#my brain has attached itself to them

[23fallencomets]

my agenda continues

[screampied]

✧ ⁺˳ cw. fem! reader, praise, size kink, fıngering, dirty talk, oral fixation, mdni.

“easy, easy,” sukuna groans, having you laid on his broad, empty lap. you’re straddling him, chewing on your bottom lip as he’s knuckles deep into your drooling cunt. already, a clear sheet of slick coats down a single finger of his and you’re twitching from his hold. a cocky grin paints against his lips as one of his free hands attach to your waist. “ah, c’mon. not that bad. ‘s just one finger, princess.”

“y- your fingers are s-so thick, ‘kuna,” you babble out in broken words, and it doesn’t take long before your muscles tighten. indeed, he had much length to his fingers. he was easing you up because just moments ago, you insisted on how you could easily take him on the first try. of course, he decided to help you out anyway, finding amusement in how you’re already about to gush out from just a single digit. the stretch was immaculate, your tummy churns in a line of zig zags as you feel him slowly insert yet another finger inside. “fuck, ‘s long.”

with a breathy chortle, he makes you slump forward into his chest. “such a weak girl,” and his voice pitches against your ear — his breath, hot and fanning near the soft lobe of your ear. “if you can barely handle two fingers, what makes you think you can take two of my cocks, little one?”

your moans become more loud, echoing through the bouncy walls of his devilish, isolated chambers.

your body fails to remain still, grinding against his hand directly underneath you. “k- kunaaa,” you huff, your own jaw becoming loose and dangling itself agape.

it was so delicious . . the stretch, oh the stretch,

the way his two fingers curl into a salacious circular motion, rotating around the goopy insides of your sopping pussy. you were weak, so so weak.

he groans, hearing the slosh slosh squelches your own mess sings from the impact. “hah, ‘s good. i can take one more, please.”

chuckling, his lips press against your forehead. “hm, dunno. maybe i should take ‘em out..”

“s- sukuna,” you whimper, hearing him snickering at your desperate plea. your walls were more clingy than you were on a daily basis, sticking against the texture of his fingers like glue. with your face buried into the crook of his neck, you gasp once you feel the alleviated pressure arise furthermore. “pleaseplease, more. i can take another finger. need another finger.”

“girl,” he snarls, a single fang baring and you jolt into his chest once he spanks your pussy once.

the brief sting that follows makes you throb and it scratches such a good itch in your brain. “what did i tell ya? you don’t need, you want. repeat that sentence for me, pretty.”

“i— i want another finger inside,” you correct yourself, your eye twitching at his familiar sass. sukuna remained seated on his notorious throne, sexily manspread with you on top of him also. your legs felt like mush practically, and the stimulation has you swooning for more. gasping, you bite down on the breaking skin of your lip once more. “want it, ryo. want you.”

“good grief, does fingering make ya forget manners too?” he slyly grins, ruby red eyes peering into the depths of your precious soul.

you sigh, knowing what that meant. as he’s still got two fingers tucked away deeply into your cunt, your arms sling over his tense shoulders. “p- please.”

“atta girllll,” he praises, another one of his hands tugging against the fabric of your blouse.

as you still make a cute attempt at rocking your hips against his lap. he slowly inserts another thick finger inside. tightening around each one individually, you whine before your entire body jitters.

sukuna chuckles deeply against your ear, feeling the claws of your nails seep into the flesh of his arm. “oooh, so three is the limit. i see,” and within three seconds, his digits pull out of your cunt. a slimey string of your filth sticks against his fingers. as he looks down with an utmost hungry gaze, he brings his fingers up to his mouth before sniffing them.

“mhm,” and with glossy eyes, you stare as the demon pops his three fingers right into his mouth. you’re still taking your seat on his lap, watching as his forked tongue devours your enchanted taste. slit eyebrows furrow in arousal before he takes it back out, bringing his fingers toward your quavering lips. “open. taste it, girl,” and as your lips happily part, he slides two fingers inside your mouth, watching you suck against them. he groans, imagining you were putting your cute throat to use on his cock— not his fingers. your pink tongue swishes around, curling against the digits and you taste the bitter taste of your own sweet. “messy fuckin’ woman. taste how dirty you are for me? yeahhh, lick it all up ‘cause ‘m gonna put ‘em right back in. gotta train this weak cunt for the real thing.”

your head bobbles a bit— every few seconds sukuna’s lengthy fingers would thrash back against your uvula, causing you to almost gag. as you lick them clean, tasting his own syrupy saliva in the process, he quickly pulls them out before stuffing them right back into your greedy cunt as promised.

sukuna raises a brow as your head lowers onto his chest. “eh,” and as your tongue playfully licks against his neglected nipples, his breath hitches. you catch him off guard and he grunts at the suddenly sensitivity. “fuck are ya doin’ brat. didn’t tell you to s-suck on . . mhm, those.”

he doesn’t exactly pull you away.

instead, he drags your head closer, looking down embarrassed as your mouth latches onto his thickset pecs like a leech.

it felt odd, strangely new.

you’re sucking against his swollen perky nipples, lolling your tongue around before that’s when he abruptly pulls you off. with a new look of neediness in his eyes, sukuna watches as a trail of your own spit departs from his nipples. you leer back up at him with a teasing grin forming on your lips and he scoffs.

sukuna ryōmen was flustered..

“y’er .. fuckin’ weird,” he grouses, and once he sees your growing simper, he uses a hand to make your head move back toward its former placement near his now dampened pecs.

“keep .. doin’ that. never told ya to stop, little girl. phew, i- i liked that.”

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.

[sirenofthegreenbanks]

i went back into coding (which i havent done in literal months because of Reasons) and learning mandarin (which i havent done in literal weeks now approaching months because of similiar Reasons) and it sweeps my brain clean and waters my crops and does things for me writing never does

[asuna-elentroda]

Falling in love with a character feels like trying to catch sunlight my hands. It’s warm, it’s beautiful, it fills the spaces I didn’t know were empty and yet… it slips through my fingers every time. It doesn’t stop me from reaching, of course. How could it? They make me feel so alive! Their pain twists in my stomach, their voice lingers in my mind like a song I never want to stop playing. I hold them close in a way that’s both intimate and impossible, and it leaves me hollow in ways I can’t quite name.

Our hearts don’t know the difference. Truly, it doesn’t care that they’re nothing more than ink on paper or colored pixels on a screen. Love doesn’t require clarity to bloom, it only needs a spark. And anyway scientifically, the spark doesn’t know what’s real and what isn’t, right? Our brains are wired for connection, attachment, and it clings to the echoes of something that feels like love. To our minds, this is as real as the warmth of a hand, as real as the quiet of a shared moment. It lights up in the same places it would for someone flesh and bone and breathing beneath the touch of our fingertips

But that’s the tragedy of it, isn’t it? The love we feel is real, yet it has nowhere to go. We can’t reach them. We can’t hear their laugh in the room with us or feel their eyes meet ours in a way that says we are known. And so, we grieve. Quietly. Privately. The kind of grief that doesn’t know how to name itself because it’s not just loss. It’s an ache for something that never truly existed. It lingers, like perfume in an empty room. Knowing our heart is capable of such depth, even if it was never meant to be returned, is bittersweet. Perhaps that’s why it hurts so much, because it’s real for you and me, even when they never can be.

[edwin-paynes-bowtie]

Do you think there is a way to ethically watch Sandman and Good Omens? What about Dead Boy Detectives?

Andddd this was why I originally turned off anons. I knew this was coming eventually, but I guess I'll respond just this once so everyone knows where I stand.

I don't love that I feel the need to disclose this, but I have personally experienced grooming and sexual assault in the past. So this post is coming from someone who has Been There and understands the importance of supporting victims. I also love all of the efforts NG-related fandoms have been putting into raising money for sexual assault charities. It's wonderful to see people rallying behind the survivors and supporting them so vocally.

- DEAD BOY DETECTIVES: NOT A GAIMAN WORK

I do not think that there is a world where Dead Boy Detectives would be unethical to stream. It has virtually nothing to do with Neil Gaiman, by his own admission, and is the brain-child of Steve Yockey.

Besides the first chapter where Charles and Edwin were introduced (with no development), he didn't even write the comics! Several artists did, including Toby Litt and Mark Buckingham - whose run the show is based on and who the sprites are named after.

Yockey was the sole person to pitch DBDA to Warner Brothers. Gaiman did not do that.

Streaming Dead Boy Detectives primarily supports its writers, cast, and crew - Gaiman, who only wrote 2 scenes, is getting essentially nothing in terms of royalties.

Someone on Twitter did a really good job of unpacking why Dead Boy Detectives shouldn't be lumped in with Gaiman stuff - I'll link it here.

But this leads me to the next section.

- HANDLING GOOD OMENS AND SANDMAN

I think that there are a lot of valid reactions to the way people handle the consumption of Gaiman's shows after what he has done.

Some people are going to be unable to stomach anything he has written, and that is okay. Others whose lives have been massively impacted by his work aren't going to be able to let go since - and I know people like to deny this, but it's true - the art you love more than love itself is going to have a serious material impact on your personality.

Both of these approaches are alright! The only incorrect approach is to harass those who disagree with your personal choices.

It also is, in my opinion, Bad to give Gaiman money. Purchasing his books and buying Good Omens official merch puts cash in his pocket.

Streaming the shows, though, is a little more nuanced to me.

I'm going to use Good Omens as an example here. I personally will not be continuing with Good Omens. It gives me a Yucky Feeling. I may one day change my mind and stream a pirated version, but I don't think so.

However, I don't think Sheen and Tenant's fans are wrong to stream it in support of the actors who have brought their favourite characters to life.

But this leads me into my next point, and the point that will probably get me Canceled.

- THE IMPACT OF SHOWS ON PEOPLE

The way that people handle their favourite shows post-allegations is going to depend on the impact that the show had on their life.

I like Good Omens. It's a fun show. I enjoyed it while watching it, and think (see: thought) positively of it. But it had no real deep impact on my life - it's not part of me. When I look at Good Omens now, I see Gaiman's work above the finished product. It puts a sour taste in my mouth.

But in a hypothetical world, if Dead Boy Detectives were a Gaiman production? I have the self-awareness to know that I probably would still stream it to support the cast and crew. I am attached enough to it that I think I would divorce it entirely from Gaiman (if he were the creator, which he is not.) My point is that other people who are still streaming Sandman and GO probably don't look at it and see Gaiman. They see something that they have absorbed into themselves.

The part that's going to get me canceled is that if George cameos in Sandman, I will stream that one (1) episode to support George Rexstrew (Edwin Payne's actor). This is because Edwin has had a material impact on my life (hilariously, because I am a sexual violence survivor who did not get justice, and Edwin did not get justice for his murder and fights for that.) I feel that Edwin is part of me and my life, because Edwin (and George's work as Edwin) has made me feel less alone.

A lot of people feel that way about Crowley and Aziraphale.

I think that asking people to ditch a show, characters, and performers that have had a deep impact on their lives is unfair to them. Like, yes, Neil Gaiman is a bag of shit! Anyone who defends him is also a bag of shit! But I don't think that it's fair to stop people from supporting works that have had big material impacts on their own lives.

- HOW TO PROCEED

TL;DR

My personal ideal outcome here would be:

Wrap up Good Omens with the 90-minute movie and nothing else.

Wrap up Sandman with season 2, and do not renew.

Revive Dead Boy Detectives WITH THE CAVEAT that Gaiman gets his name removed from it, even if he currently isn't making much money off it. Take the Sandman characters and references from DBDA and let it become its own standalone thing.

Cancel all future Gaiman productions and never hire him to work on television or anything else again.

Let Gaiman's career die entirely and let him fade into obscurity.

Arrest Gaiman, which will never happen but it should.

I think people should:

Stop giving Neil Gaiman money through books or merch.

Make their own decisions about whether or not to officially stream the shows in support of the actors and crew members who have worked hard on it.

Not harass anyone for either their decision to stream the show, not stream the show, or stream a pirated version of the show.

Engage as much as they want with fandom and fanworks, as they are divorced from the source material's creator.

Vocally speak up against Neil Gaiman. Amplify the voices of the survivors, and don't let fear for the future of your show get in the way of that. At the end of the day, real women were put through the most traumatic and horrifying experience of their lives, and that's what matters most.

[somerandomdudelmao]

i know this wasn’t really like. a conscious choice, since it was pre-designed by the show and adapted for the comic, but like

something about donnie making his mech without a face is doing something to me emotionally

Oohh I have an excuse to ramble about it now eheh. So. It was a choice in a way:)

I originally wanted to design this robot myself and I looked around for references. There were so many different designs in the fandom. Robots, cyborgs, cyber futuristic anything, but most of them didn't look like something I could call canon. I did appreciate the creativity though~ Most of what I saw left quite a bit of room for expression. With eyes, mouths, or the antennae that this fandom is so fond of attaching on robots. But when I thought specifically about...well...my version, I wanted something dead, as bad as that sounds.

Tello bot has no eyes, no mouth, no antennae, no face, n o t h i n g to express itself. It's a piece of metal. It's stiff, cold and nontactile. Moving and doing things but not being involved in them you know what I mean? Like a prosthetic. But for the whole person.

That's why when I thought of the canon design - it immediately clicked into its place in my brain and I went YEAH THIS IS THE ONE

[meanbossart]

Sorry if you’ve already answered this, but I’ve been wondering what would happen if DU Drow and Astarion were the only people in their party. If they never met any of the others and only had each other for company on the way to Baldur’s Gate.

Btw I love your art! I’m obsessed with the way you draw characters and their expressions in your style.

Ohhhhh god. I think that would be disastrous.

My personal belief aside that Astarion is by no means an idiot (not that I'm opposed to participating in the smooth-brained jokes - but, generally speaking, I think I might give his intellect more props than most), he is obviously not at his best at the start of the campaign at all. He is operating out of desperation and it's only halfway through the game that you get to see some of that emotional intelligence that I'm so fond of. And even so, he still requires a successful persuasion check at the end of his quest not to commit undead genocide (and I think he's the only companion who needs a check at all regardless of circumstance or approval).

Then we have DU drow who has no attachments to anyone around him, a penchant for murder, very little skill for self reflection and a proclivity towards latching onto one person and falling obsessively in love, assuming that the person in question knows how to play him - and Astarion would know how to play him.

Lest we forget, Astarion had practically no influence on DU drow's decision to oppose Bhaal. He just kind of goes along for the ride until you hit the point of no return, and only THEN he's like "Oh, uh, maybe this wasn't such a good idea". Shadowheart is the biggest factor on DU drow's decision to oppose Bhaal, with Aylin and Jaheira making for honorable mentions.

Ironically, DU drow's "base" personality (which he has access to thanks to his memory loss) tends to oppose religion, gods, and organized systems as a whole, but I think if it were only him and Astarion alone, they would feed each other's hunger for strength and power enough that DU drow would arrive into act 3 with absolutely no doubt about what he must do. He would very easily revert back to his old, domineering personality and do whatever he thinks he must to establish his status, and most importantly his power over his loved ones, lest what happened with Orin ever repeat itself.

This circumstance would be perfect for the eventual Bhaalist DU Drow + Spawn Astarion scenario. Which just makes it all the worse that Astarion would have had a HEAVY hand in steering him in this direction. And the cherry on top; he has no one else to turn to here.

On the flipside - this could potentially turn into a situation where Astarion keeps DU drow small enough to where he's able to Ascend, while his Bhaalspawn partner either refuses his father out of fear or loses the duel against Orin. I don't know how viable this is, since Astarion very much needs a strong and confident DU drow if he wants Cazador to die - but I guess anything is possible.

The point is, if left to their own devices there would be nothing stopping either of them from pursuing their very single-minded goals, and I don't think there's a scenario they BOTH come out on top either. Between DU drow's obsessive behavior and been-burned-before attitude, and Astarion's distrust and fear of losing control again, they would constantly wrestle for the opportunity to keep the other under their own thumbs.

And hell. All of this assuming they didn't kill each other on night two.

Thank you for the ask and for your kind words! Hopefully this isn't too depressive/disappointing of an answer, LOL.

[eldritch-spouse]

Full: Twitter/X; Postimages

TW: Parasocial obsession; Sugarbaby!reader

[Fem reader]

It's odd to think how things have escalated to this point.

When you started this whole "sugar companionship", "angel" thing, you didn't exactly expect anything to come of it. More of a last ditch effort to bring in some much appreciated side money, and fulfill someone's social needs while you're at it. It would be a win-win situation, right?

You don't remember how Viridis showed up. Probably through DMs in your social media account. You didn't post too much of yourself there aside from a few photos where you felt particularly pretty, and apparently, your taste for finer items showed itself there, enough for you to get hit up by something other than a scambot and creeps.

In his defense, the guy was never rude towards you. He didn't barge in begging for nude photos or demanding attention. Viridis just told you he thought you were gorgeous, and he wanted to see you living the lavish life you deserved.

Before you could even reply, a notification drops, displaying a sum of money transferred to you. The amount was large enough to have you choke on your own saliva, hysterically cackling.

Ever since then, he's been a permanent figure in your life, constantly there through thick and thin, someone you could even call a friend, even if there's a financial power dynamic always involved in your interactions.

It was hard not to get somewhat attached to your "donator".

You got to know each other, after all. You told him about what you do for a living, and he said he was an important figure in the ring of Sloth. You are both single. He's had bad experiences with former girlfriends and feels incredibly lonely. When you felt depressed, Viridis was there to console you, a generous tip accompanying his request for you to "Go cheer yourself up ;)".

And when he felt bad, he'd buy you something, ask you to unwrap it, send him a voice message saying you loved it.

You don't know when that turned into sending him videos saying you loved him.

It feels weird. Kind of wrong. But the more money he blows on you, the more you get to do all the things your finances never allowed before, the happier you are. So what, if he just wants a little good morning text with hearts and a picture of you dressed in the clothes he buys for you? It's puzzling how he got your measurements so right without asking, but maybe he just has an eye for that kind of thing.

Eventually, things escalated to video calls. And you finally got to see Viridis.

He's a surprisingly well-kept imp, with peculiar looking horns and glazed white eyes. Much better than what the morbid side of your brain was conjuring in its growing restlessness. He'd put so much effort into that paid ten minute call, and seemed so gleeful that you'd been wearing an outfit he put together. More than that, once the nervous jitters were shed, he actually made for a great conversation partner- Were it not for the alarm, you two might have spent an hour or more rambling together.

It comes as no surprise that you eventually started doing meal time calls. He'd pay to eat with you through video call, usually dinner time, or during his breaks. He seemed excited about them every time he "booked" these sessions, even going as far as asking what you'd be eating, and if he could pay you to get the exact same type of food as his. How could you refuse?

Viridis would tell you about his day, you'd tell him about yours, and the two of you would quell your loneliness that way. Sometime he'd hint at things he wanted to buy for you, gouging your reaction, waiting for that shine in your eyes. It always seemed to put a glow on the imp's face whenever you thanked him and got bashful over his many contributions.

He'd say I love you, my pretty bijou, and as agreed, you'd say it back to him in a convincing manner.

Viridis' latest idea involves spending his day off, scheduled to match yours, "with you". As usual, he was straightforward with what he wanted, and paid more than you'd reasonably stipulate for such a service. Enough money that you'd be incredibly foolish to decline, for a single day of sucking up to him- It's not even hard to suck up to the demon, he seems to melt pretty easily from the most basic of praise or admiration.

The imp wants to video call a routine he built for you, essentially. From the moment you put on your makeup and fix your hair to leave, to breakfast where he specified, then a shopping trip to whatever locations you desire, taking breaks for whatever needs you must fulfill in between, down to the moment where you get ready for bed, under the covers, and wish him good night.

It didn't seem so bad, if only a little overwhelming given there's a lot more interaction involved. And so far, things have gone pretty well! You can't lie and say that you're not enjoying getting to spend even more money on all your favorite brands, after all. Sure, at least two separate employees asked if you were in a long distance relationship -Something Viridis was all too eager to confirm- But there's hardly been a hiccup besides that.

" Hey, what do you think about these? " You point the camera at a set of dangle earrings, made of a beautiful rose gold and diamond, molded in the shape of three little hearts. You don't mention the price tag, but it's very visible.

The demon, who appears to be reclinging in a balcony of sorts, hums. " They'd look cute on you, I like the pavé on it. Get them. "

" Hold on, there's more- " You shuffle all the bags you're holding to pan over to a different display. " What about these? "

" Sure, but you're getting the heart ones. " Viridis insists, then pauses as you study the differently styled jewelry. " I should get you something with Hell's gold, the color definitely pops more, I think you'd love some of the stuff we have here. "

" Mhmm, I bet. " You absentmindedly respond. " Too bad I don't live in Hell, hah. "

There's a slightly heavier silence for a few seconds as you worry if you've touched a nerve.

" You could come visit, bijou. "

You resist the urge to snort. " Viridis, I- "

" You know I'd pay for the expenses, right? Get you a nice hotel in Sloth, it's one of the calmer rings, and I'd come pick you up so you're not walking around alone. "

The demon smiles hopefully, taking a sip of what you assume must be some kind of sparkling wine. Nothing less dignified in a glass as unique as the one he flaunts.

" You know that's... " It's hard to deny him without outright sounding ungrateful. That's one thing you've been noticing lately, how hard it seems to deny him. " I... "

Your hesitation is answer enough, making him visibly deflate. There's a flash of sourness on his face, though it fades quickly. " I get it. That's a big step. We can talk about it another time. "

Thank fuck.

You leave that store with possibly the most beautiful pair of earrings you've ever owned, proceed to wrestle a multitude of bags into your car -Thankful Viridis can't see you sweat it out- And proceed to fix yourself up in preparation for the dinner call. It's a lot easier to go through than the entire shopping spree was. You're home, it's just the two of you, the same as any other meal call you've arranged.

" Was today fun for you, bijou? " He sighs, ever enamored it seems.

" Of course! It's always fun when I get to shop with you. " It's not even a lie. Painted nails graze over the empty pasta plate when you pick new kitchenware up. " Let me just put these in the sink. "

" Uhm, before that- " The imp interrupts as soon as you stand. " Can I ask you for something? "

" ... Yeah? "

" I was wondering if you could try out what you bought today... For me. "

" On- On camera? " You gulp, suddenly feeling a lot more timid.

" Yes. " Viridis scratches the base of his horn. " I'd just... I don't know, it makes me feel closer to you than just seeing pictures of you with it on. I'll compensate, don't worry. "

You don't doubt him.

Part of you really wants to say no. In the midst of all this, you've never once undressed for him. You've put on risky outfits that toyed with the lines of common decency, but that's not as intimate as this.

Which also means he'll pay well.

Fuck.

No.

Yes.

He's waiting...

" Uhh- Erm- I... Y-Yeah, I guess we can try that after I organize things. "

" Super! " He winks at you. " Call me when you're ready. "

And you do. With some liquid courage in your system and a healthy amount of love for disposable income, you call Jayde with all the bags laid out around your bedroom, and the phone positioned just so that he can see you stand, and the reflection of your back on the tall mirror behind you.

You're shaking lightly, it feels like the first call you had with him.

When Viridis answers, you almost don't know what to say.

He's... In his bedroom. At least you've seen it enough times to recognize it as such. Distinctly topless, however. It's the first time you've seen him somewhat undressed. Maybe he's trying to be humorous, as if saying he's half-naked in solidarity with you. It doesn't stop you from staring at a moderately attractive figure.

" Hey! You ready, sweetie? " He grins with that jagged mouth.

" Mhm, yeah. " There's a clearing of the throat. " Why don't you pick the first one? "

He did, all too eagerly. You were quick to shuffle in and out of clothes, cheeks heated, a tiny smile on your face, hoping you could simply ignore the growing discomfort. The demon looked thrilled every second of the way, and even if you could somehow feel him ogling the generous slices of skin you'd show, he made an effort to keep talking just so you'd have something else to focus on.

It's okay, he's only seeing you in your underwear from time to time. You're just doing him a one-time favor. You can forget about it later.

" I guess that's it! " You pant, spinning again so that the imp can see how the lace looks on the back of the dress he bought you. " Boy, that was a lot. "

There's some shuffling coming from the phone, he seems to be sitting straighter now. " I'm... Pretty sure I got you something else. "

There's a long pause. You almost pretend you didn't hear him while you readjust the fabric on you.

" A-Ah? Really? "

" Yeah, check those bags bijou, pretty sure that's not all. " He urges. You can hear a faint tap. tap. tap. from his side.

Well, you tried.

Viridis isn't lying, there's another set he bought for you. Except, this set, is lingerie underwear.

Throughout your shopping trip, you'd forgotten that the local mall has a lingerie store. It wasn't one you had the chance to go to many times, since everything there is so expensive, and before Viridis came along your wallet would just scream in its vicinity...

Nevertheless, you weren't cautious enough to hide it from the camera, didn't think you had to, only to be proven wrong when the imp calls for you to halt and get in. It was awkward. It was very awkward. But he seemed enamored with a green set. It had floral designs covering plenty of see-through space, framing delicate parts of the body such as the nipples.

It is a lovely garment, you won't deny that. But you know the main draw for him was that it just so happened to be a shade of green which alluded to his username. It was viridian green. You looked it up from mild paranoia, yes. This was even more personal.

He insisted you got that one, specifically that one. And so, you did.

It's right there, on the last little bag.

God fucking damn it.

" Mm y-yeah, now that you mention it, I think there is something left, right. "

He hums, and you try to draw out the search as much as you can, in spite of the fucking thing being right there, practically staring you in the eyes. You return to the camera's field of view holding the lingerie up timidly.

" How could you forget that one? It's probably the prettiest thing I ever bought you. " Viridis swoons.

" ... You think so? Everything you get me is pretty, Viridis. " Distract him distract him distract-

Predictably, he blushes a little, a small 'heh' escaping him. " Jayde. Call me Jayde. "

Your head snaps up. Oh wow, okay. We've reached that point.

" Jayde. " His face lifts visibly. " Ah, thanks. It's very cute. "

The silence that follows is more tentative, unspoken words hanging in the air.

" Glad you think so... Can't wait to see how it looks on you. " He grins wide, reminding you, for a fraction of a second, that you're dealing with a demonic monster.

" Hahah, o-ok, let me just turn the camera- "

" Actually- " Your heart sinks. " I'd like to see you put it on. "

" The lingerie? " A bit of franticness bleeds into your tone.

" Yes. "

" R-Right now? "

Jayde chuckles. " Well, it's the only thing that's left, isn't it bijou? "

You think about it for a couple of seconds, wherein the reality of your situation seems to sink in. Can you truly deny him? You don't think Jayde would have an explosive reaction to rejection, but then again, you never rejected his suggestions before. What if he gets offended? Pulls away entirely? You'll never be able to afford this lifestyle without him.

What if all of this has stopped being in your control, and, in the end, you transferred the reigns to someone else?

He reads the reluctance plainly written on your face.

" ... Just this one time, sweetie. " He coaxes. " You're incredibly beautiful, you know that? I'd give a few fingers to see you. "

He continues to speak over the mental rut you've been thrown into.

" Any man would be lucky to have a jewel like you. I want to keep spoiling you forever. Please, put it on for me? "

You don't know what it was. Perhaps the fear of losing his money, maybe it was the praise, or simply the pure desire to get this over with- But, you take off your top.

The scene isn't sexy or mischievous, you just glance away timidly as you lower the straps of your bra and reach back to unclasp it. Your slowness may be unintentionally teasing him, and from the small glances you steal at your phone, he looks stupidly concentrated, cheeks nearly as dark as yours as he finally -Finally!- Gets to see your tits.

Air catches in your throat, you can't quite tell if it's the thrill of exposing yourself or pure anxiety.

" They're gorgeous... " He murmurs. You almost didn't hear it.

Slipping the new fabric in is easier, the garment is designed with maximum comfort in mind and settles nicely on your chest, especially when you arrange your breasts into position.

" Perfect. " Jayde sighs. " I wish I could touch you. You're so perfect. "

If you weren't running hotter than a steaming kettle before, you are now. All you manage to respond with is a hum and nervous giggling.

" Put the whole thing on. "

There's a full-body shiver when you start taking your panties off. In all your nerves, you fail to remember that the mirror behind you makes it so Jayde doesn't just get a view of your mons, he also gets to stare at your ass unhindered.

" Fffucking- "

He whispers something you don't notice when the fabric drops to the floor, and you lift a leg away to pick it up.

You're sliding the new ones up your bare legs when there's a little too much shuffling being heard from his side. Not a lot, but just enough to make you escape your own internal panic.

You only now realize that you can't see his hands anywhere. One is definitely holding the phone close to him, the other... Who knows. His shoulder shifts.

" Uhm, hahah, what are you doing there? " You jokingly ask, trying to reduce the awkwardness of the situation by insinuating something ridiculous.

The teasing look shatters when he doesn't immediately respond or laugh it off. In fact, he looks like he's been caught with his hand in the cookie jar.

" N-!! No way! " You hurriedly fix the panties in place, choking on a breath.

" Sorry- I'm sorry, bijou- " He attempts a wobbly smile, not even denying it. " You just look so adorable flustered. You don't have to see it... Just pretend I'm not... "

Pretend I'm not jerking off, he means.

You can barely raise your voice above a whisper, doing a full turn so he can see how the lingerie sits on your body. Embarrassment has you grabbing your arm and trying to close your legs further, unwittingly flaunting exactly the curves he wants to see.

" You're gorgeous- " He repeats, eyes lidded, something far beyond lust shining in them. " You're the prettiest woman alive. You're sweet, you don't push me away or get spooked. I'm... So happy someone like you gives me the time of day. "

You don't know what to say, don't know what to do besides standing there as a monster audibly gets off on the sight of you in luxury lingerie.

" It's been too long since I met a girl like you. "

You don't quite like the intensity of his stare. Even if no man has ever directed words as flattering as these towards you, it feels like something is too intense about his demeanor.

" Jayde... " You cough. " Are you...? "

" Close. " He admits, laughing breathily. " I've never been this hard before. "

Apparently, he just said it to see you freeze and get even more flustered. " Please hurry up... "

" Are you tired, sweetheart? " His tone is near condescending.

" Y-Yeah. " Anything to speed it along.

" Uhuh, I bet. " Jayde's breathing gets shallower. " You'll go to bed soon, don't worry. "

" Mhm... " God, you're dying inside.

" I love you, bijou. "

Help.

" I... I love you too, Jayde. " You had to drag each word out of your tongue.

That did it. He's tossing his head back and furrowing his brows. You can hear the way Jayde stops breathing to hold any noises in, a groan still makes it through, you hate the traitorous flutter of your pussy that followed.

" I'm... Going to put my pajamas on now. Goodnight Jayde. " You try to break the silence while he recovers.

The expression on the imp's face can only be described as love-drunk, and sweaty.

" Goodnight, sweetie. "

As soon as the call drops, you make an inhuman noise of shame and bury yourself under the covers, kicking shopping bags aside.

It must have been mere minutes before a notification drops.

There's no doubt in you that's the demon's "compensation".

[ibelievewhatyousaid]

The Sinner’s assigned Abnormalities in L. Corp are very intriguing to me, as not being a general “resonance,” that Limbus uses with its current day Ego. But! They were assigned that for a given reason, even if only on a meta level, so I’d like to put my two cents into it as I love the Lobcorp Abnos so much. These are simplified summaries of the Abnormalities and speculation on how they fit said Sinner.

Faust - Forsaken Murderer

I do not believe she has an Ego Gift adored to her except the one for this Abno, so we can focus in on this purely; all being of Forsaken Murderer. (On this note, although I am not talking about the realization Ruina Egos, Meursault has Ego for this Abno as well) Forsaken Murderer in his original logs was said to have been a murderer in federal prison to have been sentenced to death. Before that could take place, a bunch of researchers decided to experiment on him. They wanted to prove an innate “evil,” existed and on a further level, they wanted to “cure,” him, although unclear what it really was they wanted to cure. Their experiments twisted out all of his penitence for violence, turning him docile, until he came to this belief of ringing in his head, that his head itself had became metal, leading to self harm against himself. Eventually a fatal accident happens, the researchers jump the ship and decide to simply dissect his brain, until the end he muttered, “ends, begins, ends, begins, end.”

NOW, this is hard to shape into Faust’s story, given how little we know about her on a deeper level, but, I think there’s already (shallow-ish) connections we can make. Faust has a lot of implications of science experiment (Child in a Flask, Telepole) whether we take this ‘literally,’ it’s safe to say either way Faustcord keeps her on a tight leash as being an “experiment” of a Faust who is willing to take a gamble. A lot of Forsaken Murderer focuses on the fact he is chained and tied up but “free as any other man,” we could take this as Faust’s expectation of being a skilled scientist and genius who is bound by those around her, to fulfill that role, yet “free,” at the sake of being all knowing. Faust is “omnipresent,” yet she is just another in a chain of command. In TKT she mentions to Vergilius that both of them “know their place,” despite how great she is, how “free,” of knowing she is, she is just another chain, in both the City and Dante’s contract to the sinners. We can also go deeper with this concept of “inevitably,” of the city, given to her by a predestined plan of fates, in every mirror world, how it all will end has already been put into motion. To know of how tied you are to fate surely must be a token of freedom as well, can’t it? He also seems to have a bit of an ego, a Ruina line of his being, “Don’t look at me with those eyes. You’re the most pitiful one here.” Which, fits Faust’s need to be above others, such as “Faust is brilliant, smart, Yi Sang is a genius.” An implication that Yi Sang had a cap on how brilliant he can be, something he must’ve lucked into, Faust was born to be great. Even if she is regrettably pitiful in every other aspect. An inability to connect to others or form meaningful attachments, this especially rears its head in events were her intelligence creates gaps between her and others, all of MotWE or Dante’s brush off of her in Canto 6 when she cannot given them an answer, or, even earlier, Sinclair accusing Faust and Limbus using the Sinners as compasses to boughs. In all situations it leaves her isolated and awkward, unable to answer, creating a larger, pitiful wedge between her and others, despite how great she is. She is still a thing to be “studied,” whether from an actual scientist or to other versions of her, or those around her, she is a spectacle.

Outis - Der Freishütz / Bloodbath

The story of Der Freischütz in Lobcorp was of a marksman making a deal with the devil, the devil proposed that the gun could shoot anyone, on the last bullet it would pierce the person the marksman loved, in return, the devil would gain the marksman soul in hell. The marksman thus went through all his bullets, killing off all his loved ones. The marksman traveled, simply doing good and bad deeds in impulse, no sign of an actual moral code. Eventually, he realized that the devil had long since stopped following him. He realizes that the contract had long been fulfilled, since the very beginning of him giving up his loved ones, did he fall to hell. And so, now a devil as well, the marksman continued to shoot anyone he wanted, forever.

Again, another sinner we’re left out in the cold for. But, to tap into Outis’ source, The Odyssey, the story follows Odysseus’ desperation to finally reach home, to his family. As the stories play out the more Odysseus gives up his morals. To sacrificing his men to no mercy, a king who was once gentle and kind, gives up all people around him to succeed in arriving home. Of course, from the start, Odysseus had given up his family, a mother who died alone, a wife left waiting for over a decade, a son who had never known him. Odysseus also makes many deals with Gods around him, something he pays greatly later for. Of course, none of this is a one for one, but I think it is to mimic Odysseus, or here, Outis’ slower decent into someone who hurts those who she loves (or should’ve) by her cruelty, once Odysseus had set off to war was the moment he was bound to lose everything. Which, is very similar to how Der Freishütz is, he had lost his humanity the moment he made the deal.

Bloodbath is a Abno based overtly on Carmen, but, to ease it into a more general baseless story, the Abnormality represents: “the pain of all those who couldn’t take their sorrow in stride.” A huge focus on Bloodbath is the guilt of love, of unable to achieve success, using “scars” as marks of failure. The bath mocks the person peering in with hands reaching out desperately, as if begging to be saved, or joined, in this misery. It’s a sign of endless despair, unable to ever reach the climax of this, the only outcome is to accept this wave of despair and let yourself accept it.

So, arguably this fits Outis really well just on the bases of the line: “Many hands float in the bath. They are the hands of the people I once loved.” This once again, is more of a line of thinking born from her source, but a lot of Odysseus’ guilt is haunting to him, specifically that of Penelope, but overall, he gives up many men, including people very close to him, to never truly “succeed,” I feel like this one is easier to connect to, given what I said of the previous Abno to Outis, so.

Don Quixote - Meat Lantern / Void Dream / Fragment of the Universe

Meat Lantern is quite.. obtuse, in its logs, both in Lobcorp and LoR most is left obscure. Which is terribly fitting. Meat Lantern, by your guess, is obviously not a tiny little flower. The logs say that it is gigantic, underneath the entire facility, always waiting, it lures people in, in L. Corp’s lens, it lures in employees by being a lantern, something shiny, full of hope, they haven’t seen stuck underground for so long. Any nature, any lights, something that wasn’t horrific or artificial has long since been lost to everyone there. It’s easy to feel it calling to them, to reach out, to touch, but it’s all a ploy to devour and eat whoever trusts it.

So, Donqui’s Abnos are actually what made me originally want to write about them. I had written out my analysis of hers a few months before, but it was too hinged on my own reading of her that it felt easy to write off as me sounding insane. But! With the reveal of MotWE.. this seems, pretty obvious. (Glad to know I’m not too crazy) Don Quixote wears a mask, one of “hope” something born from really just being .. silly, of something rare in the City. Someone who genuinely believes in good? In hope? Here? As “Don Quixote” stands as an ideal, a concept, “too good to be true.” and beneath that is a “reality,” no one’s has “really ever seen.” (as the log says about the “real body” of Meat Lantern) and then “devours” people. Yeah. I bet.

Void Dream’s logs follow someone who has Void Dream eat all their nightmares, giving them the best dream they could have imagined, the person they love had returned, even working in such a horrible company that is L. Corp was good. Everything was so, so amazing, a perfect ideal world for the dreamer. When waking up, the person was crushed by reality, when forced to confront the truth they became despaired. They tried to find those dreams again, in an obsession, but, they never did come back. The employee comes to the realization that Void Dream’s deal was too good to be true, that from the start, the Abno had set them up. And they had lost, unable to enjoy either sides of reality or dreams, they find their way back to Void Dream and beg them to eat all their dreams. Stealing away all their dreams, nightmares, hopes and despairs, virtually leaving them empty. When Void Dream is accused of leading people on, it brushes off the person, insisting it just wishes the best for others. The line, “a demon must change its shape to deceive others.”

Originally, I had read this purely as Don Quixote being put into the victim’s prospective, someone who “wakes up” from a perfect dream to be crushed by reality. And, I don’t actually disagree, I think this still 100% fits. But I think her fitting “as” the Abnormality makes perfect sense, too. Obviously, the whole “deceiving others,” line fits. To change one’s shape, a “demon” a Bloodfiend, to deceive others into seeing it as innocent, pure, true to the ideals it preaches. But, and this is a bit speculation on what we know very little of, “Don Quixote,” was given, or is a dream herself that a Bloodfiend wishes to dream, that Bloodfiend must’ve spun this tale, this “perfect” dream is an “act of kindness,” despite not being kind at all. Despite giving out this dream, not only to herself, but to others around her, does it lead to destruction and a harsher fall to reality itself.

Fragment of the Universe.. actually isn’t an Abnormality. At least, not traditionally, if the logs are true. The log mentions how it let itself be caught and studied, and through studying they declared it “intelligent enough” to communicate via language, thus, it learned more and more of humans and humanity. It became endeared and loved people. It reflected what it saw, leading to it looking like a kid’s drawings of hearts. When asked why it had came to interact with humans, it said it wanted to spread messages. One being its song, a song of the universe that drove people crazy, but also let them “finally see the stars,” and also to inform everyone that “there are no coincidences in the universe.”

FotU is really intertwined to its love of humanity, even its design is rooted in this love for the species. Its aim to spread its song is to “relieve” people, as well, even if misguided or unable to be understood. I think Don Quixote, as a concept, is so terribly human. She’s overly emotional, she’s quick to action, strong morals, she’s clumsy and brave and fearful and determined. She is so very human that it backfires. Given Cassetti’s lines, “we are so, so hideous behind the mask.” and his dedication as well as other Bloodfiends to “run” from being monsters and Elena’s lines of her wondering if she was desperate enough to “chase after being an ordinary human again.” I think the Bloodfiend behind Don Quixote genuinely loves humans, and, most likely, wants to “be” one. And “reflects” what she sees, which is a habit Donqui has, mirroring Merusault in TKT, or wishing to “copy” other sinners from Outis’ wristwatch. Donqui also has a huge tie to stars, so, so many of her IDs have her mentioning them, not to mention her tagline. I think an Abno who knows far more than it lets on, powerful, letting itself into humanity, coming to love them, but never being one, is dreadfully fitting.

Yi Sang - Funeral of the Dead Butterflies

FotDB is an Abnormality born from the pain and suffering of.. Lobotomy Corporation, actually! It’s a mourner who is rumored to wandering the halls of the facility with a coffin for those who are bound to be lost, an early mourning for those who are destined to die, and an incomplete sorrow for those already gone, the coffin too small to fit them all, unable to fall asleep or escape. The ending of the log decides that there is no escape, these butterflies are damned to wait, because there “must be an end to every world.”

I think, just like with Gregor’s case, although the original Abnormality is directly tied to L. Corp, in a more general definition, it is about the pain and sorrow of those inevitable deaths born from things such as K corp, or the Smoke War. Cases of people’s lives being thrown away and devalued, not given proper burials, no home to escape to, a fate to dying here, leaving the mourning to the others in the same situation who simply “lucked out.” In Yi Sang’s case, an “ending for every world,” feels very deliberate to the “world,” in which he was locked up in a cage, passively awaiting the days for it to end, one way or another, only to realize he was able to walk out, that the door was never locked. Yi Sang’s grief and attachment to the League of Nine, the only person who seems to grieve over those loses, alone, carrying that pain wherever he goes. In that sense, “an ending to every world,” could also be turned into a guaranteed ending of things he loved as well. There is more to be said, but this one seems very obvious.

Ryōshū - Spider Bud / One sin and Hundreds of Good Deeds / Scorched Girl / Bloodbath / Big and Will be Bad Wolf

(Oh my God girl. Do you need that many???)

Spider Bud is an Abno that is deeply protective of her babies, quite literally her alternative name being “brood mother,” she reacts negatively and violent if an Agent hurts or steps on her children

Ryōshū has gotten this Abno thrice now. It’s gotta be important, and yeah, it is! This is born purely from her Source, but Yoshihide’s tragedy is losing his daughter, Spider Bud’s entire gimmick is being peaceful (as an Abno can be) unless someone hurts her children, she stalks and watches and exacts revenge against those people. I didn’t want to bring in Uptie stories, but Ryōshū’s uncharacteristic gentleness to the spiderlings who nip at her is really.. striking. Once again, this one feels kind of.. duh, so I won’t go much deeper into it.

One Sin is an Abnormality with the purpose of being confessed to, to relieve one of their sins, it’s tied to religion to Hell’s screen gimmick of.. Hell.. feels, yes, but I feel as though this is more general and disingenuous from One Sin’s connection to Christianity while Hell’s screen is about Buddhism’s hell. Instead this felt more interlined to Parallel Gebura. A lot of people have jumped on this for power scaling fun, but! I think it’s important to realize why Carmen would’ve said “At least similar in this regard,” my take is that a huge aspect of Gebura’s woes in Lobcorp was her unable to protect those she loved. Given Yoshihide’s tragedy here, unable to protect his daughter. I think that is the aim that makes the most sense right now with how very little we have about Ryōshū.

Scorched Girl is another Abnormality she’s already gotten, all in all, SG lives on a sense of angered revenge and self destruction. Her logs depict her to be torn in two from her desire of affection to one of wishing harm on others.

Her attempt at hurting others involves hurting herself, which lines up with Yoshihide’s ending, of his natural self destructiveness, how he makes his art and his death. Her rage also lines up with Ryōshū’s, a want to have back warmth, love she’s lost, but only able to be a match of destruction.

Bloodbath, we already covered this in Outis’ section! I think Outis and Ryōshū naturally align similarly, (Hong Lu, Mr. “Horrific family” isn’t ever the one getting cold or aloof to mentions of family or parents or children, it’s only ever these two!) A guilt of unable to succeed despite how much you gave up and sacrificed, including others And to lose those you love, the hands in the water being everyone you’ve ever loved, by your own faults.

Finally, Big and Will be Bad Wolf! The Abnormality is about being set up from birth being one way. From the way society sees you, you will always be what they depict you as. The Abnormality doesn’t feel remorse over the violence it causes, because it was “inevitable” he’d turn out this way. Who is he to blame nature? Regardless of nurture.

This one is the most hard to really fit without going “well, just a hunch.” I think this could be in regards to Yoshihide’s further and further acts of violence and pain to others around him, but unable to feel that remorse (until it is too late) because he was born with this way. He was “born” an “artist.” Who is he to defy things sacrificed for art? He is unable to be anything but cruel and vindictive, and he doesn’t try to be.

Well, that’s everything I could remember off the top of my head! Apologies if it starts to get a little weaker by the end, I’ve been typing for hours. In general, there’s more I could say or conclude, but, because of how loose Abnos are in concept, as well as how most of these Sinners (everyone but Yi Sang…) haven’t had their cantos yet, it leaves a lot of assumptions built upon their sources and short behavior ticks we’ve seen them display. I won’t say these are confirmed or sure fire takes but more so a jumping off point in fathoming these choices.

[evilminji]

I Ponder The Humble Blob Ghost!

You think they are what happens when you ALMOST but not quite A Ghost(tm)? Like, you have the ectoplasm and the will to continue... but you didn't really have A Thing in life? No Final Crystalizing Thought that brings focus? Just "ow! Ah! I'm scared. Don't wanna die!" And theeeeen.... *poof!*

Why am I Orb? Am squish? No bones.

Like? Remove any one piece of the Critical Formula and you get Blob instead of Ghost? Different KINDS, mind you, but blobs none the less.

Like Skulker! Not enough Ectoplasm. Ended up Blob. He CLEARLY had the Will, the Obsession, the gory end and unfinished business... buuuut? No green goo to power the creation of a full body. He clearly knows what he's supposed to LOOK like? But it's not something FIXABLE? Even with his now unlimited access to Ectoplasm.

Like in utero damage that permanently stunted his growth. HE is fine. All his facilities are on-line and checking in as they should, for the level of sentience expected of a ghost of his people. He just... smol. Same strength, intelligence, and power as he would have always HAD...

He just got handed a really, REALLY crap "customize your eternal meatsuit" option screen. Like for real guys. Basicly NO options. His salt is eternal and entirely justified. He could have had his tattoos. He paid a LOT of credits for those! Sat for DAYS! Had to track down this One(1) artist on this SHITTY little trading hub, that BARELY QUALIFIED as one, to sit in on uncomfortable overturned crate... IN A GAS MASK because the AIR SUPPORT KEPT KICKING IT... for hoooours!

It was a WORK OF ART. You would have CRIED.

This is BULLSHIT.

But wait, I hear you say, staring at the Blob ghost chewing on a lamp post. The one that has wii music playing behind the eyes. No thoughts, head jello, one might say. What about THEM?

Good point! Remember that formula?

LOT of Ecto! But THAT... might be either an animal or a fungus. We'd have to check. ANYTHING can and DOES die. If it's alive? It can die and potentially leave a ghost. But! Consider the noble Ghost Rabbit! *holds up squirming rabbit that is ABSOLUTELY trying to both bite me and kick me in the face* A noble and friendly creature!

THIS is what happens when an animal: has sufficient Ectoplasm at the death site, a reason to continue living (fairly common. It's usually their offspring, escape, the instinctual drive to survive itself or other understandable base drives. Like love, loyalty, or hunger.), and that all important High Emotions End.

Miss any of these? You get Blobbertson over there! He's clearly a hungry boy! But! Not very DRIVEN is he? Just floating along, chewing on whatever seems interesting, looking for a snack. He's food motivated. But not MOTIVATED motivated.

Blobbertson over there? A peaceful death. Too much Ectoplasm too leave, too food motivated in life NOT to carry over, but? No DRIVE. To DEFINE and DEMAND the Ectoplasm in his little body become sharp and active. No highly emotional state to stir it into action.

Is Blobbertson INCAPABLE of higher emotions? No. He is every bit as capable as the Ghost Rabbit that has savaged my hands and escaped while you were reading. It was, in fact, NOT as friendly as originally assumed. I may be bleeding. Unimportant. Blobbertson is PERFECTLY capable of getting attached. Being trained.

Whatever level of intelligence Blobbertson had in life, still remains. And WITH that? Comes the ability to improve and grow in death! IF (and this is the big one) he ever finds MOTIVATION to do so.

Because you see, Blobbertson is quite happy. No thoughts, brain jello. Drifting along in a happy green ocean like a jellyfish. Only concerned about his next snack. It's comforting. His food obsession filled, his tiny motivation barely enough to move him place to place.

He would GLADLY sit in one place and eat for the rest of eternity. Head blissfully silent.

And that's OKAY! It truly, honestly, is. Not everyone has to be conquers and kings, crafters and cosmonauts. Sometimes you just want to spend the rest of time playing in the sand. Resting on a sunshine-y hill. Not EVERY soul is a loud one.

This is the INFINITE Realms.

And there are places like Amity Park out there. THICK as cold honey with Ectoplasm in the air, gently infusing all the life that grows there with greater and greater chance of Ghost-hood. Even the peaceful blinking awake after that final rest to look down and... little nubby green paws.

Congratulations on becoming a Blob, grandma! Yes, I imagine you ARE furious it is inordinately difficult to knit like this. No, I don't think complaining to the king will help, MeMa.

That said? I can not tell you if Blob Ghost all belong to the same Family or the same Order, but they are NOT the same species! The WAY in which you fuck up that ever vital Fomula results in WILDLY different Blobs! Was it an animal? A sentient species? A sentient PLANET? A complexe interlocking colony of fungi? What was the EXACT Ectoplasm concentration at the death site? Was that the historical levels or the At Death levels? Was the individual under sedation?

Yes! All of this IS in fact, VERY relevant!

And you think it ends THERE? HA! The SKIES are FILLED with Fighty Mother Fuckers! Ghosts LOVE to fight! It's built into their social dynamics and hierarchy! Good ol brawls to get the Ecto pumping!

......Local Blob Farmer would like to take this moment to say "GET OF HIS GHOST PEONIES, YOU HEATHENS."

No they would NOT like to join your 24/7 thunder dome in the sky, THANKS! Martha here is trying to compose some Atlantian Shell Poetry. Blobby Jr of Blobbington and Blobbington Incorporated is TRYING to study! You've DESTROYED THE COMMUNAL ZEN GARDEN!!

Get! GET!!! *swings broom*

And THEN you look not even a mile east? And it's the floating island of Blobs. They LIKE that rock. It's just an ever shifting, accidentally rolling off the edge, falling slightly, making an offended squeek, and floating back to the top of the pile to repeate the process, MOOSH of thousands of blobs. No one's certain if they used to be seals or some sort of cat.

Apparently THAT island is Warm(tm).

So there they sit. Making contented noises, chirping and shoving for the best spots. They never leave. You can literally just... float up and sit on them. It's amazing. You gotta be careful not to get buried, but it's So Soft and bouncy? And they are ALL making that soft happy Blob vibrate noise. It's like a giant, island sized, warm and almost fuzzy but not, water bed that massages you.

Just DON'T start anything there! Holy SHIT are they territorial. You Will Die. They SWARM.

And THATS not even getting into the Blobs that are? Literally brainless. Some people eat those. Which? I guess? They ARE basicly Ectoplasm jello. But SOME of them are NOT? Like... it's a debate. Hot button issue, ya know?

Some fungus turns into Ecto Jello with negative IQ and delicious insides. Is this food? But OTHER fungus was SENTIENT in life and become a whole RANGE of Fungus ghosts, from Blob right on up to complexe dryad like ghosts! Clearly NOT food unless you are a MONSTER. But THEY argue the FIRST group are ALSO not food?

Plant Ghosts have strong opinions and are willing to Gruesome Violence about it.

Which brings us back to the Humble Blob Ghost! Check before you pet! That might be grandma! Or planning to eat your hand! Just as Mammal tells you little to nothing about what animal you are looking at, so too does Blob and Ghost! Stay safe out there! And if anyone sees a glowing green rabbit? I want my blood back! That's supposed to be in MY body! Rude!

This has been, the daily ghost!

@hdgnj @stealingyourbones

[sugar-grigri]

Fujimoto answers you directly in this chapter (yes)

How about reading CSM differently? Or at least cut it up differently? Because the more the chapters progress, the more a certain pattern seems to repeat itself: Part 1 sounds as if Fujimoto is unveiling CSM in its purest form, then Part 2 sounds as if CSM is responding to its own reception by its fans. 

I've already said many times that Fujimoto likes contrast in form and in writing, and this chapter, though brain-numbing, simply follows Fujimoto's own rules, only in an even more accentuated way. 

To prove my point, I recommend you reread chapter 133 "Protest", which for me speaks directly to the divisive image represented by Fujimoto and his work Chainsaw Man. 

I've already done an exhaustive analysis of it, but let's get one thing out of the way: Fujimoto answers his fans in part 2. 

Whether it's by posing a heroine who seems incompatible with Denji, hating the figure of CSM which is nonetheless the work in which she's included, whether it's through the themes addressed by part 2, the question of dual identity, creating antagonists like Fake!CSM, setting up a church (us) around CSM 

We're in a work that speaks for itself, as chapter 137 confirms, and for this very rule, we refer to the previous chapters (an eternal restart).

Chapter 136, entitled "Normal Life", refers to a more-than-CENTRAL theme in Chainsaw Man, the nerve that irrigated the whole of Part 1 Denji's disillusionment, a bargaining chip for the former antagonist, Fujimoto takes his fans by the hand and puts them back into the game they know. 

We see what we'd all expected to see, a Denji who doesn't know how to fit into normal life, who's not cut out for 

In my previous analysis, I explained how not only is Denji incapable of having a normal life, not only because of himself but also because of Yoshida, who offers him this life, and above all because of Fujimoto, who abruptly breaks the rhythm of his own chapter with this aggression, frustrating (I'm sure on purpose) his own fans. 

What Fujimoto does is make you think you were reading in the right direction, showing you a Denji depressed by his normal life, and like a child amused by not wanting to be predictable, he breaks what would otherwise have been a logical thing to see. I mean… Who could have foreseen such a title?

Chapter 137 simply follows the same logic: Fujimoto has foreseen your frustrated reactions and knows full well that you've become attached to Denji, hoping that he'll break out of the cycle of manipulation. 

He plays you in this chapter by setting up a confident, emotionally well-adjusted Denji who pushes this stranger away, reminding her of the rules of respect and consent. 

It's not just Denji's thoughts, the way he would have liked to act, it's also the way YOU would have liked him to act. 

Now I can explain why these chapters, which break with the previous ones in their absurdity, are surely the most important in CSM. 

Many had pointed to the famous cinema reference in chapter 136, others had even noted that chapter 136 constituted chapter 39 of part 2, responding to Makima's date with Denji in part 1 in the same chapter. 

But chapter 39 of part 1 wasn't just interesting for the cinema scene, it was the one that set the rules for understanding CSM. 

In fact, it was this chapter to which chapter 93 responded, with Denji's ideology (in favor of bad movies) confronting Makima (against bad movies).

In the same way, the second chapter 39 (the 136th) also seeks to lay down rules

Chapters 136 and 137 have never been more responsive to CSM fans, stubbornly denying them what they want. 

What Fujimoto does is to return to cinema in its purest form in the second half, using the codes of the middle-aged male slasher. 

That's why the two high-school students go to Fujimoto's karaoke bar, because you're going to find yourself in its purest essence: having fun with the utmost absurdity. 

It's no longer a question of representing cinema, as in the two chapters 39, but of making cinema.

But why a slasher? Think of the mythical slashers that traumatized a generation… Yes… The Texas Chainsaw Massacre is a work that has achieved cult status for having opened the door to a new trend in American horror cinema: the slasher movie. Nothing represents a slasher movie more than a chainsaw-headed hero?

Inspired by the Italian "giallos", slasher movies feature a masked killer, a gang of youngsters and the killings of the serial killer in question. Fujimoto takes up this theme in his own way: Denji doesn't kill with his iconic chainsaw, he's not masked, and it's the young couple who hold the beats and the shady men who get killed.

If we go back to the depression we all expected to see, it's actually more complicated to understand: Denji's depression at being trapped in a type of writing that's too serious for him. 

Here Denji follows the rules of the game, enjoying himself by killing all those old people, saying ironically: "not bad this normal life". 

Because this scene is perfectly normal in Fujimoto's karaoke.  

In itself, Yoshida was right. Indeed, no, Denji is not the hero of the normal film that was unfolding before them. Because they're not in normal life, it's projected onto the screen. CSM's reality is an absurd slasher. It is in this slasher, in this false normal life, that the protagonist, Denji, is.

Denji is the protagonist of another film. And maybe in this one, the world needs Chaisaw Man.

[ariseur]

neck kisses, thigh kisses, lazy makeout sesh with yuuji and also fake dating where they end up falling in love (you can combine them or do them separately it’s up to you!!)

“you— h- what?” you huff, looking back down at the head of pink hair that laid between your legs, his chin resting on your lower abdomen.

“i like you. what’s up with that?” he replies. your mouth parts at his nonchalance. his eyes flutter around his peripheral, remaining as unbothered as ever even with his impromptu confession to you.

“what’s up with that—“

“—i know you said that i shouldn’t get attached if it’s not for real but,” he trails off, thumbing the colored veins he can see through your skin, tracing the perpendicular pathways within your thigh as he still considers his next words. you feel his shoulders shrug meagerly before he looks back up at you again. “i think i’d want it to be.” if those puppy dog eyes weren’t enough to kill you, a soft kiss placed on the middle of your thigh was way more than enough

“itadori,” you mumble, before you weakly lift a finger to his sudden gestures; awkward and dry kisses randomly scattered along your thigh before you call him out with a small laugh. “what’re you doing?”

an amused huff escapes him before he cocks his head. “eh? isn’t this what they do in movies ‘n stuff?”

“that’s usually with an actual boyfriend and girlfriend.”

“you don’t wanna be ‘actual-boyfriend-and-girlfriend’ with me?”

the question makes your mouth shut. your eyes gaze at his face, flitting along his features — maybe a way for you to confirm that this wasn’t going to go away with a blink or two, whispering promises left hanging in the air as he would leave your dorm at the end of the afternoon. he was seriously asking you this.

“do my kisses at least make me somewhat more convincing?” he grinned, resting his cheek on the warm tendon of your thigh. you scoffed, “i think you need a bit more practice before you go around kissing girls—“

“—you—“ he corrects.

“and i mean, are you really serious about this?” you ask.

itadori’s lips purse as he looks at you, big eyes still focused on yours. “what do you mean?”

“you really like me?“

he hums in agreement; but with the way it comes out, he almost makes it seem like it’s a plausible, everyday thing. to tell your friend that you’ve been fake dating for a month or two that you actually, really like them. once again, he never fails to impress people. “why would i lie about that?”

you shrug. itadori’s lips tug themselves into a small pout as he traces unintelligible shapes along your skin once more.

you watch as you lean back into the plush bed, the pillows sinking beneath your head as the salmon-haired boy’s face lights right up; like he’s just had a revelation. “well, if i need some more practice — why don’t you teach me?”

“teach you what?”

“how to kiss?”

your ears heat up at the aforementioned topic. this has to be a fever dream, you think to yourself — as you stammer for a second, brain overexerting itself as you try to concoct a sentence, even when it only ends up in sputters and laughs. “itadori—“ you start.

he smiles as he corrects you once again with, “call me yuuji.”

a beat passes. you and him both stare at each other, russet brown eyes meeting your own as they narrow in skepticism before taking a huff and motioning for him to scoot up — to which he does eagerly. he moves to get off of you, only one leg slung around yours as he props himself up on his elbows to await your reasoning before you cup a gentle hand against his cheek. an amused huff of air puffs through your nostrils at the choked sound he makes before his lips are on yours, clumsy but steady as they move and intertwine with yours.

you can feel his shaky exhale against your nose as he tilts his head further. laughing, you press your finger against your lips as you pull away; yuuji still chasing you even after the fact.

“i’m not saying anything yet, but let’s just—“

“can we practice some more?”

your head tilts ever so slightly at his question. however, the way his lip quirks uncontrollably into a grin causes the contagion to reach you as well, your own smile breaking out on your face as he grips your hand. “i’m a quick learner,” he adds.

you can feel your cheeks burn bright, and you’re sure he feels the same with the way he keeps shifting around with red ears and cheeks ( perhaps because he’s been smiling too hard, but that’s irrelevant considering you can’t focus on anything besides the glimmer of light in his eyes as he tries his hardest to convince you ).

as you give a small nod, his face slowly inches towards yours — eyes flickering between you and your lips again. and even as you lock lips once more, you couldn’t help but feel a warmth flutter around your chest as his fingers clutch yours. maybe being ‘actual-boyfriend-and-girlfriend’ with yuuji itadori wouldn’t be so bad, you think — as you rest a hand on his cheek once more.

𐙚 i hate this sm omg i didn’t know how to execute this properly with all the prompts listed !! i’m sorry anon 😭

𐙚 dottie’s 500 event - 🍡 ( action ) prompts!!

𐙚 join my taglist ! ; @sad-darksoul @kasumitenbaz

𐙚 non-500 requests are closed — august seventh, 2024 ( 3:02 pm )

[saturdaynightspecialpresentation]

Poor Things

First of all, Emma Stone’s performance is as good as everybody is saying. Stone takes a very difficult role that easily could have gone very, very wrong and makes it look like the most effortless thing in the world.

I have been looking at the reviews, good and bad, and I think that the minority of people who didn’t vibe with this movie had slightly skewed expectations.

Poor Things starts out at Tetsuo The Iron Man levels of fucked up, but by the end it has dropped to Edward Scissor hands levels of fucked up. This is probably plenty of weirdness for the average movie-goer, but true connoisseurs of mondo cinema should calibrate their expectations.

Second, apparently this is being talked up as a sort of feminist coming of age fable chronicling an everywoman’s sexual awakening and liberation, and it really isn’t that, and I think if you are hoping for that you’ll come away disappointed.

Better, I think, to look at it as an autistic coming of age fable and power fantasy, which I think it does a tremendous job at.

Very minor spoilers under the cut; really, this is more an essay about what I thought the film was about than a review, my review would be that it's somehow simultaneously a feel-good crowd-pleaser AND a movie where an adult woman with the brain of a toddler stabs the eyes out of a corpse with a scalpel and then plays with its penis (I wasn't kidding with the Tetsuo comparison)

Honestly now that I've actually written that out I have maybe underestimated how impressive it is that Yorgos Lanthimos made a movie where that happens on screen but somehow basically everybody loves the movie.

In terms of sex, we do watch Bella discover sex, but she very quickly comes to a conclusion about her relationship with it which never once changes throughout the rest of the movie:

She likes it, she likes it more with an attractive partner, she is utterly lacking in any kind of sexual jealousy, and she doesn't attach too much more to it than that.

This is an odd comparison, but Bella treats sex the way Joey did on Friends. A man acting this way is a sitcom cliche, but a woman acting the same way…

This is a film that is really, really not interested in the real-world consequences of this kind of sex; in fact, given that a pregnancy is the inciting incident of the film, it came off a little weird to me that the possibility of a pregnancy or STD was never really addressed (unless there was a line or two that I missed while I was in the bathroom).

For the most part, though, I was able to get past it by just thinking of it as a heightened world. The sets and settings are extremely artificial, and ultimately I figured, “Hey, if I can buy this kind of thing as harmless and fun in a sitcom, I can buy it in this other kind of heightened reality.

I will say, I don't think Bella is meant to be an every-woman, and that there's textual support for this in the film itself.

All of the women Bella deals with in some way question her approach to sex, making it clear, sometimes through explicit dialog, other times more reading between the lines, that her approach to sex is not for them.

If there’s any particularly feminist message in the film, it’s that when confronted with Bella’s bizarre approach to the world, none of the women get angry at her, and most of the men she meets do.

But Bella’s relationships with other women aren’t really the meat of the film, that’s more about her relationship with men, and particularly the way that they feel, deep in their bones, that they should have control over any woman that they have sex with.

Duncan Wedderburn, when he first discovers Bella and convinces her to go away with him, thinks he is tricking and seducing a beautiful naif who he can use and then discard when he tires of her. Their relationship disintegrates as it becomes clear that Bella hasn’t been tricked at all; she wanted exactly what he was able to give, a chance to sow her wild oats by having some no strings attached sex with an attractive, likable person in an exciting foreign city.

This makes Wedderburn increasingly unhappy and unhinged (He says at one point that he has become what he hates, a “grasping succubus”) much to Bella’s growing consternation. She has no idea why he can’t simply be happy having sex with her and otherwise letting her do what she wants, and he is so committed to a certain vision of gender roles that he can’t even begin to explain it, he can only lash out in frustration.

And that I think is the meatier part of the film; Bella doesn’t so much flout social expectations as she is simply totally unaware that they exist. 

Honestly I think the character isn’t so much coded as autistic as she just is autistic. Bella is a woman who is basically totally unaware of social expectations and constantly taken aback to discover that they exist.

More than that, she has to figure out a way to work around the fact that many of the people who become most enraged by her are also so totally lacking in self-reflection, and view their social situation as so normal, so self-evidently obvious that they cannot explain to her why it is she has made them angry. They suddenly fly into rages that clearly perplex Bella and which they themselves don’t even bother to explain, because they regard their own ideas as self-evident.

Bella is an idealized autistic hero; personally as outlandish as she is I don’t really think the film expects us to take the side of anybody else, and I think there are some fairly subtle and accurate bits of autistic behavior on her part.

She responds to life as a kind of social experiment, attempting to parse out a set of logical rules and, especially in the latter parts of the movie, she often justifies her actions with a perfectly sensible internal logic that the emotional men in her life can’t parse out. Late in the film, when she and Wedderburn are destitute, she prostitutes herself for 30 francs, and with implacable logic, explains the two reasons that Wedderburn ought to be quite happy she has done so: First, her john was much worse at sex than Wedderburn, which ought to satisfy his ego, and second, they now have 30 francs and the potential to earn more.

Wedderburn does not appreciate her logical approach.

Another thing that strikes me as very true is that Bella has a very odd theory of mind for other people. There’s a scene where, traumatized by the unspeakable poverty and suffering she sees in Alexandria, she puts all of Wedderburn’s money in a box and rushes out to give it to the poor. Unfortunately the ship is leaving, but two port attendants tell her that they will be staying on the island, and would be happy to deliver a package. She tells them that she has a big box filled with money and they should give it to the island’s poor, and they agree to do so. Now, the film never tells us one way or another whether they keep their word; but Bella herself retains an iron certainty that they did exactly what she asked them to. Now, we know Bella understands what lying and deceit are, because we’ve seen her trick people before, like when she chloroforms McCandles to run away with Wedderburn. But it never once occurs to her that these sailors might do something similar. Call it paradoxical, but that kind of thinking is common in autistic people.

There’s also the scene where the self-professed cynic Harry Astley shows her the suffering in Alexandria; he admits, when he sees how terribly it has affected her, that he didn’t tell her simply because he thought it was the truth of the world, but that her attitude made him angry, and he wanted to hurt her. A very common part of the autistic coming of age is the slow realization that not everything people tell you is part of a dispassionate, scientific search for the truth.

There’s also a scene in a whorehouse in which Bella argues that it would make more sense to have the women decide who is to sleep with the johns, so that then the john could be more confident that the girl was attracted to him, which he must doubt if he chooses. You can tell I’m autistic because I immediately had the thought, “Well, but the johns would probably be worried that nobody would choose them.”

One of Bella’s fellow working girls instead tells her, “Some of them like the fact that we don’t have a choice”.

[425599167]

Fallout: New Vegas is all about rebuilding society in the Mojave, and the three given factions all attempt to do so by recreating the past. The NCR models itself on the now-destroyed United States, with all the problems involved. Caesar created the Legion in the image of Rome because he believed it could best thrive in the wasteland. Mr. House is arguably the most forward-thinking with his focus on technology and eventual interplanetary travel, but he still rebuilt New Vegas from his nostalgic recollections of the city. Building on the past isn't wrong, the problem is these three factions don't appear to be learning from anything that happened.

NCR characters never directly acknowledge that they're following the example of a society that destroyed itself. Caesar criticizes them for this, believing the republic functioned best while under the quasi-monarchy of Aradesh and Tandi. But Caesar ignores how 1) Rome also fell and 2) he's confronting the same problem as a brain tumor is on the verge of killing him. Even if you treat his tumor, he's still mortal. Caesar was given an education, and his knowledge of strategy and history let him build the Legion, which he then made anti-intellectual and revisionist. The society he created cannot replace him, and will fragment when he dies. House is more contemptuous of the pre-war world, but he still brought it back, and specifically assigned the Omertas with the role of ruthless mobsters who will kill anyone in their way. Apparently he thought that was a good idea.

This extends into the DLCs, too. Elijah plans to use the Sierra Madre to wipe the slate clean and restore the Brotherhood of Steel to their position of unrivaled power, with himself back as Elder. Every day, Joshua Graham feels the pain of being burned. The Think Tank scientists are all stuck in loops, stuck in the past, stuck with their flaws centuries after believing they overcame their humanity. For all my grievances with Lonesome Road, it fits the pattern, as Ulysses saw a new society forming, saw it burn, and couldn't move on. If you let Ulysses live, he has similar criticisms of the NCR, Legion, and House. They're all idealized recreations, like the Vera Keyes hologram. Let go, begin again.

Benny may be a weird mix of dangerous and absurd, but he contrasts the other factions well. He jumped at the chance to join House, fought his tribe's previous leader to make it happen, then planned to take down House, too. House dismisses Benny as not understanding complex technologies due to his tribal upbringing, but he built a computer lab attached to his suite and studies technology as best he can. Benny doesn't want to relive the past, he wants to move forward, he wants something better. You can kill him and take his role, or, when facing certain death at Caesar's hands, he'll explain his vision and ask you to see it through.

After replaying everything, though the other endings have understandable support, I think the Independent route fits the story's themes best, the only one where something definitively new is being built. The Courier isn't remaking anything. Part of this is simply open-ended roleplaying, allowing the player to imagine the character's completed goal. If you choose one of the other three, the Courier can work to correct their faction's flaws and counter the destructive nostalgia affecting them. The Independent ending isn't necessarily the "best" for the Mojave, the Courier's morality and a hundred other decisions determine that, but it is the most compelling conclusion to the story.

[talonabraxas]

Scorpio Art by Johfra Bosschart (1974–1975)

Scorpio is ruled by the planet Pluto and is the 8th sign in the zodiac. Scorpio is represented by multiple symbols, the most potent symbols that stand out are The Scorpion, The Eagle, and The Phoenix. These three symbols or totems represent the stages of transformation Scorpio undergoes during the spiritual journey. Through peace of mind, we reach spiritual enlightenment. However, to induce the calm it takes to reach higher levels of awareness, Scorpio must have command of their emotions.

The First Stage: The Scorpion

The Scorpion, the first stage of transformation, represents our baser emotions, the darker emotions that we embrace. Low vibrational impulses seduce Scorpio as they continually react without understanding, empathy, or thought. The Scorpion easily expresses jealousy and anger, the primary source of Scorpio’s reactive behavior. If these traits are easily recognizable in a Scorpio, then be aware that their perception is limited by the control their emotions have on them, and they weighed down my insecurities.

Another source of frustration stem from hidden motives that they are either struggling to achieve or struggling to get started with. The Scorpion represents Scorpio at it’s rawest form; this is Scorpio at their most destructive and intimidating. The Scorpion isn’t going around, starting trouble. Still, because it’s highly protective of itself, ego and pride will retaliate with such a vengeance, it will seem as if Scorpio was the aggressor. Scorpio, at this stage, learns from personal experience and pain of loss & betrayal. Scorpio will take other’s advice with a grain of salt while forging their own path with deliberation, determination, and a dab of stubbornness.

This is also the stage where Scorpio is more prone to indulging in substances or activities that ease the mind, also making them susceptible to unhealthy habits in an attempt to reduce the anxiety and emotional impulses in the brain. The Scorpion eventually realizes that the best way to bring peace to mind, body, and spirit is through spiritual enlightenment, personal awareness, and growth. This newfound awareness eventually leads to the next transformational stage…The Eagle.

The Second Stage: The Eagle

The Eagle is the second stage of transformation and is considered a symbol of courage and power. The Eagle flies freely, aware of its surroundings and influence. The Scorpion has reached a state of maturity and is at a state where they rely heavily on intuition and wisdom to solve personal problems and assist the ails of others.

Where The Scorpion dealt mostly with the physical aspect of life, The Eagle is concerned with perception, philosophy, and wisdom. Their keen sense of observation infused with their powerful intuition allows them to discern an individual rather quickly and positively or negatively influence them with their persona. However, The Eagle still struggles with balancing the power of insight. Does The Eagle choose to influence the self or the whole?

The Third Stage: The Phoenix

The Phoenix represents the final stage of transformation for Scorpio. As we progress through Scorpios’ various stages of power, we see Scorpios struggle with balance. Will the composed Scorpio manipulate things to be as he wishes?

The extreme-natured Scorpio is tempered, Reborn from the ashes, renewed, and rejuvenated as The Phoenix representing the capacity for empathetic observation without judgment, thus an expansion of compassion and disillusionment of self. The Phoenix strongly associated with rebirth, resurrection, and transformation is a symbol that represents Scorpio breaking the chains of attachment, having learned the lesson of letting go.