#my first one piece gifset

[twirlymarimo]

ONE PIECE - EP. 1097

[sherrymagic]

They're not mistaken. The fact is that my soul seems to have entered someone's body. [...] His name seems to be the same as mine. Maybe the Grim Reaper dragged off the wrong person.

Poom Phuripan as JOE in Episode 1 MY STAND-IN (2024)

[beaulesbian]

And what's with the third sword?

[aenslem]

ONE PIECE (2023–)

[thelassoway]

Ted Lasso S02E08 Man City || Ted Lasso S03E06 Sunflowers

[ghostsofharrenhal]

OPLA x REPUTATION (PART 1 | part 2)

[variousqueerthings]

okay I watched good omens s2 yesterday with my partner, and I was genuinely very surprised -- I think if you've grown up through superwholock/merlin/the 100/teen wolf type shows where (with the exception periodically of doctor who) you kind of had to make up the good show that something could have been in your head, that colours a lot of your viewing, and to be honest I thought season 1 of good omens was a fine little piece, honoured the book while modernising it somewhat, it was a nice, fun, low stakes time, with a couple of things I might have wanted a tad different but nothing overall awful.

so I was seeing all this meta and gifsets and discussion, while I was waiting to give s2 a watch with my partner and thought "ah, people have made up the good show in their heads again" not that I assumed s2 was going to be a bad show, but that people were taking extra deep plunges into possibilities, the way fandom does, and that was fine. I knew there was a big ol kiss, I had a sense of some kind of argument at the end, and that it was setting up a s3

I also knew that mainstream reviews were calling it (politely) self-indulgent and dependent on whether or not you enjoy david tennant and michael sheen having a good time for just under 6 hours

all in all, expectations of a somewhat mainstream show without too much to think about, a nice, fun low stakes time, moving on...

(EDIT: AND THEN I WROTE A LOT OF WORDS SO YOU CAN IMAGINE THAT MY REACTION WAS QUITE DIFFERENT)

as it turns out it seems these things that were being written on tumblr were discussing the actual text of the show and not things you could extrapolate if you squinted and tilted your head a little to the left as I'm so used to doing, so in fact there is much to think about!

and my first thought was "this is like when you read early discworld books that ask a question like a joke, only to find that over time the answer to that question becomes very serious (and also can be funny at times of course)." how terry pratchett would pick and pick at tropes and notions and social ideas and go "oh now hold on, this seems strange..." starting way back when he thought it was odd that women warriors always seemed to be dressed in metal bikinis and then realising he hadn't done a good enough job of subverting the trope, simply by depicting it and calling it a bit silly

why do goblins always get treated as the villains? what's with this divine succession of kings business? where are the female dwarfs? who do we treat as disposable?

good omens season one went: "haha what if heaven and hell were intensely incapable, bureaucratic, corrupt, and uncaring of the work they did, and we took an angel and a demon and had them actually care? wouldn't that be... a bit silly?" (and it was)

good omens season two went: "what are the consequences for caring when the people who have power over you are incapable, bureaucratic, corrupt, and uncaring? what are the forces that supersede systems built on fear, ignorance, and violent conformity? can people change and break out of/challenge/break down these structures by caring?"

and this was set up with a neat little sleight of hand (to reference aziraphale's switch-and-bait in the episode with the nazi zombies), because the majority of season 2 does feel a bit indulgent: hey, remember those two wacky angel-and-demon characters? watch some more wacky things they did through the ages, watch them take a sojourn through 1827 Edinburgh and do a magic show during the Blitz, and... stop the death of Job's and Sitis' children (actually maybe that whole segment ought to have been what they call "A Clue")

see them try to figure out a kooky mystery, all the while setting up a cute little same-gender romance on their street. watch as everything points towards a happy ending that's all about the two of them realising what they've been to one another all these thousands and thousands (and thousands and thousands) of years- but hold on. lest we forget - and the show has made this point over and over - there are powerful people who control them, who hurt them, and who plan on hurting others, throughout the whole season, and as it turns out they know what they've been to one another for far far longer, and know how to pull their strings...

season 2 then, has to show us these things, not because they're indulgent (well, maybe occasionally, but the apology dance is still important), but because in order to make the ending a tragedy, we first need to understand, properly, the impact that they have had on each other. we need to understand that Aziraphale relied heavily on Crowley to be his moral compass and leaned on black-and-white thinking in order to deal with things, because if it's all grey then where does he fit and what has it all meant and heaven has to be the good guys, even as Job's and Sitis' children are ordered to be killed, it's all he ever had...

and Crowley was always an anchor, needed to trust that Aziraphale was different, needed to bend to every whim that Aziraphale has, because otherwise what's his worth in all this? After having been already deemed worthless by the heaven that Aziraphale needs to believe in?

and that, simplistically described, is the narrative that we're seeing in s2, and alongside that the ways that the changes they have upon each other are noticed, and monitored, and placed under suspicion, and finally... broken up, not by the clumsy, brute force that's been attempted over and over again, but by a promise to return into a violent, controlling system and to "make it better from within"

and all of this is wrapped up in two queer relationships + a third queered-within-the-text relationship that creates the inverse of how it ends for Aziraphale and Crowley (so far). queer love -- whatever shape that has -- is explicitly the shape of non-conformity within this narrative, including within the symbolism of angel-and-demon love of Gabriel and Beelzebub, which in the context of the systems created is considered queer (and one can argue till the cats come home about casting cis actors, about angel-and-demon notions of gender/romance/sexuality, but the "queerness" comes from building something non-conforming to the systems they exist in), and enforced by the explicitly our-world-definition-of queer romance that Nina and Maggie have going on (which, while less high stakes, still contains the background controlling relationship that Nina initially is in)

all of this to say, that I disagree that s2 meanders, or that plotlines happen for the sake of showcasing Aziraphale and Crowley without purpose, or that characters get sidelined (I'd say it sets up a whole host of interesting characters to further get into actually), or that it's strictly mainstream easy-access narrative that's just an excuse for the main creators and actors to get back together.

the love is the point, and this show takes its time to show the love (and the unequal boundary-setting, and the fact that one of them has an undiscussed tragic backstory, and the desperation to belong again, and the fear instilled by oppressive systems, and and and), so that we understand why those last 15 minutes happen the way that they do

it's sleight of hand, and like all good magic, you don't notice until it's happened

[kataang-week]

Trick or Treat, Kataangers!🎃

Katara and Aang sprites from Distant Horizon. Graphic created by Mod Belle @itsmoonpeaches.

🦇What is Kataang Halloween?

Kataang Halloween is a one-time, three-day mini-event hosted and created by @kataang-week on Tumblr for the first time this year. (However, there is potential for it to happen again in the future.) Kataang Halloween celebrates Kataang with a Halloween theme. All prompts were chosen by the mod team.

🦇Cool, when is it?

Kataang Halloween starts on Thursday, October 31, 2024, and ends on Saturday, November 2, 2024.

🦇What are the prompts?

In honor of Halloween, we're using lucky number 13! There are 13 prompts for each adventure.

"Trick" prompt list:

Old Spirits

Family Secrets

Altered State

Moonlight

Teeth

Demon Claws

The Deep

Offerings

Inner Palace

Lost

Grotto

Cliff Edge

Poison

"Treat" prompt list:

Taffy

Candied Haws

Lanterns

Mid-Autumn

Mooncake

Crunchy Leaves

Warm Drinks

Pumpkins

Chrysanthemum

Sharing

Toadstools

Apple Picking

Paint

🦇So how does this work?

Choose your own adventure! You can take inspiration from the Trick prompts, Treat prompts, or both! Feel free to mix and match prompts to create spooky and/or sweet Kataang content.

Anything you can think of counts as content as long as you fill one or multiple prompts at a time. Fanfics, fanart, gifsets, metas, edits, playlists, moodboards, music, etc.—the sky's the limit.

🦇What are the rules?

Please create your own original pieces. We do not accept AI-made fanworks.

We only accept new works created for Kataang Halloween, not works that are retroactively said to be created for Kataang Halloween. However, you may create something that fills a Kataang Halloween prompt for an ongoing work like a chapter fic or an ongoing series. See this ask for more information.

We accept all range of works. However, bear in mind that this is an all-ages event. If your work contains themes or imagery that may be intended for older audiences, tag and warn people thoroughly. Works with adult content must have an all-ages appropriate preview.

Do not repost other people's works. Reblog their original post if one exists.

If a creator/author/artist has requested you to post their work for them, remember to credit the original and link back to their page.

Be respectful in your fanworks and to others participating or enjoying the event.

🦇How should I tag my work?

The easiest way for us to find your work so we can reblog it to this blog is by using the tag “kataang halloween”. Using “kataang” and “kataangtag” also help. You must tag one of the three in your first five tags otherwise it doesn’t appear in the search. It is also helpful to tag us directly with @kataang-week.

Sometimes even properly tagged posts may not appear when we search the tags, so if you do not see your content reblogged, please let us know.

Once we’ve reblogged it to this blog we add our own tags (a prompt tag and a user tag) for easy organization. This means we can find all the work for one prompt or all the work from one user in one easy click (this also means that if you have changed your username since participating last year you need to let us know so we can update your tag!).

🦇Can I post my stuff other places online too?

Of course you can! However, we won’t be able to reblog anything that isn’t a Tumblr post.

For those of you who will be posting your works on AO3, feel free to add your fic to our Kataang Halloween AO3 collection.

🦇What if I have late submissions for Kataang Week 2024?

While we will not reblog any late submissions for Kataang Week 2024 during the Kataang Halloween event, late submissions for Kataang Week 2024 will still be accepted up until Kataang Week 2025, so don’t be shy and don’t worry about giving the world more Kataang content 💖 We always welcome it!

As always, if you have any questions, feel free to submit an ask to the Kataang Week blog. See you on Halloween, Kataangers!

🦇Who are the mods?

@airbender-dacyon AKA Mod Dan: A Kataang fanfic writer who prefers fluff, but also loves some drama and angst. Mod Dan started writing Kataang stories in 2013 and has helped organize Kataang Week since 2016.

@penguinsledder AKA Mod Atarah: A writer, gif maker, and musician–she enjoys fluffy young adult Kataang and all the ways they complement and parallel each other. She first joined Tumblr for Kataang Week 10 years ago, and started helping out with writing posts and making banners as a mod since 2016!

@itsmoonpeaches AKA Mod Belle: An avid Kataanger with a penchant for angst and mild violence who likes writing. Mod Belle has been a mod since 2021 and helps write posts and social media.

@chocomd AKA Mod Celes: Fanfic writer who adores Kataang for their fun and flirty side but also their bond forged through grief and loss. Mod Celes joined in 2023 and helps with a little bit of everything - whatever needs to be done!

[frmulcahy]

Listening to an episode of the @antiquesfreaks podcast where they cover the costuming in The Terror and here are some amazing moments:

"But Ken, are you the only one of us that put themselves through reading the book?" "I did. Because John Bridgens was trapped inside and I had to get him out and if I read the book good enough, perhaps I could save him"

"If you don't tell these men what to wear, they're gonna look like straight up hoochies."

"As we see in the later episodes of The Terror and discipline does break down and Dundy just starts showing up to command meetings with his suspenders out! Slattern that he is!!!

"Victorian Navy: one to one analog to working at present day Target."

"I heard they flog you at Target."

"I was press ganged into working at Target."

"It's Victorian times. Everyone's wicked fucking repressed and they're about to get wicked un-repressed whether they like it or not, and they're going to show that through their clothing."

"a blur of muttonchops"

"I pre-gamed the show for 5 years with gifsets on tumblr to makes sure I would be able to tell at least the major speaking roles apart, and I still could not tell Little and Jopson apart until I figured out they had different eye colors."

"And now I'm Pilkington SpottingTM as a hobby"

calling JFJ a "fashionable boy" with his "nippies out" because he doesn't button up his coat all the way like Franklin and Crozier

The two regular hosts repeatedly comparing themselves to a delinquent class that their guest is stuck substitute teaching

"I think my character would be hitting a fat doobie right about now"

Discussing Jared Harris being obsessed with his own costuming details like all the mending on Crozier's clothes

Jopson's first appearance - "he's normal and they're normal and everyone's having a normal time here on this completely routine expedition." "It's so normal. Do you ever fall in love with your boss???" "It couldn't have been more erotic if they had just had gay sex."

Stanley and McDonald's button grouping on their uniforms to denote rank

THEY TALK ABOUT THE ICONIC JFJ GANSEEEYYY

Also Irving's Sanquhar scarf :')

"the red sweater of tenderness" sobbing screaming throwing up

"I think The Terror would have been improved if all of the marines had Boston accents for no reason"

Also marines vs normal sailors

comparing sailor's clothes to fast fashion because it's not very tailored lmaooo

The canvas overcoats being period inaccurate but still neat because they're referencing later polar expeditions like what we see on the guys in the Shackleton expedition etc

They talk about irl Goodsir's letter about clothes and the many many shirts!

Nive having to wear a cooling vest under her costume since it was real caribou fur and her coat being patched with sail cloth later.

They go into Yup'ik masks which is super cool! As well as have a conversation about the ethics of visuals/information/knowledge about indigenous artwork being shared with folks outside of those communities.

Repeated! Dan! Simmons! Roasting! As! They! Should!!!!!

Reapted! Nive! Nielsen! Praising! As! They! Should!!!!!!!!

Sophia's "oceanic color theme"

"They let the dresses have colors. The dresses have colors. The dresses have bright beautiful colors, and it's great."

"They had invented aniline dyes and they were about to make it everybody's problem!"

Lady Jane in more solids vs Sophia in more patterns

"'A woman could never possibly understand polar exploration' meanwhil Silna's up there doing it better than all of them."

Clowning on how other period pieces never use bonnets and always fuck up in the hair and makeup department

"I found Harry Goodsir's fursuit btw"

"On a scale of Calypso's Birthday to Fitzjames's Carnivale, how's your impromptu nautical drag ball going?"

"It's actually exactly like The Purge." "It's like a little Victorian maritime Purge."

"As far as metaphor and literary analysis and whatever, scurvy understood the fucking assignment."

"I punched in Scorbutic Nostalgia so that I could remember to read about it later." "I have some literature for you if you want." "Yeah fantastic! I love disease"

"CGI bear expensive"

"This episode comes with a heavy caveat of 'go to Terror Camp'" amazing.

THE DRESSTM

Tozer's Hotspur costume and Dundy's Henry VI costume and their relevance

"This is the last we see of Party!Dundy"

(About Little) "Every day he gets emails :("

Bridgler and Apollo/Hyacinthus stuff fuuuuuccckk

"Hodgepodge, my boy"

"Oompa loompa doompity dacticals, don't indulge your morals over your practicals"

"Rip Hickey you would've loved Joker"

Not a silly quote but just a really fantastic one: "That is what the best historical designers do, is they find these nuggets of information that allow them to tell a story with authenticity, both in a way that is historical but authentic to the characters as well." EXAAAACCCTTTLLLYYYYYY

"Whomst among us has not Joplarped to get through the workday?"

[laurabenanti]

I got a couple of asks on how I did the text transition in this set. I'm going to explain as best as I can (with image references).

*Disclaimer: this assumes you are have a basic understanding of giffing with video timeline, and keyframes. If you're new to keyframes, check out this tutorial by @userpeggycarter before proceeding.

Step 1: Go through, make your gif, color and all that jazz. if you're not familiar with giffing and need a guide, check this one out by @cal-kestis. Be mindful of the number of frames you have, as it is extremely important when keyframing begins. Make sure you have an even number of frames, or you will have an uneven transition. For this gif I'm at 60 frames total, and I'd be careful exceeding 70, as if you need to go back and delete... It just sucks, so be mindful! You'll see my gif and coloring under a group I titled "base" - and I highly recommend putting your gif/coloring/etc. into groups, as it will make the timeline a bit cleaner, and it's a little easier to find everything you need. But when you're done, you should be here:

*Quick note 1: Make sure your gif is in 8-bit mode. If you aren't familiar with bit modes, that is a tutorial for another time. For now, you can change it here:

Step 2.1: Pick your font/placement/etc. I really recommend being 100% on whatever you pick, along with the size. I've encountered problems when I move the font after the fact with alignment, so it's best to look your gif over to ensure you're satisfied. For this set, I went with Figtree, placed dead center.

I want to add to this by saying, thus far, I have found that white is the only color that works for this. I'm playing around with some other options, but black is 100% a no go. If you find a way to get that working, let me know. I'll amend this tutorial.

Photo of text settings, along with where you should be now.

Step 2.2: Since we're transitioning into a new set of words/text, you need to get that text ready as well. Shorten the length of time the first piece of text runs to halfway (I have 60 frames, so I cut it to 30).

Step 2.3: Duplicate your text layer, type your other text. The two texts should show for length of time, as you have an even number of frames, meaning you can divide by 2. Move it over to the end of where the previous text ends. If that makes no sense, it should look like the below: (again, folder for the typography to know where to reference. I have a small organization addiction so.. creator's choice)

*Quick note 2: I do not recommend changing to a new font or size with this, it won't look quite right. Of course, experiment away! This is just a small caution based on my own experimentation.

Now, to get to the actual fun part...

Step 3.1: Duplicate the first text layer. For this gif, it's the one that says "it didn't change anything". Once you duplicate it, you'll be turning it into a smart object. This is so the filter we apply works. Repeat for the second text layer. Lil gif below:

Quick note 3: I recommend going one text bit at a time, and also would tell you to put each typography layer into its own folder. This is really important for later, so doing it earlier is better.

Step 3.2: We will now apply the filter. To do this, you're going to click the smart object version of our text, then go to Filter → Stylize → Wind. For the gifset I made, I used Method → Blast and Direction → From the Right. Click "OK" and the filter will apply. Duplicate this for the other text layer.

Step 4: We now begin the keyframing. I highly recommend the rule of 0.3, which is when your transitions are over the span of multiples of 3 (i.e. if you start at frame 1 with 100% opacity, frame 3 will be at 0%). We'll be doing 6 frames from 100% to 0%, and vice versa, for this transition. This was the best time I found for this transition, but it's a matter of preference. Just follow that rule of 3.

Step 4.1: Click the smart layer of the text we made on the timeline, then click the little arrow on the left of the name of the layer. You'll see this:

See the little clock next to Opacity? Click it, and you get this lovely little yellow diamond. This is how we control the visibility of the Wind layer. It will start at 100%, keep it there.

Click the arrow on the right of the play button 6 times (aka get to the 6th frame), click the stopwatch again. While on this frame, and the yellow diamond clicked, change the opacity of the Wind layer to 0% It'll look like this:

You will repeat this, in reverse, at the end of the text layer.

Quick note 4: Sometimes, Photoshop is moody. To get the diamond on frame 30 (or whatever frame # the end of your text layer is), put it on the frame prior. You can then nudge that diamond over 1 frame. See below:

Repeat the process for the other text layer.

Step 5: We're basically done! Change your gif from video timeline to frames, maybe do a quick play through to make sure all is well.

Quick note 4 (it's the last one I promise): I have heard from many that when they work with keyframes, they end up with duplicate frames. I, personally, have not encountered this issue. I do not know if it is because of the version of Photoshop others are using, PC vs. Mac, or some other secret third thing. I recommend that, when you check your gif, verify if there are duplicate frames. The keyframe tutorial I linked earlier goes into further detail, and here is another lovely explanation from Nik, the master of all things keyframe transitions.

Step 5.1: Export, and give yourself a high five because you deserve it.

If you have any questions, don't hesitate to reach out! I'll try to clarify anything if needed. Happy giffing!

[nicknelosn]

SHATTERED/EXPLODING TEXT tutorial

hiyaa! @krystaljungs asked me for a tutorial on how i made the shattering/exploding animation of the text in this gifset and so i figured i would make it and post it here, like i did with the tutorial for "falling" text.

i must warn you, this one is really tedious and requires a lot of time and patience. honestly maybe there is an easier way to do this but i didn't find any tutorials for when i needed it so i just went off my ps knowledge and did it myself.

note: you will need photoshop with a timeline!

STEP ONE: create your base gif! be mindful of number of frames in your gif. the number of frames doesn’t really matter here, but if your gif is bigger than 10mb and you have to go back to adjust it all again after you have to delete some layers....you might lose the will to live 😂

STEP TWO: make your text the way you want it to look. this effect is basically the last step of your gif making process. (i will be using the typography from my set as an example as i already have that psd saved)

this is what my typography looks like now.

STEP THREE: now, you will create a new file (with background) and transfer the text you want to "shatter" in it.

here is when things get tedious.......

tip: zoom in the document, it will be easier for you.

select polygonal lasso tool aka this

STEP FOUR: before you start, you need to rasterize type layer. then you will have to "shatter" every letter into smaller pieces. using polygonal lasso tool, select a smaller part of your first letter.

then you will click on that part with the right click of the mouse and selct layer via cut.

now you need to make sure that your new layer is selected and using the move tool move that part of the letter somewhere away.

you will have to do this for every part of the letter and every letter. also move every new layer on top of other layers because they will line up better later like that. then create a new folder with every layer of said layers and rename it after the letter you're shattering. see below. (idk why my screenrecord didn't catch me making layers via cut but you should do that after the use of polygonal lasso tool, as stated above)

note: feel free to şelect parts of other letters as you get one letter, for an even better effect.

this is what i have after "shattering" every letter. the lineup doesn't have to be perfect as you will arrange these parts in your main document. (click on images for full view)

STEP FIVE: go back to your main document and make sure the visibility of your text is turned on.

what you will do now is open the shattered text in the new window and transfer letter by letter (letter folders) to your main document. BUT after you transfer every folder, you need to rasterize EVERY layer and convert it to a smart object. i made an action for this part to make it easier. download here.

(okay i really don't know why my screenrecord doesn't show "pop-up" windows but i was moving the C folder from the document where i shattered the text and then used my action on every layer)

after you transfer the folder to your main document and rasterize and convert to smart object, select the folder and use Free Transform to move it so it aligns with the letter from your complete typography. then you will select each layer and align it with the typography. see below. (click on the gif, i made it bigger so you can see better)

i did this one hastily so the recording wouldn't be too long but i'm hoping you can see what i'm doing.

now, do this for every letter.

after that is done, make the original typography layer invisible, and you should have something like this

STEP SIX: another really tedious part BUT it's time to animate the text.

make your timeline space bigger so it's easier for you to work with it. then select the first layer and click on the arrow next to it (in timeline) so Transform is revealed to you.

now, you don't want the animation to start from the very beginning of the gif, but a bit later so the text is readable before it shatters.

for example, i did mine like this, but that is your personal preference.

note: make sure that all animations start at the same time.

tip: do this for all layers in one folder before you transform them, as it will go faster.

STEP SEVEN: bring the playhead (blue arrow with the red line) to the end of your gif and select one layer in timeline.

now it's time to transform it. use Free Transform (windows shortcut ctrl+T) and drag the part a bit away and rotate it. press enter.

okay ignore the way my text moved upwards, i used the text i used in my edit and i did that animation in the upper part of the gif and i was too lazy to redo the whole animation lmaoo but i hope you can see what i'm doing with the letter C.

do this for every letter. play around with placing and rotation. then save your gif. when you're done, you should have something like this.

again, i was too lazy to redo the whole thing on this new gif so i'm using the one from my gifset i linked in the beginning.

i hope this was understandable and helpful. if you have ANY questions, don't hesitate to shoot me an ask or dm me! i'm always here to help <33

[esther-dot]

Jonsa Reunion

Safe and Sound 1k (I just have to highlight that this was posted in 2014)

Sansa escapes Baelish and finds her way to Castle Black.

Kiss of Undeath ficlet by @haraways

Sansa brings Jon back with a kiss.

Without You I Am Nothing 1k by @asbestosmouth

Castle Black is monochrome, but Sansa blazes like the fires of Rh'llor. Jon cannot help but burn.

Gifsets: Jonsa Hug by @joanna-lannister, Jonsa Hug by @c-sand, The Girl in Grey, Jonsa Hug 1, 2 by @kitnjon

Art: Jonsa Hug, Jonsa Hug by @vierverdeen, Jonsa Hug by @themarmic

Jon Comes Back Wrong

grave-dirt 3k by @charmtion

The edge of the world. The yawning dark. In his chest, a strange sluggish beat.

back in the pulse 2k WIP by @chispas-and-broken-bindings

(Who are you?) A dead man. A monster. The mistake of many and one. (And what have you lost?) Everything. (And what have you found?) You. (And what will you do with me?) Protect you. Always.

Made of Echos and Ice 1k by @thewolvescalledmehome

Ever since coming down from the Eyrie, Sansa has had the same dream. A wolf with white paws pacing in the snow. When she learns of the betrayal at the Wall, Sansa decides to do something about her dream.

i fall to pieces (when i'm with you) 70k by usuallysunny

"Go North. Only North. Jon is Lord Commander at the Castle Black. He'll help you." He'd had good intentions, this broken shadow of a man who used to be Theon, and he couldn't have known. Sansa finds a Lord Commander at Castle Black. He has steel-grey eyes, her father's eyes, and a dark beard framing a strong jaw, and he looks and sounds and moves like Jon... But he's not Jon.

Always Her ficlet by @temporal-tempest

Jon Snow came back darker, unreachable until her hand touched his face. This is what happens when you threaten that which has become the only warmth in a dark heart.

At Castle Black

My eyes were wide open 10k by @eruherdiriel

She hesitates, then reaches for his free hand, his other still tangled in Ghost’s fur. Their palms meet, hers warm against his chilly one, and the relief that rushes through him at her touch almost makes him close his eyes and forget the throbbing pain. “Do you remember what happened?” All he recalls are knives in the dark and cold, bitter cold. * It is in dreams that Jon begins to remember who he is.

Kisses Remembered, Kisses Forgotten 2k by QueenOfSloths

She remembers the kiss that he took. The only thing she doesn’t remember is him taking it. There are times when she is almost certain that she gave it willingly.

'cause i know that it's delicate 4k by @noqueenbutthequeeninthenorth

Set during "Book of the Stranger," immediately after Sansa arrives at the Wall. He goes to build the fire back up, and for a few minutes he stays silent, kneeling at the hearth, not looking at her. Finally he clears his throat. “I know,” he begins, “it’s not exactly what you’re used to — ” “You’d be surprised what I’m used to.”

make your fingers soft and light 10k by @ladyalice101

Jon goes quiet again, and his hand retracts, but just as quickly he is touching her again, oil on his fingers. He works methodically, moving from one wound to the next, one scar to another, from the base of her back to the top of her spine. It’s so gentle, so caring, and the longer it goes on the more Sansa relaxes, the safer she feels. Her eyes dip close under his rhythmic ministrations, and her mind goes blank, and she starts to feel the familiar lull of sleep edge around her mind. “This is supposed to make the scars fade?” Jon asks as he finishes up, his warm hands leaving her back, making her feel cold and startling her from her reverie. “Yes.” She isn’t sure she imagines the tightness in his voice when he speaks again. “If you are to do this every night, then I will gladly assist you.” // Jon rubs a soothing balm into Sansa's scars every night. But that's it. Nothing more. Definitely not. He's just there to help her do what she can't do herself.

as the night came down in a Nordic sky ficlet by @miazeklos

During her first night in Castle Black, Sansa reunites with the true North, and Jon welcomes her home.

Cold Nights at Castle Black ficlet by @estherruth-jonsatrash

They were grown now, childhood behind them. Yet they had been sharing a bed more like children, with the cold at Castle Black leaving them in need of warmth. At least at first.

How I wish you would take me for granted ficlet by @trollslanda

Sometimes her hands would shake- Solely in private, when she broke her quiet surface to gasp for air. Around others she still had a mental block, passively guarding her, bringing out the Stark iron. It made her keep her back straight and eyes steady, put up a solid front. Sometimes it felt like she was rusting from the inside and her brittle bones would never be whole again. --- Set shortly after Sansa has arrived at Castle Black, when she's still learning to feel safe. As it turns out, Jon is really good at that kind of thing.

Remedy ficlet by @wildflower-daydreamer

The night Jon and Sansa reunite at Castle Black.

To break and to mend ficlet @dreams-for-spring

In those moments nothing else matters and they forget what they have lost; in those moments they are more than the sum of their broken parts.

In the quiet of the night 4k by dreams-for-spring

It becomes a habit; each night she unlatches her chamber door, and each night Jon enters just as bashfully as before. Some nights he brings terrible sour wine, and others bitter ale for them to share as they sit around the hearth speaking of everything that has happened–everything except what has passed between him and his black brothers. She knows that is a topic he is not ready to share. Still, she does not find sleep when he leaves, but at least for those brief hours she is not alone, and something small inside of her begins to burn brighter with each night that passes. She tries to ignore the voice that tells her it is hope; hope is a dangerous thing for people like them.

Tous Deux On est Repartis dans le Tourbillon de la Vie 1k by @melimelo-ao3

He couldn’t even begin to picture what she had endured, what she had lived through. Yet, hearing her pleading in the night, he would give anything to know, to be able to understand her, to soothe her. He had only ever wanted to soothe her.

Gifsets: Where Will We Go by c-sand, Brienne Reacts to Jonsa, New Dress by @jonstarks How Could We Know, Sansa Tries Ale, Where Will We Go, Sansa Making Jon's Cloak, I Made This for You by kitnjon

Traveling the North

Five Times They Touch 1k by @justchunkit

She doesn’t touch him for days. Weeks. They travel from keep to stronghold, living in close quarters as they’d never done even as children. She is so close, but an icy veneer has covered the exhausted girl he’d started to know, and they can hardly exchange a good morning without it evolving into an argument.

Some Love Stories Need a Little Help 2k @graceverse

Or how Tormund effectively makes Jon share a tent with Sansa

Unnatural 2k by @amymel86

Once he is close enough, she leaps at him, arms wrapping him up and his nose buried in her copper hair. The shuddering exhale he expels is the most amount of sound he’s made in days but all he can hear is Sansa’s sniffling and the way their two hearts talk to one another in beats of the same song.

Gifsets: Arguing, Eye Contact, Jon Reacting to Sansa by jonstarks Side by Side by @baelerion

Pre Battle of the Bastards

we may only have this night 2k by wearycities

She summoned an image of Jon in her mind. When he saw her, at Castle Black. His eyes, his face. His hands letting go of the railing, like it had burned him. She could not stop thinking about his hands. She had turned the memory over and over in her mind on countless sleepless nights, wondering what it meant. After her argument with Jon the night before the Battle of the Bastards, Sansa returned to his tent.

The Madness of Dead and Broken Things 1k by @estherruth-jonsatrash

The first time, Jon tells himself it’s the last time. Jon gives into his feelings for Sansa the night before the Battle of the Bastards, telling himself he'll die the next day. He isn't prepared for the after of survival.

the night before the fight ficlet by @sailorshadzter

jon & sansa spend a night together before the battle of the bastards. pre parental reveal hookup, read at your own risk. nsfw.

Before the Storm 1k

Snowflakes fell from the grey sky, covering the ground in white even more than it already was. Grey and white, Sansa thought to herself. The Stark colors.

A gaze across a field 1, 2 ficlets by fedonciadale

Sansa's thoughts as she contemplates the possible outcome of the battle.

Gifsets: Arguing, You Don't Have to Be Here, I'll protect You I Promise by jonstarks, Pre and During BotB by baelerion, Jon Pummeling Ramsay by kitnjon, Jon Pummeling Ramsay by c-sand

Post Battle of the Bastards

Bloodstains and Stitches Chapter 1 and 2 by @trollslanda

Two scenes set after Battle of the Bastards: 1. In the courtyard, Jons pov. Post-battle calmdown and fluff I guess but also there's dead bodies and stuff. I dunno. 2. Sansa cleaning his wounds and stitching him up, her pov. A pretty sweet scene where they get a moment to breathe.

A Little Friction ficlet by @justchunkit

“You don’t know anything about me.” “Because you won’t tell me anything!” After the Battle of the Bastards, Jon and Sansa try to get to know each other.

Of Justice and Ghosts 1k by @lurikko

He knows his sister is watching him carefully like they are the only two humans left in the world, as they in a way are, and that makes his every remaining piece crumble.

Ghosts that We Knew 7k @the-prophet-lemonade

In the wake of the Battle of the Bastards, and the proclamation of the North's fealty to the Starks once more, Jon and Sansa see the ghosts of their family all-around. Sometimes, it becomes difficult to separate the past from the present when so many that they love are dead. A series of vignettes based around "nostalgia", and Jon & Sansa compared to Ned & Catelyn and the rest of their family.

they say that we’re out of control and some say we’re sinners 14k

Doesn’t have enough time to reminisce on the past because she’s turned around, and he’s seen her face, and it’s her. Can’t be anyone but her even underneath all that smudged dirt on her pale cheeks. Would know the red of her hair anywhere, he thinks. Doesn’t linger on the why, and instead descends down the steps and towards her. She’s turned her body so she’s facing him now, her eyes tracking his every move, his doing the same. They’re so in sync it’s terrifying, really.

Five Kisses 1k by @ben-barnes-is-my-husband

The five kisses that Jon and Sansa have shared.

Undisclosed Desires 4k Nina36

“Why did you stop?” She asked. I was ashamed. He was yours. I was terrified that you saw who I am. He was yours to kill. It was what you needed.

bet you didn't know that i was dangerous 4k by @ladyalice101

“I mean that your brother took a woman to bed, and when he had his way with her, he said your name into her ear over and over again.” // In which Littlefinger tests for Jon's weaknesses, and discovers a secret.

Soiled 5k by @orangeflavoryawp

"'Talk to me, Sansa,' he pleads, voice wavering, and she shuts her eyes to the sound. Like a gale. Like a mountain coming down. This is how it empties from her. 'What do you want me to say?"' she bites out, voice quaking." - Jon and Sansa. The start of their descent.

Dark in Bloom 8k by orangeflavoryawp

"His gravity wavers, the axis of his world tilted to the measure of her lips." - Jon and Sansa. The stain of desire bleeds slowly between them.

Hallowed 5k by orangeflavoryawp

“’Tell me,’ he growls, more demand than he’s ever given her – crown or not – and the feeling is heady in its fervency. Sansa stares him down, mouth a harsh frown. She doesn’t resist his hold, doesn’t ease into it either. ‘He says your affections for me aren’t… brotherly.’” - Jon and Sansa. An encounter with Lord Baelish brings the truth of their desires to light.

but still you stumble, feet give way, outside the world seems a violent place 3k by @parkersedith

When she looks at him, she cannot see anyone other than Jon, especially with him wearing a simple breeches and tunic, divested of all ornaments, even Longclaw. She can only see Jon, not her bastard half-brother, not the King in the North, not the Lord Commander of the Night’s Watch, not a wildling, but only Jon, the Jon who took Winterfell back with her, the Jon who fought their battle, the Jon who has been there, at her side, ever since she found him again. or; instead of roaming winterfell when she cannot sleep, sansa goes to jon, and to jon's bed. it's not quite as illicit as it sounds, and gives them a chance to finally, truly, talk

In the quiet of the night 4k by @dreams-for-spring

It becomes a habit; each night she unlatches her chamber door, and each night Jon enters just as bashfully as before. Some nights he brings terrible sour wine, and others bitter ale for them to share as they sit around the hearth speaking of everything that has happened–everything except what has passed between him and his black brothers. She knows that is a topic he is not ready to share. Still, she does not find sleep when he leaves, but at least for those brief hours she is not alone, and something small inside of her begins to burn brighter with each night that passes. She tries to ignore the voice that tells her it is hope; hope is a dangerous thing for people like them.

love is more than telling me you want it 2k

When he smiles at her, she feels warmth flooding back into her bones. She’d almost forgotten what it feels like, she’s been cold for so long. Sansa and Jon learn to be something other than ships passing in the night.

Gifsets: Jon Looking at Sansa by jonstarks, Sansa Looking at Jon by baelerion, Forehead Kiss by joanna-lannister, Winter Is Here by kitnjon, Forehead Kiss by c-sand

PRE CANON - WESTERN - FAIRYTALES - REGENCY - LITTLE WOMEN - HOLIDAY - next week -> ANNE OF GREEN GABLES

[fllagellant]

After screenshotting my original 1:27 am rant just for safekeeping and returning to this line of thought, I think I would like to swing this bat at a hornets nest . And I shall call it ;

BG3 And Polyamory, AKA The Discourse From The Eyes Of The Polyamorous

Hi, I am now disclosing the polyamorous part of my queer identity to the internet. Yay! Remember, I am only one polyamorous person on this website and I am not the spokesperson. This is just my own opinion and my own feelings with how both the game and the fandom seem to be handling the inclusion of polyamorous relationships and characters.

And in my humble opinion: Yikes !

This should be no surprise, but the polyamorous rep in bg3 isn’t … really good . It’s there, sure, and maybe I’m the fool for expecting it to be good when it really is the first time I have ever really heard of a game having an actual polyamorous option. Like on purpose. But with how much bg3 was hyped up as being super inclusive and completely different from all other games in the genre, I had hoped that it would take a good approach to polyamorous people and relationships.

Suffice to say, it fell flat once I actually looked into it.

The companions listed as open for an open/poly relationship are Astarion, Shadowheart, Minthara, and Halsin . What’s wrong with that?

3/4 of these characters already feel like they lean into the conservative fear of polyamory . Three of them are the ‘ evil ‘ members of your party . While ( besides Halsin, but we’ll get to that ) the rest of the ‘ good ‘ character are all monogamous. Growing up in a conservative home, in a conservative province, discussions of the idea of polyamory always came back to the same argument. That only the strange and amoral would do it. Only people who can’t be trusted and don’t actually care about you want to be in a polygamous relationship. And sadly, that is what I see echoed in the choices of who is and isn’t polyamorous.

I romanced Wyll in my first playthru. I had always planned to romance Wyll, actually, since I first saw his design when I first learned of bg3 during its early access days. When I met Halsin next, and chose the options to flirt with him, I thought that a polyamorous relationship between my Tav, Wyll, and Halsin would be cute. I had hoped it would work. I had already seen plenty of Astarion and Halsin and Tav art and gifsets and every other piece of fan content floating around . I had hoped that maybe that bit I read about who is and isn’t open for polyamory was outdated, and I could have this relationship play out in my little playthru .

Of course, it came down to having to choose. And I shrugged it off, at first. Sure, Larian didn’t make Wyll polyamorous for whatever reason. It is the first game that has polyamorous options, and I can just continue the game but have that polyamorous relationship in my head as my canon for my character. That’s fine, that’s what I’ve done before. It can’t be different now, right?

But then, I looked online, opened Tumblr, wondering what other people would say. Not thinking that it would be a big debate about if it is or is not okay to pair certain characters in an ot3 or not.

Wyll can’t be polyamorous, because knightly tales of courting and the mere act of courting is strictly monogamous. Pairing him in an polyamorous relationship is fundamentally misunderstanding the character and you’ve missed the point of him if you do that. It’s wrong to want that, wrong to think about it. The game has polyamorous options, be happy with what you have.

And so, I felt guilty. Larian already set up this dichotomy between their good leaning characters having the normal and good monogamous relationship and the evil leaning characters having the strange and perverse polyamorous relationship. But then, to see that the mere act of pairing your own character with two characters because you think it’s cute, is now being looked down upon so heavily and being seen as a “ fundamental misunderstanding of the characters “. And to have those ideas an opinions suddenly become the most agreed and accepted stance on the topic? How was I supposed to feel anything other than shame. Like I had been enjoying the game wrong, in a backward way.

If Wyll was polyamorous, you do know his approach to love wouldn’t change, right? Same with Gale. Same with Karlach. Same with Lae’zel. None of them would suddenly have to have completely different approaches to love and how they want to show it and how they want to go about it. Wyll can still be replicating the courting, the dancing, the slow burn that he always heard about in bards tales and he could still be polyamorous. There’s this idea that polyamorous love is only able to be expressed in very specific, very narrow ways. That miss the point of what love is.

People don’t act like this with the polyamorous companions, I’ve noticed. You aren’t suddenly bad and misunderstanding the story of Astarion or Shadowheart or Minthara or Halsin for having a strict two person relationship with them, and not expanding into the idea of those characters taking on another partner at some point. If you have Astarion in a strict monogamous relationship, no one says anything. But saying that you have a Tav who’s dating both Karlach and Gale? People are going to talk about you. They’re going to make vague posts. They’re going to talk about how it is Impossible for those characters to Ever be comfortable in a polyamorous relationship and how it is Wrong to protray them as happy in one.

I didn’t think people forgot that the stereotype of monogamy = good and polyamory = bad is still alive and well, but it seems that when it comes to the funny dungeons and dragons video game, it’s okay to prop that stereotype up and get mad when that is possibly challenged.

Now, what about Halsin? He’s a strictly good companion. He cannot fall under the pervious argument, so is he an exception?

No. It’s worse.

Halsin being polyamorous stems in racism. Wood Elves are all described as being polyamorous, and that they do not understand jealousy. And that they do not ever settle with any of their partners. And that the relationships they have are seen as “ doomed to fail “ . This is a stereotype. Commonly associated with indigenous people. That we cannot hold a ‘ proper ‘ relationship and that we always sleep around . We didn’t fit the white model of what a (white) family and a (white) relationship should look like, so the stereotypes and misconceptions started. And, unsurprisingly, ended up as another bit of dnd racism and bioessentialism.

Halsin doesn’t uphold the pervious argument at all, but he shows another part of the discussion that I don’ t think anyone really thought of. The racism stereotypes didn’t vanish when Larian made BG3, they’re all still there. You still have good races and evil races. You still have all the dnd bioessentialism that everyone was so keen to say was gone or just pretended it wasn’t there anymore.

And Halsin is an example of those stereotypes that people are still feeding. So much content with him in it narrows him down to ‘ Big Elf that Fucks and is Horny ‘ or ‘ Big Elf that can be Sexualized no matter What he Does ‘ and it is because Larian didn’t remove the stereotypes in the first place , and fandom doesn’t care enough to take a step back for a second to realize they’re playing into them.

Am I saying you shouldn’t have an ingame polycule with the characters available? No. If it’s cute, and you like it , and it makes sense with the story you’re making for your character, and literally just because you can, go for it! But for the love of god, can we be a bit more careful with how we treat the concept of polyamorous relationships and how we talk about them? Polyamory isn’t just a fandom thing with your ot3s, it’s a real life thing. And we can see how you treat people just having fun with their characters. You understand that, once you get that torn up over the act of making three characters hold hands, it becomes a little bit hard to forget that that is the attitude you hold towards the concept of polyamory when it doesn’t fit the molds you’ve subscribed to.

[medievalandfantasymelee]

COME ONE, COME ALL to the MOSTE ILLUSTRIOUS TOURNAMENT of the FINEST, the MOSTE PUISSANT and HOTTEST MEN MEDIEVAL MEDIA HAS TO ITS CREDIT.

Our Noble and Worthy contenders have come from 128 Properties throughout the land and stand numbered at 296, out of some 400 submissions.

A complete list of our Noble and Worthy Contenders may be found here.

A summary of The Qualifying Round Matchups may be found here

THE TOURNEY IS UNDERWAY!!!!

Our contest began with a Qualifying Round, which consisted of 148 matchups. The Qualifying Round did not follow any kind of bracket or draw, however beginning with Round 1, every subsequent round will.

The First Round of Competition has commenced!

This round shall last seven days and consist of ten Tilts (polls) per day of competition posted at ten minute intervals beginning at 4:00 PM by the reckoning of Eastern Daylight Time.

A complete list of Matchups in this round may be found here, updating daily.

A masterpost with links to all rounds of the competition (current and previous) may be found HERE.

We have also completed voting for the first round of the Queen of Love and Beauty Mini Tournament. The Queen of Love and Beauty holds the honour of presenting unto the winner of the Tournament his Champion's coronet. It is a mini-bracket capped at 72 contenders. Polls for the Queen of Love and Beauty will be posted following the conclusion of each round of the Tournament proper until a Queen is chosen.

Oft Asked Questions

“Who is this ‘Master of Revels’?”: T’would be I, your servant. Humble host and facilitator of this fair contest.

“Isn’t this a medieval tournament? Why are there Tudors/Borgias here?”: The Medieval Period is generally agreed by historians to span the years AD. 500 to AD 1500. However, the Renaissance period is a little fuzzier. The Renaissance was not only a period of history, but a cultural movement that kicked in earlier in some places than in others. One looks at Cesare Borgia and can immediately identify him as belonging to the Italian Renaissance. However, you look at the span of his life and it does fall within the late 1400’s—so still what is commonly considered the Medieval period. The Renaissance was a period of transition, so clean cutoffs aren’t always easy to reconcile. Vestiges of Medieval sentiment persisted in England up to the reign of Henry VIII, and it’s for this reason I chose to stretch the definition of “Medieval” for the purposes of the tournament to include the period of Henry VIII’s reign (because English history is what I’m most familiar with.)

“Wait! My Medieval Hot Man isn’t here! Can I still submit him?”: First we advise you to check to make sure that your man isn’t here. It's linked above too, but here is a complete list of our 296 contenders. If he’s not there, then sadly he was not submitted and, as the Tourney is underway, he cannot be submitted now.

“Why is Blank here, he’s not medieval!/Why isn’t Blank here he is medieval!”: The definition of a “Medieval Man” for the purposes of our tournament is “Any male character in a piece of live action visual media in which the Primary Action takes place between the years of AD 500 and AD 1550 (or a Fantasy property that emulates that period).” We define Primary Action as “at least one half-hour of a film, or three episodes (or the equivalent time) of a TV series. (Unless it is an adventure-of-the-week style show in which one episode’s story is set in the medieval period, as in the case of Doctor Who: “The Robot of Sherwood”).

“I have propaganda I would like to submit – how should I do that?”: If you are submitting text propaganda or pictures, send us an Ask. If you have a YouTube video link, you can send that in Ask form also and we will embed the video in the answer. If you have gifsets, meta or other posts here on Tumblr that you think are good propaganda, tag us (@medievalandfantasymelee) and we will reblog it. If you send us links to the post in an ask, we will reblog the post you’ve linked and tag you (unless submitted anonymously), but the ask will be deleted, largely to keep the feed streamlined.

“What makes for good text propaganda?”: Simply tell us why you think your character is hot. You may praise his physical attributes, his chivalry (or villainy), personal qualities such as valour or intellect – anything that you feel exemplifies his hotness. Please do not submit fanfiction as text propaganda.

An addendum to the above: Please remember that we are voting for the characters not the actors, so propaganda about personality and personal qualities should be centred on the character, not on the actor (but you can praise the actor’s physical hotness in the role all you like). Accolades won by the actor for the role are welcome. Anecdotes about the actor’s portrayal are also welcome, but anecdotes about the actors’ lives that do not relate to their portrayal of the characters or work on the properties are not admissible propaganda. 

“What makes for good visual propaganda?”: Any picture/gif/video of the character that you think he looks especially hot in is good visual propaganda. Please do not copy and paste gifs off of tumblr unless you have the express permission of the original poster to do so. If there’s a gif or gifset here on tumblr that you want to send as propaganda, tag us in it (@medievalandfantasymelee) and we will reblog it. Please do not submit fan-art as propaganda (official paintings such as those done for vintage movie posters are acceptable, though).

“Can I submit counter-propaganda?”: We will not accept any propaganda that openly trashes a contestant or the actor that plays him. However, we do not discourage Comparative Propaganda – that is to say, propaganda weighing the qualities of a contender and his opponent against each other in a respectful manner.

“Why is HE here, he’s committed atrocities?!”: We are not here to judge the morality of a character, only his hotness. Whatever atrocities (and we mean “whatever” – side-glance at Ramsay Bolton) the character has committed do not prevent him from competing in the Tournament. If his crimes impact his hotness to you, then feel free to vote for his opponent (and if his opponent has committed atrocities as well, then, I guess feel free to skip that poll entirely.) If you think a contestant has committed atrocities but aren't absolutely certain, please don't talk about it in reblogs or in the comments on a poll, lest a hazy memory unfairly sway the voting public. (But atrocities you know for certain he's committed may be discussed freely - that's just an aspect of the character.)

“What is the Near Misses Pile/Tourney?”: The Near Misses Pile is what I’ve christened a small heap of characters who were submitted but who failed to qualify. The Near Misses Tourney was a mini-bracket held in the week leading up to the main tournament in which all 21 non-qualifiers were pitted against each other to determine who was the hottest reject. Kala Bhairava [Ram Charan] from Magadheera (2009) won that worthless honor.

“I have Hot Romans and Musketeers I’d like to see compete!”: Hold that thought. After the Hot Medieval and Fantasy Men Melee concludes, a new tournament will be held for another time period. Either we will host a Hot Men of Antiquity Tournament (which will accept male characters from any movie or TV show property set before AD 500), or a Hot Renaissance Men Tournament (which will accept men from any property set between AD 1480 and AD 1640. Which will be held first will be determined by popular vote. (In the meantime all ye Musketeer enthusiasts can get your fix over at @hotmusketeerspoll )

"Will there be a Hot Medieval Ladies Tournament?": It's unlikely in the foreseeable future, because we already have two full Men's tournaments planned following the conclusion of the Medieval Men Melee. (See above)

“My question isn’t here/I’m confused about something.”: Send me an ask!

All propaganda is submitted by the voters and does not necessarily reflect the opinions of The Master of Revels or The Hot Medieval & Fantasy Men Melee

ADDITIONAL NOTE: I do not choose the pictures featured in the propaganda sections, and I only use pictures submitted by voters. If you think that a contender you support is poorly represented, it is not my fault and it is up to you to change that. It is not my job to choose propaganda of any kind for the Contenders and I only work with what I have been given.

[tommykinard]

hi! i was wondering if you could share the overlay and/or explain how you made the first gif in the last set you posted? thank you very much in advance <3

Hi anon! I'd be happy to share how I created the ripped paper effect in this gifset !

You’ll need a basic knowledge of gifmaking and photoshop, and I’ll put the rest of this under the cut.

1) Creating your gifs

So to start off you're going to create your gifs in separate canvases. I work in timeline mode and I add my sharpening and colouring, and I put both gifs in groups (explained here).

Here are my gifs on separate canvases. For reference, I've called the one on the left "grocery store" and the one on the right "parents".

You'll then want to copy and paste your gif groups onto the same canvas. This is what my canvas and layers panel looks like once that's done. From here, you're ready to start the ripped paper effect.

2) Ripped paper overlay

For this step, you want to obtain your ripped paper overlay. You can find various ripped paper textures/overlays using google, but I used these overlays by @peytonsawyers !

You open up the overlay you want to use, and either copy and paste or just drag it onto your gif canvas. You can then resize and rotate the texture and orient it where you want.

I then drag the ripped paper layer so that it's placed between my two gif groups. I also hid the top group just so that I can see the overlay, but this is only temporary. Your canvas and layers panel should now look like this:

2.5) Filling in the overlay

So as you can see we have an issue because the ripped paper doesn't cover the entire area where we want our top gif to show. To fix this, I just use a white brush at 100% hardness and paint in the area that needs to be covered, making sure the ripped paper layer is selected (this doesn't have to be perfect, just make sure that the entire area is filled.

Now this is what it should look like:

3) Masking the top gif

Use the command (or ctrl) key and click on the thumbnail in the layers panel for your ripped paper layer (the square highlighted in white in that last screenshot). You should get a marching ants selection around the ripped paper like so:

Now reveal your top gif group (by clicking on the eye icon), and make sure you have the group selected in the layers panel. You should still see the selection around where your ripped paper is, like so:

Now go to the bottom of your layers panel and click on the little mask icon:

And now you should get a mask on your top group in the shape of the ripped paper, and you should be able to see both gifs simultaneously on the canvas:

If the black and white areas on your layer mask are flipped after you click on the mask icon, just click on the layer mask and use the command + i (ctrl + i) keys to switch it back so that you can see both your gifs.

4) Final touches

Now if you're happy with the result so far, you can absolutely stop here. However, I wanted to show the uneven rip (like how when you rip a piece of paper you can see some white bits on the edges).

To do this, select your move tool (shortcut: click the v key on your keyboard) and making sure your ripped paper layer (NOT the mask) is selected, use your arrow keys to move it slightly until it shows between the two gifs.

It currently looks a little too clean for my liking, so I like to move it slightly up/down as well so that it looks more uneven and natural. If your overlay is too small, just use the transform function (command + t or ctrl + t) to resize it so that it fills the canvas. This is what mine looks like after I mess around with it:

And you're done! If you want to adjust any colouring, just go into the gif group and you can edit the layers from there.

Hope this helps anon! Let me know if you have any questions!

[scrumptiousstuffs]

Hii~ I'll say firstly I'm keeping things strictly speculative and I'm NOT diagnosing anyone since I'm not a doctor.

I've noticed this for so long and just wanted to out this in the world asgdjdjfkf but khaotung gives me MAJOR adult with undiagnosed adhd vibes. The messy car (bottles in the front seat?!), always messy room, extremely creative hobbies and passions (song writing/ composing/singing/ acting), impulsive purchases !!!, frequently getting lost even with maps, engineering major but cant math, has a hard time rmring past events even though he's in the same location (timeblindness). I have ADHD too and I can see such a striking resemblance in me and him it’s crazy. (Ofc everybody presents with stuff like this but when it's excessive that's when you know)

I've watched and rewatched interviews and content enough to see how he tends to be a little spacey and needs to ask things twice to make sense. (People with ADHD struggle usually with too many thoughts, attention going everywhere instead of just the task at hand) And oh when I saw that gifset where he's like he asks first's help to organise his tasks for him my heart just died cz yes!!! (That's troubles with sequencing and work ordering that we folks struggle with and there's his bestie just calmly helping him out oh it made me heart hurt sm but anyway-)

He's my little aloof baby girl with 26739 facial expressions cz he cannot for the life of him calm tf down. He's so reactive and expressive and in the moment, yet he falls over his words (not all the time, yes, but A LOT). My boy is doing his fckin best and has grown so so much and I adore him for that.

His sleep habits??? Classic adhd. Can't fall asleep cz his brain wouldn't stfu. (He said that himself in one radio interview)

His shopping addiction is just him boosting his dopamine every chance he gets. And I get him. So much.

Somewhere he also talked about how he got burnt out and couldn't get out of bed and I just. I just wanted to hug this boy bcz- oh. Oh it all makes sense. (ADHD folks are notorious for burning out cz they already run on little to no fuel. They have to work extra hard for things others do without effort and that gets so goddamn hard)

Manager can’t reach him. Hyper aware of his surroundings (hence attuned and caring to everyone around him). He frequently gets distracted by fans screaming while he's talking (cz of the external stimulus) - and first has spoken on his behalf to not misunderstand him 🥹 (Again bcz ADHD makes your attention go everywhere and you can't regulate that shit)

But why am I even going on about this? There's plenty of people out there who don't have/require a diagnosis bcz they're doing just fine.

YES. YES.

This makes me all the more emotional bcz yes, people, community, friends, family when all of them pick up on your lost pieces life just gets so much bearable.

First is that person for Khaotung 100%.

He literally called First his second manager, he asks First to organise his work for him, answer for him. He looks for him everywhere because he needs him like genuinely, genuinely needs him to be there. (Like that one time he won't let him go off stage bcz he was taking pictures and didn’t want to be alone aahdhajsk)

Like we call First as the one who clings to Khaotung, let's be honest the whole company says it. But when I see Khaotung with First it's like he turns towards him like he's the sun. Pre-FK, in interviews he used to be so shy and struggle at articulating things, but with First taking the reigns he got the space to become better at his own pace and that's what I love about them sm :(

Okay I'm done. I'm just saying he might (again, keyword MIGHT) have ADHD. It's a whole spectrum and having friends around who aren’t judgemental and willing to share the load for you makes life easier and bearable and First is that person for him which just makes me admire and love this pairing even more aaagsfhjdk :((((

So, finally, what do you think about this? Sorry if this is in any way unsettling you don't have to answer it I just wanted to get it out haha

Wow anon, this is certainly a long post😅. You must have thought about it hard.

I have no training to diagnose ADHD. However, I'm glad you identify with Khaotung and sees yourself in him.

That's why most of us love the boys, yeah? In some ways or another, they are relatable and we connect with them. (On top of their kind, sweet nature, amazing acting skills plus beautiful faces of course!!!🥰🥰🥰)

Either way, some of the habits you listed above can easily be considered annoying to a lot of people. Clearly, First just finds everything Khaotung does adorable (but can you blame him? 🥺🥺🥺…look at this pookie!)

They balance each other superbly well. Yin and Yang if you want to call it ☯️

So, I agree with you when you say First is the person for Khaotung (just as Khaotung is for First)

(Khaotung towards First during an interview) ☝️

And you are absolutely right when you say that it's very easy (from the outside) to see First appears to be the "clingier" of the 2, but I suspect privately, Khaotung is just as sticky (he is just not as open about it like First, and I'll be addressing this on a different ask I got).

There is a quote by Walt Whitman (American poet) - "Keep your face towards the sunshine, and shadows will fall behind you."

And so, your statement of Khaotung looking at First like he is the sun, oh yes... he does it all the time!! (be it in official photoshoot, concerts or events)