#mostly silliness tbh

[thetarttfuldickhead]

Is this the moment where Jamie learns that Keeley’s been seeing Roy? He could know already: his surprise and disgust might be due simply to finding Roy half-dressed and there in Keeley’s house when Jamie’s coming over to have a private chat. However, I find it more likely/more interesting to imagine that this is the first he hears about it. Granted, Keeley and Roy are both enough of public figures that their relationship would be news (especially given that Keeley’s ex is Roy’s old teammate and enemy), but as we’ve seen, Roy is wont to Take Steps to prevent paps from getting pictures. That can’t last forever, obviously – but might last long enough for this to be how Jamie learns of Roy and Keeley’s new romance.

And given that… his reaction to it is fairly muted, all things considered? Yes, he is surprised, and yes, he is disgusted, but he isn’t exactly shocked, is he? No how could this have happened, this is fucking madness, of all the people in the fucking world she could date, them together??? Outrage and damnation and!

Which makes a lot of sense, really, because you know if there’s one person who imagined Roy and Keeley together way, way before either of even met the other, it was our resident poster connoisseur and bisexual king of manifestation, the one and only Jamie Tartt.

He’s still not pleased with this development, of course, because a, Roy’s a massive cunt and now that he knows him Jamie wouldn’t fuck him if he begged him to except he totally would, and b, they weren’t supposed to get it on without Jamie, were they? Like, of course Roy wants Keeley: who doesn’t? And of course Keeley wants Roy: who doesn’t (I mean, not Jamie, of course, fuck that, Roy's a right bastard, but like, hyperthetically he can see why someone might fancy him a little). They just missed the bit where they’re supposed to want Jamie too – who doesn’t! – and uh, yeah, that sucks.

It sucks, but it does not shock. (Don’t worry, Jamie love, you'll all get there in time.)

This post was directly inspired by this gif set, btw.

[hinamie]

someone asked if i had ever drawn gojo with his scars, now i have :>

[sainz100]

2024 Brazilian GP | x

[sigulary]

Something silly and soft for the soul

[chloesimaginationthings]

Hai!!

I love how you draw Koichi!!! Please draw more of him I love my son very much :(

He’s a reliable guy !!

[beaulesbian]

⚔️ ONE PIECE || Zoro smiling & being silly - Fishman Island Arc ⚔️

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[dreamsy990]

just some roxas quotes i like

closeups

[wifiwuxians]

Pop Team Epic x MDZS

a small thing that came to me in a flash, done in a flash >:) i wish i could redraw the scene frame by frame, but my brain demands things be done immediately. still, i hope it makes someone chuckle at least! 💖

[makiswirl]

joddaros (and splatinum)

[woodsywarbler]

Mick (circa 1972)

[skitskatdacat63]

Can we talk about how in all the 2011 Post-Qualifying pics, Jense and Seb are always gravitating towards each other, and then Mark/Lewis are just🧍‍♂️

[en-chi-la-da]

why make the bitches fight when we could have hinasoudam <3

exactly <3

[kesharik]

A pest of the mind.