#museum of senses

[symbolishplant]

AS LONG AS I JUST KEEP THINKING ABOUT ALL THE FUNNY LITTLE ART PROJECTS I’M GONNA DO, THINGS WILL BE FINE. OK?

[lagsemantics]

shockwave but its an metaphor for the horrors of war beyond man's comprehension

or alternatively: me at 3AM going into the kitchen in search of shredded cheese (8 found dead, 36 injuried)

based on that one cover by Mark Bright. you know the one.

[strwbrryfire]

ferrari and her devoted predestined

the original painting is by Alméry Lobel-Riche, but the colors/lighting idea came entirely from the lovely @/cuarto_sol on twt

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[andy-clutterbuck]

requested by Anonymous

[kei-maki]

If I had a nickel for every time Shawn Levy directed a movie where there was homoerotic tension between two of the main characters, I’d have two nickels

Which isn’t a lot, but it’s weird that it happened twice, right?

[holocene-sims]

belle of the ball ❄️✨🤍

[markscherz]

Hello Dr. Frog guy, may I ask for the biggest frog species please!

Thanks for the prompt! Here’s a TikTok by way of answer.

[jhonny]

jojo night at the museum AU, starring divorced night guard jotaro and terrifyingly self-aware painting kakyoin.

one of these days i'll actually get around to writing it.

[handweavers]

i don't get the western obsessions with the kennedys, the titanic, and the british royal family like i feel absolutely nothing toward any of these things

[pink-glitter-gel-pen]

shawn and lassiter as jedebiah and octavius (the cowboy and roman from night at the museum) is this anything

[citrus-sours]

GENO FANS HOW WE FEELIN

[pensivespacepirate]

eskew letting David meet Riyo at the end of Festivity is an act of self preservation in this essay i will

[strwbrryfire]

how foolish to believe there would be no consequences for chasing the stallion too far.

an extension of ferrari's satisfaction test

[california-112]

Thinking about how Mulder is still on a bit of a self-destructive streak even after he gets Scully back after her abduction. In S02E09 'Firewalker', he is ready to go after Trepkos alone, despite knowing about how dangerous the man doubtlessly is- he's already killed two people. In S02E10 'Red Museum', he quite literally invites the kids to fight him 'four on one', and later goes after another known murderer- this time one who he already knows- by himself. Yes, there's an overall thing of Mulder running off like this. But specifically when it's so soon after Scully's abduction, and because he doesn't tell her at all, with no opportunity for a "Mulder, where are you going?", and she has to find out through a third party, it really sticks out to me.

I don't really know where I'm going with this, but there we are. Scully's back, but he still hasn't forgiven himself for losing her in the first place. It's almost as though he's still trying to bear some of her pain.

[doctorwhommm]

plsss draw owen and tosh on a day out!!!!

day out to a video game museum bc they r both gamers ! owen rage quits Pac-Man bc he is a loser (affectionate)