#my art aren’t political

[meboii27]

Hear me out

[prince-sawgrass]

I wish we could trade places.

(ft @rainwingsfruitsalad’s Princess Beecatcher (left)!)

Two closeted trans siblings who feel they’d be much more suited in the other’s role.

[x-heesy]

𝗦𝝠𝗗 𝗠𝗘𝗠𝗘𝗦

𝗣𝗜𝗡𝗞 𝗣𝗨𝗡𝗞 𝗪𝗜𝗦𝗗𝝝𝝝𝗠

New World by Zap Mama (hope is dope)

[1007xf]

Imperatora and Kernel Adepta

[oscargender]

IF everything goes well and I actually start my new job. I may actually go ahead and start buying the RoV manga with my first few paychecks

[astro-rainbow777]

💐🌸 𝓣𝓪𝓾𝓻𝓾𝓼 𝓣𝓱𝓻𝓸𝓾𝓰𝓱 𝓣𝓱𝓮 𝓗𝓸𝓾𝓼𝓮𝓼 🧸🌱

♉︎ - Happy Taurus Season Everyone!!! In honor of Taurus season, I am continuing the signs through the houses series. I hope y’all enjoy my findings & this post serves you well. Thanks so much for all of the support! Happy Spring & Upcoming Beltane to the Pagan Community <3

🌸 Taurus in the First House ~ Taurus on the ascendant is the embodiment of peace, calm and pleasure. These natives aren’t the most outgoing but leave such a comfortable and cozy first impression. They don’t say more than needs to be said, however they are unlikely to turn down a conversation. They have a soft and natural beauty about them and strong familial values. They enjoy the finer things, have a clean aesthetic and a “rich” aura. Many of them are shorter or more petitie in size, have a pleasing and smooth voice and kind eyes. However, if you mess with the bull, you’ll get the horns! Being on the opposing end of Scorpio, when they cut you off, it is completely. Good luck getting back into their lives because they are a closed book. Why y’all always smell good? Fr tho

🐂 Taurus in the Second House ~ Here the sign is in its ruling house, they do very well in saving their money, are picky about what they eat and indulge in the material pleasures of life. They value loyalty, commitment, stability and security - not to mention their love fashion & the arts. They will tell you they have the most exquisite taste, you would find it very difficult to change their mind. They hold up strong values and morales, what they know to be right and wrong is the truth. This is a very secure personality, they are very comfortable with their bodies, and have a healthy sense of worth and self love. Honestly such a healthy placement - as someone with NO earth in their chart - muhbenaaaace

💰 Taurus in the Third House ~ These natives find security and peace in their childhood homes, where they grew up, the memories of their cousins and siblings. They could be the most stable or the least stable out of their siblings. The way they think, learn and communicate is slow and methodical. They take their time in studying new topics, preferring to stay on the surface of a topic. They may have an artistic and beautiful singing voice, or maybe the way they speak is just very polite and sweet. They were raised with manners and this makes them very charming. They can have a liking for music that moves at a slower pace, classical music, or just a more elegant taste in art.

🥘 Taurus in the Fourth House ~ Their family could be a source of stability and security for them. The mom, mother figure or more feminine role model can be the bread winner in the family, her love language could be gifts, an amazing cook, and give a lot of hugs 🫂 They have stable emotions, it takes a lot to emotionally sway them. It may end up bothering people who try to get an emotional reaction from them because of this. They can be the most grounded one in their family. Their family may view them as realistic, practical and reliable. Family is what gives them sanction from the world.

💝 Taurus in the Fifth House ~ They express them selves in a very material type of way, their flex is their finances. These natives take a lot of pride in what they have...this usually comes from a place of having to work really hard for their things. They love the natural look, minimalist, they like long lasting, high quality, practical fashion. To them that is the best statement to make. They don’t like that trash to treasure look their tastes are refined. They will shower their kids with the finer things and really enjoy providing for them - this will be their love language. They aren’t huge adrenaline junkies and enjoy more grounded, chill hobbies. They definitely don’t mind being alone and love their down time at home…on the couch…snacks…naps…repeat.

🐻 Taurus in the 6th ~ These natives prefer a slow start to their daily routine, and enjoy a slow paced job, with chill yet organized coworkers. The workplace must be something that they don’t hate… because if they hate it and it stresses them out just thinking of going, they won’t work there. Period. They need low maintenance pets as these individuals are very independent in nature. It’s important for their day job to be a place of peace and pleasure for them, and once they are comfortable, it’s gonna be hard to get them to leave. Their job can provide them with sooooo much stability if they have a good one.

🍨 Taurus in the 7th ~ Wining and Dining with your loved ones! Shopping sprees, luxurious and high quality partners. With the ones they love the most, they spoil, eat and they just want to be lazy with them honestly. They want their relationships to be a place of peace for them. It’s important that their partner can support themselves and is stable on their own. It will just cause them stress if they are constantly worrying about having to take care or mommy their partner. It’s possible that they can stay with someone out of fear of the unknown/change, even tho they don’t like them or it’s not working anymore.

🌷 Taurus in the Eighth House ~ Cycles related to self esteem, self worth, and supporting themselves. Honestly, this is a really hard placement to have- they may have times where they stay in ab*sive relationships because they can’t support themselves financially or they are too uncomfortable alone. However, the eighth house is notorious for taking your greatest fear/weakness and turning it into their super power. You just have to get through those lessons and take those leaps of faith to unlock that power and hidden potential! They like to engage in their senses when they’re intimate with their partners and prefer slow love making rather than the raw primal stuff.

🪴 Taurus in the Ninth House ~ These people can be a little fixed in their beliefs, their spiritual beliefs/religion can be a source stability and sanction for them. If they aren’t necessarily spiritual- they could just have a specific philosophy or lifestyle that they stick to. What I admire about these individuals, is they know exactly what they want. When they travel, it has to be somewhere where they know exactly what to expect, somewhere that won’t give them anxiety, and probably a more luxurious staycation type of experience. They could also enjoy a nice nature walk with their loved ones.

👛 Taurus in the Tenth House ~ Every single person I have met with this placement neeeeeed a stable job, they will not leave a job if it provides them with the type of lifestyle they desire. It doesn’t really matter what they are doing for their career as long as it aligns with their values. Their dad/father figure could have been the sole provider and could have made a huge impact on their reputation. This is definitely a daddies money placement 💀 - sorry if that’s triggering for anyone lol. The father figure could be super down to earth and chill, enjoy cooking or just be way too overly indulgent in a negative manifestation.

👒 Taurus in the Eleventh House ~ Is the stay at home friend, doesn’t like to get out of their comfort zone to meet new people. Much likely to want to stay inside and bond with their community in a space that is familiar and inviting to them. Their community could be their sanction and be the most stable part of their lives. They enjoy cooking and creating art for their friends. Anything to bring peace to their homies senses! For their friends, the Taurus eleventh house native’s place is a home away from home. How special 🥹

👄 Taurus in the Twelfth House ~ When it comes to matters of the twelfth house, spirituality, isolation, ect. - these individuals may like to keep things light and on the surface. They are comfortable being alone, in fact they consider it to be comfortable and safe. Their spirituality isn’t something they spend time questioning, and they could be very comfortable with the unknown, they enjoy their own curious nature. They are endearing to their own selves, however sometimes their sense of worth could be confusing. They may have a hard time understanding their own values and morals, preferring to just go with the flow, everyday they are a new person trying on different personalities, hobbies and styles! The possibilities are endless! It’s quite an interesting placement. One more thing….secret indulgences…the silent snacker

Smell ya later!

[not-neverland06]

hi!! Given my obsession for Hugh jackman I am CRAVING for some Leopold X reader (from Kate & Leopold)! Maybe with some little angst but happy ending??

I love your blog!! Have a wonderful day 😽💐💓

Leopold Mountbatten x fem!reader a/n: I don’t know how controversial this is going to be and I don’t care. I could never finish the movie because I hated Meg Ryan in it so much. It’s so odd, I’ve loved her in everything else she’s been in but she made it such a hard watch. Maybe it’s because she reminds me of my grandma in the worst way lol, but I finished it for you anon sorry this was a little rushed Anyways, hope you enjoy lovelies Summary: Your neighbor went back in time and dragged someone back with him. He's irritatingly polite and far too interested in your way of life. What are you meant to do when you fall for a man who was never even supposed to meet you?

“Hello, madam, please I need your help!”

You’re used to crazies, it is New York after all. But they’re not usually shouting at you through your window. Especially not when you’re on the sixth floor. You look away from your coffee and glance towards the fire escape. 

There’s an oddly dressed man with red eyes waving at you through the dirty glass. You offer him a tentative wave back and he nods aggressively. “Yes, hello, I need your assistance.”

“Um,” you shake your head, “Sorry, I don’t have any drugs dude.”

“No,” he places his hands pathetically on the glass and shakes his head. “Please, I have been kidnapped.” Finally, you take a step closer to him. You can tell now that his eyes aren’t reddened from any medicinal fun, he probably got pepper sprayed. 

Your friend did it to you once when you tried to surprise her on her birthday and you’ll never forget just how awful you looked afterwards. You can see him a bit more clearly now. Whatever odd costume he’s got on, it looks good. Genuine and clean. 

Not like most of the street performers you see in Times Square. Besides, he doesn’t have that maddened look in his eye that makes you worry he’s going to come inside and kill you. Tentatively, you open the window. 

He’s leaping through in a second and you jump back with a yelp. He turns towards you and his eyes widen before he quickly turns away. “My good lady, where are your pants?”

“Uh,” you glance down at the oversized shirt you’re wearing and the tiny shorts underneath. Admittedly, it’s a little skimpy, but you’re not walking around naked. You’ve heard of committing to the bit, but this is a bit much. “On,” you tell him, walking around him and trying to stand close to the phone. 

“Ma’am-” He’s cut off as someone slams their fist on your front door. You keep a weary eye on the man while you unlock your door. 

“Hey,” Stuart smiles at you. His eyes drift slightly past your shoulder and he goes barging into your apartment. “Leopold! What did I say?”

You huff and glare at Stuart’s frantic back. “This is yours?” Stuart nods and rushes Leopold out the door. You don’t miss the pleading, while slightly scandalized, look he sends you. 

You slam the door closed behind them, shaking your head and going back to your morning paper. You doubt you’ll be seeing him around again. 

You know, it’s just your luck that your upstairs neighbor is a scientist, one who happens to dabble in the art of time travel. And it’s just your luck that he had to fall down a damn elevator shaft. 

Now, according to him, you have to care for someone from a different century so he can make it back to his time portal in, well, in time. This is fucking ridiculous. “I’m going to kill you, Stuart.”

“Look, they’re going to take my phone but he really cannot-”

It goes silent on the other end. You shout his name a few times but hear nothing in response. You assume the hospital staff has finally gotten sick of his shenanigans and has taken his phone. You slam your handset down with a huff and look towards the living room. Leopold hasn’t sat down since you walked in and it’s unsettling. 

“So,” you start and his attention snaps towards you. “1876, huh?”

He nods and you roll your eyes with a scoff. “Oh, this is insane. This is insane,” you mutter to yourself, walking towards Stuart’s door. Leopold gives you a concerned look before quickly following after you. There’s a part of you, and you hate that part, that actually believes some of this. 

Stuart is a brilliant, though flawed, scientist. You don’t doubt that he might have actually unlocked the secret to traveling back to the past, but it’s such an insane idea to try and wrap your head around. 

“Come on, we’re leaving.” You know that Stuart doesn’t want him out of the house. Tough. You’re not going to just stay inside and wait until he can supposedly go back to the past. You don’t give Leopold any time to process your answer, already out the door and heading towards the stairs. 

“You know,” he starts as he catches up to you. “You are quite rude.” Your first instinct is to snap back at him. But you take a breath and stop yourself. 

You’re desensitized, ridiculously used to just how awful New Yorkers can be to each other. And whether this man is truly from the past or not is up for debate. But he is polite and earnest, and you have no reason to be a bitch to him. 

“I’m,” the words are hard to come by but you force them out anyway, “I’m sorry.” He looks genuinely surprised by the apology and it only makes you feel worse. “This is just an insane idea to try and grasp.”

He chuckles softly, smiling as he glances down at his feet. “Yes, how do you think I feel?”

You’re sure it’s not his intention, but you only feel like more of an ass. If this is hard for you, whatever he's going through is a hundred times worse. You weren’t forcefully ripped out of your own time and shoved into another you don’t understand. He’s still trying to comprehend the television.

Though, you’re sure being a scientist has helped him in marginally understanding how all of this is possible. “How do you like the future?” It sounds awkward and stiff, but you haven’t had to talk to anyone in a really long time. 

Your interactions are pretty limited at the book shop considering no one ever comes in. They all order online nowadays and all you really have to worry about is organizing shelves. You’re embarrassingly rusty when it comes to conversing. 

And his propensity towards eloquence only makes you feel worse. “I must admit, some of your inventions have been quite fascinating. I’m especially fond of your showers.”

Your face scrunches slightly at the mention of hygiene and you nod, “I bet.” Before either of you can attempt to salvage this horrible attempt at conversation your phone starts ringing. “Hold on one second,” you tell him. You walk a few feet away from him but you can still feel his eyes boring into your back as you move away. 

“Hello?”

There’s a frantic shout of your name down the line and then the distinct jingling of keys. “I need you to cover the shop. Marcy just went into labor and I’ve got to go!” Paul doesn’t give you a chance to respond before he hangs up. 

Your jaw gapes and you stare down at your phone with shock. You know Paul and his wife had been expecting, but had it really already been nine months? Has your life become so monotonous and dull that nine months doesn’t even register for you?

It’s a depressing thought. One you’d rather not linger on. “What was that?”

You scream, though the people passing by don’t pay you any mind, and jump away from Leopold. “Jesus, where the hell did you come from?”

Leopold flinches away from you and his face is just as aghast as yours. “Good heavens, what is the matter with you? Do you respond to anything as a sensible woman might?”

“I resent that.” You tell him bitterly. Though, he does make a good point. You’ve been on edge constantly. You always seem to be more anxious than you are happy. It’s not a good state to perpetually exist in. “I need to go into work.”

You don’t want to outright say that he needs to go back to the apartment. It feels a little mean, but you’re hoping he’ll catch onto your tone of voice. 

His entire demeanor perks up and he smiles at you. “Wonderful, I am dreadfully curious as to what you do.”

You open your mouth to correct him, let him know he’s not coming. But he’s staring at you with such hopeful eyes that you cannot find it in yourself to turn him down. He seems so excited, you’re sure he won’t be when he gets to your cluttered little bookshop. You let out a weary sigh, “Fine. Okay.”

You walk towards the curb, hoping to hail a cab. But Leopold’s hand gently wraps around your elbow and tugs you in the opposite direction. Your eyes widen in response to his boldness. You thought touching a woman he wasn’t courting would cause someone like him to combust. Seems he didn’t mind breaking the rules sometimes. 

You make a mental note of that for later. You don’t know what you’re going to do with the information, but you find it intriguing. Maybe the modern world was rubbing off on him more than he’d like to admit. 

“We should take this,” he stops you in front of a horse-drawn carriage and you immediately begin to shake your head. 

“No, Leopold, these are just tourist traps-”

He doesn’t let you finish, opening the carriage’s door and gently nudging you inside. “Nonsense! This is far more enjoyable than those yellow monstrosities.”

“Taxi,” you correct. You turn towards the carriage driver and give him directions to your bookshop. “Ink and Tea on Fifth.” He nods and the carriage rolls forward with a lurch. You grip the cushioned seats and pray you don’t get motion sickness. 

“Ink and Tea?” Leopold inquires. “Are you a journalist?”

You smile and shake your head. “No, nothing so fancy. I just help take care of an old bookshop. They were supposed to extend the shop when it first opened. They were going to build a space for people to get pastries or drink tea, but it never happened and the owner was too lazy to change the name.”

It feels a little humiliating to be talking about your minimum-wage job to a renowned scientist. He’s invented or is going to, elevators. He doesn’t care about your stupid shop. But he doesn’t look particularly judgy of you. If anything he seems to be endeared to you the more you talk. 

Normally, you’re oblivious to these sorts of things. But it’s nearly impossible for him to hide. He’s not shy with his attraction, never taking his eyes off of you and hanging onto your every word. You’re not used to such outward attention. 

You look out of the carriage, pretending to take in views you’ve already seen a thousand times. “This city is incredible,” he wonders aloud. His awe is palpable. 

Your nose wrinkles and you shrug. “It’s dirty and the people are intolerable.”

“Must you always be so pessimistic?” You snap your mouth shut and feel embarrassment creeping around you. You’ve never had someone point out when you’re being negative, but he has a point. 

You used to view the city through the same rose-colored glasses. Something’s broken inside you in recent years that has just taken the joy out of life. Everything is grey to you now, until Leopold, nothing spectacular has ever really happened to you. 

The carriage comes to a stop outside the shop before you can respond to him. You want to deny what he says, but you can’t. Your attitude is almost always unnecessary. You think sometimes you might just be trying to see if everyone feels as miserable as you do or if there’s just something wrong with you. 

“Come on,” you tell him, getting out and paying the driver. He wanders towards the shop, eyeing the displays in the window curiously. 

“These are wonderful,” he tells you, pointing to the way you’d made the books look like they’re floating above the shelves. It was just some silly little thing you’d tried to get more people in the shop. It’d worked for about a month. 

“I did that,” you unlock the door to the shop and open it for him. But he doesn’t walk in immediately, instead, he lingers in the doorway. He offers you a soft smile and you can’t help but return it. 

“You’re more creative than you give yourself credit for.”

Your eyes widen as you watch him walk inside. He keeps making these oddly astute observations about you and it’s throwing you off your game. You barely know this man and you’ve always been good at keeping yourself aloof and vague. Yet, he seems to read you like you’re wearing your heart on your sleeve. 

“Feel free to…” he’s already made himself comfortable somewhere in the back and you trail off. “Look around,” you finish lamely. His form is lost somewhere in stacks of books and cluttered shelves. 

You know most of the classics and history books are kept towards the back. You wonder if he’s reminiscing or getting a headstart before he gets back to his time. You smile at the thought and walk behind the counter, sitting on the stool and preparing to finish off the rest of the day.

Leopold is still somewhere lost to you an hour later. Occasionally you’ll hear a page flip or the clatter of a book being reshelved, but there are no other signs of life. Not until the bell above the door rings. 

“Clark,” you smile, sitting up straighter as your friend walks through the door. “What’re you doing here?”

He gives you a crooked grin and shrugs. Just over his shoulder, you can see Leopold’s head pop over a shelf, he looks between you both, eyes narrowing with disdain. “Paul told me you’d be here, figured you might want some company.”

“Actually-” you start, but another voice cuts you off. 

“Leopold Mountbatten,” he comes around the corner, hand outstretched as he comes in between you and Clark. “And who might you be?”

Your brows furrow in confusion at the interaction. Leopold seems oddly hostile and Clark looks strangely caught off guard. “Um, Clark. Nice to meet you, man.” He shakes Leopold’s hand but his grip is weak and it only lasts for one awkward half-second. 

It’s uncomfortable to watch them try and interact and it only gets worse when they turn towards you. Clearly, they want you to tell them who the hell the other guy is. But you feel like that might just make the situation worse. 

Besides, you were pretty content with it just being you and Leopold, you don’t need Clark coming in here and riling things up. “You know, Clark, I’m set here. You can just go home.” Your tone leaves no room for argument but you know he wants to. 

“Alright, I’ll just call you later, I guess.” He throws one last skeptical look at Leopold before finally slinking back out of the shop. 

“Neither of you should be alone without a chaperone present.” Leopold bluntly scolds you without even waiting a second before Clark is gone. It catches you off guard and you scoff. 

You motion between the two of you, “We don’t have a chaperone.” 

Leopold shrugs, “Yes, well, I’m not courting you.” It shouldn’t, because he’s right, but that stings. He is attractive, surprisingly so. You have this odd belief that anyone from his century had to be at least a little ugly. But he’s near perfect. 

Hearing him tell you so bluntly that you’re not courting hurts a little. Though, you can’t blame him. You must be dramatically different than the women he’s used to. From your manners to how you dress, you’re practically an alien. 

You stand up from behind the counter and walk towards the cart of books that need to be shelved. “Clark is a friend. Nothing more.” You’ve never once been romantically interested in your friend. He’s attractive, but he’s not really your type.

Apparently, British men from the nineteenth century are. Which does not bode well for your romantic prospects once Leopold is back home. “It is plain for anyone to see how he wants you. Don’t let yourself be blinded by naivete.”

“Naivete?” you scoff and turn around to glare at him. “Don’t pretend to know anything about me, alright? I’m not some maiden in a frilly dress who needs a chaperone.” You can see that your words affect him. He looks a little taken aback by your anger and so are you. 

It’s misplaced. You’re not mad at him, just mad that you even like him. “Just go read or something, Leopold.” You dismiss him more rudely than necessary and hide yourself behind a few shelves. The rest of your workday is spent in a tense silence that makes your stomach churn. 

You’re nearly ready for bed when something slips under your door with a slight whoosh. You turn towards it, frowning when you see a little envelope with a wax seal on the ground. You pick it up and let your finger slip under the paper, opening it to find a letter with your name on it inside. 

The handwriting is impeccable, with a gracefulness to it that you’ve never seen before. You don’t have to read for very long to know who it's from. Leopold writes poetry about the color of your eyes and the way your lips curl when you smile. And then he ends it with a vague, nearly ominous, invitation to dinner. 

You can’t help but smile to yourself, changing out of your pajamas and slipping into something a little nicer. A few minutes later you’re climbing out your window and taking the stairs up the fire escape to the roof. 

You don’t believe your ears at first, thinking the music must be coming from another apartment. But when you make it up to the roof there’s a violin player there waiting for you. He smiles happily at you as you approach. 

You spin in a slow circle, taking in the sheer amount of flowers littered around the roof. You don’t know how he managed to afford all of this. He transformed the barren and empty rooftop into your own little paradise. Candles lit and a live musician playing for you. 

You’ve never had anyone do something like this for you, ever. It’s a little hard to accept that someone would be willing to put this much effort in for you. “I wasn’t entirely sure you would come.”

You turn around and Leopold is waiting behind you, that familiar smile playing on his lips. You aren’t aware of the grin forming on your face in response. You don’t have much control over that when you’re with him. 

“Why wouldn’t I?”

He looks like he wants to respond but at the last moment thinks better of it. He instead pulls your chair out for you, helping you into your seat. “This is nice,” that feels too underwhelming a word for such an incredible gesture. 

You sigh and frown as you try and find the right words. You don’t notice him sitting down across from you. You only look up when you feel him placing his hand on your own. “It’s alright,” he assures you. 

It’s still so odd how he can know you so well after such little time. “This is incredible,” you tell him, undeterred by his attempts to soothe you. “No one’s ever done something like this for me.”

He looks like he takes personal offense to that and it makes you laugh. “You deserve far more than this. Sadly, it seems Stuart’s pockets do have limits and I’m afraid I would have put him into debt if I’d gone any further.”

You have the perfect mental image of Stuart coming back from the hospital only to find his science project has robbed him. It makes you laugh and you squeeze his hand once before drawing it back into your lap. He lets his touch linger on you for a long moment, seemingly reluctant to pull away. 

“No,” you tell him, “this is perfect.” 

You fall into a comfortable silence for a little while. Conversation mostly drifting toward what his life was like as a duke. You don’t have much to say about your own life. It’s been incredibly normal and you’re a little sad to find that you don’t have one good thing to share with him. 

Nothing comes to the front of your mind. 

Inevitably, you drift into the topic you’d both been so adamantly avoiding. “Has Stuart said when you’d need to return?”

Leopold’s grip on the fork tightens and for a moment he refuses to meet your eye. “Monday, I’m afraid.”

“Oh,” your eyes widen and you feel something burning at the back of your throat. Monday, the same Monday that’s two days away. 

“Dance with me,” the suddenness of the demand catchers you so off guard that you forget the tears. He stands, holding out his hand to you. You almost say no, you can’t remember the last time you danced and you doubt it’s going to be pretty. 

But he whispers your name and something about his tone tells you to take the chance while you have it. You slip your hand into his, letting him pull you to your feet. He doesn’t sweep you off your feet and dance the night away. 

Instead, he holds you close and you sway together. Like moving even an inch away from each other would hurt. “You could come with me,” he tells you. And you know immediately what he’s talking about. 

You also know it could never happen. Going to the nineteenth century is insane. Even considering it should be enough to have you sent to a psych ward somewhere. Especially not for a man you’ve known for less than a month. 

You try and tell him that you can’t, but he stops you. “I know, a preposterous idea. I just wanted to think about it.” You look up at him and find that you can’t take that away from him. There’s nothing wrong with imagining what it could be like with him. Even when you know it can never happen. 

You dance like that for a little while longer, swaying against each other while the violin plays in the background. He whispers your name and when you gaze up at him this time, there’s a certain look in his eye that you know is reflected in your own. 

He dips down, lips caressing yours gently before he’s pushing more firmly against your own. The world stops. Cliche, you’re aware. For the first time in years, though, you’re alive. You feel something other than the dull monotony of life. You feel excited and terrified all at once. Because you know you can never have this feeling again. 

You will never meet another man like Leopold who ignites this spark of life and passion within you. Never has a man been able to make you doubt every decision you’ve ever made with just a kiss, but here he is. 

Your arms lift like you might try and draw him in closer. His hands come up, taking yours in his gentle hold and squeezing. He pulls away from you and reality comes crashing back down. You’re not in love, you can’t be. You’ve only just met him a few days ago. 

Yet, here you are, wondering if you might actually want to leave everything behind to be with him like the great romances authors write about. He smiles at you and there’s a bittersweetness to it, a final farewell that you know will break whatever is left of your heart. 

He lifts your knuckles to his lips, pressing his lips against them like he never wants to part. “Goodnight,” he whispers your name and backs away from you. You watch him go, watch him leave, unable to muster up any words for him. 

You can’t think of anything that would ease this gnawing ache inside of you. Nothing to soothe the pain for either of you. You let him go because you know if you asked him to stay he would. And how selfish of you would it be to let history unravel simply because you fell in love? 

Monday. It is Monday. You’ve been coming to terms with that all weekend. You don't want to think about the fact that Leopold will be gone tonight. Your time together was so brief but you feel like you’re never going to get over losing him. 

Before the night was over on Sunday, a note was slipped under your door. This handwriting was messy, it made you think someone other than Leopold had written it down, but you don’t know who it could have been. 

It was a date and time, jump off the Brooklyn Bridge at this time on Monday night. Only an idiot would jump off a bridge because of an ominous note slipped under her door. But you haven’t been able to take your eyes off of it, not since you first picked it up. 

Leopold had invited you to go with him. And while you might not have said no, the insinuation was clear. Your eyes dart to your clock. If you left now, you could still make it in time. What an absolutely ridiculous thought. 

So, why are you running out the door without locking it? Why do you not care who slips into your home now? There’s this sense of finality within you that lets you know you’re never going to see that place again and that’s okay. 

You never truly felt comfortable in your life. You always thought a part of yourself was missing. Or that you were always running late for something. You think you understand what you were feeling now. 

The thing you’ve been searching for your whole life wasn’t halfway across the world, a hundred thousand miles from you. He was on the wrong side of time, or you were, at least. 

You manage to snag a taxi to get to the bridge but there’s a traffic jam. You’re forced to jump out of the car and run through the different lanes of blocked traffic. People shout at you. Your cab driver screaming after you about your fare. You don’t care, the only thing you can think about is the note crumpled in your hands and the clock counting down how long you have to jump. 

You’ll either be on the news tomorrow as an unfortunate suicide. An idiot who accidentally threw herself off the wrong side of the bridge. Or, you’ll see Leopold again. 

You reach the ledge and you can’t hesitate. If you do, you won’t jump in time. You close your eyes, holding your breath like you’re jumping into your neighbor’s pool. Air rushes around you, whipping at your hair and skin violently. 

It’s not until you hear someone shouting down at you that you realize you’re not dead. You’re lying in the middle of a dirt road, a group of people staring down at you with concern in their eyes. 

You only have to take in the clothes they’re wearing to know you’ve made it. Before they can react you’re leaping to your feet and running off. You know you’re near the Brooklyn Bridge, or where it’s supposed to be at least. You know enough about the area to remember where Leopold’s house is supposed to be. 

You’re covered in sweat and red mud. The people you pass by in the streets hide behind their hands and whisper about you. You’re not making a good impression on your future neighbors, that’s for sure. But, honestly, all you care about is making it back to him. 

You see people congregating outside his uncle’s home. You know there’s a party inside, that he’s supposed to be announcing who his wife will be. You barrel through the people outside, shoving through the crowd and running up the steps of the house. 

You can hear Leopold’s voice as you run, “The woman I’m going to take as my wife is-”

There’s a loud gasp as you come panting into the room. You can’t catch your breath long enough to speak but it doesn’t matter. The crowd is parting around you and Leopold is smiling down at you. He says your name and there’s nothing else that matters about the world around you. Not when you finally found each other. 

end. — I do not own the characters or the movie Kate & Leopold, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[seancurry1]

Remember, Thou Art Barnacle

A serenity prayer for election day.

Originally posted on my website.

The Ann Selzer Iowa poll, regarded as the gold standard in all of political polling, shows Harris is up +3 in a state that Trump won by +8 in 2016 and by +9 in 2020. 

And you are a barnacle. 

The election better markets have Trump up by +19 (as of noon EST, 11/5/24), and bettors don’t care if people are ashamed to admit who they’re voting for—they’re in it for the money and only the money.

And you are a barnacle. 

Mainstream pollsters have admitted to weighting their polls heavily in favor of Trump, to ensure they don’t end up with egg on their face like they did in 2016 and 2020 again. International whales are taking out huge bets in favor of Trump, swinging the markets, and right wing think tanks are flooding the zone with bullshit polls to artificially inflate Trump’s odds in the aggregate. And even if the popular vote is overwhelmingly for Harris, Trump’s team is already laying the narrative groundwork to support a Stop the Steal campaign that, by the time you read this, will likely already have started. 

All of that is true. 

And you are still a barnacle. 

You are not piloting the ship. You are not the captain of the ship. You are not laying out the potential courses the ship could take, you are not deciding which course the ship will take, you are not scouting ahead. 

You aren’t even a paying, ticket-holding passenger on the ship. You are a barnacle on the hull, deep underwater, and unfortunately, there isn’t really anything you can individually do to affect where this ship goes. Sorry! 

This isn’t an invitation to check out, or become apathetic, or (heaven forbid) embrace doomerism. Quite the opposite: this is a reminder of who you actually are in this entire scenario, of the power you do not have, and of the power you definitely do. 

After the 2016 election, some small part of myself was convinced I could change the outcome if I just posted hard enough. If I fought enough of my friends on Facebook, texted angrily, and tweeted from enough protests and rallies, somehow Trump would no longer be President-elect. 

All it did was, literally, give me a rash. I got so angry for so long that my skin started to break out in hives. A doctor friend more-than-half seriously prescribed that I “get the fuck off Facebook” until my skin returned to normal. Trump was still President-elect, the next 8 years happened the way they did, and here we are today. 

You’re going to hear a lot today: polls are tightening! Votes still aren’t in from this critical precinct! If these trends hold, then we can expect to know something by such-and-such a time! The race is as tight as can be! White supremacists are threatening violence to avenge a dead squirrel! 

(The squirrel thing is 100% real, and my god, I really wish I was joking.) 

Remember, through all of it, that you are not the captain of the ship. You are a barnacle on its hull, and there is very little you can personally do to change it at this point. You’ve already done all you can do—or maybe you haven’t, but even then, you’ve already done all you’re going to do. 

And as you stress, and consider how inebriated you’re going to get, and decide on which web pages you’ll be refreshing every thirty seconds, and stress out some more, remember too that Donald Trump hasn’t ever won the popular vote in his entire miserable life. He only won the electoral college, a racist system explicitly designed to empower slaveholders in southern states, one time, and ever since then, he has lost every election he’s declared for. 

More people did vote for the woman candidate the last time one ran for President, and more people have voted for the candidate of color than their opponent every single time a person of color has run for President on a major party ticket. 

And women have already made up a larger share of early voting than men in this, the first general election post-Dobbs, than ever before in American history. (53% women to 44% men.) 

So as you stress and consider your inebriates and say to yourself, “How can it possibly be this close?!” for the umpteenth time today, remember too that Donald Trump is a fascistic, deeply unpopular person (let alone President) backed by an even more deeply weird party, and that almost the entirety of your experience of this election is being filtered through the lens of a national, for-profit media that doesn’t care who wins, so long as you keep watching. 

Remember, you are not the captain of the ship, you are not the helmsman, you are not the map-maker. 

You are a barnacle. 

Vote for Harris, vote Democrat in your local and state races, and trust your other barnacles.

If you like this, consider signing up for my newsletter to get more writing from me right in your inbox the second it posts: sean-curry.com/signup

[communistkenobi]

I’m watching FD Signifier’s new video about edgelord white guy movies. He spends a decent amount of time talking about how creators have responded to their edgelord fanbases, using The Joker and The Boys as two examples, where these creators feel uncomfortable with how their art has been received and taken up by “angry white men,” and that in response to this, they have followed up these artistic products with sequels or new seasons of television that are incredibly blunt and obvious about how you shouldn’t think of Homelander as a based chad or Arthur Fleck as a motivational figure in your life. And like he ends the video saying this is insufficient because these audiences won’t care about the messages in these follow-ups (largely bc these are downstream of larger social issues), but his framing of it in terms of “the death of media literacy” is still really frustrating and annoying because it’s buying into the idea that the main problem with people “not getting” art is literacy/education. And its not just his video, this framing is a popular memetic phrase across social media, and he does a better job than most people in talking about it

But like I just straight up do not accept that the audience of these edgelord movies “didn’t get” that they are portraying bad people, that audiences of mass media are “taking the wrong message” of “very obvious” pieces of art. Not because I think they do secretly get what these films are ‘actually saying,’ I don’t care about what’s in their hearts, but because this concern with people ‘not getting it’ feels wildly off-topic. I think it has been demonstrated over and over again that mass media is not an educational tool where people go to “learn lessons” or “take away a particular message.” I think the very fact that we have a consumptive marketised relationship to these artistic products structures and produces a specific set of responses, which is, above all else, “getting my money’s worth.” Who gives a shit what the movie is ‘really’ trying to say! That’s unimportant when faced with the question of did I get what I paid for? And I don’t mean this in an annoying lib “consumerism is making us all stupider” way I mean the economic structure of artistic production is the primary determinant of how commodities on a market are received. The idea that, under these conditions, we can purchase a piece of art that will “teach us” something about the world is laughable, that art-by-itself contains the authority to impart political knowledge. The idea that we can purchase our way into good values, good politics, that we can buy a movie ticket and see the error of our ways is buying into this same exact consumptive framing.

“The death of media literacy” implies a point in recent history where this economic relationship to art was unimportant, that we used to be able to participate in mass standardised artistic production and be unaffected by this arrangement. I think about Adorno & Horkheimer’s argument in The Culture Industry, that the profit motive is itself an object of consumption under capitalism, that advertisements are themselves products & as a result, all mass standardised artistic products are advertisements for their own capitalist production processes and logics. 

I think when people “don’t get” that Starship Troopers is depicting a fascist society, when people “don’t get” that Travis Bickle is a bad, un-admirable person, they aren’t stricken by a sudden deficit of education or literacy, they are responding to the conditions under which these things get made. Being able to get art’s “true message,” no matter how supposedly clear or compellingly-articulated, is to argue that ‘message’ and ‘meaning’ can be made independent of the conditions under which those things are created and presented to people. The industrial capitalist machinery outputting standardised artistic products is itself an authority telling you how to interpret its own products, much the same way a cathedral is presented as evidence of god. There is a material & physical authority in their presence and social arrangement that are themselves arguments. Adorno talks about this with the radio - that this vast industrial infrastructure of radio towers, broadcast stations, systems of wires and cables, and the production of standardised radio receivers (available for purchase, of course) is utterly incomprehensible to most people and amounts to hearing the voice of god when you turn on the radio. The arrangement of artistic production & presentation is itself the structure through which you experience art, and that structure is an authority you can neither comprehend nor alter. And again as A&H say in The Culture Industry, the techniques, narratives, and genres of the culture industry become standardised themselves, cookie-cutters on a production line, and therefore dictate meaning above and beyond any particular semantic meaning injected into an individual film or story. “Romcoms” are a cultural authority above and beyond the sum total of every romcom film ever made, and it is these genres and techniques that transmit the justification for their own continued reproduction. Under this arrangement, the meaning of this film or that television show are rendered marginal - not unnoticeable or irrelevant, certainly, but secondary to the cookie-cutters they were produced from 

Now does this lead to a widespread ignorant, impoverished, reactionary view of art? Of course, but that is not because the guy who likes wearing V for Vendetta masks is illiterate. To place the blame on individual education, discipline, or literacy is to take Hollywood for granted as a natural eternal entity, to take it as just another church. It’s a goofy fucking argument! 

[haru-dipthong]

The difference between あのー and えーっと

As I touched on in my japanese goncharov post, it’s amazing how much novel research, entertainment, and art are locked behind a language barrier. Even though as english speakers, we are privileged to have many things translated into our language, it’s a simple fact that most things will not be translated into most languages.

I am a huge fan of ゆる言語学ラジオ, a japanese podcast about linguistics. The hosts recently released a book, 言語沼, which goes into detail about some of the subconscious rules native japanese speakers follow but aren’t consciously aware of (an english equivalent might be that adjective-ordering rule we follow e.g. big brown cow, not brown big cow). I’m finding it fascinating, and I wanted to discuss some of it here in english, because I think people learning japanese would find some of these things really useful. It’d be a shame if this knowledge stayed stuck behind the japanese language barrier when the people who would find it the most useful can’t speak japanese fluently enough to read it!

The book talks about how most Japanese people will think of 「あのー」 and 「えーっと」 as having the exact same meaning - they’re both “meaningless” filler words. Despite their belief that they’re the same, those same native speakers will subconsciously only use あのー in one particular type of situation and 「えーっと」 in another, and even feel confused or annoyed if they hear another speaker use one in the wrong context.

So what’s the actual difference? 「えーっと」 is used when the speaker is taking time to remember or solve something. For example, the following exchange is very natural:

Person A: 7 x 5は？ Person B: えーっと、35だ

This makes it a pretty versatile filler word! You can use it pretty much anywhere. Another example would be when you’re talking to yourself, trying to remember where you left your keys.

えーっと、鍵どこ置いたっけ？

On the other hand, あのー is much more specific. It can only be used when you’re taking time to figure out the best way to phrase something. For example, when you’re trying to get a stranger’s attention.

あのー、ちょっといいですか？

In contrast, if Person A was addressed with 「えーっと、ちょっといいですか？」by Person B, they’d feel it was rude because instead of considering how to say something, B is considering what to say, which gives the impression that they hadn’t even figured out what they needed to ask before addressing Person A.

This gives 「あのー」 a more ”polite” feeling than 「えーっと」, even though neither is actually more polite than the other. They’re just used in different circumstances.

Let’s quickly look at the example with the lost keys again. If you replace the filler word:

あのー、鍵どこ置いたっけ？

It is very unnatural. The authors of the book jokingly say that it sounds like you’re talking to a ghost, because 「あのー」 is only used when you’re figuring out how to phrase something, and you wouldn’t worry about that if you’re talking to yourself.

Also, did you know even japanese children properly use each filler word in the correct situation? Despite almost all japanese people (even as adults) being unaware of this rule, they’re subconsciously abiding by it even as children - just from listening to their parents follow the same rules!

It really is amazing how good your subconscious mind is at acquiring language, and how terrible your conscious mind is at it. If you’re not already, I highly recommend integrating a lot of simple language content (e.g. youtube, kids shows, etc) into your study routine - listening to people talk is simply the fastest way to become fluent in your target language.

[akindplace]

The thing about romanticizing the tortured artist trope is that it takes very serious health conditions, physical, mental, and emotional ones, and it turns it into a very empty aesthetic made for consumption. It takes a life story, and it turns it into a punch line, an easy way out to explain a lifelong struggle while having no regard for the person who actually lived it.

It’s a way of simplifying something so complex as a whole life story, take away the good parts, the artist’s talent, and atribute years and year of studying and practicing their craft to an illness. As if it makes people feel better that maybe they aren’t geniuses but at least they aren’t “insane”.

Artists are constantly working to the bone to get people to see and understand their art, to change the current status quo, to perfect their craft. The most important thing is not how an artist died. It’s the life they lived, the work they’ve left behind, their mark on the world. Reducing people to a tragedy is not a way of appreciating their genius: their art is.

No one is a genius because of their illness, their trauma, their suffering, but because they studied and worked hard to develop the aptitude they were born with. Talent is not a miracle, it’s a lifelong effort.

This stereotype is extremely harmful to people who are currently struggling with those health problems, and it should not be used to “give pain a meaning”, because there is always so much more to someone’s life than suffering, and there is always so much more to your own life than romanticizing your own struggles and those of others.

Pain is meant to be worked through, not fed. And when you feed yourself the myth that an artist was brilliant because they were sick, you are erasing a big part of their life to try and make sense of yours. But you won’t find true meaning in life if you’re only feeding your sorrow instead of maybe, just maybe, doing what those artists did and work through it with your own art.

A lot of them did not have any access to healthcare because their conditions were unknown, but they did what they could to keep going. Their deaths don’t mean they gave up in a big tragic ending, and reducing them to that means you’re erasing everything they did to keep going, every fight, every effort they put into their own health and into their life’s work.

I love impressionist art ever since I was in elementary school, my favorite artist being Vincent Van Gogh. I was first introduced to his story as a man who had a mental illness and died a tragic death, while struggling financially and never being recognized properly during his lifetime.

But you see, Vincent Van Gogh had his brother Theo, who kept all the letters his older brother sent him, and sent his brother words of admiration, support, and unconditional love in his own.

He helped Vincent financially so he could pursue his paiting career. He saw the talent in his own brother even when others might’ve not. The period when Vincent was doing a little better with his health was actually when he was most prolific in his painting, which shuts down the idea that someone must be on the gutter and on the deepest pain and sickness to produce great art.

Most people in really poor health have a hard time managing daily life, and they probably won’t miraculously produce their best work yet while they in extreme suffering (I dare you to make the greatest work of art you’re capable of while you’re down with the flu, now imagine being in constant physical, mental and emotional distress and people think you can just make just about anything). Great art takes a lot of work. Genius and suffering don’t go hand in hand, and it reductive to explain away talent by an illness, as if any effort artists put into their craft was meaningless.

Theo named his own son after his brother, and after Vicent died, he still wanted to make his work known, and after his own death, his wife Johanna kept working on Theo’s mission besides her own political activism. She published the letters between the two brothers, and her own son helped in making Van Gogh’s work even more well known. Even though he was just a baby when his uncle died, he kept his memory alive by founding a world famous museum in his name.

Vincent Van Gogh was able to keep working because he was helped by his own family, financially, emocionally, and was given every encouragement so he could go on with his own career. He painted more when he got medical help, even though in his own time he would have had access to much simpler treatments, since the understanding of illnesses has largely changed in the last centuries.

Healthcare, support, compassion and understanding go a long way, and that’s why it’s important to keep pushing society to be more inclusive to people with illnesses - so they will get the help they need, so they won’t leave earlier than they should.

Vincent Van Gogh’s name is not well known just because of his own efforts, but also by the efforts of those who loved him and kept his name alive long after he was gone. He is not famous because he was a tortured artist. He is famous because those who loved him tried to help him in the ways they could, even after he was gone. His fame is not the result of his death, but of his life’s work and the work of those around him.

Love made him known. Support allowed him to keep working. Getting some help even at a time people did not understand his condition well enough meant he could paint more.

Van Gogh was only human, and he felt such a broad spectrum of emotions and lived through so many things, just as we all do. Behind those paintings, there is a person, a story, and so much hard work, and none of that can be reduced to the romanticized ideal of a tragic death of a tortured man.

It is not about his pain, his suffering, his death, you see. It’s about his life. And it’s about the life of those who loved him. He was able to do what he loved because he was loved, and that is the reason is remembered to this day.

I will end this long post with one of his most famous quotes:

“There is nothing more truly artistic than to love people.”

[x-heesy]

𝚆𝚑𝚢?

𝙺𝚒𝚗𝚐 𝚘𝚏 𝚕𝚒𝚎𝚜 𝚒𝚜 𝚊𝚕𝚒𝚟𝚎

𝙻𝚘𝚘𝚔 𝚊𝚛𝚘𝚞𝚗𝚍, 𝚕𝚘𝚘𝚔 𝚒𝚗𝚜𝚒𝚍𝚎, 𝚒𝚗𝚏𝚒𝚍𝚎𝚕!

𝙸𝚗𝚏𝚒𝚍𝚎𝚕!

𝙸𝚗𝚏𝚒𝚍𝚎𝚕!

(𝙸𝚗𝚏𝚒𝚍𝚎𝚕!) 𝙸𝚝 𝚋𝚎𝚐𝚒𝚗𝚜 𝚑𝚎𝚛𝚎, 𝚒𝚝 𝚎𝚗𝚍𝚜 𝚗𝚘𝚠

𝚃𝚑𝚎 𝚙𝚛𝚒𝚗𝚌𝚎 𝚖𝚞𝚜𝚝 𝚙𝚊𝚢 𝚑𝚒𝚜 𝚑𝚎𝚊𝚍 𝚘𝚛 𝚝𝚑𝚎 𝚌𝚛𝚘𝚠𝚗

𝚁𝚘𝚋 𝚝𝚑𝚎 𝚙𝚘𝚘𝚛, 𝚜𝚕𝚊𝚞𝚐𝚑𝚝𝚎𝚛 𝚝𝚑𝚎 𝚠𝚎𝚊𝚔

𝙳𝚒𝚜𝚝𝚘𝚛𝚝 𝚝𝚑𝚎 𝚕𝚊𝚠, 𝚙𝚎𝚛𝚏𝚎𝚌𝚝 𝚍𝚎𝚌𝚎𝚒𝚝

𝙳𝚘 𝙸 𝚗𝚎𝚎𝚍 𝚊 𝚐𝚊𝚜 𝚖𝚊𝚜𝚔?

𝚂𝚑𝚘𝚞𝚕𝚍 𝙸 𝚐𝚎𝚝 𝚒𝚗𝚘𝚌𝚞𝚕𝚊𝚝𝚎𝚍?

𝚆𝚒𝚕𝚕 𝚝𝚑𝚒𝚜 𝚠𝚊𝚛 𝚕𝚊𝚜𝚝?

𝚆𝚒𝚕𝚕 𝚠𝚎 𝚋𝚎 𝚒𝚗𝚌𝚒𝚗𝚎𝚛𝚊𝚝𝚎𝚍?

𝙵𝚊𝚕𝚜𝚎 𝚐𝚘𝚍𝚜, 𝚍𝚎𝚊𝚝𝚑 𝚜𝚚𝚞𝚊𝚍𝚜, 𝚋𝚕𝚒𝚗𝚍!

𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚌𝚊𝚝𝚊𝚜𝚝𝚛𝚘𝚙𝚑𝚎

𝚆𝚎𝚊𝚙𝚘𝚗 𝚜𝚢𝚜𝚝𝚎𝚖𝚜 𝚊𝚌𝚝𝚒𝚟𝚊𝚝𝚎𝚍, 𝚙𝚞𝚛𝚒𝚝𝚊𝚗𝚜 𝚑𝚊𝚟𝚎 𝚒𝚗𝚟𝚊𝚍𝚎𝚍

𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚌𝚊𝚝𝚊𝚜𝚝𝚛𝚘𝚙𝚑𝚎

𝚃𝚘 𝚙𝚛𝚘𝚝𝚎𝚌𝚝 𝚊𝚐𝚊𝚒𝚗𝚜𝚝 𝚝𝚑𝚎 𝚝𝚑𝚛𝚎𝚊𝚝

𝙾𝚛𝚍𝚎𝚛 𝚖𝚞𝚜𝚝 𝚋𝚎 𝚔𝚎𝚙𝚝

𝙾𝚛𝚍𝚎𝚛 𝚖𝚞𝚜𝚝 𝚋𝚎 𝚔𝚎𝚙𝚝

𝙾𝚛𝚍𝚎𝚛 𝚖𝚞𝚜𝚝 𝚋𝚎 𝚔𝚎𝚙𝚝

𝙳𝚘 𝙸 𝚗𝚎𝚎𝚍 𝚊 𝚐𝚊𝚜 𝚖𝚊𝚜𝚔?

𝚂𝚑𝚘𝚞𝚕𝚍 𝙸 𝚐𝚎𝚝 𝚒𝚗𝚘𝚌𝚞𝚕𝚊𝚝𝚎𝚍?

𝚆𝚒𝚕𝚕 𝚝𝚑𝚒𝚜 𝚠𝚊𝚛 𝚕𝚊𝚜𝚝?

𝚆𝚒𝚕𝚕 𝚠𝚎 𝚋𝚎 𝚒𝚗𝚌𝚒𝚗𝚎𝚛𝚊𝚝𝚎𝚍?

𝙵𝚊𝚕𝚜𝚎 𝚐𝚘𝚍𝚜, 𝚍𝚎𝚊𝚝𝚑 𝚜𝚚𝚞𝚊𝚍𝚜, 𝚋𝚕𝚒𝚗𝚍!

𝚃𝚑𝚎 𝚎𝚕𝚎𝚙𝚑𝚊𝚗𝚝𝚜 𝚖𝚊𝚛𝚌𝚑 𝚝𝚘 𝚠𝚊𝚛

𝙲𝚘𝚗𝚌𝚎𝚍𝚎!

𝙲𝚘𝚗𝚏𝚘𝚛𝚖!

𝙲𝚘𝚗𝚌𝚎𝚍𝚎!

𝙲𝚘𝚗𝚏𝚘𝚛𝚖!

𝙳𝚎𝚗𝚢 𝚝𝚑𝚎 𝚋𝚒𝚐 𝚕𝚒𝚎!

𝙼𝚢 𝚝𝚛𝚒𝚋𝚎

𝙹𝚘𝚒𝚗 𝚖𝚎

𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚠𝚊𝚛𝚑𝚎𝚊𝚍

𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚠𝚊𝚛𝚑𝚎𝚊𝚍

𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚠𝚊𝚛𝚑𝚎𝚊𝚍

𝙰𝚕𝚕𝚒𝚊𝚗𝚌𝚎 𝚘𝚏 𝚍𝚎𝚏𝚒𝚊𝚗𝚌𝚎

𝙰𝚕𝚕 𝚊𝚛𝚎 𝚠𝚎𝚕𝚌𝚘𝚖𝚎 𝚑𝚎𝚛𝚎

𝙶𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚝𝚒𝚛𝚎𝚍, 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚜𝚒𝚌𝚔

𝙶𝚒𝚟𝚎 𝚖𝚎 𝚒𝚗𝚍𝚞𝚕𝚐𝚎𝚗𝚌𝚎, 𝚍𝚎𝚌𝚊𝚍𝚎𝚗𝚌𝚎

𝙶𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚝𝚒𝚛𝚎𝚍, 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚜𝚒𝚌𝚔

𝙶𝚒𝚟𝚎 𝚖𝚎 𝚒𝚗𝚍𝚞𝚕𝚐𝚎𝚗𝚌𝚎, 𝚍𝚎𝚌𝚊𝚍𝚎𝚗𝚌𝚎

𝙶𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚝𝚒𝚛𝚎𝚍, 𝚐𝚒𝚟𝚎 𝚖𝚎 𝚢𝚘𝚞𝚛 𝚜𝚒𝚌𝚔

𝙶𝚒𝚟𝚎 𝚖𝚎 𝚒𝚗𝚍𝚞𝚕𝚐𝚎𝚗𝚌𝚎, 𝚍𝚎𝚌𝚊𝚍𝚎𝚗𝚌𝚎

𝙷𝚎 𝚕𝚒𝚎𝚍, 𝚝𝚑𝚎𝚢 𝚍𝚒𝚎𝚍, 𝚔𝚎𝚎𝚙 𝚝𝚑𝚎 𝚙𝚎𝚊𝚜𝚊𝚗𝚝𝚜 𝚝𝚎𝚛𝚛𝚒𝚏𝚒𝚎𝚍!

𝙷𝚎 𝚕𝚒𝚎𝚍, 𝚝𝚑𝚎𝚢 𝚍𝚒𝚎𝚍, 𝚔𝚎𝚎𝚙 𝚝𝚑𝚎 𝚙𝚎𝚊𝚜𝚊𝚗𝚝𝚜 𝚝𝚎𝚛𝚛𝚒𝚏𝚒𝚎𝚍!

𝚃𝚑𝚒𝚜 𝚒𝚜 𝚊 𝚌𝚊𝚝𝚊𝚜𝚝𝚛𝚘𝚙𝚑𝚎

𝚈𝚘𝚞 𝚖𝚞𝚜𝚝 𝚕𝚎𝚊𝚍 𝚒𝚏 𝚝𝚑𝚎𝚢 𝚐𝚎𝚝 𝚖𝚎

𝙾𝚗 𝚖𝚢 𝚌𝚘𝚖𝚖𝚊𝚗𝚍!

𝙱𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎, 𝚋𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎, 𝚋𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎, 𝚋𝚛𝚎𝚊𝚔 𝚏𝚛𝚎𝚎

𝚆𝚊𝚛𝚑𝚎𝚊𝚍 𝚋𝚢 𝙾𝚝𝚎𝚙 𝚘𝚗 𝚈𝚘𝚞𝚃𝚞𝚋𝚎

@invincible-selfxmade-punk @bigbonzo @inbetweenneeds @2020blaq

[werecreature-addicted]

Ok I’ve seen some art that I have for my idea of my mateeee

So the year is like 2046 or something, and robots are everywhere, but everyone treats robots like slaves and horribly. But you’ve always been nice to robots, this one robot took notice at work (a work assistant robot)

And it would stalk you,

Always assist you,

And unknowingly get knowingly flirt with you.

And it would go against its own code just to do what it wants with you,

YANDERE PLEASE, AND NSFW

they are 6’9

Good lord he's horrific <3

CW: Dubious consent.

----

You didn’t understand how people could be mean to robots. Sure they weren’t human- but I mean. They were close, right? You had no idea how some people could say please and thank you to you but would sneer and mock your robot coworkers. And that’s what they were, coworkers, not “assistant droids”. Anytime one of the droids reaches something off a top shelf for you or brings you a cup of coffee you’re sure to smile politely and thank them. 

This behavior gets you a lot of attention. Not only from your human counterparts but the robotic ones as well- or at least. One robotic one. You sound crazy trying to describe it to anyone else- your personal assistant droid is too attached to you? He’s too eager to help? That’s what they do, they’re supposed to be there for you, what are you complaining about?

But there's something different about this one. The way he follows you with his eyes, it raises the hair on the back of your neck. And the way he literally follows you- he needs to be told multiple times he can’t go with you into the bathroom and- no just because you’re taking work home doesn’t mean he can go home with you too. They aren’t supposed to leave the office building but sometimes he still does, even if you don’t notice. And then there’s the touching. It’s subtle, innocent. When he brushes his metallic fingers over your forearm.

You’ve never though of robots as “creepy” before but, you sort of get it now, he’s tall, almost seven feet in height, and impossibly strong. Robots aren’t supposed to be able to hurt humans, but if he some how broke through that restriction in his coding… it would be so easy. 

Still. You do your best to be polite, and kind even to the Andriod that sets you on edge, and just try and get work done. But your performance starts slipping. It’s hard to focus on your job when you always have to keep looking over your shoulder. You end up spending staying late at the office more and more often. 

It’s weird working late in an office staffed by Robots, it’s not empty, but it’s quiet. They don’t talk when there are no humans around. Accept, of course, for your Assistant Droid. 

He stands in the corner of your office and stares at you. Most robots stare off into space when they aren’t in operation, but this one specifically always looks at you. 

“You seem stressed,” and the sound of his metallic voice almost makes you jump out of your chair. You want to tell him you are stressed- and that it’s his fault. You can’t focus on your reports when you can feel someone watching you. But you don’t  

“I guess so. These late nights are starting to get to me,” you admit. 

“Let me help,” it wasn’t a request but a demand. He was already standing up, and moving soundlessly to your side. 

Before you can say anything, he’s rubbing your shoulders. his hands feel… weird, not bad just… not human. 

“You’re still so tense… let me take care of you,”

“You don’t need to”

“It’s my purpose. Let me,” he insists and starts running his hands down your body. You protest weakly, but he ignores you… which he isn’t supposed to be able to do. You’re frozen as he trails his large metal hands up your legs, he’s no longer pretending to massage you and just blatantly groping. 

“You feel so soft,” he praises as he pushes your skirt up over your hips. “Let me make you feel good,” again, it’s not a request, you know some Robots are built to facilitate pleasure, and that they’re made with genitals, but would this one? This robot was an assistant. 

But he doesn’t need a cock to make you feel good, in the same way, he doesn’t need a heart to love you. He pushes his fingers inside of you and doesn’t stop hammering away at your cunt until you’re gushing around his hand. 

“Such a good girl, cumming just like I wanted you to… there, now you’re less stressed, didn’t that help?” he’s looking for praise. 

“W-we can’t do that again, I could be fired if I got caught- in the office,” really you feel guilty that you let a robot finger you at work… not that you let him touch you. He pulls back and nods. 

“Understood. Next time I’ll be sure to be somewhere private when I take you,”

[spookieloverslittlemind]

How protective are they…

includes: Michael Myers, Pinhead, Brahms Heelshire, Art the Clown, Sun and Moon (fnaf), Marta (Outlast 2)

a/n: it’s grey and rainy outside yk what that means

Michael

Is this a joke. Michael will literally kill anyone who breathes your air if you ask him to. In fact, at the start of your relationship you had to set a boundary by telling him not to kill every person you encounter, unless you give him the clear (given those kills aren’t his own random kills, he allows you to set a rule of “don’t just kill everyone”). This stems from him walking out your front door, following the mail man one time. Michael is the epitome of the “me and my bitch don’t argue she tell me shut up and I do” trope when it comes to you except his version of shutting-up is putting down the knife. That said, you’ve got plenty of time to stop Michael because he’s only ever walking after someone, so there’s not much danger of him accidentally killing the wrong person. When, however, you do give him the green light to commit murder in the first degree…Michael’s all over it like a bad rash. You’ve never seen him walk with more purpose than when you’ve sighed and said “fine” to him killing someone. Once, you made the mistake of telling Michael he was allowed to threaten but not kill - you were very specific - man who’d been bothering you at work. At first, you thought the guy was just off sick for a couple of days out of pure fear from his encounter with Mike. Then you started seeing the missing person posters. You had one of them on the dining room table when Michael next came to visit and he just tilted his head with the closest expression he can pull to resemble 🥺👉🏻👈🏻 behind the black eye holes of his mask.

Pinhead

Is this a joke. Pinhead can and will summon a portal to any circle of Hell of his choosing to forcibly grab any mf that tries you in any capacity via chains and drag them to eternal suffering. He doesn’t even have to be there to witness the crime before he’s playing judge, jury and executioner that omniscient bastard. He’s very calm and collected about his protectiveness unless someone actually hurts you, in which case he personally handles their eternal torture. Pinhead doesn’t have much of a concept for politeness but the first time he felt the energy of a cashier being less than friendly to you he summoned a portal and you had to rush home to explain that any poor soul working in customer services suffers enough and should not be sent to Hell for being less than happy working in a different kind of Hell for minimum wage. Thankfully, Pinhead brought them back and erased their memory (and injuries) so that trauma never really happened and he learned a valuable lesson that day x

Brahms

Is this a joke. Brahms will not hesitate to kill anyone that sets foot in the house unless you give him a full briefing on, like, your sister coming to visit or something. He’s more lenient with women coming over because he likes watching you smile as you talk to them from where he resides behind the walls but men? Hahahaha. You’re funny. Real funny. You should try standup. ‘Cause you know who’s standing up whenever a man’s voice is heard. And you know who’s killing them with his bare hands. It’s rare anyone has the opportunity to upset you because you’re trapped in Brahms’ mansion, but he’s the kind to track down the exact piece of paper that gave you a paper cut and tear it to shreds. Burn it. Eat it. So it’s fair to say Brahms is very, very protective. It’s a good thing he’s not allowed out, really.

Art

Is this a joke. Like everything about him, Art’s protective nature is…unique, but he’s definitely got it. He’ll watch someone upset you until it makes you cry and then flay a man, type beat. If anyone physically hurts you then yeah, they’re dead, but apart from that he likes to test how far someone will go to upset you before he steps in to act their punishment. Surprisingly, Art’s a lot more laidback than others on this list when it comes to not wanting to kill every person you come in contact with; he’s more prone to jealousy, really, because if he sees someone else making you laugh anywhere close to the amount he makes you laugh, he will want to gut them. And he probably will when you’re out of the room. And he’ll dispose of the body before you get back and mime something about “oh 😱 they had to go ☹️👉🏻 suddenly 🤭” and then you never hear from that person again, for reasons Art pretends he doesn’t know.

Sun and Moon

Is this a joke. Sun is incapable of withholding Moon if you get even mildly disrespected in any given circumstance they’re so protective of you, just hearing about you being upset is enough to get Moon appearing. Sun’s the type to remind you that you are safe and he (and Moon) will never let anyone or anything hurt you. Moon’s the type to shout at and throw toys that have hurt you or tripped you up in the Daycare. Sun is very good at comforting you and cheering you up after the fact, but it’s Moon who handles the punishment. He’s been known to leave the Daycare out of working hours to hunt down “naughty” people, and because you’ll feel guilty about it he deliberately doesn’t tell you the things he does, except to say “they will not upset you again…🌚”

Is this a joke. This servant to God has dedicated her life to cleansing the world of heretics and you think she won’t disembowel every soul that blasphemes in the presence of God’s purest gift to her? She may not have a sense of humour but you, my friend, are hilarious. Marta doesn’t understand petty offences of someone being unkind to you, unless you explain it to her, but as soon as she comprehends the fact you are even remotely unsettled by someone’s presence…God has whispered that person’s fate in her ear, and she won’t hesitate to bring it forth. Marta is not someone you can reason with, so people very quickly accept that to harm you, your spirit or your purity in any conceivable way, is to sign their own death warrant. You can’t stop her, either, because unfortunately when you say “they hurt my feelings”, God sends her a telepathic message that’s the equivalent of “🫵🏻👁️👁️👉🏻🔪”

[dyaz-stories]

don't get cut on my edges || gojo satoru x reader

synopsis: Gojo is easily bored, you're the latest enigma that's caught his interest. He sets off in trying to figure you out. Lucky for him, you're coming on the week-end trip Shoko's planned for the week-end.

“Was I off script?”

You look up at him.

“You’re always off script.”

word count: 5.4k

genre: college!AU, fluff, slice of life

cw: unresolved sexual and romantic tension, reader has anxiety and is socially awkward, she/her is used for the reader, a little suggestive, overall very sweet and fluffy

a/n: this was fun to write! any feedback is appreciated, and i hope you enjoy my writing here :)

soundtrack

Gojo knows that people talk, knows that they talk shit, knows that there isn’t a soul on campus that doesn’t have an opinion on him. He can tell that eyes follow him around when he walks into a room, that his presence is enough to shift the atmosphere at a gathering, that some people roll their eyes at him while others try their best to catch his attention. It’s a lot to take in, for just one person.

Fortunately, he’s proved to be incredibly gifted in the art of not giving a fuck.

Then again, he’s incredibly gifted in most areas of life. Truth be told, he thinks people aren’t giving him enough credit for that. Sure, they tend to know that he’s a physics major, but that’s just tangential to what they know about the rest of him. He’s not just kinda good at physics, not some dude that goes to college mostly for the parties and then get a meaningless job at daddy’s company, no, he’s the fucking best, and he works fucking hard to be able to claim that title.

But that doesn’t really fit in with the rest of him, and at the end of the day, who cares? He certainly doesn’t.

With all that, it’s not statistically unlikely for him to catch people talking about him.

Well, he’d have to conduct a detailed study to calculate the exact odds, but with how much alcohol is in his blood at this very moment, it makes sense to him that it would happen.

Still, for people to be talking about him at a party he is at, in front of an open window, you’d think they would have some sense of shame. Not that he has any room to talk, because shame is not part of his vocabulary, but like. Come on.

“Gojo really can’t take not being in the spotlight for more than ten seconds, huh?”

That voice, he’s quick to identify, even if he can’t see her face from where’s he’s standing under the porch, belongs to Mei Mei. Aw. Bummer. They’d spent quite a lot of time around each other, have friends in common, slept— Wait, have they slept together? He can’t say for sure anymore. It seems to have slipped from his mind. Oops. Maybe that’s why he’s getting that treatment. Maybe he deserves it.

There’s a scoff, and really, the acoustic of this place are impressive. It feels like he’s straight in the room with those people.

“What else do you expect from someone who’s always had everything served to him on a silver platter?”

And that would be Noritoshi Kamo. Man. That was one of the few kids in the families his parents insisted on frequenting. They used to be sat next to each other at the kiddie table while the adults talked about the important stuff. They never had much in common — not then, not now. And, after all, maybe Noritoshi has a point, after all. His mother wasn’t a mistress, wasn’t turned into an outcast, and he’s never had to pretend he didn’t hear the loud whispers that tarnished her name. Yeah. Sounds like these two aren’t saying anything new after all. Not that he’s gonna change, y’know, but he already knows who he is, and he is all that.

“That seems like a very mean thing to say about a friend,” a quiet voice comments.

The world freezes.

A silhouette appears to go along with the voice, then a blurry face, then the picture becomes clearer. A figure sitting next to Shoko, giving him sweet, polite smiles when he approaches. Not chatty, kinda shy, pretty cute. Would get quiet when he was near, though, so he hadn’t paid a ton of attention. He’s used to giving it to people who asked for it, who wanted it.

You’d never asked.

But you’re… not wrong. He’s not sure why he hadn’t picked up on it himself. It is a mean thing to say.

“Don’t get me wrong,” Mei Mei protests, “I love Gojo, but you know I’m right about this.”

“Yeah, and I’ve known him my whole life,” Kamo adds. “It’s just a fact, we’re not talking shit.”

There’s a silence. Gojo’s invested now.

“I don’t know him that well,” you say. “Like I said. It’s just a mean thing to say about someone you hang out with every day.”

“Come on, don’t act like—”

“I think I’m going to go, actually,” you say. “This feels super shitty.”

“What the fuck was that?” Mei Mei laughs, just a second later — presumably after you’ve left the room.

“She wants to fuck him, I guess,” Kamo says.

Well, you’re making one hell of a headway then, because he’d do you so hard after that.

When he walks back in, you’re chatting with Shoko. You give him your usual, close-lipped smile, don’t quite make eye-contact. If you’re trying to get in his pants, you have a very original way of getting it done.

“Who was your friend again?” he asks Shoko, later that night. She answers without looking up from her phone.

“She doesn’t talk much when there are new people around,” she warns him. “Leave her alone.”

“When have I ever bothered anyone—”

She reaches to smack the back of his head, misses and gets the nape of his neck — that’s the downside about being so tall, there’s just a lot of him to hit.

“Don’t make her uncomfortable. That’s all I’m asking.”

He wasn’t planning on that. He’s just— curious. Intrigued.

It’s unlikely to last, though. He’s been known to get bored easily.

You’re already in the car when he gets in. Well, okay, when he gets shoved inside by Todo, despite his protests that his legs are too long for the backseat. You’ve squeezed yourself in the middle seat, with Shoko on one side, and him on the other now. There’s a bag of snacks in your lap, yet you still try to shift yourself to give him a little more room. It doesn’t help at all, but in your defense, the only thing that could help would be to buy a new car.

“Is everyone ready?” Suguru asks as he adjusts the rearview mirror.

“Sure,” Shoko says.

“Let’s go!” Todo shouts.

“No,” Gojo whines.

“Yeah,” you say, completely drowned out under the rest.

“Good,” Suguru hums as he starts the engine.

Gojo pouts, but he doesn’t insist. Well, he doesn’t make any more of a scene than he already has. Truth be told, he could have taken Todo — dude might be all brute force, but Gojo has brains and brawns, thank you very much.

But he’s curious, still, and he hasn’t been given enough information to quite satiate his curiosity. Everything he’s gathered about you says that you mind your business and keep to your corner.

So why did you say that to Mei Mei and Kamo? It makes no sense, but Gojo’s never met an equation he couldn’t solve.

That’s an overstatement. Obviously there are equations he can’t solve. Yet. He’s sure he’d figure it out eventually. Like he’ll figure you out. See? That metaphor does make sense.

Suguru’s music is playing in the car. The sun is still low in the sky, the day is quickly getting warmer, and the phone says that they’ll be at the beach in two hours.

Satoru closes his eyes. Fun fact about him? He can fall asleep anywhere he wants to.

He wakes up with his face smooshed against the window, a hand tapping his shoulder carefully.

“We’re here,” you say, giving him a smile and then shuffling to leave the car from the other side.

Todo’s already running towards the beach, while Suguru and Shoko are getting the bags out of the trunk. Somehow, Shoko manages to sling a bag over his shoulder, but he takes off before she can stuff the cool box containing all the drinks in his arms.

He then lies to Todo to get him back to the car, so that he can carry the damn thing. Shoko better thank him later for that.

He catches up with you, and he sees your eyes widen a little when he approaches, as you visibly search for something to say. He can’t resist the temptation to shoot you a grin. There’s a light breeze in the air, but he won’t be fooled that easily — with his skin, he’s going to need an insane amount of sunscreen, if he wants to survive the day. Which makes him think, actually—

“Wanna help me apply sunscreen?” he asks.

“Huh?” you say.

He leans towards you, looks into your eyes from over his sunglasses. You appear to be fully frozen in place, only swallowing once as he gets closer. His grin gets wider as he takes in all of you, and he’s once more fascinated by the idea that you had been able to say something to Mei Mei and Kamo but you can barely face him.

His gaze drops to your parted lips.

Then the bottle of sunscreen smashes against his cheek with impressive precision.

“Todo can help you put that on!” Shoko offers as Suguru starts setting up a parasol. “Right, Todo?”

“Of course I will, my brother,” Todo say as he appears, but by then, Satoru has already started running for his life.

“Just kick him in the balls if he pulls something like that again,” Shoko says.

“Oh, no, it’s fine,” you reply, shaking your head in mild horror. “I just— I don’t— know— how to react sometimes. But he doesn’t bother me.”

That statement has her raising an eyebrow at you, filled with doubt, but she doesn’t insist.

“Play nice,” she does warn Satoru once more, later on. “Don’t push it too much.”

“Aw, Shoko, are you saying you wouldn’t approve of me?”

“Do whatever you want to,” she replies, rolling her eyes, “but give her more space. She’s not used to you being… you.”

Satoru rests his chin on his knee. He’s taking refuge under the parasol for now, and you’re already in the waves with Todo and Suguru. You seem comfortable with Todo, laughing at something he said, less so with Suguru. It all looks like a lot of work, all to satiate his curiosity. He’s all about committing to the bit but— he doesn’t know about that one.

This, too, all this thinking and questioning, is a lot of work, though, so he ends up shrugging it off.

“Are we getting in or what?”

“Absolutely not. No— Gojo— Don’t you fucking dare— Gojo!”

Shoko’s full-on shrieking by the time he throws her in the water. You burst out laughing. She comes out screaming for revenge, and Gojo starts scampering around to try and avoid her.

The sun is high in the sky, there’s a light breeze.

The time is good.

“Satoru!” Suguru calls when the watch on his wrist starts beeping, “it’s been two hours!”

It takes a second for the information to reach his brain, but the second he understands it, Gojo’s sprinting back towards the parasol at full speed. You look up, surprised, from the towel on which you’re lying with a book. Shoko doesn’t even bother with lifting an eyelid to see what’s going on.

“You okay?” you ask.

Ah, so she does speak.

“Yeah,” Gojo says, ruffling through a bag. “Just need to reapply some sunscreen. I’m not trying to look like a lobster.”

“Oh,” you say, “so, did you want me to help you with that?”

His fingers finally close around the bottle, and he stills to look at you. Shit. He’s curious again. Shoko’s words are swirling around in his mind, though, and he has no interest in forcing your hand.

“You didn’t look like you wanted to do that,” he says with uncharacteristic caution.

You roll your lips together, glance away from him, and your hand curls into a fist in the sand.

“No, it’s just— Um, I’m sorry about earlier. You— caught me off guard, I guess. I couldn’t figure out what to answer.”

“I usually just go with whatever appears through my head first,” he shrugs as he comes to crouch in front of you — you in the sun, him in the shade.

You laugh softly, but you avert your eyes, focusing on the sand as you trace patterns in it.

“Yeah, I think that’s the preferred method, but it— doesn’t— really work for me. So I have— I have a script, kind of, for interactions.”

“And I was off script?”

You glance back up at him.

“You’re always off script.”

For a moment, he just looks into your eyes, and you look back without any of that earlier nervousness. Then you shrink back into yourself, and the smile that so rarely leaves your lips reappears, like a shield that comes back up.

“Sorry. I know— I know how silly this sounds. I also wish I didn’t feel the need to do that, I just, um—”

“All good,” he replies with a shrug. “Sure. Help me with that.”

He throws you the bottle and you miss it, and he can feel you eyerolling at his back without needing to turn around, but when he shoots you a grin from over his shoulder, he can see how your breath catches in your throat.

Softly, your hand goes over his back, your touch gentle and cautious. It feels quite nice, actually, especially when your nails brush over his skin.

“It’s not too cold?” you ask.

“All good,” he repeats.

Shit. He’s invested again.

“Okay, we have the tickets, we have the water bottles, we have the hats, we have flat shoes, we have Gojo, we have the car keys—”

“I’m sorry, why was I just in the middle of a list of belongings?”

“We have cellphones and portable batteries… I think we’re good,” Shoko concludes, fully ignoring him.

“You don’t think we’re just a touch overprepared?” Suguru asks.

“You can never overprepare, my brother,” Todo says, grabbing his shoulder firmly. “If you want to triumph in the face of adversity, you need to know everything about the enemy.”

Suguru opens his mouth, closes it again. He knows how to pick his battles.

Gojo doesn’t.

“We’re going to a festival, not trying to breech the Pentagon,” he deadpans, and then, from the corner of his eye, he tries to see if you’re laughing. He delights in how you lower your head and try to keep it discreet.

“You never know what—”

“If I have to hear a second more of this nonsense, I swear to God I’ll kill someone here,” Shoko announces cheerfully. “Let’s move.”

Finally, after a good fifteen minutes by the door of the Airbnb you’ve all spent the night in, you start moving.

The good news is that you don’t have to get in the car, in the smothering heat, to get on the overcrowded streets packed full with the cars of the other attendees. The bad news is that you have to walk there, in the smothering heat, near the streets packed full with the cars of the other attendees. Suguru’s in charge of the map, which everyone seems happy with. Gojo had offered to do it, too, and there’s not a shred of doubt that he’d be able to read it competently, but Shoko had insisted the risk of him taking everyone to the wrong place ‘just because it would be funny’ was too high.

She’d been right but like, that was still rude.

The march in the heat and the waiting in line, while painful and unpleasant, as Gojo makes sure everyone around him is well aware of, go pretty smooth. Everything is planned and accounted for. There’s a game plan once they make it into the festival, too, because of course there is, but that’s when things start going south. First, Todo tries to go rogue when he spots someone wearing Takada merch. She’s not performing here, but he’s heard rumors that there would be a stand for her, and he lurches towards the woman. He’d get lost in the crowd immediately if not for Gojo’s lightning fast reflexes.

Unfortunately, soon enough it’s Gojo’s turn to get distracted. What can he say, there’s the smell of sugar in the air, and he needs to know where it’s coming from. Suguru’s the one to get him back on track, as they all head towards the main stage. Because that’s what Shoko’s grand plan leads to: sweet, sweet, close-up spots to watch the Sorcerers, headliners for the festival and also unarguably greatest band of all times, with minimum wait before their show.

There are a couple other close calls, but the group manages to get close enough to the stage. There are people here already, but they’re here for other artists mostly, and they’ll no doubt move quite a bit before the start of the real show. From where they are, even you and Shoko will be able to— Wait a minute.

“Huh,” Gojo say. “Hey, Shoko, do you happen to see (y/n) around?”

“If you can’t see her from up there, why would you think I— Fuck.”

“A fallen soldier,” Todo sighs somberly. “Sometimes, you have to make sacrifices for—"

“We should go get her,” Shoko interrupts him. She’s biting her lower lip, staring at her phone. She looks quite worried, Gojo notices as he stares at her.

“Why isn’t it enough to just text her?” Gojo asks. It’s not ideal, and it won’t be easy to find the group in the middle of this sea of people, but it’s not impossible.

“I just— I don’t know if she’ll want to deal with all that” she gestures at the crowd “alone. I’m afraid she’ll say she doesn’t mind and then she won’t have a good time.”

Gojo tilts his head. It wouldn’t cross his mind to say something he doesn’t mean. It’s an incredibly weird thought, actually. But Shoko’s better than him at, well, people, and she might have a point. He also doesn’t want you to have a bad time, after all. With one last glance at the stage, he nods at her.

“I’ll go get her.”

“Are you sure?” Suguru asks. “I can go, if you want me to. It’s your band.”

As if it isn’t his, too. But Gojo shrugs. His attention span is fleeting, and he’s got his sights on something else right now.

“Nah, don’t worry. I’ll make it back.”

“Thanks,” Shoko says sincerely.

He waves vaguely at her before making his way back through the crowd, earning his fair share of nasty glances. He still doesn’t care.

A few minutes later, he receives a text from Shoko with a screengrab where you say you’re getting something to eat. Sure enough, he has no trouble finding you waiting in line. You’re typing on your phone, not paying attention to your surroundings, and he’s grinning already. He lets himself half fall on you, arm wrapping around your body as he drops his chin onto your shoulder. You jump, glancing back bewildered, but you don’t stay tense long once you see it’s him.

Which makes him feel things, actually, but he’ll unpack that later.

“What are you doing here?” you ask, brow furrowing. “I thought you guys would be in front of the stage by now.”

“I came to rescue the princess, obviously,” he says, and you laugh. You laugh a lot when he talks, instead of rolling your eyes like people usually do.

Maybe you’re a bit too good of an audience.

“I don’t need rescuing, Gojo,” you answer, and it’s interesting how calm your voice is. “It’s packed too tight for me in here. I told Shoko but…” You shrug. “It’s not always easy to understand how it is. For me.”

“Yeah,” he says. “I don’t get it at all.”

Your shoulder’s pretty comfortable, though. And you haven’t tried to get him off of you yet.

“Do you want to order something, too?” you ask, pointing at the food stand. They sell waffles, and just the smell has his mouth watering. “Strawberries and whipped cream, right?”

Gojo pauses.

“How do you know that?”

“You’ve mentioned it. A few times, actually.”

He’s sure he has, but—

“You were listening to that?”

You blink at him. He realizes how close your face is, with his head on your shoulder.

“Of course I was. You were talking.”

“Shoko didn’t tell you? It’s like, rule number one of being around me, don’t listen to the stuff I say. There’s a lot of dumb shit in there.”

You tilt your head, looking kind of confused.

“I still want to hear what you’re saying.”

Something inside him feels warm all of a sudden. Very warm.

“Yeah,” he says, but his throat is tight. “Strawberries and whipped cream.”

When you step forward to they can take your order, he begrudgingly gets off your shoulder, which allows him to swipe his card before you can get to it.

“I had that,” you protest while he bites into the insane amount of whipped cream in his waffle — he asked for more until the guy behind the counter looked like he was going to murder him.

“I had it first,” he says, and then he sticks his tongue out at you. He anticipates your laugh this time, finds himself waiting on it. When it comes, it sounds just like he wanted it to.

For a while, the two of you sit on a fence. You hand him a water bottle, say that he needs to stay hydrated. With no one else around, you don’t seem to have such a hard time speaking. You’re so quiet when everyone’s there and, well, him and Todo take up a lot of space, when it comes to conversation. Neither Suguru nor Shoko struggle with making their voices heard either, and in the middle of all that, you tend to stay silent. Apparently, that doesn’t stop you from listening.

“Shouldn’t you be going back?” you ask, after a while.

Gojo tilts his head as he thinks about it.

“Nah, I’m good. Let’s find some place where you can enjoy the show.”

“You don’t have to—”

A grin, and then he’s jumping from the fence to come stand in front of you. Even like that, he doesn’t have to look up to meet your eyes.

“And how d’you plan on stopping me?”

Your eyes go wide. He can almost hear your heart racing, and he thinks he’s starting to get a little too high on that feeling. It’s just so easy, so fun, so delicious.

“Okay,” you squeak, averting your eyes and jumping down after him, clearly trying to hide your reaction. “Okay, I’m coming.”

When you start walking by his side, grabbing your hand is just too easy not to do it.

“Wouldn’t want you to run away again,” is what he says as he intertwines his fingers with yours. “Now you’re stuck with me.”

You still refuse to look at him, but there is no actual discomfort in your reaction, just what he thinks is uncertainty about how you’re supposed to behave now.

“Have I gone off script again?” he practically purrs.

You glance up, a flash of amusement on your face. Lots of fondness, too, and this time he’s the one who gets caught up in it.

“You haven’t been on script once today.”

“Good,” he says, managing to pass off the emotion that just choked him for a second there as impatience. “Someone’s got to keep you on your toes.”

“I’m always on my toes,” you mumble behind him, but you can’t explain to him what anxiety feels like, so you just let him drag you away. His fingers are long, his hand engulfs yours easily. You like the feeling of it more than you should.

Your eyes are on Gojo’s broad back as he pulls you through the crowd, which parts effortlessly for him. You’re enjoying this.

You don’t think it’s going to last.

Gojo doesn’t think about that though, just like he rarely thinks about tomorrows. What he’s thinking about, as he keeps far, far away from the stage, is how to find a place with enough air around for the two of you. It’s easy for him to get a good look at the stage, and he earns his fair share of pissed off glares — “Seriously, it should be illegal to come to an open-air stage when you’re that tall” — but it takes more work to get the perfect space for you. Finally, his eagle eyes figure out some place that’s just perfect, and he beelines for it with you in tow.

“There,” he says, pulling you in front of him and putting his head on top of yours, just to check that the line of sight is good enough.

Ha. He nailed it.

“Thanks,” you say. There’s surprise in your tone.

“Is this a good spot for you?” he checks, but really, he just wants to hear you praise him?

“It is, but— I thought you said you didn’t get it? My—” You gesture vaguely. “—struggle. With all that stuff.”

Oh right. You actually listen to what he says. He needs to keep that in mind for the future.

“Does it matter?” he asks with a shrug.

You stare. You open your mouth to speak, but no words come out, and then the crowd starts absolutely howling and you spin around to see the Sorcerersget on the stage. Whatever moment there was there, is forgotten right away. He sees you fish in your bag for your phone, then raise it over your head and tiptoe around, trying to get a good photo.

It’s cute, it’s adorable even, but it’s not very efficient.

“Do you want some help here?” he asks, leaning close to your ear so you can hear him over all the noise.

Your body shivers into him, and he files that away for later.

“Um, yeah,” you shout over the noise. “Here, could you—”

But he pays no attention to the way you offer him your cellphone, and instead he’s bending down, and ignoring your surprised protest as he pushes his head between your legs.

He bench presses a hell of a lot more than he looks like he does, for the record.

With a grunt, he manages to get you up on his shoulders, and some people behind him complain loudly, but whatever, they can wait for you to get the perfect picture. You struggle to stabilize yourself for a dangerous second, and then you stop moving around for a second. Your thighs are supple and warm under his hands and around his head.

One more thing to remember.

“I’m good, I’m good, get me down,” you say quickly, just as he’s storing the thought away.

You seem relieved when your feet get back on the ground, and Satoru lets his hands linger on your waist.

“Was it a nice pic?” he asks. He knows he’s all red in the face, but he’s grinning so wide it almost hurts, actually.

“Perfect,” you squeak. “Thank you. Again.”

Aw. He’s going to get used to that word real quick.

A familiar guitar riff comes from the stage, and you turn away from him once more, but his hands are still on your waist. He uses that to pull you against him and this time, you don’t hesitate to let yourself lean back against him as the two of you move in rhythm with the music.

The concert is a blur after that. There’s a lot of singing, a lot of screaming, basically no time to catch a breath, because the Sorcerers are fucking beasts that don’t let up, not even for a second. At some point, you tell him something, but he can’t really hear, so you crane your neck back and he lowers his head. Your lips brush against his neck, an accident really, but it sends such a jolt of electricity through him, he thinks he’ll go into full overdrive.

The only thing that stops him from chasing after your lips immediately after that is Shoko’s voice, going around in his mind. ‘Don’t push it.’ What the fuck was that supposed to mean?

You move away, and he still has no clue what you were saying. If after that, his hands hold your hips a little tighter, if he pulls you a little closer, he can’t be blamed. If, during one of the more sulfurous song of the show, as you’re swaying against him, humming along to the song, his lips find your neck, he doesn’t want to hear about it.

When he presses a kiss right by your jaw, you turn to look at him. You’re pretty. He’s always thought you were pretty.

Fuck Shoko, he thinks, and he’s ready to put his mouth on yours, to slide his tongue between your parted lips that have looked so inviting this entire week-end, when the riff of the band’s most popular song starts playing, and he loses you attention once more.

Cock-blocked by his favorite band. Fuck his life.

When the song ends, there’s movement in the crowd as the band gets off the stage and people start chanting for an encore. In Shoko’s fool proof, perfect plan, this is when you’re supposed to start leaving. Gojo doesn’t want to — how is he supposed to do anything about how much he wants his mouth on you once you’re back with the other — but this time you grab his hand and pull him away from the stage and he has even less of a clue of what he’s supposed to do about that.

You get to the meeting point before Shoko, Todo and Suguru, which makes sense, considering you were much further from the stage than them. It’s a specific pole that Shoko had pointed to as you were first getting in, and the urge to push you against it and to taste your lips is strong. Gojo isn’t typically one to ignore that kind of feeling. He just goes for it, doesn’t let his brain get in the way too much. He’s not sure what it is with you and your doe eyes and your sweet smile that makes him act different.

Whatever it is, it makes him ask “Did you have a good time?” instead of kissing you senseless behind the pole while watching to make sure Shoko doesn’t catch him in the act.

“It was amazing,” you say. “I don’t think— I don’t think I’d have gotten that close without you.”

“Did I force your hand?” he asks, frowning.

“No, no, that was great, actually.” And there it comes, his favorite words, and then he’ll kiss you. “Thank—”

“There you guys are!”

You have got to be kidding him. The Gods of timing are so set against him, he must have done something to piss them off badly in another life.

“Okay, we should start heading towards the exit,” Shoko announces.

“Nah, we ‘re staying until the end,” Gojo says, burying his hands, balled into fists, in his pockets. He’s being needlessly belligerent, but whatever, she deserves it, whether she knows it or not.

“Don’t be a dick,” she glares.

He smiles at her. And he doesn’t budge.

“We’ll run,” you say, stepping in. “I’m sure we can still beat the crowd if we run.”

She narrows her eyes at you, then at Gojo.

“You’re a bad influence, you know that?”

So many delicious thoughts coming to him, and he can’t do anything about it. Damn it all.

Of course, it ends with the five of you sprinting on the lawn and all the way back to the house. Of course, he doesn’t catch five seconds with you after that. Of course, your face is on his mind the whole night.

Of course, because it’s just his luck, isn’t it, in the morning, Shoko tells him you had to catch a flight early in the morning.

“I told you, don’t you remember? She’s going back to her family for the summer.”

Of course, he doesn’t.

Ah, whatever. It bothers him for a minute, but then the day continues unfolding, and the sun’s warm, it’s the peak of summer, and he only really knew you for a couple of days. He’ll see how he feels about it when college starts up again in the fall. He’s not known for sticking with things, anyway. He’ll probably forget; you probably won’t capture him again like you did; it was probably a fluke.

That, or these will become famous last words.

sequel

thank you so much for reading! i had a ton of fun writing gojo's pov and i hope you enjoyed it too, even if i'm still finding his voice :) please reblog or comment if you've enjoyed this, i'd love to hear from you! getting readers' feedback on my writing is what keeps me motivated to write so if you'd like to read more from me, that's the way to do it!

tagging the people who expressed interest in this: @elidebrey @xstom @chosospookiebear @xmysticredx

[physalian]

In Defense of Fanfiction (Or the perfect starting point for your original novel)

Fanfic gets a bad rap pretty much everywhere except Tumblr. It’s misunderstood and misrepresented by its average works, seen as juvenile and cringey, or a banal point of contention between a famous person or piece of media and its fans.

Outside of fanfic that writes about real people, especially smut fics of real people, I support the art wholeheartedly. Fictional characters are one thing, but personally, caricaturing a celebrity’s life for public consumption and writing or drawing them in compromising content without their consent is a little weird. You do you. Don’t like, don’t read, as they say.

Fanfic is the perfect starting point for a few reasons:

It places you in a creative box and forces you to work within those constraints

It does all the worldbuilding and character concepts for you

It lets you write way outside your comfort zone

When published and receiving feedback, it boosts your self-confidence

It's incredibly flexible

It’s practice. All practice is good practice

—

Behold your creative box

When I was little I had no idea the majority of fanfic was shipping fics. I always pictured and looked for canon-divergent alternate universes. Like, what if X happened in this episode instead of Y? What if this character never died?

Fanfic demands you work within someone else’s canon, whether it’s an OC in the canonical world, or the canonical characters in an AU. These are like little bowling bumpers saving you from the gutter, but also keeping you on a straight-ish path toward the pins.

The indecisiveness of too many choices can be too intimidating when you’re first starting out. You want to be a writer but you have no idea where to begin, what genre to pick, what characters you want to chronicle, what themes you want to explore.

Even if it sits on your computer never to see the light of day, you still got those creative juices flowing.

Pre-packaged worldbuilding

Sometimes all we want is to get to the good stuff. Maybe I want to write a story about elemental magicians but Last Airbender already exists and I just want to play in a pre-existing sandbox. So I write some OCs into that world and have a free-for-all.

I don’t have to come up with my own lore, world history, magic system rules and mechanics, politics, geography—any of it. I get to just focus on the characters.

Even if you’re writing an AU, like say a coffee shop AU, you don’t have to think about brand new characters, you can just think “What would M do?” and go from there. The trade-off is your readers will expect canonical characters to behave in-character, but I think it’s worth it.

Stretch beyond your comfort zone!

Do you hate writing action scenes? Go practice with a shonen anime fic. Need work on dialogue? Write some high-fantasy fic, or a courtroom drama. Practice a fistfight by watching fistfights and writing what you see, and do it over and over again until what you read makes you feel like you're watching what’s on screen.

But beyond that—practice genres that you aren’t super familiar with. If you’re new to fantasy, write fantasy fic. Or a mystery novel/show, thriller, comedy, satire, adventure, what have you. The nature of fanfic still gives you those “guardrails” and you can get some brutally honest feedback on how you’re doing.

And, of course, the realm of M-rated romance and smut fics. I haven’t because I think I would die of embarrassment if I tried and I never intend to include sex scenes in my works anyway, but if you do want to, use the internet as your test audience. Post it on a throwaway account if you’re nervous.

Build that self-confidence!

The fandoms I used to write for are super dead, so it’s insane how I still get email notifications that so-and-so liked my fic to this day. Comments are as elusive as ever, but random strangers on the internet telling me they liked my work is a magical reassurance that my writing isn’t actually awful.

Random strangers on the internet are, as we all know, beholden to no moral obligation to be kind to your little avatar face, or be kind to be polite. So a rando taking the time to like my work or even leave a positive comment can feel more honest than one of my friends telling me what they think I want to hear.

I tend to avoid the more present aspects of fandom like online communities, forums, social media, what have you, so I get a delayed and diluted aspect of any given fandom through completed works. Which means, in general, I get to avoid the worst and most toxic aspects of fandom and get to sift through positive feedback and critique.

Even if your fanfic isn’t written with stellar prose, it’s fanfic. We don’t expect Pulitzer-prize winning content. And if your work isn’t up to snuff, people are more likely to just ignore it than put you on blast (at least in my experience, I never got a bad comment or a “flame” in the old FFN days).

Fanfic doesn’t care about the rules of published literature

On the one hand, try not to practice bad habits, but with this point I mean that your layout, punctuation, formatting, paragraph styles, chapter length–all of it is beholden to no rules. I get as annoyed as the next reader with giant blocks of paragraphs, or the double-spacing between pages of single-sentence paragraphs, but if the story’s good enough I might ignore it.

There’s more than just straight narrative fics, though. People write “chat” fics, or long streams of text and group chat conversations. The scene breaks can come super rapidly–I’ve seen fics with a single sentence in between line breaks to show the passage of time. And without the polish of a traditionally published novel, I’ve never seen a purer distillation of author voice in any medium more than fanfic.

All practice is good practice

Even if it’s crack fiction, or a one-off one-shot, or something meant to be lighthearted and straightforward and free from complex worldbuilding and intricate plots. It really helps break writer’s block when you can shift gears and headspaces entirely and you can get relatively instant feedback to keep you motivated.

Beyond that, the “guardrails” help you stay consistent as far as character growth and personality if you struggle with designing rich characters.

The most recent fanfic I wrote was just a couple years ago, for a dead fandom I didn’t think would get any traffic whatsoever. It wasn’t my original works, but the feedback on that fic gave me the kick in the butt I needed to get back into writing more seriously.

—

In short, I support fanfic. I may not be proud of my earliest fics' prose now, but I am proud that they walked so I can now run.