#my art aren’t political
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Hear me out
#greek myth art#greek mythology#art#russian revolution#joseph stalin#leon trotsky#my art aren’t political#athena#ares#this is random i know#but hear me out
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Very silly
#Geo the kid at the back#geo oogami#the kid at the back vn#the kid at the back fanart#the kid at the back mc#my art#yeah so I keep picking the characters that aren’t options#i have a couple other ideas for geo#Geo was probably only polite for Crowe
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I wish we could trade places.
(ft @rainwingsfruitsalad’s Princess Beecatcher (left)!)
Two closeted trans siblings who feel they’d be much more suited in the other’s role.
#wof#wings of fire#my art#prince merlin#princess beecatcher#i made merlin like last week and im already insane about him#(merlin is a closeted trans woman-#-but for the time being is referred to with he/him since he is not out in the roleplay/within current discussed events#tbh maybe he’ll still use he/him but have a preference for she/her!#his dysphoria is mostly about his expected role in his family/kingdom and how his interests conflict with it.#tfw ur mom has only one heir but she doesnt want to be queen + is also closeted#and you aren’t seen as eligible but you have a massive interest in politics.#spinning them around in my brain#beneath her talons
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𝗦𝝠𝗗 𝗠𝗘𝗠𝗘𝗦
𝗣𝗜𝗡𝗞 𝗣𝗨𝗡𝗞 𝗪𝗜𝗦𝗗𝝝𝝝𝗠
New World by Zap Mama (hope is dope)
#!!! <3#x-heesy#my art#my memes#my quotes#artists on tumblr#5/2024#knowledge#wisdom#plastic waste#real problems#political#we Need a Solution#quote#quotes#qotd#quoteoftheday#quote inspiration#meme#memes#humanity#capitalism#pro life#now playing#music and art#iphone art#typography#pop art#neo pop art#Punks aren’t dead
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Imperatora and Kernel Adepta
#[S7BLZ]#[my art]#locusta#fanspecies#me when I paint -> I have no idea what I’m doing drop it#aneeway#these 2 are important political leaders of factions that aren’t on very good terms#which is a shame considering they have a forbidden…well it’s not romance because all locustas are acearo#their status is complicated
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IF everything goes well and I actually start my new job. I may actually go ahead and start buying the RoV manga with my first few paychecks
#I haven’t bought a manga since Princess Jellyfish#but I really want to support Ikeda. Most of the time I don’t feel too bad about pirating anime and manga#but with RoV it somehow feels bigger than other anime/manga I’ve read recently#it just feels important and impactful and historic#(I know that this is because RoV is much more explicitly political than most anime/manga. tbh I HATE it when people gripe about how#‘anime/manga/movies/comics shouldn’t be political’ not only just because they’re almost always complaining about things that#aren’t actually political [e.g. diversity in race or sexualities]#but also because politics makes art better! Politics are a part of my life and I want to see characters be political! It creates a unique#connection and resonance and brotherhood that simply doesn’t exist outside of the political. Like a core reason why Oscar is so compelling#is because she’s political!)#anyway rant over. pray for my wallet ����#RoV read
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Being someone who fights for their family in a world that barely acknowledges Gaza’s suffering? That’s its own special kind of hell. Every time a loved one is injured, whether it’s your partner, your child, or even yourself, the doctors rush in. But don’t expect any miracles. The tools they bring aren’t fresh from pristine, state-of-the-art hospitals. They’re the leftovers of a world that has abandoned Gaza. Surgical plates aren’t delivered by some heroic supply chain. They’re pulled from the bodies of the dead, handed down like cursed heirlooms. Metal meant to heal now carries the weight of death, and infection waits to take what little hope remains.
Doctors are left with impossible decisions: amputate, scavenge through the dead for a plate to salvage, or wait for one that may never come. And the price? These plates cost more than most families in Gaza could ever afford. As resources vanish, everything becomes more expensive. It’s a cruel game with no winners, and we’re all stuck in it.
This is the reality for 26 members of my family, all just trying to stay alive. Two orphaned children. A loved one paralyzed by shrapnel that tore through her body. Her survival hinges on removing infected plates that shouldn’t even exist in her story. Every hour that passes steals more of her future while the world stands still. And yes, you’ve probably seen the video of her injuries shared before. In case you missed it: Link.
This isn’t just about my family. This is Gaza. It’s about a world that watches genocide unfold and calls it politics. A world that stands silent as families like mine scrape by with nothing but scraps, while doctors stitch together lives using whatever’s left behind. But here’s the thing, we won’t let this be the end. Hope is still a choice we make every single day, even when the world seems to have forgotten how to care.
Please help my family in Gaza get a chance to survive. Click the link. Donate if you can and reblog to spread our story.
Vetted and shared by @90-ghost: Link.
Verified and shared by @el-shab-hussein: Link
Listed as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link
Listed on the Butterfly Effect Project, number 957: Link
Additionally, Al Jazeera News has documented apart of my family's case: Link
If, for some reason, you couldn't donate via GoFundMe, you can donate via PayPal instead.
Donate on GoFundMe: Link
Donate on Paypal: Link
Please keep the conversion rates in mind when donating through GoFundMe. Every 100 SEK is equivalent to 10 dollars, and 200 SEK equals 20 dollars and so on.
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#palastina#free gaza#palestine#text post#txt#text#free palestine#jerusalem#west bank#yemen#middle east#human rights#united nations#politics#united states#us politics#genocide#israel#txt post#gaza#free palastine#tel aviv
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New Year, New Save File ✨
Simkhira’s Small Town Save File is inspired by my little hometown in Southeast, USA. For this save, I wanted to create a world that caters to all of my favorite gameplay styles (country core, university core, legacy core, etc.) in a nostalgic way that made sense to me. Over the past couple of months, I have been able to transform Willow Creek into something that I am really proud of. I hope you all enjoy the lots, the backstories, and the small town political lore just as much as I do.
Please continue reading for more details and download information:
What’s Included in Version 1:
Willow Creek
21 Lots (5 Community Lots / 16 Move-In Ready Residential Lots)
17 Households (50 Sims / 64 including animals)
All of the Sims have relevant careers, skills, lifestyles, public reputations, likes and dislikes, gender preferences, romance preferences, turn ons and turn offs, relationship dynamics, defined walkstyles, and defined voices.
Disclaimer: I own all of the EP's, GP's, SP's, and Kits.
Custom Content (Included):
This save file contains 1GB worth of custom content. I have included these files in the download to save any hassle. If the game opens and says you are missing content, no you are not. I have play-tested this save file using only the files included and did not find any issues.
Required Mods (Included):
More Selectable Icons Mod by @zerbu
Willow Creek Clickable Mod by @awingedllama
Working Elevators Everywhere Mod by @littlemssam
21 Calendar Days Instead of 28 Mod by @littlemssam
The calendar mod allows the game to have 12 weeks in a “year”. So, each week is a “month” (i.e. Week 1 = January, Week 2 = February, etc.). The calendar holidays have been created according to this method. Recommended Mods (Not Included):
707 Nature Replacement Mod by KHippie
Grannies Cookbook Mod by Littlebowbub Disclaimer: The restaurant in Crawdad Quarter will still function without it - however, I have included some menu items from Grannies Cookbook.
Sim Spawn Overhaul Mod by Lotharihoe
NAP Policy Overhaul Mod by Kuttoe
How to Install Save Files:
Make a backup of your “Electronic Arts/The Sims 4/Saves” folder.
Download the file, unzip, and place the file in your “Electronic Arts/The Sims 4/Saves” folder.
If you already have a file with the same name, change the slot number to a number that you don’t have. (i.e. change Slot_00000000d.save to Slot_00000009d.save)
Once you open your game, you will see “Simkhira’s Small Town Save V1”. Open it!
Once opened, “Save As” to create a copy of the save file for your own gameplay.
If the game says that you are missing custom content, no you aren’t. I have double-checked.
Lastly, enjoy and have fun!
Inspiration:
I want to say thank you to all of the amazing save file creators who inspired me throughout this process. Some of my favorites include (but are not limited to) @folkling, @wolfxdreamersims, @coolpuppy12, @florwal, @awingedllama, and more.
Thank you for reading and I hope you enjoy!
Download (Google Drive)
#simkhira#the sims 4#ts4#ts4 save file#save file#sims 4 save file#ts4 download#ts4 lots#sims 4 download#sims save file#sims 4 save#ts4 save#s4 save#s4 save file#willow creek#simkhira small town save file
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💐🌸 𝓣𝓪𝓾𝓻𝓾𝓼 𝓣𝓱𝓻𝓸𝓾𝓰𝓱 𝓣𝓱𝓮 𝓗𝓸𝓾𝓼𝓮𝓼 🧸🌱
♉︎ - Happy Taurus Season Everyone!!! In honor of Taurus season, I am continuing the signs through the houses series. I hope y’all enjoy my findings & this post serves you well. Thanks so much for all of the support! Happy Spring & Upcoming Beltane to the Pagan Community <3
🌸 Taurus in the First House ~ Taurus on the ascendant is the embodiment of peace, calm and pleasure. These natives aren’t the most outgoing but leave such a comfortable and cozy first impression. They don’t say more than needs to be said, however they are unlikely to turn down a conversation. They have a soft and natural beauty about them and strong familial values. They enjoy the finer things, have a clean aesthetic and a “rich” aura. Many of them are shorter or more petitie in size, have a pleasing and smooth voice and kind eyes. However, if you mess with the bull, you’ll get the horns! Being on the opposing end of Scorpio, when they cut you off, it is completely. Good luck getting back into their lives because they are a closed book. Why y’all always smell good? Fr tho
🐂 Taurus in the Second House ~ Here the sign is in its ruling house, they do very well in saving their money, are picky about what they eat and indulge in the material pleasures of life. They value loyalty, commitment, stability and security - not to mention their love fashion & the arts. They will tell you they have the most exquisite taste, you would find it very difficult to change their mind. They hold up strong values and morales, what they know to be right and wrong is the truth. This is a very secure personality, they are very comfortable with their bodies, and have a healthy sense of worth and self love. Honestly such a healthy placement - as someone with NO earth in their chart - muhbenaaaace
💰 Taurus in the Third House ~ These natives find security and peace in their childhood homes, where they grew up, the memories of their cousins and siblings. They could be the most stable or the least stable out of their siblings. The way they think, learn and communicate is slow and methodical. They take their time in studying new topics, preferring to stay on the surface of a topic. They may have an artistic and beautiful singing voice, or maybe the way they speak is just very polite and sweet. They were raised with manners and this makes them very charming. They can have a liking for music that moves at a slower pace, classical music, or just a more elegant taste in art.
🥘 Taurus in the Fourth House ~ Their family could be a source of stability and security for them. The mom, mother figure or more feminine role model can be the bread winner in the family, her love language could be gifts, an amazing cook, and give a lot of hugs ��� They have stable emotions, it takes a lot to emotionally sway them. It may end up bothering people who try to get an emotional reaction from them because of this. They can be the most grounded one in their family. Their family may view them as realistic, practical and reliable. Family is what gives them sanction from the world.
💝 Taurus in the Fifth House ~ They express them selves in a very material type of way, their flex is their finances. These natives take a lot of pride in what they have...this usually comes from a place of having to work really hard for their things. They love the natural look, minimalist, they like long lasting, high quality, practical fashion. To them that is the best statement to make. They don’t like that trash to treasure look their tastes are refined. They will shower their kids with the finer things and really enjoy providing for them - this will be their love language. They aren’t huge adrenaline junkies and enjoy more grounded, chill hobbies. They definitely don’t mind being alone and love their down time at home…on the couch…snacks…naps…repeat.
🐻 Taurus in the 6th ~ These natives prefer a slow start to their daily routine, and enjoy a slow paced job, with chill yet organized coworkers. The workplace must be something that they don’t hate… because if they hate it and it stresses them out just thinking of going, they won’t work there. Period. They need low maintenance pets as these individuals are very independent in nature. It’s important for their day job to be a place of peace and pleasure for them, and once they are comfortable, it’s gonna be hard to get them to leave. Their job can provide them with sooooo much stability if they have a good one.
🍨 Taurus in the 7th ~ Wining and Dining with your loved ones! Shopping sprees, luxurious and high quality partners. With the ones they love the most, they spoil, eat and they just want to be lazy with them honestly. They want their relationships to be a place of peace for them. It’s important that their partner can support themselves and is stable on their own. It will just cause them stress if they are constantly worrying about having to take care or mommy their partner. It’s possible that they can stay with someone out of fear of the unknown/change, even tho they don’t like them or it’s not working anymore.
🌷 Taurus in the Eighth House ~ Cycles related to self esteem, self worth, and supporting themselves. Honestly, this is a really hard placement to have- they may have times where they stay in ab*sive relationships because they can’t support themselves financially or they are too uncomfortable alone. However, the eighth house is notorious for taking your greatest fear/weakness and turning it into their super power. You just have to get through those lessons and take those leaps of faith to unlock that power and hidden potential! They like to engage in their senses when they’re intimate with their partners and prefer slow love making rather than the raw primal stuff.
🪴 Taurus in the Ninth House ~ These people can be a little fixed in their beliefs, their spiritual beliefs/religion can be a source stability and sanction for them. If they aren’t necessarily spiritual- they could just have a specific philosophy or lifestyle that they stick to. What I admire about these individuals, is they know exactly what they want. When they travel, it has to be somewhere where they know exactly what to expect, somewhere that won’t give them anxiety, and probably a more luxurious staycation type of experience. They could also enjoy a nice nature walk with their loved ones.
👛 Taurus in the Tenth House ~ Every single person I have met with this placement neeeeeed a stable job, they will not leave a job if it provides them with the type of lifestyle they desire. It doesn’t really matter what they are doing for their career as long as it aligns with their values. Their dad/father figure could have been the sole provider and could have made a huge impact on their reputation. This is definitely a daddies money placement 💀 - sorry if that’s triggering for anyone lol. The father figure could be super down to earth and chill, enjoy cooking or just be way too overly indulgent in a negative manifestation.
👒 Taurus in the Eleventh House ~ Is the stay at home friend, doesn’t like to get out of their comfort zone to meet new people. Much likely to want to stay inside and bond with their community in a space that is familiar and inviting to them. Their community could be their sanction and be the most stable part of their lives. They enjoy cooking and creating art for their friends. Anything to bring peace to their homies senses! For their friends, the Taurus eleventh house native’s place is a home away from home. How special 🥹
👄 Taurus in the Twelfth House ~ When it comes to matters of the twelfth house, spirituality, isolation, ect. - these individuals may like to keep things light and on the surface. They are comfortable being alone, in fact they consider it to be comfortable and safe. Their spirituality isn’t something they spend time questioning, and they could be very comfortable with the unknown, they enjoy their own curious nature. They are endearing to their own selves, however sometimes their sense of worth could be confusing. They may have a hard time understanding their own values and morals, preferring to just go with the flow, everyday they are a new person trying on different personalities, hobbies and styles! The possibilities are endless! It’s quite an interesting placement. One more thing….secret indulgences…the silent snacker
Smell ya later!
#astro community#astrology#astrology signs#zodiac#spirituality#taurus#taurus rising#astrology observations#Taurus in the Houses
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hi!! Given my obsession for Hugh jackman I am CRAVING for some Leopold X reader (from Kate & Leopold)! Maybe with some little angst but happy ending??
I love your blog!! Have a wonderful day 😽💐💓
Leopold Mountbatten x fem!reader a/n: I don’t know how controversial this is going to be and I don’t care. I could never finish the movie because I hated Meg Ryan in it so much. It’s so odd, I’ve loved her in everything else she’s been in but she made it such a hard watch. Maybe it’s because she reminds me of my grandma in the worst way lol, but I finished it for you anon sorry this was a little rushed Anyways, hope you enjoy lovelies Summary: Your neighbor went back in time and dragged someone back with him. He's irritatingly polite and far too interested in your way of life. What are you meant to do when you fall for a man who was never even supposed to meet you?
“Hello, madam, please I need your help!”
You’re used to crazies, it is New York after all. But they’re not usually shouting at you through your window. Especially not when you’re on the sixth floor. You look away from your coffee and glance towards the fire escape.
There’s an oddly dressed man with red eyes waving at you through the dirty glass. You offer him a tentative wave back and he nods aggressively. “Yes, hello, I need your assistance.”
“Um,” you shake your head, “Sorry, I don’t have any drugs dude.”
“No,” he places his hands pathetically on the glass and shakes his head. “Please, I have been kidnapped.” Finally, you take a step closer to him. You can tell now that his eyes aren’t reddened from any medicinal fun, he probably got pepper sprayed.
Your friend did it to you once when you tried to surprise her on her birthday and you’ll never forget just how awful you looked afterwards. You can see him a bit more clearly now. Whatever odd costume he’s got on, it looks good. Genuine and clean.
Not like most of the street performers you see in Times Square. Besides, he doesn’t have that maddened look in his eye that makes you worry he’s going to come inside and kill you. Tentatively, you open the window.
He’s leaping through in a second and you jump back with a yelp. He turns towards you and his eyes widen before he quickly turns away. “My good lady, where are your pants?”
“Uh,” you glance down at the oversized shirt you’re wearing and the tiny shorts underneath. Admittedly, it’s a little skimpy, but you’re not walking around naked. You’ve heard of committing to the bit, but this is a bit much. “On,” you tell him, walking around him and trying to stand close to the phone.
“Ma’am-” He’s cut off as someone slams their fist on your front door. You keep a weary eye on the man while you unlock your door.
“Hey,” Stuart smiles at you. His eyes drift slightly past your shoulder and he goes barging into your apartment. “Leopold! What did I say?”
You huff and glare at Stuart’s frantic back. “This is yours?” Stuart nods and rushes Leopold out the door. You don’t miss the pleading, while slightly scandalized, look he sends you.
You slam the door closed behind them, shaking your head and going back to your morning paper. You doubt you’ll be seeing him around again.
You know, it’s just your luck that your upstairs neighbor is a scientist, one who happens to dabble in the art of time travel. And it’s just your luck that he had to fall down a damn elevator shaft.
Now, according to him, you have to care for someone from a different century so he can make it back to his time portal in, well, in time. This is fucking ridiculous. “I’m going to kill you, Stuart.”
“Look, they’re going to take my phone but he really cannot-”
It goes silent on the other end. You shout his name a few times but hear nothing in response. You assume the hospital staff has finally gotten sick of his shenanigans and has taken his phone. You slam your handset down with a huff and look towards the living room. Leopold hasn’t sat down since you walked in and it’s unsettling.
“So,” you start and his attention snaps towards you. “1876, huh?”
He nods and you roll your eyes with a scoff. “Oh, this is insane. This is insane,” you mutter to yourself, walking towards Stuart’s door. Leopold gives you a concerned look before quickly following after you. There’s a part of you, and you hate that part, that actually believes some of this.
Stuart is a brilliant, though flawed, scientist. You don’t doubt that he might have actually unlocked the secret to traveling back to the past, but it’s such an insane idea to try and wrap your head around.
“Come on, we’re leaving.” You know that Stuart doesn’t want him out of the house. Tough. You’re not going to just stay inside and wait until he can supposedly go back to the past. You don’t give Leopold any time to process your answer, already out the door and heading towards the stairs.
“You know,” he starts as he catches up to you. “You are quite rude.” Your first instinct is to snap back at him. But you take a breath and stop yourself.
You’re desensitized, ridiculously used to just how awful New Yorkers can be to each other. And whether this man is truly from the past or not is up for debate. But he is polite and earnest, and you have no reason to be a bitch to him.
“I’m,” the words are hard to come by but you force them out anyway, “I’m sorry.” He looks genuinely surprised by the apology and it only makes you feel worse. “This is just an insane idea to try and grasp.”
He chuckles softly, smiling as he glances down at his feet. “Yes, how do you think I feel?”
You’re sure it’s not his intention, but you only feel like more of an ass. If this is hard for you, whatever he's going through is a hundred times worse. You weren’t forcefully ripped out of your own time and shoved into another you don’t understand. He’s still trying to comprehend the television.
Though, you’re sure being a scientist has helped him in marginally understanding how all of this is possible. “How do you like the future?” It sounds awkward and stiff, but you haven’t had to talk to anyone in a really long time.
Your interactions are pretty limited at the book shop considering no one ever comes in. They all order online nowadays and all you really have to worry about is organizing shelves. You’re embarrassingly rusty when it comes to conversing.
And his propensity towards eloquence only makes you feel worse. “I must admit, some of your inventions have been quite fascinating. I’m especially fond of your showers.”
Your face scrunches slightly at the mention of hygiene and you nod, “I bet.” Before either of you can attempt to salvage this horrible attempt at conversation your phone starts ringing. “Hold on one second,” you tell him. You walk a few feet away from him but you can still feel his eyes boring into your back as you move away.
“Hello?”
There’s a frantic shout of your name down the line and then the distinct jingling of keys. “I need you to cover the shop. Marcy just went into labor and I’ve got to go!” Paul doesn’t give you a chance to respond before he hangs up.
Your jaw gapes and you stare down at your phone with shock. You know Paul and his wife had been expecting, but had it really already been nine months? Has your life become so monotonous and dull that nine months doesn’t even register for you?
It’s a depressing thought. One you’d rather not linger on. “What was that?”
You scream, though the people passing by don’t pay you any mind, and jump away from Leopold. “Jesus, where the hell did you come from?”
Leopold flinches away from you and his face is just as aghast as yours. “Good heavens, what is the matter with you? Do you respond to anything as a sensible woman might?”
“I resent that.” You tell him bitterly. Though, he does make a good point. You’ve been on edge constantly. You always seem to be more anxious than you are happy. It’s not a good state to perpetually exist in. “I need to go into work.”
You don’t want to outright say that he needs to go back to the apartment. It feels a little mean, but you’re hoping he’ll catch onto your tone of voice.
His entire demeanor perks up and he smiles at you. “Wonderful, I am dreadfully curious as to what you do.”
You open your mouth to correct him, let him know he’s not coming. But he’s staring at you with such hopeful eyes that you cannot find it in yourself to turn him down. He seems so excited, you’re sure he won’t be when he gets to your cluttered little bookshop. You let out a weary sigh, “Fine. Okay.”
You walk towards the curb, hoping to hail a cab. But Leopold’s hand gently wraps around your elbow and tugs you in the opposite direction. Your eyes widen in response to his boldness. You thought touching a woman he wasn’t courting would cause someone like him to combust. Seems he didn’t mind breaking the rules sometimes.
You make a mental note of that for later. You don’t know what you’re going to do with the information, but you find it intriguing. Maybe the modern world was rubbing off on him more than he’d like to admit.
“We should take this,” he stops you in front of a horse-drawn carriage and you immediately begin to shake your head.
“No, Leopold, these are just tourist traps-”
He doesn’t let you finish, opening the carriage’s door and gently nudging you inside. “Nonsense! This is far more enjoyable than those yellow monstrosities.”
“Taxi,” you correct. You turn towards the carriage driver and give him directions to your bookshop. “Ink and Tea on Fifth.” He nods and the carriage rolls forward with a lurch. You grip the cushioned seats and pray you don’t get motion sickness.
“Ink and Tea?” Leopold inquires. “Are you a journalist?”
You smile and shake your head. “No, nothing so fancy. I just help take care of an old bookshop. They were supposed to extend the shop when it first opened. They were going to build a space for people to get pastries or drink tea, but it never happened and the owner was too lazy to change the name.”
It feels a little humiliating to be talking about your minimum-wage job to a renowned scientist. He’s invented or is going to, elevators. He doesn’t care about your stupid shop. But he doesn’t look particularly judgy of you. If anything he seems to be endeared to you the more you talk.
Normally, you’re oblivious to these sorts of things. But it’s nearly impossible for him to hide. He’s not shy with his attraction, never taking his eyes off of you and hanging onto your every word. You’re not used to such outward attention.
You look out of the carriage, pretending to take in views you’ve already seen a thousand times. “This city is incredible,” he wonders aloud. His awe is palpable.
Your nose wrinkles and you shrug. “It’s dirty and the people are intolerable.”
“Must you always be so pessimistic?” You snap your mouth shut and feel embarrassment creeping around you. You’ve never had someone point out when you’re being negative, but he has a point.
You used to view the city through the same rose-colored glasses. Something’s broken inside you in recent years that has just taken the joy out of life. Everything is grey to you now, until Leopold, nothing spectacular has ever really happened to you.
The carriage comes to a stop outside the shop before you can respond to him. You want to deny what he says, but you can’t. Your attitude is almost always unnecessary. You think sometimes you might just be trying to see if everyone feels as miserable as you do or if there’s just something wrong with you.
“Come on,” you tell him, getting out and paying the driver. He wanders towards the shop, eyeing the displays in the window curiously.
“These are wonderful,” he tells you, pointing to the way you’d made the books look like they’re floating above the shelves. It was just some silly little thing you’d tried to get more people in the shop. It’d worked for about a month.
“I did that,” you unlock the door to the shop and open it for him. But he doesn’t walk in immediately, instead, he lingers in the doorway. He offers you a soft smile and you can’t help but return it.
“You’re more creative than you give yourself credit for.”
Your eyes widen as you watch him walk inside. He keeps making these oddly astute observations about you and it’s throwing you off your game. You barely know this man and you’ve always been good at keeping yourself aloof and vague. Yet, he seems to read you like you’re wearing your heart on your sleeve.
“Feel free to…” he’s already made himself comfortable somewhere in the back and you trail off. “Look around,” you finish lamely. His form is lost somewhere in stacks of books and cluttered shelves.
You know most of the classics and history books are kept towards the back. You wonder if he’s reminiscing or getting a headstart before he gets back to his time. You smile at the thought and walk behind the counter, sitting on the stool and preparing to finish off the rest of the day.
Leopold is still somewhere lost to you an hour later. Occasionally you’ll hear a page flip or the clatter of a book being reshelved, but there are no other signs of life. Not until the bell above the door rings.
“Clark,” you smile, sitting up straighter as your friend walks through the door. “What’re you doing here?”
He gives you a crooked grin and shrugs. Just over his shoulder, you can see Leopold’s head pop over a shelf, he looks between you both, eyes narrowing with disdain. “Paul told me you’d be here, figured you might want some company.”
“Actually-” you start, but another voice cuts you off.
“Leopold Mountbatten,” he comes around the corner, hand outstretched as he comes in between you and Clark. “And who might you be?”
Your brows furrow in confusion at the interaction. Leopold seems oddly hostile and Clark looks strangely caught off guard. “Um, Clark. Nice to meet you, man.” He shakes Leopold’s hand but his grip is weak and it only lasts for one awkward half-second.
It’s uncomfortable to watch them try and interact and it only gets worse when they turn towards you. Clearly, they want you to tell them who the hell the other guy is. But you feel like that might just make the situation worse.
Besides, you were pretty content with it just being you and Leopold, you don’t need Clark coming in here and riling things up. “You know, Clark, I’m set here. You can just go home.” Your tone leaves no room for argument but you know he wants to.
“Alright, I’ll just call you later, I guess.” He throws one last skeptical look at Leopold before finally slinking back out of the shop.
“Neither of you should be alone without a chaperone present.” Leopold bluntly scolds you without even waiting a second before Clark is gone. It catches you off guard and you scoff.
You motion between the two of you, “We don’t have a chaperone.”
Leopold shrugs, “Yes, well, I’m not courting you.” It shouldn’t, because he’s right, but that stings. He is attractive, surprisingly so. You have this odd belief that anyone from his century had to be at least a little ugly. But he’s near perfect.
Hearing him tell you so bluntly that you’re not courting hurts a little. Though, you can’t blame him. You must be dramatically different than the women he’s used to. From your manners to how you dress, you’re practically an alien.
You stand up from behind the counter and walk towards the cart of books that need to be shelved. “Clark is a friend. Nothing more.” You’ve never once been romantically interested in your friend. He’s attractive, but he’s not really your type.
Apparently, British men from the nineteenth century are. Which does not bode well for your romantic prospects once Leopold is back home. “It is plain for anyone to see how he wants you. Don’t let yourself be blinded by naivete.”
“Naivete?” you scoff and turn around to glare at him. “Don’t pretend to know anything about me, alright? I’m not some maiden in a frilly dress who needs a chaperone.” You can see that your words affect him. He looks a little taken aback by your anger and so are you.
It’s misplaced. You’re not mad at him, just mad that you even like him. “Just go read or something, Leopold.” You dismiss him more rudely than necessary and hide yourself behind a few shelves. The rest of your workday is spent in a tense silence that makes your stomach churn.
You’re nearly ready for bed when something slips under your door with a slight whoosh. You turn towards it, frowning when you see a little envelope with a wax seal on the ground. You pick it up and let your finger slip under the paper, opening it to find a letter with your name on it inside.
The handwriting is impeccable, with a gracefulness to it that you’ve never seen before. You don’t have to read for very long to know who it's from. Leopold writes poetry about the color of your eyes and the way your lips curl when you smile. And then he ends it with a vague, nearly ominous, invitation to dinner.
You can’t help but smile to yourself, changing out of your pajamas and slipping into something a little nicer. A few minutes later you’re climbing out your window and taking the stairs up the fire escape to the roof.
You don’t believe your ears at first, thinking the music must be coming from another apartment. But when you make it up to the roof there’s a violin player there waiting for you. He smiles happily at you as you approach.
You spin in a slow circle, taking in the sheer amount of flowers littered around the roof. You don’t know how he managed to afford all of this. He transformed the barren and empty rooftop into your own little paradise. Candles lit and a live musician playing for you.
You’ve never had anyone do something like this for you, ever. It’s a little hard to accept that someone would be willing to put this much effort in for you. “I wasn’t entirely sure you would come.”
You turn around and Leopold is waiting behind you, that familiar smile playing on his lips. You aren’t aware of the grin forming on your face in response. You don’t have much control over that when you’re with him.
“Why wouldn’t I?”
He looks like he wants to respond but at the last moment thinks better of it. He instead pulls your chair out for you, helping you into your seat. “This is nice,” that feels too underwhelming a word for such an incredible gesture.
You sigh and frown as you try and find the right words. You don’t notice him sitting down across from you. You only look up when you feel him placing his hand on your own. “It’s alright,” he assures you.
It’s still so odd how he can know you so well after such little time. “This is incredible,” you tell him, undeterred by his attempts to soothe you. “No one’s ever done something like this for me.”
He looks like he takes personal offense to that and it makes you laugh. “You deserve far more than this. Sadly, it seems Stuart’s pockets do have limits and I’m afraid I would have put him into debt if I’d gone any further.”
You have the perfect mental image of Stuart coming back from the hospital only to find his science project has robbed him. It makes you laugh and you squeeze his hand once before drawing it back into your lap. He lets his touch linger on you for a long moment, seemingly reluctant to pull away.
“No,” you tell him, “this is perfect.”
You fall into a comfortable silence for a little while. Conversation mostly drifting toward what his life was like as a duke. You don’t have much to say about your own life. It’s been incredibly normal and you’re a little sad to find that you don’t have one good thing to share with him.
Nothing comes to the front of your mind.
Inevitably, you drift into the topic you’d both been so adamantly avoiding. “Has Stuart said when you’d need to return?”
Leopold’s grip on the fork tightens and for a moment he refuses to meet your eye. “Monday, I’m afraid.”
“Oh,” your eyes widen and you feel something burning at the back of your throat. Monday, the same Monday that’s two days away.
“Dance with me,” the suddenness of the demand catchers you so off guard that you forget the tears. He stands, holding out his hand to you. You almost say no, you can’t remember the last time you danced and you doubt it’s going to be pretty.
But he whispers your name and something about his tone tells you to take the chance while you have it. You slip your hand into his, letting him pull you to your feet. He doesn’t sweep you off your feet and dance the night away.
Instead, he holds you close and you sway together. Like moving even an inch away from each other would hurt. “You could come with me,” he tells you. And you know immediately what he’s talking about.
You also know it could never happen. Going to the nineteenth century is insane. Even considering it should be enough to have you sent to a psych ward somewhere. Especially not for a man you’ve known for less than a month.
You try and tell him that you can’t, but he stops you. “I know, a preposterous idea. I just wanted to think about it.” You look up at him and find that you can’t take that away from him. There’s nothing wrong with imagining what it could be like with him. Even when you know it can never happen.
You dance like that for a little while longer, swaying against each other while the violin plays in the background. He whispers your name and when you gaze up at him this time, there’s a certain look in his eye that you know is reflected in your own.
He dips down, lips caressing yours gently before he’s pushing more firmly against your own. The world stops. Cliche, you’re aware. For the first time in years, though, you’re alive. You feel something other than the dull monotony of life. You feel excited and terrified all at once. Because you know you can never have this feeling again.
You will never meet another man like Leopold who ignites this spark of life and passion within you. Never has a man been able to make you doubt every decision you’ve ever made with just a kiss, but here he is.
Your arms lift like you might try and draw him in closer. His hands come up, taking yours in his gentle hold and squeezing. He pulls away from you and reality comes crashing back down. You’re not in love, you can’t be. You’ve only just met him a few days ago.
Yet, here you are, wondering if you might actually want to leave everything behind to be with him like the great romances authors write about. He smiles at you and there’s a bittersweetness to it, a final farewell that you know will break whatever is left of your heart.
He lifts your knuckles to his lips, pressing his lips against them like he never wants to part. “Goodnight,” he whispers your name and backs away from you. You watch him go, watch him leave, unable to muster up any words for him.
You can’t think of anything that would ease this gnawing ache inside of you. Nothing to soothe the pain for either of you. You let him go because you know if you asked him to stay he would. And how selfish of you would it be to let history unravel simply because you fell in love?
Monday. It is Monday. You’ve been coming to terms with that all weekend. You don't want to think about the fact that Leopold will be gone tonight. Your time together was so brief but you feel like you’re never going to get over losing him.
Before the night was over on Sunday, a note was slipped under your door. This handwriting was messy, it made you think someone other than Leopold had written it down, but you don’t know who it could have been.
It was a date and time, jump off the Brooklyn Bridge at this time on Monday night. Only an idiot would jump off a bridge because of an ominous note slipped under her door. But you haven’t been able to take your eyes off of it, not since you first picked it up.
Leopold had invited you to go with him. And while you might not have said no, the insinuation was clear. Your eyes dart to your clock. If you left now, you could still make it in time. What an absolutely ridiculous thought.
So, why are you running out the door without locking it? Why do you not care who slips into your home now? There’s this sense of finality within you that lets you know you’re never going to see that place again and that’s okay.
You never truly felt comfortable in your life. You always thought a part of yourself was missing. Or that you were always running late for something. You think you understand what you were feeling now.
The thing you’ve been searching for your whole life wasn’t halfway across the world, a hundred thousand miles from you. He was on the wrong side of time, or you were, at least.
You manage to snag a taxi to get to the bridge but there’s a traffic jam. You’re forced to jump out of the car and run through the different lanes of blocked traffic. People shout at you. Your cab driver screaming after you about your fare. You don’t care, the only thing you can think about is the note crumpled in your hands and the clock counting down how long you have to jump.
You’ll either be on the news tomorrow as an unfortunate suicide. An idiot who accidentally threw herself off the wrong side of the bridge. Or, you’ll see Leopold again.
You reach the ledge and you can’t hesitate. If you do, you won’t jump in time. You close your eyes, holding your breath like you’re jumping into your neighbor’s pool. Air rushes around you, whipping at your hair and skin violently.
It’s not until you hear someone shouting down at you that you realize you’re not dead. You’re lying in the middle of a dirt road, a group of people staring down at you with concern in their eyes.
You only have to take in the clothes they’re wearing to know you’ve made it. Before they can react you’re leaping to your feet and running off. You know you’re near the Brooklyn Bridge, or where it’s supposed to be at least. You know enough about the area to remember where Leopold’s house is supposed to be.
You’re covered in sweat and red mud. The people you pass by in the streets hide behind their hands and whisper about you. You’re not making a good impression on your future neighbors, that’s for sure. But, honestly, all you care about is making it back to him.
You see people congregating outside his uncle’s home. You know there’s a party inside, that he’s supposed to be announcing who his wife will be. You barrel through the people outside, shoving through the crowd and running up the steps of the house.
You can hear Leopold’s voice as you run, “The woman I’m going to take as my wife is-”
There’s a loud gasp as you come panting into the room. You can’t catch your breath long enough to speak but it doesn’t matter. The crowd is parting around you and Leopold is smiling down at you. He says your name and there’s nothing else that matters about the world around you. Not when you finally found each other.
end. — I do not own the characters or the movie Kate & Leopold, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.
#leopold mountbatten x reader#leopold mountbatten x you#kate and leopold#I just know this is going to flop lol#hugh jackman#hugh jackman x reader#anon
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*ੈ✩‧₊˚ SUPERNOVA // JJK ੈ✩‧₊˚
01 | 02 | ♡ 03
— stuck in an unspoken love triangle, oc and jungkook face the end of it all
au/genre:
mean girl au
love triangle
childhood friends to lovers
note: omg ! the end <3
//
jungkook had a plan.
he was going to show you around the new exhibit, confess, and ask to be your boyfriend. his entire life, he waited for signs and for the perfect time—only for him to realize that there will never be a moment where bells ring and tell him; now.
no.
you see, after all this time—for his entire life—you have been the quiet.
his quiet.
all his life, it’s like his eyes only focused on you. everything and everyone around him was blurry and the only real clarity he had in his life was art and you… and as corny as it is; that’s what you are to him entirely.
art.
from your pottery, to the way you look, and to the way you simple are—you are his favourite masterpiece.
the canvas gallery is where you two ran around as kids, amazed at all the pieces other artists made. so, it only made sense that this would be the place where he kicks his anxiety in the ass and finally fucking goes for it.
so, he waited.
and waited.
…. and waited.
and right when he was about to call you—
hana showed up.
she grabbed his arm and yapped all about how excited she is to be here with him. to that, jungkook shook off her grip and stepped away.
...
“what are you doing here?”
“___ gave me her ticket—”
“fuck that. hana, why do you always do this? why do you always take things from ___?”
with distant yet jealous eyes, hana replied; “because she has better things than me. i like her things. is it so wrong to like her things?”
“are you insane?”
“maybe.” hana scoffed. “i don’t get it. what does she have that i don’t? we grew up together and did everything together—yet, it’s like… i’m not even half of her.”
“because you aren’t.” he growled. “you hate ___, right?”
silence.
“that’s okay,” jungkook exhaled. “cos i fucking hate you. with all my being. ever since you blew out ___’s 14th birthday candles. ever since you always kissed the guys she was into. ever since her pottery business bloomed and you accidently knocked over a piece she was working on for two months. god, hana. i have and will always hate you.”
“shit, jungkook. is that it? are you done—”
“no,” he sighed. “i will never be done hating you for taking every opportunity to turn anything good for ___ into something bad. you want to play mean girl? fine by me. let’s fucking play. get this through your fucking head; i will never be yours but i will forever be ___'s."
...
jungkook gave you time.
partly because he was mad—mad that you gave hana your ticket so easily, mad at how quickly you folded like you always do. but mostly, because he knows how you are in moments like this. you don’t talk. you retreat, giving yourself space to breathe, to think. he hopes you’re using the time to clear your head, making space for him.
by the third week of awkward text exchanges—his dry "good night" met with your overly polite “you too"—and no more nightly facetime calls where he fell asleep to your voice, jungkook snaps.
he gets into his car and drives to your studio.
the late afternoon light spills through the frosted windows as he parks outside. his stomach twists at the sight of the closed sign hanging on the door, but the faint hum of a song playing inside tells him you’re there. jungkook knocks, loud and insistent.
for a moment, he worries you won’t answer.
that you’ll pretend not to hear him or let the music drown him out. but then, he hears the soft shuffle of slippers and the click of the lock.
when the door creaks open, you’re there.
cheeks flushed from the warmth of the studio, hair tied back messily, and streaks of dried clay smudged across your forearms. your apron is dusted in powdery beige, a damp hand towel clutched in your fingers.
“jungkook—”
he doesn’t let you finish.
his name on your lips is enough to tip him over the edge. stepping forward, he pushes the door shut behind him and closes the space between you in one fluid motion.
your back hits the sink behind you with a soft thud, the cool porcelain biting through the thin fabric of your apron. his hands find your waist first, firm and grounding, as though he’s anchoring himself to you.
“w-what are you—”
“i can’t do this anymore,” he mutters, his voice low and trembling, the words spilling out as though they’ve been trapped inside for years.
he shifts closer, one hand leaving your waist to cradle your jaw. his thumb grazes your cheek, where a smear of dried clay clings to your skin. you’re so warm, and so unbearably soft that it makes his chest ache. his other hand brushes against the edge of your apron, his knuckles bumping against the damp streaks of clay still drying on your fingers.
“jungkook—” you try again, but your voice falters when he leans in. his forehead brushes yours, and he’s so close you can see the strain in his jaw, the tension pulling at the corners of his mouth.
“i’ve had enough, ___,” he breathes, his voice trembling with something between desperation and exhaustion. “i’m tired of bending backwards to see you. i'm tired of people standing in front of you and i'm sick of you letting them. most of all, i’m tired of waiting for the right time. i—i’ve been in love with you since we were seven, and you know that.”
his hand leaves your cheek to tuck a stray piece of hair behind your ear, his fingers trembling slightly as they linger there. “i haven’t done much to hide it, have i? i'm sorry. i've been a coward but... maybe i never did anything because i always knew how you felt about me too.”
your hands tighten on the towel, the wet clay squelching under your fingers. you glance down, unable to meet his gaze, but he doesn’t let you escape.
“look at me,” he pleads softly, tilting your chin upward until your eyes lock with his. the raw intensity in his stare steals the air from your lungs.
“please, ___... i'm fucking begging to you see me through this,” he whispers, his voice breaking as he leans his forehead against yours again. “i'm begging you to take my heart and mold it yours.”
and that’s exactly what you do.
your hands tremble, damp with clay and nerves, as you reach for him. you cradle his jaw gently, your thumbs brushing over the faint stubble along his cheeks.
then you kiss him.
jungkook freezes at first, his breath hitching in surprise, but it takes only a heartbeat before he softens. his lips move against yours, slow and deep, like he’s memorizing every second of this moment.
he’s hesitant—his hands stay planted on your waist, his grip cautious, almost shy. but when you sigh against him, his restraint snaps. his fingers curl into the fabric of your apron as he steps closer, pressing his body firmly against yours.
he bends his knees slightly, his arms sliding down to wrap around your thighs. with a quiet grunt, he lifts you effortlessly, settling you on the edge of the sink. your legs part instinctively, making room for him to step closer, his body slotting perfectly between yours.
you gasp softly as his hands find the back of your thighs, pulling you flush against him. your fingers slip into his hair, still streaked with clay, and he laughs quietly against your lips at the mess you're making.
his laugh fades quickly, replaced by a deep hum as he kisses you harder, with more certainty. the kiss grows messy, your breaths mingling and the faint taste of salt lingering between you.
when he finally pulls back, his lips are swollen, and his eyes search yours with an intensity that makes your heart stutter. he doesn’t move far—his forehead rests against yours, his nose brushing yours as his fingers trace small circles on your thighs.
“so…” he whispers, his lips curling into a boyish grin as his gaze flicks to your apron, your hands still smeared with clay. “about that mug?”
#bts mini fic complete#jk scenario#jungkook confession#jungkook f2l#jungkook childhood friends to lovers#jungkook fic#jungkook scenario
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The Unattainable Princess (Prince!Harry Styles x Y/N)
A/N: I had this one in my drafts for a while and I’m not sure I still like it but I’ll let you be the judge of that. Enjoy!
Summary: Prince Harry is captivated by Princess Y/N, but when she coolly declines his invitation to dance, he interrupts her dance with another prince to claim her attention.
The ballroom was a sea of glittering gowns and polished shoes, a world of grandeur Harry had long since grown accustomed to. He moved through it with the same ease and confidence, a Prince who had spent years perfecting the art of royal events. But tonight—tonight was different.
Princess Y/N.
The rumors of her beauty and indifference were not exaggerated. She stood across the room, surrounded by eager courtiers and noblemen, yet it was clear she was untouched by it all. She held herself with such grace, an air of self-assuredness that was impossible to ignore. Her icy calm had only intrigued Harry more. He liked a challenge.
He watched her, as always, a faint smirk curling on his lips. No one had ever resisted his charms for long. Why would she be any different?
After making his rounds through the guests, Harry decided it was time to approach her. The orchestra played a soft waltz, and the crowd swirled around them like a dream. He made his way over with ease, his confident stride unwavering. When he reached her, he bowed low, his voice as smooth as ever.
“Your Highness,” he greeted, flashing a smile that usually sent hearts fluttering. “Would you do me the honor of a dance?”
For a moment, she studied him with those cool, unreadable eyes. Harry leaned in slightly, basking in the way she seemed to take her time. But when she spoke, her tone was nothing like the adoration he’d expected.
“I’m afraid I must decline, Prince Harry,” she said, her voice polite but firm. “I’m already engaged for this dance.”
Harry’s jaw tightened, but he masked it with a chuckle. “Of course,” he said smoothly. “How fortunate for your partner.” He lingered for a moment, waiting for her to soften, to relent. But Y/N remained poised, unbothered, her gaze now drifting away from him, returning to the conversation she’d been having before.
Harry stood there for a heartbeat longer, his mind swirling with a mixture of confusion and irritation. He had never been turned down like this—not once in his life. He was used to women falling at his feet, charmed by a smile, a word, the magic of his presence. But Y/N? She wasn’t like anyone else.
As if to punctuate the distance between them, Y/N turned to a tall, dark-haired Prince who had been waiting nearby. With a polite nod, she placed her hand in his, and the two of them began to glide across the dance floor together.
Harry’s eyes narrowed. It was like a slap to the face. The audacity—she was dancing with him, with him. A man he knew was nothing more than a glorified title, a prince with no real power or purpose. But she had chosen him. And not Harry.
Something inside him snapped.
Before he could stop himself, he crossed the ballroom, his steps deliberate, almost predatory. He approached the couple mid-dance, catching the eye of the Prince and offering a nod. But it was Y/N who held his attention. She didn’t even glance his way when he arrived—she was lost in the music, in the sway of the dance.
Harry’s voice was low but deliberate as he interrupted. “Forgive me, Your Highness,” he said, his tone smooth but carrying an edge. “I do believe this is my dance.”
The Prince gave him a tight smile, but Harry barely acknowledged him, his eyes fixed on Y/N. She blinked in surprise, looking up at him for the first time since he’d approached. Her expression was unreadable, but Harry could see the faintest flicker of annoyance in her gaze.
“You are so sure of yourself, aren’t you?” she said, her voice soft but sharp. “I’m afraid I’ve already accepted this dance.”
Harry leaned in slightly, his words deliberately casual as he gave her an amused smile. “We wouldn’t want to cause a scene, now, would we?” he said, his eyes twinkling with that familiar arrogance.
Y/N’s gaze narrowed, but she didn’t speak at first. The orchestra swelled around them, and the Prince she had been dancing with stepped back, a hint of confusion crossing his features as Harry took his place beside Y/N.
“I’m not here to make a scene, Princess,” Harry said, his hand coming to rest at her waist, pulling her gently into the dance. “Just to dance with the woman who’s managed to make me feel… thoroughly intrigued.”
Y/N said nothing for a moment, her fingers stiff against his. But Harry could feel the tension in her. She was resisting, resisting him in a way no one ever had before, and it drove him mad.
“You must think very highly of yourself, don’t you?” she said at last, her voice dripping with cool detachment. “I’ve danced with countless men, Prince, but none of them have ever interrupted another’s dance as you have.”
Harry’s eyes flashed with a hint of challenge. “And yet, here we are,” he replied smoothly, his thumb brushing over her hand as they moved across the floor. “You haven’t pushed me away yet.”
She glanced up at him then, and Harry was struck by the hardness in her gaze, the way she seemed entirely unaffected by his presence. She was different—so different—and it was both maddening and magnetic.
“Don’t mistake my courtesy for interest,” Y/N said, her voice steady but cutting. “You’ve made your point, Prince Harry. But I don’t need to be won. I’m not a prize for you to claim.”
For the first time, Harry faltered. There was no charm to be used here, no clever line that could break through her reserve. She wasn’t falling for him, and it unnerved him. She didn’t care for his title, his charm, his reputation. She wasn’t impressed.
And somehow, that made him want her even more.
#harry styles#harry#styles#harry styles x you#harry styles x reader#harry’s house#one direction#harry styles x#prince harry styles#imagine harry styles#harry styles imagine#harry styles writing#harry styles masterlist#harry styles x y/n#harry styles x fem!reader#harry styles one shot#harry styles fic#harry styles fanfic#harry styles fanfiction#harry styles request#hazzashouse
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Remember, Thou Art Barnacle
A serenity prayer for election day.
Originally posted on my website.
The Ann Selzer Iowa poll, regarded as the gold standard in all of political polling, shows Harris is up +3 in a state that Trump won by +8 in 2016 and by +9 in 2020.
And you are a barnacle.
The election better markets have Trump up by +19 (as of noon EST, 11/5/24), and bettors don’t care if people are ashamed to admit who they’re voting for—they’re in it for the money and only the money.
And you are a barnacle.
Mainstream pollsters have admitted to weighting their polls heavily in favor of Trump, to ensure they don’t end up with egg on their face like they did in 2016 and 2020 again. International whales are taking out huge bets in favor of Trump, swinging the markets, and right wing think tanks are flooding the zone with bullshit polls to artificially inflate Trump’s odds in the aggregate. And even if the popular vote is overwhelmingly for Harris, Trump’s team is already laying the narrative groundwork to support a Stop the Steal campaign that, by the time you read this, will likely already have started.
All of that is true.
And you are still a barnacle.
You are not piloting the ship. You are not the captain of the ship. You are not laying out the potential courses the ship could take, you are not deciding which course the ship will take, you are not scouting ahead.
You aren’t even a paying, ticket-holding passenger on the ship. You are a barnacle on the hull, deep underwater, and unfortunately, there isn’t really anything you can individually do to affect where this ship goes. Sorry!
This isn’t an invitation to check out, or become apathetic, or (heaven forbid) embrace doomerism. Quite the opposite: this is a reminder of who you actually are in this entire scenario, of the power you do not have, and of the power you definitely do.
After the 2016 election, some small part of myself was convinced I could change the outcome if I just posted hard enough. If I fought enough of my friends on Facebook, texted angrily, and tweeted from enough protests and rallies, somehow Trump would no longer be President-elect.
All it did was, literally, give me a rash. I got so angry for so long that my skin started to break out in hives. A doctor friend more-than-half seriously prescribed that I “get the fuck off Facebook” until my skin returned to normal. Trump was still President-elect, the next 8 years happened the way they did, and here we are today.
You’re going to hear a lot today: polls are tightening! Votes still aren’t in from this critical precinct! If these trends hold, then we can expect to know something by such-and-such a time! The race is as tight as can be! White supremacists are threatening violence to avenge a dead squirrel!
(The squirrel thing is 100% real, and my god, I really wish I was joking.)
Remember, through all of it, that you are not the captain of the ship. You are a barnacle on its hull, and there is very little you can personally do to change it at this point. You’ve already done all you can do—or maybe you haven’t, but even then, you’ve already done all you’re going to do.
And as you stress, and consider how inebriated you’re going to get, and decide on which web pages you’ll be refreshing every thirty seconds, and stress out some more, remember too that Donald Trump hasn’t ever won the popular vote in his entire miserable life. He only won the electoral college, a racist system explicitly designed to empower slaveholders in southern states, one time, and ever since then, he has lost every election he’s declared for.
More people did vote for the woman candidate the last time one ran for President, and more people have voted for the candidate of color than their opponent every single time a person of color has run for President on a major party ticket.
And women have already made up a larger share of early voting than men in this, the first general election post-Dobbs, than ever before in American history. (53% women to 44% men.)
So as you stress and consider your inebriates and say to yourself, “How can it possibly be this close?!” for the umpteenth time today, remember too that Donald Trump is a fascistic, deeply unpopular person (let alone President) backed by an even more deeply weird party, and that almost the entirety of your experience of this election is being filtered through the lens of a national, for-profit media that doesn’t care who wins, so long as you keep watching.
Remember, you are not the captain of the ship, you are not the helmsman, you are not the map-maker.
You are a barnacle.
Vote for Harris, vote Democrat in your local and state races, and trust your other barnacles.
If you like this, consider signing up for my newsletter to get more writing from me right in your inbox the second it posts: sean-curry.com/signup
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I’m watching FD Signifier’s new video about edgelord white guy movies. He spends a decent amount of time talking about how creators have responded to their edgelord fanbases, using The Joker and The Boys as two examples, where these creators feel uncomfortable with how their art has been received and taken up by “angry white men,” and that in response to this, they have followed up these artistic products with sequels or new seasons of television that are incredibly blunt and obvious about how you shouldn’t think of Homelander as a based chad or Arthur Fleck as a motivational figure in your life. And like he ends the video saying this is insufficient because these audiences won’t care about the messages in these follow-ups (largely bc these are downstream of larger social issues), but his framing of it in terms of “the death of media literacy” is still really frustrating and annoying because it’s buying into the idea that the main problem with people “not getting” art is literacy/education. And its not just his video, this framing is a popular memetic phrase across social media, and he does a better job than most people in talking about it
But like I just straight up do not accept that the audience of these edgelord movies “didn’t get” that they are portraying bad people, that audiences of mass media are “taking the wrong message” of “very obvious” pieces of art. Not because I think they do secretly get what these films are ‘actually saying,’ I don’t care about what’s in their hearts, but because this concern with people ‘not getting it’ feels wildly off-topic. I think it has been demonstrated over and over again that mass media is not an educational tool where people go to “learn lessons” or “take away a particular message.” I think the very fact that we have a consumptive marketised relationship to these artistic products structures and produces a specific set of responses, which is, above all else, “getting my money’s worth.” Who gives a shit what the movie is ‘really’ trying to say! That’s unimportant when faced with the question of did I get what I paid for? And I don’t mean this in an annoying lib “consumerism is making us all stupider” way I mean the economic structure of artistic production is the primary determinant of how commodities on a market are received. The idea that, under these conditions, we can purchase a piece of art that will “teach us” something about the world is laughable, that art-by-itself contains the authority to impart political knowledge. The idea that we can purchase our way into good values, good politics, that we can buy a movie ticket and see the error of our ways is buying into this same exact consumptive framing.
“The death of media literacy” implies a point in recent history where this economic relationship to art was unimportant, that we used to be able to participate in mass standardised artistic production and be unaffected by this arrangement. I think about Adorno & Horkheimer’s argument in The Culture Industry, that the profit motive is itself an object of consumption under capitalism, that advertisements are themselves products & as a result, all mass standardised artistic products are advertisements for their own capitalist production processes and logics.
I think when people “don’t get” that Starship Troopers is depicting a fascist society, when people “don’t get” that Travis Bickle is a bad, un-admirable person, they aren’t stricken by a sudden deficit of education or literacy, they are responding to the conditions under which these things get made. Being able to get art’s “true message,” no matter how supposedly clear or compellingly-articulated, is to argue that ‘message’ and ‘meaning’ can be made independent of the conditions under which those things are created and presented to people. The industrial capitalist machinery outputting standardised artistic products is itself an authority telling you how to interpret its own products, much the same way a cathedral is presented as evidence of god. There is a material & physical authority in their presence and social arrangement that are themselves arguments. Adorno talks about this with the radio - that this vast industrial infrastructure of radio towers, broadcast stations, systems of wires and cables, and the production of standardised radio receivers (available for purchase, of course) is utterly incomprehensible to most people and amounts to hearing the voice of god when you turn on the radio. The arrangement of artistic production & presentation is itself the structure through which you experience art, and that structure is an authority you can neither comprehend nor alter. And again as A&H say in The Culture Industry, the techniques, narratives, and genres of the culture industry become standardised themselves, cookie-cutters on a production line, and therefore dictate meaning above and beyond any particular semantic meaning injected into an individual film or story. “Romcoms” are a cultural authority above and beyond the sum total of every romcom film ever made, and it is these genres and techniques that transmit the justification for their own continued reproduction. Under this arrangement, the meaning of this film or that television show are rendered marginal - not unnoticeable or irrelevant, certainly, but secondary to the cookie-cutters they were produced from
Now does this lead to a widespread ignorant, impoverished, reactionary view of art? Of course, but that is not because the guy who likes wearing V for Vendetta masks is illiterate. To place the blame on individual education, discipline, or literacy is to take Hollywood for granted as a natural eternal entity, to take it as just another church. It’s a goofy fucking argument!
#book club#I need to read the culture industry again I read Adorno’s follow up to it recently and it was pretty good
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𝚆𝚑𝚢?
𝙺𝚒𝚗𝚐 𝚘𝚏 𝚕𝚒𝚎𝚜 𝚒𝚜 𝚊𝚕𝚒𝚟𝚎
𝙻𝚘𝚘𝚔 𝚊𝚛𝚘𝚞𝚗𝚍, 𝚕𝚘𝚘𝚔 𝚒𝚗𝚜𝚒𝚍𝚎, 𝚒𝚗𝚏𝚒𝚍𝚎𝚕!
𝙸𝚗𝚏𝚒𝚍𝚎𝚕!
𝙸𝚗𝚏𝚒𝚍𝚎𝚕!
(𝙸𝚗𝚏𝚒𝚍𝚎𝚕!) 𝙸𝚝 𝚋𝚎𝚐𝚒𝚗𝚜 𝚑𝚎𝚛𝚎, 𝚒𝚝 𝚎𝚗𝚍𝚜 𝚗𝚘𝚠
𝚃𝚑𝚎 𝚙𝚛𝚒𝚗𝚌𝚎 𝚖𝚞𝚜𝚝 𝚙𝚊𝚢 𝚑𝚒𝚜 𝚑𝚎𝚊𝚍 𝚘𝚛 𝚝𝚑𝚎 𝚌𝚛𝚘𝚠𝚗
𝚁𝚘𝚋 𝚝𝚑𝚎 𝚙𝚘𝚘𝚛, 𝚜𝚕𝚊𝚞𝚐𝚑𝚝𝚎𝚛 𝚝𝚑𝚎 𝚠𝚎𝚊𝚔
𝙳𝚒𝚜𝚝𝚘𝚛𝚝 𝚝𝚑𝚎 𝚕𝚊𝚠, 𝚙𝚎𝚛𝚏𝚎𝚌𝚝 𝚍𝚎𝚌𝚎𝚒𝚝
𝙳𝚘 𝙸 𝚗𝚎𝚎𝚍 𝚊 𝚐𝚊𝚜 𝚖𝚊𝚜𝚔?
𝚂𝚑𝚘𝚞𝚕𝚍 𝙸 𝚐𝚎𝚝 𝚒𝚗𝚘𝚌𝚞𝚕𝚊𝚝𝚎𝚍?
𝚆𝚒𝚕𝚕 𝚝𝚑𝚒𝚜 𝚠𝚊𝚛 𝚕𝚊𝚜𝚝?
𝚆𝚒𝚕𝚕 𝚠𝚎 𝚋𝚎 𝚒𝚗𝚌𝚒𝚗𝚎𝚛𝚊𝚝𝚎𝚍?
𝙵𝚊𝚕𝚜𝚎 𝚐𝚘𝚍𝚜, 𝚍𝚎𝚊𝚝𝚑 𝚜𝚚𝚞𝚊𝚍𝚜, 𝚋𝚕𝚒𝚗𝚍!
𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚌𝚊𝚝𝚊𝚜𝚝𝚛𝚘𝚙𝚑𝚎
𝚆𝚎𝚊𝚙𝚘𝚗 𝚜𝚢𝚜𝚝𝚎𝚖𝚜 𝚊𝚌𝚝𝚒𝚟𝚊𝚝𝚎𝚍, 𝚙𝚞𝚛𝚒𝚝𝚊𝚗𝚜 𝚑𝚊𝚟𝚎 𝚒𝚗𝚟𝚊𝚍𝚎𝚍
𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚌𝚊𝚝𝚊𝚜𝚝𝚛𝚘𝚙𝚑𝚎
𝚃𝚘 𝚙𝚛𝚘𝚝𝚎𝚌𝚝 𝚊𝚐𝚊𝚒𝚗𝚜𝚝 𝚝𝚑𝚎 𝚝𝚑𝚛𝚎𝚊𝚝
𝙾𝚛𝚍𝚎𝚛 𝚖𝚞𝚜𝚝 𝚋𝚎 𝚔𝚎𝚙𝚝
𝙾𝚛𝚍𝚎𝚛 𝚖𝚞𝚜𝚝 𝚋𝚎 𝚔𝚎𝚙𝚝
𝙾𝚛𝚍𝚎𝚛 𝚖𝚞𝚜𝚝 𝚋𝚎 𝚔𝚎𝚙𝚝
𝙳𝚘 𝙸 𝚗𝚎𝚎𝚍 𝚊 𝚐𝚊𝚜 𝚖𝚊𝚜𝚔?
𝚂𝚑𝚘𝚞𝚕𝚍 𝙸 𝚐𝚎𝚝 𝚒𝚗𝚘𝚌𝚞𝚕𝚊𝚝𝚎𝚍?
𝚆𝚒𝚕𝚕 𝚝𝚑𝚒𝚜 𝚠𝚊𝚛 𝚕𝚊𝚜𝚝?
𝚆𝚒𝚕𝚕 𝚠𝚎 𝚋𝚎 𝚒𝚗𝚌𝚒𝚗𝚎𝚛𝚊𝚝𝚎𝚍?
𝙵���𝚕𝚜𝚎 𝚐𝚘𝚍𝚜, 𝚍𝚎𝚊𝚝𝚑 𝚜𝚚𝚞𝚊𝚍𝚜, 𝚋𝚕𝚒𝚗𝚍!
𝚃𝚑𝚎 𝚎𝚕𝚎𝚙𝚑𝚊𝚗𝚝𝚜 𝚖𝚊𝚛𝚌𝚑 𝚝𝚘 𝚠𝚊𝚛
𝙲𝚘𝚗𝚌𝚎𝚍𝚎!
𝙲𝚘𝚗𝚏𝚘𝚛𝚖!
𝙲𝚘𝚗𝚌𝚎𝚍𝚎!
𝙲𝚘𝚗𝚏𝚘𝚛𝚖!
𝙳𝚎𝚗𝚢 𝚝𝚑𝚎 𝚋𝚒𝚐 𝚕𝚒𝚎!
𝙼𝚢 𝚝𝚛𝚒𝚋𝚎
𝙹𝚘𝚒𝚗 𝚖𝚎
𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚠𝚊𝚛𝚑𝚎𝚊𝚍
𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚠𝚊𝚛𝚑𝚎𝚊𝚍
𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚠𝚊𝚛𝚑𝚎𝚊𝚍
𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎
𝙰𝚕𝚕 𝚊𝚛𝚎 𝚠𝚎𝚕𝚌𝚘𝚖𝚎 𝚑𝚎𝚛𝚎
𝙶𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚝𝚒𝚛𝚎𝚍, 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚜𝚒𝚌𝚔
𝙶𝚒𝚟𝚎 𝚖𝚎 𝚒𝚗𝚍𝚞𝚕𝚐𝚎𝚗𝚌𝚎, 𝚍𝚎𝚌𝚊𝚍𝚎𝚗𝚌𝚎
𝙶𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚝𝚒𝚛𝚎𝚍, 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚜𝚒𝚌𝚔
𝙶𝚒𝚟𝚎 𝚖𝚎 𝚒𝚗𝚍𝚞𝚕𝚐𝚎𝚗𝚌𝚎, 𝚍𝚎𝚌𝚊𝚍𝚎𝚗𝚌𝚎
𝙶𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚝𝚒𝚛𝚎𝚍, 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚜𝚒𝚌𝚔
𝙶𝚒𝚟𝚎 𝚖𝚎 𝚒𝚗𝚍𝚞𝚕𝚐𝚎𝚗𝚌𝚎, 𝚍𝚎𝚌𝚊𝚍𝚎𝚗𝚌𝚎
𝙷𝚎 𝚕𝚒𝚎𝚍, 𝚝𝚑𝚎𝚢 𝚍𝚒𝚎𝚍, 𝚔𝚎𝚎𝚙 𝚝𝚑𝚎 𝚙𝚎𝚊𝚜𝚊𝚗𝚝𝚜 𝚝𝚎𝚛𝚛𝚒𝚏𝚒𝚎𝚍!
𝙷𝚎 𝚕𝚒𝚎𝚍, 𝚝𝚑𝚎𝚢 𝚍𝚒𝚎𝚍, 𝚔𝚎𝚎𝚙 𝚝𝚑𝚎 𝚙𝚎𝚊𝚜𝚊𝚗𝚝𝚜 𝚝𝚎𝚛𝚛𝚒𝚏𝚒𝚎𝚍!
𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚌𝚊𝚝𝚊𝚜𝚝𝚛𝚘𝚙𝚑𝚎
𝚈𝚘𝚞 𝚖𝚞𝚜𝚝 𝚕𝚎𝚊𝚍 𝚒𝚏 𝚝𝚑𝚎𝚢 𝚐𝚎𝚝 𝚖𝚎
𝙾𝚗 𝚖𝚢 𝚌𝚘𝚖𝚖𝚊𝚗𝚍!
𝙱𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎, 𝚋𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎, 𝚋𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎, 𝚋𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎
𝚆𝚊𝚛𝚑𝚎𝚊𝚍 𝚋𝚢 𝙾𝚝𝚎𝚙 𝚘𝚗 𝚈𝚘𝚞𝚃𝚞𝚋𝚎
@invincible-selfxmade-punk @bigbonzo @inbetweenneeds @2020blaq
#our whole system is very very wrong 😑#x-heesy#my art#artists on tumblr#otep#2/2024#knowledge#Wisdoom#capitalism#war heads#Punks aren’t dead#war is a business#veto#political#memes my ass#pop art#neo pop art#text art#typography#artful quotes#now playing#music and art#contemporaryart#iphone art
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The difference between あのー and えーっと
As I touched on in my japanese goncharov post, it’s amazing how much novel research, entertainment, and art are locked behind a language barrier. Even though as english speakers, we are privileged to have many things translated into our language, it’s a simple fact that most things will not be translated into most languages.
I am a huge fan of ゆる言語学ラジオ, a japanese podcast about linguistics. The hosts recently released a book, 言語沼, which goes into detail about some of the subconscious rules native japanese speakers follow but aren’t consciously aware of (an english equivalent might be that adjective-ordering rule we follow e.g. big brown cow, not brown big cow). I’m finding it fascinating, and I wanted to discuss some of it here in english, because I think people learning japanese would find some of these things really useful. It’d be a shame if this knowledge stayed stuck behind the japanese language barrier when the people who would find it the most useful can’t speak japanese fluently enough to read it!
The book talks about how most Japanese people will think of 「あのー」 and 「えーっと」 as having the exact same meaning - they’re both “meaningless” filler words. Despite their belief that they’re the same, those same native speakers will subconsciously only use あのー in one particular type of situation and 「えーっと」 in another, and even feel confused or annoyed if they hear another speaker use one in the wrong context.
So what’s the actual difference? 「えーっと」 is used when the speaker is taking time to remember or solve something. For example, the following exchange is very natural:
Person A: 7 x 5は? Person B: えーっと、35だ
This makes it a pretty versatile filler word! You can use it pretty much anywhere. Another example would be when you’re talking to yourself, trying to remember where you left your keys.
えーっと、鍵どこ置いたっけ?
On the other hand, あのー is much more specific. It can only be used when you’re taking time to figure out the best way to phrase something. For example, when you’re trying to get a stranger’s attention.
あのー、ちょっといいですか?
In contrast, if Person A was addressed with 「えーっと、ちょっといいですか?」by Person B, they’d feel it was rude because instead of considering how to say something, B is considering what to say, which gives the impression that they hadn’t even figured out what they needed to ask before addressing Person A.
This gives 「あのー」 a more ”polite” feeling than 「えーっと」, even though neither is actually more polite than the other. They’re just used in different circumstances.
Let’s quickly look at the example with the lost keys again. If you replace the filler word:
あのー、鍵どこ置いたっけ?
It is very unnatural. The authors of the book jokingly say that it sounds like you’re talking to a ghost, because 「あのー」 is only used when you’re figuring out how to phrase something, and you wouldn’t worry about that if you’re talking to yourself.
Also, did you know even japanese children properly use each filler word in the correct situation? Despite almost all japanese people (even as adults) being unaware of this rule, they’re subconsciously abiding by it even as children - just from listening to their parents follow the same rules!
It really is amazing how good your subconscious mind is at acquiring language, and how terrible your conscious mind is at it. If you’re not already, I highly recommend integrating a lot of simple language content (e.g. youtube, kids shows, etc) into your study routine - listening to people talk is simply the fastest way to become fluent in your target language.
#langblr#japanese#language learning#language acquisition#japanese language#language#linguistics#learning japanese#japanese grammar#jimmy blogthong#official blog post
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