#my first paragraph is just rambling sorry there's not reason for it.

[volfoss]

like i genuinely cannot believe thegall that she has quinn saying that oh they loved being servants... really??

[ID: Text reading:

"“I let them go into the front parlor together, and then I went into the kitchen for lunch, where Jasmine was just telling Big Ramona that they were rich. I hated to break up their happiness with my glum looks and I blamed it all on hunger. Besides, Jasmine had always been rich and so was Big Ramona. They just never wanted to leave Blackwood Manor, everybody knew."/end ID]

[yourqueenb]

THE TITLE 💀😭 (not a lie in the slightest, I was just caught off guard lmao)

No but in all seriousness, I think I have a bit of a complicated view of Kiara. Imo the issues with her have less to do with her interactions with the other characters as an individual and more to do with how she was treated by said characters, the writers, and fans vs. how the white women of the court were treated — which is why I understand why you often compare her to them and agree that that is pretty much essential to comprehending just how bad the writing for her is.

In an instance where someone is playing chapters with a week in between each one, hiatuses of several months, and give or take a year between each book PLUS all of the retconning throughout, Kiara disappearing for significant periods of time or having minor cameos, and an MC who is not romancing Drake, I think her poor treatment is very easy to miss and it’s equally as easy to take misinterpretations as fact. *I would even say that there is some basis for people to have a less than positive opinion of her if the conversation from book 2 chapter 1 about her and MC’s alliance is one of the factors.

*From what I understand about the fandom at the time of the series’ release, people definitely took the ‘Kiara is a snob’/‘Kiara is so fake’ thing too far. But I think it would be a bit disingenuous to say that she does not come off as rude and snobby in that scene, especially given everything else we know about her. Kiara is intelligent, observant, and calculated. As a diplomat and noblewoman, she values etiquette and propriety. And as a polyglot/linguaphile, she not only has a deep understanding of language but also tends to choose her words and when she participates in conversation overall very carefully. So with all of that in mind, her saying things like “even if MC were someone we deigned to associate with”, ordering Penelope not to “start up on those dogs again”, and pointing out her and Penelope’s high position of honor in response to a disgraced MC asking if they’ll be joining her in the back (which could’ve been meant matter of factly but looks bad within context)…. definitely cuts deep and feels unnecessarily snooty (and patronizing in Penelope’s case). Not to mention the whole “she’s beneath us” comment in response to MC being a bit sarcastic after everything just mentioned.

However, the absolute vitriol many fans had for her along with how eager they were to paint and view her only in a negative light no matter what makes no sense considering all of Penelope, Madeleine, and Olivia’s wrongdoings. Like Kiara doesn’t even come close to being as hateful and malicious as the last two and isn’t fake at all like Penelope. So why do the other three get excessive amounts of grace that they aren’t even deserving of while Kiara gets none and is either actively hated or largely forgotten instead?

If the writers valued and cared for their Black characters as much as they do their white ones and focused on consistency instead of favoritism, then some of the writing for and dynamics between the TRR cast wouldn’t have been as bad. But even then, that would still require entire scenes and chapters to be completely different. And that still doesn’t cover the fans’ eagerness to purposely misinterpret things and project their biases onto Black characters or the writers’ willingness to pander to those fans regardless.

Thankfully, PB didn’t reflect the fans’ view of Kiara as a Jezebel in the writing (which is honestly a bit surprising considering how much they catered to Drake stans and the fact that they have used the stereotype before in other stories as you pointed out). But given this essay and what I remember of this series myself, I just want to briefly point out and comment on some of the other stereotypes and real world experiences I noticed PB perpetuating and reflecting within TRR.

The first is the scene where Drake and MC can prank Kiara by dumping out her hair products. I haven’t read the scene or romanced Drake myself, but I think the inclusion of that at all is… let’s say interesting… considering the fact that attacking Black women’s physical appearance and beauty is often one of the first things non-Black people do when they feel threatened in any way. And of course, the prank seems fairly harmless in the grand scheme of things and is nowhere near equivalent to real life policing of Black hair. However that particular option appearing after the overall rage/jealousy of Drake stans toward Kiara isn’t really something that can be ignored.

The next is all of the questioning, mocking, and challenging of Kiara’s skills and capability. This one especially rubs me the wrong way because it’s such a common microaggression, but I feel like most people didn’t even notice it in the story and definitely don’t irl. Like Olivia is lauded as some sort of badass super spy who Cordonia couldn’t survive without even though she does nothing with any of the intel she manages to get…. But sure, Kiara is the one with delusions of grandeur who needs to prove that she’s as capable as she says she is 🤨

And coming off of that, I think it’s very telling how a lot of the fans take issue with Kiara’s perceived “snobbishness”, but ignore it or find it amusing when Olivia, Madeleine, or anyone else at court acts the same way if not worse. If it were an issue with classism and arrogance in general, then surely Olivia, Madeleine, etc. wouldn’t be exempt from criticism/backlash, right? But they usually are and are even seen as people who deserve to be cocky… so then what could possibly be the issue now??

And once again, I feel compelled to point out how a lot of the time Black people can’t escape the ugly realities of the world that we live in even in fiction. We can’t be too beautiful, too smart, too aware of our accomplishments, or too comfortable in prestigious spaces lest we threaten the inherent superiority of everyone else. Society holds us to a higher standard yet expects so little of us at the same time. And unfortunately, Kiara and many of PB’s other Black characters are indicative of all of this

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[kai-uh-arcadian]

Something you’ll never know

synopsis: you and aeri were inseparable while you were growing up. Is that connection still there?

word count: 15k (jeeez) (it could've been 3 parts but I love you all so much so here you are)

cw: angst, cussing, drinking, f reader, childhood best friends to...(?) idk if there's any i missed please lmk!

notes! So sorry if its a confusing read with the timelines and such. the italic paragraphs are flashbacks/memories! for clarification Aeri and reader are ages 12, 22, and then 30 in this. It's inspired by the movie Past Lives (one of my fav movies, I recommend it!) barely proofread again, I also tried to add extra space in between different scenes, I hope it flows okay!

This is my first angsty fic ever but I had a lot of fun writing it! I really hope you enjoy it and if you'd like to, lmk your thoughts!!

as always dms and asks are always open!

xoxo love youuu (: <3

20 years ago in Southern California,  SM Elementary School

Ever since you can remember, Aeri Uchinaga has been a constant presence in your life. You first met in preschool, where she quickly took a liking to you for reasons you couldn't quite understand. As a ‘slow-to-warm-up’ child, you were perfectly fine with doing quiet activities on your own while your classmates ran around, chatting amongst themselves. But Aeri must have seen you as a challenge or a game, maybe? She was determined to crack the ice and see what lay beneath your quiet exterior. She would always join you at the drawing table and start rambling about a variety of things that crossed her mind or even go as far as sharing her stuffed animals with you when she saw you playing ‘family’ alone with your own.

And before you knew it, she had you hooked. Aeri was more outspoken than you at the time, and she often took the reins in your friendship, but you were (more than) happy to follow her lead. You quickly learned that she had a habit of charging in head first, and it became your unspoken mission to keep her from getting into too much trouble.

You promised yourself that you'd always be there supporting her from behind.

You dribbled the soccer ball skillfully toward the goal, weaving through defenders with ease. Just as you were about to score, a loud yelp from the basketball court made you stop dead in your tracks. Your hesitation cost you as a player from the opposing team slid in, tackling you. Pain shot through your leg as your planted foot twisted in a way that it should NOT twist.

You got up from the ground and ignored the pain as you waved to a classmate on the sideline to take your place on the field. You limped as quickly as you could toward the court from the field, fighting back tears. The adrenaline kept you moving.

Eventually you made it to the basketball court where Aeri was.

“Are you okay?” you asked as you reached a hurt Aeri, who was hissing slightly at the sight of her skinned knee. Almost every ounce of pain washed away when you saw her.

She looked up, surprised, as your shadow blocked the sun. To her, you probably looked like an angel.

“Y/n,” she sniffled, “Where did you come from?”

“I was just playing soccer,” you replied, kneeling in front of her and offering your back. “Here, hop on. Let’s get you to the nurse.”

“Mm~ okay,” Aeri shyly mumbled as she climbed onto your back, resting her chin in the crook of your neck as you hobbled toward the infirmary.

“How did you know I was hurt?” she inquired softly.

“I dunno, my Aeri instincts must've kicked in... But you do have a pretty distinctive scream that I could hear all the way from the soccer field” You chuckled

“Ah~! What!? That’s so embarrassing!” She buried her face into your neck. “Why did you come over? You said you were playing soccer?”

“Well yeah I was, but remember when we were five and had our first sleepover?” you asked, chuckling. “Ya know, the one where you couldn’t stop crying because you missed your parents, especially your mom.”

“Hey! Why bring that up now?” she groaned, playfully hitting your back with her fists. “It wasn’t my choice! My parents were busy with work, okay!”

“Nono~ we made a pinky promise, remember? I told you, ‘I’ll always be here for you, no matter what.’ And I vaguely remember claiming I’d be your prince or somethin' like that.. I’m just keeping my word.” You smiled at the memory.

“That was like seven years ago…I can't believe you even remember that” she sighed contentedly. “Well, thank you, my prince.” she let out a teasing chuckle

“Of course, Lady Aeri,” you replied in a playful, formal tone, adjusting her higher on your back with a little hop.

There was a small break of silence before Aeri took notice of the cadence of your steps.

“...Wait, are you limping?” Her tone suddenly turned serious, like a mother about to scold her child.

“Uh…” You hesitated, “No…?” you chuckled nervously hoping she'd drop the topic (she didn't).

She peeked over your shoulder and saw your left ankle, red and beginning to swell.

“Ah~! What happened!? Let me down, I can walk! You idiot!” she exclaimed, trying to wriggle off your back.

“No way! We’re almost there anyways, and all this wiggling isn’t helping the pain either!” you bickered with the girl on your back before finally reaching the school entrance.

After school, your mom tended to your hurt ankle. It wasn’t anything serious, just a mild sprain. You worked silently on your assignment before she spoke up.

“Y/n, honey~” your mom cooed before sitting down next to you at the kitchen table while you were doing homework. “What do you think about Aeri? Do you like her?”

“Hmm,” You hummed while  placing your pencil down as memories of her flooded your mind.

One specific memory came to the forefront of your mind,

You and Aeri were laying in the lush grass together with your heads touching and holding hands.

“Aeri, look!” You pointed to the sky “I see a shark.. Or maybe a really  big tuna?” a playful giggle escaped your lips 

“Mhm~!” she agreed, “Look over there! Doesn’t that look like Haku from Spirited Away?” Aeri’s eyes widened in excitement as her favorite character appeared in the sky, her finger excitedly pointing 

“Yeah! I think it does!” You stole a glance of her. 

Her eyes were glued to the blue sky adorned with fluffy white clouds that looked like they felt like cotton candy. The sun reflected against her dark brown hair and made it look like a beautiful dark ocean rippling in the wind

It was a cool summer day. A gentle breeze wafted her scent of strawberry shampoo and a light rose scent from her deodorant. The sky stretched over both of you like a blue canvas with puffy cotton balls. The warmth of the sunshine wrapped the two of you into an embrace only you both could feel.

 You stared at her with so much… happiness? While she pointed out various shapes, her face lit up more and more each time she spotted one

“What is this feeling?” You thought “It feels like i’m going down a steep slope of a rollercoaster when I’m around her”

“Hm~ Y/n? Is there something on my face? Did you hear me?” She briefly stopped her tangent when she felt a soft gaze.

“Oh~! No sorry,” You giggled

“I- just” you began barely above a whisper

“Wow, look!” Aeri unknowingly cut you off “Those ones look like two hearts about to mash together” she exclaimed giddily

Your gaze went back to the clouds and you paused  for a few seconds causing Aeri to look at you

“Were you gonna say something?” She mumbled and you met her eyes

“I’m just.. Really happy right now!” you said, unable to verbalize the feelings you were having.

“I like her” you replied to your mom

“Ohh~”She nodded in response before genuinely inquiring “Why?” 

“Well… She said I’m like her prince” she responded to her mother so nonchalantly and innocently

“Her prince?”

“Mhm, I think i’ll marry her one day” You smiled before picking up your pencil again-- completely unphased.

“Mm~ I see, I see. Well Y/n, does she want to marry you, too?” 

“I don't know if she likes me too, but if she does I know she'll say when we’re ready!” She smiled brightly at her mom 

“Ah okay~ When did you grow up my sweet daughter?” Your mom lightly pinched your cheek which caused you to giggle. “Well, I was on the phone with her mom earlier... Do you want to go on a date with her?"

Of course you excitedly nodded your head in agreement

You and Aeri stepped into the park, nature wrapped around you two like a comforting hug. The trees swayed gently in the breeze, their leaves left a playful pattern of light and shadows on the ground below. While birds chirped happily overhead, their songs blending with the soft rustle of leaves, creating a soothing melody that seemed to dance through the air. Both of your mom’s made their way to a nearby spot to watch you both 

“Aeri! Let’s go” You said as you grabbed her free hand 

“Oh~ Ma, can you hold these?” Aeri swiftly passed the small bouquet of flowers you had bought her to her mother before being whisked away by your eager pull

“Oh!”  was all Mrs.Uchinaga could get out before the two of you ran off exploring the park. She couldn’t contain her laughter and began to take a digital camera out of her purse.

“They look good together, so happy huh?” Your mom glanced at Mrs.Uchinaga as she was snapping a picture of the two of you running hand in hand in the luscious green field. 

“Yeah~ Aeri talks about Y/n a lot. She says she wants to marry her one day” Her mom let out an astonished laugh “When did our girls grow up?

“That’s exactly what Y/n said! “ She laughed, “We can’t be too surprised right?

"Ah~ I guess not." Aeri's mom began, "Remember that time we kept Y/n overnight once and Aeri was crying uncontrollably and then suddenly stopped? My god, it was so scary! I thought something had happened to her but when I checked the baby monitor, Y/n snuck out of her own crib and into Aeri’s! And then they fell asleep like that!” She laughed with a tinge of nostalgic sadness 

“Ahh~ They were about two and a half years old huh? Oh~! Remember that time I told you when I put them in charge of her brother while I was making them lunch and when I walked back into the living room and found all of them asleep on the couch with Kosei in between them! It was so cute~!” Your mom smiled brightly “I have the photo somewhere still!” 

Both you parents sighed contentedly, reminiscing on you two. After a bit of comfortable silence, you mom spoke up

“My Y/n cares about Aeri a lot. I can see she does too, it puts my heart at ease to know my daughter has someone who cares so deeply about her.” Your mom’s eyes began to get a bit watery

Mrs. Uchinaga placed her hand reassuringly over hers, a warm smile gracing her lips. "She's a smart girl—you shouldn’t worry too much. I'm forever grateful she's been in my Aeri's life. Look at them," she pointed affectionately at the two of you, nestled under the low-hanging branches of the weeping willow tree.

"Aeri! This is where we can take our shoes off," you exclaimed, gently parting the "curtain" of leaves as if entering a secret world.

Your imagination ran wild, the simple weeping willow tree transformed into a spacious apartment in a bustling city.

"And here is where our dining room is," Aeri chimed in, moving to the large stones and pretending they were seats. "Here, sit. Let me get you a coffee, honey," she playfully immersed herself in the game of house.

Aeri returned with a hollowed out rock with a stick in it, “Here’s your coffee!”

You pretend slurped through the stick straw, “This is soo~ delicious” and you fake slurped more causing both of you to giggle

“Hey, Aeri” you placed the rock coffee cup down and Aeri joined you at the “dining table”

“Where do you wanna live when you grow up?” you met her gaze

“Mmm, definitely a city. I want my fashion business to be very popular!” She flashed a cheerful thumbs up “What about you?”

“Mm..” You looked down, shyly contemplating

“Are you getting shy?!” She gently nudged your shoulder teasing you

“Nono~!” You waved your hands in defense while a smile appeared on your face “Hm.. I guess wherever you go?”

While you and Aeri played house, imagining your future together, your parents sat nearby on the park bench in comfortable silence, smiling as they watched the two of you. A gentle breeze drifted through, rustling the leaves and carrying the scent of blooming flowers through the air, adding to the peaceful moment.

“We’re moving soon,” Aeri’s mom finally said, breaking the quiet. Which explained why she asked to take them on a 'date'

Your mom didn’t respond right away, her gaze still on you and Aeri. After a few more beats, she spoke, doing her best to mask her emotions. “Oh… where?”

“South Korea,” Aeri’s mom replied softly.

Your mom paused, her voice steady but tinged with sadness. “Why leave everything behind?”

“There are better opportunities ahead than the ones we’ll leave behind,” Aeri’s mom answered with a quiet sigh, as if trying to convince herself as much as anyone else.

Later, on the car ride home, you and Aeri had both fallen asleep in the backseat, your hands still clasped together, oblivious to the change that was coming. Your mom glanced back at the two of you and with a bittersweet smile, she snapped a quick photo.

Neither of you knew how much your lives would change in the next few weeks.

You sat at your desk, your gaze unfocused as you stared blankly ahead, lost in a haze of thoughts that swirled around you like fog. Aeri’s voice cut through the noise, her laughter ringing out as she animatedly chatted with her friends nearby. Her vibrant energy filled the room, lighting up the space, yet somehow, it made the gap between you two feel even wider. You were in the same room, but it felt like you were worlds apart—both of you in your own little world.

"You're leaving?" one of her friends exclaimed, disbelief in her voice.

"Yeah!" Aeri replied, her excitement unmistakable.

"Never coming back?" another girl pressed, curiosity laced her voice.

"I don’t think so!" Aeri laughed, her tone light, almost carefree.

"What?! Why not!?" the girl pushed further, as if she couldn’t fathom the idea.

"Well.. I could never become a fashion designer here!" Aeri giggled, like her answer was obvious… like she wasn’t about to leave behind everything you had known together.

After school, you found yourself walking past Aeri as she waved her friends goodbye. Her cheerful farewell echoed behind you as you caught a glimpse of her. Her smile was as bright as ever, but for the first time, it felt distant—like it no longer belonged to you.

"Oh, bye!" she called out to her friends, her voice cheerful before turning her attention to you. 

"Wait up!" she hurried to catch up with your steps.

You slowed down slightly, but something in you hesitated.

"Oh, sorry," you murmured.

She quickly caught up and the two of you began the familiar walk home, the silence between you felt heavier than ever. Aeri seemed comfortable, at ease with the quiet, but for you, the weight in your chest grew with every step. Even though she was right beside you, it felt like she was already slipping away—like an invisible wall was growing between you, expanding with each moment.

It was disorienting, jarring even, to think that after today, she wouldn’t be walking next to you every day like she had since kindergarten. Each footstep echoed what was coming, and despite the comfort of routine, the reality of her departure pressed down on you, suffocating the words you wanted to say but couldn’t find.

The world around continued its hustle and bustle, completely indifferent to the storm brewing in your heart. Cars rushed by, bikes whizzed past, and people hurried along the sidewalk, insensitive to the internal chaos you were grappling with.

Every emotion flooded through you, leaving you drowning in a mix of sadness and anger. Each step felt trudging through quicksand as if your feet had been stuck in concrete. Your body was subconsciously pulling you away from your house to prolong your inevitable separation– like a dog who doesn’t want their walk to be over yet.

As you reached the fork in the road that diverged toward your respective houses, a heavy cloud hung above your head, thick with everything you wanted to say.

"Bye, n/n," Aeri's voice carried a tinge of melancholy as she began to walk away, her figure receding into the distance.

You paused, unable to tear your gaze away from her retreating form.

Every memory you’ve shared with her played in your head like a movie montage.

“C’mon Aeri, don’t be scared! I’m right here with you!” You aggressively whispered while carrying a bag of snacks and a blanket, trying to convince Aeri onto the roof of your house

“What if we get in trouble? What if we get locked out and we’re stuck here forever!” Aeri said to you from inside through the opened window 

“My parents know I do this, it’s a flat surface so you have to be a real dummy to slip off! And don’t worry, it only locks from the inside and if you’re scared you can just hold onto me!” You reached out your hand to Aeri

She couldn't help but smile, your own reassuring grin reflecting back at her. She warmly accepted your hand, her breath hitched when your hands made contact.

“O-oh thanks, let’s place the blanket down!” Aeri was glad it was dark because she was sure her face was the same shade as a tomato!

"Not too shabby, huh?" You chuckled lightly, settling onto the soft surface and patting the spot beside you, inviting her to join you.

It was a warm summer night. A gentle breeze wafted your scent of shampoo and a cologne-y scent from your deodorant. The sky stretched over both of you like a dark blue canvas with twinkling stars. The warmth of the evening wrapped the two of you into an embrace only you both could feel.

You felt her staring at you while you pointed out various constellations, your face lit up more and more each time you spotted one

“Hm, Aeri? Did you hear me?” You briefly stopped your tangent when you felt a soft gaze on you

“Oh~! No sorry,” Aeri giggled “What did you say?”

You scooted closer so your head was touching hers, “See those stars over there? It’s kinda like a weird looking 7?” You extended your arm while pointing, trying your best to point out three out of the millions of stars in the sky

“Hm.. oh! Yes!”

“That’s me! And your birthday is October 30 making you a Scorpio! and hmm” You began to move your pointer finger to search in the sky

“Ah! There! You see that pattern that kind of looks like a snake with claws?”

“Yeah~ I actually do!” Aeri giggled as her imagination took over

“Well, Aeri if you ever feel sad or something and I’m not with you for some reason ” You chuckled sweetly. “I just want you to know that we’re always together in the sky!” You both turned to meet each other’s gaze at the same time 

“Well I don’t think we’ll ever get separated, I want to be with you forever!” She innocently beamed which caused you both to giggle 

“Me too Aeri!”

After a few hesitant moments, you found your voice, though it felt as if your heart might stop with the effort.

“Aeri,” you called out softly, the word heavy with all the feelings you had kept buried for so long.

“Mm?” She turned to face you, her expression softening when her eyes met yours, and the cheerful energy from earlier was nowhere to be found.

“I.. I like you,” you said, your voice trembling slightly, but you held her gaze, resisting the urge to look away. You felt as though you might crumble, but you forced yourself to keep going. “I’m glad we spent our childhood.. together.”

Her smile faltered, shifting into something sadder, something that you couldn't understand. She didn’t respond immediately, as if the words you’d just said had stolen her breath, and for a moment, neither of you spoke. She was at a loss for words and the silence stretched endlessly between you.

You bit the inside of your cheek, trying desperately to maintain your composure. “Bye… Aeri,” you added softly, your voice cracking ever so slightly as you turned away towards your house, trying to put on a brave face.

You couldn’t bear to see the sadness in her eyes any longer. Tears threatened to spill, but you fought them back, willing yourself to hold on just a little longer.

“Bye..” she faintly whispered out

The moment you started walking toward your house, your chest tightened. Tears streamed down your face as the weight of the world as you knew it came crashing down.

What you'll never know and what you couldn’t see, was that Aeri began crying too.

About 10 years later, you sat at your desk in your cozy apartment room at UCLA, the late afternoon sun casting soft rays across the scattered textbooks and notes. With a sigh, you pushed some papers aside to rest your elbow on the desk, propping your chin on your hand.

“How the actual fuck do I even solve this?” you muttered to yourself, staring at the confusing statistics problem on your laptop. After a moment of frustration, you searched for a tutorial on YouTube, hoping for a miracle.

As you scrolled through the list of videos, you could hear your roommate Yunjin bustling around in the kitchen.

“Jennie-poo~!” you called out, leaning back in your chair. “Can you come here?”

A few seconds later, you heard your door creak open. "Huh?" came Yunjin's voice, her (dyed) red hair poking around the doorframe as she stepped inside.

“Do you have any idea how to solve this?” you asked, switching your browser back to the page filled with complex formulas. You pointed at the screen. “I seriously have no clue what they’re even fucking asking”

Yunjin leaned down, squinting at the problem for a moment before laughing. “Yeah, I’m gonna be honest with you—zero clue. You’re so fucked,” she said, still giggling.

Yunjin, aka Jennifer, was from upstate New York, and the two of you had been roommates for four years. It felt like fate sometimes—being assigned to live together your freshman year was totally random, but she was practically you in a different form.

“You’re absolutely no help,” you groaned, laughing a little despite yourself as you buried your face in your hands.

“You’re so welcome,” she said, patting your head playfully. “I’m gonna make some jjajangmyeon, do you want any?”

“Not right now. Maybe save some for me later? I gotta finish this shit” you replied, sitting back up and stretching.

“Yeah, of course. Good luck!” Yunjin said with a wink as she left your room.

You sighed deeply as you turned back to your YouTube tab, clicking on a video tutorial. As fucking expected, an ad began to play—one of those painfully long ones you couldn’t skip.

“Do you want to be a model? Do you think you have what it takes?”

The words faded into the background as your mind started to wander, pulled back by an unexpected memory.

Aeri.

It had been so long since you’d allowed yourself to think about her. Years, even. But something about the mention of fashion, pulled you back into the past. The past where she lived, where her dreams had once shone so brightly.

Aeri had always talked about becoming a fashion designer—about where she'd live and make a name for herself. You could still picture her so clearly, sitting beside you, messily sketching her ideas in her notebooks. Dresses, bags, runway looks… She used to tell you all about it, her eyes lighting up with excitement.

“I could never become a designer here,” she’d said once, laughing. She was always so sure of her path. Always ready to go after her dreams, no matter the cost.

She may have been right

Suddenly, the thought of her became overwhelming. You couldn’t help but wonder what had become of that dream. Did she make it? Was she in South Korea, living the life she’d always wanted? Or had things turned out differently?

Your fingers hovered over the keyboard as your mind drifted back to the memory of her laughter and the way she’d talked about her plans with ABSOLUTE certainty.

Without thinking, you opened a new tab. You hesitated for a moment, a tightness in your chest returning. 

A memory flashed into your mind to when you were having a sleepover with her

“Y/n…” Aeri’s voice came softly from the left side of your bed, sadness creeping into her usual playful tone.

“Mm? What’s wrong?” you asked, glancing over at her.

“I wish you wanted to be a model,” she pouted. “Then you could try on the clothes I design.”

You laughed softly. “I mean, I still could... Why are you thinking about that now?”

“Well, obviously I want to be a designer! SO of course I want you to be the first person to wear the clothes I make,” she beamed, her eyes sparkling with excitement.

The video kept playing and the math tutorial began playing. 

Why the hell am I thinking about that now? It’s been like 10 years?

 Aeri Uchinaga…

You leaned back in your chair and positioned your head towards the ceiling

What are you up to…

With a sigh, you slingshotted forward and opened Facebook and began to search.

After an hour of searching, you finally found a lead—her father’s company page. It was a bit tedious to find her or her family, considering they lived in a completely different country.

“Hi, I’m looking for my childhood best friend, Aeri Uchinaga . Please let me know how I can contact her.”

And with that, you posted the message and, for the first time in hours, tried to return to your homework.

A few weeks later, on the complete opposite side of the world at 5:30 PM in Seoul...

Aeri sat in her dorm, the warm afternoon sunlight streaming through the window as she lounged on her bed, phone pressed to her ear, laptop resting in her lap.

“Ne~ umma, remember Xinyi? She plays basketball in college now!” Aeri said with a smile, scrolling through Facebook while chatting with her mother.

“Wow~! I’m not surprised,” Mrs. Uchinaga replied with a chuckle on the other end. “She was always knocking on our door, asking you to play.”

Aeri laughed lightly. “Yeah, even though I was pretty bad. She tried so hard to teach me, but I was just ass”

“It’s okay, darling. Sports weren’t really your thing,” her mother comforted warmly.

Aeri absentmindedly scrolled through her feed, clicking on old profiles and updates from people she hadn’t thought about in years.

“Who else should we look up?” She asked her mom.

Aeri paused, a small smile creeping onto her lips. “Who’s the one I had a huge crush on?”

“Y/n L/n” they both said at the same time, sharing a laugh.

Aeri’s fingers hovered over the keyboard, and she began typing your name, curiosity piqued as she searched for her old crush. As she clicked through posts, she suddenly froze.

“Umma! This is crazy!” Aeri exclaimed, her voice full of shock. “She posted on dad’s Facebook page a few weeks ago looking for me!”

“Oh wow really? Well~ I’m not too surprised, Aeri. She really liked you!” her mom replied, her voice filled with warmth.

“I’m looking for my childhood best friend, Aeri Uchinaga ...” Aeri read aloud to her mom as her eyes scanned the message.

Aeri’s heart raced as she scrolled through your profile. Even though your hair was longer and your features were more defined, the essence of you—the same joyful glint in your eyes—hadn’t changed at all. It was as if time hadn’t erased any part of the person she remembered so vividly.

“Umma, I’ll call you back,” Aeri said quickly, cutting her mom off as she reassured her with a chuckle, “Yes! I promise I’m eating well!”

She ended the call with a smile, but her pulse quickened as she stared at the screen. Her eyes scanned the message again and again, as if reading your name over and over would somehow make this more real.

“Ahh~” Aeri inhaled deeply, her fingers trembling slightly as she sent you a friend request and began typing a message to you.

“Y/n! It’s Aeri, you remember me?”

It was 1:30 AM in your on-campus apartment in LA when your phone buzzed, receiving the new message.

“Fuck her! She doesn’t deserve you! You’re like… sooo out of her league,” Yuna mumbled to your other friend, Ryujin, as she poured another shot for her.

“Right?” Ryujin sighed before pausing to take the shot. “I just don’t know why I miss her… so much,” she grimaced as the alcohol hit the back of her throat.

“Ryu, you should have some water,” you slurred, hiccuping as you passed her your water bottle.

“Y/nn~ how about you drink some water,” your roommate Yunjin chimed in, giggling as she slumped over on the couch.

The four of you sat in the living room, post-gaming the bar, waiting for your DoorDash to arrive. Ryujin rested her head in your lap, and without thinking, you rubbed her back to comfort her.

You took a long gulp of water with a satisfied “Ah~” before reaching for your beer.

“Wellll~ Beer is basically water. You should have some too Jennie-poo! It isn’t a post-game if we don’t drink till we die,” you exclaimed, taking a sip from the can.

“UGH~” Ryujin groaned, deadpanning, “I want to die~”

“Girl, she literally cheated on you and then wanted to be exclusive while she was fucking someone else—like, what?” Yuna added, deadpan.

That comment made all of you burst out laughing(she was right), even as Ryujin lightly punched Yuna in the arm.

“Hey~! Be niceeee~ Show some compassion!” Yunjin scolded, trying and failing to stifle her laughter.

You were still chuckling when your phone buzzed again in your pocket. Grabbing it, you blinked a couple of times, trying to focus your eyes on the notification.

Giselle?

Your vision was still a little too blurry to make sense of it.

"Hey!" Yunjin faked being cold

“You have a secret girlfriend or somethin'?” Yunjin teased, sounding just like a jealous girlfriend.

“Huh?” you responded, still distracted.

“Who’s messaging you at 1:30 in the morning? You have a sneaky link you’re not telling us about?” Yunjin continued, laughing.

Meanwhile, Ryujin was still moping in your lap. “Hey! Sensitive subject!” she groaned dramatically.

“Fuck if I know, I honestly have zero clue,” you mumbled, your words slurring as you stared at your phone before turning it off.

The next morning, you woke up in your bed with a slight headache. You groaned, rolling over to reach for your water bottle and chugged it like it was the last water on Earth.

The cold water worked its magic, refreshing you enough to (barely) function. You grabbed your phone from the charger and started scrolling through your notifications, still half-asleep. But then, one notification made you freeze—last night’s Facebook message.

You clicked on it, your grogginess instantly fading as your eyes widened in surprise. It was from none other than the girl who made you experience your first instance of love—Aeri Uchinaga.

“Giselle Uchinaga?” you muttered to yourself, reading her profile in disbelief.

That’s why you couldn’t find her!  It made complete sense now. Her features were more mature, but that familiar smile—the one that had always warmed your heart—was still there, lighting up her face in every picture. You couldn’t stop smiling as you scrolled through her photos.

Just then, Yunjin’s voice broke through your thoughts, pulling you back to reality.

“Y/n! Are you awake? I made avocado toast and eggs!” she announced from the other side of your door.

“Ahh~ okay, yeah, lemme pee and I’ll be out!” you called back, your voice still raspy from sleep.

You quickly splashed some water on your face and pulled on a pair of sweats and a hoodie before stepping out of your room.

“Good morning!” you chirped, only to be met with a synchronized groan from Yuna and Ryujin.

“How the fuck do you have this much energy? What puts you in such a good mood?” Yuna asked, holding an ice pack on her forehead.

“Hm?” you replied, walking over to your coffee cup on the table that Yunjin had filled for you. “Thank Jennie-poo! And nothing, I just don’t have a massive hangover like you two idiots—should’ve drank beer instead of taking shots”

As you sipped your coffee, your mind of course, drifted back to last night. That damn text from Aeri.

The two of you exchanged a few quick messages, exchanging numbers, and catching up briefly before settling on a time that worked best for both of you to video call. It felt surreal, reading Aeri’s replies after all these years—like time had somehow folded in on itself, bringing the past back into the present.

You found yourself staring at your phone, the FaceTime app open and ready, but your heart pounding in your chest. What if things had changed too much? What if she wasn’t the Aeri you remembered? What if you weren’t the person she expected? Your thoughts spiraled as you adjusted your hair for what felt like the tenth time.

It’s just a call, you reminded yourself. It’s just Aeri. You’ve known her before.

But even though you’d told yourself that a hundred times, the butterflies in your stomach wouldn’t settle. The phone buzzed in your hand as the screen lit up. Incoming FaceTime: Aeri Uchinaga.

You took a deep breath, your thumb hovering over the screen for a moment longer than it should have. Then, finally, you swiped to answer.

Aeri’s face appeared, pixelated for just a second before the connection stabilized. There she was. Her familiar eyes, her smile—the same, but different? You stared at each other for a beat, neither of you quite sure how to start.

Aeri broke the silence with a nervous laugh. “Wow.. it’s been so long. I almost forgot what you looked like!”

You smiled, feeling the same rush of emotions you hadn’t felt in years. “I know right? I wasn’t sure what to expect either. You look… different. In a good way, of course.” nervousness still present in your voice

“Same to you,” Aeri said, her voice softening as she studied your face. “It’s like, you’ve changed, but... not really, you know?”

You laughed, the tension beginning to ease. “Except now you’re Giselle, huh?”

Aeri grinned, rolling her eyes playfully. “Yeah, that’s a long story. But trust me, it’s still me. Aeri Uchinaga at heart.”

You both chuckled, the ice slowly breaking as the conversation started to feel more familiar. It was strange, seeing her face again like this after so many years—older, more mature, but still with that same smile.

“Soo.. You’re really out there becoming a designer, huh?” you teased, shaking your head with an incredulous smile. “It’s kind of wild thinking about you... you know, living in Korea and actually doing all the things you told me you would like years ago”

Aeri laughed, her tone warm but modest. “Don’t let social media fool you. I’m not as glamorous as it seems. I’m still the same girl who couldn’t shoot a basketball to save her life.”

You grinned, shaking your head. “Oh god yeah! I remember! You were sooo bad. I thought for sure you were going to quit after that first fall.”

“Whatever! I literally was just trying to impress you,” she joked, her laugh lighting up the screen.

With each passing minute, the conversation felt easier. The laughter flowed naturally, memories of your childhood together resurfacing as if no time had passed at all.

“So... how have you been, really?” Aeri asked after a while, her tone more serious now. “I feel like I missed so much. of your life"

You nodded, the weight of the years between you sinking in. “Yeah, it feels strange, I feel the same too. I’ve been good, I guess. But seeing you like this… I dunno.. It feels like yesterday, you were just that little girl on the other side of the road from me.”

Aeri smiled, her expression softening. “Right? I don’t know, life is so weird sometimes.”

“Yeah,” you agreed, a small smile tugging at your lips. “And now, you’re the girl on my screen.”

As the night went on, you both talked about everything—your lives, your dreams, the things you had wanted to say but never got the chance to. It was like reconnecting with a part of yourself you thought you’d lost. By the end of the call, there was an unspoken understanding between you both. This wasn’t just a one-off conversation.

“So, let’s not wait another decade to do this again?” you said with a grin.

Aeri laughed. “Deal. Next time, I’ll tell you the full story behind ‘Giselle.’”

“I’m holding you to that, Aeri” you replied, your heart feeling lighter than it had in years.

And that’s how it was. For a few months, you both shared everything—your days, your worries, even the smallest details. You started waiting for her calls, looking forward to the time you’d spend talking. She was always there, her laughter filling your nights(and early mornings!), making you feel closer to her despite the distance.

It was almost as if you were in a relationship. The way she looked at you through the screen, the way your conversations lingered on hopes and what-ifs. You could almost imagine what it would be like to be with her again, for real.

You routinely called Aeri during your day. 

Hey,” you greeted with a smile as the screen connected.

“Hey,” Aeri chuckled softly on the other end.

“Is it 7:00 in the morning there? I thought you said you never wake up before 10:00,” you teased, noting how early it was for her.

“I don’t,” Aeri replied, a smile tugging at her lips. “But this was the only time that worked for you, right?”

“Well yeah but don’t you have class today?” you asked, raising an eyebrow.

“Yeahh~” she admitted, “but it’s later~” sleepiness still evident in her voice

You couldn’t help but tease her. “Ya know Aeri, your english is pretty rusty”

“Hey!” Aeri chuckled in return and her eyes opened slightly. “I only speak English with you and my mom!”

You both laughed yet some silence strung between the two of you

“So, you said you were leaving California to be the world’s greatest designer... You still want that?”

Aeri paused for a moment while shifting in her bed, then smiled. “Hmm... I think maybe I’ll have a business like.. My own line of clothes”

“Ahh wow~” You sighed, “ You’re the same Aeri I remember. Wanting to do everything, have everything and also still so sassy.” you teased again

She laughed, feigning shock. “Sassy? Wow, can’t believe you think of me like that”

Aeri’s grin widened before continuing,  “Actually... I got invited to Japan this summer to design for this brand for a whole month. My professor helped me get into the program!”

“Wait, so you’ll be in Japan for a month?” you asked, surprised. “That’s amazing.”

“Yeah,” Aeri nodded, her excitement palpable. “It’s crazy. I can’t believe it’s happening.”

“So, how are your applications going?” she asked, her voice softening.

“Hmm, wellll~ they’re going,” you replied with a small smile. “I’m looking at Boston for grad school.”

Aeri sighed, a hint of nostalgia in her voice. “Ah wow, look at us.. when did we grow up? It feels like we’re almost... truly adults.”

“Hmm, I know,” you agreed, a thoughtful pause hanging between you. “Too soon though.”

You hung up shortly after and went about your day. You studied with Yunjin, and later, the girls came over for dinner, followed by a late-night study session. By the time you showered and finally settled into bed, it was already 1 AM when your phone buzzed—Aeri was calling.

“Hello?” You mumbled out as you turned your lamp on

“Oh sorry, were you sleeping?” she asked, her face slightly blurry on the screen.

“Mm,” you sighed softly, rubbing your eyes. “No, I just got into bed, actually.”

“Long day?”

“Mhm, but that’s alright. What’s up?” you asked, shifting into a more comfortable position and reaching for your glasses.

“I’m just.. in Haebonchang right now,” she said, flipping the camera to show the view. “Look how beautiful the sunset is, Y/n.”

The sunset was breathtaking, shades of pink, orange, and purple blending into each other like a painting across the sky.

“Wow... it’s beautiful, Aeri,” you said in awe.

Aeri’s voice softened before she flipped the camera back to herself. “Yeah... I wish you were here,” she said quietly, her eyes flickering between the camera and the fading light.

There was a pause, her words lingering in the space between you.

“Maybe one day.. We could go there together,” you whispered, your voice tinged with sadness.

“Yeah.. I’d really like that,” Aeri responded, her tone gentle but carrying the weight of something more.

There was a brief second of silence. As if both of you were hesitating to speak up.

“I miss you,” you whispered, barely audible, your voice filled with longing. Time zones didn’t matter, distance didn’t matter. You really just longed for Aeri. 

Those three words heavily hung in the air between you two.

“I miss you too,” Aeri quietly admitted, her voice soft but sincere, resistance evident in her confession. 

The day after that interaction, things started to feel different. The FaceTime calls slowly became more sparse, and her texts were less frequent. You tried not to overthink it, giving her the space you thought she might need. But as the days passed, the silence began to weigh on you. Eventually, you double texted  her, unable to ignore any longer.

“Aeri, is everything okay?”

For the first time in days, her response came instantly.

“Yeah sorry, I’m okay. I just have something on my mind. Can we call later?”

Her words did nothing to ease your nerves.

“Of course,” you typed back, keeping it simple, though your heart raced.

 The uncertainty gnawed at you, the anxiety tightening in your chest as you stared at the screen.

Finally, what felt like days but in reality was just a few hours, Aeri called you.

You hesitantly answered “Hey Aeri, you okay?”

There was a pause, and that’s when you knew it didn’t seem promising.

“Y/n,” she began softly, her face on the screen appearing hesitant, almost conflicted.

“..Aeri?” you prompted gently, your voice unsure now.

She sighed deeply, her gaze dropping for a second before meeting yours again. “Y/n… I need to talk to you about something.”

Your heart skipped a beat. “Yeah I know, what’s going on? You okay?”

“When is it possible for you to visit me in Seoul?” she asked bluntly, though her tone remained soft.

You hesitated. “Well, maybe about a year or so? Just with grad schoo–”

She cut you off gently,  “I know.. You don’t have to explain yourself, I just– God,” She paused as if holding herself back from admitting something. “It’ll be over a year and a half until I can visit you”

Your eyes stayed glued to the screen, watching her struggle to compose herself. The pit in your stomach deepened

Aeri swallowed hard, clearly struggling with her next words. “I think we should stop talking for a while”

Your chest tightened.

 “Why?”

“I came here..” She began, “ No– I’ve had this goal since forever. I want to accomplish something here but.. I can’t stop myself from looking up flights to California every day. 

And I think… I think I need to focus on committing my life here”

You blinked, the realization slowly sinking in. She was leaving again.

“So you want.. to stop talking to me?” Your words trailed off, unsure of how to finish that thought or if there’s anything more you could possibly say.

“Just for now,” she said quietly, her eyes softening with what seemed like guilt. “And I really don’t want to lose you. But I know.. I have to give this my all.”

You bit your lip, trying to keep the lump in your throat from forming. “Aeri.. It took me 10 years to find you.” 

She looked down again, exhaling slowly trying to fight a sob from coming out. “I know Y/n, but I’ll be back before you know it.. It’s just a brief break”

Fuck

You nodded slowly, though your heart ached. “Alright then Aeri ”

“I’m sorry.” Her voice was barely above a whisper now. “I’m so sorry” She began to cry.

“No need to be sorry,” You said as you choked back your own tears, clearing your throat to cover it.  “We weren’t dating or anything so don’t worry about it. Really.”

There was a long pause, the silence between you filled with all the things neither of you were ready to say.

“Take care of yourself and good luck, okay?” Aeri said, her voice soft but final.

“You too,” you replied, your throat tight, the words barely escaping. “I’ll be right here.”

The call ended, and for the first time in months, the silence felt unbearable.

Aeri never knew that this was the hardest you cried in years.

Whoever said times heals everything, is a straight up liar. Time doesn’t heal, it just lets you get used to how things are now.

It had been about eight years since you had last spoken to her and honestly, you didn’t think much of Aeri anymore. Life had moved on, as it does. Although, there were days when you’d think back on everything but those thoughts were extremely rare now, fleeting, like a distant memory and it didn’t sting the way it used to. You’d convinced yourself that was just how things went. People come and go, and life moves forward whether you’re ready or not.

Once you graduated and started your new job in Boston not long after. You settled into a routine that felt strange at first but eventually became your new normal

Somehow, you managed to entice Yunjin to move to Boston. She had moved into a place not too far from yours with her (now!) fiance. Her sister also lives in Boston too so the transition wasn’t too hard. Yuna and Ryujin had ended up in New York, so weekends/every other weekend often meant catching a train to visit them or planning get-togethers whenever everyone’s schedules aligned.

Your 9-to-5 job wasn’t glamorous, but it was steady—something you could rely on. You fell into the rhythm of it quickly enough. The crowded subway rides during rush hour, the packed streets of Boston, the distant hum of the city became part of your daily routine. You’d slip into your office, get your work done, and slip out at the end of the day. It wasn’t what you imagined back when you were chasing dreams in California, picturing something a little more exciting, maybe a little more daring. But it wasn’t bad either—it was.. just comfortable.

After work, you'd sometimes grab a drink with coworkers or meet up with the woman you’d met shortly after getting into grad school. There was nothing too serious between the two of you, just the occasional dinners or casual hangouts. She was fun to be around—easygoing, good company, someone you could relax with. You’d meet up after work at a bar downtown, sharing a drink and small talk about your days. Or sometimes, you’d catch a movie or grab takeout, sitting side by side on the couch in her small apartment, talking about work or random things that made you laugh.

It wasn’t the life-altering-head-over-heels kind of thing, but it felt normal, almost comforting. There was no pressure to be anything more than it was or used to be, and that was fine with you both. Life had settled into place without much fanfare, a quiet routine that you didn’t mind..

It wasn’t until one quiet evening, after a long day at work, that something finally disrupted your routine. You were sitting on the couch, nursing a beer, and scrolling through your phone without much thought, letting the noise of the day slowly fade away.

That was until a notification lit up your screen. You glanced at it out of habit, not expecting anything important. But the name made you pause.

Aeri Yizhuo.

Who?

Aeri…?

Your heart skipped a beat as recognition clicked into place.

Oh, for fuck’s sake.

For a second, your heart skipped a beat. You stared at the message, the familiar feeling creeping back into your chest, one you hadn’t felt in ages. You hadn’t thought of her in so long, and yet, there she was. After all this time.

And then, the truth hit you like a punch to the gut.

Aeri was married now.

You felt the sting of it, sharp and unexpected, cutting deeper than you would’ve liked to admit. It shouldn’t have hurt this much. You hadn’t thought about her in so long as you knew she’d been building a life in Korea. You had moved on! Or at least, that’s what you told yourself.

But here she was, after all these years she still had the ability to make you feel something. A feeling couldn’t quite put your finger on.

After all this time, part of you had still hoped for something. For something more than this.

About a month or two after your surprise catch-up with Aeri, you finally decided it was time to visit her. The timing was perfect—it was the end of the fiscal year, and you had some extra days off to use. You figured, why not? It would be a good vacation right? The thought of seeing her after all this time felt surreal, but exciting in a way you couldn’t quite describe. You’d booked your flight, set to leave next weekend so you and your friends decided to meet this weekend.

"So," Yunjin piped up, setting down her shot glass with a grin, "Why are you going to Korea?" You, Yunjin, Yuna, and Ryujin were all seated in Yunjin and Kazuha's shared apartment, a half-empty bottle of vodka in the middle of the table while your beer cans scattered around your side.

"She's going to see that girl, rememberrr?" Ryujin teased, her tone playful.

"Who?" you replied, pretending not to know who she was talking about.

Ryujin rolled her eyes, clearly not buying it. "Don't play dumb, idiot. You know exactly who I'm talking about—your first love, right? I thought she lives there, doesn't she?"

"Oh, I see how it is," Yuna chimed in with a smirk. "You just broke up with your girlfriend so you could go see her, huh? You dog"

"What! I’m going for vacation," you exclaimed, shaking your head. "And plus, you guys are crazy. She's married now."

"WHAT? Seriously?" Yunjin blurted out, her voice incredulous.

"Mhm," you nodded, your tone more casual now though it stung to admit it. "For like five or six years now"

You couldn’t even  bring yourself to feel bad about it. After all, from your previous conversation with Aeri, it was clear how happy she was. She’d met her wife, Ning Yizhou, during her design trip in Japan. Aeri had described Ning as an absolutely beautiful soul, someone kind and supportive. They both work together now, running Aeri’s business, Giselle.

From the way Aeri spoke about Ning, you could hear the genuine love and admiration in her voice. There was no bitterness in your heart—how could there be? You were happy for her, happy that she had found someone who brought light into her life, someone who shared in her dreams.

In fact, you were proud of her. She really did accomplish everything she had set out to do. It was bittersweet, of course, but you were genuinely happy for her. 

That’s all that mattered.

Right?

You stood just outside of Incheon International Airport, the thick scent of rain mingling with the smoke from your cigarette as you waited for your Uber. The weather had suddenly turned gray the second you had landed, casting a quiet gloom over the city, the kind that sinks into your bones(What a great sign, huh?). Raindrops softly patterned on the sidewalk while you took another slow drag, the smoke curling up into the damp air.

The second you crushed the cigarette beneath your shoe and bent over to pick it up, a car pulled up in front of you, headlights cutting through the misty rain. You quickly threw it in the appropriate spot in the trash can and opened the back door, climbing in with a sigh.

“Annyeonghaseyo~,” you greeted the driver in your best (broken) Korean, trying to remember the phrases you had studied years ago for Aeri.

The driver smiled politely in the rearview mirror, his eyes crinkling with amusement. “Ah, I also speak English. Are you going to the hotel?”

You felt your cheeks flush slightly, nodding as you let out a small, relieved laugh, “Yes, please!” lowering your head in a polite bow.

The car slipped into the rainy Seoul night, the city lights blurring through the raindrops on the windows. The sound of rain hitting the roof of the car was soothing. Your eyes traced the streets as you drove deeper into the heart of the city. The roads were wet and glistening, the neon signs reflecting off the slick pavement, painting the night in hues of red, blue, and green.

The drive felt longer than it was, the beautiful city of Seoul was a lot to take in. Finally, you pulled up to the front of your hotel, the bright lights of the entrance cutting through the rain. The driver helped you with your bags, and you handed him some Won with a shy bow and a “gamsahamnida,” before heading inside.

Checking in was a blur of polite smiles and hurried conversations with the hotel staff. Before you knew it, you were standing in your empty room, the door clicking shut behind you with a finality that made the space feel even bigger.

The rain had picked up, drumming harder against the window. You crossed the room slowly, setting your bag down by the bed before making your way to the large floor-to-ceiling window that overlooked the city. The lights of Seoul stretched out before you, and they were incredibly bright. 

A reflection of your younger self flickered in the glass, dim and blurred by the raindrops. It was as if your inner child was staring right back at you—smiling brightly in those stupid colorful shorts your Mom loved to dress you in with a big toothy grin stretching across your face. 

As quickly as she appeared, she vanished. Then reflected back was an almost unrecognizable adult. It was you. The light in your eyes was still prevalent, but it just wasn’t as bright as it used to be. Years must have dimmed that spark and softened the edges of the person you once were.

You leaned your forehead against the cool glass, watching as your breath fogged up the window. The city below pulsed with life, its bright lights and movement carrying on unaware of your inner turmoil.

In that moment, surrounded by the bright lights of a city that was so beautiful and full of life.

You had never felt more alone.

Some bridges in Korean folklore represent reunion and enduring love, like the Magpie Bridge, where separated lovers meet once a year to reaffirm their bond. Others, however, represent a fleeting reconnection—brief moments that can’t last, like this one.

The next morning, you got ready and made your way to Seonyudo Park Bridge, a location Aeri had sent you earlier. The sky wasn’t rainy (luckily) and the soft hum of the city seemed distant as you stood at the edge of the bridge, anxiously watching pedestrians and tourists bustle around. Snippets of Korean and bits of broken English floated past you as you nervously fidgeted with the strap of your tote bag.

You shifted your weight, glancing around, when a voice called out, one you hadn’t heard in person in years.

“Y/n!”

Your head instinctively turned.

Suddenly, in front of you stood a child. She wore jean shorts, a Hello Kitty shirt, and had medium length black hair. Her smile was bright, lighting up her entire face, and her eyes sparkled with a familiar excitement.

It was a smile you could recognize anywhere.

For a moment, you were transported back in time. There she was—Aeri, as you remembered her as a child, standing on the other side of the bridge. You froze, staring in disbelief as the vision of her younger self ran toward you, wide-eyed and full of life. It felt so real—the way she moved, the way her smile hadn't changed.

But then you blinked, and the vision vanished and adult, present time Aeri was just walking toward you. She looked different—grown up. Her hair had grown longer, her figure more filled in, and her features had sharpened with time. But that damn smile, the way her eyes crinkled in the corners when she smiled, was exactly the same as you remembered it from 20 years ago.

Without thinking, your body moved on its own, a shy yet goofy smile creeping across your face as you walked toward her. Your strides were longer, more eager, and you met her about three-quarters of the way across the bridge. You met her where she was.

Now standing just a foot apart, neither of you spoke at first. You both stood there, taking each other in, as if afraid to break the fragile moment. Aeri was still shorter than you by a couple of inches, and she was dressed in a sleek black leather jacket with gray slacks that made her look effortlessly beautiful.

You looked down at her, your heart racing, and for a few seconds, the world around you seemed to fade away. The silence between you wasn’t awkward—it was heavy, but not uncomfortable. It was the weight of everything left unsaid, everything that had built up over the years.

Finally, Aeri sighed softly, her eyes locked on yours, and a smile tugged at her lips. “Wow~,” she whispered, looking up at you with a mix of awe and warmth.

She surprisingly embraced you in an unexpected  hug. Your hands hovered, ghosting across her sides.

“I missed you” She muffled out on your shoulder

You didn’t respond.

You both pulled back from the hug, standing there, just staring at each other. There was something almost surreal about it—the way you both remembered each other so clearly, yet in this moment, you felt like strangers, familiar but somehow unrecognizable.

“You look amazing,” you croaked out, your voice betraying the flood of emotions. “You’ve changed but... you haven’t? If that makes sense.” A nervous laugh escaped your lips.

Aeri lowered her head, letting out a soft, breathy chuckle. “I could say the same to you... When did you get so tall?”

You shyly smirked “I think you’ve just always been short.”

“Ah~ so you haven’t changed at all. Still so~ annoying,” she teased, her laugh infectious.

The laughter faded, and a comfortable silence settled between you both as you took each other in again, the weight of time pressing gently on the moment.

“So...” Aeri smiled, her eyes crinkling at the corners. “You wanna go? I’ve got a few places planned for us.”

“Yeah, of course. Let’s go,” you replied, and without another word, you followed Aeri much like a dog

The Han River has long been a symbol of flow, change, and life in Korea. Flowing water symbolizes the constant change in ones life.. they’re moving in different directions, but still connected in some way.

The walk wasn’t far, but neither of you spoke at first. Aeri led the way and you followed, both of you too shy to break the silence. Finally, she guided you to a quiet spot near the bank of the Han River, the water glistening under the dim light of the overcast sky.

“How’s here?” Aeri finally spoke, settling down near the water’s edge.

“Mmm,” you murmured, nodding as you sat beside her. The lush grass below you.

You both sat quietly, watching the water, the silence growing heavier with unsaid words.

“Was the last time we talked really eight years ago?” Aeri sighed, breaking the silence again.

“I think so? We’re 30 now... So, yeah, I guess it was,” you said, turning your head slightly toward her. “Feels weird huh?” You gave her a little half smile.

“Wow...” she whispered, her voice carrying the weight of those lost years.

After a brief pause, she added, “You know.. before I got married, I went to New York with my wife.”

“I know.”

“I sent you a message on Facebook, I didn’t know if you had changed your number” she continued, smiling softly but with a hint of sadness in her eyes. “But you didn’t respond”

There was another pause. It felt like she had more to say, so you stayed quiet, waiting.

“I wanted to see you,” she admitted quietly. “I was disappointed.”

“I’m sorry,” you said, your gaze fixed on the water, avoiding her eyes. There wasn’t much else you could say, something was hanging in the air between you.

Aeri shifted, her tone changing slightly. “Well, I also wanted to meet your girlfriend. How are you guys doing?”

“We’re not together right now,” you admitted.

“Oh, I’m sorry... I didn’t mean to— wait, did you break up?” she asked, concern lacing her voice.

“Oh well no, I don't know, we’re just... in a weird spot right now. She wants to get married but...”

“But you don’t?” Aeri asked, cutting through your hesitation.

“Yeah it's just, I don’t know, it’s just... complicated,” you sighed, trying not to reveal too much, keeping your emotions in check.

“What’s complicated?” she pressed, her voice direct, almost matter-of-fact.

You chuckled lightly at her tone. “I’m still paying off my student loans. I just don’t want my wife to carry that burden, you know? Boston is expensive enough as it is...” It wasn’t entirely a lie. But deep down, you knew there was more to your hesitation than just the financial part.

“I just feel like she deserves someone better than me. We’ve been together but.. not really together for so long... She deserves someone who can give her what she wants. Someone... less ordinary and..”

“Ordinary?” Aeri interrupted softly, her voice filled with disbelief. “You’re far from ordinary, Y/n. You know you’re...” she trailed off, as if catching herself before saying too much.

You gave her a small smile, ignoring her hesitation. It was clear neither of you wanted to dig into old feelings, not yet, maybe even never. There was too much that both of you were avoiding.

“So, how’s work?” you asked, gently steering the conversation away from the tension that had built up. The question felt like a safe place to land, something casual and mundane.

Aeri smiled, seeming to relax a little. “Busy, as always. Giselle’s doing well, though. It’s everything I dreamed of... and more stressful than I imagined.”

“That sounds about right,” you chuckled, the heaviness between you starting to ease. “But, I knew you could do it. I’m really proud of you, Aeri.”

Slowly, the awkwardness began to dissipate. You found yourselves laughing about silly memories from when you were younger, filling in the gaps from the eight years you had missed.

Aeri told you about the ups and downs of her business, her wife, her travels, and the unexpected ways life had changed her. You shared stories of grad school, your friends, your job, and the quiet moments of your own life that had shaped you. It was easy to get lost in the rhythm of it, the back and forth, as though no time had passed at all.

Before you knew it, the sun had started to dip, casting soft shades of pink and orange across the sky. .

“Remember that one time when you fe–”

Your stomach grumbled loudly, cutting through Aeri’s story

“Oh my god, are you hungry?” Aeri’s eyes widened with concern. 

Oh, no I’m fine, really!” You tried to assuage but of course she did not relent

“No it’s okay, I could eat too. Let’s go get some food, there’s a great to-go spot nearby, and then I’ve got one more place I want to show you.”

She was already on her feet, tugging at your sleeve before you could even think to protest. Not that you would, of course.

You chuckled softly, offering a simple, “Alright,” as a smile crept onto your face. It just felt so natural. Aeri was still the same, always charging ahead, her excitement infectious, leading you from behind as she had so many times before. 

Some things really never change.

Soon, you both arrived at a cozy 24-hour convenience store, the kind that makes it fresh right there. It was small and tucked away, but the smell of freshly made meals greeted you the moment you stepped inside. You ordered an onigiri, feeling like that’s all your stomach could handle after such a day like this. 

You unwrapped it and took a bite, savoring the simple comfort of the food, but before you could settle in, Aeri was pulling you along again, her food in hand, excitement bubbling in her voice.

“Let’s go, the bus comes in three minutes!” she said, glancing at her phone with a grin.

You both made it onto the bus(after scarfing down your rice ball) barely just in time. With no seats available, you were left standing together, holding the same pole.

Strangers pressed in around you, the sounds of conversation and the hum of the city filling the space. But in that moment, it felt like it was only the two of you in the world.

Your fingers brushed against each other, but neither of you moved. The silence stretched between you, not awkward, just heavy with all the years missed. 

You met Aeri’s gaze, and for a brief second, it felt like time slowed. 

The bus glided (not) smoothly through the city streets, and yet the tension between you was almost tangible. Your mind raced with everything you wanted to say, but none of the words seemed right.

"Ae—" you started to say, but before the words could form, Aeri cut you off softly.

“Oh, we’re here,” she said, her voice gently pulling you both back into the present moment.

The bus came to a stop, and you followed her out, stepping into the cool evening air. The two of you walked side by side, the quiet comfort between you settling in again as you made your way toward Namsan Tower, known for its Love Lock Bridge.

“Do you want a picture?” Aeri asked, breaking the silence. “It is your vacation, right? I feel like you haven’t taken many pictures while you’ve been here. Probably my fault,” she laughed lightly, her tone warm.

“Oh yeah, sure!” you said, handing her your phone.

You posed in front of a scenic spot along the path, flashing your signature bright smile.

“Ah~ so cute,” she teased, snapping a few photos before handing your phone back to you.

“Thanks,” you said, quickly glancing at the picture before slipping the phone into your pocket.

The two of you continued walking, your shoulders brushing against each other now and then as the foot traffic toward the bridge picked up. Just before you reached the bridge, Aeri stopped in her tracks, turning to you with a serious look.

“Y/n,” she said, her voice soft but steady.

“Hmm?” you looked at her curiously.

“Why did you... search for me?” she asked quietly, her gaze lingering on you.

“Eight years ago?” you finished for her.

“Mhm,” she nodded.

“Do you really want to know?” you asked, meeting her eyes. She gave a small nod in response, waiting.

You took a deep breath, searching for the right words. “I wanted to see you again... I don’t know. You left so suddenly, and I guess I was a little pissed off, honestly.”

“I’m sorry,” Aeri said softly.

You let out a small huff of laughter. “Why are you apologizing?”

“I guess... you’re right. I don’t have anything to be sorry for,” she admitted, smiling faintly.

“You were just in my entire life, and then you left... and then, bam, I found you again,” you said, the words coming out more candidly than you expected.

“Why would you do that?” she asked, her voice carrying a hint of vulnerability.

“I don’t know, honestly... You kept entering my mind when I was in college. I thought about you... a lot,” you admitted.

Aeri nodded, her expression softening. “I see.”

“We were babies back then, huh?” you chuckled, the tension easing. “And even eight years ago... we were still figuring things out.”

“Yeah,” Aeri smiled, a bittersweet glint in her eyes. “I can’t believe we’re not ‘babies’ anymore.”

You both finally arrived at the Love Lock Bridge, the sky now a deep shade of blue, illuminated by the city lights below. The bridge was alive with the soft hum of conversations you couldn’t quite understand  and the distant sounds of traffic, but you felt a quiet stillness between you and Aeri walked around.

“Ning  and I came here for our anniversary,” Aeri said, her voice almost wistful as she glanced around. “It was hard to find at first. We spent months looking for the perfect spot to place our lock.”

She started scanning the rows upon rows of locks, her fingers brushing over the cold metal as she looked for hers. But while she was focused on finding it, you couldn’t stop staring at her—the way her hair fell over her face as she leaned in, the subtle concentration etched on her features, the soft smile that tugged at her lips every now and then as she searched.

You knew you should probably  be at least trying to help her, but at this moment, it felt like she was a world away, even as she stood right next to you. She was talking about their anniversary, their love, and you couldn’t shake away the sinking feeling.

Then suddenly, She spotted it. A small, worn lock with their names etched in faded letters. Ning and Aeri. She pointed at it.

“There,” she said softly.

Your eyes followed your finger, and she smiled when she saw it.

“Wow... I didn’t think we’d be able to find it.”

You forced a smile, but the heaviness in your chest lingered. After a few moments of small talk about the lock, the conversation lulled, and Aeri checked the time. The soft glow of the city lights and the quiet hum of the evening reminded you both that this reunion, like everything, had to come to an end.

“I should probably head home,” Aeri said quietly, her voice carrying a hint of reluctance. She didn’t want to break the moment, but it was inevitable.

You nodded, your own smile fading. “Yeah, I should  get back too.”

Home. She was going home to someone—to a life that didn’t include you. And as much as you tried to push the thought aside, it stung.

She walked with you toward the bus stop, in silence. The conversation from earlier echoed in your mind—how you had found her again, only to realize that the distance between your lives was now undeniable.

When the bus pulled up, Aeri watched as you stepped inside. She gave you one last, soft smile, the kind that carried more meaning than any words could, just before the doors closed between you.

You said your quiet goodbye, instead of walking her home like you used to, you headed back to your own place. Alone.

The next day arrived with a clearer sky, though the weight of the previous night still lingered faintly in your chest. You weren’t sure how to feel, but Aeri’s early morning text had a way of pulling you out of your thoughts: “Let’s go to  Seoul Tower today! I feel like everyone who visits needs to see it.”

Of course you agreed, a few hours later when you had checked out of your hotel, you found yourself walking toward one of Seoul’s most famous places, N Seoul Tower, with Aeri by your side. The streets were alive with locals and tourists, bustling around market stalls and snapping photos.

There was a vibrant energy of the city surrounding you, but your focus was on Aeri, who was as animated as ever, pointing out landmarks and sharing random facts about the places you passed. It was cute.

“This place is sooo a must for anyone visiting Seoul,” Aeri said with a grin as you passed a shop offering hanbok rentals. “Wanna try one on?” She teased “Or are you more in the mood for food?”

You bantered back. “Let’s try food first. I don’t think I’m ready for a hanbok yet,” you playfully rolled your eyes

You stopped at a food stall, grabbing some hotteok, tteokbokki, and grilled meat skewers.

“You have to try this. It’s my favorite,” she said, handing you a cup of hotteok, her face lighting up as you took a bite of the warm treat “See?! I knew you’d like it.”

The day moved quickly as you wandered through the crowded streets, snapping photos, enjoying the ‘touristy’ vibe. It felt easier, lighter, as if you could both escape into the city, even if just for a while.

As the sun began to set, casting a warm golden hue over the city, Aeri led you to the top of N Seoul Tower. From the observation deck, you could see all of Seoul stretched out before you. The view was breathtaking, the city bathed in the soft light of the sun.

“This city... it’s strange how much it’s become home,” Aeri said quietly, her voice softer now. She leaned against the railing, staring out at the skyline. “I never thought I’d feel that way when I first moved here.”

You stood beside her. “It’s beautiful,” you said, your own voice hushed, as if speaking too loudly might break the delicate moment. You stared at her as she gazed out over the city, your mind was elsewhere.

For a while, you both stood in silence, taking in the view. In that moment, it didn’t matter where you had come from or where you were going. 

For now, this was enough.

After spending the day embodying a tourist and such, the sun had long set, and the once-bustling streets now felt quieter as you followed Aeri back to her apartment.

You were nervous of course,

“She knows I’m coming. right?” you asked, pausing mid-step.

“Of course,” Aeri replied, leading you up the steps to her apartment—the place she now called home.

As you entered, Aeri's wife, Ning, was already by the door. You weren’t sure what you had expected, but seeing her in the flesh felt surreal, like a final confirmation of the life Aeri had built without you. It felt like the gap between your past with Aeri and her present had suddenly become tangible.

After a brief moment of silence, you gave Ning a polite bow, offering your best attempt at broken Korean. “Annyeonghaseyo,” you said, smiling awkwardly.

Ning returned the gesture with a polite bow of her own. “Hello,” she responded in careful English.

For a second, both of you stood there, staring at each other incredulously, trying to find the right words, the weight of the moment hanging between you.

You nodded, your heart racing slightly. “It’s nice to meet you,” you added, this time in your most broken Korean.

Ning smiled kindly, understanding the effort you were making. “It’s nice to meet you too,” she said

Ning chuckled softly, the slight language barrier immediately apparent but not uncomfortable. “Aeri told me… a lot about you.” she responded in English

“Likewise”

Aeri came to your side, sensing the mix of emotions swirling in the air. “Ning, should we grab something to eat? She’s leaving later tonight, so I think we should eat,” Aeri said in Korean, but you didn’t quite catch the words.

Ning nodded and turned to you, switching back to English. “What do you like to eat?”

You pondered for a moment, thinking of something simple but satisfying. “Hmm… samgyupsal?”

Ning’s face immediately lit up at the mention of her favorite food. “Let’s go get samgyupsal!” she said, her excitement evident.

You three ended up at a cozy late-night bar and restaurant, the soft hum of conversation and clinking of glasses filling the space. Dinner had gone smoothly, the samgyupsal hitting the spot, and now you were all nursing drinks, passing time until your Uber was set to arrive.

“So, have you traveled out of the United States before?” Ning asked in Korean, her expression curious. Of course, you didn’t understand, but Aeri leaned in, her voice low as she translated.

“She’s asking if you’ve been out of the country before,” Aeri said with a small smile, eyes flicking between you and her wife.

You shook your head with a soft laugh. “I’ve been to Japan and Spain before, but I think Korea has been my favorite so far.”

Aeri translated the words, and Ning nodded with a smile.

“She says Seoul is a good place to start when visiting Korea, but if you come back, you should visit Jeju Island. It’s beautiful there,” Aeri translated again, while Ning added in her own bit in Korean, her face lighting up.

“I’ve heard great things about Jeju,” you said, returning the smile. “Maybe next time.”

The small talk flowed easily enough, but as the night wore on, Aeri slowly stopped translating, and Ning sat quietly, sipping her drink. It created an odd dynamic—one where it felt like Aeri was caught between two worlds, and Ning, though polite, was drifting further into her own thoughts.

You couldn’t help it. With the drinks loosening your tongue and emotions swirling inside you, the words began to spill out. Leaning in slightly, you lowered your voice, careful to keep your tone steady. “Aeri… thanks for introducing me to your wife.”

Aeri blinked, caught off guard by the sudden shift in conversation. “Mm,” she mumbled, her gaze flickering between you and her drink, unsure of where you were headed.

“I can tell she really loves you,” you added softly, the sincerity in your voice clear. "I didn't realize liking your wife would hurt this much."

Aeri’s eyes softened, her brow furrowing slightly. “Really?” she asked, her voice almost hesitant, as if she needed confirmation.

“Of course,” you replied, your words gentle, but heavy with the weight of what you weren’t saying.

A moment of silence passed, the sounds of the bar fading into the background as the two of you sat there, the space between you filled with things that had been left unsaid for too long.

You took a sip from your glass, gathering the courage to speak again. “… When we stopped talking back then… I really missed you. Did you miss me?”

The question hung in the air, heavy and raw, as if you’d been holding it in for years.

Aeri’s gaze dropped for a moment, her fingers tracing the rim of her glass. When she finally looked up at you, her voice was softer, almost vulnerable. “Of course I did, Y/n.”

A dry laugh escaped your lips. “But you met your wife then.” There was an edge to your voice, a bitterness that surprised even you.

Aeri responded instantly, almost defensively. “And you had a girlfriend.”

You scoffed softly. “Right,” you murmured, shaking your head with a small smile. “Sorry.”

Aeri fidgeted with the rim of her glass. “It’s okay.”

After a few quiet moments, you exhaled, the weight of your thoughts pressing down on you. The words slipped out before you had the chance to stop them. “Seeing you again… it’s made me have some strange thoughts.”

Aeri lifted her eyes to yours, her gaze gentle but curious. “What kind of thoughts?” she asked softly.

You hesitated, your fingers tracing the rim of your glass as you searched for the right words. “I keep thinking… what if I had come here eight years ago? What if you never left California? If we’d just grown up together, stayed in each other’s lives…” 

You paused, the questions swirling in your mind before you continued, your voice growing softer. “Would I have still searched for you? Would we have dated? Broken up? Gotten married and had kids? Just.. you know, stuff like that.”

You glanced at Aeri, her expression unreadable as she absorbed everything you said.

“And what I’ve realized,” you continued, almost to yourself, “is that California… it was always too small for your ambition. You outgrew it before either of us realized. I’m happy you moved here, Aeri, I really am.

And the truth is, I liked you because you’re you. And who you are…” You trailed off for a moment, letting the words sink in before you finished quietly. “Who you are is someone who leaves.”

Aeri’s lips parted slightly, her breath catching. She looked away for a second, as if trying to gather her thoughts, before her voice came out in a whisper. “The Aeri Uchinaga you remember… she doesn’t exist anymore.”

Her words cracked slightly, as if admitting it to herself for the first time.

You felt a soft chuckle escape you, one tinged with understanding. “I know,” you replied. “I know.”

She nodded, but quickly added, “But… that doesn’t mean she never existed.” Her eyes met yours again, softer now. “I left that version of me behind 20 years ago. I left her with you.”

Her words, the honesty in them, tugged at something deep within you. “I know,” you repeated, meeting her gaze, a strange sense of peace settling over you. “I know we were only twelve… but I really did love her.”

Aeri’s lips curved into a small, sad smile, the kind that holds years of unspoken truths. “I know,” she said, her voice barely a whisper. “You’re crazy, you know that?”

You both let out a quiet laugh, the sound soft but comforting, a brief return to the simplicity of who you used to be.

“I think we must’ve been something together in our past lives,” she said after a while, her voice distant, thoughtful. “Otherwise, why would we be here together right now?”

You thought about her words, turning them over in your mind. “I agree,” you finally said. “But in this life… we obviously just aren’t those people to each other, are we? We’re finally in the same city for the first time in 20 years, and here we are, sitting together... with your wife.”

Your expression softened, as you quietly acknowledged the truth you both knew. “To Ning, you’re someone who stays,” you whispered.

A few moments of silence passed between you and Aeri.

“Who do you think we were to each other in our past lives?” Aeri asked suddenly, her voice soft, almost wistful.

You tilted your head, considering the question. “Hmm… I don’t know,” you said, your tone thoughtful. “Maybe we were forced into a political marriage to stop a war…Or maybe we were just two strangers on a bus who happened to sit next to each other. Or even.. maybe I was just a branch you decided to sit on as a bird on a cold morning.”

You and Aeri chuckled at that, though you could sense a sadness behind it.

You both sat in the quiet for a few more moments, the weight of those imagined lives lingering in the air, until Aeri excused herself to use the restroom, leaving you alone with Ning.

You turned toward her, feeling guilty for the past hour. “I’m sorry we spoke alone,” you said gently, your voice low. “It won’t happen again.”

Ning gave you a small, gentle smile, though there was something sad in her eyes. “Don’t worry,” she replied, her English hesitant but kind. “You two haven’t seen each other in a while. I’m glad I got to meet you Y/n.”

You nodded, her response easing some of the tension in your chest. “I’m glad too,” you said softly, offering her a smile in return

When Aeri returned, you paid the bill and the three of you made your way back to the apartment to grab your luggage. The atmosphere had shifted slightly—quiet, but not uncomfortable, just the natural stillness that follows the end of a long day.

“Hey, I’m gonna walk her to her Uber,” Aeri said to Ning, offering her a small, reassuring smile before turning toward you and the door.

You paused for a moment, glancing at Ning. Bowing slightly, you tried your best to piece together the Korean you’d practiced. “Nice to meet you. Come visit me in California.”

Ning’s eyes softened, and despite the awkwardness of the language barrier, her warmth was undeniable. She returned the bow, her own English just as halting but genuine. “Definitely,” she replied, her smile sincere. You offered her a small smile in return before following Aeri out the door.

As you and Aeri stepped out of the apartment, the cool night air hit you both. You walked side by side down the quiet street, neither of you saying much, both lost in your own thoughts.

The streets were dimly lit, the distant hum of the city lingering in the background. Every now and then, your shoulders brushed, but neither of you acknowledged it. 

As you neared the end of the street, where your Uber was set to pick you up, you both stopped, standing under a flickering streetlight. The quiet air felt thick, the weight of the goodbye neither of you wanted to acknowledge.

Aeri shifted slightly, glancing at you before looking away, her hands fidgeting in her jacket pockets. “Will it be here soon?” she asked, her voice soft, trying to smooth over the tension between you.

You glanced at your phone, the screen glowing back at you. “Two minutes,” you replied, your voice barely above a whisper.

Silence.

Some more silence fell between you two as the night deepened, the distant sounds of the city humming softly around you. Neither of you made any effort to fill the quiet, as if both afraid that words would shatter whatever remained between you.

Finally, the low rumble of a car pulling up signaled that your time was almost up. You glanced at the Uber, then down at your bags. With a sigh, you began to pack them into the trunk, your movements slow, almost hesitant, as if trying to delay the inevitable.

Just as you were about to open the car door, something inside you stirred. You couldn’t let this moment end without saying it.

“Aeri,” you called out, your voice breaking the silence as you turned toward her, your hand resting on the handle of the door.

She looked up, her eyes lighting up just a little as she responded, “Mm?”

For a moment, you hesitated, unsure if you should say the words that had been circling in your mind. But the thought of leaving without voicing them felt unbearable. So you smiled, that bittersweet smile tugging at your lips as you spoke.

“What if this is a past life as well, and we are already something else to each other in our next life? Who do you think we are then?” You could feel a deep sadness in your voice as the words left your lips.

Aeri blinked, the question taking her by surprise. Her eyes searched for yours, as if trying to understand the depth of your meaning. She looked almost vulnerable at that moment, her lips parting slightly before she whispered, “I-I don’t know.” Careful with her words

There was something in the way she said it—like she wanted to know, like she wished she had an answer for you but couldn’t bring herself to find one. The distance between you two felt like more than just the physical space separating you—it was something neither of you could cross.

You had realized just then. At that moment. That she hasn’t been looking at you with any sort of love or longing. She’d just been looking at you with nostalgia. A life before the weight of the world crashed down on her.

You lowered your head with a sad laugh in response to her.

“Alright,” you began, “Goodbye, Aeri Uchinaga.. See you then.” you whispered finally parting ways with the girl you'd known 20 years ago.

A feeling of loss over you, almost suffocating. You still managed a genuine smile because you were happy Aeri was happy. 

Bittersweet. 

“See you.. then, Y/n L/n” she whispered. 

With that, you gave her a small nod, your heart heavy. The air between you felt thick with everything unsaid. Aeri looked back at you, her eyes holding a mix of emotions—nostalgia, sadness, maybe a little bit of both.

You opened the door and got into the backseat of the Uber. You glanced out the window one last time, catching a glimpse of Aeri standing there under the streetlight. She looked a little blurry in the dim light, but still the same Aeri you’ve always known.

For a second, your eyes met again. Neither of you waved, neither of you spoke. You both knew this was how it had to end.

You took a deep breath and nodded to the driver, and the car pulled away.

You silently stared out the window as the scenery of Seoul flashed by while tears streamed down your face. 

You’ll never know that she was crying too. Harder than she ever had before.

[sillygoofyqueer]

sorry i send you so many asks i might as well go live in your inbox BUT pangolin!shen yuan is SO CUTE (panyuan? shen yuangolin?), i know he LOVES climbing on wei qingwei's broad shoulders and traveling to the peaks, listening to wei qingwei talk endlessly about all the peak lords and cultivators and their swords.

as a pangolin he has no job or anything so he'd wander off to watch liu qingge train, standing there with his little paws held together in that adorable pangolin way. maybe some bai zhan kids try to kick him and liu qingge immediately punts them to the other side of the field bc everyone knows that if you mess with the pangolins, you mess with wan jian peak, and you really don't want that. or shen yuan goes to qian cao peak to watch mu qingfang work his medicine magics. an ding peak is definitely the best place for treats, esp shang qinghua who just plops a whole bag of nuts and seeds in front of him when he visits.

also he'd hide behind wei qingwei's legs, little claws clinging to his robes like a tiny scaly child whenever shen qingqiu comes by for disciple swords, because that man is intimidating and everyone is so freaking tall when you're only 80 cm long.

shen yuan has also 100% bitten people.

You've actually fallen for my trap that I set out purely to lure you into my inbox and now you're trapped here forever and ever and we WILL be having tea parties every week. Sorry. You're my friend now, that's basically what I'm like with my friends. I've just realised that I'm basically atticwifing you....but platonically. ANYWAY. Shen Yuan absorbs so much information from Wei Qingwei's rambles, even squeaking and offering little sounds to ensure that the peak lord knows that he is listening! While the rest of the sect have gotten used to this little limpet hanging onto WQW, visitors are like "is one of your peak lords actually insane" and the peak lords are like "nah just watch this" and they listen as SY seemingly RESPONDS to something WQW has said with a questioning sort of hum. Shocked Pikachu faces all around. Also, I love to think about a couple of the more spiteful, spoiled disciples of one of the peaks ganging up on poor pangolin SY because they think they're above the consequences of their actions. SY stumbles his way back to Wan Jian Peak, where he is met by WQW. The man is. Very gentle. as he treats the pangolin's wounds. Then he turns his attention to finding who has done this to his precious little pet, and all of the peak lords are reminded of just how scary WQW can be when he has a valid reason to be. The man is horrifying, normally warm and friendly smile wiped completely off his face - instead, there's a scowl. A petrifying scowl that looks out of place on his face. Let's just say that the disciples are very quickly found and...dealt with. Also!! I read the last little paragraph and just...immediately thought of a different kind of panyuan - a little demon type creature that WQW likely took in as a baby because...listen, so what if it's a demon, the shimei on the beast peak said that it's okay because "pangolin-type demons are harmless, trust me bro". This little pangolin baby has a human form, meaning WQW basically has a little baby that is sometimes a pangolin. In human form, he has his little tail and spatterings of scales over his body, and he is just a little GUY. He's just as charming as a little child, peeking out from behind WQW's robes and clinging to him, often just resorting to communicating through his little chirps and squeaks when he gets scared or far too shy for words. He is still taken to literally all of the peak lord meetings, because he's just a little guy, and god forbid anyone finds SY NOT sitting on WQW's shoulders or cuddled in his embrace. Everyone else is, at first, kind of hesitant because bro that's a child get him OUT of our meetings. Then they're hit with the big ole eyes and they fucking crumble.

[shwoyo]

hello, i saw your reqs open and i wanted to ask if you could do a seokmin x reader where reader is a shy person who always listens and when they meet seokmin and he listens to their rambling and yeah, thnks in advance! :)

hi anon! thank you for requesting <3 i'm sorry this is kinda rushed + i kinda wasn't able to show readers shy demeanor lol, but i hope you like it!

comfortable with you. — lee seokmin x reader

; fluff, little angst, comfort – warnings: like 1 cuss word – wc: 1,481

note: first req ever, kinda nervous 😅i kindaa rushed it in the end,,, im sorry. BUT ANYWAYS!! i enjoyed writing this! i had so many thoughts on how i wanted to go with this, but stuck with this (kind of) short one. I hope you guys will enjoy this teww! not my best work tho

you love listening to people talking. you've always let people do the talking while you do the listening; its been in your nature since ever. they would talk, and you would hum in agreement or dispute, sometimes speaking your own thoughts. but sometimes, you wish you could just spill your unsaid thoughts to someone. but you can't, for some reason.

–

your junior year has started, new school supplies, new acquaintances, and, of course, a new seatmate. every first day of school always makes you nervous; everything is new, and by that you'd always have to introduce yourself; you hated it.

standing outside your new classroom with your other classmates, the teacher announced that she had already assigned the seating plan. you were kind of grateful, as you quite literally don't know anybody here; you got separated from your friend.

Ms. Shin, your teacher was calling your classmates one by one, then called your name, "next, l/n y/n!" you went up to her. "you'll be sitting next to lee seokmin, he's over there by the window, third row" she stated. you went in the classroom and walked to your seat, which is beside seokmin, your new seatmate. he sat at the aisle part, which left you sitting next to the window, and you were grateful for it.

you sat down and settled your bag behind your chair. honestly, you were pretty nervous because, for the first time, your seatmate was a guy. you were always seated next to girls for some reason.

"hi! i'm lee seokmin. but you can call me seokmin, or any nickname you can think of," he spoke. you quickly turned your head in his direction and just nodded, turning your head to look at the board in front. 'he's so... pretty,' you thought to yourself. it took a second until he spoke again, "what about you? what's your name?" he asked, and you turned to look at him again, quickly realizing that you haven't introduced yourself. "oh, i'm sorry! i'm l/n y/n sorry, did i come off as rude?" you replied, your voice lowering as you spoke. "ah, no, no! it's okay!" he giggled as he responded, waving his hands as a sign that it really is okay. "i'm sorry again," you said, voice low almost like a whisper. "no, i assure you it's fine! everyone gets nervous at the first day of school, even me," he stated. you just nodded, turning your head to look at your table.

your face was red in embarrassment, so much for a first impression with someone who will be next to you your whole junior year. you wished the floor could just eat you whole.

–

months into 11th grade, everyday was a struggle. there were new activities every week, mostly by partners, and you were grateful that in each partner activity, seokmin was your partner. seokmin is the most perfect partner you could ask for; he was always ready and always listened to the instructions of the activity given. you were so grateful for him; you probably wouldn't have survived first term without him.

right now, on a thursday afternoon, you and seokmin were at the library doing the essay activity given by your english teacher, a 15k word essay covering the important events and creations that happened during the renaissance, the deadline being monday. you were trying so hard not to cry as you were stuck on your third paragraph, the whole essay only having 487 words. usually you were quick with this; you love english, you always scored high on the subject. but right now, you were just not motivated enough to write properly.

"Hey, you okay there?" seokmin spoke up, noticing your distraught expression. you only hummed to his question. he was already making it easy for you; he has suggested that we should write 7,500 words each on our part to sum up the 15,000 so it would be easy. you felt bad as you were writing your part so... poorly. "we can take a break if you're stuck," seokmin suggested, "uhm, maybe i'll try to continue mine and you take a break. i wanna at least try and finish this third paragraph," you stated. "hmm, i think no!" he said cheerfully. seokmin closed his laptop, then yours. you looked at him in shock, but he just grabbed your arm, forcing you to stand up, then pulling you towards the door of the library. "s-seokmin! hey! what about our things?" you whisper-shout, "don't worry, we'll be quick!" he replied.

you kinda got used to this; whenever seokmin sensed that you were struggling or stressed, he would always do something to distract you until you were feeling okay. this time, he was pulling you in the hallways of the school, towards the exit, and then walked towards the ice cream stand near the school gate. "hello! can i get one vanilla ice cream and one chocolate ice cream? both no toppings!" seokmin said, the vendor nodded and made his order, "seokmin, i didn't bring my wallet with me." you stated, "its okay! its on me," he replied "no, i'll just pay you when we go back to the library," you said, "nu-uh, this is on me. i won't accept your payment," seokmin responded.

he's always like this. he does something nice for you, but whenever you offer to do something in return, he denies it. this is what you like about him, like as in platonically... yeah, platonically.

–

few more months in junior year, and your feelings towards seokmin kept growing, not platonically. you tried to deny your feelings, but every time you do, he does something that just makes your heart flutter.

and surprisingly enough, you've gotten so comfortable with him that each time you talked, you openly said your thoughts, even you shocked yourself. but, you still weren't comfortable enough to spill your deepest thoughts and rambles, rants you wish you'd said to the person who stressed your thoughts.

still, you were more than happy to be able to finally openly speak your thoughts, even if it weren't your deepest thoughts that hurt you. you were okay with this, you think.

–

but one day during the last 2 weeks of junior year, you were fed up. the world just kept testing and testing you, and you were so tired and just needed to rant, specifically to seokmin.

"and it's just... so fucking tiring! i don't get why they won't do their part. it's almost the end of the school year, and they're acting like this?! i'm just so..." you couldn't finish your sentence as you started to sob. seokmin looked at you with sad eyes, it hurts him to see you like this. 'why couldn't your group mates just do their job properly?' he thought. you sobbed harder as you thought about your uncooperative group mates, then seokmin hugged you.

it was the first time he physically touched you like this; usually he would tap your shoulder, pat your head, or pull your arm when he wants to show something, but hugging you? this was definitely new. but you were too tired to be shocked.

"mhm, i understand y/n." seokmin stated, you sobbed harder than before. for years in your life, you just wanted to hear those words—that someone understood you. you were always the one to listen; you never had the chance to be the one to rant as you grew used to listening. seokmin patted your back, still hugging you. it was so comforting; you wished you could stay there forever.

–

from that day on, you knew that you were super comfortable with seokmin. he's the person you trust your thoughts with the most. not a day goes by where you had to keep your thoughts to yourself anymore; you had seokmin, and he had you, of course. he was there for you, and you were there for him.

the feeling of finally being able to speak up about your deepest, unsaid thoughts and rants was so refreshing. of course, the more comfortable you got with him, the more your feelings grew too.

–

it was on recognition day when you had the courage to finally spill your heart out to seokmin. you were very nervous, but the funny thing was he beat you to it. he confessed first, leaving you shocked. of course you informed him that the feeling is mutual.

you were happy; he was too. your heart was so happy you felt like it would explode. you never have thought that you would find love this early in your life, especially with your old behavior of being shy. but seokmin was there, he was there for you in so many ways. he saved your heart and mind by letting you pour your unsaid rambles to him, and you were so grateful for him, for seokmin, who was now your lover 'till end.

©shwoyo, all rights reserved.

[miscellaneoussmp]

My love letter to qsmp and qsmpblr.

I saw other people doing this, so I might as well too!!!! I like the positivity of it all!!!

My story with qsmp is kind of a sad one, so sorry, but warning for the death of a loved one is mentioned in the second paragraph.

Originally, I was very excited about qsmp from the day it was announced. Quackity had been one of my favorite content creators for years at that point. Although, the day it started, I was on vacation with my mom and grandma for my little sibling's birthday. I didn't have time to watch day 1, so I just didn't get into it. I got updates through a friend of mine (Hi Warren!!!) meaning I had some idea of what was going on. Plus, I watched clips here and there. (Also, fun fact!!! I voted in the elections for Bad even though I didn't know what was going on!!)

Okay, here's the sad part. In early July of 2023, my grandfather on my mom's side died. It sucked. I was closer with him when I was little, so I didn't know what to feel. It hurts, I think. Everything about that situation sucked, from getting there to the mess that is my big ass family. Though on my last night there, I was thinking about the qsmp for whatever reason. I decided that I wanted to get into it there and then. I sat in the airport waiting to get on an airplane to go home watching qsmp compilations to get caught up. It was amazing. I felt better, just a bit.

I made my first post with the qsmp tag on July 13th, 2023, and y'all have been stuck with my ass ever since.

Now!!! It's time to shout out the lovely people of qsmpblr!!! (Under the cut cause I think this is getting long)

@kadextra Kade!!!! You're the first person I ever followed in qsmpblr and the person who inspired me to keep writing. I can never ever thank you enough for that. Your art is wonderful!!! Please keep creating!!!

@disfrutalakia Kia!!!!! You literally mean the world to me!!!! You were my full introduction to the Brazilians of the server, and I can't thank you enough for that!!! You say my characterization of Pac and Mike is amazing? Well, I couldn't have done it without you!!! Also, thanks for letting me live in your inbox for literal months!!!

@thesmpisonfire Des!!!! Hi bestie!!!! Before we were friends, whenever you were in my notes, I would get so excited!!! I thought you were the coolest person and still do!! Thank you for letting me ramble to you endlessly!!! I love everything we've made together!!!

@ultra-raging-ghost Ghost!!!! King!!!! The beloved ghostie on my dash!!!! And my beloved coauthor of Freaks and Their Tapes!!!! There's a lot I couldn't do without you!!! Thank you for being an amazing friend!!!!! Love you /p <3!!!!

@factorialsotherfandoms Factorial!!!! Beloved!!!! You're an amazing writer and kind friend!!!! I think about your fics all the time!!!! Please keep writing forever and ever!!!!! Please!!!

@iridescentpull Aynée!!!!! My fellow demigod Pac enjoyer!!!!!! I literally screamed when I saw we became mutuals!!!! You're so fucking cool and your writing is amazing!!!! I created demigod Pac content for us only tbh!!!!

@fitpacs Tumblr user fitpacs!!!!! The light on my dash!!! Please keep being so bright!!! I love seeing whatever you post!!!!!

@wsdanon wsd!!!!! The #1 Felps writer in my eyes!!!!! Your writing is beautiful, and characterization is everything!!!!! Adore seeing you on my dash!!! Please keep being you!!!!!

And to any mutuals, anyone in my notes, or just in the community in general!!!! This place would be nothing without y'all!!!!!

Thanks again!!!!!

- Misc, the most annoying qsmp blog ever <3

[daenystheedreamer]

Wondering how you are connecting the valar thing to patriarchy? I don't disagree I just feel like I missed some steps in your post lmao

yeah my bad i forget this isnt my personal secret diary that no one reads and also that you need more than the alpha and the omega this isnt jesus. you also need beta gamma delta etcetc like posts need linking threads so my b brother

so my personal valyrian incest theory is material and economic: that the dragonlords wanted to hoard wealth within families (much like a dragon!) and especially hoard the supposed 'dragonrider blood', which necessitated the marrying of brothers to sisters. its european monarchical consanguinity taken to its absurd extreme. the incest is mentioned as being among dragonrider families specifically.

but i think it goes a step further i think having weapons of mass destruction that are linked basically biologically and equally (as in, both men and women can be dragonriders) gives women especially feudal women an INSANE amount of personal mobility and agency. letting women start their own families and well deseminate the bloodline means both the wealth is spread and this caste system crumbles. there were only about 40 dragonrider families in valyrian aristocracy.

there's theories that the incest is for the purposes of blood magic, that it makes them for real actually ethnically superior (bleugh kys), that there is a magical spiritual etc reason for it but i prefer materialism sorry i think it makes it more interesting i like human conflict in the story about humanity :(

and my linchpin for all this like threadbare nonsense is how aegon wed visenya to shore up his inheritance. it is a fundementally sexist act it places aegon's inheritance above visenya's. there is the implication that visenya could have, in the future, been a threat to his inheritance.

we predominantly see valyrian incest only in the targs which is unfortunate (FOR ANALYSIS FOR ANALYSIS!!!) since the targs and their relation to valyria is so fucking emotional and freudian and weird so they're not like a neutral test case. but the incestuous dynamics are so so so often deeply misogynistic. its men wielding power over women because their lusts are more important, because they are entitled to women. again it all goes back to the FIRST DANY CHAPTER. viserys forcefully marrying 13yo daenerys, dressed in golden collars just like the slaves etched in valyrian runes, to an adult man with the near gleeful knowledge she will be raped and abused.

SO THE FUCKING VALAR THING. honestly mostly a joke for me. all my posts are just things i think are funny in the ten seconds i post them. morghul- means death and dohae- means serve and the -is suffix is i think genitive?? leaving the 'valar' to serve (heh) as the 'all men' section of the quote. there's an elio+linda quote saying valar is probably in reference to valyria (as opposed to a reference to the valar of tolkien). it reminds me of how patria (fatherland, country, etc) is from pater (father). valyria - valar. its just very masculine and my nerd etymologist brain thought it was funny. i hope this rambling 7 paragraph fucking unabomber manifesto sounding answer makes sense 💀

[zaebeecee]

. ..Just curious honey, what exactly *has* that tumblr user petitprincess1 been saying about radiodust, from the time that you've looked through her blog ? You can answer this ask privately if you want to/can/are concerned, but I've had that little annoyance blocked for years now and I think she (fucking *FINALLY!*) blocked me back, so I went searching through her tumblr in a private window with a popblocker to find the shit you were alluding to, but all all could find was fanarts for the ship in like, honestly varying quality ^^; (not surprising given the quality of her blog) and I got bored and and I gave up. ^^' But I just went into the radiodust tags and read a post implying people are being, like, attacked for shipping it now? (NOT saying exclusively by her, apparently just in general ...) BUT if she *DID* have a hand in being petty and attacking people! 👀 Like, I'm weak... I just want the tea and any hot gossip you can give me, if you please! ☕❤️🙏 X.O

Okay! I’m so, so sorry that this might turn into a whole multi-paragraph post, but thinking about my answer to this diverged into larger observations, so I’ll going to answer your questions first and you can dip when I start rambling. Also I hope this answer ends up being satisfactory, lol (and man do I wish I had ☕️ because I am that kind of Aquarius and I love hearing about messy shit I’m not involved in)

First off: I do not, personally, know her. However, I have heard from many, many people (independent of each other and always unprompted) that she’s an incredibly toxic person who runs hate campaigns against people with mildly different opinions or even simply different takes on Hellaverse canon. I’m not going to cast aspersions on her (again, I have no personal experience with her), but I’m always incredibly wary about people that I hear this kind of negative stuff about from this many different sources. (The comment I made about RadioDust regarding her feed was primarily that I can’t see 85% of it because I have RadioApple blocked as a tag and it’s a safe bet that someone who would apparently get mad about a headcanon of Anthony having albinism would probably not like me saying that)

As far as the RadioDust posts go, it’s become a ✨ thing ✨ to harass people who ship that in particular because it’s “not canon”. (I have a pet theory that it’s because RadioDust content was like 70% of what kept the fandom alive between the YouTube pilot and the Prime series) I’ve personally been called a child who doesn’t understand anything for shipping them by someone I don’t know, which is very funny to me, and I watched a RadioDust fan group on Facebook of all places repeatedly getting spammed with other ships (you probably know the ones) and pretty nasty messages. I couldn’t say whether this is happening to other ships, so I’m not trying to claim this is unique, but it absolutely is a problem that some of the more vocal/public shippers are facing. I’ve heard that she was one of the “they’re not canon and you’re bad for shipping them” people, but I don’t have proof of that, so I’m not going to claim it as fact.

If you’re wondering why I was talking about her in the first place if I don’t know her, it’s because I’ve heard so much about her being downright awful to other people, and this is where my tangent kind of starts. First, I do intend to fire back if she does start shit, but besides that, I’ve always found “well they’ve never done anything to ME so I’m going to give them the benefit of the doubt” to be a shitty thing to say when you’re getting multiple sources talking about them.

I have an incredibly low tolerance for fandom drama. I mean, I’ve been in fandoms since ff.net launched. I have dealt with so many toxic fandoms over the years (fucking Naruto) and I just don’t fuck with that anymore. There’s a reason that, despite doing character and show analysis posts, I’ve never done one on one of the most popular ships in the fandom, and that’s because it would be unfavorable (because I find it to be built entirely on negative stereotypes and positive homophobia). I don’t want people to misconstrue an analysis as shaming people for liking the ship, so I’ve just stayed out of it to avoid creating drama.

Now, this fandom in particular does have an issue of small pockets of very vocal, hypocritical, toxic people. An example of this would be the people who will call others aphobic for depicting Alastor as anything other than a sex and romance-repulsed aroace (despite the fact that Viv said shipping him was fine, meaning he isn’t canonically repulsed), but don’t say shit to the people who still draw human Alastor white (despite the fact that he has been confirmed not just black, but specifically Creole). And while it is true that, yes, I don’t like fandom drama, I have absolutely zero problem getting involved when others refuse to just let people be fans if they aren’t “fandoming correctly”.

I don’t have a punchy closer for this, something that ties it together and makes it seem less like an old man yelling at clouds, but I do want to say I’m not looking to start a fight or for other people to do the same. Again, drama sucks, but I also won’t ignore claims of toxic behavior just because I personally haven’t suffered from it (I’m not trying to be that kind of man). I’m sure there are people who know a lot more than I do, though, it sounds like the people who’ve blocked her could form an entire support group over it.

[nebelihood]

Hey!! First of all I just want to tell you I love your content so much, your looney toons and hey Arnold content bring me so much nostalgia and the las comics have given me emotionally damage (in the best way I promise)

Also I know this may be out of topic but about your opinion on LT back in action?? I'm so hype about it not only is one of my favorites movies but the reason I know there's more about this characters that it lead on

I tell ya every time I see the campfire scene with bugs and daffy I tear up a little, you can see the weight of resignation and tiered in him when they talk and even bugs; who's been trying the whole time to get him back on the show and miss him, doesn't contradicts him or even spoke about it and just fade like that.

I know the ending is supposed to be a meta ending (a movie inside a movie) but there's something raw and tender about this part that doesn't fit 100 in it but at the same it does

I believe this scenario wasn't really scripted (in the movie universe) that way that it's not supposed to be taken seriously or being deep but it did and it was, that something real happened and they let it on to us see a fraction about it.

I could ramble on and on about this and analyze the whole movie but Im sorry for the full on paragraphs and Im not sure it it was ok to message so Im dumping all of this in here

Exited to what's up store next and nervous where Lola and porky talk is leading!! (⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧

DUDEEEEEEEEEEEEEEEEEE YOU EXPLAINED IT SO WELL!!!!! AGH I WISH I HAD THE MENTAL CAPACITY TO REACH THAT AGH

I love coming back to read this cause AGH I LOVE IT- IT'S SO TRUE! Like I felt that if you shifted your perspective before watching ltbia you could see all the baffy crumbs like all the tension and the date and the looks and ALL AJAGSJF BUT HONESTLY IT IS AN SCENE THAT FEELS OFF. LIKE- why is it there? what does it bring? What does it imply? the way Bugs didn't even reply? He didn't joke about it or attemped to comfort him as if to teach kids how to be a good friend (like with the excuse to teach something) And at the end, even though Daffy saved Bugs it's not like he got recognized by the rest of the characters and barely by Bugs cause he didn't get what he wanted which was to be called a Hero by him??? LIKE THEY DIDN'T DO ANYTHING WITH IT? IT'S AGH IT FEELS LIKE THERE'S MORE TO THAT SCENE!!!!

(Also THANK YOU!!! dumb your thoughts here any time you wantB) LOVE THEM)

[not-souleaterpost]

Yup, the other AMV/Edit from the iceberg, same reason for uploading it seperately. This one is less melodramatic, so if you disliked that about the last one maybe this one will get more than two likes on here lol. (Also some other thoughts and update after the break)

But first, the iceberg, if anyone is curious:

https://www.youtube.com/watch?v=Lf_dGJyQJOc

Anyways, yeah, actually this one had a whole backstory (kinda) around it, remember like two years ago being on a walk and listening to the song and thinking "I guess this one could work as an amv- but nah amv's are emberassing, I would never make one" - guess history is funny like that. Still wonder if people got pissed of and left the iceberg video before ever coming to the part cause I kinda shittalked amv makers, guess I had to do it, it is what it is. Still, dunno think it turned quite well for basically the first amv I ever really made (think the closest I did before was cutting the Hey Arnold intro to Uptown funk when my brother asked me as a request 7 years ago lol, that shit got lost forever and only went up to the first 20 seconds or something anyways) But yeah, if I'm already rambling, guess this will probably be my last post for some time, will try to abstaine from just posting bullshit and spaming tags on here, hopefully for good but worst case atleast like for a month and a half. Ofcourse I'll upload more substantial shit here when I have something, but I think the rush of likes and responses is too much of a drug for me and takes up too much thoughtspace when I don't get the warm reception I want lol, it's a me problem, but still, prolly better for everyone to just concentrate on the big projects, so when I'm not busy with real life, I can deliver that instead of weird inside jokes or paragraph long theories and rants in the posts of other people (those who didn't mind that - apreciate you, real MVP's) So yeah, think I went on long enough, so yeah it is what it is, we'll see, hopefully I can make some progress on the iceberg again and actually get back on the chapters for SE Post too, kinda don't wanna abandon it for this long and I got a lot of things I wanna finally put to paper, just gotta work out logistic in every sense of the world (like real life shit but also story planning, cause I have all the events, but not sure how to put them in a timeline so there are no plotholes or weird pacing, but I'll figure it out) But as allways, if I fuck up everything again, or you don't really care and wonder why I'm writting as if anybody did: Yeah...Sorry

[theoldaeroplane]

I inbox you the following: I must know what compels you about Link. I trust that he is Good and Excellent, but I simply yearn for an essay on what little niche trait makes you wanna fandom the fuck out of this little guy. 5-10 paragraphs of hyper fixated ramblings preferred, but not required.

ohhh starkid you've given me A GIFT. a GIFT.

So some background first, I think. I've always liked the Zelda games, in the way you play a mainstream game and are like "yeah that was good!" I played Ocarina of Time and Windwaker as a kid. I played Breath of the Wild when it first came out and had a fun time with it. Yeah. Good games! Fun mechanics. Characters seem a little flat, but they aren't why I'm here. What was the story again? Oh, right---yeah, they gave Zelda an actual personality that doesn't start and end with "princess" in the new one! She's a scientist! How neat.

Then Tears of the Kingdom comes out. I've just gotten a Steam Deck for my birthday and wow, turns out you can emulate TOTK already?? I try it out immediately. It's janky, but I love messing with emulators, so I keep going. I certainly don't have the cash to buy TOTK properly.

And in TOTK, for me, it starts with Zelda. It starts with this young woman barely out of her teens being flung into a horrible, frightening situation, and being forced to make an absolutely terrifying choice. And it turns out if you start looking at her more closely, that choice only becomes more and more viscerally upsetting as you incorporate things about her from the previous game.

It got me invested, and I still adore Zelda. I could probably write just as long a deliberation about her. But we're talking about Link.

I read a little bit of BOTW fanfic back when it first came out. It was almost all Sidon/Link stuff, because I liked the ship for a number of reasons, and one evening after another night of mainlining TOTK I decide to go look and see if I can find some that I remembered being good. I did, and they were still mostly good! But there was one in particular, with one line in particular. "You're Always Almost There," by Polyhexian. (On mobile so no link, sorry!)

'One hundred years ago,’ Link signed, 'A Guardian shot me through the chest,’ he grimaced as if in pain from even mentioning it, 'I died with everyone else, and then someone else decided to bring me, and only me, back to life to fix everything, to save everyone. I have to stop the Calamity. I have to save Hyrule. I have to fix the world. I am not a real person. I am everyone’s unfinished business.’

I had read it before. When I read it this time I closed my browser, opened Typora, and started writing. It wasn't more than a random narrative sifting through half collected ideas, and I neither finished nor posted it, but it got me started. A few weeks later I started writing To Be Well, which among other things directly addresses the idea that Link does not think of himself as a "real person"---and that he isn't sure if he wants to.

As I've written him, I've found more and more about him and his setting that fascinates me. Part of this is certainly that Link is intentionally designed as a "placeholder" character (word of God is he was deliberately designed to be androgynous to make it easier for more people to project on him). At first I was really fascinated by his relationship with Zelda, and wanted to look at that through a queerplatonic lens. In doing that I found myself trying to work through some problems of my own, which it turns out is just how I write fanfiction I guess: projecting! Huzzah! I decided to lean into it, and wrote "You do not have to be good," which is a story that takes some liberties with the canon to explore the subject of toxic purity and the toll it takes. Also, the logistics of kissing someone with a beak.

What makes Link compelling to me is ... what do you do, when you aren't allowed to be a person? What do you do when you've been told all your life things are like this and this and this, and that you must behave thusly?  What if you learn it was never true? How do you go from "perfect" to "real"? What does it even mean, being a person? How do you start? Is it even worth it?

I feel like I'm only scratching the surface, haha. I also love Link for whatever the hell he's doing with gender, and I've been having an absolute blast writing him as predominantly communicating via sign language. I'm playing fast and loose with a lot of things that only get half-mentioned in canon, and having a good old time playing in the sandbox of Hyrule. They're huge games and there's a lot of space for me to set up shop!

[echoes-silence-patience-swar]

Goodbye Eri (2022) + Long long ramble about Film

Review/Analysis

Goodbye Eri by Tatsuki Fujimoto was a one-shot web manga released on the Shonen Jump+ Website and published in print later that year. I read it in print, this review is actually a reread. Spoilers for first third or so of Goodbye Eri and implied spoilers for Fujimoto's other works mostly Fire Punch. Also like TW for mentions of: Terminal Illness, Parental Death, Suicide, Domestic Violence

(Eri, Sorry for blur but I thought it was in theme)

Now that I think about it, Eri or Togata should be the profile picture, I just had Asa on hand. Goodbye Eri is a work I very much enjoy ^.^ It and Togata's film metaphors in Fire Punch are major reasons I started posting reviews particularly of movies in the first place. That as well as a High School film class with the most tired teacher on Earth, who seemed to actually like all the work I submitted. I think that a lot of the time it's hard to find good movies coming out, most movies in good ol' USA anyway are mostly made for money. I mean I can't really blame them I guess movies are freakin' expensive dude but it's not so often I feel you find something real nice that's not from an already well established director like my good pal Wes Andy. You see stuff like spider verse maybe but then you here about the horrible working conditions behind the product, ugh product that's nasty let's go with.. uhh piece? movie is probably the best bet.

Anyway Goodbye Eri is about watching movies, making movies, relationships, memory. By the way I promise you this is not just going to be a plot summary though this next paragraph will be the start of the book. Yuta's mother gets him a smartphone for his 12th birthday and asks him to record her dying moments as she has some sort of terminal illness. The entire manga is shown through a phone camera btw usally using landscape shots. After he runs away, failing to capture his mothers final moments, and turning it into a movie ending with an explosion. His movie gets mocked and he decides to take his own life, but before he can jump off a hospital roof, he meets a mysterious girl named Eri. Eri recognizes him from his movie, drags him to an abandoned building, and makes him to watch movies so he can make a better one. This like reignites his spirit.

(Eri Intro Panel)

I really really like Goodbye Eri. I know Eri probably gets the MPDG allegations and that's like.. stupid sorry. I'm sure she does in the same way Togata (Fire Punch) does, but Togata is like not that he's pretending to be that. I'm not gonna go very far into that this isn't about Fire Punch. Anyway I think Eri is far too interesting for that. Yuta also is a very interesting character he's kind of a weirdo but of course he is I mean it seems like he's sort of an outcast he spent his entire middle school making a movie about his dead mom. This book actually inspired me to watch a movie everyday which I consistently fail but y'know I get better at committing every week. I think this one-shot also really shows off Fujimoto's grasp on like the "Silent Panel" how he can show a lot without any dialogue or very little for even whole pages, he's also insane at slightly shifting expressions. There are also several pure black panels, this is interesting to me because since the story is shot through a phone and it is a "video" his phone must be face down, there's probably background noise. I also think the subtle habits Yuta and Eri notice from each other is very accurate to what happens when you spend a lot of time with someone. There's also a very cool blur effect in this manga, someone told me if you remove all the blurred panels the story is different, but I don't think that's necessarily purposeful? Idk, tell me if anyone knows anything

Major Spoilers Past Here

It's absolutely worth buying this because it's so interesting on reread due to sort of a major twist in the middle/end. His mom wasn't a good person. You could guess this by her strange almost cruel request of her 12 year old son to film her death and Yuta's father crying earlier on but this could all be interrupted as just the grief of her tragic situation. But no, she yells at her son and her husband, she hits Yuta at one point, criticizes what he films and is calls him useless to his father in her final moments. Yuta's father was shocked when she was a good mom in the movie, Eri says he shoots his mother beautifully. We also find out later after Eri dies(?) from Eri's one other friend that she had glasses and a dental retainer, which were taken out from the movie. This means every single shot with Eri that actually happened was reshot. This kind of explains her movie like dialogue in some bits where she's just trying to be cool or dramatic. I love the ending, it's so interesting that where you think would be a title drop it's only implied by an earlier shot.

(Yuta and Eri)

TLDR: Buy Goodbye Eri from a bookstore or pirate it I'm not your boss, you'll always find something new when you read. Heavily Recommend. It made me cry it's awesome.

[theneighborhoodwatch]

ramble about wally & home's codependent swag. do it. you know you want to /lh

sorry for sitting so long on this one, anon. it's good to let thoughts Ferment sometimes. anyway - [pulls up a chair to sit down on it backwards, facing you]

so, the way i see it: it all comes back to home, yeah? home is not just the house - home is also the name of the town, it is very likely the town itself, and that town may be (as far as we know) the entire world. the very Concept of the home been discussed by clown as a central theme of welcome home a few times on his blog. when i say that home is everything, i do mean everything, and i don't think there's anyone for whom that rings more true than wally.

i know i link back to my older posts a lot, but i swear this one is relevant bc i wanna elaborate on a point that i make in the first half of it: the way i see it (as of the time of this writing) home, in all senses of the word, is wally's top priority. which is not to say that his devotion towards home supersedes everything else, but that everything else sort of feeds back into it by design. the neighbors? they are there to inhabit home. we, the audience? we are there to perceive home and round out its population. the WHRP*? they said it themselves - they're there to make that fucking house a home. home is everything, and in turn, everything is for the sake of preserving home. wally cares for his neighbors, and he cares for Us, but would either of those still be the case if there was no home to preserve? i'm not sure.

there is a catch to this, though. of course there is. wally's identity already seems tied pretty heavily to other people; he learns from his neighbors, and he does so on the audience's behalf. given everything i've written in the above paragraph, this can arguably be an extension of his devotion to home, however genuine those relationships may be in their own right. in other words, home (more specifically the restoration/preservation of home) is not only wally's chief motivation, but as far as he's concerned, the reason he exists at all. i think a lot about these tags that @pretty-in-possible (hope you don't mind the tag) left on a post of mine describing their image of wally:

and i had something very similar in mind. if wally's goal truly is the restoration/preservation of home - in this context, his raison d'être, the basis for his entire sense of self - then i can imagine why he would be willing to follow his original role as closely as he could even 50 years after the end of the original show. i can imagine that outgrowing that role in any capacity would feel like a sin. i can imagine that watching his friends outgrow theirs, or at least express a desire to do so, would seem extremely reckless to him, if not an outright betrayal.

("wait," you might say. "doesn't tampering with the site technically count as him adapting/evolving past his original role as audience surrogate?" "yes 8]" i would say. i would not elaborate, and then we would move on.)

i've mostly been talking about wally's side of things, and the reason for that is mostly that wally is just easier to speculate about. home is such a mystery that some people aren't even sure if they're the same being that was on the original show; i've seen people posit that whatever home is now, it is Not what they were originally, either that they're undead or that they've since become a husk for Something Else to inhabit, or some third thing i'm forgetting. either way, i think it's interesting that as attached as wally is to home, even he doesn't seem to be able to assess whatever their needs are with 100% accuracy - if the duet audio is to be believed, there's at least Some guesswork involved. who's to say that wally isn't just hearing what he wants to hear, at least some of the time?

i wonder - how does home feel about being an Embodiment, not of just the town, but of the very word "home?" are they frustrated with the fact that even wally, their own inhabitant, can never fully understand them, and has become resentful? do they appreciate the effort regardless, but feel a growing impatience gnawing at them day by day? are they apathetic at best towards wally, but need him to fulfill some goal or another, since they're an inanimate building? either way, i can't help but feel that home also relies on wally in some way; perhaps not as heavily as he relies on them, perhaps not in the same way or for the same reasons. but there is something Mutual there, i think.

tl;dr: these two are hurtling towards disaster and i, for one, cannot wait to see every last bit of it. here are two songs that remind me of them every time i hear them, the realization of which is often accompanied by guttural wailing.

* wally doesn't seem to have any strong feelings towards the WHRP team outside of maybe sharing the same motivation as them (i.e. restoration) but this may be because he's either hiding from them and also doesn't seem like the kind of guy to Express negative emotions, or he because he is the WHRP team - we'll see how things shake out.

[my-castles-crumbling]

Hi. Um. So I'm really nervous about this whole “sending people a vent anonymously” thing, but I've seen ppl so do this so so so much and I've written once to you before so I think this might be an okay place for me to kind of just live in. For a bit.

Okay, so I've always known that since forever, I'm open to dating anybody, no matter what's in their pants or what ever gender they identify as. If I like them, I like them. That's that. I mean I have a preference for boys I think but girls and enbys and everything else are totally my vibe, as long as I like them enough.

One time I had a crush on a boy (We'll call him Aj for short). I think I fell in love with him, even though my crush on him ended up being found out. (Which, all in all, was absolutely devastating.) Aj was this beautiful, funny, kind, and overall amazing boy that I deeply cared about and he was my bestest friend. He'd pretend to be characters from series (particularly Attack on Titan characters) and it'd be entertaining since he was quite good at it. Eventually I told my gbf (A, for lack of better name) that I liked him. And I think she told a girl who we'll call Al (who, coincidentally, liked Aj too). I don't know if it was her. I also told this girl who I'm naming E since she asked. I trusted her despite not knowing her well. One of them told him and after that it got out to my whole grade. I hated it but got over him fairly quick.

I think it's happening again. And I mean like I think I'm falling in love again?? With a boy we'll call B. He's really sweet, funny, pretty, and honestly quite cool. We bicker all the time and our classmates call it “couple fighting” which is something that neither of us comment on. I like B a lot.

Except that the idea of being with anybody makes me sick. I can't even imagine it. I can't see myself in a future with anybody and I don't know why. But also. The idea of being alone forever makes me feel weird. Not good, at least. I mean I know for a fact I don't want to marry or have kids, something I'm committed to. But I don't get why all my friends can see themselves with kids and married and a husband/wife and I just CAN'T.

Yet I still like B?? I mean, when I like Aj I could see myself staying with him, being loyal and all. Not married or having kids but I could see myself with him.

I don't get why nobody else feels like this and it makes me feel like I'm just the odd one in the group and that, being the outsider, makes me feel terrible because I've always tried to fit in and be friendly. (something, I've been told, that I'm not good at. I have anger issues so that doesn't really affect me but now it's making me upset)

And I rlly don't want to bring this up.

Dunno what to do. I'm completely lost.

Also you're probably going to ask when I wrote to you before and honestly idk what I wrote or if you responded to my specific ask. It was really similar to “drained anons” first paragraph but I'm honestly unsure. Dunno if you got it or not. I remember saying something about being scared of my mom, on good terms with my siblings, my transgender issues (feeling like a boy mostly and a girl other times), and also my friend A’s (gbf, here) mom issues and wanting to help A. I never said anything about pills or sh from what I remember. So I don't think I'm drained anon. I did say that you don't have to respond tho

Okay I think I'm rambling sorry I'm done this was all I needed to say lol byeee <3

Hi!!

There's absolutely NOTHING wrong with wanting to be with someone, but not wanting to get married or have kids. I know plenty of people who feel this way.

I think when people are younger, they fantasize about marriage and having children because they might only think about the romanticized parts. But as you get older? Trust me, you will not be alone.

Also, I truly think, if you like B and B likes you, there's no reason why you shouldn't date. You're still in school, you don't have to talk about marriage and kids anytime soon. I would just talk about it if things get more serious.

But yeah- there's nothing wrong with your feelings, and you're definitely not alone.

I'm naming you commitment anon in case you write back.

[thenexusofsouls]

Ramble about an OC muse of your choice!

{i am the caretaker of souls} I'm torn between rambling about an OC I think people might actually be interested in, or going with my first instinct and who came to my mind first, which is a character I've never been able to get much traction with at all on this site, since I first introduced her about nine years ago. I'm... gonna go with the latter. Sorry, everyone, heh. Trigger warnings ahead for some discussion of my own mental health and reasons for creating the character that stemmed from some of my real-life problems.

Alright, I'm gonna ramble about Channe, but... I don't really know what to say. I just feel like i should ramble about her, and that if I had to pick any random OC, not just on this blog but of all time that I've made in my life, it should be her. She was one of the first OCs I made that was really developed beyond just a character sheet for D&D. There was Silence before her (yes, Silence Leaflin, the character I take my pen name and online alias from), Saffron, Eyal, and Anora... all OCs that were created before their stories existed, because of D&D games. What I mean is, these OCs were all created from a random idea or five before I had a story for them written. Later on, my usual way of making OCs was to start writing a book and then just plucking a few of them out of their stories to do various things with them. But I started out making OCs for D&D that then ended up in short stories or books. Channe was the first one to take off in a big way.

I first made Channe around 2005, when the Chronicles of Narnia: The Lion, the Witch, and the Wardrobe first came out in theaters. I had read the series of books that inspired the Narnia movies a year or two before, and two years prior, in 2003, a movie called Darkness Falls came out. In 2005, I also started running my very first D&D game in person with some friends from my work. I had been playing with most of them since 1999, but I hadn't ever been the DM before. My boss encouraged me to try it, hoping it would help me break out of my shell because I was labeled as quiet, shy, and a wet blanket, heh. He had written fantasy books before and was a master storyteller and game designer, so I felt a lot of pressure to come up with something really cool. Channe was the first character I created, out of literally nothing in my head one day, influences by the two movies I mentioned above, a painting by one of my favorite digital artists, and... my own issues in real life? Heh. Skip the next three paragraphs if you don't want to read about some personal things I'm going to share about myself and my process of making her.

I wouldn't call Channe a self-insert, really, because I didn't feel like I was being myself, and I didn't want her to be me. More accurately, she was my create manifestation of what my "issues" might look like, personified. So I've never been formally diagnosed with autism or ADHD or anything like that, but from a very early age, I've always felt like I was different from other people. I didn't think the same way, didn't function the same way, had trouble being "normal," and had to work really hard at it so that I wouldn't embarrass myself in public.

Long before I ever knew things like autistic masking were a thing, or what it meant, or why it's done, I felt like I was doing it. Again, I've never been formally diagnosed as I can't afford the testing, but that's the closest thing so far to what I feel like I'm doing that I've been able to find. I always felt like I had to wear a social, emotional, and personality mask ever time I left the house, or people might figure out I'm not "normal." There's a lot that contributed to that which I won't get into, but that's how it felt to me. I also have a number of very odd and crippling phobias that seem to have no root or origin story to them, such as being terrified to be videotaped, even if it's just my voice. Some of my phobias are things that I was told must stem from abuse of various kinds, but I was never abused. I had wonderful parents and a wonderful childhood, so I have no idea where these phobias came from. But that led people to not respect them, and to say that I was only behaving a certain way for attention.

Because I didn't feel "normal," I had a chronic illness that often left me in pain and ostracized at school in embarrassing ways, and I had these phobias that seemingly had no root and therefore weren't "real" to most people, I was constantly under a lot of stress, feeling like I had to work a million times harder to fit in with "normal" people when everyone else was just going about life. This left me feeling tired, angry, sad, and frustrated almost every day of my life, but I was just quiet about it. Unfortunately, not much has changed 20 years later. But anyway, because of this, my first instinct was to create a character that was the embodiment of my osbtacles. Not... oh I'm making a freaking dementor-like character that's evil and twisted and- no, heh. What I mean is... if I could show people on the outside how my stresses and traumas felt on the inside, what would that character look like? What would they be like? What would they believe in? What would be their goals? I wanted to take everything that was invisible on the inside that no one respected as real obstacles to overcome in my life, and bring it forth, make it visible, like a dragon or a monster from a child's nightmare made flesh.

And Channe was born, heh.

So she wears a literal mask, because she's disfigured from an attack stemming from mistaken identity. Someone mistook her for someone else and disfigured her. The disfiguring makes it difficult for her to talk (she had to relearn how), it makes her insecure, and she lives with constant physical pain. It was allowed to heal on its own instead of being magically healed, so it can't be fully healed now because there's technically no injury anymore. But the scars remain, and so do the hindrances to her everyday life. But no one knows, because she keeps her disfigurement hidden beneath the mask, and shrouds herself in robes to even hide the rest of herself, because that's how she feels comfortable. So you can kindof see where my 25 year-old self was creating, not really a self-insert, but more like a self metaphor for how I felt moving about in "normal" society.

You might think this would be really personal or nerve-racking for me to create a character like this and then throw her at a bunch of people in a game, heh, but it wasn't. Because people don't know the half of what's going on with me, I hide a lot, I mask a lot, I'm good at faking it. Even for presentations in grad school I was terrified for, where my hands were shaking and I felt like I was going to pass out, I was always told that no one noticed anything but confidence. So to me, I was putting a fantasy character out there. No one had any idea what she represented to me, and I didn't share.

But even though Channe started out as this, she ended up taking on a life of her own and morphing into something I never could have expected. Where I stayed stagnant and even regressed in my social skills and confidence, she learned, adapted, and excelled. She became stronger, while I kindof stayed the same or got worse. And beyond that, a whole world began to form all around her that ended up being one of two worlds that were my largest, most detailed, most character-laden worlds I've ever created. She grew from a frightened teenager into a powerful queen, not always right or moral or reasonable, but her heart was in the right place. She knew she wasn't always steady or just, and so she surrounded herself with the right people who could council her. She had been discarded in life, seen as different, persecuted for what she was, and so she made her kingdom a sanctuary for misfits, orphans, refugees, and anyone else who needed refuge from a world that sought to define them too harshly.

I was amazed by this, heh, like what... are you doing? How are you doing this? How is this coming out of all the worst parts of myself and everything I hide from people? She took my weak and worst traits and somehow became something great, which is something I could never do in real life. I guess, with her, I took everything I wanted to become but couldn't do because I was too scared... and made it happen.

I don't want to get into her family, her subjects, her knights, her friends, her adopted children, her lovers, her enemies, etc. because I will be here for five years, haha. There's such a ridiculous amount of detail in this world it's not even funny. But I've rped so extensively in that world, through texting with friends, D&D games, and a wee bit on this site at times. I've written a 500+ page book I never finished, and about 300+ more pages of companion information, short stories, dictionaries, maps, and notes on culture, religion, history, and timelines for the world. And it all started with Channe. She was the first point I created for this world, and now it consists of several countries and kingdoms on a few continents, an original language, an original race, many original creatures, and hundreds of OCs.

I feel like a lot of her info is in her About post, so I won't go into detail here, but I guess I just wanted to rant about where she came from, how I created her, and what she means to me. I have... such a deep affection for her, it's not even funny. I have a mask ring that I used to wear every day that reminds me of her, and to this day, whenever I have something I have to go do, whether it's for work or a doc appt or anything where I know I'm going to feel out of my element and stressed, I wear that ring. After all these years, she's still very much a part of my writer's brain and my heart, and that's... honestly, I wish everyone could have that feeling of creating an OC that takes on its own life and becomes someone you love and who is important to you beyond just the written word. Like when you find yourself thinking of their quotes for extra assurance, or you think of their strength to help you find your own, etc. And I'm gushing and sounding like an idiot, but Channe and I go way back, haha, and she means a lot to me... and I guess I just wanted to share that with all of you. =)

She's from the same world as Jix and Aurelien, incidentally. Jix... is a bit of a pest to her, haha. He steals the raisins off her scones, lol. But otherwise she realizes he's harmless and she puts up with him, and he finds her eccentric but he still tries to be her friend, heh. Aurelien......... is a bit more complicated. He used to be soul-bonded to Channe's former lover, and things between them ended really messily and badly. So Channe wants nothing to do with Aurelien because he reminds her of her former lover Sri'hen... who, btw, was loosely inspired by Nuada. XD

I'm not sure why I still keep Channe on this blog, or why I still keep her blog even though I know I'll never return to it. I guess I do it out of respect for her, heh. Almost like... she's earned her place of status with me so she deserves to have these spots still, even if I haven't rped with her in years. And I really don't blame the lack of activity on this site or the people on it, like... she is a very strange character, very triggering for many, and she's not easy to get along with. That's why I just kindof let her sit here on this blog, I let her have her space, and don't force her on anyone. It just feels nice to have her here, even if I don't write her in anything, you know? =)

Alright, I feel like I've rambled on long enough, heh. If you've made it this far, thank you for taking the time to read this. I just want to add one little thing here: OCs matter. Mine matter, yours matter... the process of creating them is real and hard and valid. Make them for you, first and foremost, and don't let anyone bring you down about them. This site can ignore and make fun of and shun OCs like a champ, but it still can't take away that you've created something from nothing. You've done what a lot of people can't do. That's your brain baby and you should be proud of it. It's worth the time and effort, even if all you do is write it for yourself. It's an amazing process and if you're capable of it then please do it, no matter what anybody else says.

Thank you for sending this in! It gave me a chance to think about her and write a bit about her, which I haven't done in a really long time. It felt good. =)

[nightlight-rising]

scrolled a bit so hopefully this isnt super late, buuut heres this!

🥭Share a snippet (3-5 sentences / 1 paragraph) of lore you wrote and give us the author's notes/director's commentary!

this answer is so late im sorry ToT i had a hard time deciding what to share bc honestly i kinda just.. dont write lore lol (most of it is just kinda basic/straightforward descriptive stuff) BUT HERE !! :

"Forgotten legend tells of an ancient minor deity; a God of Flowers known as the Darling of the Glades, whom the Gladekeeper loved dearly. The God was a peacemaker and entertainer known for her kindness and carefree nature. In a conflict between the plague and nature siblings, the God of Flowers stood before the Plaguebringer and sacrificed herself to save the flora and fauna of the Viridian Labyrinth."

- Exerpt from my Clan progenitor Anemone's lore

i've had the idea of Anemone being a shapeshifter with a special connection to the Gladekeeper for a while now, but haven't written her any actual lore until recently. A really long time ago (back when I first joined in 2016) i wrote a little bit about how Anemone and her mate Bacarra met, but I didn't really feel attached to that story at all and basically haven't thought about them until a month ago.

The concept of doomed relationships in general had been stewing in my brain around then, but for Anemone and Bacarra, I went with a more "i will find/love you in every universe" type thing, which for me made their relationship feel 1000% more compelling. From there I took elements like a sacrificial deity relationship and worldly memory loss (which i admit were both inspired by genshin impact iykyk) as well as a deity/worshipper relationship turned romance for Bacarra (which is also definitely not inspired by tgcf). What can I say, my favorite straight relationship troupe is "GOD I LOVE MY WIFE!!" (<- not to say their relationship is entirely straight when one is a genderless shapeshifting ex-deity)

Putting this into lore also helped me connect Anemone to the Gladekeeper more intimately and give her a more solid/direct reason to have beef with the Plaguebringer

anyway I think I rambled enough about this and tysm for sending the ask!! Someday I will be inspired to write more storylike lore for my Clan...