#my experiences are universal /joking

[defectivegembrain]

Be careful kids it starts out with thinking "Hey dipping a lemon in vinegar might be nice" and before you know it you're eating a lemon on its own and thinking it's not sour enough for you

[moonshynecybin]

i know i joke about them throwing hands BUT i actually think marc and joan mir are generally pretty cool (otherwise marc would just not talk to him like he does with idk. marco bezzecchi. and he does talk to joan!!!) its just that marc is always smashing through people at the back when he does stupid stuff like crash and ends up p20 while still running at like a full second a lap above everyone around him, and well. joan has been at the back a lot this year lmao. like marc has done this to half the grid in his time !!! joan is not special !!!! and the motogp unlimited incident notwithstanding (ALL TIMEEEE) joan has literally called marc the best teammate he's ever had, so i think marc asking him hey. how's the honda. is just him doing jokes that HE thinks are funny even if in typical marc fashion they are maybe a bit off. hes like well i was at honda so i can joke about honda w my buddy joan. and its like marcccccc thats only funny to YOUUUUUUU... because you LEFT.... but thats just my read !

[chulippi]

l4d2 and everything’s the same except ellis likes TOOL

[stovepiperat]

dashboard simulator

(poll) in a survival cannibalism situation, which part of jared harris would you consume first? (knock-down drag-out debate raging in the tags including sidebar quibbling about how to read the ‘survival cannibalism’ aspect of the question, every single person who has reblogged is acting like there is a single objectively correct answer, ‘tumy’ is winning over ‘The Dick’ by a significant margin) (289 notes)

text post about something a cartoon villain could do to a man, e. g. “i love men. i need to put his ass on a long conveyor belt with the roaring sound of the immense furnace at the factory’s heart growing louder with every inch he advances towards his doom” (11,202 notes)

a really horny crop of some kind of old public domain art, e. g. the corner of a medieval tapestry with a court jester on a leash (6,677 notes)

gifset of that one scene from sas rogue heroes (1,294 notes)

fancam of adam nagaitis as cornelius hickey from amc’s the terror (2018) to a megan thee stallion song (reblogged 4x by different mutuals with tags protesting the fact that i reblogged this 35 times in a row) (98 notes)

painting of a tall ship (60 notes)

the mountain goats lyric/webweave (tagged “prev” and then everyone’s chatter in the tags is just like onomatopoeia of guttural agonized howls) (3,845 notes)

gif of gay porn which i will “like” before scrolling down and realizing that it is a pro wrestling gifset and with a heavy heart proceeding to “unlike” (613 notes)

[d-e-q-o-d-e]

random jonathan crane headcanon. i believe he should say "terrific" a lot more, to the point it's annoying. double-meaning jonathan crane — its original meaning describes something terrifying, whereas today, it describes something splendid. i believe he may appreciate the ease of using one word to describe two conflicting ones.

[eshithepetty]

'Where are the he/him lesbians in media' does greg universe mean nothing to you

[quins-makeshift-menagerie]

I don’t mean to offend but does being pregnant make you feel dysphoric in any way?

No worries, Anon!

I’ve felt a lot of things but I don’t think dysphoric has been one of them lol Honestly I can’t say I’ve felt any dysphoria throughout this whole thing so I’m taking that as a win >:D

[coockie8]

i once had an anti tell me to stop sexualizing their trauma on a story i wrote that was a word for word retelling of my own actual trauma but with names changed and its been 2 years and i still cant stop thinking about that

Ah, yeah... Unfortunately a non-insignificant number of antishippers seem to genuinely believe they own the concept of trauma, so any story they read that they believe to be portrayed in a romanticized or sexualized light therefore must be romanticizing/sexualizing their trauma specifically.

I couldn't tell you the amount of times I've gotten the "stop sexualizing my trauma!!!!!!" or adjacent comments from antishippers that universally garner a response that basically boils down to

Like, bitch! I'm talking about my trauma! I literally did not even know you existed until you fucking commented!

[idontmindifuforgetme]

You guys don’t know how much yearning for Baghdad takes up of my mental real estate

[rimouskis]

[yourgamemasterthewhiterabbit]

I do understand the temptation of the conspiracy theory that corona virus was designed in a lab for maximum damage. It really does seem like it doesn't it?

All the things in your body it takes advantage of, all the long term impacts, the way it triggers and reactivates other diseases, disabilities and viruses, the mechanisms it uses to evade and manipulate the immune system, it having mechanisms of action similar to other known greats [other deadly infections like Ebola and HIV], and even down to the fact that it spreads so easily, is so air-born, the way it mutates so quickly, has such a low infectious dose and quacks like nothing worse than the common cold during initial infection...

Like I do not buy into conspiracy theory thinking at all, but I see why it's tempting in this case. If I was playing a video-game and trying to design a virus to cause the most damage possible, and spread and infect as many as possible before anyone bothered getting too upset about it, and have as many unforeseen and devastating impacts as possible... If I wanted to wipe out or weaken a whole planet [or a set population provided I also developed a secret cure]... I would design this virus exactly.

And now we are seeing that it can go latent in the body and reactivate, so once you have it, you have it, much like herpes or chicken pox, and unlike other viruses and colds which are gone once your body clears the infection and can't reactivate.

Like we know that viruses like chicken pox can reactivate later and become shingles, we know what HIV does, and we know some of the initial symptoms and early long term symptoms can be disabling and even fatal to many as it is, but for all we know this virus causes everyone's hearts or brains to stop outright ten years or so after infection, or completely clogs your arteries, or outright shuts down your body's ability to make a vital protein, or just triggers mass cell death [during even my initial infection the body-wide tissue damage was so bad it nearly shut down my liver and kidneys like I had crush syndrome, I very much almost died]. It's already having impacts like this in the short term for some people.

We are not going to know the true impact of this and the longer term symptoms until it is already too late.

Please get vaccinated, wear fucking masks, and try to reduce spreading.

[yaristari]

Part 2 in my series of rewatching my favorite 90s/early 00’s shows. (click here to see Daria’s sketch)

Home Movies is such a delight. The dialogue is fantastic, and the vibe of making your own little cinematic masterpieces out of cardboard and dreams as a kid is spot on.

It’s made by Loren Bouchard and Brendon Small. Loren Bouchard then did Bob’s Burgers, which shares the voice actor of H. Jon Benjamin as Coach McGuirk here and Bob Belcher in Bob’s Burgers. Brendon Small (who is also the main character in this show, also named Brendon Small) went on to make Metaloclypse.

[rmbunnie]

I know Morrison's Batman tends to be considered one of the greats, and I am definitely warming up to it more than I did on my initial read, but there are still some elements of it I found really didn't mesh with me. I feel like I can say this a lot more concisely than I did during my initial readthrough of Batman and Robin 2009, plus I've had more time to reflect and actually form a coherent opinion that wasn't a gut reaction, and keep in mind that I've read Batman and Robin in a vacuum Morrison-wise and can't speak on it in the larger context of their Batman run, but aside from just. very odd writing of certain characters, I feel like one of the more significant things that rubbed me the wrong way with this storyline was that a lot of the "weirdness" I'd seen hyped up felt either inconsistent enough that it didn't have a significant presence for me, especially towards the end of the run, or very surface-level.

One of the runs I see hyped up as some of Morrison's greatest work is Animal Man, especially for its metafictional ending. I haven't gotten around to reading it yet, but I expect that I'll enjoy it, or find it very interesting at the least (although author-inserts can come across a bit arrogant sometimes imo.) The point is I've heard good things, that it comes down to a very interesting and one-of-a-kind conflict in the end, which made me in some part hopeful for similar with Batman and Robin, (although I do have to admit I was reading it in part to see how off his Jason really could be.) I didn't really find that, tbh. There definitely were genuinely weird plot points with impact on the story which I feel were really successful, unfortunately it seems like a lot of them were at the cost of any prior characterization for the characters involved. Damian has steel implanted into his spine which allowed Deathstroke to control his movements and set off his emotional connection with Dick, Talia just had to be written horribly for it to happen. Sasha is a really interesting parallel to Damian/Robin-in-general. The conflict around her grotesque mask permanently fused onto her face and the fear that it'll kill her completely to take it off, the scene in which she gets said mask in the first place/the dollotrons, and the concept of a villain getting their own Robin in someone completely unrelated to Batman and the impact their legacy has had is all really original and cool, it's just that it's all dependent on a bewildering version of Jason that directly contradicts all previous characterization save BftC. To me the tradeoff doesn't feel necessary, but the events are inventive and have weight in the larger story.

In other areas though, especially as the run wrapped up, the zaniness that I see hyped up a lot, while providing a unique atmosphere, felt a lot like set dressing more than anything. In retrospect, the first time I really noticed this was the Professor Pyg dance page back in issue 2 or 3, I believe? But it became much more frequent towards the end of the series. The entire city becomes infected with a viral drug by Professor Pyg which isn't a major threat and doesn't serve anything in the story much besides being wacky, letting Professor Pyg say odd things about his mother sometimes and putting Commissioner Gordon... in a dress! Zany! (Professor Pyg is eventually... presumably?... torn apart by a parade of dollotrons and his narrative importance dies with him.) Alongside the Morrison-original villains like Dr. Hurt and Professor Pyg, there's a mysterious new player in town who's been orchestrating everything, and after a dozen issues of mystery it's the Joker, but wearing a mask and making edgy "differently-abled" jokes!

Dr. Hurt is interesting, and I liked his part of the story if I ignored the panels of auxiliary weirdness thrown on to add to the vibe, and I think there's something fun and interesting there about the legacy of Batman vs. artistic interpretations with his motive of ruining the Wayne's legacy (made more apparent with his talk about the Batcave being "the way it was meant to be in his head," the manor and Batcave "his to ruin," but Dr. Hurt kind of fades out of the story as Batman returns and is defeated by Joker, laying a banana peel on the ground. In the context of the theme of artistic interpretation and Morrison's commentary that they never cared to pretend the story was going to end with anything but a return to the classic Batman, I actually find this really interesting. A character heavily defined and reinvented by Morrison's writing being defeated by one of the most iconic Batman characters with a classic comedy trick from the 19th century feels like the conclusion to the contrast between Batman's legacy and the artistic license of the authors writing the comics: you can have your personalized elements, but the legacy of Batman is elastic and unlikely to be molded by them: certainly it won't be destroyed. Despite this, it didn't change the exhaustion of seeing the Gravedigger's mask come off and settling in for another comic where the Joker is gonna be doing classic zany Joker stuff.

As much as I'm frustrated with the way Talia and Jason are written during this run, I didn't entirely hate it, and the more I think about it, the more I find things I like. Some of my frustrations come down to taste, and are an unavoidable product of my personal taste differing from a pro comic author who had an established writing career while I was going to elementary school. I feel like some previous Batman comics were referenced in really exciting ways, for example the combination of Bruce's absence, a drug being used to gain control over citizens, an odd demonic presence, an imposter cult leader (If you can call Dr. Hurt that) prolonging his life through magical rituals, the background detail of complete chaos in the city, and one of the main villains being torn apart by a crowd of his followers, from the limited number of straight-up-Batman storylines I've read, felt pretty strongly like a nod to The Cult. But even considering the commentary on creative license vs. the consistency of Batman as a pop culture icon, the feeling of reading the comic was frequently that I was being convinced of a weirdness that didn't extend through the story down to the actual structure or plot points of the issue I was reading (with exceptions, such as the Sasha + Professor Pyg thing,) and although I appreciate the message of the return to status quo in the ending, with the hype of the story's inventiveness and uniqueness on my mind, it was kinda disappointing to realize halfway through that for all the weird window dressing, the story would be commiting to a much more traditional turn than what I was expecting.

[bueris]

okay maybe I should seriously reconsider my path in life and sell my soul to marketing or journalism instead

[rotisseries]

alright im giving in im finally asking. what in the everloving fuck is narines

HIIIII HELENA honestly I'm so glad you asked I think you'd love them but BASICALLYYYYY one of my mutuals, hella, @tbos-main, has this really cool original fantasy wip, the blood of serpents, which I am OBSESSED with so I do fandom post about it like any other media, and two of the characters are nate and rin. well. naithairan and herines technically but I'm on nickname basis with them. and I can explain tbos in more detail but since you asked about narines specifically, they are two characters who are very much on opposing sides of the central conflict and in a way that IS irreconcilable like. it has to be genuine all consuming hate it's bad. but they're also narrative foils and parallels and whatnot and outside of the main ideological difference in regards to the central conflict, they are very similar people in a very fucked up way, they're both martyr figures with a lot of religious themes, they both have had to learn the language of violence well, they both are willing to go to unfathomably low depths of morality and monstrousness in the pursuit of protecting the people they love, they're both incredibly calculating and callous, and so they have this INSANEEE dynamic that is very much "I see me in you I see everything I hate about myself in you I need to kill you because I need to be killed but yet I cannot kill you because that would be like taking a knife to myself and we recognize each other deeply and intimately in a very specific way no one else can and I HATEE you for it" and so like. they should fuck about that. obviously.

[bjornkram]

when the battery dies on your headphones and finally snaps you out of the most intense, drug addeld, "hit the bong a little too hard" kind of hyper focus. and you realize you've been listening to see you again from the fast and furious 7 ost and drawing king julien x maurice for the last 3 hours, like you've just broken out of a spell where you've been unknowingly forced to carry out a dark and powerful sorcerer's bidding. like whuh- where- how did i get h- what am i doing? Why are these lemurs kissing? Hello? Who's there?! ACK!!! THE DARK AND POWERFUL FESTIBIUS!! HE DEMANDS MORE PENGUINS OF MADAGASCAR YAOI!!! HE COMMANDS ME AND I MUST OBEY!!!