#my goal would be to use it with my usual art style

[rapidhighway]

damn, i can't believe sonic x fully used dark sonic's potential by making an entire story revolving around this transformation and didn't let it fade into obscurity

[giantkillerjack]

I am trying so hard to learn how to recreate junji ito's style, and I literally think that the line work is so detailed that my poor little crippled wrists are not up to the task

But! I think I have figured out a way to work around that using pre-made cross-hatching brushes in clip studio! Which means hopefully I can focus on getting down the major shapes of his illustrations, and then i can learn how to fill in the ludicrous amount of tiny tiny little lines digitally!

and THEN I am going to draw characters from the video game Don't Starve Together in that style! And vice versa. I would love to draw a cute little chibi of Tomie 😈☠🙀

Time to crack into the file entitled "scary boi jail" that I keep on both my phone and my computer, so I can trace a bunch of panels from Uzumaki.

Happy Twisted Flesh Tuesday, everyone!!

[ballad-of-the-lamb]

hey there!

saturday and sunday @ 8PM EST-> onward join me and my friend on twitch in raising money for my bud's cat Ame whose recently had a huge vet scare!

This is not emergent, she has been treated, but her medicine does need to be paid off! Her name is Ame and she loves to yell.

What was believed to be either a neurological issue or an ear infection in severity has finally been found out; she has anemia and needs to be on medication to help! She's severely underweight and needs all the help she can get (and treats). It's suspected that she has IMHA based off of this episode being caused by stress; but tests for that are money they no one has right now. We're going to focus on what we can get her;

Which is the ability to have her meds without it being withheld from her for financial reasons!

The goal is at least 100$, but if 200$ is raised we have more rewards to raffle out!

Donations that are 20$ or more will be met with given art, just send your character ref sheets to MY BLOG alongside proof of your ko-fi donation and me or my friend will make you something. What that will be is a surprise :)

Once the goal is raised, we'll do a raffle with the donators! So make sure to add your blog name to the donation comment so we can get into contact with you!

we'll mail you a custom metal button 1.5" pin of your making or choosing! + a monochrome drawing will be made for you in my usual not-quite-comic style!

this pin can be your lamb, your oc, one of ours, or whatever else! We can make the art for it or you can have your own put into it. This is entirely customizable. ( if you want more than one pin, it will have to be discussed with us privately )

You can also WIN this prize if you just raw donate the full 100$!

Donate here!

Even if you can't attend stream or donate, simply sharing would be appreciated!

[ckret2]

How did you come up with your human Bill design?

I described my goal in the first post I made about his design:

After seeing dozens of tall dapper skinny white twinky anime boy Bills, I wanted a design that matches none of those words. My other two goals were to use the show’s art style; and to lightly pay homage to Alex Hirsch’s “canon” human Bill with the triangle body… except not deliberately hideous.

My unspoken final goal was "and I'm gonna make him damn good looking."

All the colors were sampled from Bill & Bipper, except his skin (which I sampled off a background character and tweaked until it looked good with the yellows) and his gold tooth (which I sampled off of Ergman Bratsman's).

On top of the fact that I was tired of specifically white dude Bills, brown skin tone was chosen because of the emphasis on Bill's interactions with ancient Egypt; I wasn't sure at the time how much of an influence I was gonna headcanon he had on the region, and it woulda felt weird depicting Egyptians bowing down to a white dude. (And then I decided to deemphasize his influence on Egypt almost completely lol.) It woulda been more accurate to go darker, but I was worried it would start to tilt his design into Nyarlathotep-esque Creepy Pitch-Skinned Mysterious Demonic Threat From The Orient racist territory, especially when he's already got demon eyes.

The triangular torso is the most important part of his design, I usually draw an equilateral triangle in the sketch layer and then pad it out.

If I were a better artist a year ago, I would have given him a double chin so his head+torso together would be triangular. But when I tried, I couldn't figure out a way to draw it that looked appealing instead of like a mean fat joke. So I took the coward's way out and gave him a skinny neck with a vaguely triangular chin, and now write him complaining about having a neck every few chapters.

I think the skinny neck, thinner face, noodle limbs, and typical baggy hoodie fooled people into assuming he's skinny. I figured out a way to draw a rounder face with less neck that looks more appealing to me than the original face, so I do that now. Can't do anything about the noodle limbs tho, those were chosen to match Bill's canon noodle limbs.

I went for a hoodie instead of the typical suits you see on human Bills for two reasons.

One: several years ago I had an OC I'd conceived of as a dumb kid who'd given Bill permanent standing permission to use her as a puppet, and when letting Bill take over she'd hide her human features by wearing a hooded poncho and tying a blindfold with an eye on it over the hood, and that idea stuck with me.

And two: for the story I came up with this design for, the premise is that Bill's been recently unhappily stuffed in a human body and dumped on his enemies' doorstep. So, he doesn't have the freedom or money to get fancier clothes; he's too depressed over being stuck in a human body to care much about his human appearance; and he's most comfortable in something that obscures his human anatomy and reminds him of his real form. If he was rich, free, and able to ditch the body any time he wanted, he'd be wearing suits.

[croquis-el]

Differences in localization and the original pt. 1

I am starting a series of posts with the goal of familiarizing players with some of the differences that localization creates for us in contrast to the original.

Some moments are radically different, misleading and causing controversy, while some do not change the essence of what is happening, but are still noticeably different

Disclaimer: these posts will be written solely for the purpose of familiarization; I do not force anyone to play the game in Japanese, because you are free to choose the version of the game that is comfortable for you. I just noticed some moments and want to share them with you.

The localization of Gyakuten Saiban (Ace Attorney) is essentially good, but there are some moments, IMHO, that I personally would not adapt or change in any way

One of the most serious changes, which, in my opinion, should not have been touched at all, is Mitsurugi's (Edgeworth) phobias.

As if case 1-4 never happened.

In the Japanese version, when examining the files in Mitsurugi's office, Naruhodō will be perplexed about the need for such high shelves - they could collapse during an earthquake.

････おかしいな。アイツ、 地震がニガテ��はずだから……

Okashī na. Aitsu, jishin ga nigatena hazudakara……

...That's strange. He's supposed to be bad with earthquakes...

でもさ。地震が起こったら、 部屋中にファイルの雨が降るね。

demo sa. Jishin ga okottara, heya-chū ni fairu no amegafuru ne.

But if an earthquake happens, files will rain down all over the room.

In the localization (for some reason) at this point Mitsurugi was given a fear of heights. For what reason... I don't understand

___________________________________________

Next, another big difference is Naruhodo's food preferences

In the Japanese version, Tomi the clown offers him miso ramen (which is cooked in chicken broth and miso), which Naruhodo refuses and says that he prefers tonkotsu ramen (cooked in pork broth and boiled pork is added to it).

��ラ。ホラ。 食う? みそラーメン。

hora. hora. Kuu? Miso rāmen.

Look. Look. Want some miso ramen?

あいにくぼくは とんこつ派なんです。

ainiku boku wa tonkotsu-hana ndesu.

Unfortunately, I prefer tonkotsu (ramen).

That is, Naruhodo literally says that he would prefer pork, not chicken.

What about the localization? It's the other way around.

The clown offers him a burger (the patties for which are usually made from beef and pork), but he says that he would rather choose a chicken sandwich.

Why?

___________________________________________

Vending machine in 1-3

I have no complaints about its contents (it is adapted), but here another preference of Naruhodo is lost

“お茶”“みそ汁”“おしるこ” “くず湯”“おでん”････

“ocha” “misoshiru” “o shiruko” “kuzu yu” “oden”

"Tea" "Miso soup" "Oshiruko" "Kudzu soup" "Oden" ...

ラインナップが 和風に統一されている。

rain'nappu ga wafū ni tōitsu sa rete iru.

The lineup is unified in Japanese style.

“ウーロン茶”すらないぞ。

“ūron cha” sura nai zo.

There's not even "oolong tea."

In the Japanese version, reading the menu of the vending machine, Naruhodo annoyedly comments that "there is not even oolong tea". He literally names the tea he likes!

In the localization, he is disappointed that the food in the vending machine is too... ordinary, and he was expecting something that is not usually sold there (popcorn).

___________________________________________

Naruhodō University

Case 3-1 is very rich in information about the young Naruhodō, including the name of the university he attended

In the Japanese version, it is Yumei University (the same university where his ancestor Ryunosuke Naruhodō studied during the Meiji era - then it was called Yumei Imperial University), which creates an important reference to Dai Gyakuten Saiban (The Great Ace Attorney)

私の依頼人。勇盟大学の 芸術学部3回生で、 カゼをひいている。

watashi no iraijin. Yūmei daigaku no geijutsu gakubu 3-kaisei de, kaze o hīte iru.

My client. A third-year student in the art department at Yumei University, suffering from a cold.

In the localization, he studies at Ivy University, as if referring to the famous Ivy League (elite universities).

A very good decision that shows Naruhodō's abilities and the high quality of his education (my clever boy)

___________________________________________

Interesting addition

And the last one for today, a conversation with Mask in the detention center

When Yusaku (Ron) tells the story of the allegedly lost vase, Naruhodō makes a comment about the absurdity of his story

(････どうも、ハナシが アヤフヤだなあ･･･)(dōmo, hanashi ga ayafuya da nā)

(... I guess the story is a bit vague...)

The localization decided to make a reference to Naruhodō's education in the field of art, and he compares Mask's story to the surreal paintings of Dali.

A nice addition, but still different from the original version.

___________________________________________

In total, in my opinion, 3 unsuccessful changes out of 5.

If you also noticed any differences - feel free to tell us about them. Let's educate ourselves together.

It will be a bit more difficult with the subsequent parts, because I can't buy the Japanese version of TGAA (it is only available to a certain list of countries), and I don't have the new Apollo trilogy and the Investigations duology to check every little thing (and I don't have an extra $80), and those who record the walkthrough do not always check every clue, where the contradictions lie.

[smakonca]

Hi, i hope you be fine and having a good day.

I wanted ask You something, i like your Nightmare version and how You make the relationship between him and Killer. And i wanted know how would react with or how would be his relation with the Killer version from @signanothername .

And your art style looks great!. ❤️

Thank you very much!

Before I answer this, I need to describe my version of Nightmare more thoroughly.

I have touched on that subject in this post, but it was mainly about my interpretation of Dreamtale as a whole.

My Nightmare is a manipulator, a devil in sweet disguise. He knows how to persuade people in order to get what he wants. Instead of direct action he relies on strategy and deceit. He also does not have anger issues as his canon version. He controls himself, allowing to show only a glimpse of his true feelings. He won’t show his anger, sadness, envy, despair, happiness, vulnerability to you if he doesn’t trust you.

The fandom I think is missing out on the fact that he is 500 years old. Yes, none of us could say how exactly a long living person like him would act. But I doubt all Nightmare was doing for such a long time of living was sitting in his castle or randomly attacking Aus even after Dream got out of stone.

I am sure the Multiverse is full of creatures who are much more powerful than Dream and can break Nightmare in half. He just had to be careful and had to learn to be more rational.

I also believe he had some sort of character growth during this time. People can turn into complete strangers in just a couple of years. Imagine living for eons. You would change your values, worldview, philosophy, everything multiple times. Nightmare have witnessed and experienced many things. He embraced the power and curse of an endless life.

Of course at the beginning of his new life (that is after the apple incident) he conquered/destroyed worlds, because at that time he didn't know how to cope with the loss of his brother, nor how to control his new powers.

But with years to come, Nightmare started to become more calm, more calculating and provident. He formed a library, began to study numerous Aus, formed alliances, including Ink and Error, in order to keep track of positive and negative worlds.

Why attack positive worlds and destroy the balance in Multiverse if you can take the negative worlds under your wing, find Aus which don't have a particular positive/negative side and destroy them from within? With civil wars or a cruel ruler that actually is loyal to you, for example. After all, how would anyone know Nightmare was the one to pull the strings if he didn't attack the Au directly? Especially it is hard to figure this out if Au has resets and is heavily dependent on the decisions of the player.

Why try to conquer positive worlds if you can nurture the ones that are doomed from the start? Why chase the unattainable goal of becoming the god of Multiverse if you can safely provide yourself with a stockpile of negative energy and thrive on it?

Nightmare is actually pretty much scared of death, so he uses all his knowledge to provide a safe future for himself.

He is visionary, but with that comes his main weakness. He stagnates. He is afraid of sudden changes that break his plans and destroy the usual order. That's why he doesn't bother learning new things if he thinks they are useless to him. You know, like the grumpy old man who complains about the youth and can’t learn how to use a cellphone. He can't cook, for example, because he doesn’t need normal mortal food. And sometimes he is oblivious to normal things. He holds a great knowledge and wisdom, but lacks intuition and ability to adapt.

I would say with years softened a little. You know, how people use to soften with age? That's exactly what happened. Nightmare won't admit it out loud, but he hates loneliness. He always hated it, even we he was little. He hates being left alone with himself. His thoughts, his hatred towards himself and the whole world. Also my version is much more sympathetic because he can understand what the other person is feeling due to his powers. He can relate to other's problems and fears sometimes. Doesn't mean he would help to get rid of them though.

That's why in my version, Nightmare got Killer as his subordinate partly because he felt a bit of sympathy for him. He knows what it feels like to be left alone. Alone after a massacre you've just committed.

I’m sure Multiverse was full of much more useful, more naive, more powerful puppets for him, yet Nightmare chose the one he could actually relate to. Because, let's be honest, Killer is a total menace as a subordinate. His behavior changes with stages and Nightmare can't properly control him, he talks back sometimes, refusing to obey. He asks too many questions and is too smart for a perfect murder machine.

So, yes. My Nightmare has much more personal reasons to take Killer with himself. Their relationship developed with years. At first it was just a game to Nightmare of how he could corrupt Killer. It wasn't simply: "I would beat the shit out of you and call you useless", but more "I will make you trust me and fall for my lies".

But Killer turned out to be a much more complicated person, who Nightmare heavily underestimated. Somehow he managed to see through Nightmare's masks and find his weak sides. And then he went like "I see what you're plan is, I'll play along to betray you later"

But... Both their plans broke when they actually developed a relationship beyond just the boss/his subordinate. Killer being as equally smart as Nightmare, if not smarter, made him realize many things, opened new sights for the world Nightmare got so fed up with. Their worldviews are extremely different, but somehow they managed to find something to bond over. And Nightmare allowed himself to be tamed by that. Even if he knows how dangerous it is to get attached to someone.

They both create a very interesting dynamic, where Nightmare craves respect and validation and Killer being used to receive orders from the player, can't help but please Nightmare's ego. Doesn't stop him from being brutally honest and strong-willed from time to time. Being a person who wears masks all the time, Killer notices Nightmare's disguise almost immediately and wants to crack them open to see what they are hiding.

Sorry, if it sounds like a fairytale, but I am a sucker for happy endings, when despite all the suffering, characters manage to find peace with themselves.

That is Nightmare's relationship with how I view Killer. He wanders somewhere between his canon and fanon version. You know, being a loud annoying ass, but actually hiding the pain inside. He does that mainly to entertain himself or to get any kind of reaction from people around him to escape the loneliness and emptiness in his soul. He may act impulsive, but in the end it's his slyness and adaptivity that win the game in the long run.

I love to explore Nightmare’s and Killer’s relationship in various types of ways but I never like to depict abuse between them. I know, it's how they should behave themselves according to their canon versions, but I just can’t bring myself to draw it. The entire thing just makes me super uncomfortable and I don’t receive pleasure from drawing it (which is my main goal when I doodle, mind you). That doesn't mean their relationship is entirely healthy. Hell, it's far from that. And yet I would rather show their emotional insecurities and cruelty in a different way.

Now to your main question.

@signanothername version of Killer(the closest one to the canon I've seen so far) is extremely interesting and always gets me inspired to create more art. And I eat up every one of her long posts.

In terms of relationship with her Killer, I think my Nightmare would find him extremely intriguing, after all, he loves to outsmart witty people, it feeds his insatiable ego.

My Nightmare values cunning people who can crawl under your bones and find every weakness you possess. It's what he does himself. So he would maybe even respect Anó’s Killer in his own way.

He definitely would try to persuade Killer to form a sort of partnership, tempting him with a sweet offer of finding peace with his emotions. But wouldn't take him as his subordinate even if he agreed, at least not forever. Nightmare doesn't like when someone questions his authority and Killer could be a potential threat to expose his weaknesses and wreck his plans.

That is, if Nightmare already knew what kind of fella Ano’s Killer is. If he didn't and actually managed to persuade Killer, he would have eventually got rid of him because he would be a menace to his status. Or maybe he would have genuinely tried to help, but only if they build up the bridge of trust, which I doubt would even happen in the first place. And besides, as I mentioned earlier, Nightmare values things in terms of how they are useful to him, so I don't think he would see any use in helping Killer if he didn't get something in return. Though their whole dynamic really depends in the perspective and how much time they have spent together.

And also I don't think my Nightmare would try to abduct Killer as he did in canon, as far as I remember. It ruins their relationship for Nightmare from the start, and closes the potential ways for him to manipulate and get Killer to trust him. Trust is an important thing when it comes to subordination and obedience and Nightmare wouldn't destroy it for as long as possible. Or as long as he is entertained enough.

So I don’t think my Nightmare being a cunning brat would treat Killer as a slave or a pet. At least not directly. A silly mortal or a useful tool? Very likely. But beating the shit out of him and then expecting him to negotiate? I doubt that. It won’t make Killer more obedient and in the end will only cut off the branch Nightmare’s sitting on. (Haha get it?)

Even though Nightmare may be oblivious to general relationships between people (for example he still refuses to accept that people can be kind and merciful to you just because they can), still, he understands the very basics. If he didn't, he wouldn't have become a good deceiver and would not have survived for centuries.

P. S. I apologize for any mistakes. This was a long post to write hzhzz.

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[drawnfamiliarfaces]

Does Gwen get along with the girls? I imagine she'd at least be friends with Kim and Jun over martial arts and magic

Well, they do get along and are good aquintances and occasional teammates, but I wouldn't call them super close friends? They are more friends through friends type of deal??

I admit, its probably not what most of you would want to hear, but honestly I'm not the biggest fan of the whole 'girls in different fandoms getting along because they are just sooooo similar'. I think its a bit boring, if it makes sense? xD I like a little bit more spice and conflict in my friendships!

I did not touch on every single detail/small aspects of their relationships but I did get a little carried away, so a bit of text underneath:

Gwen & Kim

So, like many in these fandoms, I like to think that Gwen and Kim have very similar personalities (and no not just because they are both red-heads xD) and traits, but it would be precisely why they would not make the best of friends! Both of them are seen as sort of an over-achieving type, the type of people that have a lot of control over their lives and their goals. They also tend to be a bit bossy? And let's be honest, both of them are also critical of themselves enough to see that sort of trait in another person and absolutely hate it.

Gwen would see how absolutely perfect Kim seems, she is a superhero who started her own business as pre-teen and somehow managed to flourish and make so many connections and achieve so much, all the while going through school and making it look so easy that literally everyone knows Kim's name - the girl that can do anything. Gwen, who was explicitly shown in UA how much she was struggling with balancing her life and all the stuff happening with aliens and Ben, and Kevin and Plumbers - she would freaking hate the little Miss Perfect Kim Possible at first. And NO amount of Ben and Kevin pointing out that Gwen is exactly the same, handling so much and yet she also appears perfect in the eyes of others. I mean she was literally attending university early in Omniverse, because she was an outstanding student, while Ben, while being a hero, I (think) dropped out of school?? OR at least, he certainly put a cap on school, unlike her. I think it will feed into Gwen's insecurities about not being perfect enough, of not achieving enought, when she first meets Kim.

Kim on the other hand would get annoyed as fuck about Gwen's bossiness. We all know that Gwen likes to take charge, especially with the two bumbleheads of Kevin and Ben around. AND we also know that Kim despises being considered/called bossy. I think I recall in a first few episodes, Ron called her bossy, and Kim vehemently protested that she wasn't. It's a trait that Kim KNOWS she has, and obviously dislikes that people consider her as, and if she sees it in someone like Gwen who is a lot like her, it would annoy her immensily. And its very unfortunate, because the other part of 'the need of constantly being perfect' would be very relatable to Kim, but the bossiness problem would just undermine most attempt to relate to each other.

And a lot of that would also reflect in the mutual interest of martial arts that you mentioned! Which is like a whole separate clusterfuck, because their fighting styles? Are surprisingly different. Kim is a defence fighter - she is patient and calculative enough to wait for an attack and turn the tide on her attacker. Gwen on another hand, is clearly an offensive fighter. But Kim fist fights her opponents and Gwen has shields! - i hear you say and you are right, but Kim is also rarely the one pressing an attack first (its usually a countermeasure) and how does Gwen uses her shields? As freaking projectiles lol.

If they ever fought or sparred - those two very in control personalities - all of that would translate to a very annoyed by Miss Perfect Kim Possible Gwen pressing attack on defensive Kim, which would annoy Kim in turn by Gwen's bold and bossy attempt to control the fight. I dunno, it just feels like their fight would escalate into a bad one or an argument if that does happen, so I don't think they would spar or enjoy their mutual love for martial arts much.

Also, forgot to mention but there is some difference in their teen personalities that amuse me - Gwen is a book nerd and Kim is basically a cheerleader jock! You don't usually see Gwen hanging out with popular crowd or going to parties - she is basically either studying for school, learning mystical/magical stuff or busy with alien stuff. Meanwhile we rarely see Kim really slaving away at books, and while she is smart, she is clearly not the 'constantly nose in book' type of smart. She is probably one of those people who only had to sit at few lectures to retain information kind of person, that lucky girl. (It would probably be another thing that would infatuate Gwen, considering how annoyed she is with Ben's eidetic memory and how much potential he wastes with it. xD) And Kim has a surprisingly rich (for a working teen hero) social life! She goes to parties and events, not a whole lot but certainly more than Gwen. Of course its funny that Gwen is sort of a little bit mean nerd (like, that girl is not a bad person but she would absolutely put a fellow classmate in place) and Kim is a kind jock (not that all jocks are mean, but you remember that main girl in cheerleaders who was not Kim's biggest fan?).

Also ALSO, in HoM, Kim is older than Ben & subsequently Gwen. And while I am not saying that either Kim doesn't respect people younger than her, or that Gwen have problem with authority. But I am saying that it doesn't really help, because younger bossy Gwen would remind Kim heavily of her own teenage self, and Gwen would feel a little bit talked down to, if Kim tries to relate to her 'need to be perfect' thing. Their difference is not huge, but when they met, Kim was already an adult (as in her 20s+) and Gwen was still in late teenaged years, so there is that.

Of course, over the years of their acquintance, those initial feelings and dislike would fade, and they could be friends but I don't feel like they ever would be very close. They have a similar work ethic, which would make them pretty good teammates tho! But as close friends? Nah. Though that's also why I consider them both of them get along with Ben better than with each other! xD

Gwen & Jun

Jun and Gwen get along a bit better than Gwen and Kim. Being closer in age, from a big families with older and younger (behaviour wise for Ben lol) brothers and sharing not only interest in martial arts but also in magic, gives the more stuff to relate too. Their personalities don't rub each other the wrong way too much either! While they both have strong personalities, there is a much more easier flow between Gwen's bossy and controlling, with Jun's stubborn and independant.

The thing is, since its a crossover, I made a few choices about how their worlds interact, so while magic gives them something to relate to, it is also a VERY big thing between them that causes a lot of clashing.

You see, its not explicitly said in Ben10, but its obvious to fandom that magic we first see in the show and that Gwen later uses when he is 16 are different. How different? We have no idea. But its obvious that originaly the magic Gwen discovered was Earth sort of magic, while later in the show she is using magic based on her alien - anodite origin.

I won't go too much into detail right now (because its too complicated and vague in my mind and i will literally go crosseyed trying to type about it rn lol), but the basic explanation that magic on Earth has a lot of variations, but Anodite powers/magic is completely a different beast. And since Gwen appeared to have decided to veer more to her anodite roots, her use of magic differs a lot from how Jun uses magic. While on the surface it barely matters, especially in practical use or fights, academically/philosphically/etc? - both Gwen and Jun had arguments UPON arguments about it. And they can never quite reach a middle point, that isnt just basically agree-to-disagree.

It's not like friendship destroying type of constant arguing, but it is something that is intimately intricate to BOTH their lives in very complicated and different ways, and its kind of hard to be best friends with someone who constantly opposes your existence/way of life?

So, I could say that Gwen and Jun are more of okay type of friends, maybe even academic (in same academical/interest circle) type of friends. Surprisingly, unlike with Kim, its harder for Gwen to work with Jun because they could start an argument that would last (because Gwen is bossy and Jun is stubborn), and it sort of prevents them from getting along? xD Does that make sense? And their work ethic is a bit different in approach too, tho in battle itself they work well.

Gwen & Jenny

I am a little surprised you did not mention Jenny, but I guess I might have sabotaged the whole thing by constantly showing that Jenny has beef with Ben! xD And I guess in some way you are correct, since Jenny's annoyance with Ben would either sometimes translate to annoyance with Team 10 or to Gwen being annoyed by Jenny's hostility towards her cousin.

But in reality, they actually get along pretty great! Better than Gwen with Kim, and slightly better than Gwen with Jun! If only because Jenny and Gwen do not tend to argue about intricacities of magic! xD If anything both Gwen and Jenny, while not fully understanding how the others work, fully respect each others abilities in battle. They just kind of accept, that one can do this and another can do that.

Personality wise, I actually think they mesh together well. Jenny has lived with a controlling personality all her life (her mom) so she knows how to navigate that, and in turn, I actually think Jenny's a little bit silly personality (which is a little bit like Ben's) is a great counter to Gwen's more serious one. Even the difference in their ages does not really matter, despite Jenny being closer to age to Kim.

The surprising thing that I think would really allow them to get along, is the feeling of alienation and some discomfort in their own skin. Look, we all know about Jenny's desire to be like a normal girl, but she isn't, because she is a robot, and its something she's been coming to terms to her whole life. And Gwen recieved a great shock when she discovered her anodite roots, and if THAT didn't give her a reason to feel like she doesnt quite belong to humanity right now, i would eat my shoe. Technically both of them are aliens amidst human race from very different kind of spectrums, but I feel like it would give them a starting point to relate to each other.

And basically they are space collegues!!! Like literally, they both operate in Earth-Space area of protection, and I feel like despite Jenny's general annoyance about that and Team 10, she would respect a fellow Earth protector from aliens.

Also, Gwen could always appreciate another person that helps to keep Ben's ego in check. Though, if she'll get particularly annoyed by Jenny's comments, she would definitely let her know. ;)

-

so ye this is basically it for now xD i dont think i have many more other details, but i hope you enjoyed and were entertained by this nevertheless ;)

[cryptocism]

AAAHHHAHAHA DUDE (GIRL, THEY THEM) YOUR IWTV IS AMAZING!!!! Your art style is like a characterization of them but much more realistic. It's like you took a photo of them and applied a filter. This is amazing, I love your DC Tim art but this is definitely making love your work more!

thanks!!! tbh applying a filter would probably be an easier route to go if it didnt sit wrong in my like... idk creative instincts. instead i use a very time consuming method called "drawing a face over and over and over again until i kinda get how it works"

actually im gonna use this ask as an excuse to post some studies here is the process:

basically step 1 i trace a photo so i can kinda get an idea of how shit works, then i try to draw the photo using what i learned from the tracing. 1st round is always wack so step 3 is comparing my proportions to the photo again. with armand i consistently drew his face too long lmao u can see it in the corrected sketches. then i do a second round of sketches, corrections, and usually a final sketch that i use as a light/shadow study. sometimes i end up doing more sketch passes if i really cant get the hang of it.

then repeat:

the goal is proportions and consistency, so hopefully when i draw a face with different expressions and angles - even if I dont have a reference that precisely lines up - i can still end up in the ballpark of recognizability.

funnily older daniel is much easier for me to draw than younger daniel tbh. theyve got similar faces but the actor for older daniel just has more distinctive features i can center stuff around, whereas young daniel eludes me a lil bit.... i gotta do more studies of those guys if i can shake the armand fixation for like 10 minutes

[jealousmartini]

✦ My average schedule + Get ready with me on a random college day as an art student and an LOASS babe ⊹₊ㆍ👜

   ── .✦  ┆  ᡣ𐭩  ┆  ␥ 

Long ass post ahead

FYI!! We only have 4 days of college, so we get Friday off. My longest days in college are Monday, 11:15 am to 4:45 pm (depending on if we have tutorial first thing. If not, we will come in at 1 pm), and Tuesday, 11:15 am to 4:15 pm. My shortest days are Wensdays, 11:15 am to 3:00 pm and Thursday, 9 am to 12:30 pm. The days that are shorter than the others (mainly Thursday) are the ones that I prioritise focusing on extra work after hours. It is super important to me to use my Thursday free time for extra research/analysises/art work at home so I can so I can stay ahead and not fall behind in class

╰┈➤ " She's an overachiever " click here!

«───────── « ⋅ʚ♡ɞ⋅ » ────────»

GRWM! The longest day of the week, Monday!

   ── .✦  ┆  𖤐  ┆  ␥ 

The goal is to get a bus around 10:25 am to 10:45 am in order to get to college at 11:15 am

[ 000 :: Getting up ]

✦ I wake up at 9:15 am and immediately make my bed because no one likes to come home to an untidy bed.

✦ And then my first favourite thing I do is wonder what I wanna smell like today, I take out my specifically scented body wash, 2 in 1 shampoo, hair gel, body cream, deodorant (preferably scentless), and perfume with the scent I chose and then I do my blanket affirming in my 15-20 minute shower. After the shower, I moisturise my body with my scented body cream, spray deodorant, and move onto my clothes.

[ 001 :: Getting dressed ] — estimated time 9:35

✦ I love dressing up. At this point, I do my best not to overthink what to wear because I know I will be there forever, making multiple outfits but never choosing one. So I focus on what style I'm going for and pick out my clothes, always being mindful of the colours of course and then put them on

✦ Next I decide wether or not I want to wear make up (more times yes than no) but before I do my usual make up look, I quickly do my skin care routine to protect my skin and then I do my cutesy girlie make up all while affirming my blanket affirmations

✦ And then I move on to do my hair. Because I have super curly hair, depending on what style I want, it takes a bit of time to manage. So I usually settle with doing something simple like brushing my curls out into a fro and then putting it into a bun or puffs, or I leave my curls defined and either leave my hair down or put it in a bun, space buns or a tail type which usually takes me 10-15 minutes, taking us up to 9:55-10 o'clock.

✦ But if I'm feeling ambitious, I'll straighten/blow out my hair and do a straight hairstyle. I usually go for bantu knots, spikey buns (my signature half up, half down), pigtails/ponytails, or leave it down. Doing this would take me around 15-20 minutes, taking us up to 10 o'clock to 10:10.

[ 002 :: Breakfast time ] — estimated time 10:00

✦ It's always important to start your day with a satisfied stomach, which is why I always make sure I know what I want to eat for breakfast and if I want to eat a lot. Once I've made my breakfast, I like to look over the work I have already done on my ipad to see what more could be added while I eat.

✦ I try not to eat too slowly or take too much time doing tiny bits of extra work because I still need to brush my teeth and get my bag (which is always already packed). When I have finished my food, brushed my teeth and got my bag, I should be at the door by 10:30 to 10:45

[ 003 :: Ready to leave ] — estimated time 10:40

✦ I don't live far from my bus stop, so it usually takes me around 5-6 minutes to walk there, and then around 25 minutes to get to college on the bus.

✦ But sometimes my man best friend drives to my house to pick me up and then we both go to college together. I don't know which one I prefer the most to be honest but going by car is definitely a lot quicker (given that there isn't any traffic) and I just love beening in the presence of my boyfie bff

[ 004 :: College hours ] — estimated time 11:15

✦ Hurray we arrived on time! Looking delicious and smelling delicious. Now it is time to get to class and get a load of work done like the overachiever I am.

✦ Lunch time comes around and I leave the classroom to the couch area where my (girl) best friend is waiting for me. We chat and eat and chat some more until it's time to part ways back to class.

✦ Another more than generous amount of work gets done be me and my two super cool art besties, I'm sure the same can be said for the rest of the class but this isn't about them rn.

There's five people per table in my class, but only two tables in the middle have the ten of us, the other 3 tables are empty because we're a small class but I sit along side my two good classmates on the left side. We are very attentive, concentrated, and skilled art students. We always check up on each others art and written work, giving each other ideas and such. We are even jokingly referred to as "competition" by two of our other classmates (im not a fan of those two but it is what it is)

[ 005 :: Home time ] — scheduled time 4:45

✦ Sometimes, college can be grueling. Especially on Mondays. So to be able to have a close friend group to reunite with after the last hour of college is so so comforting. ESPECIALLY WHEN ITS AUTUMN/WINTER SEASON because it gets really dark in the late afternoon very quickly and I always prefer to go home with company in these seasons.

✦ I take the same bus as I did to college back home with my friends, usually right after getting a snack together and because we are a group of four (six if i include boy bestfriends sister and her boyfriend), none of us have to worry about strangers sitting next to us.

The bus drive home is always relaxing and in my opinion fun too.

[ 006 :: Arriving home ] — estimated time 5:10

✦ First day of the week done. Time to unwind, clean up, eat, relax and sleep. As soon as I get back home, I love to have a quick gossip with my mum about my day and get unready with my best friends of face time

There's this very common belief that you always have to talk of face time, but that's not all ways true. Me and my friends just like to have each others presence in silence, occasionally being nosy every now and then about what's for dinner, what's on TV and that's about it. Nothing more nothing less and its perfect that way.

I inform my friends I'm off to get a shower, I like to use my scentless soaps and body creams for bed time or maybe some light essential oils like lavender, I get out and throw an oversized T on because I don't like sleeping with bottoms on, yank my pink bonnet over my curls, slip my feet into some fluffy pink sliders and whatever I choose to do with the rest of my evening is random and spontaneous depending on what I'm in the mood for in the comfort of my home that I manifested ♡

∘₊ ✧───────────────────✧₊∘

જ⁀➴. And that's my average GRWM/schedule of a random day on a random college day as an artist and an LOASS babe ⊹₊ㆍ♡⋆₊˚⊹ I dunno if you could tell but this was secretly a vault lmao

[fernsnailz]

HI . GET ON THE DISSECTION TABLE. taking your brain RIGHT NOW OH MY GODDDDD. OH MY god ,,, everything in the zine,,,,,

obviously the quality of your work, the art itself is so good ,,,, but OUGHHGGGGHGH i need to bang my head into a wall until im unconscious . like the title itself, starting off . woe mama we are in for a fucked up roboty treat . your comps . your writing . in the most respectful and awestuck tone possible . i need to kill you

my favorite i think is how you draw gemerl ,, all the robots you nail their expressiveness but oughh ,, him in particular makes me kick my feet . 'you are everything i fear becoming' makes me actually tear the fucking floorboards up the themes of autonomy ,,,,,, ,,, and how you storytell through your comic panels,,, the 'what a fool you are to think the doctor is gone' panel set makes me drink 2 Monsters and eat glass

THE . THE IMPOSSIBLE GOAL COMIC RAGHHHHHH. FAV FAV FAV . geninely shaking and trembling looking at it like jesus thats so fucked up ,,, your mind . your writing is so everything !! i would love to get any insight for how you workshop it because it is consistently breathtaking it sticks with me so heavily,,, one time i accidentally stole a line of dialogue word for word from your Never turn back zine comic and had to change it dfhjd,,,,, (wow this line is so cool ! ...a little toooo cool. squint.) but yeah god the last comic wow,, your panel compositions are banger after banger you are so good at consistently writing evocative stuff,,, tragic, rlly funny, hopeful, its so inspirational

thank u so much for putting together such a cool zine, would love to have it physically one day !

GOD. THANK YOU SO MUCH THIS EDIT IS KILLING ME. this is such a rewarding ask to get, i'm so glad you picked up on these things!!

my writing work shopping style is. hm. a bit all over the place. i have a lot of thoughts about it i'll put under a cut if you're interested. there's a lot of little things i've picked up that help me out so so much that i would really love to share!

ok FIRST i should note that it took me so goddamn long to write this thing. like i had the very very VERY first concepts for metal sonic good future like. a year ago. the first scrawlings are literally in a notebook right after some thumbnails i was using for dance in fire and i was editing dialogue up until two days ago. i'm ill

BUT!!! there are a few things i like to keep in mind when i write/edit that have really helped me!

GET OTHER PEOPLE TO READ YOUR STUFF. ESSENTIAL STEP. i get stuck in holes with my work a lot and having beta readers and other eyes on this thing made it like a million times better

sometimes you have to kill your baby. there will be certain lines or moments that you ADORE that simply don't fit into the larger piece, and you gotta just cut it out to make it better sometimes. but usually this gives birth to an even cooler and more epic baby. or sometimes your killed baby is also resurrected later to be used in a different scene. does this make any sense

figuring out what emotion you want a scene to make people feel is very important - with this in mind, i also pay really close attention to how my writing or scene concepts make me feel physically. i think this is the thing that has helped me most with work shopping anything i want to be evocative. does a line make me tense my jaw? make my teeth vibrate? make my chest tight? do i suddenly feel the blood in my hands? if it makes me feel something within my body, i try to draw on that physical sensation when forming the rest of the scene.

ok this last one is. stupid. as i was wrapping up this thing i went through a final edit phase i'd call "Garten of Banban Vision." Garten of Banban is an indie horror game that has uhhh kinda mid dialogue. a lot of it focuses on exposition, and any emotion in it feels a bit hollow. with this in mind, i read through everything one last time and imagined like all of the lines were from a Garten of Banban game and spoken in the character's monotone voices. if the line felt like it could fit a little too well in the Garten of Banban world, i considered editing it. but if i started thinking "oh shit this is pretty good for a Garten of Banban game" i knew it was fine. do you understand what i was alluding to when i said my writing process is a bit all over the place

in conclusion. writing hard

[genericpuff]

This is stupid, but you know those new LO hoodies the Webtoon shop has? I know the font they're using. It's Eckmannpsych which is an Adobe font.

That's not the stupid part though. The dumb part is the capital H and G in the Eckmannpsych font do not match what is on the hoodies, which would obviously be on the hoodies that have Hera or Goddess on them. So, Rachel looks to have taken the time to hand draw her own H and G to match the font style for those hoodies but did not take any time to make new, better art for the merch, but instead reused ugly panels from the comic. Talk about a strange look into her priorities. She doesn't like how the G and H look on a font? She will remake those to fit what she wants. Rachel when the assignment gives her the chance to make specialized, better designs for those same merch? She can't be bothered to even try. WTF!

for the love of god-

I'm assuming and hoping they had the commercial rights to that font LMAOO But it did kind of make me go 🤨 because while I didn't know the font EXACTLY off the top of my head it still felt... weirdly out of place for something like LO? Why are these hoodies being stylized like they're from Austin Powers LOL

On another note tho, the LO merch is just like... disappointing in how bad it is for what's supposed to be WT's #1 series, which is, btw, a series with so much unique stylization that it shouldn't even be this hard to make merch for it! it just feels very "first attempt at redbubble merch", but unlike genuine first attempts at making merch (which is obviously a learning curve that I wouldn't judge anyone for being new to) this is a company that's sunk shitloads of money into LO so I don't know why they can't get better merch made?? so much of it is just the default drawings taken and slapped onto a tote bag or t-shirt, which like, yeah cool fine you're using art that's recognizable and considering the art is already made, it stands to reason that they should use it for more than just the comic. It's just disappointing to see how lazy it often is and how little effort is put into translating it onto a t-shirt/tote bag/etc. like we can't even have ONE exclusive t-shirt with a unique design that isn't just poorly copy pasted from the comic?

Case in point, those t-shirts that Rachel was advertising a while ago that were actually straight up falsely advertised. I can't find the post about it on my Tumblr (I'm pretty sure I talked about it here) so here's the IG story rundown I did on it ages ago:

Again I'd really like to have benefit of the doubt here that Rachel isn't the one making these designs, usually that's not how the merchandising process goes in these types of deals, so I'm not gonna point the finger at her. But it's just so odd to me that it happened in the first place. And this goes for a lot of LO's merch, so much of it feels cheaply made and rushed off a conveyor belt for the point of making money without much expense. Which yeah, that's a business model for sure, the goal is to profit, but like this?

You can't even argue that it's like people criticizing LO the comic because like, as much as I'll justify what I spend my time doing here in my free time, it's true that at the end of the day I don't have to pay for LO, so really the only thing I'm doing is inflicting psychic damage to myself, it's not like my actual money is on the line LMAO That's why I stopped paying for LO ages ago and only do it when I have a specific episode I need to review (such as the midseason hiatus review series I did). At the very least, if I really want to keep reading LO but don't want to pay for it, I can just avoid FastPassing it and read it for free so I can save the coins for other series I'd rather read. The Webtoons' FP system is very fair that way.

But this is merch explicitly made to generate revenue. It is a product, front to back. You can vote with your money by not buying the thing you don't like, absolutely, but the fact that it's this poorly to begin with is just so indicative of Webtoons' business practices and so shitty for the people who genuinely enjoy this comic and are being advertised and sold shoddy merchandise that doesn't even come looking the same way it's advertised. It's really not a good look for Webtoons, Rachel, or LO that this is what they're selling to people.

Especially for what they're charging, good lord-

Like, okay, they're hoodies and they're gonna be expensive to print and ship so the higher overhead cost makes sense, but jesus christ, with the kind of merch Webtoons has already given the stamp of approval on, would it even show up in decent condition? How bright are those colors gonna be? Are they gonna strip off as soon as I throw it in the wash? I'm half-tempted to buy a hoodie for myself just to do a review on it but I can't justify dropping $75 CAD on a hoodie that only has art on the back. Maybe it's just me living in the hellish lands of Canada where we play with toy money that's the problem, but it's just not a gamble I wanna take LOL If I bought one it would probably be the Hecate or Hermes ones because they're the only ones that are at least somewhat legible and have decent character art that isn't a character looking like they need to poop LMAO

(these are literally the two worst drawings they could have chosen of these two i stg lol the only thing that would have made this worse/funnier is if it was Handsome Hades and Persephone Kidnapping a Baby LMAO)

It has me worried about what the LO figures are gonna look like when they release. Are they gonna have some creative liberty with making them chibi-fied (like a Nendoroid?) or are they gonna try and replicate the art style exactly and wind up making literal blow-up sex doll Persephone? 😭

NGL, if the figures are done well enough and don't cost an arm and a leg, I might consider buying one just for the shelf collection, but again, it depends. If Webtoons released a tarot deck with really good panels from LO (like the Tower 4 scene or Persephone sitting on the rooftop with her comb or Eros flying down into the Mortal Realm) I would buy the shit out of that. I would even just take the Major Arcana if 78 cards was too much to ask :'0 I'm not against Webtoons/Rachel trying to profit off LO merch at all, I just wish it was BETTER- (╥﹏╥)

[retellingthehobbit]

If you want to see Hobbit comic chapters early, and more concept art/deleted things/drawing tips/behind the scenes art—-soon I will launch a Patreon!

I prefer to *publicly* post my comics in massive full-chapter chunks every few months. But If you want to see pages “as I draw them,” usually around one page on a weekly basis, you will be able to subscribe to me there soon. :)

This will come with the understanding that the patreon pages are still “previews” and they may be heavily edited later on as I finish the chapter. (Sometimes I’ll see something that bugs me on page 1 after I finish page 15 and have to fix it!)

I will also post things related to my other upcoming art/comic projects, all of which have a similar aesthetic of “changing art styles to convey different narrators.”

If I ever take a hiatus from drawing or from updating the patreon, I will pause all billing for the month so that no one is charged.

My goal with this Patreon is to be extremely professional and accountable! I’m confident I’ll be able to run this very well!

Most of the things I post on the Patreon will also be posted publicly, eventually. But because I obsessively polish things (even the captions under posts of old art) they won’t be posted publicly for a longer amount of time. I don’t want people to feel left out if they can’t afford to pay a few dollars a month; this is just “early access” to slightly less polished stuff for the people who can.

On a personal level I would like for the Patreon to be able to cover the cost of Photoshop and a couple other art tools I use in my work, so that I’m no longer “paying” to draw this comic! :3

I haven’t yet launched the Patreon because I am busy filling it with a lot of concept art work/bonus art, to make sure it is worth subscribing to.

But yeee get excited! I hope some people are interested!

And I hope to have it ready by February 13th. :)

[tiredfairywings]

[Applications CLOSED.] Wҽʅƈσɱҽ ƚσ Tɯιʂƚҽԃ Rҽʋҽɾιҽ~

｡ﾟﾟ･｡･ﾟﾟ｡｡ﾟﾟ･｡･ﾟﾟ｡

❀﹋﹋❀﹋﹋❀﹋﹋❀

My name is Mafuki and I run an art group for twisted wonderland! I am looking for twst yume artists who are also looking for friends!

The goal of our group will be to collaborate to create artpieces together (ex. art style challenge), and collab with each other (ex, 2 artists one base)! Something I'd love is for us to create a video with our ocs and their love interests together! All of this is non-profit so no one, including me will be gaining any monetary gain (unless you wanna post YOUR own pieces online aka not the other members unless you get permission). This is all for fun and you own the pieces you draw! We don't gatekeep pieces lol

We would love to make a group-home for people who just love twst and are passionate about it! The goal is for us to become a really close group of friends who just…love twst. If you have any questions, feel free to comment/pm me!

I've been put in a bind due to a missing member so if someone can start a prompt right away I would be very appreciative!

p.s. currently most members like to rp if youre into that

｡ﾟﾟ･｡･ﾟﾟ｡｡ﾟﾟ･｡･ﾟﾟ｡

❀﹋﹋❀﹋﹋❀﹋﹋❀

𝐈𝐌𝐏𝐎𝐑𝐓𝐀𝐍𝐓

Just because you reply and fill in an introduction does not mean you'll automatically get an invite link to the discord group.

Due to the intent of the group, I would like to stay as far away from Drama as possible but also allow for there to be a safe space for anyone to vent and feel accepted. The goal is to operate similarly to Nightcord@25 [a project sekai reference].

As the person who decided to create the group, I hold all responsibility for anything that goes wrong and as such, I'll be speaking to each potential member first through chatting. There is nothing you need to do except be yourself. This is simply a vibe check. I'm looking to foster a safe environment for all those involved and will not tolerate extreme personas.

❀⌇Guidelines Before Applying:

➼ Must be between 16-25 (if you're slightly older, it's still okay! Around 20's is preferred but vibes are the most important aspect) ➼ Your race, gender, sexuality of both you and oc WILL NOT eliminate you. The goal is for this to be a safe space and as such, the only thing that matters is personality. Timezone also does not matter! ➼If you have a mental illness that is okay!! As long as you won't let it effect/use it as an excuse to hurt other members it is alright. Everyone I've recruited (including myself) has experience with various mental illnesses. ➼Even though this is an art group, art ability does NOT matter!! The goal is for us to have fun, and all that matters is that you're passionate about twst. And that you actually draw lol No need to know how to edit videos! As long as I have the assets I can edit the videos for the group! Bases are also okay with credit. ➼Since we're all making yume art, I'd like to try to keep to different characters per person ➼ Remain Relatively: Drama free, generally will have a good vibe aka not being judgmental, and is alright with criticism. Communicates well with other members and does not belittle.

Current taken characters: Azul, Malleus, Epel, Ruggie, Idia, Rollo, Rook, Lilia Potentially Taken characters**: Riddle, Jade, Leona, Kalim, Trey, Deuce

**DISCLAIMER: I accept people on a first come-first taken basis. It's purely on vibes so if I like someone's vibes then they're accepted along with their Yume choice. If I don't like their vibes, then I'll let someone else take that yume for the group.

𝐀𝐂𝐓𝐈𝐕𝐈𝐓𝐈𝐄𝐒

If you're cool with everything, feel free to fill out this form and dm it to me! I'll speak with you shortly :3

TEMPLATE: ❀⌇Name (preferred, not irl obviously): ❀⌇Age or Age range: ❀⌇Timezone: ❀⌇Yume Interest: ❀⌇MBTI and Enneagram (not necessary --> I know psychology quite well so I can usually tell your top 3 so don't worry if you're mistyped or don't know your type [This is just for me to keep in mind so I can be mindful of you as a person]): ❀⌇Other interests: ❀⌇Important things to note (ie. accommodations): ❀⌇Triggers: ❀⌇Extra Info: ❀⌇Art Samples (just so I know you are able to draw! Preferably yume art but otherwise is okay!!)

❀﹋﹋❀﹋﹋❀﹋﹋❀

Template Credit: https://aminoapps.com/c/templatesand/page/item/soft-welcome-message/jlEV_rbcoIlpdadYbEoNdgelnl55woxdj Document below is linked if you would like info on the others who have joined!

[xviruserrorx]

(Explanations of what each event is is under the cut along with some of my ramblings)

This is for the main thing. In the theoretical Discord I'm currently making I feel like a lot of things can be done as little mini events along the way if anyone would want to do that. That way, aside from whatever the main event is, we can still do other stuff throughout the year. A lot of this is just ideas I'm throwing out into the wild so to speak and to see what interests everyone.

I also kinda want there to be something laid back too because I know that fandom, the craft community, and the disabled community all intersect big time so yeah. Feel free to yell at me from the tags I want to see everyone's input/ideas!

A week long event: I feel like this is too quick because these things takes a lot of time, but in the theoretical Discord I'm currently making we can do little weekly prompts/challenges if it interests anybody.

Nanowrimo: This is a month long thing where everyone has a 50k novel to work on and you work on it everyday for a month. Similarly can be done with crafts/fiber arts/textiles where everyone picks a project and we each have a goal to meet each day

A select few months: Ex. June-August,

Gift exchange: Again another one of my theoretical ideas, might be difficult, sounds pretty fun, maybe could be used for a holiday event thing?

Draw/Write in your own style: This is when everyone creates someone off of the same prompt/image, but I'm this case it's probably be the same Base pattern.

Bang Event: Two or more people of different or the same mediums (a crocheter, a pattern maker, a knitter etc) pair up and make whatever based off of each other's work.

Round Robin/Telephone: For those who don't know, a Round Robin is when you pass along a fanfic from one person to another and you all start where the last person left off. Telephone is very similar but like in telephone only the first person who starts the project has and knows the pattern while everyone else doesn't. Again with this it may be hard and require a lot of planning but it's worth the mention.

Teams/Game type event: So teams event if when people are put into teams (team blue or team [specific fandom name]) and you just create as much as possible for whatever theme the group picks. Now Game type events (I actually haven't seen any of these in recent year) is when you do the same thing but each round everyone votes and gives points to each other and who ever has the most at the end wins.

Bingo: A bingo card filled usually with different prompts/challenges that can be customized or just picked at random

Masquerade/Guess The Maker: Everyone has a concealed Identity and everyone else has to guess who made what.

[writing-with-sophia]

I usually find myself using the same range of ages in my stories (young adults, teens), and just plotting a crime story, I realized how unrealistic it was to have almost every single character in early stages of adulthood, especially the team researching the case. Of course I have in mind a lack of experience in certain things for them and stuff but it's pretty hard for me to do older or much younger characters idk why 😭 what would u recommend? Is it somehow bad not to have a variety of ages or making it less realistic? It makes me feel like I'm doing a teen novel, sry for my english and uh ty <3

How to include a broader spectrum of ages in stories

Well, in fact, it's not necessarily bad to focus on a specific age range in your stories, as long as it serves the narrative and the themes you want to explore. If you find it difficult to write for a wide range of ages, you can certainly focus on teenagers. A story about young detectives can also be engaging and exciting, right? But if you want to incorporate a variety of ages to add depth and richness to your story, here are a few suggestions to help you:

Tip 1: Develop characters

Create well-rounded characters of different ages, each with their own distinct personalities, perspectives, and life experiences. Develop their backstories, motivations, and goals in a way that reflects the impact of their age on their thoughts and actions.

Then, explore how age can influence characters' motivations, goals, and challenges. Older characters may bring wisdom, life experiences, and a different perspective, while younger characters may have a sense of idealism, curiosity, and growth potential. By considering age-related motivations, you can create more dynamic and believable characters.

Tip 2: Build relationships for characters

At different ages, people develop various types of relationships. For example, a 16-year-old girl may have relationships with peers, teachers, and family members, while an adult man may have relationships with family, coworkers, and friends in social settings.

Relationships between older mentors and younger proteges, or clashes between generations, can add depth and conflict to your story. These interactions can also provide opportunities for growth and learning for your characters.

Tip 3: Pay attention to characters' dialogue and language

The vocabulary, tone, and communication styles of characters from different age groups are different. Younger characters may use contemporary slang or have a more informal way of speaking, while older characters may have a more formal or seasoned approach. You can observe closely how the elders around you communicate and make notes in a notebook.

Tip 4: Research

If you find it challenging to write characters of different ages, consider conducting research or seeking firsthand experiences from people of those age groups. As mentioned above, you can make a small notebook to record the words, actions and behaviors of people around you in certain situations. Reality is always a great source of information if you know how to take advantage of it.

Tip 5: Beta and feedback

You can share your work with beta readers or writing groups that include individuals from various age groups. Their feedback can offer valuable insights and help you refine the portrayal of different age groups in your story.

Remember, storytelling is an art, and there are no set rules. Ultimately, it's about finding a balance that aligns with your creative vision while ensuring your story resonates with a diverse audience. Embracing a variety of ages can add depth and realism to your stories, expanding the scope of your narratives and making them more relatable to readers of different backgrounds and experiences.