losing a few morals here and there. he can do a little murder and eat nazis as a treat

the symbiotes arrive en masse and osborn infects humans with them to turn into his fascist riot police army

through vampire-hunting-esque shenanigans, hobie and noir meet, and strike up a tenuous truce to fight the government. hobie does not like him at first, but noir very much does ;)

cue a slow burn gothic romance between a freedom fighter and a devoted monster <3

#spider man: across the spider verse #spider punk #spider noir #hobie brown #noirpunk #theyre not spiderpeople in this au lol #the issue is i can write horror but i cant draw it lhkjdsf #which is why the Funnies #and the goddamn megamind scene. which somehow perfectly fits #see the fun part about it is that noir has to always be connected to hobie in order to survive #so we have Monster Who is Recklessly Devoted to Host and Host Who is Not Into This #noir’s hat and general look come from his assimilation to humanity over the last fifty or so years. hes not like other symbiotes #hes quirky. he wears a fedora. you ever seen him without that stupid hat on that’s WEIRD #two stupid old jokes in one! i like it #anyway yeah monster noir for the win #thanks discord! yall made me rework this entirely just to make it more fucked up horror <3

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lemonandtheart · 2 months ago

Text

Here have a little break from the sillies with some lore (I promise my comic does have a plot and is going somewhere)

I have a lot of things that went on in the past with Oroku Saki and Hamato Yoshi but it all culminates in the death of Tang Shen and the genocide of the Hamato Clan. More specifics of that will be revealed through the actual comic. This happened in early to mid 1999. My comic takes place in 2018, which is a little hard to tell because it was so recent so technology isn't that different. I was a teenager in 2018 so it's a time that resonates with me and that's why I chose it. So the birth years for the boys, April, Casey, and Karai in order are:

Casey: 1998

April: 1999

Leonardo: 2000

Karai: 2000

Raph: 2001

Donnie: 2001

Mikey: 2002

Anyways, Oroku Saki married my OC Ai as a substitute for Tang Shen. I think of my Shredder as being just as ruthless and evil, but I think the scariest kinds of villains are that of Emperor Belos or Coriolanus Snow. He has a lot of the same qualities of them in 2003 except I think he's stupid for dismembering people who he would be better off leaving in one piece like Stockman. I think it was very much in the same vein as Coriolanus Snow picking a wife he basically hated so that she'd never be able to hold any power over him. I haven't decided too much of the specifics of Ai outside of she's never seen much because he keeps her hidden away. Many members of the foot aren't even aware he has a wife. I think they live extremely separate lives and barely ever interact. I think she's very opposite of him, but she's in a position where she and people she holds dear would be in a lot of danger if she defies him or decides to leave. Karai especially would drop her mother like she was nothing if she did, and she has a very strained relationship with Karai as she gets older due to her being Saki's mini-me and it makes her very sad and frightened of the monster her daughter is becoming.

The relationship Saki has with Karai is very close. I think she's very much Daddy's little princess and that's a very large part of why she doesn't see her mother much. She's his second in command (much to the hatred of Chris Bradford and Xever because I have also stolen them too for my iteration) She has very much been raised from birth to embody his ideals. I think he's very aware that love is a stronger motivator than fear in Karai. He doesn't have to make her fear him at all. He showers her with the love and adoration she desperately craves and she'd kill 1000 men for him. There was this one thing I saw somewhere that was along the lines of "those hands that cradled you are stained with the blood of the innocent" and the person responds with "but they cradled me." and that's their relationship as she grows.

I hope you enjoyed some of my general thoughts. They're subject to change! I'll see you all for more of the boys being so sillies tomorrow <3

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liliesmultiverse · 1 month ago

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⋆ˊˎ-•̩̩͙- *̩̩̥͙ nepo baby reality intro!!

⋆.ೃ࿔*:･ reality info!!

: ̗̀➛ it's currently december 20, 2024

: ̗̀➛ a woman named Carmen Leala Ramos won the 2024 U.S. presidential election. she is puerto rican, a lesbian and married to a transgender woman.

: ̗̀➛ world peace. all countries are at peace with each other and no wars will ever break out between them.

: ̗̀➛ equality. all genders are seen as equal by everyone and all have the same oppurtunities as each other. all religions are respected as are all races & sexualities.

: ̗̀➛ the world. the world is as healthy as it possibly can be and everyone works together to take extremely good care of it. climate change & global warming aren't a thing and there isn't any kind of pollution (esp. light pollution). all animals are completely safe and none are being hunted or going extinct by human cause. natural disasters happen way less and all countries always have medical & other resources available. no country is suffering from poverty, overpopulation or hunger. taxes and inflation don't exist and the economy is in a wonderful state all over the world.

: ̗̀➛ wilbur soot, elon musk, amber heard, kanye west, gracie abrams, danielle rose russell, j.k. rowling, sam taylor, donald trump & joe biden don't exist

: ̗̀➛ criminals of any kind are extremely rare to the point that most jails are actually empty. criminals also can't run for president or ever be in any position of power.

: ̗̀➛ healthcare is affordable for everyone and there's a day dedicated each month to giving homeless people free health check-ups. abortion is legal everywhere.

⋆.ೃ࿔*:･ about me!!

nickname(s): lily, lils, lil, anne, annie

age: 20

date of birth: september 10, 2004

birthplace: new orleans, louisiana

ethnicity: italian, french & irish

height: 5'4"

occupation: actress, singer, twitch streamer & youtuber

sexuality: bisexual

pronouns: she/her

⋆.ೃ࿔*:･ my backstory!!

: ̗̀➛ i was born on september 10, 2004 in new orleans, louisiana to christopher robert evans & my CR mom. i am the younger sister of my two CR siblings and the older sister of walker lee evans. i am the goddaughter of zachary alexander bagans & scarlett ingrid johansson. i've loved acting ever since i was little thanks to my dad & godmother and landed my first role when i was 7 years old. i began streaming on twitch & posting on youtube when i was 14 in my free time. i recently released my first ever album, new romantics, a few weeks ago on november 21.

⋆.ೃ࿔*:･ my filmography & roles!!

tv shows:

: ̗̀➛ shameless ; maisie 'maze' gallagher, carl's twin sister (2011-2021)

: ̗̀➛ grimm (1 ep.) ; april granger (2012)

: ̗̀➛ stranger things ; isabella charlotte 'bella' harrington, steve's little sister (2016-?)

: ̗̀➛ the originals (s5) ; hope andréa mikaelson (2018)

: ̗̀➛ legacies ; hope andréa mikaelson (2018-2022)

: ̗̀➛ a million little things ; sophie dixon (2018-2023)

: ̗̀➛ pretty little liars ; imogen adams (2022-?)

: ̗̀➛ bridgerton ; hyacinth bridgerton (2023-?)

movies:

: ̗̀➛ a walk among the tombstones ; lucia (2014)

: ̗̀➛ aloha ; grace woodside (2015)

: ̗̀➛ wonder ; miranda navas (2017)

: ̗̀➛ the greatest showman ; caroline barnum (2017)

: ̗̀➛ godzilla: king of the monsters ; madison russell (2019)

: ̗̀➛ godzilla vs. kong ; madison russell (2021)

: ̗̀➛ all too well: the short film ; her (2021)

: ̗̀➛ scream ; freya tatum riley, daughter of dewey riley & gale weathers (2022)

: ̗̀➛ scream vi ; freya tatum riley (2023)

: ̗̀➛ teen wolf: the movie ; evangeline 'eva' hale, derek's daughter & eli's twin (2023)

: ̗̀➛ damsel ; princess elodie (2024)

: ̗̀➛ nosferatu ; ellen hutter (2024)

⋆.ೃ࿔*:･ my albums!!

: ̗̀➛ new romantics

⋆.ೃ࿔*:･ my dad!!

nickname(s): dad, chris

age: 45

date of birth: june 13, 1979

birthplace: boston, massachusetts

ethnicity: irish-italian

height: 6'0"

occupation: actor

sexuality: straight

pronouns: he/him

spouse: my CR mom :)

⋆.ೃ࿔*:･ my older brother!!

age: 26

date of birth: october 4, 1998

birthplace: shreveport, louisiana

ethnicity: italian, french & irish

height: 5'10"

occupation: singer

sexuality: unlabeled

pronouns: he/him

other info: he is twins with my older sister

⋆.ೃ࿔*:･ my younger brother!!

age: 15

date of birth: january 5, 2009

birthplace: new orleans, louisiana

ethnicity: italian, french & irish

height: 5'9"

occupation: actor

sexuality: unlabeled (could change)

pronouns: he/him

⋆.ೃ࿔*:･ my paternal aunt!!

stage name: taylor swift

age: 35

date of birth: december 13, 1989

birthplace: west reading, pennsylvania

ethnicity: irish-italian

height: 5'10"

occupation: singer-songwriter

sexuality: unlabeled

pronouns: she/her

⋆.ೃ࿔*:･ my boyfriend & future husband!!

age: 34

date of birth: june 13, 1990

birthplace: liverpool, england

ethnicity: english-mexican

height: 6'4"

occupation: actor

sexuality: pansexual

pronouns: he/him

our trope: soulmates

other info: we've been officially dating since early august

⋆.ೃ࿔*:･ my best friends!!

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lolahauri · 1 year ago

Text

✎ Introduction ⋆.ೃ࿔*:･

Requests are always open, and you can send as many as you want, as detailed as you want! I just get to them whenever i can/feel like it.

Anon's: 🌹-🕯️-🍁-❤️-🎴-

Other Accounts: @lolas-favfics @lolamultifandom @lolahaurisfw @chowderpop @lolaloa777

AO3: Here

BlueSky: Here

Get To Know Me: Here

Boundaries: Flirting, nicknames, tmi, spam are all okay.😛Just don't copy or repost my stuff. Translations or taking inspo is fine w cred. <3

-> MASTERLIST <- -> EVENT MASTERLIST <-

DNI: MAP, ZOO, Pro-Para, Pro-Ana, TERF, Zionist, Bigots, Minors!!!, Discourse Blogs. ❤️🖤🤍💚

Things I Won't Write: ❌

Sex Crimes of Any Kind, Super Violent/Xtreme Kinks, Inflation, Feederism, Abuse, Puke, Shit, DDLG, Age Play, Raceplay, Wound Fucking, Gore, Vore, Misgendering/Detrans, CBT, Sounding, Fisting, Gunplay, Drugging, Stepcest etc...

First Person POV.

Things I Will Write: ✔️

Genderbent Characters, Mild Yandere, Daddy/Mommy Kink, Cheating, Mild BDSM, CNC, Dubcon, Monsters, Hybrids, Sex Pollen, Legal Age Gap, Power Imbalance (Prof/Student, Boss/Employee), Feet, Armpits, Piss, Breeding, Mild Blood/Knifeplay, Cock Warming, Dry Humping, Voyeur, Public Sex, Orgy, 3somes, Sex Toys, Overstim, Edging, etc... etc... :P

Trans Reader, Tall/Short Reader, Chubby/Curvy/Fat/Buff Reader, Other Specific Characteristics. ✔️

Ch x Ch / Ch x Reader / Ch x OC / OC x Reader / Poly Ships of any kind.

F/F, M/M, F/M, GN/F, GN/M, Poly Ships of any kind.

Now that that's out of the way, here's the list of fandoms and characters i'm familiar with and will happily take requests on!

Adventure Time/Fiona & Cake: PB, Marceline, Marshall Lee, Winter King, Candy Queen, Simon, Ice King, Fiona.

Attack On Titan: Armin, Eren, Mikasa, Sasha, Levi, Hanji, Annie, Historia, Reiner, Erwin, Ymir.

Avatar: Jake, Neytiri.

Batman Begins Trilogy: Batman, Catwoman, Bane, Joker, Scarecrow.

Beauty & The Beast: Belle, Beast/Adam, Gaston.

Bee & Puppycat: Bee, Deckard, Cass, Toast.

BigBang Theory: Raj, Leonard, Penny, Amy.

Black Dynamite: Honeybee, Black Dynamite.

BNA: Michiru, Shirou.

Bob’s Burgers: Bob, Linda.

Breaking Bad: Jesse, Skylar.

Call of Duty: Konig, Ghost, Mace, Keegan, Krueger, Valeria, Farah.

Creepypasta: Jeff, Jane, Ben, Toby, EJ, LJ, Slenderman, Splendorman, Clockwork, Kate, Masky, Hoodie,

Desperate Housewives: Bree, Gabi, Edie, Lynette, Carlos, John.

Dirty Dancing: Johnny, Baby.

Earth Girls Are Easy: Mac, Zeebo, Wiploc, Valerie.

Elemental: Wade, Ember.

Encanto: Isabela, Bruno, Dolores, Julieta.

FNAF Movie: Vanessa, Mike, William/Steve.

Frozen: Elsa, Anna, Kristoff.

Futurama: Leela, Fry, Amy, Bender.

Good Pizza, Great Pizza: Alicante, Octavia, Dr. Keh, Nasir, Flash, Cicero, Kimmy Slice, Dr. Price.

Grandma's Boy: J.P, Samantha.

Gravity Falls: Ford, Stan, Soos, Melody, Giffany, Bill.

Jane The Virgin: Jane, Michael, Petra, Luisa, Rose, Rogelio, Xiomara.

Jurassic Park (1993): Ian Malcolm, Ellie Sattler.

Jujutsu Kaisen: Gojo, Choso, Nanami, Sukuna, Toji, Shoko, Geto, Yaga Masamichi, Utahime, Uraume.

King of the Hill: Hank, Peggy, Luane, Nancy, Dale, Khan, Min, John Redcorn.

Lisa Frankenstein: Lisa, Creature, Taffy.

Little Mermaid (2022): Ariel, Eric.

MHA: Dabi, Hawks, Aizawa, Shigaraki.

Miller's Girl: Cairo, Johnathon.

Moon Knight: Moon System, Layla, Khonshu.

Mulan: Mulan, Li Shang.

National Treasure: Benjamin, Riley.

Nintendo: Link, Zelda, Peach, Daisy, Rosalina, Luigi, Bowser, Waluigi.

Norbit: Rasputia, Norbit.

Princess & The Frog: Tiana, Lottie, Naveen, Shadow Man.

Ratatouille: Colette, Linguini.

Regular Show: Mordecai, Margret, Eileen, CJ, Benson.

Resident Evil: Karl Heisenberg, Carlos Oiliveria, Lady Dimitrescu.

Rick and Morty: Rick, Jerry, Beth, Doofus Rick.

Riverdale: FP Jones, Hiram.

Scott Pilgrim vs. The World: Kim, Ramona, Gideon, Wallace.

Scream 5: Amber, Tara, Sam.

Serial Mom: Chip, Beverly.

Silverado: Slick, Rae, Mal, Paden.

Shallow Hal: Rosemary, Hal.

Shameless: Lip, Fiona, Kev, V.

SheRa (2018): All Adults.

Sherlock (2010): Sherlock, John Watson.

Slashers & DBD: Brahms, Ghostface, Michael Myers, Jason Vorhees, Pyramid Head, The Spirit, Huntress, Trapper, Wraith, Trickster, Pearl, Jennifer Check, Stu Matcher, Billy Loomis, Tiffany Valentine, Patrick Bateman, Thomas Hewitt, Vincent Sinclair, Eric Draven, The Artist, Amanda Young.

Spiderverse: Miguel, Jessica Drew.

Spongebob: Dennis, Man Ray.

Squid Games: Gi-Hun, Sae-Byeok, Ali, Sang Woo.

Steven Universe: Garnet, Amethyst, Peridot, Lapis, Jasper, Blue Diamond, Rose, Greg.

Stardew Valley: All Adult Humans (Except George & Evelyn)

Stranger Things: Robin, Billy Eddie, Chrissy, Hopper.

Supernatural: Sam, Dean, Castiel.

Super Store: Amy, Jonah, Dina, Garrett, Cheyenne.

Tangled: Flynn, Rapunzel, Mother Gothell.

The Batman (2022): Batman, Riddler.

The Breakfast Club: John Bender, Allison Reynolds.

The Nanny: C.C, Fran, Maxwell.

Total Drama Island: S1 Contestants, Chris, Chef, Blainley.

Triple Frontier: Frankie, Santiago.

Turning Red: Ming Lee, Jin Lee.

Twilight: Edward, Carlisle, Alice, Charlie.

YOU: Beck, Joe, Peach, Love.

Young Sheldon: Mary, Connie.

Abel Morales (A Most Violent Year)

Astarion (Baulder’s Gate 3)

Babbo Natale (Violent Night)

Barbie (Barbie 2023)

Basil Stitt (Lightning Face)

Beverly Goldberg (The Goldbergs)

Bruce (Beyond Therapy)

Charles Ingalls (Little House on the Praire)

Charlie Dompler (Smiling Friends)

Chel (Road to El Dorado)

Dale Kobble (Longlegs)

Dan Conner (Rosanne)

David Levinson (Independence Day)

Din Djarin (The Mandalorian)

Doug Remer (Baseketball)

Duke Leto Atreides (Dune)

Fezzik (Princess Bride)

Francine (American Dad)

Fujimoto (Ponyo)

Georgia Miller (Ginny & Georgia)

Jack Harrison (Translyvania 6-5000)

Jackson Rippner (Red Eye)

Jon Arbuckle (Garfield 2024)

John Doe (John Doe Game)

Jonathan Levy (Scenes from a Marriage)

John Wick (John Wick 4)

King Baldwin (Kingdom of Heaven)

Kitten (Breakfast on Pluto)

Laurent LeClaire (In Secret)

Linda Gunderson (Rio)

Llewyn Davis (Inside Lleywn Davis)

Master Chief (Halo)

Mike (5lbs of Pressure)

Moe Doodle (Doodle Bops)

Nani Palekai (Lilo & Stitch)

Nathan Bateman (Ex Machina)

Outcome-3 (The Bourne Legacy)

Orestes (Agora)

Paul Blart (Paul Blart: Mall Cop)

Paul Cable (Last Stand at Saber River)

Peggy Bundy (Married With Children)

Peter Mitchell (3 Men & A Baby)

Poe Dameron (Star Wars)

Prince John (Robin Hood 2010)

Robert ‘Bob’ Floyd (Top Gun: Maverick)

Rose Tyler (Doctor Who)

Shiv (Pu-239)

Stanley Ipkiss (The Mask)

Star-Lord (Guardians of the Galaxy)

Summer Field (Time Cut)

Tate Langdon (AHS: Murder House)

The Janitor (Willy’s Wonderland)

Thomas Magnum (Magnum, P.I 1980)

William Tell (The Card Counter)

#x reader #self ship #shipping #ao3 writer #fandom #minors dni #intro post #pinned post #profiction

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